Episode Transcript
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(00:00):
Welcome to the provoking prosperity podcast, where we explored the energies that shape creativity, transformation, and alignment with purpose.
In today's episode, I'm thrilled to be joined by the remarkable Paulina, an artist and visionary who embodies the powerful dynamics of correction, Provocation, thoughtful analysis, and perseverance.
(00:22):
.999Key energies of Gates, 1839, 17 and 38 in human design.
.999Paulina's journey is one of transformation through creativity, using her keen eye for improvement to refine her work and her life.
She wields the power of provocation to inspire change and innovation.
challenges norms with thoughtful perspectives and brings unwavering determination to fight for what matters.
(00:48):
.999Today, we'll explore how these themes influence her artistry, voice, and purpose, and how she navigates the shadows and gifts of these energies to create meaningful impact.
So whether you're an artist, a thinker, or someone seeking To align with unique voice.
This conversation is sure to inspire you.
So let's dive in into Paulina's incredible journey and discover how focusing on refinement, transformation, and authenticity can shape our creative paths.
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I am Miranda Mitchell, the host of the Provoking Prosperity Podcast, where we dive into the journeys of creatives, entrepreneurs, and thought leaders who are redefining success and prosperity in today's world.
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In an era saturated with distractions and a growing disconnect from our deepest emotions, we celebrate the importance of creativity as a beacon of authenticity.
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Join us as we explore how creatives are breaking through the noise, embracing their unique voices, and inspiring others to do the same.
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Hello, beautiful souls.
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This is Miranda Mitchell at the provoking prosperity podcast.
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And today I have Paulina Casati on.
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So grateful that you're here.
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Could you please introduce yourself and give us a little share about what you bring to the world? Hello.
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Thank you so much for having me.
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I love nature.
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I love nature.
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I'm constantly inspired by the wonderment and awe she always shows us and or it if you prefer but I can't help but reflect what I see through my art and it's tied in a lot of my own natural evolutionary processes of healing and relatability then to so many other people.
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And I, I love gardening, I love animals I love beautiful things, I love beautiful people.
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And but I also appreciate balance and I love finding, still finding the beauty in things that maybe aren't traditionally thought of as beautiful.
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I think that's It presents a unique challenge for for us to still try and find that even in like dark stuff.
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Ooh, I love that.
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I'm a huge believer and I talk about this a lot on the shadows and the darkness and how the darkness is just as beautiful as the light, but so fearful, like in nature.
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There's a lot of darkness and a lot of uncertainty and it molds and grows in a way that is beautiful because of that.
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I wanted to dive in and ask you this connection with nature.
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Have you always had this connection? And if so, when did this start for you? I was very fortunate enough to grow up in the Piedmont of Virginia in the countryside.
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And.
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My mother is an animal lover, so I just, I always had animals around, and it has always made more sense to me.
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Sometimes more than interacting with humans, I've gotten better at interacting with humans.
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And I love and appreciate that much more now.
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But growing up as an only child, I had human friends, but the animals and plants were always more my friends than anything.
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I did a lot of playing in the woods and being in that, in the presence of nature and having your imagination as a child run wild when you're in that space it felt like there was this presence there.
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And I, I still feel that today.
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How do you use this awareness and this connection that you have with nature within your art, because you are a visionary artist.
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How does that connect? I love working.
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I love working with plants.
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I love working with nature.
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I love the, there's something about, and anyone can experience this, whether or not you're an artist or not, whatever profession you have.
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But being still in nature and dropping in, connecting.
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With our Mama Gaia and all these other various spirits and entities when we become open to that channel it's very important for my mental health and for my, my, my spirit and my emotional health.
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It feels very grounding and supporting, and there are a lot of things I see when I drop into that space.
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Could be for a minute, could be for an hour, could be for a whole afternoon, but there's so much magic that it's it's like this cosmic wink, cosmic giggle that I see happening.
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I love patterns the leaves and the way the light plays with things and the way the wind moves through it's everything is this beautiful unfolding of energetic.
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patterning.
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And of course, that goes on into the patterns we can see like within our relationships and with our, within ourselves and our conditioning.
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It's just this beautiful fractalizing of patterns.
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So when you say that, we talked a little bit about your human design.
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When you're talking, there's a twinge, the 18 is in your conscious son.
