Why Theory brings continental philosophy and psychoanalytic theory together to examine cultural phenomena.
On this episode, Ryan and Todd discuss the episode--a fading television art. Beginning with a brief history of what early American Broadcasting aestheticized about television as form (e.g., its liveness), the hosts theorize the unique cut of the television episode, an analysis typically reserved for film media. The cut has been aesthetically mobilized by television (as seen in the banal yet artistically fruitful breaks for commerci...
In this episode, Ryan and Todd continue their commentaries on Jacques Lacan's seminars by turning their attention to Seminar XIX: ...or Worse. Lacan deepens his consideration of the non-relation in this seminar, further breaking from the signifying chain that had defined much of his earlier and middle work. Lacan also turns more toward mathematics and set theory to ground his discursive inquiry, which requires him to articulate...
On this episode, Ryan and Todd continue their series of commentaries on Lacan's Seminars, this time bringing their attention to Seminar XVIII: On a Discourse that Might not Be a Semblance, which was recently published in an official English translation by Bruce Fink for Polity. The hosts work through the stakes and questions of this "morning after" seminar for Lacan's toward the quadratic formulation of the Four Discourses that wil...
In this episode, Ryan and Todd complete their Gaze & Voice duology. While gaze & voice both enter into psychoanalytic theory as objects through Lacan's work at the same time, voice has received less critical attention since. The hosts put voice through a theoretical wringer, analyzing it at the levels of everyday life, aesthetics, and politics. Ultimately, the episode takes up the question of whether and to what extent ...
In this episode, Ryan and Todd discuss one of psychoanalytic theory’s most influential ideas: the gaze. The hosts talk about how Laura Mulvey’s gloss on “the male gaze” made the idea widespread across film theory and cultural studies in different formulations. Yet often missing in these accounts is how the gaze is a challenge to mastery, rather than a confirmation of it. The hosts work through two of Lacan’s examples to this effect...
In this episode, Ryan and Todd pay tribute to the recently deceased film actor, director, and producer Robert Redford. Working through dueling top ten film lists, the hosts draw out a political and moral throughline that distinguishes Redford's long career. As the hosts contend, Redford's filmography is defined by an exploration of Kantian moral law and the nonverbal expression of an excess that cannot be named.
In this episode, Ryan and Todd conclude their Marx duology by working through the excellent Eighteenth Brumaire of Louis Bonaparte. The hosts focus on Marx's narrative and progressive understanding of history as well as the famous notion of repetition expressed in the work's first two lines. The discussion concludes with a critical engagement with Marx's concept of the psyche and the peasantry.
In this episode, Ryan and Todd discuss Karl Marx's posthumously published Economic and Philosophic Manuscripts of 1844, colloquially known as the 1844 Manuscripts. They begin by discussing how teachable and approachable the text is before underlining the book's core arguments. While not intended for publication by Marx, this text nonetheless offers a highly structured look at Marx's developing thoughts on capitalism, al...
In this episode, Ryan and Todd discuss the so-called "End of History" in Hegel's thought. Francis Fukuyama's 1989 essay "The End of History?" thrust Hegel unexpectedly into mainstream political conversation. The first half of the episode discusses the legacy of Fukuyama's essay and considers how appropriate it is to regard the End of History as a purely Hegelian notion. The second half discusses issu...
In episode 201, Ryan and Todd work their lists of the Top 10 Television Series of the 21st Century. The hosts operated by the following rules:
1. Only completed series. No currently in production series.
2. No series could be included, even if completed, if there is pre-production or production being done on a continuation to the original series. (Not a total spoiler but spoiler-adjacent comment: one of Todd's selections just ab...
In Why Theory's 200th episode, Todd and Ryan work through their own respective lists of the Top Ten films of the past 25 years not know what the other person's picks are. No spoilers in the episode description. Thanks to everyone who has listened over the previous 199. You mean the world to us.
In this episode, Ryan and Todd return to their film genre series to discuss the musical through interlocked analyses of The Jazz Singer, Top Hat, The Wizard of Oz, Singin' in the Rain, and Carmen Jones. The hosts' theoretical intervention focuses on the musical as vehicle for technological innovation in Hollywood history, as well as how the genre operates as a site for excess becoming integrated into seeming normality.
On this episode, Ryan and Todd put the idea of common sense through the theoretical wringer. Working through examples both banal and world threateningly serious, the hosts present the argument that changes in what we often refer to as common sense fundamentally alter one's relationship to the everyday and that this is vital terrain for articulating a politics of liberation.
In this episode (recorded prior to such events as the Trump - Musk breakup and the National Guard being sent to L.A.), Ryan and Todd discuss Sigmund Freud's essay "On Narcissism: An Introduction." Freud's notion of narcissism clashes with the increasingly commonplace idea of narcissism that is largely informed by a pop-psychology importation of Narcissistic Personality Disorder. Freud's notion of narcissism ca...
On this episode, Ryan and Todd work through Sigmund Freud's under discussed Group Psychology and the Analysis of the Ego. The hosts first lay out how Freud establishes the group, rather than the individual, as the psyche's primary formation. They then devote time to teasing out the consequences of group dynamics as Freud writes about them in the figures of the Church and the Military, while spending much time talking about ...
In this episode, Ryan and Todd dedicate a full-length treatment to one of the podcast's most frequently referenced works: Racecraft: The Soul of Inequality in American Life by Karen E. Fields and Barbara J. Fields. The hosts move from engaging the term racecraft itself (which, not for nothing, both gets a red squiggle when I write it and the computer keeps separating the two words from each other like it's an error after I ...
In this episode, Ryan and Todd discuss the effect artificial intelligence is having on higher education, primarily through commentary on ChatGPT. They first discuss how immediacy and the elimination of labor are key to ChatGPT's appeal before moving to discuss how it produces an idea of what Lacan would term the Big Other and how its ruling logic is one of emergent consensus. They end by arguing that ChatGPT inverts Rick Boothb...
Kicking off a new Overview sub series of podcasts, Ryan and Todd discuss the influential ideas of Hegelian-Lacanian philosopher, Slavoj Žižek. After discussing Žižek's defining contribution in bringing the study of Hegel and the study of Lacan together, the two hosts move through three ideas apiece that each influenced their own work and their own thinking.
Ryan and Todd discuss the political implications of the societal tendency toward euphemism. They theorize euphemism ultimately as a tool of the reactionary forces and as a way of blunting the necessity of critique. Euphemisms make the people employing them feel better while furthering the very structure of oppression that the euphemism claims to ameliorate.
Ryan and Todd define and explore the key psychoanalytic concept of the symptom. They contrast the psychoanalytic understanding of the symptom with the therapeutic version and then think about how we must respond to the symptom, including what it means to enjoy one’s symptom. In the discussion of changing the relation to the symptom, they discuss the disaster film as a paradigmatic form of response.
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