Willa Ross returns for a lively discussion about Heaven Can Wait. We cover Lubitsch and Raphaelson’s opposing views on the film’s unusual protagonist, its counterintuitive structure and elisions, the film’s theological implications, argue about whether or not the production code negatively impacted the film, and discuss what happened at Fox in the early 1970s and why it matters for technicolor pictures such as this.
Edited by Griffin Sheel.
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NEXT WEEK:Writer and film historian Eloise Ross joins us to discuss Otto Preminger and his 1944 noir Laura. For information as to where to find this film, check out our resources page.
WORKS CITED:Eloise Ross's Writeup for HEAVEN CAN WAIT in Senses of CInema
Heaven Can Wait: The Simple Act of Living by William Paul
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