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So your son is The energy that you're here, to be when you're in fully alignment, the energy that your body and the 18 is all about patterns.
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It's all about I did too.
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I did.
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It's about seeing the patterns and noticing what can be shifted in them to create something new or to create refinement.
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It's interesting that you found that in nature and it's beautiful that you found that in nature because Your Incarnation Cross has a name of the upheaval.
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It's it can be intense.
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But when you think about how you were able to be in nature and ground, as you said, into that, then you notice the patterns and upheavals and you said relationship patterns and all that.
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You notice all that but from a grounded space, not from a space of externally looking.
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Thank you.
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Something.
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Exactly.
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Yeah, It's beautiful.
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It's beautiful.
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Thank you.
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I love it when things act like that.
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Yeah.
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I'm always just I see I see that Let's talk about your art.
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Your art does show commitment to refining and perfecting your creative process, how do you balance the drive for Improvement with the need to embrace the natural flow of imperfection that often comes with the creativity? I wouldn't I don't really feel as though it's always just been whenever I'm painting.
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It's about having fun And if anything that's a big part of why I do that is because it's this container, which allows me to let go of everything else.
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And at the same time I have, I always have had just this make it like, make it sharper, refine it, make it better.
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How can this be better? So when I'm doing things beyond painting always, there's always this observed observation going on.
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And I love learning.
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So I feel I can feel like the information coming in and then getting processed and it's okay, how can this be improved upon? Ooh, that's good.
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But this little bit could tighten this up a little bit And Ooh, like that, that brushstroke, made this shape and that's really good.
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But if I do, add a little bit of flair to it, then it'll just make it a little better.
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Or I learn about oops, like this step, I can save a lot of time.
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And headache through the mistakes that I've learned with painting and it's oh, okay this didn't work last time, remember it for the last painting.
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I'm always able to make a correction if I make an error, but it's every single time I paint, each painting there's always like a, Oh, this is something like I'm going to take this little nugget and I'm apply it to the next painting that I create.
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Such as with life, as far as I would say this past year, I've brought more intention because it's, like we, we get, we can get like really obsessive almost about refining, make it smaller, cut it smaller, like the sharp, the sharper you can sharpen your knife, the finer you can cut it and it just keeps on going.
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And I realized I was getting to this place with my art where it was feeling a little.
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And and also things are taking a really long time.
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This painting here probably has 70 hours in it.
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And I realized I want to like make stuff, be able to make stuff a little bit faster.
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And I want to play around with different artistic styles, still me.
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I had a painting deadline for within three days I had to paint something.
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And so I was like, all right, it's just gonna be loose, and I'm just gonna be bigger.
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And I'm just the point is just letting go and just let go.
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And it was a lot of fun.
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It was a lot of fun.
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And I've developed new things that I've been able to incorporate them back into.
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That that really tight, refined style.
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I hope that answers the question.
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It does, and it gives it gives even more clarity in your connection to your authenticity and yourself.
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Because the 18 is about refinement.
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But in the lowest expression, it is about judgment, and it's about that stuckness, and it's about perfectionism.
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So then, how can I release that a little bit so I can be more authentic in my expression and trust? So you just explained it perfectly, And the cool thing is like with a painting is it's if I do something that I like, and it's a little too loose, it can always just be the study and I can paint it again in that really tight at that point, I would have already worked out some things I think that's that element of play, there needs to be space for play.
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Yeah, not just the judgment and the restriction, because if you live that way, within the way that you express yourself in your paintings, then you're going to live that way within your life, too.
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Exactly.
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Yep.
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Yep.
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You articulate well through your ideas, through your work, your visionary ideas.
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Thank you.
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You're welcome.
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How do you ensure that these ideas remain flexible? Open to evolution while providing a clear grounded perspective And then do you find that because you have a lot of logic as well Do you find that your logical approach to creativity enhances or complicates? Self expression.
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So as far as like the self expression part goes, that's always it's always coming from the heart So always feeling into things and from there You I'll get visions or I'll daydream about things.
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So that's always at the foundation is that heart centeredness.
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And from there, I bring in the logic for the design and for the technical execution.
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And there's definitely been some times when like I, I hit something.
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I'll almost actually just feel like a little bit of frustration when I'm painting.
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And I always know if that happens, like I need to put my paintbrushes down for a minute.
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I usually go out in the garden or go for a walk.
