Episode Transcript
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(00:01):
The following program contains views and opinionsthat do not reflect those of this station
or its advertisers. The Law DameShow, No word give me. This
is the Outlawed Day Show on katArc nine fifty sank a boat in the
hurricane. I caught the girls inthe corn rain A faster raised card riverside.
(00:27):
I cheated, I've stole and I'mlive. I've been baptized before.
Guy I smoke a joint in frontof my mind. He's a very naughty
boy. I bought card promas abouta home. I saw Elvis in the
Ask Doone. I thought my heart. I battle with the Booze. I
bought my picture on the cover ofthe Public News. The outlaw Nation lives
(00:52):
here on kat Arc ninety. I'mgonna sit down in the kitchen and pick
me something good to eat, makemy head a little high, and the
(01:15):
whole day complete. We're gonna layaround the shanty, Roma and but a
good buzz on. We pass throughme a baby who will pass it through
bespore. We'll take time off tosmile a little bit, foil that that
goal. We're gonna lay around theshanty Mama, but a good buzz on
(01:38):
what every night and day if Ican help, But we're gonna lay around
the shanty down and what a goodbuzz on. This is the Outlawed d
show on Keep You or C ninetifteenIt's the Ohga. Finally, Rode is
(02:06):
when you use a feather. Kinkyis when you use the whole chicken.
Rock Ny Hen rock rock rom oneoh one k l o L outlaw Dave.
He thought he wanted a career,turns out he just wanted a paycheck.
Might as well be getting paid forbeing a fool, please Jesus,
(02:44):
he's my brother. Rock on onek l o L. Possum Kingdom.
Perhaps you're aware of the Kingdom ofthe possum La marsupial our cousin the possum,
the potome, along with his distantrelative the armadillo. Yeah, hey,
(03:07):
you know, possums are cool.It tastes like chicken. Everything tastes
like chicken. Really luck yeah almost. Have you ever seen a possum a
possum? Yeah? I have alive? Yeah really at the Rainbow Lids that
used to throw a little rolls outsideand a possums would come up from the
bayou. Also over Las anitas.Yeah, I don't blame it. Yeah,
I don't blame it a possums.Have you ever seen a possum hanging
(03:28):
from his tail upside down on atree? I think I have ever seen
a possum play dead? Yeah?Have you ever touched a possum? No?
Have you ever seen a real deadpossum? Yeah? Have you ever
had sex with a goat? No? Yes? Send some somewhay ready to
begin, begin we can all bequiet and pleasible and rock block start starts
(03:51):
now rock one oh one kay lO l to be. What does it
mean to be Houston's rock station rockcollage? It means you play acco one
(04:16):
season the Rocks used to rock,always always will rock Rock one O one
a lol, rock one. Heyday, this is Jason Man. You're
gonna taket that on, sir ofthe Boat show for the wrestling right on.
(04:39):
I just got a basketball class fromcollege. Man, I'm tired.
You have a basketball class in college? Do you play for you of h
Now? I got a Tomball College. I didn't realize they had a team
at Tomball College. Yeah. Buthey man, I'm trying to get the
police scatting after this se Master soI'm like, wait a minute. You're
getting your associate's degree from the TomballCollege on a bat ssketball scholarship, and
(05:00):
from there you want to go tothe police academy. No, actually,
I'm not on scholarship B but I'mjust there. My major's criminal justice.
So I'm gonna go and so Ican be a cop. We call them
peace officers law enforcement individuals, notcops. That's a phrase coined by the
people at Fox. Sir, okay, and what are you driving in right
now? I'm board right pick up? No, sir, No, sir,
(05:24):
no, sir, You are ina vehicle? Is a vehicle?
Oh? I'm in a vehicle.I'm heading north. I'm going tomorrow.
I'm on Spring Cyper's and I'm hittinghome. Who's in the vehicle that's next
to you in the traffic? Actually, I can't see anybody. I ask
people in front of me, andI'm me, but not beside of me?
Those are potential purpose Yeah, what'sthat? Lock, Stephen? Jason?
(05:46):
Hey, what's up? Man?Not a whole lot. I have
a question for you, Jason.How can you be going north on Spring
Cypers? I don't know how.Lock and Jason another. Can you see
a three pointer from here? Now? Rock? Ben Haley? He now
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Ben Haley, Rock Station, lol Rock one k l O L Houston's
Rock Station Outlaw. Dave, Ohmy god, Oh my god, you
guys look up in the sky.It's a bird. It's a plane.
(06:44):
No, it's a flying possum.Hi, yes, Hi Dave. How
are you doing? I'm the holidayarmadillo. Luck. How are you You
mean you have lots of uh yeah, yeah, okay, I have Holiday
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dot Com. The Outlaw Nation liveshere. What's he building in there?
What the hell is he building inthis? Yes, subscriptions to those magazines.
(08:20):
This is the Outlawed Dave Show onKPRC nine fifty. I've called her
my radio sister, and although wehaven't worked together and it seems like two
decades, the time that I spentwith her on a legendary radio station are
forever ingrained, not only in thehearts and minds of listeners throughout Southeast Texas,
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but certainly within my own. Ladiesand gentlemen, please welcome to the
program, my radio sister, LaurieLala, Kendrick naw David. Thank you
for that seller introductions. I toldyou She's like, so, how are
you getting introduced? You? Uh? Yeah, yeah, that's you gotta
(09:05):
think things through. Um. Well, I have to. I have to
add the ask because God knows whatyou've come up with, and I had
to be prepared. So let's dothis by I feel like solid gold today.
So um, it has been sincetwo thousand and four that the horse
that was known as KLOL was shotout from underneath me. Now you had
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departed h sometime before that, feedingmy abandonment issues, and that yet we
reunited. We reunited briefly working forthe Cumulus Corporation at k io L and
k f n C, where youhelmed the talk radio news station, and
(09:52):
I was over with Walton and Johnson, and um, we went and we
we we sort of recreated the lastiteration of KLOL on the KIOL, the
brainchild of not only the Dickey Boysand val Garis, but also Pat mister
(10:13):
Whoopee Fant, one of the originaldisc jockeys on KLOL back in nineteen seventy.
