Episode Transcript
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(00:00):
.999Today, I have the pleasure of speaking with Sharbana Coelho, an award winning writer, performance artist, and workshop facilitator who fully embodies the energy of the Right Angle Across the Planning.
Her journey is a blend of bold execution and deep introspection, all while creating systems that nurture communities well being.
(00:21):
Originally from India, Sharbana's travels through Tierra del Fuego and Mongolia shaped her creative path.
She's inspired by traditional dance, and through this she's found a balance between the solitude of Gate 40, And the community building energy of Gate 37 with the mastery of the Gate 16 and focus of Gate 9.
(00:43):
.999Her work provokes, inspires, and connects deeply with others.
During this interview, I had the privilege of going deeper into some reflections of how she is carrying this energy and embodying her Incarnation Cross.
.999And she appreciated the feedback that she received.
It took away some beautiful insights.
(01:05):
Thank you.
Her story invites us to explore our own creativity, release fear, and discover our voice in landscapes of our lives.
.999So this is more of a conversation about art, and it's a call to action to use the gifts for the greater good.
I hope you enjoy.
(01:27):
Do you spend all of your time building and maintaining your business so that you achieve the success you envision? Do you feel frustrated, unfulfilled, and have a loss or disconnect from your creative flow? Are you a conscious leader that is ready for change when it comes to society's views on money, wealth, relationships, and what prosperity truly means? If so, you are in the right place.
(01:49):
Welcome to the provoking prosperity podcast.
I am your host, Miranda Mitchell.
I am a two four Manny Jen, who is here.
To empower and equip you to step out of the box of social norms, guide you into using your voice for inspiration and impact, and support you in finding what prosperity means for you so that you have the business and life that fulfills you.
(02:10):
So grab the cup of coffee, get comfy, and get ready to hear the heartwarming and heart-wrenching personal stories, all things human design and gen keys, plus tangible practices that you can implement right now for your personal and business growth.
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I am here today on the Provoking Prosperity podcast with Shabana Coilo.
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So grateful that you are here.
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Thank you for joining us.
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Thank you, Miranda, for having me.
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I'm really thrilled to be here.
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Your journey of moving through India, living in India, being born in India to, moving into landscapes of Argentina and Mongolia.
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How did these experiences reshape your inner world and influence your creative work that you're bringing today? I think they were massive and I would say one of the, I call it that year where I left the city to go to Tierra del Fuego in Argentina.
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It was I call it my resurrection year because I felt like something major happened where I said, if all I do is live in cities.
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I would regret it, I had read about all these places in geography class in India when I was growing up and I grew up as a city girl and, I won this grand for a short story, the promise, not even the promise shown, it was like 8, 000.
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And I'm like, I am going to Tierra del Fuego.
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That, that kicked off what was like two years of travel.
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This, Tierra del Fuego is at the southwestern most tip of the world.
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After that, the next stop is Antarctica.
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And a lot of people go there to begin their lives again, even people who live in Argentina.
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I applied for this Fulbright grant and got to Mongolia to live with nomadic communities there.
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So what I would say what it did was.
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All the vast landscapes outside, they came inside me.
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They rearranged how I felt inside more space inside.
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And I also realized how this call to be in a kind of wild nature, really, as much as it Sometimes it made me afraid because I wasn't used to it, but I found it very thrilling and calming at the same time.
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So that's what I would say.
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I don't know if you feel that way when you go in nature.
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I think each of us have our different kind of nature.
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Some people are mountains and gardens.
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And for me, there was something at that age, at that time of being in like a vast spaces.
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And interesting treeless spaces.
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That would be interesting.
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Vast treeless spaces were.
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There were trees like I remember this moment in There were forests.
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It wasn't, but there's also so much space and that's how I think of it.
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But I will, there was an interesting thing about trees when I was in Mongolia.
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I remember once.
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We were driving and we suddenly came across on the step of a grove of trees, like suddenly trees, short trees.
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And I was like, Oh my goodness, trees.
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And I began counting 1, 2, 3, 4, 5, 6.
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And they were like no.
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Don't count.
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This is a beautiful, It was like they were saying to me.
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The person I was with, don't count your blessings.
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There are trees and be grateful for them, but don't count them.
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One, two, three, four, five.
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And I had gone to Mongolia after living in New Mexico.
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And in New Mexico, I had a friend who was a Navajo, who was Diné, a Diné storyteller.
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And I don't know if she told me this saying before, This story or after, but she told me the story, this saying that she grew up with, which is the fastest way to lose your sheep is to count them.
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That gave me goosebumps.
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I love it.
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When I connect with people that give me goosebumps because the body tells us so much more than the mind does.
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And it shows when.
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There's something there to take notice to integrate to feel and to acknowledge.
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Thank you for that.
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Thank you.
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Your work blends writing performance.
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And dance and tools for liberation, liberating yourself and others from fear and social norms, social conditioning.
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Could you share how your creative expression evolved over time and what inspired you to use your artistry as a means of building and nurturing communities? It all happened very slowly, step by step, following things, smells, how you were talking about the body.
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I think the scent coming more into the body, like an animal following this gut, that smell.
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And I am still to this day, because I have to work or cultivate, nourish my capacity to create and that it's okay to also just be in the world, because how to say I didn't grow up as someone who thought that I was a creative person.
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I was someone who was moved.
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By things that I read and I saw very moved by them.
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And it was only when I began writing fiction and poetry, but that was in my 20s, that things began to shift.
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I began to look at my internal world as a new landscape, someplace to explore, someplace mysterious that had things That just haunted me, but in an enchanted kind of way, I would say.
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And it's really been very mysterious, Miranda.
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Like I started writing short stories and fiction and really first I was following rules in the sense of how do you write? How do people say you need to write when you write? What are the rules of writing? Learning, say how to build a house.
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Someone says you do this, you put this down and you put that down.
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But there's also houses you can create.
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by magic or by dreaming it that have interesting shapes and they can still stand.
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So I feel part of my journey has been learning how to do things like people have told me, which has been useful because they know they've done there and been there.
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And then also tapping into unseen places and unseen feelings.
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And I feel I'm more like what has already been there.
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That's if.
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And so as I was doing this, as I, But what began coming up was this idea of colonization.
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I come from India, which was colonized by the British and the Portuguese.
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And every other, for every other European, you might say, came there and took something and was there.
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But certainly the British were there for a hundred years.
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And the Portuguese, parts of India were a Portuguese colony till 1967, like Goa.
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And that's where my last name, Koilo, comes from long, long ago.
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My father's family, which were Hindu, were, I imagine, forced, because I don't know the story, but I can't convert to Christianity, as many were, and and I feel like what happened more than that in my particular family, I come from a very particular class of Indians Part of the British education policy to manage the chaos of India, it's written down was to create a class of Indians who are Indian in blood and color, but English and intellect and morals.
