October 16, 2024 • 23 mins
Today on the podcast, the fellas discuss the Laneway lineup for 2025...
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Speaker 1 (00:00):
Hey, ok, let's crack this.
Speaker 2 (00:02):
Okay, fuckers, welcome along to the Unnamed podcast.
Speaker 3 (00:13):
It's Thursday of seventeen of October twenty twenty four.
Speaker 4 (00:16):
I saw someone was on the conclave last night. I
saw someone had a suggestion for the name for the podcast.
Speaker 1 (00:22):
What they suedest something.
Speaker 4 (00:24):
About the wounder or something just the wounded podcast, the.
Speaker 1 (00:28):
Daily Wound, The Daily Wounder, I saw was being thrown around.
Speaker 4 (00:31):
Yeah, it's just it's not bad daily wounding. It's not
bad wound yourself at The Daily Wounded.
Speaker 3 (00:36):
Makes more sense than the Daily bespoke. I don't think
people probably would understand what the daily bespoke, even me.
I mean, what is the daily bespoke?
Speaker 4 (00:43):
In my mind, bespoke means you've made it just for
one person. Yeah, so, by that definition of podcasts could
never be bespoke unless you were delivering it one on one.
Speaker 3 (00:56):
Here's the definition of bespoke according to the Oxford English
Dictionary made for a particular customer we're using.
Speaker 1 (01:04):
Yeah, so, if we spent the first five minutes of
every podcast this week discussing the name of this podcast,
well it's unnamed. Of this though, we're still quite stressed
about it. I look at this podcast, it's more of
a kind of energy, a vibe, oh, then a thing.
So I'm quite happy for it to never be named.
Speaker 4 (01:20):
Do you think of it as energy rather than matter?
Speaker 1 (01:23):
That's right, Yeah, yeah, that is how I think of this.
I think that this is kind of just a thing
that exists and it's a feeling and it's an energy.
Speaker 4 (01:31):
Did it used to be a mass?
Speaker 1 (01:34):
Yeah?
Speaker 4 (01:34):
Did it used to matter?
Speaker 1 (01:35):
There was once upon a time where it was a mass,
and it used to kind of take some kind of form.
Speaker 4 (01:41):
And now it's just pure energy, which, as we know,
is mass times the speed of light squared of course,
so it's taken on. Yeah.
Speaker 1 (01:48):
So I'm not as stressed as you guys are about
naming this. I'm quite happy for it to just kind
of be this thing.
Speaker 3 (01:53):
And wow, yeah, this is actually You've actually blown my
mind with the depth of your thinking here, Mesh. So
you're just saying this is just well, I'm just I've
never heard you say something so deep really. Nah.
Speaker 1 (02:06):
Okay, this is good because it feels like to me
you might be slightly patronizing.
Speaker 3 (02:10):
Well, normally you just talk about like how you how
you find hot and who you want to have sex
worth welcome. How many times you love who mum listens?
Speaker 1 (02:21):
Actually, when have I ever told you how many I
wait out the night before? Apart from that one time.
Speaker 3 (02:28):
Thank you? Yeah, six six and one day. That's impressive.
Speaker 4 (02:32):
Stuff dropped it into third gear by the end of it.
There just going through the emtioncy. It's not a lot
coming out and a big shout out to Lawrence mom,
who I know listens to this podcast. But and I
guess the other thing about naming the podcast for me,
I would say is while we're going through this weird
phase where it's rotating cast, it's probably important not to
put labels on things exactly because you're going to have
(02:54):
hosts coming in here saying what are we You know
Lane tomorrow is gonna you know, he's going to be
some is.
Speaker 3 (03:00):
What He's always doing that sort of thing.
Speaker 1 (03:02):
Yeah, he applies that kind of pressure though, doesn't he does.
Speaker 3 (03:04):
He's very logical and very uh pragmatic. Yeah, I guess
you could them pragmatic, but he just he needs to
have everything spelled out from him. If it doesn't make
sense to Lane, then you know he's he can't understand it.
Speaker 4 (03:20):
We need to put it in its box and say
exactly what it is. But I just feel like, let's
just let's just play it free and easy.
Speaker 3 (03:27):
No box. I mean that's actually true. I mean Matt
Heath a big box man. Yeah, it's huge on a box.
Speaker 1 (03:35):
With the way you've worded that.
Speaker 3 (03:36):
He loves he loves putting something in a box, it's
not intentional. He I mean, for the longest time when
we fisted doing our radio show, everything was in a box.
Everything had to be boxed up, packaged up, and a package.
Lots of self contained packages all through the shows, just heaps.
Speaker 1 (03:52):
And that's why you now hate box, says.
Speaker 3 (03:58):
I don't hate boxes.
Speaker 4 (04:00):
Well, I mean a lot of people get into radio
to put things in boxes.
Speaker 1 (04:04):
Yeah, few That's why I did it.
Speaker 4 (04:06):
A fewer people nowadays, isn't it used to?
Speaker 3 (04:07):
I don't need to. I don't need to label things.
I don't need to compart mentalize. I mean, that's the
unnamed podcast. I'm fine with that. I'm fine with it
being an energy. Yeah, Meshy, is that's what you want
it to be? Just an energy?
Speaker 1 (04:20):
Why do you roll your eyes when you say that?
I thought I was saying it was quite insightful.
Speaker 3 (04:24):
You know, just it's like it's spiritual, like an energy.
Speaker 1 (04:27):
Why do you need Why are you making the quotation
marks with your fingers when you say energy.
Speaker 3 (04:31):
Well, because it's not really energy?
Speaker 1 (04:33):
Is that now?
Speaker 3 (04:33):
It is?
Speaker 1 (04:33):
It's exactly what it is.
Speaker 4 (04:34):
Zero you're saying it's a bit but woo woo.
Speaker 3 (04:37):
Well, zeros and months, it's data. That's what we are.
Speaker 4 (04:41):
Yeah, we're data.
Speaker 1 (04:41):
We're zeros and months, the daily data.
Speaker 4 (04:45):
Again, you're putting a label on it. I think at
that point it's not energy.
Speaker 1 (04:48):
So it's a sign of dispression there from me. Again,
the energy is fine. Yeah.
Speaker 4 (04:55):
Can I ask for a bit of life advice?
Speaker 3 (04:56):
Sure? Please?
Speaker 4 (04:57):
And I'm not calling this a segment. I don't want
to put a label on it. We're not doing like
a life advice segment. I just want some advice.
Speaker 1 (05:03):
Let me just find a bid for this.
Speaker 3 (05:04):
It was like beauty you'd call it if it was
a segment, you call it Beauty and the Beast. Okay,
why did that show Beauty and the Beast so and
too Good and a panel on too Good? It was
on Sell and Too Good Beauty in the Best Beauty
and the Beast. Yeah, it was on ten five TV
one weekdays, what did they do? So? And Too Good
and and a panel of beauties. He was the Beast.
(05:25):
Oh and he was the only man. He was a
man that could could dule a whole lot of female opinions?
Speaker 4 (05:31):
Why was he considered the beast?
Speaker 3 (05:32):
If you if you google Beauty and the Beast TV
and Z yeah, sell and too.
Speaker 4 (05:37):
Go and too Good sell on Featherston No, okay. He
was an older gentleman.
Speaker 3 (05:42):
Yes, so do you not know who's selling too Good?
Is I gotta be honest with you? I don't. Wow, Okay,
that's that's interesting. That's a generational thing. He learned large
over my childhood selling too okay, So it's it's in.
