September 10, 2025 • 6 mins
On Today's Lil Bitta Pod; Fletch was forced to leave feedback!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
From the Zidium podcast network.
Speaker 2 (00:03):
It's Fleechborn and Hayley's a little bit of pod. Welcome
to a little bit of pod now, guys, I, in
the heat of the moment, have left some customer feedback.
Speaker 1 (00:13):
Okay, some reviewing recently, so I have been.
Speaker 3 (00:16):
Giving positive feedback. We're you.
Speaker 2 (00:18):
I recently purchased something online and then the next day
I got an email saying how did you feel about
the customer service person? And I thought the customer service
was great. The person I dealt with on the phone
because I had to follow something up after I bought
it and followed up with the person on the phone.
They were amazing. The thing that I purchased was of
great value. But the thing that really annoyed me because
(00:40):
that during up a couple of times, was the company
that you call here in New Zealand because maybe they're
in Australia as well. And I know this is rich
coming from me, but the voice was really horrible.
Speaker 3 (00:53):
Oh give us, give us a performance.
Speaker 2 (00:55):
It was an Australian girl and she was like, welcome
to blah blah blah. And then because it was a
they had to explain a lot of things.
Speaker 3 (01:03):
You had to put up quite a lot. I had
to put it out.
Speaker 2 (01:05):
It was quite a lot of really intense, over the
top nasal Australian blah blah blah blah blah. Yeah, and
there was no way to skip it. And I was
and then I, you know, you're pressing through the options
and and it was just I don't know why. It
graded me so much that when this email came the
next day, do you have any gestions? I said, I
would probably revoice the nasal Australian voice with something more
(01:30):
palatable and easy to listen to.
Speaker 1 (01:33):
Why that actress, she's got a scratchy little loss.
Speaker 2 (01:38):
Do you know what it sounded like? Is, Hey, who
in the office wants to do this?
Speaker 3 (01:45):
Lovely lord? Why can you do it?
Speaker 2 (01:46):
Casey?
Speaker 3 (01:47):
You're hard?
Speaker 1 (01:47):
Case okay, Welcome to the company for your best I
love it when you can hear they're doing a voiceover
and it's it's Tracy from reception welcome to something or other.
Speaker 3 (02:01):
Press one and.
Speaker 1 (02:02):
I've written down and have written down, well they have
to say any and for your other options the shop three.
Speaker 2 (02:09):
I don't know if it's changed because I haven't driven
into the airport car park for a while. At Auckland airport,
but they had a voice overs like please take your
tack at play plates now so I don't think they
do that. But you used to press the button it
would give you a tack and say.
Speaker 3 (02:25):
Please take your carking ride. No, it was that please
take your.
Speaker 2 (02:34):
Punk and you just imagined like overseas tourists and like
r yeah, anyway, I don't know.
Speaker 3 (02:46):
I felt bad, like a job voice artist.
Speaker 2 (02:50):
Yeah, just I don't know you have.
Speaker 3 (02:52):
To ring up this.
Speaker 2 (02:53):
It's just nice for it to be a bit easy,
a bit softer. You're like, hello, welcome.
Speaker 1 (02:59):
To sit in pleadicle center.
Speaker 3 (03:01):
Please your ticket? Yes, hey, and it's coming through that
I've got a compliment to pay.
Speaker 4 (03:12):
I can't believe we've got this far into talking about voices,
and I haven't covered the fact that whilst I was
an a Yeah, as previously covered, I went through the
KFC drive through. Yeah, and because the girls wanted some
popcorn chicken and my princesses get what they want. Yeah,
because that's my princesses, and I am the King. And
I pulled up don't say.
Speaker 3 (03:29):
That, don't say that. I pulled up to the auto box.
Speaker 4 (03:34):
Yeah, and I and the most angelic voice said, place
your order when you're ready, and I said, two popcorn
chicken mediums please, and they said.
Speaker 1 (03:46):
Said two medium popcorn chickens. But that's that's my two
medium popcorn chickens, not two popcorn chickens mediums.
Speaker 3 (03:52):
I went, two popcorn chickens, no medium.
Speaker 2 (03:54):
I think Varne says it the right way because you
have to select popcorn chicken and then then the size.
I'll accept that, so I never that could be completely wrong.
I see, is this one of those AI order boxes?
And they're like no one answered too fast, I said,
but it's got a lovely like his voice was, because
you know, you usually pull up to those things and
it's like when I'm ready or don't even a wad
(04:17):
or so then I pull up and this lovely lady opens.
Speaker 3 (04:22):
The window and I said, are you you're the voice?
My girls?
Speaker 4 (04:26):
By the way, I just like, don't say anything.