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and values and it was a way it's a common thread of what colonizing forces do is make you like them you know and so what does what I began and so I grew up speaking English as my first language and not only speaking English but going to elocution classes so I spoke it well.
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Going, memorizing poetry by heart, going to competitions in our schools, or you stand like this and recite a poem.
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All the worlds, a stage, all the men and women with this kind of inflection.
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That, when I began doing plays, I really saw who I was.
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why I felt the way I felt, how much that had impacted how I saw the world.
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And I would say that was the biggest, the first step towards beginning to remove the veils and the, like the matrix, begin being like, Oh, I think I'm better than other Indians because I speak English.
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Nevermind.
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They speak so many other Indian languages, things like that.
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I feel I'm going to make it a point when I go out, like when we move to the U.
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S.,
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not to smell of Indian smells like masala, because apple pie is a great thing to smell, but not masala.
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Things like that, being conscious of even my connection as a marginalized person or a person of color.
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I came from India where everybody was brown or, shades of brown.
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And to come to the U.
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S.
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as an India, I naturally identified with the dominant culture of a place, not with other people of color.
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So when I first came here and people started labeling me a minority and I was eligible for minority things, it was in building solidarity with other people of color, that was its own journey.
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So I'm just saying this is how it happened.
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And and when I started doing dance, like flamenco, especially, it put me more into my body and I began doing workshops where I felt like, once you begin to find your voice, you want to share.
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That was my impulse.
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I want to share.
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I want to see what could be possible, I'm a nomad.
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I'm still working a little bit on community.
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That is like I have an online community, but I'm playing with what root means.
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It's very interesting.
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When you're talking because I am going to talk a little bit about the human design aspect because I'm remembering I looked at your chart and there's things like popping when you speak.
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The first is this channel that you have that is the 4037 that is all about community.
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It's the archetype of the father and the mother coming together and you have both gates and you have the gate 40 in your son.
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So it's a huge element of who you be.
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So I find it very interesting that you were born into that too, with your family, the community aspect, and that you continue to grow and evolve The belief of when you're born into a family that you will never forget anything that you've learned in the past life, that you bring it with you.
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And I find it interesting that you were born in that and it's part of your energy.
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So I wanted to point that out.
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And then also there is a lot of individual individualization within your chart with intuitive knowing.
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And speaking and when you spoke about smell or taste, there are gate activations in your chart that are predominant that actually have to do with smell and taste.
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You can taste the frequency of something.
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You can smell the energy of something.
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So I wanted to point those out because I was like, Oh yes.
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Whoa.
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This is what I wanted to ask you.
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It's interesting that you see.
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like community where I was born because it's so interesting.
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I'm in this place both with knowing that I need to connect with I would call the healed and wise ancestors.
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This is the work of Daniel for F O R.
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And another healer named Catherine done at the same time.
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I feel I've lived through a time where I've been living the unlived lives, some kind of violence.
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With ancestors who had violent, who came to violent ends, or lived in a, with a lot of pain.
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I'm in this place of being like, yes, I am, I come from that place.
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These two, this mother and that father.
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And also I do not come from that person and that other person.
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And I wonder how that lands with you or what you.
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With your energy and your groundedness the way that you be, you also have the nine 52, which is called the channel of the Buddha.
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Basically it is like stillness and focus together.
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It is about.
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The stillness of within having that it's like a mountain energy that grounded mountain energy with focus plus with the gate 40, which is and this was going to go into the next question because with this energy, it is about retreating to be by yourself.
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To have that stillness so that you yourself know what it is, what your next action or inaction is.
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So when you ask that's what it feels to me.
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It feels like a connection to ancestors listening to their guidance and then moving in that direction when your body tells you to, not when your mind, when you just take the action and the way for you to do that is through nature, through stillness.
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And when that grounded energy that you have, that is totally what I feel.
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There's this groundedness.
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Which I want to say, I appreciate because a lot of society is stuck in the doing and the rushing.
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That's what comes up to me.
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I hope that answered your question.
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Yeah, actually it does because it's interesting.
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The first thing that comes to mind is this book that you might have read called Rest is Resistance.
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Tricia Hersey, I believe and she's an African American artist, educator.
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It's a manifesto.
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It's what you spoke of, this idea that Giving, taking time to rest, in fact, is a form of resistance to this grind culture, as she describes it, that wants us to do.
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And it's a way to reconnect to ancestors and to our next true step, and it's so much easier I feel like I'm, I've been living it for years, as much as I've I was in Spain for two and a half years, living in a city mostly, except for little times out.
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And I really do feel as much as I gained so much from learning there, studying flamenco there, there's a part of me that was really eroded by being in city because it's not, at this point, it's not my true nature anymore.
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And so I'm here right where we're talking in this place, which is like this cabin that's in nature.
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in a nature that I truly love.
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And I've just been like my body is craving stillness, non doing and trees.
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It's craving trees.
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There's trees here, ponderosa trees.
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And this tree that I love, love, called an alligator juniper, that they're very big, they're juniper trees, but they're big juniper trees.
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They have this bark that looked like the skin of an alligator.
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So these kind of little squares, across like that.
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And then they have these, the branches as they come out, they look like movement frozen.
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They look like a river has frozen in movement.
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It's all twisted.
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And it's totally shaped by wind and water and some of the branches are like this, you can see these, you know how when you see see a pebble that's been rounded by a river.
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But you can still see the marks of the river on it, it's not fully, it's like that.
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Some of the branches of this tree are like sinew, like muscle, frozen in movement or a frozen river or river moving, but in, in wood, so it feels really good to hear you say that and it's where I am.
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but it takes some doing every day to be it's okay.
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And that's because of society telling us to be successful, you have to rush around and do all the things.
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Then at the end, where you're at, when you're finally where you think you want to be, then you get to rest.
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However, if you live in that mentality, you are never where you want to be, ever.
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So you never rest, you never get to enjoy life, you never get to be guided.
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by the stillness of your inner heart or inner knowing because you're externally just looking for that next thing.
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So when you rest and recharge, how does it influence your authenticity and your expression with writing and your performances? Mysterious things come up when I rest and things I don't expect.
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I think it also really helps to be not connected to electronic things for spells of time.
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I think electronicness and money are both useful because we invented them and to use them as tools that we need to connect.
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But when they become so big that they they control us.
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It throws things out of balance.
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When I find, when I'm, when I go still, when I write, it's just amazing what happens.
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I feel I'm as much I'm going into my story, I feel I'm going into some universal layer, like a sacred pool or something, that belongs to all of us, that you can go and see.
