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November 19, 2025 33 mins

More To The Story: John J. Lennon thinks true crime is exploitative—and he has a unique perspective. In 2001, he killed a man on a street in New York City. He was convicted of murder several years later and given the maximum sentence—25 years to life in prison—on top of three additional years for two other convictions. From behind bars, he began reckoning with his crime through in-prison writing workshops and soon fell in love with journalism. He’s since made a name for himself as an incarcerated journalist and has been published in The Atlantic, Esquire, and the New York Times Magazine, often writing about the criminal justice system and conditions in correctional facilities, all from the inside. In the decades Lennon’s been behind bars, America has become increasingly fixated on stories like his—true crime—through endless podcasts, documentary series, and streaming shows. But Lennon argues that tragedy is too often being turned into entertainment. True crime “creates this thirst for punishment,” he says. On this week’s More To The Story, Lennon joins with host Al Letson to discuss how his first book, The Tragedy of True Crime: Four Guilty Men and the Stories That Define Us, inverts the basic structure of the true crime genre. They also discuss how his portrayal on a cable news show hosted by Chris Cuomo inspired him to write the book and how Lennon now views the murder he committed almost a quarter-century ago.

Producer: Josh Sanburn | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Copy editor: Nikki Frick | Digital producer: Artis Curiskis | Deputy executive producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson

Listen: In a Mississippi Jail, Inmates Became Weapons (Reveal)

Read: There Are Many Programs Trying to Reduce Recidivism. This One Works. (Mother Jones)

Read: The Tragedy of True Crime: Four Guilty Men and the Stories That Define Us (Celadon Books)

Read: A Convicted Murderer’s Case for Gun Control (The Atlantic)

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