Eavesdropping at the Movies

Eavesdropping at the Movies

"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo. "I just like the sound of my own voice." - Michael Glass.

Episodes

May 20, 2026 40 mins
Most videogames that receive cinematic adaptations are big - the likes of Uncharted, Minecraft, Sonic the Hedgehog and Resident Evil, all of which have been adapted, some several times, are among the biggest games in history, and their cinematic versions are typically intended to be blockbusters. Exit 8 is not. It is an independent Japanese game made by one person, turned into a low-budget, high-concept, Japanese horror film. And m...
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Mark as Played
Seven years ago, we disagreed with the thrust of what Mark Jenkin's Bait had to say about the world as it is and as it ought to be, but appreciated its expressive strength. It was a film with substance. You could grapple with it. Rose of Nevada broadly conveys the same messages, but, as they derive primarily from the film's setting and less so its plot, is less forceful and argumentative about them, requiring us to accept them in s...
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Mark as Played
April 23, 2026 45 mins
In 2015, Matt Damon found himself stranded on Mars in The Martian, an adaptation of Andy Weir's novel of the same name, and had to improvise unlikely solutions in order to survive and get home. In 2026, Ryan Gosling finds himself stranded in outer space in Project Hail Mary, an adapation of Andy Weir's novel of the same name, and has to improvise unlikely solutions in order to save Earth and get home. It's fair to say that we're on...
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Mark as Played
April 2, 2026 34 mins
Sirât is all about tone, and the time it takes to establish it. It begins with an array of massive speakers being set up in a desert, and over the next several minutes, we experience an outdoor rave, the music trance-inducing, the ravers moving freely and in their own worlds, as we gradually narrow our focus on an out-of-place father, Luis, and his young son, who we learn are searching for his daughter, last seen five months ago. F...
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Mark as Played
March 27, 2026 42 mins
We've previously seen Bacurau, writer-director Kleber Mendonça Filho's last film, which we loved, and find The Secret Agent a similarly fascinating depiction of political corruption and persecution in Brazil, though much more grounded and fleshed out, particularly given the historical setting in 1977, at which time Brazil was subject to a military dictatorship. To José, who grew up in Franco's Spain, The Secret Agent's depiction of...
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March 24, 2026 42 mins
Those to whom Emily Brontë's only novel, Wuthering Heights, is important, have approached Emerald Fennell's adaptation warily. It's a book that a lot of women have grown up on, and the trailers raised questions. Would it be too steamy? Too modernised? Would it miss the point? We, however, residing outside that demographic and never having read the novel, can't meaningfully consider the issue of adaptation, and are more interested i...
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March 19, 2026 24 mins
Send Help sees Rachel McAdams marooned on a desert island with her asshole boss in a cartoonishly gory comic adventure the likes of which made director Sam Raimi's name. We discuss how feminist it really is - at the very least, it's a bloke's idea of female empowerment - and praise McAdams' and Dylan O'Brien's performances, upon which the entire film relies. Recorded on 15th February 2026.
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December 17, 2025 33 mins
Possibly the sweetest and lightest gay BDSM biker film ever made, Pillion opens up conversations on power dynamics, consent and boundaries, and made Mike cry. Everything about it is so assured, particularly Harry Melling's understated protagonist, meek and new to BDSM; Alexander Skarsgård's commanding, mysterious lover; and Harry Lighton's direction, the control of tone he exhibits a remarkable achievement for a first feature. We e...
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December 15, 2025 34 mins
One of Iran's most celebrated filmmakers, Jafar Panahi, has spent the last quarter of a century in conflict with the Iranian government, which objects to his films' criticisms of their actions and the wider social conditions in the country, and has both arrested him several times and banned him from making films for twenty years - which hasn't stopped him. His latest, It Was Just an Accident, won the 2025 Palme d'Or, and tells the ...
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Mark as Played
November 28, 2025 41 mins
Russell Crowe shines in Nuremberg as Hermann Göring, who became the face of the Nazi Party following Hitler's suicide and the end of the war, as he's held in custody and probed by a psychiatrist as the titular trials approach. Indeed, while a mediocre film, its actors' performances are a pleasure - with the exception of Rami Malek, whose psychiatrist is twitchy, busy, and a failure. A shame that he's the protagonist, then. We disc...
