Movement with Meklit Hadero

Lupita Infante is the granddaughter of Mexican cultural icon, Pedro Infante, but she is also an artist in her own right, carrying legacies from both sides of her family. Through songwriting, GRAMMY performances and stints on Mexican television, Lupita is charting a new path for herself, while honoring and questioning the culture she’s inherited. 

Peter One has had two big breaks, decades apart, on different continents. But both times, he has chosen to live a double-life: working as a touring musician and also holding down a “regular job” in order to lead a “simple life.” 

In the early 1900s, the ‘Little Syria’ neighborhood thrived in Lower Manhattan, but today few people know it even existed. Rapper and poet Omar Offendum aims to change that.

For Satomi Matsuzaki, the lead singer and bass player in Deerhoof, music has been a humanizing tool in the face of the sometimes dehumanizing experience of being an immigrant. Look no further than the band’s new single, Immigrant Songs.

Lalin St Juste knew, even as a child, that singing was a path towards her own healing. As she grows up, she goes on a journey reclaiming her Haitian heritage – and uses music as a process of healing herself and her bloodline.

The LA-based folk musician Annahstasia was “discovered” by the music industry when she was just 17, but the backing of a label wasn’t the breakthrough she’d imagined. The breakthrough had to come from within. 

How do we turn pain into empathy? Meklit talks with Liberian-American singer Mon Rovîa about his long journey to doing just that. 

Daymé Arocena has one of the most stunning voices in music today. But when Meklit heard Daymé's latest album, Alkemi, she could tell something dramatic had changed. Her voice had changed, and Daymé had changed too. 

Learn more about Movement at: https://www.movementstories.com/

Bashar Al Assad, Syria’s brutal dictator, has fled the country -- opening a new and uncertain chapter after more than a decade of Civil War. Meklit speaks with the Syrian electronic composer Samer Saem Eldahr (otherwise known as Hello Psychaleppo) about how that conflict changed his life and music. 

Diana Gameros was living in the US in 2010 when her home city of Juarez, Mexico became known as one of the most dangerous places on Earth. She was undocumented at the time; she couldn't travel back and forth even to see family. In this episode Diana tells the story of what it meant to finally go back and perform in Juarez after many years away. 

Chhom Nimol of the band Dengue Fever tells the harrowing story of the 22 night she spent in an immigration detention facility.

Meklit talks with Tunisian singer Emel Mathlouthi about the moment that turned her into a viral sensation and the voice of a revolution -- but also about what it means to move beyond the shadow of that one moment. 

Adi Oasis released an album and had a baby in the same year -- she thought it would be the end of her music career, but it's been the opposite. Adi and Meklit talk about the challenges of being a mama musician, and how motherhood changed how they see their own sense of place. 

Cheakaity is a DC-based soul singer who was brought into the world with a weighty name: the one who breaks unbreakable things. He talks with Meklit about lineage, prophecies and the fear of living a life unfulfilled. 

Victoria Ruiz fronts the leftist punk band Downtown Boys, and has spent her career walking the line between pragmatism and idealism -- often in extremely visible settings, and often with painful consequences.

Fanny was the first all-women band to release a record on a major label, in 1970. Meklit talks with lead guitarist June Millington about the incredible pressures of navigating the industry at that time and how parts of their story were never fully told. 

Helado Negro has released 13 records in 15 years. He joins Meklit to talk about how the immigrant work ethic plays out in the arts, and Meklit wonders: is it good that we work this much?

Buscabulla got the kind of lucky break most artists only dream about: the chance to record with the biggest artist in the world. But what happens after the lightning strikes -- can they channel its energy?

Sid Sriram wanted to make it big in the American music industry, so when got an opportunity to live and work in India as a singer for hit films, he wasn't sure he would take it. Meklit talks with Sid about his breakout album Sidharth, playing Coachella, and how he needed that time in India to find his way in the US.