The screenwriting podcast that looks at movies from a writer’s point of view. Two screenwriters compare new movies with old ones, delve into the finer points of the craft, and occasionally go entirely off the rails.
(Warning: discussion of suicide from the start.) Season’s Greetings from the Two Reel Cinema Club as we watch the new Scandinavian drama Sentimental Value with Stellan Skarsgård, and compare it to one of the longest films ever released, Ingmar Bergman’s evergreen and ever festive Fanny and Alexander. Two theatrical families, two beautiful houses, two sets of hidden drama. But which of the two movies is European Film Type C? Which i...
We often talk about adaptations at the Popcorn Counter, but this episode we’re joined by Inês Braga to ask: is it ever a good idea to adapt a classic? Old books have the advantage of brand recognition, and if they’re out of copyright there are no royalties to pay, but do the benefits outweigh the risks of sullying a much loved property and making the entire audience angry that you’ve done it wrong? Which classic adaptations got it ...
We welcome back screenwriter Inês Braga to this week’s episode, as we watch the new Guillermo del Toro take on Frankenstein, and compare it to maybe the finest Frankenstein in all of cinema, Mel Brooks’ 1974 Young Frankenstein. Two experiments gone wrong, two crazy scientists, two lightning bolts. But which film owes the greatest debt to James Whale? Which film features a barely disguised Peter Thiel? Which film has a beginning tha...
Trust the Canadians to save cinema: Cineplex’s new Mystery Monday screenings are hoping to revive the flagging exhibition industry. But do we think it will work? And if it doesn’t, how would we save cinema? Featuring costumed actors, great food, locality, curation, communality, microcinemas, using Netflix’s biggest weapon against it, and finding a teenager who’ll agree to jiggle your seat around wildly while you watch The Empire St...
A surprising amount of lightning at the Two Reel Cinema Club this week, as we watch the new Yorgos Lanthimos picture Bugonia, and compare it to the Korean film it’s based on, 2003’s Save the Green Planet. Two kidnaps, two investigations, two conspiracy theories. But how do these two films differ? What is it they want to say? Which film is a prime example of ‘scrap of paper film making’? Why did the remake remind us of Tears for Fea...
We’re humming along at the popcorn counter this week as we pitch the musical biopics we’d like to see - ones which are a little less bland than some of the music movies we’ve watched recently. Join us as we travel from Canada’s greatest rock trio to the Chairman of the Board, from Jamaica’s tallest export to m-m-m-my Sharona. We get three biopics each, but which is the most obscure? Which is the weirdest? And which one writes itsel...
We’re dancing in the dark this week, as we watch the new movie Springsteen: Deliver Me From Nowhere and then study the film that makes a cameo in that rock and roll biopic, 1955’s The Night of the Hunter. Two bad fathers, two rivers, two tales of growing up poor. But which of the two features the sweatiest man? Which of the two has the most riverside wildlife? Which of the two is wearing twenty undervests and a fake chin? And which...
We’re doing a bit of fantasy programming at the Popcorn Counter this episode, as we reflect on last week’s encounter with two of the major forces in 21st century Hollywood film making: the Coen brothers and Paul Thomas Anderson. They’ve both straddled the arthouse and the multiplex, and they both have an outstanding body of work behind them. But which do we personally rate? Whose films would we prefer to watch? And why does one app...
At last, two good films in one podcast! This week we’ve watched One Battle After Another, the new Paul Thomas Anderson picture with Leonardo DiCaprio, and we’re comparing it to the film that it doffs its revolutionary cap to, 1998’s comedy classic The Big Lebowski. Two stoners, two missing women, two dirty bathrobes. But which film feels out of time? Which film made us reminisce over payphones? Which film is broadcasting the revolu...
Welcome to Jeopardy at the Popcorn Counter this week, where we’re pretending to be Alex Trebek with twenty movie related answers, but can you guess the questions? Some of them are doable … and some of them are frankly not. Do you know your Mount Rushmores from your Nostromos? Play along and see if you can beat our score.
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Success is hard to measure in life, but easy to measure in comedy: does it make you laugh or not? After enduring Spinal Tap II last week we’re returning to some of our favourite comedies at the popcorn counter. But what is in our top five, and do we have any overlaps? How does Justin Trudeau fit in to all this? Are popstars funny? Where did we go for Andrew Curtis’ birthday party? And is there a connection between being funny and b...