Speaker 5 (05:54):
The bag in the Beast, I could take the money
of the bag. Yeah, no, no, now that I'm looking
at him. He was New Zealand's premiere host and he
was running the damas and he had a.
Speaker 3 (06:07):
Whole lot of a whole lot of women. And they
would deal with deal with programs, people's problems that they'd
write in with their problem and then sell on here
we go here it is here.
Speaker 6 (06:19):
Yeah, good afternoon, and welcome to Beauty and the Beast
from the theater Christ Church and here's your host, Selwyn
too good?
Speaker 4 (06:33):
Why is it the Beast?
Speaker 3 (06:36):
I don't know, keep going. I want to hear them.
Speaker 1 (06:41):
Is this the same set as like that Life Church
that used to you know when they used to play
like a lot of clips from was it Life Church,
Live Church? No, no, no, if you stayed home on
like a from school for a day sick or whatever, they.
Speaker 4 (06:56):
Still play that ship. They still play that stuff still
on the tip. Yeah, a lot of the lot of
the channels because there the only ones who can afford
to tro.
Speaker 1 (07:03):
Look got the money.
Speaker 7 (07:06):
Lisa Sewn's voice, Thank you, Thank you christ Church, and
Hello New Zealand, thank you for giving up this part
of the day to be with us. I'm delighted to
tell you that all this week we're working in the
James Hay Theatre in christ Church and we will finish
on Friday of this week with the two thousandth broadcast
of Beauty and the Beast. It started on February the
(07:28):
second in nineteen seventy six and we've been going ever since.
I'd likely to meet the panelists for today and for
the rest of the week from Wellington. Shana McFarlane.
Speaker 3 (07:41):
Ponder what a crowd.
Speaker 1 (07:43):
Is she the Beauty or the and the Beast.
Speaker 7 (07:46):
Part original panelists On February second of nineteen seventy six,
we offer the fifteen hundredth program which came from here.
She was in Australia and we unfortunately didn't have it
on the panel and we're delighted in Mexico was somewhere
abroad from christ Church.
Speaker 3 (08:07):
To Krera to Clara.
Speaker 1 (08:14):
She's quite hot though since you.
Speaker 7 (08:16):
Started on Beauty in the Beast, which was when a
couple of years ago, when we first came to christ
Church in nineteen eighty two, changed job.
Speaker 3 (08:24):
He's got.
Speaker 4 (08:26):
He's got a touch to the Jeremy Wells is about him.
It does.
Speaker 3 (08:30):
That's a great compliment.
Speaker 4 (08:31):
That's not it is.
Speaker 7 (08:33):
What's not thirty hours a week for a computer software
company and you don't think about computers. Not a great deal.
Speaker 6 (08:39):
I'm on the administration.
Speaker 3 (08:42):
And of course the advertisements, well, we're delated.
Speaker 1 (08:46):
To have it happened to the New Zealand accent in
the last forty five years.
Speaker 3 (08:51):
It was a lot posher in those days.
Speaker 1 (08:53):
It really changed quickly. They didn't it.
Speaker 4 (08:55):
It did a broadcasting it's a broadcasting accent.
Speaker 1 (08:59):
Court Jesus Oh, here we go, Wheel, here we go.
Speaker 7 (09:03):
Been an actress most of her life. She's now directing
for Court Theater, Ladies and Gentlemen. Elizabeth's moody, Elizabeth Murdy.
Speaker 3 (09:13):
I had n't known, Elizabeth.
Speaker 7 (09:18):
You were telling me in the dressing room you prefer directing.
Speaker 4 (09:20):
To acting, right, So he's equally riveting off screen.
Speaker 3 (09:25):
It was a lot more going on in these and
tell God, that's for sure, is that you want to
direct this or do you want to act in it?
Very popular across and news. He's like, we take a
break and come back with more Beauty in the Beast.
After the break and we're back where Beauty in the
Beast from I believe, I'm going to say, nineteen eighty
(09:46):
two is my feeling there is?
Speaker 1 (09:47):
She about ten minutes ago did we get talking about
this monight? Because you're asking for some advice around there?
Speaker 4 (09:52):
I said, I was after some life advice, but I
said I didn't want to put a label on it,
and then Jerry said it, well, I'll put a label
on it, and it's Beauty and the Beast, And now
I know about Betty and the Beast.
Speaker 3 (10:01):
So okay, what was your life advice? Well?
Speaker 4 (10:03):
I feel like, let's call this Beauty in the Beast.
Then this is welcome to Beauty and the Beast.
Speaker 1 (10:08):
Sorry, I had some music. Can we get what you're doing?
Speaker 3 (10:09):
Can we get full middle aged women tomorrow? Wouldn't it?
Speaker 4 (10:14):
I was asked by the younger member of staff the
other day, are you going to Laneway? And I looked
at her and said I couldn't name one of the
people at Laneway. Years ago, I played a prank on
Jason Hoyt where I printed out the catering menu for
Laneway and had him read it out as if it
(10:35):
was the lineup. Yeah, I remember that minight. Yeah, all
of that kind of stuff. I've now come full circle
where I think you could just about do that to me.
I'm looking at it now, Charlie x c X, I
recognize I couldn't name him. Name a song, Clyiron. No idea, bbadoobey,
no idea, bberdooby?
Speaker 3 (10:55):
Is that what it is?
Speaker 1 (10:56):
I have no idea how to say that.
Speaker 4 (10:58):
Bicep. Barry can't swim.
Speaker 1 (11:01):
Oh, Barry can't Swim's got some churns you'd be into.
Barry can't swim.
Speaker 3 (11:03):
In all seriousness, Barry can't swim. Yeah, j Barry Can't Swim.
It's really the name of That's a good name. I
like it.
Speaker 4 (11:11):
He's live, Remy Wolf, you know, Dojo.
Speaker 3 (11:18):
Djo. I don't know DJ.
Speaker 1 (11:21):
I gotta be honest. I thought I was going to
be sitting here knowing most of these acts, and as
you read them out, I'm realizing that I'm also on
the same boat.
Speaker 4 (11:28):
As Yeah, Skigs, Skigs.
Speaker 1 (11:31):
Not too familiar with Skis.
Speaker 4 (11:32):
Skigs Joe's Joel knows Skigs.
Speaker 3 (11:35):
Was part of the do you want to come in
Hereel's part of the Auckland dance community.
Speaker 4 (11:39):
Though he is part of the Auckland dance community.
Speaker 8 (11:41):
You know, Skigs is kind of like a Ossie surf
rock band. Okay, quite like a typical Laneway band.
Speaker 4 (11:48):
Yeah, okay, Barry Can't Swim.
Speaker 8 (11:51):
Barry Can't Swim is great, Probably top of my list
actually for DJs I want to see. But they're live
because he's live, because he's playing on like a piano, okay,
like Freddie in Oh.
Speaker 3 (12:01):
Yeah, I see.
Speaker 4 (12:02):
What about bicip are quite good.
Speaker 8 (12:06):
They're big, bigger DJs and they have that one massive
song called Glue.
Speaker 4 (12:11):
Give us a couple of lines. It must be in
the system.
Speaker 3 (12:17):
But what about rinso never heard of it?
Speaker 4 (12:25):
Well, we're allen, We're right down the bottom of the car.
Speaker 3 (12:29):
Now is he vincent? Nah? But what about fuckers?
Speaker 4 (12:35):
I think it's pronounced for This is cosas.
Speaker 1 (12:41):
You can't call your group for what does for cokas
mean exactly?