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But yeah, I just make sure I'm not ever forcing when I'm creating.
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There are a lot of things I love to do.
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I love carpentry I love gardening, it's endless I'm a big can I do that myself? This is cool, like, how can I figure out how to do that? And if I can, I will.
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Yeah.
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Artist is like one of my hat it's definitely probably my favorite hat and one that I'm the best at because I put the most time into that.
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But because I have so many hats, whatever hat I feel like wearing, I go with the energy where that's taking me.
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And that's always usually supportive of helping keeping things balanced and in check.
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So it's one's not too over, overbearing.
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Yeah, it sounds like you are in touch with your intuition and your oh, yeah, you're off that's how the painting started for me, really.
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It was way more intuitively based, and I would say in the last two, three years, I've brought more of the logic into it, where it's okay what's something else I can say? And it's always, I'm just reflecting, I'm working through my own stuff, where I'm just like, I like that looks neat.
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I've taken five different.
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Things and put them into one thing and like object I've painted and it's what is this like I'm seeing Like, I'm seeing a tower, I'm seeing a flower.
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I'm seeing a pool of blood.
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I'm seeing like something really alien.
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And it's fun taking different things like that and mushing 'em together.
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'cause that throws like logic out.
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I more abstract.
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I love that you just brought that, the next thing I was going to ask was given your strong connection to logic and thinking and structure.
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How you use your art to translate abstract concepts like oneness.
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Multidimensionalism into something that resonates with your audience Is that something that you think about with it resonating or is it just who you be and then? It just literally it's who I be.
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Yeah, I make art for me and if you like it great but at the end of the day i'm here to be doing this because It just it lights me up with so much joy And I think at the end of the day, that's the most important thing and if other people get to enjoy You The ripple effect of that for my offerings.
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Great.
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Yeah.
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You have this deep self of, I'm just reflecting this back to you because I can feel your energy.
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You have this deep self of knowing yourself, groundedness, authenticity, and not looking externally for validation of your gifts.
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Which is beautiful because that's hard to find in a lot of worlds.
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I wasn't always like that.
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Before I started painting like when I was basically like up to 24 Yeah, I looked a lot to others for validation.
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I was still, I was just still growing and searching and finding myself.
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And I was experiencing a lot of hard things.
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And I also hadn't learned, or I hadn't come into alignment with the frequency that was bringing in teachers like Ellen Osho all those teachings and philosophies, they just, I just really resonated, they made a lot of sense.
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And when I started practicing those myself, I was like, I felt so freed and liberated.
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And I, it was this veil had been opened and it was like, Oh, I'm here and I get to have this relationship with me.
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And that's the first one we always have.
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Yeah.
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Regardless of who comes and goes, we always have this relationship with ourselves.
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It's almost like I was doing preemptive Saturn return work.
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So when my Saturn return came around, there was some stuff going on, but it was also I got this.
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It's okay.
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I'm ready for this.
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Yeah.
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I love that you know about Saturn return.
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Knowing about it and understanding it helps you acknowledge all this stuff that you're going through and letting yourself know of course this is happening and it's okay.
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Your work also challenges the status quo and provokes thought.
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So how do you navigate the balance between encouraging your audience to think differently and avoiding unnecessary conflict? I don't know if I ever take those into consideration.
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At least with with my art.
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When I'm speaking I definitely take those things into consideration.
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With my art, it's just that's stuff that's within me that I'm choosing to bring out and translate into the physical so that I can see it.
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And is this act of vulnerability, but I'm also just If you don't like it, it's not, whatever.
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I think the things that we are needing in our lives to provoke us to maybe shake things up a little bit, those come to us in whatever shape or form that will best serve us.
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And when I received that through art, I love receiving it that way.
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It feels a lot more personal.
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It feels a lot more intimate and one on one because it is, it's something where something that someone, when I'm looking at someone else's art, something that they created and expressed, I'm then having this moment with it, with myself.
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And it's almost it's just this very private thing where unless I were to, express how a thing is making me feel or move Then nobody really knows.
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My intention is always that it, it gets to the people to whom it needs to get to and brings the medicine that they're needing.
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It seems like when you look at an art piece and it provokes you, you understand that it is then within yourself that something is coming up and then your art does do that as well.
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It stirs emotions.
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You're able to do that.
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And that's actually even maybe if you want to discuss even through conversations and connections with humans.