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Take water from and that's your story or your poem or your dance or your offering.
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More and more I want to dance under trees and do stuff that I find.
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It takes me to a place that's uniquely mine, but also deeply universal.
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I guess that's how I would say.
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I think it helps me bring something true back into the world to share because that's an important part.
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The connection with others isn't with tech.
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That's where we're losing that connection.
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We have connection because we're able to talk now.
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That's right.
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But it's not that.
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Physical connection.
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There has to be both.
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We get to learn through tech, but then what's happening is a lot of people are then not doing the physical, the in person that type of connection.
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So it has to be both for us to be grounded into nature, yeah.
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Do you feel like there's times when you feel that you need to compromise your authenticity to meet the expectations of others? And how do you handle those moments? Feel sometimes those moments handle me.
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I will tell you without too many details.
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Right now I am going through something where you I think it's, you might say intergenerational trauma or something, but what's happened is say my body cannot be around a certain person.
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My body cannot be.
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I would talk myself out of it.
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And I'm not saying this person is a bad person or anything.
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It's just there's history there and my body right now cannot be around.
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I just need space.
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I just need space.
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Now in the past, I think I would not have listened to just my body.
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And it's, but now I'm listening and taking space.
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As a freelance artist for so many years, sometimes you're really comfortable being in the dark with money, with making a living.
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Other times you're not.
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And I do feel like the other thing that's really difficult right now.
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is I'm going through such a time of not believing, or it's like there's a real great fear of the next step in terms of putting an offering that people will value with money.
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Or maybe I'm also burnt out a little bit from being an independent artist and having to create things from scratch.
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Maybe my body is craving a kind of consistency in a different way, I'm trying to listen, and not judge consistency to mean I'm getting a real job because that's really, there's a huge chorus right now of people saying, I can hear that.
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Get a real job.
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When you get to this certain point of not knowing and a certain point of the coffers are low and you're like, I can hear that.
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So I'm like, okay, so it's like this real dance of connecting to ancestor, connecting to nature, being true to what my body needs.
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What does consistency look like for me? So it's a real dance, but I'm saying, I feel right now, I'm really seeing some bedrock beliefs that I've had.
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And I'm also feeling In a real way, what are these things that we call patriarchy, capitalism, I'm seeing it not as a concept, but it's really showing up as like blood and bone and this kind of scaffolding that can really bring you down.
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It brings it back to the feeling feeling those words rather than intellectually thinking about what they mean.
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It's feeling the energy of what that is.
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Money is always something, especially with creatives and people that don't get that nine to five job, I feel like that nine to five job truly is, it's conformity and it's putting you in a prison of what someone else needs you to do.
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And for those that are stepping away from it.
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There is more struggle because there's not consistency, but we're only conditioned to believe there should be consistency in our life.
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Why should money be consistent when our emotions are not consistent? When the way that we move is not consistent, it's more fluid.
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So that is based on society fears.
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And not having enough, but then it's also learning to tune into your body and trusting that when you're authentic, when you're in your self expression, when you're connecting on a deep level with people, that whatever you need will show up for you.
234
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And it is to trust it because going a little bit into the gene keys, one aspect in the 40.
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Eight, which is my conscious son.
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It, it talks about wealth and how wealth is based on fear that there's not enough, I'm not enough.
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And that when we tune into our own unique energy and what brings us excitement and deep connection.
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That we will then be guided and supported in exactly enough that if we always want more, it's based out of fear.
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But if we trust that we're supported, we will always have enough.
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I love hearing that and bringing that into my body, I feel is my next.
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I'm there.
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I'm in that part where like my, I gotta believe.
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I don't know, maybe there's another way to say it.
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I don't know.
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But I feel like.
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That's the part right there.
247
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Cause I've been through phases where I've believed that's where I'm at.
248
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I'm right there, Miranda, I'm right there, which is like how to surrender, how to trust.
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I it's amazing.
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if you'd look and see what I've done, you're like, Oh, but she's done these things.
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And it's true.
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And yet they come up in their cycles of such vulnerability, I would say.
253
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And those cycles of vulnerability are where we grow.
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I can't remember what.
255
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Planet it is in, but you do have the 48 defined in your chart, that goes into what I just talked about with wealth.
256
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It's that energy.
257
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And it also goes into depth and it goes into believing that you already know enough.
258
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That you are already wise enough when people ask you things, you will just know there's no more learning that you have to do.
259
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It's just there.
260
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You do have that entire channel.
261
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So it's connected to your throat.
262
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So when someone asks you something, the most beautiful things can come out of your mouth.
263
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That you have no idea where it was from and you also don't even know what you just said.
264
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It's almost like magic.
265
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It's just like your body just knows.
266
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Yeah.
267
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And then I also want to give you reassurance that the 57 is also connected to your throat.
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That 57 is very intuitive.
269
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However, in the lowest expression, it is fear of the future.
270
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So those are energies that are within your cellular level.
271
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It's okay to feel them.
272
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It's okay to express them because that's part of what you're here to learn.
273
00:27:31,20.6118334 --> 00:27:44,910.6138334
It feels good to say when you just said, I could feel my body shift from a place of fear I felt that in my body, what you just said what that says to me too, is how important to accept those fears.
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I, you might have read like my whole life change when I invited fear in to have some tea it was like a poem that came, but I honestly feel I'm rediscovering that poem every day in this time.
275
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And as much as I've been afraid of the future and afraid of not knowing how it will show up, it feels more.
276
00:28:08,390.6138334 --> 00:28:19,920.6138334
It feels more intense right now, I I don't know why now, just some frequency of intensity, that kind of wants to root out that, root it out, root out.
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To a bigger evolution? I like to say anytime that fears show up, we know those fears live within us.
278
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It means there's a shift happening.
279
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There's growth happening.
280
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There's evolution.
281
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It's actually a gift that they're showing up because it means something is shifting, whether it's a perspective something even externally, something is changing.
282
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Grounding into that, accepting it and loving the fact that the fears are showing up.
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And then asking yourself, what is this showing me? What is this showing me? Am I moving? Am I growing? Am I letting go of things? A lot of people with fears think it's chaos and they want to get back to the normal, but truly it's the opposite.
284
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It's embrace it and step into the different.
285
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Yes.
286
00:29:01,385.6123334 --> 00:29:01,835.6123334
Yes.
287
00:29:02,65.6133334 --> 00:29:02,355.6133334
Yes.
288
00:29:03,375.6123334 --> 00:29:03,965.6123334
Beautiful.
289
00:29:04,525.6123334 --> 00:29:13,925.6123334
I want to talk about your dance, because you do flamenco and I can't pronounce this, so what is the other one? Oh, I studied, it's called Bharatanatyam.