Nineteen seventy was the origin story ofthat. He dropped the needle on
the very first record played Yeah youremember what it was? Yes? And
Terry Lester Michael's God Love Him playedthe last record m as Walton Johnson went
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off the air and they switched toreccatrone, and he made sure that they
played I'm Free and then Sad butTrue by Metallica to close out the legacy
of what Billboard Records once said,Ao r Station of the Year. But
you didn't grow up. You didn'tgrow up in Houston. I grew up
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here, So I grew up listeningto Kala. You grew up in central
South South central Texas, South centralTexas. I grew up a product of
by thirty five. My whole lifewas I's always been up and down I
thirty five. I was born andraised in carn City. That's fabulous,
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little bird where Dinge is the schoolcolors and I went to school at Yutif
in Austin State on thirty five.Was briefly in Dallas State on thirty five.
Then my first job after college wasin TV in Laredo, isn't it.
I don't know where Laredo is.Well, just put your nose to
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the wind, Jill Catchen, itis. It is on thirty five.
So I really hadn't gone to Houstonthat much. I hadn't looked east or
west of me, just north andsouth. And when I got to Houston,
m I fell in love with itand me automatically I came here from
sant Anton. I was recruited actuallyby KHS KTRH. And that just so
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happened to be at the time whenone one person could own two radio stations,
and that was Max. And thatwas before there was the Jones family,
Oh, Jesse Jones progidy. Theyowned the Houston Catical, they under
TV station, They owned ktrh's thenews station, legitimate pioneer award winning radio
station. And them for their fortheir crazy son that was a bit of
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a rocker, they allowed him tohave kl L, which was down the
hall and what some said was acivil defense shelter nestled in the heart of
the Montros. And that was ourour, our our glowing father j Jones,
J Jones, who had a heart, who had a heart of goal
and let us do anything we wanted. Yes, And he never considered bad
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public you know. He was reallyone of those who truly believe that any
publicity is great publicity, be itbad, be it good, you know,
And he was just he was agreat guy to work for. Now.
I got here, I got herein I got to Houston rather in
nineteen ninety and I worked for KTRHand kind of started out as an all
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purpose reporters that kind of found myniche, if you will, doing kind
of weird things, we really weird, really weird things that that station really
wasn't ready for or prepared for,but embraced me and I learned a lot.
I really learned quite a bit aboutabout radio. And Joe is Brand
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was my was my news director,and Joe taught me so much. David
by by not doing anything to meor with me. He just let me
go and I would find my ownstories and put my own sound to it,
and I would you know, Ididn't really have to go by any
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kind of regulated pace. I wouldjust produce it my As long as I
produced, I could go at myown pace and do whatever I wanted.
And they let me and it greatfun and very education. Did they now,
I know they had a fleet ofnews units, um unlike today where
it's basically they just ripped stories offthe wire or they talked to a press
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person. Now, did you haveto go out in one of the news
units and drive out or were youmore of an independent stringer kind of doing
your own thing on your own time, in your own car in the very
beginning, I was your your basicroving reporter, and I gotta tell you
one of the one of the oneof the strangest stories. It's not even
really that strange. It was justkind of a of a visual weirdness.
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The Bali Lama had arrived at HobbyAirport and I was sent down to to
cover him and try to get youknow, just a couple of words of
lessing anything, you know, youknow, in a bell do something.
And anyway, he walked out inhis scarlet robes and he surrounded by you
know, the media masses, jackals, all them, and we're all trying
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to get a comment from him,and he just kind of stands around with
everyone shops mics in his face,and I'm looking at him. He's wearing
his glovely scarlet robes and its verymuch him looks just exactly like he,
you know, did as has beenportrayed on TV. So I'm looking down,
Dave, right, I just gokind of you know, I'm looking
at him from top to bottom,and I get down. The cat is
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wearing gold toe black sox and hushpuffies. The sandals come on black.
It was the day I was raisedwith black gold coast box on my father.
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I know the cold bottom a mileaway. But and not only that,
they were black gold toe sox andbrown hush So I'm not you know,
I wanted to say, hey,Dolly, wearing spiritual. Spiritual elevation
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doesn't come with a fashion sense oreven color correvation. No, I don't
know. It doesn't. Apparently,it just comes with um of getting in
and out of robes and flipping onthe hush puffies and kids to suck on
your tongue or whatever the hell thatwas. Yeah, he uh, he
was a lovely man, um kindof quiet. Didn't say a whole lot.
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I think he was coming from Nepal. I don't think he was very
used to this Houston heat and humidityand oppressive weather. Yeah. We're right
in the thick of that right now. And I feel like, you know,
of anybody that comes from some otherplace, um, when they get
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here, um, they have tobe like, oh my god. The
only place worse than this is Savannah, Georgia. Yeah, Savannah and New
Orleans too at times. New Orleanstoo is extremely oppressively hot with the human
I'm always drunk when I'm in theCrescent City. I've never felt that.
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I always feel like a bit ofa breeze, just enough to rustle up
the smell of vomit and piss andgarbage, and it's just New Orleans is
Yeah, I've never thought of NewOrleans just being oppressively hot. But maybe
it's because I always go what eitherfor football or Mardi Grass. So it's
not because you were always oppressively faced, right, that's why I mean,
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you know, I mean, II don't know. I've been to New
Orleans three or four times, andit's a witchy little city. You know,
there's a witchy witchiness about it.I don't know, kind of it's
kind of intriguing. But um,I've only been there, like I said,
two or three times, and II don't know what I go back.
Yeah, someone drove and paid.This is the Outlawed Dave Show.
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Friday Night guest is a storied journalist, a well traveled news reporter and my
former sidekick on the Late K LO L. And we were talking.
I said, Hey, let's goback in time and be a guest on
my show. It'll be fun.And she said, speaking of going back,
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you went back home, you wentback to Carnes City. No,
God, no, you drink fromlisterine and sit that out of your mouth
right now. I did Bernie closeto Carton City or is it not?
No, Bernie happens to be.I don't live in Bernie, but I
(18:44):
live in the Texas Hill Country,which is just northwest of San Antonio and
Bernie. I guess as communities gois one of the more larger villages bergs
on the back hill. So sonot but it doesn't have that aesthetic of
Roundtop or Georgetown, where it's youknow, all been and I hate to
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use the term yuppified or at leastruined, as they have ruined a lot
of the pockets of the hill countrybeyond the confines of the metropolis of Austin.
