September 26, 2024 • 40 mins
This week the boys are getting ready for the victory lap which commences September 30, but in the meantime, here's a bit of something extra for you. Bless.
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Episode Transcript
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Speaker 1 (00:00):
Get a wounders, Matt Heath here as we build up
to the final week of the Matten Jerry Show, the
victory lap slash mea culpa. I've put together a little
bit of a story of the history of the Matt
and Jerry Show on my time at Radiohodaki. You can
read it at Matdheath dot substack dot com. Maybe you
want to subscribe. It can be free if you want. Anyway, Blessed, Blessed, blessed,
(00:21):
give them a taste of Kiwi love you all, see
you next week.
Speaker 2 (00:27):
All right, Okay, we're recording in three two one, and
we're recording.
Speaker 3 (00:33):
Just like yesterday. We rarely shouldn't go into what we
were talking about just before the recording start.
Speaker 2 (00:39):
And why have we decided that the moment before we
start recording these intros to to to Mattie's most love moments?
Why is that just moments before we have some of
our hottest conversations of the day.
Speaker 3 (00:49):
But it's the same as the Matt and Jury Show
and the radio broadcast on the FM broadcast. It's true.
Speaker 2 (00:53):
The closer to the end of the song you get, yeah,
the more controversial the conversation off Here is.
Speaker 3 (00:57):
The other thing I'm finding now that I've been talking
abit more on that show this week. Yeah, as I'll
take a big swig of water or coffee just before
you tune. The MIC's on their MESHI ah okay, and
my god, the amount of times have been so glad
that you're the one that talks out of songs.
Speaker 2 (01:11):
Oh, I see what you're saying. So you've got enough
time by the time I go that was the Follies.
Ready a heartach twenty minutes past eight.
Speaker 3 (01:17):
Because if it was me, I'd be like, that was
the Fighter. Yeah, hey, it's meshing.
Speaker 2 (01:21):
Ready. Here, we're taking you through some of our first
Actually an apology to make yesterday. I forgot to hit
publish on yesterday's Maddie's Most Loved Moment episode.
Speaker 3 (01:32):
Fuck, they were on you, the Conclaver, the Conclavers, they.
Speaker 4 (01:35):
Were on me.
Speaker 2 (01:37):
I was out at a date night last night my
lovely partner Lauren, and my phone was firing up. But
once I got home, I hit publish. So that episode
from yesterday is now up. It was up by about
fifty I think it was last night. Now it is Friday, ruder,
Fuck is it it is? It is Friday? Monday, of course,
is going to be the victory lap. We're all fizzing
(01:57):
at the bung for that one. I can't to get
stuck in. But today's episode of Maddie's Most Loved Moments
is a no brainer. It's a Friday. It was the
first episode that Madi mentioned when I asked him what
are some of his most love moments from the Daily
Bespot podcasts of the past decade. This was the first
thing he said. So today, in the celebration of it
(02:17):
being Friday, we thought we'd take you back, yeah to.
Speaker 3 (02:20):
About twenty twenty one.
Speaker 2 (02:21):
I believe this podcast was first published.
Speaker 3 (02:23):
This is legendary. I didn't work on the Met and
Jury show.
Speaker 5 (02:27):
Was this pre ruder?
Speaker 3 (02:27):
A year was it when this was released? But it
ran quite a cutter across the whole country.
Speaker 2 (02:33):
So this is an episode of to your Face Off Fridays.
If you are new around here. This is when we
used to accumulate a whole bunch of songs before the
copyright laws really just took a grasp of our podcast.
Speaker 3 (02:44):
We used to just blast a.
Speaker 2 (02:45):
Whole bunch of listeners submitted house tunes and decide whether
or not they would make the met and Jury Show
to Your Face Off playlist, which was operating off Spotify.
Speaker 3 (02:52):
I have on good.
Speaker 2 (02:52):
Authority that the man Jury to Your Face Off playlist
still does exist.
Speaker 3 (02:56):
That's you know, that's a positive in the day and
age when people do a silly thing, they go through
podcasts and they go through YouTube clips. Yeah, look looking
for copyright infringements.
Speaker 4 (03:10):
Yep.
Speaker 6 (03:11):
It's nice in this day and age that we can
get away with something. Well, we're going to try to
get away with it. I'm not sure how it's going
to go. Oh good point, but we're going to upload
it and just kind of let things happen.
Speaker 2 (03:23):
Hopefully, the earlier listen to this, the more likely you
have of being able to make it the whole way
through before I don't know, just a crowd of lawyers
coming and tear.
Speaker 3 (03:30):
This episode down. Well, here we go, sore you.
Speaker 2 (03:32):
The Managery Show Show Your Face Off playlist is still up.