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You do have that energy of provoking, but it's through love.
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And you've already talked about like the heart space that you're in that space, which means you then provoke people to grow and evolve through love, where there is a lower shadow where people can provoke to just provoke.
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So when you think about provoking in your energy, you do this through your art.
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Cause I've looked at your art.
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Like you provoke, a person to think differently, to think more expansive or to look at the refinement or to see the subtleties, whereas they may not see that in life and you're able to provoke that frequency within them through your art.
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That's a beautiful reflection.
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It's a Trojan horse.
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I didn't realize I was I was sending it.
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Yeah.
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I appreciate that.
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Thank you.
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You're welcome.
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That's why I feel like everyone has disconnected or a lot of people, not everyone.
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Disconnected from creativity.
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And that is why so many people are miserable.
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They're not connected to nature.
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They're not connected to themselves.
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They're not connected to their relationships.
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And it's because they've lost that connection, that creativity that you have not lost.
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You've only.
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Expanded upon because you had that love for nature.
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So to be able to bring that and you don't even know it within your art, as people look at it, you have no idea how you're affecting people and you don't even know who it is, which is such a gift.
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Yeah.
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Reminds me of that it was one of those tenants which is you do a good deed, but you don't tell the person that you do it anonymously.
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And the point is you're doing good and you're doing it because you want to do good.
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It's not about getting the, it's not about getting the reward.
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Yeah.
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that it's not for that response.
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How do you channel constructive criticism from others or yourself, and how do you move through that, or have, maybe you've already mastered that, was there a time that really affected you, and then how did you move through that? Okay, so the question is how do I receive constructive criticism, or how do I navigate through that when I am receiving it? Either through yourself or from others.
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I I have a very big internal critic.
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I've got that perfectionism.
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So I've always got that internal thing.
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So when I have received that from others depending on who it is there are some instances where it's just Okay, that's your opinion.
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There's other times when I hear it.
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I take it in and I look at it.
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I'm like, is there any validity to this? If I'm feeling resistance, why is there something deeper that I on a personal level am needing to sort through? And sometimes, too, it's no, that doesn't I, I see where they're coming from, I appreciate they're offering that, but I know the way that I want to create something, and how I want it to look, it's having discernment that's where just being centered, and knowing yourself is really important being familiar with what your intuition feels like, and If it's a maybe, it's a no.
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I want heck a geez, yeah that's what I want to feel.
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If I'm, like, a little uncertain about something, I'm just like, okay I'm just gonna wait.
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And gonna do a little bit of, vibrational tweaking and just get clear on what where and what it is.
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I'm trying to go and do and yeah.
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it sounds like you listen.
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Yeah.
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To your internal, your inner knowing.
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And there's a lot of also that connection there where some of the things in your chart, you can hear tone and you can read the truth between what is being said.
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And then it is about like listening to your own frequency, because then that attracts the frequency of others, which I feel like is this deep connection to nature that you have.
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It's really supported you in that, which you've always known.
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Yeah, definitely.
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What core beliefs drive your work? I struggle with putting putting something like that into words sometimes.
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Language is just really clumsy for that kind of thing.
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Maybe close your eyes and feel.
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what would you mind asking me the question again? What core beliefs drive Your work, and I'm gonna even add, and how you stay true to your vision.
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Love, beauty, I believe that we're all innately good.
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And Think we're here to have fun.
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We're here to learn from each other, we're here to expand, we're here to play, and it should be easy.
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And prosperous, and abundant, and joyful.
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So it's always really important that I tap into those frequencies and vibrations.
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Thank you.
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When I'm making art and really is all the time as much as I can, I can't do it all the time.
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Sometimes I get a little bit wobbly and I get grouchy and but I've gotten good about, it's oh, okay, that's a feeling and I want to honor that.
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So I'm going to go over here and I'm going to hang out with that for a little while, but I'm going to do it, in private or, you just to make sure there's no projection going on and but but, yeah, those are really.
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They're definitely beliefs, but I guess I look at them more as vibrational frequencies.
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That feeling of those that's but it is something that I feel so deeply and with such clarity that they, that those are beliefs.
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It's more of a physical embodiment, right? You just experience it and feel it.
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And the way that I can feel this too is there's a couple of activations.
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That is all about the physical body for you.
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It is actually, it's this warrior type energy.