This is become something of an artistand um antique dealers realm. So
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picture what I'm saying, Martha withoutthe desert, yeah yeah, yeah yeah,
without the without the maces in thebackground. What the hell is that?
What the hell is Marfa and aproduct store in the middle of the
steps, the steps and the plateaus? Is that it's Is it just a
(19:53):
front? Why did people go there? Wait? Is it? Is it
really? Oh? That's also,uh, that's some guy who shows up
at Tuesdays and those T shirts.Oh, here's you get a prod a
T shirt made in Guatemala, Iknow exactly, so exactly. I don't
know. Maybe they're illuminated by theMarpha lights. I don't know. But
(20:14):
it's just out in the middle ofnowhere. It's just kind of stuck out
there. I know, you leaninto the paranormal. That was one of
the passion projects you did one.Have you seen the Marpha lights? You
know, we went down there tocover. Jimmy and Boner and I went
down to cover when we were atthe station cap and See I believe,
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which was KIOL sister stations, thenew the FM newser and we went down
there to cover the immigration issues.The Lord knows that it would be you
know, had become far more ofan egregious scenario. But we went down
there to talk about about about theAlpine actually and Martha as to talk about
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the problems with at least immigration andnever fall the mark for life. We
didn't get out that far. Haveyou actually? And again, I know
you did a show on Saturday Nights. It was on Saturday nights on cofensive
about the metaphysical the supernatural. Haveyou ever seen any unexplainable occurrences. I've
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dated several demons. I'm not tryingto I'm not throwing yourself balls. I'm
asking in earnest because my only myown. I only have two two interactions,
and one might have been you know, just a visual uh staring at
a light. I go back,the thing kind of jumped around. It
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might be a UFO. But inSan Antonio, I went to San Antonio,
and there is the place where thechildren from the school bus that got
hit by the train, where theysaved you. But yeah, well that's
actually just an optical illusions. No, no, no, no, yeah,
yeah yeah no yeah. If youput your car in neutral right and
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it goes uphill, you really don't. You really are going downhill. It's
just an optical illusion. It's improventime and time again. I watched Josh
Gate on Destination Unknown. I've seenit, the story about the guy who
put the baby powder on the trunk. Did you see the little handprint?
No? No, no, noacid flashback, babe, Nope, No
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I didn't. I didn't do thetlcolm powder. We picked up two chicks
of a hot tub off the riverwalk at one of the hotels. They
told us about it. We wentdown there. You put the car in
neutral that goes up and over thetracks. I didn't end up going over
the tracks with her. I gota little bit of a sobriety out there
in the middle of where the hellwe were, and I go, what
what are we doing out here withthese horse Yeah? Well you can't go
(22:56):
out had driven down from Fort Hood? What do you do here here?
So many of your girlfriends all hadthat same name. Now they say,
you can't even go down there.It's gang land. I mean, it's
dangerous. People will uh you know, they really looked down upon it.
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Did you grow up in San Antonio'sin the radio realm? Did you without
the radio stations? You grew uplistening to my market? So did you
listen to Joe Anthony the Godfather onthe radio? Oh? My god,
Joe Anthony and uh ken um therewas another guy back came back and Joe
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Anthony would god love and we wouldlisten to him at noon and Joe Anthony
And there was a minute ago Ican't think of his name, but there
was a there were two guys onthere, and they were They kept themselves
quite herbally entertained, yes, duringtheir during their shifts, and we'd be
you know, out in the carslistening during you know, we're waiting to
(24:03):
go back in for the drudgery ofthe second half of the school day,
and they'd forget, they'd go awayand forget the album was still going and
all your quickly for like fifteen minutes, long before crash passed out. Oh
yeah, Joe Anthony died on theradio. He died on the air.
He did not, Yes, hedid. He um in the and he
(24:26):
opened up a pizza joint, buthe kept his finger uh in the business.
He was a night guy, andhe basically did it just to promote
his pizza joint. And he died. He died on the air one night
back in nineteen ninety two. Seriously, he had I think he was just
(24:47):
inducted into the Hall of Fame.He was posthumously. Um, yeah,
posthumously. The last time I learned, I learned how to say that.
Just recently, I would saying posthumriously. It's not funny, David, nothing
funny about it. I've been lostsince you left. I just want you
to know that. Um, sowe la what's this word? Not really?
(25:18):
We would we would leave there onFriday nights. Uh, Laurie did
his split shift. She came andworked early in morning, and then they
made her come back and work withme in the afternoon, and we we
do that splitt shift, and we'dleave out of there on Friday night and
we'd uh whatever promotions are in turn, we'd take away. We'd go to
dinner, and then the night andthe weekend would take off from there.
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And you'd usually bail before midnight onFriday night, and my adventure would continue,
and then I'd see you back onMonday. Uh, and you'd be
like, so, how was itI go? When did you leave?
And You're like, you were sittingthere with the fat guy telling you a
story about a you know, wheatthrasher and two blonde checks, giggling and
(26:02):
you're ago and you didn't roll youreyes at me. But god, we
had fun. Oh yeah, youknow, to be to be young and
in my thirties again, as Iain't uh young and in my thirties anymore.
But uh, i'd go back andmaybe if it's been a couple of
hours, but I wouldn't want togo back permanently because the lessons, the
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lessons learn to get me to thepoint where I am right now. We're
too traumatic, too traumatic. WhileI learned a lot and uh, it
helped my trajectory. That's that's aword, David. It means forward pulsion,
forward movement, you know anyway,Um, it's helped my trajectory moving
forward, just just from a asa as a broadcaster and as a as
(26:48):
a as a human, as awoman. And you can't deny, you
know, every every failure is alesson, every success is a lesson.
Everything is that. Here's a partwhere we get serious. But based on
what I've heard from you with thepast couple said a few of those yourself.
Yeah, you know less you haveto be recepted to the lessons.
(27:11):
And I think that that's part ofthe maturation process because when you're younger,
you're the universe is trying to teachyou that lesson and they'll keep teaching it
to you over and over. Whatis it? What I can't remember?
