Why Does the Wilhelm Scream?

Why Does the Wilhelm Scream?

Brock Kingsley and Jason Wiseman discuss and review movies worth watching in a way that nerd-ish types do when they sit down to chat. Passionate opinions, (bad) inside jokes, obscure references, and rants; there will be rants. Often irreverent, sometimes insightful. Plus, occasional special guests and special topics.

Episodes

May 12, 2025 29 mins

We're back with our interviews from DIFF. On this episode, we chat with the director and cast of 'The Confession.' This film is nuanced, and layered--a movie that only gets better the more you watch it. 

More DIFF interviews coming soon. 

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Recorded before our DIFF adventures, this episode delves into two new A24 releases: Opus, and Death of A Unicorn. A24 having its own kind of flavor provided an interesting way to look at these two films. We also continue with our look at Amanda Kramer's filmography with the outstanding, and undersign, Ladyworld.

More DIFF interviews coming May 12. 

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Due West is a gut punch (in a good way) of a film. It's timely, relevant, and forces viewers to confront preconceived notions. We sat down with director Evan Miller as well as stars Adrianne Palicki and Henry Thomas. Enjoy the conversation. 

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Hey there screamers, as part of our coverage of this years Dallas International Film Festival, we sat down with filmmakers and cast members from a number of films. We'll be bringing those interviews to you every couple of days over the coming weeks. First up is Austin Nichols and Adrianne Palicki director and star of The Salamander King, a charming comedy about big ideas and a community of weirdos. enjoy the conversation.

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It's the last day of DIFF 2025, which means the last bit of Driving While Screaming (at least until the Oak Cliff Film Festival). On tonight's drive back, we talk Motherland, and Barron's Cove. DIFF 2025 was truly fantastic. We'll have extended coverage and interviews coming soon.

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

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Day 5, a day of interviewing the wonderful filmmakers behind the following films: DIY: The Rise and Fall of Punk, Party People, and Eastern Western. Stay tuned, those interviews are coming soon. 

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

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Driving and Screaming: DIFF Recap Day 4 features the films Andre is an Idiot, All That We Love, and Toxic. We also swear at motorists. 

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

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Day 3 was another busy day of yapping and watching films. Today: Cafe Chairel, Friendship, Happy as Larry, and Black Spines. Come for the movie talk, stay for the bad Jimmy Stewart impressions and near car crashes.

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworth...

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Day 2 of DIFF 25. And Day 2 of nightly recaps. We talk about the films Due West, and The Other. Two films that already feel like standouts at this year's festival. 

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

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The Dallas International Film Festival is back! And that means we're back with daily festival recaps--Driving and Screaming. The first day: Salamander King, Omaha, and Daniela Forever.

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

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On today's episode, we start our look at the filmography of Amanda Kramer with her, technically, first film: Paris Window. We also discuss the new films Borderline, and The Monkey, as well as remembering Val Kilmer and ranting about theaters (again).

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

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Welcome back screamers to another episode where we discuss one of the great actors of our time—Gene Hackman. Gene hackman passed away in February, and we are here to look at a handful of his films: Scarecrow, Night Moves, The Package, and Loose Cannons.

 

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March 8, 2025 110 mins

“The Screamy is given in recognition of achievements (or lack thereof) in direction, performance, and “should have’s” that represents Wilhelm’s iconoclasm and overall opinionated views during “the previous year.”

Tonight, we invite you to Scream, sit back, and enjoy.

 

 

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We are back, Screamers! And today we're looking at three brand new(ish) films: the Oscar contender 'The Brutalist,' Paul Schrader's look at a dying artist, and the robot love story 'Companion.' Sit back and scream. 

 

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortwo...

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On today's show we look at the Oscar contenders "Emilia Perez," and "Conclave." We also finish our look at the filmography of Kelly Reichardt with a beautiful and funny take on the creative process (and more) in "Showing Up." Brock loses his Silly Putty, so stay tuned to future episodes to see if he finds it.

 

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

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We're back, Screamers, with another banger of an episode. A couple new films with Robert Eggers' take on Nosferatu, and Sean Baker's retconning of Pretty Woman with 'Anora.' We also dip back into Kelly Reichardt's filmography with 'First Cow' a platonic love story/anti-manifest destiny/capitalist allegory.

 

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

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This episode is a doozy. It's our Christmas gift exchange episode! Jason gifted three movies to Brock: The Apple, Drop Dead Gorgeous, and Three O'Clock High; and Brock gifted Jason three movies: Viva La Muerte, Space Raiders, and About Endlessness. Six films that you never expected to be grouped together. Happy Christmas, Screamers.

 

 

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Happy Holidays/Merry Christmas, Screamers! This is the start of the run of our Holiday episodes. And we're kicking it off with some doozies: "Our Little Secret," "Hot Frosty," and "Carnage for Christmas." Maybe next Christmas we can get a LiLo/Lacy Chaberty buddy-cop Christmas movie...

 

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

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On this episode: the one-take wonder 'MadS;' a Dangerous Banger, 'Primal Fear;' and an absolute perfect movie, Kelly Reichardt's 'Certain Women.' You're welcome.

 

 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at ...

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On this episode...Brock's dog, Sam, doesn't enjoy hunting; things get political before turning to movies, which, well, things still stay kind of political. The films discussed are 'Heretic,' 'Azrael,' and Kelly Reichardt's 'Night Moves.' Tangential discussions of the Bob Dylan biopic and the Robbie Williams 'biopic' also occur. 

 

 

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