On today’s episode, we’re talking with Carlos Simon—a Grammy-nominated composer, cultural storyteller, and one of the most influential musical voices of our time.
Carlos’s music blends gospel, jazz, classical, and cinematic soundscapes to tell stories that speak to our collective memory, our spiritual traditions, and the urgency of now. From his work with the Kennedy Center and Boston Symphony to his bold compositions like Requiem for the Enslaved, Amen!, and brea(d)th, Carlos is using music as a form of ministry, resistance, and joy.
We sat down ahead of the upcoming premiere of his monumental new work, Good News Mass, commissioned by the LA Philharmonic. It’s a gospel-infused reimagining of the Catholic Mass that features spoken word, orchestral brilliance, and visual storytelling—anchored in the Black sacred tradition.
In this conversation, we talk about the creative journey behind Good News Mass, what it means to compose from a place of faith and ancestral presence, and how Carlos continues to push boundaries while remaining deeply rooted in purpose.
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