For those about to rock, we salute you this week, as we put on our poodle wigs and tune up our Gibsons to watch the new comedy feature Spinal Tap II: The End Continues and compare it to the film that started it all, 1984’s This Is Spinal Tap. Is the old film still funny? Does the new film live up to its predecessor? Which film sets up gags it never pays off? Which film has the cleverest cameos? And which film made us think of a mar...
Join us as we sit in the darkness at the popcorn counter this week and muse on why Noir seems to be the second most enduring genre in all of cinema. After jiggling our brains a little, we think we can come up with a significant noir film from every decade of the last ninety years. But have we ever tried to write a noir project? And how do noir mysteries trace their origins to bible stories...?
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We don’t know why a detective for hire is called a private dick, but we’ve certainly seen plenty of sexy investigators this week. We have watched the new Ethan Coen 'lesbian B-movie' Honey Don’t, starring Margaret Qualley and Aubrey Plaza, and we’re comparing it to Howard Hawks’ 1946 film noir that it tips its hat to, The Big Sleep with Humphrey Bogart and Lauren Bacall. Two gumshoes, two sets of murders, two seductive mysteries an...
Are there are any nepo-babies in the mainstream film industry? Perhaps we should be asking if there are any successful people who aren’t? We started making a list sitting at the popcorn counter this week and soon ran out of ink. But out of all the nepo-babies that we’ve seen at the movies over the last few years, why is Michael Douglas our most admired? We look back at his career and ask how he managed to consistently choose zeitge...
We seem to be stuck in a loop reviewing films called ‘War of the Something’, because this week we’ve watched the new Olivia Coleman Benedict Cumberbatch comedy The Roses, and we’re comparing it to the Kathleen Turner Michael Douglas version of the same story, 1989’s The War of the Roses. Two divorces, two fighting couples, two ruined houses. But which one of these films wants to be Who’s Afraid of Virginia Woolf and which one wants...
We’re dressed as clowns at the Popcorn Counter this week, as we talk about the crossover between comedy and horror. Why did so many of the most successful contemporary horror directors, including Zach Cregger, Jordan Peele and John Krasinski, get their start in comedy? What are the differences between the two forms, and how are they more similar than you might think? And what’s the single most horrifying thing to a writer?
If you e...
Weapons is our new film this week, the sophomore feature from sometime sketch comedian Zack Cregger. It may have a great cast, a great premise and some great scares, but can it stick the landing? We’re comparing it to a film from 1995 that shares its premise and a lot more besides, The City of Lost Children. But which one is best described as Lynchian? Which one is stacked with zany action? Which one looks like a CD-ROM video game?...
This week we dress up for concert night and dare to ask the question: how is it possible to not like John Williams? We scan through some of our favourite movie soundtracks and try to figure out what makes a good one. How broad is Hans Zimmer’s career? Why do we consider the gold standard to be Bernard Herrmann? What’s the best thing about Tron Legacy? What’s the right word to use to describe an Italian Western? What has Patrick Jon...
‘Damn!’ That’s what Ice Cube says about two hundred times in tonight’s new film, the Amazon Original feature War of the Worlds. It’s not often that you see a film that confesses, ‘It’s worse than you think,’ in the actual publicity material. But is this new sci-fi non-action picture really as bad as the online chatter claims? And how does it compare to the 2005 version of the same story, Steven Spielberg’s War of the Worlds, starri...
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Betrayal Weekly is back for a brand new season. Every Thursday, Betrayal Weekly shares first-hand accounts of broken trust, shocking deceptions, and the trail of destruction they leave behind. Hosted by Andrea Gunning, this weekly ongoing series digs into real-life stories of betrayal and the aftermath. From stories of double lives to dark discoveries, these are cautionary tales and accounts of resilience against all odds. From the producers of the critically acclaimed Betrayal series, Betrayal Weekly drops new episodes every Thursday. Please join our Substack for additional exclusive content, curated book recommendations and community discussions. Sign up FREE by clicking this link Beyond Betrayal Substack. Join our community dedicated to truth, resilience and healing. Your voice matters! Be a part of our Betrayal journey on Substack. And make sure to check out Seasons 1-4 of Betrayal, along with Betrayal Weekly Season 1.