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And it's this type of energy that is like.
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The next question we're going to go into what you're fighting for in life.
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What battles do you see in life that are important for you to fight for? Because you do have that warrior type of energy.
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It's, there's two types of warrior types.
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The 38 is the type that fight for something that you believe in and you stand that ground.
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And then the 39 is it's called the warrior of light.
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So it's like these two together.
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Fighting for humanity, for the warrior of light, but doing it all through love, not through battle.
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Does that resonate? Oh, 100%.
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A few years ago I went through this activism phase, and, oh gosh just ultimately really didn't feel good.
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It just felt off.
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It was like, yeah, I'm doing this thing, but then there was just this I could just feel this just discomfort in my heart.
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And it wasn't until I was like, I just need to really quit putting my nose in places it doesn't belong.
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I need to like, come back to center.
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I need to stay focused on where's my heart calling me? Where is it pulling me? It's never led me in the wrong direction or to the wrong place.
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And yeah that completely resonates because that is my goal and my purpose is to shine as brightly as I can, because the more that I do that, the more I can send out those frequencies to the people around me, and the more that we're around those frequencies the more we can all lift each other up, and I want healing for all, I want expansion for all, I want love for all, and That's a cool combination.
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I like those two warriors.
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Yeah.
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Yeah.
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I can definitely relate to the, there was some big tension before I had integrated the 39 that you're talking about.
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That's the part, a lot of people, when you hear that, when I tell that to people in certain aspects of the energies, it is almost like an awareness and sometimes even an awakening of understanding that is a lot of what you are about and what you're here to bring.
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And then if you go backwards and say, okay, I actually am that light within the pictures.
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I make sure my frequency, my art, my painting, Is that frequency and that's what I'm bringing out and it gets to be seen everywhere and held in people's houses and that's the frequency that you're doing, which means then, oh I'm going to use bumps.
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It means then that you are then fighting for love of community.
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That's what you're fighting for.
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Exactly.
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From the place of love.
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And that feels really good when I when I act, you know, in the alternative way, it's, yeah, it feels full and expansive and energizing.
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When we talk about timing and because you mentioned before there was three days that you were creating a painting, and you let it flow.
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How do you balance your creative flow and Sometimes if you have certain aspects of when that something needs to be done.
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Usually things flow I do actually like getting to, to step away from a painting.
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I have, I'll have some really good things come through.
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So some, yeah, sometimes it, it is necessary just to, to when I have the vision of okay, I'm gonna do this, I'm gonna do that and that I'm usually looking at a painting and I'm they're always assess okay this has an area to work on.
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This has an area to work on.
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This is a really big focal point.
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And I've gotten pretty good at assessing.
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Oh, this is easy, I can do this when, I'm painting at night and Chris and I are watching a movie or a podcast or I need to go in really narrow and deep.
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Like when I did the tiger's face, I created and held a lot of space around doing that.
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Yeah.
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So I've been painting for about 10 years now, so I've gotten pretty good at knowing roughly how much time, how many days I need to work on a specific portion.
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And and then I'm also familiar with, I have to have this particular energy within me that that I recognize is like active and present so that I can channel that into the painting process.
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So if that's not there, then I'll either work on a part of the painting that's just this is okay.
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This doesn't require, a whole lot of intention.
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This is just something fun and simple.
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Or I'll wait.
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I put in like the other things that I do.
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Typically I everything flows really well.
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So it's I really want to garden today.
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Or, this last week, it's been like, It's time to start my seedlings.
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I'm in Florida.
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They don't wait.
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So that's been something that has to happen.
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On this, these few days, it has to start.
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Or I edit the the creative friends podcast that my partner Chris and I put out.
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I have to drop into editing mode, and sometimes I really want to do that.
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Sometimes it aligns really well with my cycle, and I'm like, I just want to snooze on the couch, and I want to sit here and do this editing, and other times I'm like, man, I just want to paint right now, or I just want to be outside, or I just want to get dirty, or I want to build this thing, but deadlines are deadlines, and so in those circumstances, it's just okay this just has to get done right now, so I get it in my head, and it's also, going to be so fun.
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It's going to be such a great reward when I'm done with this project that has a deadline.
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I'm going to get to do that fun thing.
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So I like preemptively start daydreaming and enjoying the satisfaction of the thing that I really want to be doing when I'm doing the other thing.