What's the learning curve? Here?Moron uh? Our guest for Friday Nights
(27:33):
is the vivacious Miss Lorie Lala Kendrick, who was an incredibly important part of
the Stevens and Pruitt Show, alongwith Landy Griffith, Martha Martinez, Chuck
Tremmick, Tubby Peckerwood, Tito's SmallBerries, and of course Lovable Lock seven
Housen. We'll continue as we getdeep, reminiscing like old friends do late
(27:59):
in the evening. This is theoutlaw Deep Show. Republic Harley Davidson in
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that's new and used. They sellmore parts of accessories, they install more
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(28:22):
is number one in Texas, doingit at a higher level longer than anyone
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Want to learn how to ride?Two eight one, two nine five one
(28:44):
thousand. Republic Harley Davidson just outsidethe Beltway on the Southwest Freeway in Stafford,
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Join us and maybe you'll win abrand new twenty twenty three street Bob from
Republic Harley Davidson. Our guest tonightis the Laurie Kendrick, and we've kicked
off her shoes and ordered brand newsand retired to the library. As the
(29:07):
conversation has gotten deep, and certainlymany would argue that I have lived sort
of a charmed life. On theother hand, you have had life's lessons
tenfold meta upon you. Uh.And even in the past decade, um,
you have been um resolute and umreally mature about what you've um had
(29:37):
to deal with. Uh. AndI don't know, I don't know if
many people know, but when youwere really young, you were in a
horrible car accident, one that hasplayed played you till this day. Yeah,
that's pretty damn ye to be flyingthrough a windshield on the way down
a cement embankment. Do you rememberwhat concert you were coming back from?
(30:00):
We were going now, we weregoing to San Antonio for Fiesta. Was
right around my birthday. Our birthdays, as a matter of fact. And
I was going there with my thenboyfriends, very heavy emphasis on ex boyfriend.
And he fell asleep at the wheel, and we went over a bridge
and flew off into this semi nosedive into the water, and we weren't
(30:25):
there wasn't a seatbelt mandate then,and he fell asleep. We were both
we were both so tired from working. I've been working putting in fourteen fifteen
hour days, believe it or not. That was that was nothing to work
in news. That was a kindof a difficult day to work in news,
especially when you were young and hungryand had ambition and said had had
the salmon of both physical and mental. But we shouldn't have been traveling,
(30:48):
but we were both so tired,and he fell asleep and I was already
asleep, and we crashed into thissemi dry creek bed below, and I
went took out the windshield, andI think, but the one time I've
ever been happy, I had arather suavic ass because that took out that
took out the whole windshield and protectedmost of my body when I slammed into
(31:11):
the up surge created by the hoodof the truck on impact, and I
broke everything. I broke eleven majorbones on my right side, including multiple
comminuted fractures of the tibia, tibula, my ankle, mortist which is still
so fu cocktail looking today at mysister. I lost twenty percent of my
(31:32):
muscle map. My knee was broken, pelvis, my cock six, the
sacrum, several ribs, my rightshoulder, and my knee. My nose,
well, my knee was was wasbroken too, and my nose was
completely flattened and I lost about aquarter inch of lip. And still how
(31:53):
was your day? How was yourday that day? Well, it's uh
that I know this is hard becausethose injuries that plagued you your entire life
since then. Um, it couldhave been worse. And I don't mean
that to be diminutive. Um itcould have been. You could have and
(32:20):
I don't mean instantaneous death. Imean it could have been. I mean
the whole evil kinevil breaking every bonein your body and then the thirty million
um surgery is just to get backto some semblance of functionality is not an
easy course. It's not it's notfor the faint of heart. But one
of my dear friends daughter died thesame way. Uh, coming coming over
(32:44):
a bridge, hit an immovable object. She goes through the windshield, flies
through the air, dies. Um. He has never recovered. She transmogrified
to a higher level of consciousness andis obviously not in pain. Your your
recovery, UH, to this dayprobably continues. Oh, Um, it's
(33:08):
it is. It's chronic pain andmy orthopedo. For I was transferred UM
because it was outside of Segene onI ten when this happened, I was
My injuries were too substantial for theSekine hospital, so they transferred me to
the San Antonio Hospital and UM.I was there for three and a half
months and one in pelvic traction inone position and one I could not move.
(33:36):
Yeah, I had. I hada leg cast from toe to hips.
My pelvits was squeezed together by thisUM but it looked like a blanket
that they would tighten to press mypelvits together, press my stacrum. The
base of my sime snap. SoI had to be immobile and I broke
my right shoulder. For all Ihad was my my left arm and my
(34:01):
ribs were broken. Some of myrembers on the on the left cyberre broken
and my, my, my,my good legs was my left and um,
I couldn't move. I was inthat position for for three months and
it drove me. It drove mecrazy. And you know it very very
beginning, David, I kept thinking, you know me, why me?
(34:22):
And then you really do we reallydo kind of snap out of it and
go, why not me? Youknow what? What makes me so special
that a this had to happen?Or what makes me so special that this
that this couldn't have this? Thiswasn't worse? You know? And you
kind of did it give you wisdom? Did you when you had that not
(34:44):
an epiphany, but when you whenyou made that transition of perspective instead of
why me? Oh uh yeah?I mean what is that? Is that
Buddhism? It could happen to anybody. Good things happened to bad people,
bad things happen to good people.There is no rhyme or reason, and
it isn't always karmic justice. Itisn't anything other than happenstance or did you
(35:06):
can just blame you could just blamethe guy who fell asleep at the wheel.
I'm just saying, no, Ididn't blame him. I didn't blame
him to a quite recently, whenhe made a massive correction on my blog
about fifteen years after walking out onme, said he couldn't his guilt,
couldn't handle looking at me because itreminded him of of his of his failure.
(35:27):
And he only received relatively minor injuries. But you know, he couldn't
handle it. And I never blamedhim. No, you didn't. But
later I was made a joke.He made a correction on your your blog.
