The Removalists: A Theatre Review of an Australian Classic

David Williamson’s iconic play, The Removalists, makes a powerful return to the stage, reviving its unflinching exploration of domestic violence, police brutality, and the abuse of power. 

Set in Melbourne in the 1970s, the story follows the turbulent events that unfold when Fiona Carter, with the help of her sister Kate and a removalist, attempts to leave her abusive husband, Kenny. The situation escalates as two police officers, Sergeant Simmonds and Constable Ross, become involved, revealing the dark underbelly of toxic masculinity.

Melbourne Theatre Company's revival of Williamson's black comedy invites audiences to reflect on societal issues while enjoying a hearty laugh. 

Review written by Noel Anderson 

More Info: https://linktr.ee/noelanderson

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Episode Transcript

(00:00):
Welcome to the world of Australian theatre,where David Williamson's "The Removalists" stands as a testament to the unapologetic storytelling that emerged in the 1970s.

(00:10):
This iconic play,first performed in 1971 at Melbourne's La Mama Theatre has become a cornerstone of Australia's cultural landscape,
confronting audiences with themes of domestic violence,
police brutality,and the abuse of power.
It's dark humour and candid exploration of the violence lurking beneath society's polite facade marked a significant moment in Australian drama.

(00:34):
With today's heightened awareness around issues of power and gender dynamics,
I was intrigued by how the Melbourne Theatre Company would reinterpret "The Removalists.
" The choice of Anne-Louise Sarks as director,particularly for a play steeped in themes of toxic masculinity,
added another layer of interest.
Set in Melbourne,the narrative follows Sergeant Simmonds and Constable Ross as they respond to a domestic disturbance involving Fiona Carter and her abusive husband Kenny and her supportive sister Kate.

(01:05):
As Fiona attempts to leave Kenny with the help of a removalist,
tensions escalate,revealing the brutal truth about domestic violence and abuse of power.
Upon entering the Sumner Theatre, the staging immediately caught my eye.
In a nod to La Mama's original intimate setting, extra seating upstage offered a unique perspective.

(01:26):
However, this choice occasionally disrupted the connection with the main audience.
Despite this,the lack of an interval kept the momentum going,
even if it meant enduring a lengthy scene change,the fast-paced script ensured the wait was worthwhile.
The preview performance grappled with pacing issues,
particularly in the opening police station scene,where the actors seemed uncertain about their comedic timing.

(01:51):
Balancing the play's dark undertones with its humour is no easy task,
yet by the second half,the cast found their rhythm,
delivering a series of compelling performances.
Jessica Clarke's portrayal of Kate was infused with just the right amount of sass,
while Steve Mouzakis as the crooked cop Simmonds deftly balanced humour and menace.

(02:14):
William McKenna brought depth to the role of Constable Ross,
and Michael Whalley,despite a slow start,eventually commanded the stage as Kenny.
Eloise Mignon's nuanced portrayal of Fiona added a gentle, yet impactful presence.
And Martin Blum as the removalist was unflappable.
The true star of the production remains Williamson's script.

(02:37):
Its confrontational nature and playful language push boundaries,
challenging audiences with its raw depiction of societal issues.
Despite its 1970s roots,the script's relevance persists,
echoing contemporary debates on power and abuse.
Williamson's prolific career,spanning 55 plays and several acclaimed films is anchored by "The Removalists" and "Don’s Party,

(03:03):
" both plays continue to resonate with audiences today.
In conclusion,the Melbourne Theatre Company's revival of "The Removalists" is an engaging experience,
even with its imperfections.
The fight choreography could be sharper,and the staging might benefit from reconsideration,
but the production captures the essence of bold unapologetic Australian theatre.

(03:26):
In an era overshadowed by cancel culture and global uncertainties,
this play offers a welcome dose of '70s-style humour and reflection.
My name is Neil, and I hope you enjoyed this review.
Be sure to subscribe to this channel.
See you at the theatre.
This review was written by Noel Anderson