It hasn't it a song added to it in about
two years, which sounds about right that is when we
would have finished doing it. But it is one of
Maddie's most love moments for all the right reasons this podcast,
so do enjoy it. Anything else to Ed Reder, I
was just going to say, speaking of copyright infringement, let's
see if we can fuck off Phil Collins.
Speaker 3 (03:52):
Well, take a look at me now, there's just an
empty space.
Speaker 4 (04:00):
There's nothing left in to remind me.
Speaker 3 (04:04):
Ben net Phil Collins, just coming on your face.
Speaker 2 (04:11):
I mean, there's gonna be any Phil Collins and sadays
to your face Offpicial with Diehindra from twenty one.
Speaker 3 (04:17):
No is the answer to that.
Speaker 2 (04:18):
All right, Okay, that's it from us.
Speaker 3 (04:20):
You're done. I'm done.
Speaker 4 (04:23):
You're done.
Speaker 3 (04:24):
Phil Collins. Hic of a drummer.
Speaker 2 (04:26):
Yeah, he of a drummer?
Speaker 4 (04:27):
Rp.
Speaker 3 (04:29):
He's not dead, is he? God?
Speaker 4 (04:33):
Weird when you need them. Okay, enjoy the episode.
Speaker 2 (04:36):
We'll see you on Monday for the Managery Show.
Speaker 4 (04:38):
I got that.
Speaker 3 (04:39):
That took me a second, but I got it.
Speaker 2 (04:41):
We'll see how on Monday for the Managery Show, Victory.
Let look forward to it. Go well, love you all
very much, bespoke you dokies, and of course the podcast.
We'll be back in full forth next week. The We'll
be back and the show highlights. We'll be back for
one final week as well.
Speaker 3 (04:53):
Oh huge.
Speaker 2 (04:55):
Okay, enjoy your weekend.
Speaker 3 (04:57):
Well, that gives me tangles and goosebumps and shivers and spine.
Speaker 2 (05:00):
Speaking of goosebump tingles and shivers in my spine, this
activity on the conclave regarding what's happening next Friday after
the met in jury sho wraps up. I think we
need to be very careful about talking about this.
Speaker 3 (05:11):
Yes, that's exactly what I was going to say. Somehow
information has been leaked. Did we just say it last week?
Matt has said it. I think Matt originally said it
jokingly when he announced I was going to say for
a timement that he was leaving Radio Daki. Yeah, he
said they're going to be a big Friday at Prager.
Speaker 2 (05:26):
Yes, so look, if you do want to participate in
some kind of send off, we might see it on
Ponsby Road at some point.
Speaker 3 (05:33):
There's no way we're going to be at Praguer. He
was kidding.
Speaker 4 (05:35):
Oh was he?
Speaker 3 (05:36):
I reckon? He was kidding? Mate, you're winking at me.
I'm not just can't figure out why you'd be winking
at me about that? Yeah, I mean it does feel weird.
I'm not winking at you, mate.
Speaker 2 (05:44):
No, so we will. I just want to look, this
is if it's just a joke, If any of the
lawyers from me here are listening, we will not be.
Speaker 3 (05:54):
On Pons Road next Friday. It's just it was just
that was just a bit for radio, that's what they
call it.
Speaker 2 (06:00):
I just had to come on and clear that up
because there have been some stirs about concerns around what
might happen on Friday afternoon here in Auckland.
Speaker 3 (06:06):
Not going to happen.
Speaker 2 (06:07):
Just don't look, don't worry, that's all all.
Speaker 3 (06:11):
It's going to be smoking merry, a bit of a gig,
all right, shove up your stating.
Speaker 5 (06:19):
The podcast we have started.
Speaker 1 (06:21):
We've started a reportering. The podcast has started. I'm you familiar,
Die Hendwood with.
Speaker 5 (06:25):
Our new way we start the podcast.
Speaker 4 (06:28):
I am is this this sort of Vietnam Good morning Vietnam? Yeah, yeah,
good morning Vietnam slash Headless Chickens.
Speaker 5 (06:34):
Yeah, that's a very hurtful way to put it.
Speaker 4 (06:36):
But yeah, when I heard Headless Chickens, I mean I've
gone down a rabbit hole of em. They were very.
Speaker 1 (06:42):
Similar bands Ecstasy, Yeah, and they had the course went unbelievable.
Speaker 5 (06:49):
Actually, can we pull that up? Your unbelievable?
Speaker 4 (06:52):
That one? Yea chickens. Oh yes, that's sort of nineties.
There's a weird beat. Yes, that's right. It was like Jesus.
Speaker 5 (07:03):
They were like Jesus, unbelievable. They're like Jesus Jones, like
when they hear us, here's a song.
Speaker 4 (07:09):
Oh yeah, listen to their least.
Speaker 5 (07:11):
Their feat was compulsory and all songs in this.
Speaker 4 (07:13):
Era, I feel like every here less chickens. Yeah, and
had that beat.