What is that? Oh I hada blog? No, I love
it. I read it. No, it was really good. You're such
a brilliant word smith. Oh on, David, one more conflict. You
(35:52):
articulate very well your stream of consciousness. The humor um almost and sometimes I
worry until I reach out and checkwith you. Um almost that sort of
Robin Williams, that sort of manicexcitement and humor, and you're like,
oh, wait, hold on,wait, I should check on her real
(36:12):
quick. Uh. And then andthen you'll you'll you'll level out and you'll
do a piece about losing a friendor um, some emotional recollection of a
memory. And then you get,you know, modeling, and I'm like,
Okay, so she is human andit's not all just that. Right
Robert Walliams, right was he was? He was the one, right.
Robert Williams was always odd. Hewas like he was, you know,
(36:35):
thirty thirty thirty eight balls and he'sjust like fun, fight fight fun.
You're like, oh, there's he'smasking something. Yeah, you think,
um, yeah. I it startedout almost exclusively as a humor blog.
But then as I got older andbecame more jaded. And I don't mean
that in a negative way. Idon't really mean jaded in a in a
(36:59):
positive way. I became calloused overbut not more talous. Yeah, not
not so cynical, but certainly notPollyanna asking your approach. Yeah, I
was a bit more impervious to allthe negatives that I really thought I had
succumbed to, our would succumb toin my earlier days as a a Yegg
(37:20):
concave fitted sapling. You know,as I as I'm mature, as I'm
matured, I I really had somevery very epiphanis, extreme epiphanis moments,
and and UH learned from learned fromthem that I have that I'm responsible for
everything that's good and bad in mylife. Oh yeah, there's a higher
(37:43):
power of God, of course,but the free will aspect of it.
I had to shrink on me once. And I don't mind admitting that I
have in and and therapy and itserved me tremendously well. And she once
told me when I was discussing somevery functional family and was discussing issues with
my my parents and that she said, you know, the problem is all
(38:06):
you have to go ahead and say, you know what, you were victimized,
and in many ways by you,by your parents. You were you
have to admit that. She don'twant you to say it. Yeah,
I'm okay, I'm a victim.She goes, Okay, now that's good.
That's good. But your victimization isnot your fault, but it is
your problem heavy duty. Yeah,you're crossed to there and and not a
(38:32):
not a blame shifting excuse, becauseyou have to own it. And owning
it. I hate that term,but I will. I do it.
I hate saying it, but Ido it frequently. And I've been forced
to own a lot of things Ididn't want to. You know, you
know, it's like who who fartedin the elevator? Okay? Well,
I'll have to own it. Youknow you have for you know what I
(38:52):
mean. Outlaw Dave is your friendon KPRC ninety outlow deve each your friz.
This is the Outlaw Dave Show onKPRC, but for forty even a
(39:17):
minute, all a minute, Arock Block continued. This is my station,
Houston's Rock Rock one oh one.Oh, thank you for reading my
letter. Bubba Schmendrick afromat Man.You don't take me or not no,
(39:37):
I mean, I'm sorry. Sorry. It seems that are a limo is
already full of babes, and duringthe few moments that we have left,
you want to talk right down toit in a language that everybody here can
easily understand. My Dave for theride one oh one hal Ol Rock Rock
(40:06):
one one oh one, kale OlsonRock Station, Rock Station Rock one oh
one, kale Ol Houston's Rock Station, the only station that really really you
know, you look like someone whocan really be really rocks. The forty
(40:30):
minutes wood Rock Block continue. Youlike you're a rocking good rock on one
Gale Houston Rock Station Rock one onkale Olster Rox Station. Law Days in
the middle of the forty been arough rock got ashiness. Tickets covered up
(40:52):
wind those before you can buy them. I don't know if I should be
run on the Young Girl's ny thatthrows the parties. And we'll find out
how your parties are this weekend whenwe go into the Rock one o one
kalell party patrol d boards playing croquete. That's so right, they might not
be so bad after rong. That'sa two piece baby. Happy summer weekend.
(41:15):
Do you feel it? This bugsfor you? It's almost four twenty
on Rock one oh one Kalel oneoh one ronge L maybe only station that
really really really rocks Rock one onone k l L. It's four twenty
(41:42):
four twenty. Sorry it was alittle too excited for Friday afternoon stuff happening.
Just wrapped up another forty minute rockblock. It should have been enough
to get you where you want tobe. Leave work early today and a
little while I'll tell you why youdon't have to go to work on Monday.
I've got some sure fireways to getout of having to go into work.
It's so cool. Gram Prize winnerfor the Air Force one on one
(42:06):
you picked the trip coming up injust a little while. If you're one
of those finalists. Sit by yourphone. Hey there's messages Bomas on Butch
right, oh Dale, Well,you've got to really, really really the
only station that really really rocks brockOdowa k o L used to drock station.
(42:30):
Don't forget. Oz Fest tickets goon sale tomorrow morning at all Ticketmaster
outlets. Os Fest two thousand.It's all part of the rock one on
one Kalols one hundred and one daysof summer. I still got some tickets
to give away. You can winthem before you can buy them. Also
got the Budweis or five o'clock TrafficGym coming up next, more concert tickets
(42:50):
and an air Force one on oneGraham Prize winner Jock coming your way and
the Budweis or five o'clock Traffic Jam. It's coming your way too, because
you deserve what every individual should enjoyregularly, and you earned it. Come
on, it's Friday. We'll evenplay the Friday song that always cheers you
up. Come on, Sparky,let's go Outlaw Dave, he's your friend.
(43:14):
On KPRC nine fifty. I'm gonnasit down in the kitchen and pitch
me something good to eat, makemy head a little high, and the
(43:35):
whole day completely. We're gonna layaround the shanty arm and what a good
buzz on. We'll pass through mea baby who will pass it through bespore.
We'll take time off to smile alittle defoil that it go. They're
gonna lay around the shanty mom,but a good buzz on a night I'm
(44:00):
nayfying hell that we're gonna lay aroundthe sham den, and what a good
buzz a. This is the OutlawDeep Show on KPRC ninth fift It's nogain.
(44:24):
Finally the Outlaw Nation lives here.I'm free what I want and it
old time. I'm free do whatI want and it love and it all
(45:04):
free to slew my song? Whoit gets out of time? Free to
see my song? Who is livingout of time? To love me?
Whoa whoa love me? Free Iwant and whom love holy love. I'm
(46:07):
bringing want and the old bring juiceof my plea in it bring to please
which in all time lovely love.When I'm bring I want and how walty.
