Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Wake up, wake yo, wake wake yo wa.
Speaker 2 (00:13):
Hi everybody, what's up with my guys?
Speaker 3 (00:17):
Why is my house the teenage hangout on a school night.
Speaker 4 (00:20):
Oh, that's easy because it's a mansion.
Speaker 3 (00:22):
Yeah, but it's actually not.
Speaker 2 (00:24):
No.
Speaker 3 (00:24):
One of the people that were at a house last night,
I guess has a massive house. Yeah, but like apparently
my house is the hangout house. And the pool, well,
the pool is closed, but they do always wind up
in the hot tub.
Speaker 1 (00:37):
There you go, there's something there.
Speaker 4 (00:39):
Yeah, they have an X factor of some sort.
Speaker 3 (00:41):
But at the same time, like, it's a school night,
why are you guys hanging out here?
Speaker 2 (00:45):
I know you had to cut back because the kids
were going crazy, but you guys usually used to have
a great snack closets.
Speaker 3 (00:51):
Well, well, when we have people at the house, we
always have to entertain something. So there was taco nights.
We had tacos hare from Okay, there's things teenagers house food.
It's crazy. But the challenging thing that I have is
I come downstairs and I'm in like leggings because I
just weren't worked out, and there's like teenagers and I'm like, oh,
(01:11):
I have to go back up and change, Like I
can't be walking them.
Speaker 1 (01:13):
Ount like this.
Speaker 4 (01:14):
You don't put the shorts over the line.
Speaker 3 (01:16):
I do, but last time I didn't because I was
coming down just to grab something and I wasn't prepared
for all the teenagers to be there, so I'd like
scurry back upstairs and change. Yeah, but man, my house
constantly teenagers in and out, which is fine, But I
was just shocked on.
Speaker 4 (01:30):
A tube that's going to say.
Speaker 2 (01:31):
I think for me, that's the part of Friday night, okay,
but Tuesday night, like.
Speaker 1 (01:34):
Well night, what do we do?
Speaker 3 (01:36):
What is hot tubs on a school night?
Speaker 4 (01:39):
What time do they end up leaving?
Speaker 3 (01:41):
The last bunch of them left at like eight forty
five nine.
Speaker 5 (01:47):
Yeah, I've been a sleeping Why letting them say that late?
The reality is got to be going by six. We
really don't get asked. We get asked if hey, can
my friends come over, but we don't really like get
out on a like time when they have to leave.
Usually on the weekends, it's been ten thirty, which is
fine because it's the weekend.
Speaker 1 (02:05):
Yeah yeah, but.
Speaker 4 (02:07):
I mean at nine o'clock is close to ten thirty.
Speaker 1 (02:09):
Yeah, far off.
Speaker 3 (02:10):
But there's always people in my house now, which again
I don't mind, but I think what threw me off
was was a Tuesday night.
Speaker 2 (02:17):
It's so crazy and weird to think about, like that
future of having friends and that they're coming over and
they're asking to go to other people's houses, because.
Speaker 3 (02:26):
In my childhood was not like that. Like my house
was not like the hangout house like that. I guess
my wife was, so she's used to this, So it
took me getting used to all this stuff.
Speaker 2 (02:34):
Yeah, I think we had to hang out house. People
would come over. Yeah, we had a basketball hoop.
Speaker 3 (02:39):
Oh okay, which is a parent. It's probably what you want.
You want your kids are like all the time.
Speaker 2 (02:43):
Yeah, yeah, but I know, yeah, we U saw, but
then we used to also, I don't know.
Speaker 4 (02:48):
It was just so different when we were little. We
weren't even home like that. Yeah, we were playing outside.
Speaker 1 (02:52):
Yeah, we were outside riding bikes.
Speaker 4 (02:54):
It's not like that, Noah.
Speaker 3 (02:56):
But also for us, Hollis is on a town where
there's like a lot of sidewalks people like, people go
to people's houses to hang out.
Speaker 2 (03:01):
Yeah, Marshalled is like people. Kids are outside and they're
riding their bikes. It reminded me so much of my
childhood That's part of the reason why I loved the
neighborhood that we picked, because it's like, like I remember,
it was a mad dash to get home, to throw
my backpack down to leave, and it was just like
you're back at dinner.
Speaker 3 (03:19):
Salem was like that too. Yeah, sidewalks, there's always kids around.
There's some of the neighborhoods and parks and suffia.
Speaker 2 (03:23):
Yeah, but now the world is just weird and it's
creepy out there. Like you, I wouldn't even trust if
they were outside somebody else's house, not having supervision, I
wouldn't even trust it.
Speaker 3 (03:37):
I mean, I think there was a certain age, yes,
but then at a certain age it's like, you know,
it's a little bit safer.