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So I'm lifting up my frequency by doing that, and then that kind of skills over into the task at hand that, I'm having to do.
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Mostly things are fun.
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Do you find that you do you prepare at the beginning of the week? Cause I know a lot of creatives, sometimes a lot of creatives are doing this on, like after their work day and they're just trying to be creative or they don't have space to do that.
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Or some create a lot.
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Me personally, I.
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Have learned about myself.
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That used to be very structured everything down, but I realized that was conditioning that I had to be that way because I was a single parent of two boys.
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And I had to do that, and now it's no, I don't like that.
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I don't like the structure.
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I want to okay, I have this, and this, it needs to be done this week.
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I'm going to see when the right timing is.
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And then that's how it's going to work.
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So do you have anything? That's how you do it? Usually, yeah.
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So for creatives, what would you recommend for them if they're struggling with the time and space to be in flow? What do you recommend? I recommend honing in on your self care practice.
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just having like little rituals, like tea in the morning or tea in the evening, but just these little small self care things.
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Can be really helpful for our hearts and our emotional bodies.
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And then that kind of helps make more space so that we can drop into that juicy, creative intuitive space.
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Definitely if it's a, if it's a time thing, then make sure you're blocking out time.
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And space if you paint in during that time or do whatever creative thing if not, make sure you're like, giving yourself that space daydreaming about a concept or doing your homework on, what is the symbolic meaning of horse or like what is the symbolic meaning of this archetype that I'm resonating with that still counts and that helps helps, took the fire.
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And the other thing I would say is make sure that Your workstation ready to go.
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You want to be able to sit down, and within, a minute, you want to be able to start creating.
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I personally always like to get my little beverage, and I like to sit with my, whatever it is I'm working on, because it's like, it's a relationship.
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The artwork itself takes on its own energetic frequency and personality, but also it's this weird reflection of what is in me and what I've been pulling out.
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So it's this weird kind of or trinity thing going on, those are the things I would recommend and also if you're stuck and you just need a kind of a kickstart boost.
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I always like bringing in information, whether it's about the art or.
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If it's philosophy or some great, spiritual conversation and inspiration, but there are a lot of things we can bring in, bring in something that like, you want the thing that like, it's like, Ooh, I like that.
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Yeah.
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Bring more of that in.
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It sounds like then what you're saying is.
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Making sure that you have the space and not fitting it in, having the space to enjoy yourself, ground yourself, be in that space, be prepared for when it comes and let that flow happen and enjoy it.
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It's a gift to be able to do that.
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And it's also funny that you brought up Horse because like horse for me, I have a tattoo on my arm is the horse.
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I love horses.
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I have a deep connection to horses and I'm getting trained in equine gestalt, we set up the experience for the person to say the things that they were never able to say to that person or so it's interesting that you brought up as you were talking, I was like, I wonder what a painting of a heart.
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I was thinking that.
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I have one.
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I have one.
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I do.
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I do.
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Yeah.
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It's funny.
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I almost brought it up here and set it up in here.
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And I was like, ah, we'll let the tiger shine.
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Oh, that's interesting.
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I'm going to have to look that up with the horse and everything.
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As you continue pushing boundaries, connecting to yourself with your art, with your vision, I would love for you to put into what your art expresses.
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And you can think of one, one piece if you want, or you can.
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When Look at my art, I just always see the, just the beauty and the life force that I've that I see on the external and I'm doing my best to, when I paint, I'm doing my best to translate that with paint.
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And, Love.
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I feel like love really just sums it up.
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It's just love.
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Yeah.
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Yeah, that's what everyone needs is love.
351
00:35:00,445.5377111 --> 00:35:06,525.5367111
Love of self, love of others what do you feel like because you're always said you like, you'd love to learn and expand.
352
00:35:06,525.5367111 --> 00:35:07,935.5367111
You're always learning things.
353
00:35:08,725.5357111 --> 00:35:18,695.5367111
How do you see yourself and your art expanding? It's a direct reflection of where I am as a human in this world.
354
00:35:20,275.5367111 --> 00:35:20,765.5367111
Lifetime.
355
00:35:21,265.5367111 --> 00:35:33,125.5347111
And what I'm moving through, so I learned that I just need to make sure that I am staying committed, which I am, staying committed to my own personal growth, always staying curious.
