Drew Marvick is a producer, writer, director, actor, horror enthusiast, and so much more. In this episode, we discuss the world of production, horror fandom, and why it's so important to not let the fear of failure hold you back from pursuing your passion.
Drew's primary career has been as a producer in the commercial world, but he's branched into acting in indie films and horror movies. He talks about his work ethic and not having an ego on set. It's not about where you're at on the call sheet, it's about coming together as a team to do the best work possible.
He breaks down what the commercial production process is really like - starting a completely functioning and successful business over and over for single days at a time, and shutting it down immediately after.
Motivated by all the talented people with whom he worked, he made his first film, the cult hit "Pool Party Massacre" with a meager budget in his parents' backyard. That movie has taken a life of its own with unexpected longevity - after 5 years, it's still playing at film festivals. He uses it as an example for all the people who want to do something but don't because they are afraid. He hopes people see what he's done and think, "If he can do it, so can I."
Connect with Drew @drewmarvick on all platforms.
Connect with me: https://pods.link/aardvarkgirl
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00:29 I've been watching horror my whole life and been fascinated by it. But separately, I just also loved movies and photography, and wanted to do one or the other. I didn't think production was a real, attainable job. I thought you were born into it, or made in a factory or something. I just didn't think it was real, so I was going to be a photographer. That was my goal. And then I kind of did neither, and then fell into this.
02:52 I still thought maybe there was something, and maybe I could go to film school. And then my dad actually kind of talked me out of it. He just didn't think it was a good idea. And he basically said, “If you're really passionate about doing film or photography, get a degree in business. I will pay for your college if you get a degree in business. And then if you're still passionate about it, I will pay for you to go to film school or photography school after that. But you're gonna need the business sense to do either of those jobs. If you don't have it, you'll fail. But also, you want to make sure that you're passionate about it before you waste four years to be a waiter.” That’s what he said. I think in the back of my mind, I knew he was probably right. I did get a business degree from UNLV. And when I finished, I had zero interest in going back to college to get any other degree, no matter what it was. And so I went into the management world.
04:57 When I was leaving Coyote Ugly, I happened to mention to an employee who was going to film school that if she ever needed a PA, give them my name, and I'll do it. She called me the very next day and said, "I'm working on a commercial and they need someone. If you're serious, call this guy, Matt. Here's his number.” That started a long relationship, because I ended up being a full-time producer for him for years. And now, I still work freelance for him to this day. I was going to take two months off and then get a real job again soon. And I still don't have a real job.
09:58 As a producer, business school makes way more sense than film school. Some people come out of film school lacking certain skills like interpersonal skills, and customer service skills, things like that. As a producer, you need to interact with people, and people need to trust you, and like you.
I say that everyone should have a customer service job at some point. Even if you want to be a filmmaker, and you know that's what you want to do, you should still get a job whe
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