290
00:29:14,485.6123334 --> 00:29:19,265.6103334
it's an Indian dance, and the ancient word for India is Bharat.
291
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And Natya is dance, or actually drama, it's Natya.
292
00:29:25,865.6113334 --> 00:29:32,575.6108334
It's really technically means Indian dance, the dance of Bharat, I am studying both these things very much.
293
00:29:32,575.6108334 --> 00:29:48,65.6118334
I'm an apprentice to them how has studying these dances influenced the ability to convey your emotions? I wrote this article that's called of stones and dance that I that really helped me reflect on this journey of dance.
294
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I started Bharatanatyam as many as a child, but not for a long time, I would say, I don't even know how long, maybe I was eight, something like that.
295
00:30:00,170.6108334 --> 00:30:03,150.6108334
eight, nine, at the most.
296
00:30:04,990.6108334 --> 00:30:06,390.6108334
I had no feeling for it.
297
00:30:06,390.6108334 --> 00:30:12,610.6098334
It has a lot of, it's called taal is the beat of it, and it's like ta, ta, ka, tak, things like this.
298
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And you, but I had no feeling for it.
299
00:30:15,210.6108334 --> 00:30:24,0.6098334
And then in my thirties that whole year of travel that I discovered salsa, for example, I was in Mexico and something happened.
300
00:30:24,0.6098334 --> 00:30:28,860.6088334
After salsa, I came to New Mexico and I discovered flamenco while I was living in New Mexico.
301
00:30:31,30.6088334 --> 00:30:32,670.6098334
And it began to shift.
302
00:30:33,160.6088334 --> 00:30:36,190.6098334
I think what dance did was one, it brought me onto the stage.
303
00:30:36,190.6098334 --> 00:30:41,120.6098334
The first time I was taking flamenco and we had a student recital, at a community college.
304
00:30:41,120.6098334 --> 00:30:42,660.6098334
And our teacher was really great.
305
00:30:42,820.6098334 --> 00:30:43,350.6098334
Jaro.
306
00:30:44,495.6098334 --> 00:30:51,785.6098334
She had organized us to be part of the colleges, recital and I remember the first time around, I got on stage.
307
00:30:51,825.6098334 --> 00:31:04,435.6098334
I felt that thing that you feel when you're like, Oh, this is something I am scared, but something is alive, and one of the things Dance did, flamenco, was brought me onto the stage.
308
00:31:04,895.6098334 --> 00:31:08,575.6098334
Which was a place I never expected to love or anything.
309
00:31:08,855.6098334 --> 00:31:11,95.6098334
I was always behind the camera.
310
00:31:11,115.6098334 --> 00:31:12,395.6098334
I was terrified.
311
00:31:13,535.6098334 --> 00:31:17,705.6098334
I remember seeing photos of myself online when online was new.
312
00:31:17,715.6098334 --> 00:31:23,95.6098334
So this is in 2003 or something maybe, and I tell people to take it down.
313
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I couldn't stand to see myself.
314
00:31:26,740.6098334 --> 00:31:39,800.6098334
I started studying flamenco, which comes, was born from a very mix of cultures in the south of Spain, but one of the main creators of it were gypsies, Gitanos, who actually came many years ago from India.
315
00:31:40,700.6088334 --> 00:31:42,80.6088334
So the roots of the Gitanos.
316
00:31:43,185.6098334 --> 00:31:52,15.6108334
Who are one of the great founders of co founders of flamenco along with the folkloric cultures of Andalusia are in India.
317
00:31:52,15.6108334 --> 00:32:00,395.6113334
So I'm saying there were all these interesting things and that drew me to flamenco that I didn't know at the time, the energy of flamenco like it's the era, the earth.
318
00:32:01,140.6113334 --> 00:32:09,590.6113334
From like you're grounded, but then the hands are aire, you're moving your hands and you're reaching up like to sky.
319
00:32:09,630.6113334 --> 00:32:16,720.6113334
You're really the upper body is just sky, and then how that goes together in rhythm.
320
00:32:17,170.6123334 --> 00:32:22,50.6123334
Each flamenco palo is an emotion, can be an emotion.
321
00:32:22,60.6123334 --> 00:32:24,940.6123334
There's one palo that's alegría, which is happiness.
322
00:32:25,330.6123334 --> 00:32:27,930.6123334
The old, there's solea, which is solitude.
323
00:32:30,240.6123334 --> 00:32:37,940.6113334
So flamenco, especially flamenco, and then the cante, flamenco was born as a song first.
324
00:32:38,820.6103334 --> 00:32:39,310.6103334
Tante.
325
00:32:39,980.6113334 --> 00:32:47,250.6113334
And actually, cantejondo, deep song that expressed all the emotions of human animals.
326
00:32:48,940.6113334 --> 00:32:53,640.6113334
And then the dance came, and then the beat.
327
00:32:54,0.6113334 --> 00:32:57,850.4113334
Da, da, da, da, da, da, da, da, da, da.
328
00:32:58,110.5113334 --> 00:33:08,970.5103334
And then the guitar later on, and all mixed together, I think with flamenco, it really helped my body express itself.
329
00:33:10,730.5113334 --> 00:33:19,490.6113334
And that's why I went to Spain, for two years, and with Parthenadium, there was like, I don't take it as much anymore.
330
00:33:19,490.6113334 --> 00:33:25,440.6113334
Cause like right now, I think what you're saying is true in the sense that it's hard for me to follow choreographies right now.
331
00:33:26,580.6113334 --> 00:33:32,0.6113334
I used to love learning a choreography and Parthenadium after taking it as a child.
332
00:33:33,225.6113334 --> 00:33:51,605.6118334
I started it again while I was doing flamenco, during the pandemic and I was loving it and I do love it, but I don't study with any teachers anymore right now at this moment, because my body is not wanting to follow a learner choreography and even name it.
333
00:33:52,260.6108334 --> 00:34:12,850.6108334
I'm in this kind of scary place where I just want to dance and not name it as anything and honor that what liberated me into my body was flamenco and but at the not you, but I wouldn't call what I do a fusion or a mix or anything I would honor those as origin stories and you would see what you would see.
334
00:34:14,30.6108334 --> 00:34:26,210.6108334
it is interesting because in the beginning, the choreography for you gave you the discipline or the practice of repetition, of mastering something.
335
00:34:26,640.6108334 --> 00:34:44,770.6108334
And now it feels You're more in tune with what you're being guided towards not towards the conformity or whatever it's more towards your inner guidance, which is flow and movement with your authenticity, not being conformed to something else.
336
00:34:44,780.6098334 --> 00:34:50,270.6108334
It's like I get to use these things that I've learned and practiced.