Speaker 4 (03:42):
Well, it just depends on where you are.
Speaker 5 (03:47):
You know, the kid is you know, a mad person
and they're like not, y'all can go over there on
super Well.
Speaker 2 (03:52):
It also depends the town. For me, like if back
where I used to live, I wouldn't I wouldn't do it.
Speaker 4 (03:58):
One morning we.
Speaker 2 (03:59):
Woke up and there was just anaked man in the
park across the street, just like swinging his venis around.
Speaker 4 (04:04):
Used Now I'm.
Speaker 3 (04:04):
Serious, like in front of your house.
Speaker 4 (04:06):
Yeah, and my car was getting broken into. Like it
was just sketch.
Speaker 2 (04:11):
It was.
Speaker 4 (04:11):
It was a little sauce.
Speaker 3 (04:12):
It started to get about when you lived in box
of screw Jersey.
Speaker 2 (04:18):
Yeah, the Fireman's It just it didn't It didn't always
start like that, but then it started getting weird. There
was like some drug stuff happening, and it just yeah,
like one morning we woke up and there was like
mayhem on the street because there was a naked, homeless
man in the park and he was swinging his.
Speaker 4 (04:35):
What is going on over there?
Speaker 3 (04:37):
It's tweaking.
Speaker 1 (04:40):
Four and what you and chilling cooling?
Speaker 4 (04:43):
Are we sticking to our early bedtime?
Speaker 5 (04:45):
Yes, another early bedtime today, I mean last night, and
I feel fresh.
Speaker 1 (04:50):
I'm loving it. I'm liking it. This time I went
nine fifteen.
Speaker 4 (04:56):
I mean that's still early for you.
Speaker 5 (04:57):
Yeah, but I'm used to ten, thirty, eleven, twelve, one, two.
Speaker 1 (05:04):
They know what again? What health is? The naps during
the day, Yeah, those were killing me.
Speaker 4 (05:08):
Yes, I used to do those two.
Speaker 5 (05:10):
Yeah, those were killing me because I'd be I'd be
I'd be sleeping till six seven and then I'm just
wide away till two three in the morning.
Speaker 4 (05:16):
Yeah, I'm like, what I remember back in the day,
no kids.
Speaker 2 (05:18):
I used to go home and I would sleep probably
for like at least an hour or two, and then
I was excited because I'm like, oh, now I can
stay up till ten or eleven, but I don't do
that anymore.
Speaker 3 (05:28):
Thirty minutes is good, but anything like beyond.
Speaker 4 (05:30):
Too hard though, once you get is I know, the
cat nap, but.
Speaker 5 (05:35):
It's just you know, I literally I avoided my crib
holy yesterday until I got home and I was able
to go boxing.
Speaker 1 (05:42):
Like four or five. I was out doing god knows.
Speaker 4 (05:45):
What, because you knew if you were.
Speaker 5 (05:47):
Just as I get home, I get comfortable and I'm like,
the coach is comfortable, the bed is comfortable, you know
what I mean.
Speaker 1 (05:52):
I put on something I want to watch and I
just knock out.
Speaker 2 (05:55):
I get so tired at night. Now I can tell
by my text messages, like when what time I fall asleep?
I text the fireman at like seven fifty five and
said good night, I love you. The man wrote me
back at like eight oh two. Never saw it really asleep.
Speaker 4 (06:10):
That's how I know when I'm ready and.
Speaker 1 (06:13):
It's just gone, okay.
Speaker 3 (06:14):
See last night I think I texted you at six
o nine, and I was like, there's a fifty to
fifty chance she's texting me back, because I don't know,
but you did text text me back. But I knew
that I was getting like clear the bedtime.
Speaker 2 (06:25):
Yeah, well the out between six and seven, that's putting
the kids down bedtime. And then if the farm man's
working at twenty four, I'm like, what am I standing
up for?
Speaker 4 (06:33):
Yeah, might as well get my hours.
Speaker 5 (06:35):
Send the text out of eight fifty eight. They replied,
non old too, you're gone. You've seen it the next day. Yeah, damn,
my bad.
Speaker 4 (06:42):
I know how you fall asleep back my friends, it's
like sad.
Speaker 2 (06:46):
My friends will send me text mesages at nine and
be like, hey, I know you're not going to see
this till tomorrow. I know it's late at nine o'clock,
but hey, everybody's life is different.
Speaker 3 (06:54):
Yeah, the dude the dozing on the highway though, the
wake with our schedule, that was like a problem that
I had for a long time.
Speaker 1 (07:00):
Going home or coming here.
Speaker 3 (07:01):
Well, there were times where it was both, but I
had to get my like my like rest on point
because on the way home there a couple of times.
