Cannonball with Wesley Morris

“Marty Supreme” is a box office and critical hit. The film just received nominations in many of the most coveted Oscar categories — best picture, director and actor. And Wesley is glad about all of it. He loved the movie and its shameless protagonist, Marty Mauser.

But it turns out that a lot of people going to see this movie don’t share his feelings. In fact, a lot of them hate it. And much of that seems to have to do with a hatred...

Cannonball is taking a short break and will be back very soon. In the meantime, listen to this special conversation:

Last November, Wesley spent an evening with Michelle Obama to celebrate the release of “The Look,” her new book about fashion and the power of style. It’s a heavy text – weighing in at about 4.12 pounds (Wesley checked). That makes it great for coffee tables. But it also reflects the weight of what it meant to Michell...

Wesley has a practice as a new year begins of saying goodbye to those who won’t be coming with us. He could have easily done an episode on any number of household names. He could have done the same with people who weren’t the biggest names, yet still loomed large for many.

But out of all the artists who passed in 2025, Wesley decides to dedicate time to Roberta Flack.

The critic and scholar Daphne A. Brooks, a friend of Wesley’s, joi...

When a book publisher asked Wesley to write an introduction for a new edition of “The Great Gatsby,” he was confused. So many people had already written about F. Scott Fitzgerald’s novel since it was first published in 1925. What could he add? And why him?

But eventually, he realized he does in fact have a special relationship with this book. He has read it in three different phases of life, and each time, it seemed profound in an e...

On today’s show, Wesley reveals his favorite film performances of the year — but his list is not an ordinary best-of list. He zeroes in on the specific details that make a performance great. Like, who did the best acting in a helmet this year? Who were the most convincing on-screen best friends? And who refused to play it safe? Find out in our first annual Cannonball Great Performers special.

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Cannonball is off this week for the holiday. But I wanted to share something with you from our friends over at The Interview. It’s a conversation that my colleague David Marchese had awhile back with one of our biggest stars, Eddie Murphy. I've been thinking about it recently because there's a new documentary about Murphy that just came out on Netflix -- and I highly recommend this conversation as a kind of companion listen over yo...

Netflix has a hit in “The Perfect Neighbor,” a documentary attracting a lot of attention for both its subject and its form. Using police camera footage, the film shows the events leading up to the killing of a Black mother of four by her white neighbor. It’s unquestionably powerful and difficult viewing. But for Wesley and his fellow Times critic Parul Sehgal, it raises all kinds of moral and ethical questions. What does it mean to...

For Wesley, the most interesting thing about Taylor Swift’s latest album didn’t have much to do with the music. It was the critical response. Sure, there was plenty of enthusiasm. But there was also some exasperation and weariness. And to Wesley, that felt like a needed shift in pop music criticism. Which has gotten awfully nice lately. A little too nice.

That idea — that pop music criticism has lost its edge — was explored in a rec...

Dwayne “the Rock” Johnson’s new movie, “The Smashing Machine,” sends him back to his natural habitat: the ring. But for the first time ever, Johnson finds himself in a role that grapples with what it means to move through the world in a body like his.

Wesley talks to Sam Anderson, who recently spent a day with Johnson for a Times Magazine profile. They think about the line between artifice and reality — in Johnson’s performance, and...

Wesley Morris doesn’t go for cheap jump scares or gratuitous gore. Instead, his favorite horror movies fill him with a sense of dread. This Halloween, he invites film curator Eric Hynes to rewatch scenes from some of the scariest movies they’ve ever seen — some you’ll find in the horror section and some you won’t.

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Wesley Morris has been talking about movie stardom with Bill Simmons of The Ringer for as long as they’ve known each other. The actor and director Robert Redford is often invoked in their conversations as the definition of a movie star. In today’s episode, Wesley invites Bill to remember the roles that made Redford a household name and to ruminate on the state of the movie star in 2025. Do we have any true stars left?

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Paul Thomas Anderson is a very rare figure in Hollywood — he’s widely considered to be one of the very best directors of his generation, but he’s never really had a hit when it comes to making money. One Battle After Another might change that. It’s a big budget action movie with a bankable star. And to Wesley’s relief, that didn’t come with any compromises.

Wesley invites The Ringer’s Sean Fennessey to celebrate the merits of Anders...

This season, “South Park” is taking on the Trump administration the only way it knows how: with stop-motion, expletives and jokes about the size of the president’s penis. But how is the show getting away with it? Wesley Morris and the comedian Wyatt Cenac discuss the special sauce that is allowing "South Park" creators Trey Parker and Matt Stone to survive the political pressure that’s come for their comedy peers. At least for now....

Six years ago, with the publication of The 1619 Project, Nikole Hannah-Jones argued that slavery was a foundational institution upon which the United States was built. President Trump called the project a crusade against American history — ideological poison that, “if not removed,” would “dissolve the civic bonds that tie us together.” Now, his administration is making a similar argument to attack diversity programs, historical dis...