Speaker 4 (12:46):
And actually, if you are you on the lane Way website, Jerry,
if you hover your mouse over them, it will show
you a photo of them. This could be a lineup
from the nineties. All of these people. Yeah, I think
one of them is a stand up comedian. And for
cokas there's two wounders in a bathroom.
Speaker 8 (13:02):
Yeah, you guys know the song by bicip Glue.
Speaker 1 (13:10):
Oh yeah, I know that.
Speaker 4 (13:11):
This feels very three a m y am. I Still.
Speaker 3 (13:16):
That's a pretty that's a pretty nothing sort of a song.
I mean, it's kind of like the kind of thing
you might hear on some library music or something like that.
That's library music.
Speaker 4 (13:25):
Yeah, kind of song I hear when I sort of
come to at the end of the night and say, right,
it's time to go home.
Speaker 3 (13:30):
Now? Is that for or is that Barry camps one? Now?
Speaker 4 (13:32):
That is bicyp Big Big Beatha. Yeah, right, Bbadoobey, do
you have any info about biberdoo be, Charlie x X
and Claro.
Speaker 8 (13:45):
They are quite down the lane of our old friend Gravy.
They're quite like sad girl summer vibes. That's how people
are explaining the lane way lineup this year.
Speaker 3 (13:55):
Girl.
Speaker 1 (13:57):
Yeah, it's my favorite kind of songe.
Speaker 3 (13:59):
You you I see a girl summer. If I describe
you as something, man, I'd say sad girl somemer.
Speaker 1 (14:04):
How would you say that work?
Speaker 3 (14:06):
Yeah? Really yeah, just skirls are crying, have just broken
up with their partners, and then you sort of sweeping.
That's your vibe, that's your energy, very perfect, and then
trying to get down their pants, that's your vibe, that's
your energy.
Speaker 1 (14:17):
I mean it takes one to know when.
Speaker 3 (14:18):
Jerry, I feel like the girl summer energy. You've got
sair girls some energy.
Speaker 1 (14:23):
Yeah, actually you're not that saying about twenty twenty five summer.
It is the summer of the.
Speaker 3 (14:27):
Said girl, sair girl summer.
Speaker 1 (14:29):
It is the sad girl summer.
Speaker 4 (14:30):
I thought it was bratt anyway. Okay, so you don't
know any of that. And what they made me realize
was that I'm getting old. Yeah, and it made me start,
don't both say yep like that? But yep so, and
then I was hoping for a bit of a pause
before you said yep. I just sort of realized. I
looked around and realize everyone's on the baggage. It's like
(14:52):
a competition who can have the biggest jeans At the moment,
everyone's going real baggy. And I see Chris Keys made
the jump to be Bay.
Speaker 1 (15:00):
Oh fuck. If Chris Key's done it, then everyone's better
to do it.
Speaker 4 (15:03):
Well, he's a late adoptor, so you know he's he's
shown up with the baggy jeans.
Speaker 3 (15:08):
Jerry, you're running a beaggy jean in the way I've
been holding off, but I've gone baggy.
Speaker 4 (15:11):
Gerry's gone baggage. But Jerry's a bit more of an
early adopter. I think than I am. You'll you'll go
a baggy jean. You know you'll go I'm a fashion victim.
You're a fashion victim.
Speaker 3 (15:20):
Yeah, I'm definitely a fashion victim.
Speaker 1 (15:21):
What's a fashion victim?
Speaker 3 (15:22):
Fashion victim someone who will look stupid for fashion yea,
and change what they do at the drop of a hat,
will change their clothes, Like if you go back clothes
from ten years ago, they'll be dramatically different. Some people
just stick with I mean, g Lane's doing the same
thing for like twenty years.
Speaker 4 (15:39):
Yeah, he's got the high top vans with the.
Speaker 3 (15:42):
The change jeans and the shack it the red all
over it. Yeah, that's right, the flannel and the flannel.
Speaker 4 (15:48):
And I was wondering if the baggy jeans was going
to be the first sort of fashion change that I
was just going to let through to the keepers.
Speaker 3 (15:55):
Everyone in the room takes a good look at my
jeans here.
Speaker 1 (15:57):
Yeah, what are you running? Are you running a taper
at the moment, or are you running a skinny or
are you running? It will what I will say straight.
I've just watched them recently. They're very tight.
Speaker 4 (16:06):
Okay, yeah, but they're generally pretty tight.
Speaker 3 (16:10):
Black jeans. Would you describe them?
Speaker 1 (16:12):
Maybe you should go black jeans, Maybe you should go
for something like in between, because Jerry, you've gone quite
baggy heaven yea, yeah, I'm beggy. I'm very bad. I mean,
you're wearing a pant right now, so it's a bit different.
But I think the jeans that I've seen you by
recently are quite baggy. Maybe you just go for a straightman.
Speaker 4 (16:27):
I tell me this. Are they more comfortable? Are the
baggy jeans more comfortable? They seem more comfortable.
Speaker 1 (16:33):
No, I run a couple of piers of bags, and
then a couple of pieces of straights, and then no, skinny.
Speaker 4 (16:37):
Now she's got it. Now she's got a baggy jean
in them.
Speaker 1 (16:40):
Yeah, I've got two piers.
Speaker 4 (16:41):
He's got a real baggy.
Speaker 3 (16:42):
Jean in them. If you're not careful, he'll sneak up.
Speaker 4 (16:47):
I so what, Look, my plan is here. We're coming
into summer. I'm probably not gonna wear pants for about
good point four or five months. I'm going to set
the rest of the season out on the bag your
jeans front, and I might even sit the first month
of next winter out and just just sit back and
have a look. If we're still going baggy, I think
(17:07):
I'm gonna have to do it. Well, mate, why don't you?
Speaker 3 (17:10):
Why don't you do something that you know all middle
aged men should do at some stage, And this is
how you know that you're full middle age, full middle
aged man, and that is bring out your new baggies
for lame mae. I mean, we buy some baggies and
really be cool and turn up with your baggy jeans
(17:30):
to lame Wy with your baggy jeans, your truck you cap.
Speaker 4 (17:33):
Yeah yeah, that the hunting and fishing cap is the one.
Speaker 3 (17:36):
They go, Yep, your crop you kind of cross crop
T shirt? Not too long. You don't want a T
shirt that's too long. I crop T shirt, boxy shirt,
short sleeves, and the school shoes and the other one
they do Martins, Yeah you check the school shoes. Only
make yourself look as bad as you possibly can and
turn up to Lamewey and then just be.
Speaker 4 (17:56):
Like, have you heard the new one from b Berdoobi.
Speaker 8 (18:00):
I had a shock of last year Laneway because oh
fucking no surprise, this is the all time because I'm
twenty four, and I was like, damn, I sort of
was the last act of the night.
Speaker 4 (18:12):
I should have feel old here.
Speaker 8 (18:14):
Turns out they've actually made because they've moved it from
Albert Park to Wiston Spring, so they've made an under
eighteen zone.
Speaker 3 (18:19):
And I was standing.
Speaker 4 (18:23):
For the main ex Stormzy and then I was like,
was on the right.
Speaker 1 (18:27):
I almost have been the oldest guy about eight years.
Speaker 4 (18:30):
It turns out I was tallest by that two feet.
Speaker 1 (18:34):
That would be great you would have absolutely honked.
Speaker 4 (18:39):
Yeah, I only realized about ten minutes ago. Security would
have been looking at you with a hot keeping on this.
Speaker 1 (18:48):
So is anyone here going to Lane Way this year? Well,
next year, I suppose an aniversary weekend day.
Speaker 3 (18:53):
White Tangy Day. I should go along and pretend to
be young on February six, So that's year White Tangy Day.