337
00:34:51,245.6108334 --> 00:34:55,235.6108334
And now I get to create from my space.
338
00:34:55,265.6108334 --> 00:34:59,155.6108334
I get to do that where this feels like it's too restrictive.
339
00:34:59,395.6108334 --> 00:35:00,715.6108334
That is too restrictive.
340
00:35:00,715.6108334 --> 00:35:05,245.6098334
When I first started doing solo plays that mixed movement and poetry and dance.
341
00:35:06,445.6108334 --> 00:35:28,865.6118334
I was so like my first play, it's called The Good Manners of Colonized Subjects, which is about everything we're talking about art, fear, colonization, finding liberation through journey, poetry, connection, I was so strict about, okay I'm going to do flamenco here and it has to be flamenco and then I'm going to do a baritonatium thing and like that.
342
00:35:29,5.6118334 --> 00:35:29,995.6118334
And now.
343
00:35:30,685.6118334 --> 00:35:41,755.6118334
It's really hard now I just wanna, there's these mysterious things that are calling me there's this one phrase in a flamenco song, because the flamenco cante doesn't necessarily there's a whole composed song.
344
00:35:42,115.6128334 --> 00:35:46,65.6123334
It's mixed together with this verse from here and that verse from there that goes into the rhythm.
345
00:35:46,985.6123334 --> 00:35:52,455.6123334
And one of the songs I learned, it says, yo no soy de madera, yo no I'm not made of wood.
346
00:35:52,515.6123334 --> 00:35:58,740.6123334
When you hit me, you don't want me to hurt, and that verse is just, it's all I wanna do is sing it.
347
00:35:59,340.6123334 --> 00:35:59,900.6123334
I want to sing it.
348
00:35:59,900.6123334 --> 00:36:01,210.6123334
I want to sing it to trees.
349
00:36:01,550.6123334 --> 00:36:11,510.6123334
There's a rhythm you sing it to and I'm working on that rhythm because you sing it within a certain beat, but I'm working on the beat, which is that repetition that brings you closer to things.
350
00:36:12,60.6123334 --> 00:36:14,470.6113334
But I'm also working outside the beat.
351
00:36:14,520.6113334 --> 00:36:22,175.6118334
I just love singing it I loved how you said the repetition to get closer, but then not within it.
352
00:36:22,265.6118334 --> 00:36:23,745.6118334
That is beautiful.
353
00:36:24,75.6118334 --> 00:36:27,615.6118334
It does resonate with me deeply more through a yoga practice.
354
00:36:27,865.6118334 --> 00:36:37,365.6118334
I did a stronger yoga, which is all about repetition and memorization and getting deeper through the practice of a daily practice.
355
00:36:37,725.6118334 --> 00:36:40,825.6118334
And then I got to the point that it's I want something different.
356
00:36:40,835.6118334 --> 00:36:42,875.6118334
I don't, I can't stay within that.
357
00:36:42,895.6118334 --> 00:36:47,155.6108334
And there was a lot of even I felt guilty about it.
358
00:36:47,155.7108334 --> 00:36:47,415.5118334
Yes.
359
00:36:47,415.6118334 --> 00:36:47,935.6118334
Yes.
360
00:36:48,485.6118334 --> 00:36:50,885.6118334
Because it's this is what I'm supposed to do.
361
00:36:51,205.6118334 --> 00:36:57,85.6118334
But yeah, I feel like I am, it's more, I need to have my creative expression.
362
00:36:57,95.6118334 --> 00:37:01,175.6118334
This has given me the tool of getting close within myself.
363
00:37:01,575.6118334 --> 00:37:04,205.6118334
And now it's about stepping out into that creative expression.
364
00:37:04,335.6118334 --> 00:37:07,595.6118334
And also, I do go back time to reconnect.
365
00:37:07,805.6118334 --> 00:37:13,15.6118334
Yes, it's lovely, because I love, especially like in Alegrías, I love going back to it.
366
00:37:13,625.6118334 --> 00:37:21,495.6128334
And it's also important to remember that we are humans who have danced when we were moved for centuries and centuries.
367
00:37:21,535.6128334 --> 00:37:30,370.4138334
And yes, we have ways to do it, but it's also wonderful to just dance, dance.
368
00:37:30,770.5138334 --> 00:37:32,70.5138334
Dance is dance enough.
369
00:37:33,50.5138334 --> 00:37:33,730.5138334
I agree.
370
00:37:34,50.5138334 --> 00:37:35,700.5138334
I I close my eyes when I dance.
371
00:37:35,730.5128334 --> 00:37:43,320.5128334
I feel the music and I dance with no worry about anyone's expectation, judgments, not even myself.
372
00:37:43,650.5128334 --> 00:37:47,670.5128334
So it's an internal process, even though it's an external movement.
373
00:37:48,440.5128334 --> 00:37:50,460.5118334
So I agree with you on the magic.
374
00:37:50,835.5128334 --> 00:38:10,220.5128334
of dance and it's even dance with shadows and stillness it's all the dance of in between our emotions and our feelings and that's what life is so when it comes back to money and consistency Why would we want that? Hey, tell me more.
375
00:38:10,220.5128334 --> 00:38:36,865.5118334
I want to, hear you talk more about this, about why would we want money to be consistent or because consistency, we have a preconditioned belief that consistency is safe, right? We've created ourselves to believe that within our nervous system but what if we could teach our nervous system that the fluidity and trust.
376
00:38:37,835.5118334 --> 00:38:41,545.5118334
that we get to receive money and support is safe.
377
00:38:41,885.5118334 --> 00:38:45,675.5118334
That is more safe than the confines of consistency.
378
00:38:45,685.5118334 --> 00:38:47,855.5118334
And that's who we are as beings.
379
00:38:48,155.5118334 --> 00:38:55,35.5118334
So we are fluid and movement and want to step out of conformity as beings.
380
00:38:55,435.5118334 --> 00:38:59,535.5118334
Why is it that we're so fearful that we.
381
00:38:59,790.5118334 --> 00:39:21,430.5118334
Have to have money consistent because we're fearful that if we don't have consistent money, that we won't be able to continue our creativity, that we won't be able to be ourselves, but it's learning about the movements between those times that you receive money and that you don't, and knowing that you will always have enough.
382
00:39:23,910.5118334 --> 00:39:24,350.5118334
Yeah.
383
00:39:24,400.5118334 --> 00:39:25,570.5118334
It is a real trust.
384
00:39:26,70.5118334 --> 00:39:27,60.5118334
It's a trust dance.
385
00:39:27,60.5118334 --> 00:39:27,600.5118334
That's a new word.
386
00:39:27,620.5118334 --> 00:39:28,240.5118334
Trust dance.