(46:49):
He's your friend and it wo doggy, here's your old buddy, al
law Dave our Friday night guest isMiss Lorie Kendrick, who was my partner
(47:13):
briefly for a time at the infamousradio station kle Well. She is one
of the surviving members of Stevenson Pruittas you as you all obviously remember,
and we talk regularly. Even thoughwe are separated by distance, we are
not separated in our hearts or ourminds, and we we connect and we
(47:36):
talk. She listens to me.She's my late night phone call when it
seems to be overwhelming. And ofall the people that I know and I
feel comfortable and safe with, youhave yourself endured so much in life,
and not just recently, but allthroughout your life, and uh, and
(47:57):
you have always been an advocate ofaddressing mental health. I have also,
not effectively or with any regularly regularity. I have reached out and sought the
counsel of a professional help. Andone of the one of the phrases that
stuck with me that I have invokedof late, I mean this past week
(48:21):
when dealing with somebody, we werehaving a bit of a um a clash
and there was some things to beresolved, and I thought of you,
um when I said this to them, I go you need to do the
work. Yeah before, yes,I know I was forgercitating you to somebody
else. I go, I willwait, but you need to do the
(48:43):
work because I sometimes I feel likewhen we're trying to with human interpersonal relations,
when we're trying to ferret out orunderstand or move past or move forward,
that we offer um, we offeroptions for explanations or excuses, and
we'll go, well, well,why did you treat me like? This
(49:05):
was it? This was it?This was it? This? And you
you articulate all your fears or insecuritiesor concerns, and you just give them
the easy out. It's a multiplechoice. So they go, oh,
yeah, it's because you suck,that's why I was mean to you,
as opposed to forcing them to figureout really why they were mean or dishonest.
And and as we talk about maturity, and this is where we again
(49:27):
get deep. I have found thatsometimes I don't need to understand why someone
is mean, caustic, betraying,stabbing me in the back, And instead
of spending my time trying to figureout why or confronting them for the explanation,
I realized that I just can moveon and I don't need to know
(49:50):
why. I just need to knowthat the reason the scorpions stung the frog
is because it's a scorpion. It'sit's a scorpion exactly exactly when And I
think you and I have to discussedthis God in the late nineties at one
of our we used to go andhave what we call rap sessions. That's
(50:10):
this, this wonderful place for um. It's almost like an ashram really in
the Montras called the Griff They itburned to the ground earlier this year,
burned to the ground. The guycalled I go, oh my God.
And Robert Martinez UH was still coowned it and he co owned it with
(50:34):
Michael Griff, Griffin's daughter uh fromthe Blue Moon Private Detective Agency. He
was out of the country when itbecause it wasn't me. But no,
it burned to the ground. AndI believe that they're trying to rebuild it.
But it's right next to what theChinese embassy. Do you do you
remember that? So? Yeah,it was next to the Chiness on Rosedale.
(50:59):
Uh Rosedale was that the name?Any anyway, it's it'll it'll be
there again. But Laurie and Iused to go there and uh yeah,
we we compressed. We'd uh,we'd have rap sessions and uh. They
had this legendary of Saint Patrick's Daycelebration for a week, which kind of
fit into our vibe too. We'dgo there. Robert is yeah, no,
(51:23):
he's good. Uh. He doesreal estate. I've worked with him.
They they part ownership I guess inthe Lucky's Pubs and another Bard and
they do downtown events. He's workedwith me on some of my my downtown
festivals. Um. His daughter,um, Magan is uh got to be
(51:45):
thirty now. Uh, she wasone of the same time that my firstborn
Batson. But he has a hehas another son. He has a son
named Max, and he's uh,I guess in high school. No,
no, he just he just graduatedhigh school and he's up in San Marcus
and he's uh he's working part timeand you're going to school up there.
Yeah yeah, yeah, yeah,Well give him my best. Well I
(52:08):
hope he remembers me. Absolutely heThey they love us, Yeah, they
love us. We have fun.We did, we have fun. I'm
just uh, I can only imagineI have to tell you this, and
I don't mean this to be tobe Um in any kind of way accusatory,
(52:31):
but I've got I would love tohave been present when the demolition crew
took apart the kal L control rooms. Yeah, you laugh. You laugh
for the same reasons why I laugh, Because I remember when I first started
working there. Uh, this wasin April of ninety five. When I
(52:55):
came on board from KTRH. Itwas April of ninety five, and I
did something with my legs and Ihit a bunch of bottles and I looked
down at the control underneath the controlboard and there was nothing but Jim,
you know, whiskey and Scott andbeer bottles and Jim and stuck still in
(53:17):
them. Well, it's funny becauseI don't I don't know. I wasn't
there when they demolished. I knowthat Dick Wills from Erotic Cabaret. If
you don't know Dick, then youknow. If you don't know Rod Cabaret,
then you don't know. You don'tknow Dick Um and I believe the
former world heavyweight champion Lou sal Uhthey were involved with the development project.
(53:44):
If they weren't involved, they weredoing that at the time, so they
were down there when it took place. And I told you this the other
day on the phone. Somebody tookthe old old Catholic raid tube with the
potentiometer boards out of there, andeven though we had upgraded them, they'd
put the old boards in some storagecloset where they left them behind when they
(54:05):
when Clear Channel moved the station out. And so when they demolished that building,
somebody retrieved those boards and they broughtthem to me. And I've got
your old board where you would sitin there next to Chuck Schrammick and Martha
Martinez and Landy. I've got yourboard. I've got it here in my
studio over on the west side ofHouston. And it does. I don't
use it, I don't. Idon't know. It's not plugged in,
(54:27):
but I use it as a displaypiece. Oh does it still have the
cutout of Johnny Quest's face on theedge? Oh it does? Oh it
does. And I don't know.I don't know what you did with Hodgie,
but I'm a little disturbed in allof this. I let him in
Rex there and no no race banand Race Bannon go up Jill with crimes
(54:50):
and horror monsters on the other sideof the world. I remember this story
about Chuck Schrammick. And so Iworked with Chuck Schrammick when I first my
first job in radio was at KFMK, which was home of Johnny going Uh
and Uh, Jolly and Jay,and Chuck was on there and he did
(55:13):
the weirder than Skititch, weirder thanSkeeditch. But you told me a story
about Chuck Schrammick and how his domestichelp quit on him, And do you
remember why. Oh, there area couple of stories that I don't know
how many of the more radio say. He was trying to make the Weeping
(55:34):
Jesus and he had gotten a babyJesus from a manger scene and in order
to put tear ducks in it,he had to take a heavy needle and
try to create the tear duck ediequidn't He has a long hammer and a
(55:58):
long nail and he's pounder need noway, and he's pounding in the eyes
of the baby Jesus and his hishouse. He comes in and goes somebody
studios the part of the cross andran out of there like you her toneo
(56:19):
drums like breathless stones, some smoke, and he ran out of there,
never set back dram and I'm sureif he tried to explain it to her,
it wouldn't have made it any better. No, No, it's okay,
I'm making it cry. This wasthis was a plastic baby Jesus from
(56:45):
an activity scene. And you knowI remember the story now I've forgotten.