Speaker 3 (04:31):
No lever alone. I said, is that you like the voice?
Speaker 4 (04:33):
And she's like I said, when back there, when the
box spoke was at you, and she said yes.
Speaker 3 (04:38):
I said, you've got the loveliest voice and your I
said it was really.
Speaker 4 (04:44):
I asked as the girls if they thought it was AI,
because it was so well enunciated.
Speaker 2 (04:48):
Well, you need to be easy to understand. This KFC
woman a job at this place, she.
Speaker 4 (04:52):
Said, flowing away, she said, oh, thank you so much,
as she said, it's years of practice.
Speaker 2 (04:57):
Yeah, oh my god. What about the guy at the
airport that knows he's got a good voice. Remember the
other day, My god, what.
Speaker 3 (05:05):
Did he going.
Speaker 1 (05:05):
We were at the gate and it was like, welcome
to those of you who have just joined the gate.
Seventeen are flights today?
Speaker 3 (05:14):
Are we talking an ear Stewart that's got the mic
at the gate? No, no, he works.
Speaker 2 (05:18):
No, he wasn't on the plane. He's just ground stuff,
just ground stuff, and he got he had a good
command of the audience, so he was loving.
Speaker 3 (05:25):
Did he have a Martine Sorday in New Zealand?
Speaker 1 (05:30):
Yeah, Martin, yeah, but he was having fun with her.
Speaker 2 (05:33):
Yeah.
Speaker 1 (05:33):
Yeah, there was too many updates.
Speaker 3 (05:36):
Did he call any specifically with confidence?
Speaker 5 (05:40):
Because I love the old call her at the airport
and she'll be like, we are looking for a mister
Nati are too deed and missus taco.
Speaker 2 (05:55):
For flight and you just proba read this isn't phanetics.
Let's go was basically vorn if he lost his job
in radio.
Speaker 3 (06:03):
It was one man got a job, a measure. We're
the microphone at an airport.
Speaker 1 (06:07):
Hello, Hello, all right, welcome. If you've just joined us
Gate seventeen, we are porting two flights from Hens today.
Speaker 2 (06:13):
Hands up? Who's going on holiday to Raratonga?
Speaker 3 (06:15):
Right now, now, Sydney.
Speaker 1 (06:16):
You're on the left and you will be on the right.
Speaker 3 (06:19):
Please be aware. Basic
From the Zidium podcast network.
Speaker 2 (00:03):
It's Fleechborn and Hayley's a little bit of pod. Welcome
to a little bit of pod now, guys, I, in
the heat of the moment, have left some customer feedback.
Speaker 1 (00:13):
Okay, some reviewing recently, so I have been.
Speaker 3 (00:16):
Giving positive feedback. We're you.
Speaker 2 (00:18):
I recently purchased something online and then the next day
I got an email saying how did you feel about
the customer service person? And I thought the customer service
was great. The person I dealt with on the phone
because I had to follow something up after I bought
it and followed up with the person on the phone.
They were amazing. The thing that I purchased was of
great value. But the thing that really annoyed me because
(00:40):
that during up a couple of times, was the company
that you call here in New Zealand because maybe they're
in Australia as well. And I know this is rich
coming from me, but the voice was really horrible.
Speaker 3 (00:53):
Oh give us, give us a performance.
Speaker 2 (00:55):
It was an Australian girl and she was like, welcome
to blah blah blah. And then because it was a
they had to explain a lot of things.
Speaker 3 (01:03):
You had to put up quite a lot. I had
to put it out.
Speaker 2 (01:05):
It was quite a lot of really intense, over the
top nasal Australian blah blah blah blah blah. Yeah, and
there was no way to skip it. And I was
and then I, you know, you're pressing through the options
and and it was just I don't know why. It
graded me so much that when this email came the
next day, do you have any gestions? I said, I
would probably revoice the nasal Australian voice with something more
(01:30):
palatable and easy to listen to.
Speaker 1 (01:33):
Why that actress, she's got a scratchy little loss.
Speaker 2 (01:38):
Do you know what it sounded like? Is, Hey, who
in the office wants to do this?
Speaker 3 (01:45):
Lovely lord? Why can you do it?
Speaker 2 (01:46):
Casey?
Speaker 3 (01:47):
You're hard?
Speaker 1 (01:47):
Case okay, Welcome to the company for your best I
love it when you can hear they're doing a voiceover
and it's it's Tracy from reception welcome to something or other.
Speaker 3 (02:01):
Press one and.
Speaker 1 (02:02):
I've written down and have written down, well they have
to say any and for your other options the shop three.