387
00:39:28,870.5118334 --> 00:39:29,350.5118334
I love it.
388
00:39:29,480.5118334 --> 00:39:31,680.5108334
Anything with dance, I am there for.
389
00:39:31,680.6108334 --> 00:39:41,900.7123334
I'm going to do a dance of trust this is my dance of trust, Do you feel like there's any creative skills that you're holding back from developing or sharing? Song.
390
00:39:42,460.7113334 --> 00:39:49,870.7113334
Not holding back, but I'm developing A lot of my work has been based on self expression through the voice.
391
00:39:50,310.7113334 --> 00:39:52,710.7103334
There was a lot of trauma.
392
00:39:53,185.7113334 --> 00:39:55,765.7113334
In my life through the voice, not being able to speak.
393
00:39:55,785.7113334 --> 00:40:01,675.7113334
That's why I started the podcast was to start bringing my voice out and then bringing other people's voices out.
394
00:40:02,225.7113334 --> 00:40:19,125.7123334
And self expression and bringing yourself out through song, I feel is the next step to dance and movement, bringing out through the voice so that you're heard, or even so that you just express and release all the tension and swallowing down from the throat.
395
00:40:19,990.7123334 --> 00:40:34,520.7108334
Yes, the workshops I've been doing now, the creativity workshops are called your voice is catalyst and you go on a journey to excavate your silence in a creative way and also to then find your voice in a a little poetic monologue.
396
00:40:34,520.7108334 --> 00:40:37,270.7113334
That's doesn't have nothing to do with performing on stage.
397
00:40:37,270.7113334 --> 00:40:40,230.7113334
But I feel once you speak it, it clears the way.
398
00:40:40,980.7113334 --> 00:40:42,720.7113334
So I believe in the voice.
399
00:40:42,770.7113334 --> 00:40:42,790.7113334
Yeah.
400
00:40:43,85.7113334 --> 00:40:46,295.7113334
And also I feel song is like another evolution.
401
00:40:46,305.7113334 --> 00:40:54,895.7123334
That is to say the surrender it takes to sing, in Hindi, the word for come here is Aja, you say like Miranda, Aja, come here, Aja.
402
00:40:55,585.7133334 --> 00:41:01,265.6133334
And in flamenco, when you sing it, there's a lot of UPO, people that are, there's a lot of that.
403
00:41:01,345.7133334 --> 00:41:03,945.7133334
So I've mixed them together in there's a flamenco melody.
404
00:41:03,945.7133334 --> 00:41:04,545.7133334
I'd love to just.
405
00:41:04,775.7133334 --> 00:41:05,855.7133334
Sing a little thing of it.
406
00:41:06,725.7133334 --> 00:41:09,435.7133334
Okay? And it's in the rhythm of this flamenco thing.
407
00:41:09,495.7133334 --> 00:41:10,695.7133334
The rhythm is called a Kanye.
408
00:41:10,695.7133334 --> 00:41:11,505.7133334
It's a flamenco thing.
409
00:41:11,505.7133334 --> 00:41:14,305.7133334
And I go, ah, job.
410
00:41:14,870.7133334 --> 00:41:15,650.7133334
I felt that.
411
00:41:17,300.7133334 --> 00:41:17,510.7133334
Thank you.
412
00:41:17,510.7133334 --> 00:41:22,420.7133334
I'm here I that felt really good.
413
00:41:22,835.7133334 --> 00:41:23,895.7133334
Thank you for that.
414
00:41:23,895.7133334 --> 00:41:27,345.7133334
And I love how you're bringing that out on here.
415
00:41:27,715.7133334 --> 00:41:29,205.7133334
It's like guiding you towards it.
416
00:41:29,265.7133334 --> 00:41:30,895.7128334
This is what your next step is.
417
00:41:30,895.7128334 --> 00:41:35,985.7128334
This is bringing your voice out is what your next step is.
418
00:41:36,820.7128334 --> 00:41:41,880.7128334
It was lovely to been on this journey sharing with you to get to this come here moment.
419
00:41:43,130.7118334 --> 00:41:45,860.7138334
Like a welcome, a welcoming moment, a moment of welcome.
420
00:41:47,60.7138334 --> 00:42:04,125.7148334
I want to ask you about your video, Who the Real Indian? It dives into identity, so could you share about that video that you created going into what was your process, what was the reason, how you expressed it.
421
00:42:04,625.7148334 --> 00:42:10,855.7148334
That video is one of the little monologues or little sections of my play, the good manners of colonized subjects.
422
00:42:10,875.7138334 --> 00:42:29,675.7143334
And so within that context, in the play, it begins with, an ecstatic dance, you might say, about, that's real primordial, and then it goes into a little bit of the history of the British, the colonization of India, in terms of me, where I come from and this thing that I told you about coming from this created class.
423
00:42:29,965.7133334 --> 00:42:36,855.7143334
And then I say, but this happened such a long time ago, India was liberated in 1947.
424
00:42:37,165.7143334 --> 00:42:40,500.7153334
Why does it matter? This long ago, faraway colonization.
425
00:42:40,500.7153334 --> 00:42:42,800.7153334
And then I say, because it still shows up.
426
00:42:42,850.7153334 --> 00:42:50,520.7153334
And then I go into a series of little anecdotes, you might say, that show that the ripple effects of colonization show up.
427
00:42:50,520.7153334 --> 00:42:58,690.7153334
And one of the way that they show up is the sense of authenticity that you feel as an Indian, or I feel as an Indian, or don't feel as an Indian.
428
00:42:59,150.7153334 --> 00:43:05,980.7143334
For a long time, because I left India when I was 12, because I grew up as part of Muslim and Catholic communities.
429
00:43:06,310.7153334 --> 00:43:07,200.7153334
So I wasn't.
430
00:43:07,570.7153334 --> 00:43:13,540.7153334
the majority in India, which is Hindu, and also I didn't speak very well.
431
00:43:13,540.7153334 --> 00:43:18,200.7143334
I didn't speak Hindi well, which is one of the languages of India.
432
00:43:18,820.7153334 --> 00:43:24,440.7148334
So there was this thing of, am I really Indian? And it was, a real deep thing.
433
00:43:24,440.7148334 --> 00:43:24,750.6153334
Yeah.
434
00:43:25,140.7153334 --> 00:43:27,90.7153334
The authenticity, I made a film.
435
00:43:27,390.7153334 --> 00:43:35,60.7153334
My first documentary I made was about a profile of the South Asian community in New York, and it was commissioned by a local PBS station.
436
00:43:35,890.7153334 --> 00:43:39,260.7143334
And even though I produced it, co directed it.