Speaker 4 (19:00):
Next time I went to Lane Way, Well, I was
actually with you, Jerry Anderson Pack whatever year that was, Yeah,
I fucking thoroughly enjoyed that. That was a good year. Yeah,
Albert Parker was.
Speaker 1 (19:09):
Yeah, it was the nineteen seventy five on that year.
Speaker 4 (19:12):
This was sort of two thousand and nineteen, I think
it was.
Speaker 1 (19:15):
Yeah, there was a good couple of years.
Speaker 3 (19:18):
Year twenty nineteen seventy five there were heaps of beer
breasted women. Do you remember that it was a year.
It was the year of the beer breast?
Speaker 4 (19:27):
You remember the Glitaboob? Yes?
Speaker 3 (19:29):
Do you remember.
Speaker 4 (19:29):
Gladaboob was having a moment there? Do you go from
Glitaboob had about Do you remember that Paintsman's I was
like seven, No, the Glitaboob had a moment there. Yeah,
And who was against the glittleboo.
Speaker 3 (19:43):
Oh I had no.
Speaker 4 (19:44):
I loved it.
Speaker 3 (19:44):
But it was that interesting thing of like, don't lock,
don't lock, don't lock, but I reckon. There were probably
I would have seen maybe fifteen beer breasted women that.
Speaker 4 (19:52):
Year, so about thirty breasts.
Speaker 3 (19:55):
Yeah, and if any individual breasts, no mistick to me.
Speaker 4 (19:58):
So yeah, pretty much the we'll get a healthy population.
Speaker 3 (20:01):
And it's that weird thing of not looking like you
can't look oh my god. So then you're maintaining look.
Speaker 4 (20:05):
You're maintaining the most furious eye contact you've ever had
with a person because you know you can't you know
you're gonna look at a bird in a tree.
Speaker 3 (20:15):
Well no, But that's where your dark glasses come in handy,
because if you've got the dark glasses on, you can
easily be looking sideways at the person across there. But
with maintaining the clear sideway frontways. Yeah, you know what
I mean, you just look out the side.
Speaker 1 (20:27):
I'm just doing some research. I'm trying to figure out
what happened to the glittle boo boob, because if.
Speaker 3 (20:32):
You googled what happened to glitaboob?
Speaker 1 (20:34):
Yeah, because the glittaboo pre COVID was starting to really
take over.
Speaker 4 (20:37):
That's another COVID casualty, isn't it the Gitta boob. You're
not doing Glada boob at home in Lockdown.
Speaker 1 (20:42):
We had a couple of festivals rior to COVID where
a glittaboob was coming out.
Speaker 4 (20:46):
You know, pretty hot.
Speaker 8 (20:48):
There was a big one at R and V I
think it was twenty eighteen and I was there and
on the hell and some guy thought to be funny
to go up and like touch the girl with a
gliaboo bond went viral and she just turned around when
it started like fucking him up.
Speaker 4 (21:01):
That's right. And I watching as well this year at
what did I go to? Lolapolo?
Speaker 1 (21:07):
No, it was a lot of don't tell the story
about you running glad a cock.
Speaker 3 (21:12):
I'm not going to tell that story. That's not a
story that we're going to share one. Don't even mention that.
I don't want to talk about that. Sorry, that's where
I thought you were going. They're not going to talk
about that, Okay, Sorry, But there's something that stayed in Chicago.
Speaker 1 (21:23):
Can't believe you chose blue.
Speaker 3 (21:25):
There were there were so many topless girls. Heaps leader
Cargo Gladder festival.
Speaker 1 (21:32):
Lola assentsed me that you noticed. What do you mean,
how do would you not notice because you can't be looking, Jerry, Well.
Speaker 4 (21:39):
Well you're not going to look, but you'd know good
situation is.
Speaker 3 (21:41):
And at Lolaplosa there were so many people, a few
or fifty thousand people a day go to that festival,
so nobody's looking at you looking.
Speaker 1 (21:50):
Could you run around?
Speaker 3 (21:51):
Nobody even sees you there. It's just like so many
people just I'm trying to picture it.
Speaker 4 (21:58):
Yeah, around boob, the lot of no, the outfit, so
I understand glitter boom, but if you were to explode,
So they weren't going glitter, they're just going topless.
Speaker 3 (22:08):
No, they were just going mini skirt with no top. Wow, yeah,
heaps heaps of it. Many skirt with no top uh huh.
Speaker 4 (22:16):
Looking the flights. Yeah, there was a fist ball.
Speaker 8 (22:19):
I went to an England and there was like full
on neudice guys and they were all guys as well.
So we saw a dude who was helping on the
on the entry. He was like chicking bags and stuff.
Then about an hour later just saw him, sixty five
year old guy walking around full hole out had the
shoes on, had his head on, had a bag on.
I can't go A naked man with shoes on is.
Speaker 1 (22:38):
A horrible, horrible Do you know what's funny about that?
Speaker 4 (22:40):
Though?
Speaker 8 (22:40):
Was?
Speaker 1 (22:40):
I think what's really hot is a woman wearing a
bikini with trainers on.
Speaker 3 (22:44):
I see, I don't know. I don't like that.
Speaker 4 (22:46):
Either you've watched too much love or porn.
Speaker 3 (22:48):
Filthy you and he filthy?
Speaker 1 (22:51):
That's just filthy.
Speaker 3 (22:53):
It's disgusting.
Speaker 4 (22:54):
Here doesn't like that, and I prefer high heels.
Speaker 1 (22:58):
Ah jo, Okay, this is just this is we have
to be careful.
Speaker 4 (23:04):
I don't think. I don't think we do Beauty in
the Beast again. To be honest, guys, if I think
there's a reason why they shut it down after two
thousand episodes, and it's because it inevitably falls the footwear
and bikinis and glitter birds, and I think we shut
it down too good.
Speaker 3 (23:22):
Would not have a barrow that?
Speaker 4 (23:23):
No, absolutely not.
Speaker 1 (23:24):
But anyway, we're all going to hit lame way. Yeah,
it's all just running some glitter clock.
Speaker 3 (23:29):
Yeah, and I reckon when I you you premiere your
beggy jeans.
Speaker 4 (23:34):
You look real cool. Look beggy jeans, no top glatter Bobs. Yeah,
totally herey Glatt Boobs.
Speaker 1 (23:44):
You say exactly where you are?
Speaker 4 (23:49):
Yeah, that's fucking guy. That's like you can't help.
Speaker 3 (23:56):
But yeah, there was like.
Speaker 4 (24:00):
Ten, that's fun.
Speaker 3 (24:03):
Why do you have to be known?
Speaker 4 (24:04):
Yeah, it's just as you want.
Speaker 1 (24:06):
There's no do you know what this sounds? This might
be horrendously inappropriate and I could be way off here
and I'll like can end it all. But I would
always assumed if there's like a woman running a good
boo bit of festival, there's nothing wrong with looking. Don't
like even if they see you looking. This kind of
a reciprocated respect there.
Speaker 8 (24:27):
In this.
Speaker 3 (24:30):
I'm looking, and I'm trying to prove to you that
you're not allowed to look, especially in two thousand and see,
that's kind of fucked up. Then that thing going on,
which is like it was a it was entreatment about.
Speaker 1 (24:42):
Like a beach shop and eye, by the way, there
was a good show. I appreciate your mate so much.
Speaker 9 (24:48):
The next level, but there's some impossible Portugal and two
women came over and they tried asking me directions and
Portuguese that one of them had the fun and canons.