356
00:35:33,625.5347111 --> 00:35:35,305.5337111
I think curiosity is really good.
357
00:35:35,825.5347111 --> 00:35:45,165.5347111
It's fun following that, and It takes us to really new and exciting places and can give us courage when we need it.
358
00:35:45,275.5347111 --> 00:35:46,805.5337111
It's all blessings one way or the other.
359
00:35:49,170.5347111 --> 00:35:56,730.5347111
So what I'm feeling is it's like you continuing to learn and grow and expand yourself and then your art will just embrace who you are in that moment.
360
00:35:56,730.5347111 --> 00:35:57,210.5347111
Exactly.
361
00:35:57,610.5347111 --> 00:36:00,310.5347111
Yeah, it just happens because I'm like I'm doing the thing I love.
362
00:36:00,310.5347111 --> 00:36:05,0.4337111
So like, how do I, it's like, Oh, what if I run out of ideas? It's I'm never going to run out of ideas.
363
00:36:05,0.4337111 --> 00:36:06,880.4337111
Keep doing my work, keep doing the inner work.
364
00:36:07,460.4337111 --> 00:36:09,680.4337111
There's certain things I see and I'm like, oh, I paint that.
365
00:36:10,510.4337111 --> 00:36:11,700.4337111
I really want to paint that.
366
00:36:11,950.4337111 --> 00:36:36,650.5337111
And I have this long list of things that, who knows if I'll ever paint them, but it always just comes down to, okay but now, what do I want to paint right now? And that's always important because then it's relevant and it happens so many times where I paint something and I'm just like, Oh, this is why I painted this animal because I'm needing to work with these energies and I do work very closely.
367
00:36:36,650.5337111 --> 00:36:37,220.5332111
Whatever it is.
368
00:36:37,220.5332111 --> 00:36:37,950.5337111
I'm painting.
369
00:36:38,130.5327111 --> 00:36:39,590.5337111
I'm working with those energies.
370
00:36:40,70.5337111 --> 00:36:45,220.5337111
So it's very possible they're guides specifically coming through to work with me.
371
00:36:45,360.5337111 --> 00:36:48,270.5332111
But it's one of those things where it's if it's good for me, it's good for others.
372
00:36:48,280.5332111 --> 00:36:55,180.5332111
And I can't tell you how many times I, one thing I love about live painting is getting to interact with people.
373
00:36:55,370.5332111 --> 00:37:08,630.5342111
And I've gotten so many amazing reflections from others who look at my art, and they express what they're receiving, or what they see and so many times I didn't realize I did that.
374
00:37:08,750.5342111 --> 00:37:14,80.5342111
I did not intend to put that meaning there, but then when they pointed it out, I'm like, oh, it's clearly it's there.
375
00:37:14,530.5342111 --> 00:37:34,245.5342111
I I clearly, so it's, I'm bringing things through for myself, but unknowingly, there's also other medicine coming through for others, in your human design, your chart is a left angle cross? So what that means is you learn and experience and grow through your experiences and connections with other people.
376
00:37:35,445.5342111 --> 00:37:43,145.5332111
So while you're doing that live painting, it's you, but you're a channel and a conduit for everyone around you.
377
00:37:43,195.5332111 --> 00:37:47,265.5332111
And that's why that magic happens.
378
00:37:47,285.5332111 --> 00:37:47,985.5332111
I love that.
379
00:37:48,625.5332111 --> 00:37:49,755.5322111
Where can people.
380
00:37:50,100.5332111 --> 00:37:51,320.5332111
Purchase your paintings.
381
00:37:51,330.5332111 --> 00:37:52,330.5332111
Find out about your paintings.
382
00:37:52,330.5332111 --> 00:38:01,240.5332111
Are you doing any shows? What's going on in your life that people can connect? I have a clothing brand called abundant satisfactions abundant satisfactions.
383
00:38:01,460.5332111 --> 00:38:02,460.5332111
com and on Instagram.
384
00:38:02,960.5332111 --> 00:38:05,60.5342111
So there I've translated.
385
00:38:05,935.5342111 --> 00:38:10,175.5342111
a majority of my art into wearable art form.
386
00:38:10,685.5342111 --> 00:38:15,275.5342111
You can see my, the current release of whatever painting it is that I'm working on.