437
00:43:40,670.7143334 --> 00:43:50,0.7143334
I didn't want to do any promotion of it because I think I felt I didn't feel authentically Indian promote a film I had made about South Asians.
438
00:43:52,200.7143334 --> 00:44:06,690.7148334
Then the other part of the video was moving to New Mexico, where there are a lot of Native people who are misnamed as Indian because Christopher Columbus was on his way to India and got wrong and called everyone Indian as a way to say I got there anyway.
439
00:44:06,690.7148334 --> 00:44:16,80.7148334
And So in New Mexico, the name Indian has been used, different marginalized people use what they want, how they were named.
440
00:44:16,240.7148334 --> 00:44:17,180.7143334
So in the U.
441
00:44:17,180.7143334 --> 00:44:17,310.7138334
S.
442
00:44:17,310.7148334 --> 00:44:18,720.7148334
there was an American Indian movement.
443
00:44:18,730.7148334 --> 00:44:23,820.7138334
There are people who use the word Indian, but here there are tribes that have their own names for themselves.
444
00:44:24,310.7148334 --> 00:44:28,800.7148334
They were not Indian, but they were misnamed because Columbus got the way wrong and the name stuck.
445
00:44:30,940.7148334 --> 00:44:41,885.7153334
Then when I went to Spain, it was very interesting because in Spain, the word, in Spanish for Indian is Indios is used for indigenous people, so you couldn't call me that.
446
00:44:42,345.7153334 --> 00:44:52,365.7153334
So a lot of people say Hindu, Hindu, with an H, or sometimes maybe you see it I N D U, I'm like I'm not Hindu.
447
00:44:52,645.7153334 --> 00:45:03,535.7153334
Long ago, part of me was, maybe we all were, but to complicate things even further, the, I think I come from a group of people who invaded India a long time ago.
448
00:45:04,735.7153334 --> 00:45:07,35.7143334
Before they came, they were indigenous Indians.
449
00:45:07,415.7153334 --> 00:45:14,835.7153334
They were indigenous peoples of India who are now, or who are called scheduled tribes.
450
00:45:14,865.7153334 --> 00:45:30,740.7153334
Now, I don't know where the schedule came from, that, that word, but The indigenous people of India are tribes that in India we call scheduled tribes and actually scheduled castes, it used to be called once.
451
00:45:32,160.7143334 --> 00:45:39,720.7153334
So it's very complicated Indian ness and it's connected to colonization and many other things.
452
00:45:39,720.7153334 --> 00:45:48,705.7158334
And that the video, who is the real Indian? It's like a joke, I used to joke with friends who are Native American, like who is really Indian.
453
00:45:50,575.7158334 --> 00:45:54,625.7148334
And you also describe your work as far away as close.
454
00:45:54,895.7158334 --> 00:45:55,485.7158334
Oh, yeah.
455
00:45:56,55.7158334 --> 00:46:05,165.7158334
So can you elaborate on this concept and how your travels and your experiences have transformed your identity and creative expression with this? Sure.
456
00:46:06,145.7158334 --> 00:46:07,815.7158334
That term, I was writing an essay.
457
00:46:07,815.7158334 --> 00:46:11,205.7158334
I was in Mongolia for a year and a half on grant called a Fulbright.
458
00:46:11,315.7158334 --> 00:46:14,635.7158334
And I'm so grateful for it because it allowed me to be there.
459
00:46:14,705.7158334 --> 00:46:16,875.7158334
And I lived with nomadic communities.
460
00:46:17,25.7148334 --> 00:46:20,695.7168334
And I also lived in the city of Ulaanbaatar, learned Mongolian.
461
00:46:21,275.7158334 --> 00:46:26,105.7158334
And I recorded the sounds of everyday life in nomadic communities and made little.
462
00:46:26,450.7158334 --> 00:46:27,430.7158334
Documentaries about it.
463
00:46:28,240.7158334 --> 00:46:40,190.7148334
But where that came from when I was living with the Mongolian family in the city, and the mother of the family didn't speak any English and her daughter did.
464
00:46:40,220.7158334 --> 00:46:58,680.7158334
And so she was like the translator, and through the daughter it's like my Mongolian sister now she would translate her mom and her mom, her mother said to me, I want to say so much to you, but I can, cause I don't speak English and you don't speak Mongolian yet, but over the course of the time in Mongolia, I learned Mongolian and I was able to communicate with that mother.
465
00:46:58,700.7158334 --> 00:46:59,600.7158334
It would sit down.
466
00:47:00,90.7158334 --> 00:47:17,670.7178334
Over tea and talk about things, and then Mongolia had been a dream of mine when I was a kid in India in geography class, and so I wrote this essay later reflecting, that I would never have thought that this faraway place I would find a true organic connection to.
467
00:47:18,75.7178334 --> 00:47:31,205.7178334
And also being in Mongolia, I learned so much about going step by step, what it was like to be on a voyage of discovery, not just when you were traveling, but just in your everyday life, you don't have to know 10 steps ahead.
468
00:47:31,205.7178334 --> 00:47:33,45.7178334
I learned just one step was find.
469
00:47:33,395.7178334 --> 00:47:39,795.7178334
I learned that being on the move you take better care of yourself because you don't have your whole support system.
470
00:47:39,795.7178334 --> 00:47:44,235.7178334
So you're like, I'm gonna find my root where I am right here.
471
00:47:44,235.7178334 --> 00:47:56,165.7188334
I'm going to find my root where I am, things like that, and then I began using it as a metaphor that, that culture that you think is so far out of your understanding is closer than you think.
472
00:47:56,610.7188334 --> 00:48:07,140.7188334
But also your creativity, your imagination, you think it's so far away, but look, it's right here under your skin, close to your heart.
473
00:48:08,290.7188334 --> 00:48:14,520.7178334
And it really became such a hopeful symbol of connection.
474
00:48:14,740.7188334 --> 00:48:19,300.7188334
I feel that someone once said to me, I think this is what your work is about.
475
00:48:19,300.7188334 --> 00:48:29,570.7188334
How as an artist every, you have to go your, what's the core, your artistic statement, because you're writing grants and you're writing things and you're being asked to define yourself and get to the root of who you are.
476
00:48:30,120.7178334 --> 00:48:32,390.7188334
And someone says, I think your work.
477
00:48:34,210.7188334 --> 00:48:37,820.7188334
Is about dissolving the borders, some kind of dissolving borders.
478
00:48:37,820.7188334 --> 00:48:38,420.7188334
I'm like, yes.
479
00:48:39,50.7188334 --> 00:48:41,180.7188334
And then I said, far away is close.
480
00:48:41,280.7188334 --> 00:48:41,770.7188334
Yes.