Speaker 3 (25:00):
And yeah, well me and Nick Peaker, who was in
here before. When we went to Barcelona, we said
Hey, ok, let's crack this.
Speaker 2 (00:02):
Okay, fuckers, welcome along to the Unnamed podcast.
Speaker 3 (00:13):
It's Thursday of seventeen of October twenty twenty four.
Speaker 4 (00:16):
I saw someone was on the conclave last night. I
saw someone had a suggestion for the name for the podcast.
Speaker 1 (00:22):
What they suedest something.
Speaker 4 (00:24):
About the wounder or something just the wounded podcast, the.
Speaker 1 (00:28):
Daily Wound, The Daily Wounder, I saw was being thrown around.
Speaker 4 (00:31):
Yeah, it's just it's not bad daily wounding. It's not
bad wound yourself at The Daily Wounded.
Speaker 3 (00:36):
Makes more sense than the Daily bespoke. I don't think
people probably would understand what the daily bespoke, even me.
I mean, what is the daily bespoke?
Speaker 4 (00:43):
In my mind, bespoke means you've made it just for
one person. Yeah, so, by that definition of podcasts could
never be bespoke unless you were delivering it one on one.
Speaker 3 (00:56):
Here's the definition of bespoke according to the Oxford English
Dictionary made for a particular customer we're using.
Speaker 1 (01:04):
Yeah, so, if we spent the first five minutes of
every podcast this week discussing the name of this podcast,
well it's unnamed. Of this though, we're still quite stressed
about it. I look at this podcast, it's more of
a kind of energy, a vibe, oh, then a thing.
So I'm quite happy for it to never be named.
Speaker 4 (01:20):
Do you think of it as energy rather than matter?
Speaker 1 (01:23):
That's right, Yeah, yeah, that is how I think of this.
I think that this is kind of just a thing
that exists and it's a feeling and it's an energy.
Speaker 4 (01:31):
Did it used to be a mass?
Speaker 1 (01:34):
Yeah?
Speaker 4 (01:34):
Did it used to matter?
Speaker 1 (01:35):
There was once upon a time where it was a mass,
and it used to kind of take some kind of form.
Speaker 4 (01:41):
And now it's just pure energy, which, as we know,
is mass times the speed of light squared of course,
so it's taken on. Yeah.
Speaker 1 (01:48):
So I'm not as stressed as you guys are about
naming this. I'm quite happy for it to just kind
of be this thing.
Speaker 3 (01:53):
And wow, yeah, this is actually You've actually blown my
mind with the depth of your thinking here, Mesh. So
you're just saying this is just well, I'm just I've
never heard you say something so deep really. Nah.
Speaker 1 (02:06):
Okay, this is good because it feels like to me
you might be slightly patronizing.
Speaker 3 (02:10):
Well, normally you just talk about like how you how
you find hot and who you want to have sex
worth welcome. How many times you love who mum listens?
Speaker 1 (02:21):
Actually, when have I ever told you how many I
wait out the night before? Apart from that one time.
Speaker 3 (02:28):
Thank you? Yeah, six six and one day. That's impressive.
Speaker 4 (02:32):
Stuff dropped it into third gear by the end of it.
There just going through the emtioncy. It's not a lot
coming out and a big shout out to Lawrence mom,
who I know listens to this podcast. But and I
guess the other thing about naming the podcast for me,
I would say is while we're going through this weird
phase where it's rotating cast, it's probably important not to
put labels on things exactly because you're going to have
(02:54):
hosts coming in here saying what are we You know
Lane tomorrow is gonna you know, he's going to be
some is.
Speaker 3 (03:00):
What He's always doing that sort of thing.
Speaker 1 (03:02):
Yeah, he applies that kind of pressure though, doesn't he does.
Speaker 3 (03:04):
He's very logical and very uh pragmatic. Yeah, I guess
you could them pragmatic, but he just he needs to
have everything spelled out from him. If it doesn't make
sense to Lane, then you know he's he can't understand it.
Speaker 4 (03:20):
We need to put it in its box and say
exactly what it is. But I just feel like, let's
just let's just play it free and easy.
Speaker 3 (03:27):
No box. I mean that's actually true. I mean Matt
Heath a big box man. Yeah, it's huge on a box.
Speaker 1 (03:35):
With the way you've worded that.
Speaker 3 (03:36):
He loves he loves putting something in a box, it's
not intentional. He I mean, for the longest time when
we fisted doing our radio show, everything was in a box.
Everything had to be boxed up, packaged up, and a package.
Lots of self contained packages all through the shows, just heaps.
Speaker 1 (03:52):
And that's why you now hate box, says.
Speaker 3 (03:58):
I don't hate boxes.
Speaker 4 (04:00):
Well, I mean a lot of people get into radio
to put things in boxes.
Speaker 1 (04:04):
Yeah, few That's why I did it.
Speaker 4 (04:06):
A fewer people nowadays, isn't it used to?
Speaker 3 (04:07):
I don't need to. I don't need to label things.
I don't need to compart mentalize. I mean, that's the
unnamed podcast. I'm fine with that. I'm fine with it
being an energy. Yeah, Meshy, is that's what you want
it to be? Just an energy?
Speaker 1 (04:20):
Why do you roll your eyes when you say that?
I thought I was saying it was quite insightful.
Speaker 3 (04:24):
You know, just it's like it's spiritual, like an energy.
Speaker 1 (04:27):
Why do you need Why are you making the quotation
marks with your fingers when you say energy.
Speaker 3 (04:31):
Well, because it's not really energy?
Speaker 1 (04:33):
Is that now?
Speaker 3 (04:33):
It is?
Speaker 1 (04:33):
It's exactly what it is.
Speaker 4 (04:34):
Zero you're saying it's a bit but woo woo.
Speaker 3 (04:37):
Well, zeros and months, it's data. That's what we are.
Speaker 4 (04:41):
Yeah, we're data.
Speaker 1 (04:41):
We're zeros and months, the daily data.
Speaker 4 (04:45):
Again, you're putting a label on it. I think at
that point it's not energy.
Speaker 1 (04:48):
So it's a sign of dispression there from me. Again,
the energy is fine. Yeah.
Speaker 4 (04:55):
Can I ask for a bit of life advice?
Speaker 3 (04:56):
Sure? Please?
Speaker 4 (04:57):
And I'm not calling this a segment. I don't want
to put a label on it. We're not doing like
a life advice segment. I just want some advice.
Speaker 1 (05:03):
Let me just find a bid for this.
Speaker 3 (05:04):
It was like beauty you'd call it if it was
a segment, you call it Beauty and the Beast. Okay,
why did that show Beauty and the Beast so and
too Good and a panel on too Good? It was
on Sell and Too Good Beauty in the Best Beauty
and the Beast. Yeah, it was on ten five TV
one weekdays, what did they do? So? And Too Good
and and a panel of beauties. He was the Beast.
(05:25):
Oh and he was the only man. He was a
man that could could dule a whole lot of female opinions?
Speaker 4 (05:31):
Why was he considered the beast?
Speaker 3 (05:32):
If you if you google Beauty and the Beast TV
and Z yeah, sell and too.
Speaker 4 (05:37):
Go and too Good sell on Featherston No, okay. He
was an older gentleman.
Speaker 3 (05:42):
Yes, so do you not know who's selling too Good?
Is I gotta be honest with you? I don't. Wow, Okay,
that's that's interesting. That's a generational thing. He learned large
over my childhood selling too okay, So it's it's in.
Speaker 5 (05:54):
The bag in the Beast, I could take the money
of the bag. Yeah, no, no, now that I'm looking
at him. He was New Zealand's premiere host and he
was running the damas and he had a.