Speaker 4 (07:06):
Where anybody listening to the show right now goes through that.
Speaker 1 (07:09):
I'm sorry.
Speaker 2 (07:09):
If you're in the car right now, you know that
I put the windows down sometimes, like.
Speaker 3 (07:14):
Because cold though muscles.
Speaker 2 (07:16):
That's why I do it to wake a mean but
tanty put me on. I this obviously have a new
commute coming from Marshfield. I was never listening to podcasts
on the way, and I was just always music, music, music,
the podcast help, Yes do they I don't notice help.
Speaker 4 (07:32):
Yeah, I'm awake.
Speaker 2 (07:34):
I don't notice how long I'm driving, and I feel
like I blink and we're here.
Speaker 3 (07:38):
And there's so many good ones out there that are
just captivating.
Speaker 2 (07:41):
Yeah, you know, I'm listening foreign to the Severance podcast
right now. It's with Ben Stiller and Marqueses.
Speaker 1 (07:48):
I think, so what do they do? They talk about
the episode.
Speaker 2 (07:50):
They talk about each episode, but it doesn't drop until
after the episode, so they're very cognizant of not giving
away any spoilers or anything like that. But yeah, they
break down each episode and it's just so interesting to
hear just what goes in to just one episode of
a show is so mind boggling to me because I
would never think about all of the logists. I mean,
(08:13):
how important in the show, like just the lighting alone
is They're like.
Speaker 1 (08:17):
Twelve Lady, because that makes the show hard.
Speaker 5 (08:19):
It basically it puts you into their moods and into
their space and lets you know what's going about the
part of the world and either the in severance or not.
Like yeah, yeah, lighting in that show is critical, you
know what. I like those that they always bring different
directors almost not every episode, but majority.
Speaker 2 (08:35):
They had the director of this last episode because episode
seven was crazy. If you watch Severns with Gemma, they
had the director on and it was so interesting to
hear her talk about it. That show, which we're not
you're not going to be shocked to this is so
intentional with every little it's so intentional.
Speaker 5 (08:53):
Everything because it all plays the part. And to me,
I'm like, how does the person who's coming to guests
direct this thing know how to carry on from the
last let's say six episodes?
Speaker 2 (09:01):
Well, fun fact this this woman usually a lot of
times it's you know, Ben's in there. Benziller's in there
because he's the he's the overall like I think exactly.
But this director was also the cinematographer, so she not
only knew this or so, but she was friends with
the uh script writers and everything and even crazier. So
they were trying to decide, if you don't watch Severance,
(09:23):
you're not gonna.
Speaker 4 (09:24):
Understand, but you should.
Speaker 2 (09:26):
They were doing a lot of flashbacks in this last episode,
and you know, we needed to understand like the power
of gem and marx relationship and why he would choose
to get severed when he lost her. So they're like,
where are we going to do these flashback scenes? Like
how are we going to figure out? Long story short.
The woman that directed the episode, she lived in an
airbnb and she was like, I think my airbnb would
(09:46):
be good.
Speaker 4 (09:47):
To shoot some of these flashback scenes. That's where they
did it at her literal airbnb.
Speaker 2 (09:52):
You know, do you think about when Gemma's like spraying
the her plans and it's.
Speaker 1 (09:56):
That beautiful yeah fire.
Speaker 4 (10:01):
So they got it pretty much free, but she was
renting it.
Speaker 1 (10:03):
Yeah, isn't that so wid should get the director's credit? Yes,
I like it.
Speaker 3 (10:07):
Had they talked about what timeframe this is because that's
one of the biggest questions I have because on the
last episode they were texting again, so it makes you
think that it's more up to date.
Speaker 2 (10:15):
It's mentioned a couple times in that it's intentional that
they're doing it that way, but that Ben Stiller loves
films from the seventies. Okay, that's like the way his
eye is trained, he said. So.
Speaker 4 (10:26):
I think that he also executive produced the show. Dan
and Morra. Remember we watched Moura and.
Speaker 2 (10:32):
You can tell that the outside shots are kind of similar,
like they're dark.
Speaker 4 (10:37):
Their seventies old. It's that's his style. He likes that.
Speaker 3 (10:41):
It's a great show. It's a great show. I just
hope for season three that they don't take a huge
gap like they did for the last one.
Speaker 4 (10:46):
I know, but it was.
Speaker 2 (10:47):
The payoff's been pretty good, it has. The payoff's been
pretty good. Well, Hi, everybody, Good morning. Eight twenty is
the time we're hooking you up a chance free trip
at four.
Speaker 4 (10:56):
It's a Walt Disney World.
Speaker 2 (10:57):
Come on,