481
00:48:41,830.7188334 --> 00:48:49,50.7188334
Dissolving the borders that keep us from our connection to land and story and each other.
482
00:48:49,550.7188334 --> 00:49:00,670.7188333
Think that phrase or those words can be taken in and felt by everybody on a deeper level, because we do feel like.
483
00:49:01,240.7188333 --> 00:49:04,660.7188333
Everything is so far away, when we're looking externally.
484
00:49:04,660.7188333 --> 00:49:10,750.7188333
But again, it goes back to that internal knowing and understanding and being present where you're at in that moment.
485
00:49:11,630.7188333 --> 00:49:13,960.7178333
I truly appreciate that.
486
00:49:13,990.7188333 --> 00:49:29,920.7188333
I would love to ask you if there, is anything else that you wanted? To share both from the heart and from who you are as a being as well as what you offer and to invite people in to connect with you.
487
00:49:30,990.7188333 --> 00:49:31,360.7188333
Yeah.
488
00:49:31,890.7188333 --> 00:49:35,380.7188333
Thank you for that, for your words and for that invitation.
489
00:49:35,380.7188333 --> 00:49:36,340.7183333
I really appreciate it.
490
00:49:36,340.7183333 --> 00:49:38,190.7188333
And I want to thank you for what you are doing.
491
00:49:39,90.7188333 --> 00:49:45,800.7188333
It is no small thing to put yourself out there with your voice, inviting people to share theirs.
492
00:49:45,800.7188333 --> 00:49:47,800.7188333
I know what it takes to hold space.
493
00:49:49,150.7188333 --> 00:49:50,300.7188333
People to be seen.
494
00:49:50,490.7188333 --> 00:49:51,710.7188333
I feel that's what you're doing.
495
00:49:52,230.7188333 --> 00:49:53,360.7188333
So thank you so much.
496
00:49:54,360.7188333 --> 00:50:03,180.7188333
I would invite people just to trust their vulnerabilities, as you were saying, as moments of great growth.
497
00:50:03,730.7188333 --> 00:50:06,200.7188333
I would really love to work with you.
498
00:50:07,180.7188333 --> 00:50:27,895.7188333
If you're struggling to write something or dance something, if you think something is beyond your dreams and you just want to put it down on paper or in movement, Because I I love seeing people surprised by this poem or this sentence that roots them and uproots them.
499
00:50:28,495.7188333 --> 00:50:29,35.7183333
I love it.
500
00:50:29,625.7183333 --> 00:50:33,965.7183333
There is some magic about writing and speaking.
501
00:50:35,15.7183333 --> 00:50:42,895.7183333
But something about the alchemy of pen or pencil and paper it's unlocked so many words like a talisman for me.
502
00:50:44,625.7183333 --> 00:50:46,75.7183333
And I'm going to do more.
503
00:50:46,75.7183333 --> 00:50:55,375.7183333
I feel very moved to facilitate experiences, both in person where I am right now in New Mexico, this place called El Morro.
504
00:50:57,340.7183333 --> 00:51:02,640.7183333
But also online because it allows me to reach people, more people from around the world and that is really far away.
505
00:51:02,640.7183333 --> 00:51:02,980.7183333
It's close.
506
00:51:03,980.7183333 --> 00:51:12,480.7173333
I would love to be of service to your liberation in a belt body sense, and I think so many of us are doing that.
507
00:51:12,540.7183333 --> 00:51:15,550.7173333
It's lovely for me when I'm looking for words for my offerings.
508
00:51:15,550.7183333 --> 00:51:21,450.7183333
I'll see so many things other people are also using.
509
00:51:21,450.7183333 --> 00:51:25,90.7183333
I'm saying we're using the same language now because I feel we're going to words.
510
00:51:26,245.7183333 --> 00:51:32,345.7183333
As a group, there's a collective towards very similar things about what matter.
511
00:51:32,435.7183333 --> 00:51:49,675.7183333
We're understanding that stillness matters, movement matters, reflection matters, other ways of seeing these things that we think, I thought, like money, this thing that we live with, like all seeing through the scaffolding, seeing through the, all these things that seem immovable.
512
00:51:50,185.7183333 --> 00:51:53,915.7183333
I will have all of your information in the show notes.
513
00:51:53,925.7183333 --> 00:51:55,785.7183333
So everything that you provided will be there.
514
00:51:55,785.7183333 --> 00:52:00,445.7183333
If you want to connect, reach out, read up you'll have all that information.
515
00:52:00,835.7173333 --> 00:52:06,135.7183333
I'm very grateful that you came to this space and that you were called to connect.
516
00:52:06,195.7173333 --> 00:52:12,645.7173333
I truly feel like each person comes into our life for a reason, whether it's.
517
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A word, a phrase, the energy, there's always something that I take away from every connection and I'm grateful that I'm able to do that in this space because I've been able to meet so many beautiful people that I would have never been able to meet.
518
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So I get to grow and evolve with every connection as well.
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I want to thank you for your energy and your brilliance and who you are.
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And I will definitely be checking out all of the things even deeper, because I feel like there's this, there is something, there's this deep connection there.
521
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So I appreciate you and I appreciate everything that you bring to the world.
522
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Thank you, Miranda, so much.
523
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Thank you so much.
524
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You're welcome.
525
00:52:57,850.7173333 --> 00:53:02,240.7173333
And for all of you I hope you have key takeaways, insights.
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If there's any feelings or things that show up, definitely share.
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It is through the sharing, through writing, or through voice, or whatever it is that you want to express, it is through that connection that we get to express together.
528
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So if there's anything that comes up, please don't hesitate.
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And as always, I love to Thank you and every one of you.
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And until next time, and thank you again.
531
00:53:24,915.7183333 --> 00:53:25,405.7183333
Thank you.
532
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Thank you, Miranda.
533
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My hope is that you walked away with something today that has opened your mind, your heart, or both listening to new perspectives, not only help you grow and expand, but it helps humanity as a whole.
534
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So if you have someone that you feel would benefit from this podcast and you feel that you want to share, please do also would love to connect with you on Instagram.
535
00:53:49,160.7183333 --> 00:53:51,330.7183333
So please follow me at Miranda J.
536
00:53:51,330.7183333 --> 00:53:51,780.7183333
Mitchell.
537
00:53:52,240.7183333 --> 00:53:53,50.7183333
One last thing.
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If this episode left you with any ahas and insights, take 30 seconds of your time and Leave a review on Apple Podcasts.
539
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This is the only way I know you are loving the content and connection in this space.
540
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And if you want to know more or wondering how we can work together, please go to Miranda Mitchell.
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com.
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Click on the contact in the menu and send me a message.
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Sending you all love.
544
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Till next time.