Speaker 3 (06:07):
Whole lot of a whole lot of women. And they
would deal with deal with programs, people's problems that they'd
write in with their problem and then sell on here
we go here it is here.
Speaker 6 (06:19):
Yeah, good afternoon, and welcome to Beauty and the Beast
from the theater Christ Church and here's your host, Selwyn
too good?
Speaker 4 (06:33):
Why is it the Beast?
Speaker 3 (06:36):
I don't know, keep going. I want to hear them.
Speaker 1 (06:41):
Is this the same set as like that Life Church
that used to you know when they used to play
like a lot of clips from was it Life Church,
Live Church? No, no, no, if you stayed home on
like a from school for a day sick or whatever, they.
Speaker 4 (06:56):
Still play that ship. They still play that stuff still
on the tip. Yeah, a lot of the lot of
the channels because there the only ones who can afford
to tro.
Speaker 1 (07:03):
Look got the money.
Speaker 7 (07:06):
Lisa Sewn's voice, Thank you, Thank you christ Church, and
Hello New Zealand, thank you for giving up this part
of the day to be with us. I'm delighted to
tell you that all this week we're working in the
James Hay Theatre in christ Church and we will finish
on Friday of this week with the two thousandth broadcast
of Beauty and the Beast. It started on February the
(07:28):
second in nineteen seventy six and we've been going ever since.
I'd likely to meet the panelists for today and for
the rest of the week from Wellington. Shana McFarlane.
Speaker 3 (07:41):
Ponder what a crowd.
Speaker 1 (07:43):
Is she the Beauty or the and the Beast.
Speaker 7 (07:46):
Part original panelists On February second of nineteen seventy six,
we offer the fifteen hundredth program which came from here.
She was in Australia and we unfortunately didn't have it
on the panel and we're delighted in Mexico was somewhere
abroad from christ Church.
Speaker 3 (08:07):
To Krera to Clara.
Speaker 1 (08:14):
She's quite hot though since you.
Speaker 7 (08:16):
Started on Beauty in the Beast, which was when a
couple of years ago, when we first came to christ
Church in nineteen eighty two, changed job.
Speaker 3 (08:24):
He's got.
Speaker 4 (08:26):
He's got a touch to the Jeremy Wells is about him.
It does.
Speaker 3 (08:30):
That's a great compliment.
Speaker 4 (08:31):
That's not it is.
Speaker 7 (08:33):
What's not thirty hours a week for a computer software
company and you don't think about computers. Not a great deal.
Speaker 6 (08:39):
I'm on the administration.
Speaker 3 (08:42):
And of course the advertisements, well, we're delated.
Speaker 1 (08:46):
To have it happened to the New Zealand accent in
the last forty five years.
Speaker 3 (08:51):
It was a lot posher in those days.
Speaker 1 (08:53):
It really changed quickly. They didn't it.
Speaker 4 (08:55):
It did a broadcasting it's a broadcasting accent.
Speaker 1 (08:59):
Court Jesus Oh, here we go, Wheel, here we go.
Speaker 7 (09:03):
Been an actress most of her life. She's now directing
for Court Theater, Ladies and Gentlemen. Elizabeth's moody, Elizabeth Murdy.
Speaker 3 (09:13):
I had n't known, Elizabeth.
Speaker 7 (09:18):
You were telling me in the dressing room you prefer directing.
Speaker 4 (09:20):
To acting, right, So he's equally riveting off screen.
Speaker 3 (09:25):
It was a lot more going on in these and
tell God, that's for sure, is that you want to
direct this or do you want to act in it?
Very popular across and news. He's like, we take a
break and come back with more Beauty in the Beast.
After the break and we're back where Beauty in the
Beast from I believe, I'm going to say, nineteen eighty
(09:46):
two is my feeling there is?
Speaker 1 (09:47):
She about ten minutes ago did we get talking about
this monight? Because you're asking for some advice around there?
Speaker 4 (09:52):
I said, I was after some life advice, but I
said I didn't want to put a label on it,
and then Jerry said it, well, I'll put a label
on it, and it's Beauty and the Beast, And now
I know about Betty and the Beast.
Speaker 3 (10:01):
So okay, what was your life advice? Well?
Speaker 4 (10:03):
I feel like, let's call this Beauty in the Beast.
Then this is welcome to Beauty and the Beast.
Speaker 1 (10:08):
Sorry, I had some music. Can we get what you're doing?
Speaker 3 (10:09):
Can we get full middle aged women tomorrow? Wouldn't it?
Speaker 4 (10:14):
I was asked by the younger member of staff the
other day, are you going to Laneway? And I looked
at her and said I couldn't name one of the
people at Laneway. Years ago, I played a prank on
Jason Hoyt where I printed out the catering menu for
Laneway and had him read it out as if it
(10:35):
was the lineup. Yeah, I remember that minight. Yeah, all
of that kind of stuff. I've now come full circle
where I think you could just about do that to me.
I'm looking at it now, Charlie x c X, I
recognize I couldn't name him. Name a song, Clyiron. No idea, bbadoobey,
no idea, bberdooby?
Speaker 3 (10:55):
Is that what it is?
Speaker 1 (10:56):
I have no idea how to say that.
Speaker 4 (10:58):
Bicep. Barry can't swim.
Speaker 1 (11:01):
Oh, Barry can't Swim's got some churns you'd be into.
Barry can't swim.
Speaker 3 (11:03):
In all seriousness, Barry can't swim. Yeah, j Barry Can't Swim.
It's really the name of That's a good name. I
like it.
Speaker 4 (11:11):
He's live, Remy Wolf, you know, Dojo.
Speaker 3 (11:18):
Djo. I don't know DJ.
Speaker 1 (11:21):
I gotta be honest. I thought I was going to
be sitting here knowing most of these acts, and as
you read them out, I'm realizing that I'm also on
the same boat.
Speaker 4 (11:28):
As Yeah, Skigs, Skigs.
Speaker 1 (11:31):
Not too familiar with Skis.
Speaker 4 (11:32):
Skigs Joe's Joel knows Skigs.
Speaker 3 (11:35):
Was part of the do you want to come in
Hereel's part of the Auckland dance community.
Speaker 4 (11:39):
Though he is part of the Auckland dance community.
Speaker 8 (11:41):
You know, Skigs is kind of like a Ossie surf
rock band. Okay, quite like a typical Laneway band.
Speaker 4 (11:48):
Yeah, okay, Barry Can't Swim.
Speaker 8 (11:51):
Barry Can't Swim is great, Probably top of my list
actually for DJs I want to see. But they're live
because he's live, because he's playing on like a piano, okay,
like Freddie in Oh.
Speaker 3 (12:01):
Yeah, I see.
Speaker 4 (12:02):
What about bicip are quite good.
Speaker 8 (12:06):
They're big, bigger DJs and they have that one massive
song called Glue.
Speaker 4 (12:11):
Give us a couple of lines. It must be in
the system.
Speaker 3 (12:17):
But what about rinso never heard of it?
Speaker 4 (12:25):
Well, we're allen, We're right down the bottom of the car.
Speaker 3 (12:29):
Now is he vincent? Nah? But what about fuckers?
Speaker 4 (12:35):
I think it's pronounced for This is cosas.
Speaker 1 (12:41):
You can't call your group for what does for cokas
mean exactly?
Speaker 4 (12:46):
And actually, if you are you on the lane Way website, Jerry,
if you hover your mouse over them, it will show
you a photo of them. This could be a lineup
from the nineties. All of these people. Yeah, I think
one of them is a stand up comedian. And for
cokas there's two wounders in a bathroom.
