In this episode, I dig into a question that’s always lurking in the back of a portrait photographer’s mind – what really makes light flattering? It’s a term we all use, but what does it actually mean? Is it just about soft shadows and low contrast, or is it more about the connection between the subject and the photographer?
I talk through this while reflecting on a busy week – from a stunning wedding at Head Saw House to a corporate shoot for Barclays, and a spontaneous portrait session that reminded me why I love this job. I also share some thoughts on the updated Mastering Portrait Photography book, which hits shelves in September, complete with fresh images and a whole new chapter on AI post-production.
If you’ve ever wondered what makes a light truly flattering – and why it’s about more than just the gear – this episode is for you.
And as always, wherever you are and whatever you’re doing, be kind to yourself.
Cheers P.
If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode.
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If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.
Transcript
Well, as I sit here in the studio, the sun is shining in through the windows and it's been a beautiful, beautiful week. I started it with a trip down to Devon with the in-laws. One great thing about being married to Sarah, whose family are from Plymouth, there are many great things about being married to Sarah.
But one of the ones, in terms of geography, at least, is her family still lived down in Plymouth, in Devon, by the sea. So it was absolutely glorious to spend a couple of days down there walking the dog, drinking a beer, enjoying the sunshine, and the sun is still shining here right now. And on that happy note, I'm Paul.
I'm very much looking forward to a barbecue, and this is the Mastering Portrait 📍 Photography podcast.
📍 📍 So what did we do over the past week or so since I recorded the last episode? Well, Sarah and I went off and photographed the most beautiful wedding at a location called Hedger House, which is sort of in between us and London, give or take a bit. Um, and you'll have seen many, many Hollywood films, uh, that were shot there.
None of which I can remember. There's a couple of James Bond films, a couple of Dustin h Dustin Hoffman films. I don't know, I should have paid more attention, but it is the kind of venue that you can imagine. Downton Abbey, uh, being filmed in. As it turned out, it was Abby and Rob's wedding. Um, beautiful.
I've worked with the family for many years, photographed her brother's wedding, uh, a couple of years ago, and so we've been looking forward to this day enormously. And when Sarah and I work together, it is a great privilege. It's not just that Sarah, uh, Sarah's family are from the sea, but she's a fantastic photographer.
Um, not that we've ever really used that talent, but if you think about it, it makes sense given that she must see. Well, I dunno how many hundreds of thousands of images every single year go past her screen. 'cause she does all the selections, but also she knows exactly, exactly what's required to design a great album.
Because at the end of the day, I. It's Sarah designs them. So it was a real beautiful thing to be able to do. Sarah has created some wonderful imagery. We've also had a couple of portrait shoots, three or four this week, which I've really enjoyed today actually. We've had one came in for a reveal and one came in for a shoot.
Two lovely families, and at the end of the day, that is still what this business is about. There is so much going on out there in the news about ai, about technology, about the economy. But in the end, the bit of the industry that I sit in, this bit here is all about families. It's about memories, it's about real people doing real things.
So it's been absolutely brilliant to be. Uh, photographing families, uh, and also selling, uh, a beautiful frame. This morning. It was absolutely lovely, big layup of multiple images, uh, to go on the wall. Uh, also this week, um, I took a trip into London to photograph the Barclays bank. A GM set up quite specifically the setup.
The brief actually said, do not include people where it's possible. So that's fine. I was there to photograph, um, for the, um. The production company that do all of the work behind the scenes. They create all the staging, they create all of the film work. My job was quite lite
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