Conversations about the culture that moves us – the good, the bad and whatever’s in between. Every week, critic Wesley Morris talks with writers and artists about the moment we’re in. Surprisingly personal and never obvious, new episodes drop Thursdays. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.
The public outrage was inevitable. The New York Times Magazine published a list of the 30 greatest living American songwriters. Two hundred and fifty music insiders submitted ballots. Six Times music critics and writers sorted through it all to get to 30.
For Wesley Morris, it was both daunting and thrilling. Luminaries like Bonnie Raitt, George Clinton, Lin-Manuel Miranda and Mariah Carey submitted ballots. How to honor those subm...
“Michael,” the new Michael Jackson biopic, knows what it’s doing. That’s clear from the opening shot: high-water pants and white socks pushed down to a pair of black penny loafers. It’s appealing to a very specific version of our memories of Michael Jackson. The version some of us prefer to hold onto. But in doing so, it avoids the truth.
Our qualms with the King of Pop? Forget about that. Be horrified by Joe Jackson’s abusive pare...
Wesley loves Zendaya. The actress caught his eye as the charming but drug addled Rue in HBO’s “Euphoria.” But he thinks Hollywood hasn’t cast her in roles worthy of her considerable gifts. So when Zendaya showed up in the movie “The Drama” as a young Black woman with a secret from her past that threatens to derail her engagement to Robert Pattinson’s character, Wesley was cautiously optimistic. Here were two of Hollywood’s finest i...
“Cannonball” is on its last week of spring break, so we’re sharing an episode of “Popcast” that features Jack Harlow discussing his pivot to R&B. In a viral clip from this episode, Harlow, a white musician, says, “I got Blacker.” Wesley was struck by Harlow's honesty and the questions raised by the full conversation.
Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite ...
While the “Cannonball” team is on a short break, Wesley is recommending some notable conversations he’s listened to lately from other New York Times shows. This week, it’s an episode of “Modern Love,” featuring host Anna Martin talking with Zendaya and Robert Pattinson. They dig into the complicated relationship at the core of their new film, “The Drama,” and consider how much they actually want to know about their real-life romant...
Seven years after Toni Morrison’s death, we’re experiencing what the critic Parul Sehgal describes as a “wave of Morrisonia.” Eleven of her novels are being reissued by her publisher. There’s a new book of criticism about her novels. You can feel the effort to shore up her legacy.
It’s an understandable impulse. This is the woman who wrote “Beloved,” the Pulitzer Prize-winning novel that, as Parul writes, “invented a language for u...
“We’re living in protest-y times! Where are all the protest songs?”
That was a question that Wesley Morris was asking in the time leading up to Bad Bunny’s Super Bowl LX halftime show. He thinks the scarcity of direct protest art in this moment contributed to the intense speculation and anticipation about what Bad Bunny would do on that stage. Would it be a protest? And if so, what kind of protest?
Well, now the show’s over. So what ...
“Marty Supreme” is a box office and critical hit. The film just received nominations in many of the most coveted Oscar categories — best picture, director and actor. And Wesley is glad about all of it. He loved the movie and its shameless protagonist, Marty Mauser.
But it turns out that a lot of people going to see this movie don’t share his feelings. In fact, a lot of them hate it. And much of that seems to have to do with a hatred...
Cannonball is taking a short break and will be back very soon. In the meantime, listen to this special conversation:
Last November, Wesley spent an evening with Michelle Obama to celebrate the release of “The Look,” her new book about fashion and the power of style. It’s a heavy text – weighing in at about 4.12 pounds (Wesley checked). That makes it great for coffee tables. But it also reflects the weight of what it meant to Michell...
Wesley has a practice as a new year begins of saying goodbye to those who won’t be coming with us. He could have easily done an episode on any number of household names. He could have done the same with people who weren’t the biggest names, yet still loomed large for many.
But out of all the artists who passed in 2025, Wesley decides to dedicate time to Roberta Flack.
The critic and scholar Daphne A. Brooks, a friend of Wesley’s, joi...
When a book publisher asked Wesley to write an introduction for a new edition of “The Great Gatsby,” he was confused. So many people had already written about F. Scott Fitzgerald’s novel since it was first published in 1925. What could he add? And why him?
But eventually, he realized he does in fact have a special relationship with this book. He has read it in three different phases of life, and each time, it seemed profound in an e...
On today’s show, Wesley reveals his favorite film performances of the year — but his list is not an ordinary best-of list. He zeroes in on the specific details that make a performance great. Like, who did the best acting in a helmet this year? Who were the most convincing on-screen best friends? And who refused to play it safe? Find out in our first annual Cannonball Great Performers special.
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If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
Post Run High features conversations with high-performing founders, athletes, artists, health and science experts, and leaders about what it really takes to succeed. Through honest, post-movement conversations, guests share how they’ve navigated challenges, built resilience, and used movement as a tool for clarity, discipline, and growth. Each episode explores the mindset behind performance — what keeps people going when things get hard — and offers tangible advice listeners can apply in their everyday lives.
Buck Sexton breaks down the latest headlines with a fresh and honest perspective! He speaks truth to power, and cuts through the liberal nonsense coming from the mainstream media. Interact with Buck by emailing him at teambuck@iheartmedia.com
Stop doomscrolling. Start decoding the tech rewiring your week - and your world. The Interface is the BBC's fiercely informed, fast and funny take on how tech is changing everything. Hosted by journalists Tom Germain, Karen Hao, and Nicky Woolf, each episode unpacks week-by-week the unfolding story of how technology is shaping all our futures. No guests. No jargon. Just three sharp voices debating the tech news stories that matter - whether they shook a government, broke the internet, or quietly tipped the balance of power. As TikTok shifts geopolitics, Trump drives digital shockwaves, Elon Musk expands his space-internet empire and AI reroutes the routines of everyday life - the trio ask: what world are the tech titans building for us? And do we want to live in it?