Speaker 8 (13:02):
Yeah, you guys know the song by bicip Glue.
Speaker 1 (13:10):
Oh yeah, I know that.
Speaker 4 (13:11):
This feels very three a m y am. I Still.
Speaker 3 (13:16):
That's a pretty that's a pretty nothing sort of a song.
I mean, it's kind of like the kind of thing
you might hear on some library music or something like that.
That's library music.
Speaker 4 (13:25):
Yeah, kind of song I hear when I sort of
come to at the end of the night and say, right,
it's time to go home.
Speaker 3 (13:30):
Now? Is that for or is that Barry camps one? Now?
Speaker 4 (13:32):
That is bicyp Big Big Beatha. Yeah, right, Bbadoobey, do
you have any info about biberdoo be, Charlie x X
and Claro.
Speaker 8 (13:45):
They are quite down the lane of our old friend Gravy.
They're quite like sad girl summer vibes. That's how people
are explaining the lane way lineup this year.
Speaker 3 (13:55):
Girl.
Speaker 1 (13:57):
Yeah, it's my favorite kind of songe.
Speaker 3 (13:59):
You you I see a girl summer. If I describe
you as something, man, I'd say sad girl somemer.
Speaker 1 (14:04):
How would you say that work?
Speaker 3 (14:06):
Yeah? Really yeah, just skirls are crying, have just broken
up with their partners, and then you sort of sweeping.
That's your vibe, that's your energy, very perfect, and then
trying to get down their pants, that's your vibe, that's
your energy.
Speaker 1 (14:17):
I mean it takes one to know when.
Speaker 3 (14:18):
Jerry, I feel like the girl summer energy. You've got
sair girls some energy.
Speaker 1 (14:23):
Yeah, actually you're not that saying about twenty twenty five summer.
It is the summer of the.
Speaker 3 (14:27):
Said girl, sair girl summer.
Speaker 1 (14:29):
It is the sad girl summer.
Speaker 4 (14:30):
I thought it was bratt anyway. Okay, so you don't
know any of that. And what they made me realize
was that I'm getting old. Yeah, and it made me start,
don't both say yep like that? But yep so, and
then I was hoping for a bit of a pause
before you said yep. I just sort of realized. I
looked around and realize everyone's on the baggage. It's like
(14:52):
a competition who can have the biggest jeans At the moment,
everyone's going real baggy. And I see Chris Keys made
the jump to be Bay.
Speaker 1 (15:00):
Oh fuck. If Chris Key's done it, then everyone's better
to do it.
Speaker 4 (15:03):
Well, he's a late adoptor, so you know he's he's
shown up with the baggy jeans.
Speaker 3 (15:08):
Jerry, you're running a beaggy jean in the way I've
been holding off, but I've gone baggy.
Speaker 4 (15:11):
Gerry's gone baggage. But Jerry's a bit more of an
early adopter. I think than I am. You'll you'll go
a baggy jean. You know you'll go I'm a fashion victim.
You're a fashion victim.
Speaker 3 (15:20):
Yeah, I'm definitely a fashion victim.
Speaker 1 (15:21):
What's a fashion victim?
Speaker 3 (15:22):
Fashion victim someone who will look stupid for fashion yea,
and change what they do at the drop of a hat,
will change their clothes, Like if you go back clothes
from ten years ago, they'll be dramatically different. Some people
just stick with I mean, g Lane's doing the same
thing for like twenty years.
Speaker 4 (15:39):
Yeah, he's got the high top vans with the.
Speaker 3 (15:42):
The change jeans and the shack it the red all
over it. Yeah, that's right, the flannel and the flannel.
Speaker 4 (15:48):
And I was wondering if the baggy jeans was going
to be the first sort of fashion change that I
was just going to let through to the keepers.
Speaker 3 (15:55):
Everyone in the room takes a good look at my
jeans here.
Speaker 1 (15:57):
Yeah, what are you running? Are you running a taper
at the moment, or are you running a skinny or
are you running? It will what I will say straight.
I've just watched them recently. They're very tight.
Speaker 4 (16:06):
Okay, yeah, but they're generally pretty tight.
Speaker 3 (16:10):
Black jeans. Would you describe them?
Speaker 1 (16:12):
Maybe you should go black jeans, Maybe you should go
for something like in between, because Jerry, you've gone quite
baggy heaven yea, yeah, I'm beggy. I'm very bad. I mean,
you're wearing a pant right now, so it's a bit different.
But I think the jeans that I've seen you by
recently are quite baggy. Maybe you just go for a straightman.
Speaker 4 (16:27):
I tell me this. Are they more comfortable? Are the
baggy jeans more comfortable? They seem more comfortable.
Speaker 1 (16:33):
No, I run a couple of piers of bags, and
then a couple of pieces of straights, and then no, skinny.
Speaker 4 (16:37):
Now she's got it. Now she's got a baggy jean
in them.
Speaker 1 (16:40):
Yeah, I've got two piers.
Speaker 4 (16:41):
He's got a real baggy.
Speaker 3 (16:42):
Jean in them. If you're not careful, he'll sneak up.
Speaker 4 (16:47):
I so what, Look, my plan is here. We're coming
into summer. I'm probably not gonna wear pants for about
good point four or five months. I'm going to set
the rest of the season out on the bag your
jeans front, and I might even sit the first month
of next winter out and just just sit back and
have a look. If we're still going baggy, I think
(17:07):
I'm gonna have to do it. Well, mate, why don't you?
Speaker 3 (17:10):
Why don't you do something that you know all middle
aged men should do at some stage, And this is
how you know that you're full middle age, full middle
aged man, and that is bring out your new baggies
for lame mae. I mean, we buy some baggies and
really be cool and turn up with your baggy jeans
(17:30):
to lame Wy with your baggy jeans, your truck you cap.
Speaker 4 (17:33):
Yeah yeah, that the hunting and fishing cap is the one.
Speaker 3 (17:36):
They go, Yep, your crop you kind of cross crop
T shirt? Not too long. You don't want a T
shirt that's too long. I crop T shirt, boxy shirt,
short sleeves, and the school shoes and the other one
they do Martins, Yeah you check the school shoes. Only
make yourself look as bad as you possibly can and
turn up to Lamewey and then just be.
Speaker 4 (17:56):
Like, have you heard the new one from b Berdoobi.
Speaker 8 (18:00):
I had a shock of last year Laneway because oh
fucking no surprise, this is the all time because I'm
twenty four, and I was like, damn, I sort of
was the last act of the night.
Speaker 4 (18:12):
I should have feel old here.
Speaker 8 (18:14):
Turns out they've actually made because they've moved it from
Albert Park to Wiston Spring, so they've made an under
eighteen zone.
Speaker 3 (18:19):
And I was standing.
Speaker 4 (18:23):
For the main ex Stormzy and then I was like,
was on the right.
Speaker 1 (18:27):
I almost have been the oldest guy about eight years.
Speaker 4 (18:30):
It turns out I was tallest by that two feet.
Speaker 1 (18:34):
That would be great you would have absolutely honked.
Speaker 4 (18:39):
Yeah, I only realized about ten minutes ago. Security would
have been looking at you with a hot keeping on this.
Speaker 1 (18:48):
So is anyone here going to Lane Way this year? Well,
next year, I suppose an aniversary weekend day.
Speaker 3 (18:53):
White Tangy Day. I should go along and pretend to
be young on February six, So that's year White Tangy Day.
