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August 28, 2025 26 mins

Gail Eisnitz joins Let’s Talk Memoir for a conversation about structuring her memoir around her pursuit of answers to a lifelong medical mystery, coming to terms with her own humanness, writing about her career in animal advocacy, exposing the underbelly of the meat industry and effecting change for millions of animals, working on difficult and hard-to-sell material, not sharing a book project with friends and loved ones until it’s complete, weathering a difficult submission process, allowing herself to soften emotionally, becoming more in touch with self-compassion, and her new memoir Out of Sight: An Undercover Investigator’s Fight for Animal Rights and Her Own Survival.

 

Also in this episode:

-factory farms

-writing what feels right

-discovering what holds the book together

 

Books mentioned in this episode: 

The Happiest Man on Earth by Eddie Jaku

The Choice by Dr. Eva Edith Eger

The Tattooist of Auschwitz by Heather Morris

Gail A. Eisnitz, winner of the prestigious Albert Schweitzer Medal for outstanding achievement in animal welfare, has been working for decades to document and expose the shocking underbelly of the U.S. meat industry. She is chief investigator for the Humane Farming Association and author of the forthcoming memoir, Out of Sight: An Undercover Investigator’s Fight for Animal Rights and Her Own Survival. Eisnitz and her first book, Slaughterhouse: The Shocking Story of Greed, Neglect, and Inhumane Treatment inside the U.S. Meat Industry, were the driving force behind a front-page exposé in the Washington Post that resulted in an annual multimillion dollar Congressional appropriation for enforcement of the Humane Slaughter Act – the first funding ever allocated for a law that had been on the books for more than forty years. Eisnitz’s work has resulted in exposés by ABC’s Good Morning America, PrimeTime Live, and Dateline NBC, has been featured in such newspapers as the New York Times, San Francisco Chronicle, Miami Herald, Detroit Free Press, Texas Monthly, Denver Business Journal, Los Angeles Times, and U.S. News & World Report, and her interviews have been heard on more than 1,000 radio stations. In her new memoir, Eisnitz takes readers on a journey of self-discovery as she fights to document and expose scandalous animal abuse, all in the face of a rare visual processing disorder that she has grappled with since childhood. The disease, which was only identified in the scientific literature a mere ten years ago – was diagnosed after she began writing her memoir – and is revealed at the book’s climax. 

Connect with Gail:

Website: www.GailEisnitz.com

Facebook: https://www.facebook.com/gail.eisnitz

Humane Farming Association: www.hfa.org

 

Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. 

She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.

More about Ronit: https://ronitplank.com

Subscribe to Ronit’s Substack: https://substack.com/@ronitplank

Follow Ronit:

https://www.instagram.com/ronitplank/

https://www.facebook.com/RonitPlank

https://bsky.app/profile/ronitplank.bsky.social

 

Background photo credit: Photo by Patrick Tomasso on Unsplash

Headshot photo credit: Sarah Anne Photography

Theme music: Isaac Joel, Dead Moll’s Fingers

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