Oh, Chuck's full of Futch Frenchstories. This is the Albowdeve Show.
Our Friday night guest is Lori LalaKendrick, one of the surviving members of
(57:06):
the legendary radio show The Stevens.Imprewitt Show. Uh as we remember obviously
Jim and Mark and all the othermajor characters. Somebody that shared the newsroom
with Lorie every morning was Chuck Schrammick. You know he was just when he
went into his news story, theannouncement, the news story from around the
(57:27):
world, whatever it was, andthen he would play, um, a
cart that had a sound effect onit, and it was it was more
Coach And you told me what itsaid, right, yeah it was.
Uh, it shouldn't have been aired, okay, because I had, I
(57:47):
had, I had gotten call frompeople who understood more Coach and they told
me what it was. What itwas saying yes, and he was just
doing that, you know. Imean, I don't know, I can't
remember what it said. I can'tremember what that's been. God what thirty
years ago it was one. Itwas one of the seven words that George
Carlin said we couldn't say in theradio. It was twenty five, twenty
(58:09):
four years ago. And just Chuckwas Chuck was just full of of of
pistons anger. You know. Hewas a very very very funny guy,
one of them. He was astrange cat. But in such a in
such a cool are you in sucha cool funny way? Weirder. I
(58:30):
always felt was sort of um theinspiration for one of Jim Pruett's um uncle
Waldo voices. Now, Chuck Schremickwas relatively well off financially. Yes,
he came to a very wealthy familyin Iowa, Iowa, Iowa. Home.
That's where. That's where. It'snamed after Ayahuasca. No, it's
(58:51):
not not even built it. Imean, I don't know. Does this
smell funny? What face? Imissed him a great deal. I was
his Uh. He asked me tobe his best broad at his wedding.
(59:12):
I was his best broad at hiswedding, and he married in his garden.
Jim married him in the back ofhis house and his gardens. Married
the lovely Catherine. And I'm ashamedthat I don't know whatever happened to her.
I lost track of uh Catherine uma long time ago, but I
hope she's well. You know,it's funny you'd use the term broad and
(59:35):
then you'd say, Katherine. Doyou remember Kathy Steinhauer? She was our
general manager briefly as we were takingover her. I when she when she
was going away, I got heran engraved uh Peter flask Peter um that
said, to the finest broad,I know, uh well, and I
(59:57):
you know I do, I dobecause she was one of those putting elbows
on the table, one of theboys. She was part of the boys
club. I'm sorry, I'm sorry. In today's climate, well, I'll
probably catch her for this. Imean, ay, do any chicks listen
to your show? I mean,there are some women who can only be
(01:00:17):
called abroad, And I mean thatin the most complimentary step, you know,
because I picture abroad as a doer, a fighter, a go getter,
you know, a demolition expert,a construction expert, you know,
I just can and I brought anall purpose positive term in my opinion.
(01:00:42):
She came in and she, uh, we we had become a corporate radio.
We're no longer owned by the Jonesfamily. And I think I remember
Ginsburg or somebody brought her in andshe was a doer. She she called
that sales department in and all thegood people that had left, they had
left with Pat Fan so you're ToddAnimals, your Tom Andrew Russell, then
Leisure Building, they were all gone. So what was left was this rag
(01:01:06):
tag group of mainly Kytier eight salespeople. And she brought them all into a
room. She goes, you loserscouldn't sell a prefect catza? You should?
You should have seen their faces.Do you think the Alec Baldwin scene
from Glen Garry Glenn Ross inspired?This lady came in and she she brought
(01:01:29):
in Osgood. She brought in Osgoodand made things happen. I have a
feeling they based Logan Royd's character fromSuccession on her. Sometimes. You know,
I'll tell you she was she's aI think I read maybe about a
year ago. She was somewhere inMichigan or Wisconsin. Good. I hope
(01:01:50):
she's doing good. She left usto go to New York City. She
was community the market manager. Yeah, the market manager somewhere in the Midwest
end. Her husband that it mentallyserved, didn't her husband Wasn't he involved
with trains? I mean real like, by god trains. I don't know
what he did, but I don'tthink she said, you think I married
(01:02:12):
him for his money. Look,he's good looking, and he's oh so
good on the dance floor, andI'm saying, God, she she was
amazing. Uh. I had funwith her, and uh, she always
she didn't she didn't, she didn'tmince words. Um, you and Laurie
are doing great. Keep doing it, just keep doing it. And then
she was replaced by Brian Purdy,who I more of a hey pal,
(01:02:37):
Hey everybody. Uh. We weworked for some interesting people and those of
you that I don't know my storyof radio uh from its inception, I
went and chose mentors. I chosepeople to work for to to glean knowledge.
Uh. And so it wasn't untilI got to kle Well that the
(01:02:58):
program directors no longer battered because Iwas in a room with all these talented
people And it's funny because the programdirectors at that stage I would have thought
would have been amazing. They weren't. The program directors were as forgettable as
they are nameless. But the talentthat I got to work with, people
like you, people like Martha Martinezwho was storied, Stevens Impruitt, Doug
(01:03:23):
Harris, and then you've got backin the promotions department, those people that
came up after Doug Harris, peoplelike Jay Isabel and even that train wreck
dumpster fired Tim Trussell. These weresome some really amazing people that were accomplished.