Speaker 4 (19:00):
Next time I went to Lane Way, Well, I was
actually with you, Jerry Anderson Pack whatever year that was, Yeah,
I fucking thoroughly enjoyed that. That was a good year. Yeah,
Albert Parker was.
Speaker 1 (19:09):
Yeah, it was the nineteen seventy five on that year.
Speaker 4 (19:12):
This was sort of two thousand and nineteen, I think
it was.
Speaker 1 (19:15):
Yeah, there was a good couple of years.
Speaker 3 (19:18):
Year twenty nineteen seventy five there were heaps of beer
breasted women. Do you remember that it was a year.
It was the year of the beer breast?
Speaker 4 (19:27):
You remember the Glitaboob? Yes?
Speaker 3 (19:29):
Do you remember.
Speaker 4 (19:29):
Gladaboob was having a moment there? Do you go from
Glitaboob had about Do you remember that Paintsman's I was
like seven, No, the Glitaboob had a moment there. Yeah,
And who was against the glittleboo.
Speaker 3 (19:43):
Oh I had no.
Speaker 4 (19:44):
I loved it.
Speaker 3 (19:44):
But it was that interesting thing of like, don't lock,
don't lock, don't lock, but I reckon. There were probably
I would have seen maybe fifteen beer breasted women that.
Speaker 4 (19:52):
Year, so about thirty breasts.
Speaker 3 (19:55):
Yeah, and if any individual breasts, no mistick to me.
Speaker 4 (19:58):
So yeah, pretty much the we'll get a healthy population.
Speaker 3 (20:01):
And it's that weird thing of not looking like you
can't look oh my god. So then you're maintaining look.
Speaker 4 (20:05):
You're maintaining the most furious eye contact you've ever had
with a person because you know you can't you know
you're gonna look at a bird in a tree.
Speaker 3 (20:15):
Well no, But that's where your dark glasses come in handy,
because if you've got the dark glasses on, you can
easily be looking sideways at the person across there. But
with maintaining the clear sideway frontways. Yeah, you know what
I mean, you just look out the side.
Speaker 1 (20:27):
I'm just doing some research. I'm trying to figure out
what happened to the glittle boo boob, because if.
Speaker 3 (20:32):
You googled what happened to glitaboob?
Speaker 1 (20:34):
Yeah, because the glittaboo pre COVID was starting to really
take over.
Speaker 4 (20:37):
That's another COVID casualty, isn't it the Gitta boob. You're
not doing Glada boob at home in Lockdown.
Speaker 1 (20:42):
We had a couple of festivals rior to COVID where
a glittaboob was coming out.
Speaker 4 (20:46):
You know, pretty hot.
Speaker 8 (20:48):
There was a big one at R and V I
think it was twenty eighteen and I was there and
on the hell and some guy thought to be funny
to go up and like touch the girl with a
gliaboo bond went viral and she just turned around when
it started like fucking him up.
Speaker 4 (21:01):
That's right. And I watching as well this year at
what did I go to? Lolapolo?
Speaker 1 (21:07):
No, it was a lot of don't tell the story
about you running glad a cock.
Speaker 3 (21:12):
I'm not going to tell that story. That's not a
story that we're going to share one. Don't even mention that.
I don't want to talk about that. Sorry, that's where
I thought you were going. They're not going to talk
about that, Okay, Sorry, But there's something that stayed in Chicago.
Speaker 1 (21:23):
Can't believe you chose blue.
Speaker 3 (21:25):
There were there were so many topless girls. Heaps leader
Cargo Gladder festival.
Speaker 1 (21:32):
Lola assentsed me that you noticed. What do you mean,
how do would you not notice because you can't be looking, Jerry, Well.
Speaker 4 (21:39):
Well you're not going to look, but you'd know good
situation is.
Speaker 3 (21:41):
And at Lolaplosa there were so many people, a few
or fifty thousand people a day go to that festival,
so nobody's looking at you looking.
Speaker 1 (21:50):
Could you run around?
Speaker 3 (21:51):
Nobody even sees you there. It's just like so many
people just I'm trying to picture it.
Speaker 4 (21:58):
Yeah, around boob, the lot of no, the outfit, so
I understand glitter boom, but if you were to explode,
So they weren't going glitter, they're just going topless.
Speaker 3 (22:08):
No, they were just going mini skirt with no top. Wow, yeah,
heaps heaps of it. Many skirt with no top uh huh.
Speaker 4 (22:16):
Looking the flights. Yeah, there was a fist ball.
Speaker 8 (22:19):
I went to an England and there was like full
on neudice guys and they were all guys as well.
So we saw a dude who was helping on the
on the entry. He was like chicking bags and stuff.
Then about an hour later just saw him, sixty five
year old guy walking around full hole out had the
shoes on, had his head on, had a bag on.
I can't go A naked man with shoes on is.
Speaker 1 (22:38):
A horrible, horrible Do you know what's funny about that?
Speaker 4 (22:40):
Though?
Speaker 8 (22:40):
Was?
Speaker 1 (22:40):
I think what's really hot is a woman wearing a
bikini with trainers on.
Speaker 3 (22:44):
I see, I don't know. I don't like that.
Speaker 4 (22:46):
Either you've watched too much love or porn.
Speaker 3 (22:48):
Filthy you and he filthy?
Speaker 1 (22:51):
That's just filthy.
Speaker 3 (22:53):
It's disgusting.
Speaker 4 (22:54):
Here doesn't like that, and I prefer high heels.
Speaker 1 (22:58):
Ah jo, Okay, this is just this is we have
to be careful.
Speaker 4 (23:04):
I don't think. I don't think we do Beauty in
the Beast again. To be honest, guys, if I think
there's a reason why they shut it down after two
thousand episodes, and it's because it inevitably falls the footwear
and bikinis and glitter birds, and I think we shut
it down too good.
Speaker 3 (23:22):
Would not have a barrow that?
Speaker 4 (23:23):
No, absolutely not.
Speaker 1 (23:24):
But anyway, we're all going to hit lame way. Yeah,
it's all just running some glitter clock.
Speaker 3 (23:29):
Yeah, and I reckon when I you you premiere your
beggy jeans.
Speaker 4 (23:34):
You look real cool. Look beggy jeans, no top glatter Bobs. Yeah,
totally herey Glatt Boobs.
Speaker 1 (23:44):
You say exactly where you are?
Speaker 4 (23:49):
Yeah, that's fucking guy. That's like you can't help.
Speaker 3 (23:56):
But yeah, there was like.
Speaker 4 (24:00):
Ten, that's fun.
Speaker 3 (24:03):
Why do you have to be known?
Speaker 4 (24:04):
Yeah, it's just as you want.
Speaker 1 (24:06):
There's no do you know what this sounds? This might
be horrendously inappropriate and I could be way off here
and I'll like can end it all. But I would
always assumed if there's like a woman running a good
boo bit of festival, there's nothing wrong with looking. Don't
like even if they see you looking. This kind of
a reciprocated respect there.
Speaker 8 (24:27):
In this.
Speaker 3 (24:30):
I'm looking, and I'm trying to prove to you that
you're not allowed to look, especially in two thousand and see,
that's kind of fucked up. Then that thing going on,
which is like it was a it was entreatment about.
Speaker 1 (24:42):
Like a beach shop and eye, by the way, there
was a good show. I appreciate your mate so much.
Speaker 9 (24:48):
The next level, but there's some impossible Portugal and two
women came over and they tried asking me directions and
Portuguese that one of them had the fun and canons.
Speaker 3 (25:00):
And yeah, well me and Nick Peaker, who was in
here before. When we went to Barcelona, we said
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