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Mark as Played
November 18, 2025 28 mins
Jennifer Lawrence gives a career-best performance as a new mother struggling with depression and a rocky relationship in Die My Love, directed by Lynne Ramsay, whose remarkable instinct for tone and atmosphere shouldn't be taken for granted. It's a character study whose artistry is all in the filmmaking and performances, which bring out great richness of feeling in material that, on the page, might seem to lack complexity. One coul...
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November 13, 2025 35 mins
Yorgos Lanthimos' fourth collaboration with Emma Stone yields a darkly comedic thriller about two conspiracy theorists who kidnap a CEO, determined to reveal the truth that she's an alien from Andromeda. We've all at least considered it. While funny and absurd, Bugonia is also tragic and misanthropic, and we're unconvinced that its ending is either earned or fitting, despite Mike's insistence that he's seen it coming for weeks. We...
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November 9, 2025 35 mins
Another classic Gothic horror is remade for the modern age: first we saw Robert Eggers' Nosferatu, and now Guillermo del Toro brings us his adaptation of Frankenstein. Like Nosferatu, Frankenstein is astonishing to look at, and, like Nosferatu, also written by its director, it probably would have benefitted from the attention of a professional screenwriter. Still, it's a pleasure to spend time in the word del Toro envisions, and we...
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October 28, 2025 29 mins
Far from an outstanding film, but amazing to look at and too much fun not to recommend, we had a great time in Tron: Ares, which reverses the reality-computer interface that brought humans into the digital world in the previous two films; it's now the virtual that becomes real. An evil company searches for the code that will give its 3D printed computer assets longevity in the real world - so far, they crumble into dust after about...
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We're joined by our resident Paul Thomas Anderson expert (and Mike's brother), Stephen Glass, to whom we've previously spoken about Phantom Thread and Licorice Pizza, for another discussion of One Battle After Another. Stephen's seen it in both VistaVision and IMAX 70mm, and can offer a sense of the experience Mike and José missed seeing it in IMAX Digital, and so begins a wide-ranging conversation about the film's aesthetics, tone...
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October 20, 2025 37 mins
Mike isn't impressed with The Rock's attempt to take on a dramatic role in an intimate biopic after decades of popcorn blockbusters, seeing it as Oscar bait. José doesn't share his cynicism and likes the lead performance. We discuss what The Smashing Machine depicts - disagreeing, in particular, about whether the protagonist shares any blame for the issues in his relationship - as well as whether its look and storytelling are probl...
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October 13, 2025 28 mins
A Big Bold Beautiful Journey, directed by former video essayist Kogonada, is beautiful to look at and very likeable, but derivative and ultimately unsatisfying. We discuss its lighting, its attitude towards people's histories and the memories that live with them, and why a rubbish script Mike once wrote makes him particularly keen to sneer at it. Recorded on 29th September 2025.
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October 6, 2025 25 mins
Cheap, simple, high-concept and reasonably graphic, The Long Walk is a throwback to the days of the B-movie. In its dystopian, totalitarian version of the USA, an annual event, the Long Walk, is designed to inspire a work ethic and national pride in the citizenry, and in so doing restore the country to that self-defined global number one status it craves; to make America great again. The televised competition sets fifty young men, ...
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October 3, 2025 36 mins
By far Paul Thomas Anderson's most expensive film, with a budget some four or five times what he's used to, and probably his most accessible, One Battle After Another entertains us enormously and effortlessly without sacrificing the complexity and nuance for which his work is known. Set in an alternate America oppressed by Christofascism, the alternate part is that there's a very active militant revolutionary group, the French 75, ...
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September 11, 2025 28 mins
Commitment is scary. It's especially scary when you drink water from a cursed puddle that wants to make a hybrid of you and your partner. Together tells the story of a couple moving to a new countryside home during a questionable period in their relationship: she has a new job and is responsible for the move away; he's emotionally distant since the death of his parents and relies on her for transportation and financial security. Th...
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Mark as Played

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