"I wasn’t interested in playing melodies. I wanted to find out what electricity sounded like when it told the truth.”
He didn’t just make music—he made experiences. He played marathon sets in warehouses, at acid-fueled happenings, art galleries, planetariums, and with The Grateful Dead.
His performances were long-form, trance-like explorations of voltage, feedback, and consciousness—music as transformation.
“Those shows weren’t performances. They were portals”
His music lay largely hidden for decades until re-released by VG+Records
Doug's Music:
The Complete San Francisco Moog: 1968-72 San Francisco Moog: 1968-72 Vol. 2With Thanks to Lee Gardner at VG+
#DougMcKechnie #BureauOfLostCulture #lighshows #sanfrancisco #thegratefuldead #frankoppenheimer #goldengatebridge #ElectronicMusicHistory #ModularSynths #MoogMusic #Psychedelic60s #VintageSynthesizers #UndergroundSounds #modularFrequencies #alanwatts
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