And as someone once said, wewere the shiniest watch in the jewelry
(01:03:46):
case at a horrible PUNCHO. Ilove that. That's perfect. That is
a perfect thing. That is perfect. But yeah, when you look back
on your days at at Kalable,proper and when I say proper, I
mean before two thousands, Yeah,okay, two thousands to me is when
everything changed. Oh yeah, thankyou, thank you Bill Clinton and the
(01:04:10):
tell Com de regulation bill. Yeahninety six. It take five years to
ruin the industry and it's ruined forit. Did it did, and it
really really changed me from a Democratto a libertarian anything else, I'm more.
I'm far more libertarian than I amanything. I'm I'm conservative in my
(01:04:31):
fifth goal, um doing But um, I would call myself a pretty much
a centrist libertarian. Yeah, Iwas. I was carrying the Moniker Jeffersonian
Republican for a minute. But Idon't think that it conveys it properly,
and it's misconstrued. Uh. Andit's funny because, um, everybody is
(01:04:57):
so polarized. Everybody's you're either screamingblue or you're screaming red. And the
reality is that we all need tobe here in the center where you're talking
about where true libertarian values are whatis going to advance mankind. And everybody's
all caught up on team blue orteam red and they're all wrong. But
(01:05:19):
it's not important to self identify.I don't think it's more important in those
conversations to listen. No one's listening. No one's listening. They're talking.
They're talking, and they're trying towant to hear their own words more so
than the other people. I thinkyou need to be politically malleable, and
(01:05:42):
I have in the past, andlazy and press for time and voted a
straight ticket, but I would probablyvote all over the place if I actually
stopped and took a look and readeverything, you know, before I before
I went into the pavilions vote.So I would probably be voting, you
know, all over the place.I've probably right in. You know,
(01:06:04):
Uh, Rossboro died, Laurie,he's not coming back. That that's a
Rosborough. Rosboro that that train left. Oh you know what he was.
I think he was the first potentialexperiment we kind of dalied with in terms
of having an entrepreneur run the countryas a as a government, as as
(01:06:29):
do you not remember I totally wasthe Rossboro train. I mean his vice
president's a running mate. That gaveme major pause. But you tease me
about that. What was it thatRosboro said the Because I would say,
I would say, I don't know, I know, I know, I
say hey, hey, hey,hey, hey, here's this second sounds
of your show. Right, yeah, you keep that the depsit down the
(01:07:02):
basement like like your your grandmother.You're gonna get any care that waits upstairs.
Dirt dirt this guy. Uh,life is funny. Being in Texas
makes it bearable. It was goodto have this conversation with you today.
I enjoyed it thoroughly. I don'tthink I can bring all the highlights of
(01:07:26):
a ruby rock and roll career likegovernment mule, but I do have a
I do have a lengthy history withyou, and you with me, and
it's been too long, and we'vebeen talking a lot more than we have
in the past years. And I'vethoroughly enjoyed it. And let's not stop
(01:07:46):
it now. Well, our timeis finite, but let's do this again
soon. My dear friend, MissLori La La Kendrick. She's my radio
sister, and she's your friend,and you are my brother. Outlow Dave,
beas your frig This is the OutlawedDave Show on KPRC nine fifty.
(01:08:14):
She's she's come on. Take theticket, busy here, take the ticket,
take it, take the tickets.I need this right. I'll remember
(01:08:34):
your face. There is no wayexplaining the terrified I was pouring swept.
(01:08:56):
My blood is too thick for Nevada. I've never been able to proper explained
myself in this climate. Okay,be quiet, be calm, name Frank
and press affiliation, nothing else.Wait for about sixty years old. They
chopped for them head. I'm rightthere in the park and a lot of
(01:09:16):
Then they cut all kinds of holeshere and sucked down the blood. They
wrapped the penal plant. I think, yeah, now, how did you
mama ignore this terrible drug? Yeah, but then it's not happening. Yeah,
fire well, no duke on thelist. We lunch on the wisdom
(01:09:44):
total coverage. We have my attorneywith me, and I recalized that his
name is not on that list.But we must sund Sweet, Yes,
what's the next week? What's thescore here? What's next? Feel?
(01:10:08):
Sweet? Isn't ready yet? Butsomeone was looking for you. No,
we haven't done anything yet. Move. I can handle this. M This
man suffers from a bad heart.What any medicine para sweet? At once?
We'll be in the book about you. But I'm starting to feel that
(01:10:43):
right, Okay, laugh, Whyyou did that? Come on, let's
get some peanuts. That's one thingthat's good for you, man, peanuts.
(01:11:03):
Man who canog? Willis be aMS call de sign it you got
it? I bet you're a libra. There's list. Sir. Guy's runing
fo us in the twelfth floor fromtwelve fifty I couldn't remember the name rang
(01:11:29):
a bell, but I couldn't concentrate. Terrible things were happening all around us.
Where there're some gold shoes. Otherwise, whenever we got out of this
place alive, it's impossible to walkin this month, no footing at all.
(01:11:50):
Three Damn, I never run aconvert Is that right? Well?
I guess you're about ready. Thereare you were your friends? You're not
like the others man, really,no more of that talk about but bleaches,
how do you understand? Get inthere? He goes, one of
(01:12:24):
God's own prototypes, high powered mutantof some kind, never even considered from
mass production. Too weird to live. I'm too rare to die. Outlaw
d Eve, he's your friend.It's like a radio station on KPRC nine
fifty. The outlaw nation lives here. Something to learner since some the warners
(01:13:36):
I know to trippers, you sofar and you sometimes I I always do
what it was far. There canbe no denial to shrink and the black
(01:14:03):
wine in the black all the light, enjoy a joy and play whenever sad.
There I saw back into them stillthe fin light, my moon light,
(01:14:30):
my other western rivers, and thewindows cry, I'm cold. My
other she is fry on the darkside of the globe. Just saw her
(01:14:56):
hand, joy you do gold lited, that's all and I went really like
(01:16:10):
to know I'm the skier. Isin a show that time is fi used
(01:16:34):
the feworld lines from the Shambles onthe old Just stow her hands, we
just store then. That's all itdates that silds my Day's our gentleman,
(01:17:48):
that is our soul Friday evening.Thank you for coming. Please live by
the accents and don't forget the speakers. Thank you