387
00:38:15,775.5342111 --> 00:38:23,655.5352111
As far as shows go I've been traveling around a lot with my partner Chris Dyer, who has his second art book going on.
388
00:38:23,655.5352111 --> 00:38:27,595.5342111
Do you work with a person sometimes? Do they come to you and say, Hey, this is what I'm feeling.
389
00:38:27,645.5342111 --> 00:38:28,215.5342111
Definitely.
390
00:38:28,215.5342111 --> 00:38:29,495.5342111
I do take, take commissions.
391
00:38:29,950.5342111 --> 00:38:35,450.5342111
I just finished one a couple months ago of this really beautiful dog named Mini.
392
00:38:35,510.5342111 --> 00:38:38,920.5342111
I haven't released that one yet, but next on the release docket.
393
00:38:39,460.5352111 --> 00:38:40,260.5357111
That was really fun.
394
00:38:40,290.5347111 --> 00:38:47,250.4357111
What I learned from that process was anytime someone wants portrait of their animal or whatever it's really fun.
395
00:38:47,610.5357111 --> 00:39:01,680.5347111
What they need to do is write like a Tinder profile for like their dog or whatever so this one was, Minnie loves going on walks and she loves swimming in rivers and waterfalls and being around rainbows and she loves ants and lizards and apples.
396
00:39:04,210.5347111 --> 00:39:08,30.5347111
It's all of those aspects were brought into the painting and it was a lot of fun.
397
00:39:08,430.5357111 --> 00:39:14,170.5357111
And also a special honor to, to channel the energies of someone's beloved animal companion.
398
00:39:14,790.5357111 --> 00:39:17,480.5357111
I will definitely have all the information in the show notes.
399
00:39:17,480.5357111 --> 00:39:26,450.5352111
So if anyone wants to go and check you out and look at all your beautiful paintings oh it was so wonderful having you on.
400
00:39:26,450.5352111 --> 00:39:27,160.5342111
I'm so grateful.
401
00:39:27,170.5352111 --> 00:39:34,710.5342111
Thank you for being open and grounded and authentic and expressing what you do and bringing it to the world.
402
00:39:34,810.5352111 --> 00:39:37,660.5352111
I have a deep connection with love for humanity.
403
00:39:37,780.5352111 --> 00:39:39,400.5352111
we have that a lot in common.
404
00:39:39,400.5352111 --> 00:39:44,520.5347111
So when you, every time you said love, I was grateful to meet you and to be in your presence.
405
00:39:44,530.5347111 --> 00:39:46,70.5347111
So thank you for being here.
406
00:39:46,370.5347111 --> 00:39:46,830.5347111
Thank you.
407
00:39:46,930.5337111 --> 00:39:51,460.5347111
Anything else you want to share with everyone just keep loving and be joyful and play.
408
00:39:52,310.5337111 --> 00:39:52,660.5337111
Yeah.
409
00:39:53,630.5347111 --> 00:39:54,640.5347111
Thank you so much, Marina.
410
00:39:55,160.5347111 --> 00:39:55,860.5347111
Thank you.
411
00:39:55,900.5347111 --> 00:39:57,460.5347111
And thank you everybody.
412
00:39:57,500.5347111 --> 00:39:58,780.5347111
I love you all.
413
00:39:58,780.5347111 --> 00:40:01,990.5347111
Everything will be in the show notes and till next time.
414
00:40:02,442.3528929 --> 00:40:07,182.2528929
Thank you for joining us on another insightful episode of the Provoking Prosperity podcast.
415
00:40:07,182.3528929 --> 00:40:14,882.3518929
We hope today's conversations have emphasized the vital role of creativity in a world often numbed by distractions and disconnected from truly feeling.
416
00:40:15,302.3528929 --> 00:40:19,762.3518929
Remember your creativity is a potent catalyst for change and genuine connection.
417
00:40:20,172.3528929 --> 00:40:23,202.3518929
If you've been inspired by what you've heard today, take action.
418
00:40:23,632.3528929 --> 00:40:30,532.3528929
Share your creativity with the world, support fellow creatives, and join us in provoking prosperity in our lives and the world around us.
419
00:40:31,182.3528929 --> 00:40:32,882.3518929
Don't forget to hit the subscribe button.
420
00:40:33,232.3528929 --> 00:40:37,722.3528929
Until next time, stay inspired and continue to create from the heart.