Speaker 2 (02:09):
I don't know if it's changed because I haven't driven
into the airport car park for a while. At Auckland airport,
but they had a voice overs like please take your
tack at play plates now so I don't think they
do that. But you used to press the button it
would give you a tack and say.
Speaker 3 (02:25):
Please take your carking ride. No, it was that please
take your.
Speaker 2 (02:34):
Punk and you just imagined like overseas tourists and like
r yeah, anyway, I don't know.
Speaker 3 (02:46):
I felt bad, like a job voice artist.
Speaker 2 (02:50):
Yeah, just I don't know you have.
Speaker 3 (02:52):
To ring up this.
Speaker 2 (02:53):
It's just nice for it to be a bit easy,
a bit softer. You're like, hello, welcome.
Speaker 1 (02:59):
To sit in pleadicle center.
Speaker 3 (03:01):
Please your ticket? Yes, hey, and it's coming through that
I've got a compliment to pay.
Speaker 4 (03:12):
I can't believe we've got this far into talking about voices,
and I haven't covered the fact that whilst I was
an a Yeah, as previously covered, I went through the
KFC drive through. Yeah, and because the girls wanted some
popcorn chicken and my princesses get what they want. Yeah,
because that's my princesses, and I am the King. And
I pulled up don't say.
Speaker 3 (03:29):
That, don't say that. I pulled up to the auto box.
Speaker 4 (03:34):
Yeah, and I and the most angelic voice said, place
your order when you're ready, and I said, two popcorn
chicken mediums please, and they said.
Speaker 1 (03:46):
Said two medium popcorn chickens. But that's that's my two
medium popcorn chickens, not two popcorn chickens mediums.
Speaker 3 (03:52):
I went, two popcorn chickens, no medium.
Speaker 2 (03:54):
I think Varne says it the right way because you
have to select popcorn chicken and then then the size.
I'll accept that, so I never that could be completely wrong.
I see, is this one of those AI order boxes?
And they're like no one answered too fast, I said,
but it's got a lovely like his voice was, because
you know, you usually pull up to those things and
it's like when I'm ready or don't even a wad
(04:17):
or so then I pull up and this lovely lady opens.
Speaker 3 (04:22):
The window and I said, are you you're the voice?
My girls?
Speaker 4 (04:26):
By the way, I just like, don't say anything.
Speaker 3 (04:31):
No lever alone. I said, is that you like the voice?
Speaker 4 (04:33):
And she's like I said, when back there, when the
box spoke was at you, and she said yes.
Speaker 3 (04:38):
I said, you've got the loveliest voice and your I
said it was really.
Speaker 4 (04:44):
I asked as the girls if they thought it was AI,
because it was so well enunciated.
Speaker 2 (04:48):
Well, you need to be easy to understand. This KFC
woman a job at this place, she.
Speaker 4 (04:52):
Said, flowing away, she said, oh, thank you so much,
as she said, it's years of practice.
Speaker 2 (04:57):
Yeah, oh my god. What about the guy at the
airport that knows he's got a good voice. Remember the
other day, My god, what.
Speaker 3 (05:05):
Did he going.
Speaker 1 (05:05):
We were at the gate and it was like, welcome
to those of you who have just joined the gate.
Seventeen are flights today?
Speaker 3 (05:14):
Are we talking an ear Stewart that's got the mic
at the gate? No, no, he works.
Speaker 2 (05:18):
No, he wasn't on the plane. He's just ground stuff,
just ground stuff, and he got he had a good
command of the audience, so he was loving.
Speaker 3 (05:25):
Did he have a Martine Sorday in New Zealand?
Speaker 1 (05:30):
Yeah, Martin, yeah, but he was having fun with her.
Speaker 2 (05:33):
Yeah.
Speaker 1 (05:33):
Yeah, there was too many updates.
Speaker 3 (05:36):
Did he call any specifically with confidence?
Speaker 5 (05:40):
Because I love the old call her at the airport
and she'll be like, we are looking for a mister
Nati are too deed and missus taco.
Speaker 2 (05:55):
For flight and you just proba read this isn't phanetics.
Let's go was basically vorn if he lost his job
in radio.
Speaker 3 (06:03):
It was one man got a job, a measure. We're
the microphone at an airport.
Speaker 1 (06:07):
Hello, Hello, all right, welcome. If you've just joined us
Gate seventeen, we are porting two flights from Hens today.
Speaker 2 (06:13):
Hands up? Who's going on holiday to Raratonga?
Speaker 3 (06:15):
Right now, now, Sydney.
Speaker 1 (06:16):
You're on the left and you will be on the right.
Speaker 3 (06:19):
Please be aware. Basic
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