Speaker 5 (07:17):
Oh my god, you're so right.
Speaker 4 (07:22):
Questions here so perfectly?
Speaker 5 (07:26):
Oh yeah, smart, Oh my god. The singer with a
sideways cat you could you could.
Speaker 7 (07:35):
Run a hand to this.
Speaker 1 (07:38):
Leave you got a full band with guitars and everything.
Speaker 5 (07:44):
You're not being played on.
Speaker 3 (07:45):
The song and the video.
Speaker 4 (07:47):
You're unbelievable. This is a good cat. Who this is
like a favorite to edit things too, like what now?
This the song would always be.
Speaker 7 (07:58):
They always have montages and stuff to the song on
what Now?
Speaker 1 (08:01):
One time the mother of my children, Oh are you
playing off something else?
Speaker 8 (08:06):
Oh?
Speaker 2 (08:06):
Well?
Speaker 1 (08:09):
And the mother and my children once came home and
this relates to this video because they're all wearing Vision streetwear.
When she came home and she was so excited. She
came in the door and she had bags of everything goes.
They found an old crate of Vision streetwear that had
been lost for like three decades, and they just found
it and somewhere in Auckland, and they opened up a
Vision Street where I'm pop up store with legit stuff
(08:33):
that had been sitting in storage. I don't know where this.
Speaker 5 (08:35):
Create had been.
Speaker 4 (08:37):
I was deep down the Vision Street where some of
my kids now, my kids, it's very deep. My kids
who are.
Speaker 1 (08:44):
Fourteen and eleven are just carveed and Vision streetwear because
she found all the stuff.
Speaker 5 (08:48):
And boy, they look like a mef. Now I'm seeing
the video.
Speaker 7 (08:50):
Vision the street where it doesn't sound as lame. It
sounds completely lame now, but it was not lame at
the time. It was a very cool Vision Street where
I mean the people it's called street where.
Speaker 4 (08:59):
Yeah, well it was I believe Mark Gonzales who started Vision.
He then got kicked out of his own brand and
started Blind.
Speaker 5 (09:06):
Skateboards, right, is that right?
Speaker 4 (09:09):
Give me in here for esoteric skateboard brand knowledge.
Speaker 5 (09:13):
Yeah, yeah, let's go. Let's kick this off with a year.
Speaker 4 (09:16):
Sure, there we go.
Speaker 5 (09:17):
Are we going with Chris Riha or are we going
with unbelievable christ Rea?
Speaker 3 (09:20):
Oh?
Speaker 4 (09:30):
So chew your face off, special words, special guest. Oh,
it's a pleasure to be here. And you bought a
little baggy of tunes. I have brought a little baggy
of chuns, pre pre wrapped as well, so there would
be no mucking around on the dance floor.
Speaker 1 (09:48):
We get stuck in do we want to run meshes
parnishing dmind? Or should we get messioned to do it
an a cappella like a verbal, like a manual admind.
Speaker 7 (09:55):
Let's not lower the vibe and bring mession here. I
can come. I think we can just sort of Plash's
little little thing that he's put together.
Speaker 5 (10:03):
It's pretty aggressive.
Speaker 4 (10:04):
Okay, here we go.
Speaker 8 (10:05):
If it's time for Matt and Jerry's to your Face
Off Fridays, this is where we put songs that have
been submitted by you to the panel, all with the
aim to make the official to your Face Off flayliss.
You can submit songs for future episodes by sliding into
the Matt and Jerry Show in box or email us
(10:26):
at Matt and Jerry at yahoo dot com. Search Radio
how Rocky on Spotify to find the songs that have
made the cut so far. Now let's catch you in.
Speaker 5 (10:39):
I feel like we've lost a lot of them mint
and we grew, we built up with the Rye. But
that's that's all right. Now we know what we're doing here.
Speaker 7 (10:45):
Okay, So we're gonna You've brought in a little baggie
off tunes and we're gonna listen to those chunes that
are where or not they make the playlist?
Speaker 4 (10:53):
So is it me me?
Speaker 5 (10:55):
Uh?
Speaker 7 (10:56):
Well, you you obviously want them to make the playlist,
so you're going to write you on all of us.
Speaker 4 (11:00):
The thing is, I'm I'm open to discussion on these tunes.
I rate these tunes where they make the playlist or not.
I come from a lineage of face chewing. I started
my face chewing as a young A young man too,
I seen. I actually sent Banger a sample of my
first face chewing tune which got the response was a
(11:23):
bit too hard for the playlist there. But apparently German
techno is not first on the list. No. And this
I started warehouses in Wellington. This guy called Thomas Heckman,
who is a techno sort of trance guy, came over
in a very New Zealand phase. He got up on
stage just as he started these two homies, jumped the fence,
(11:46):
Nicholas keyboard and took off the gig got can and
just the local DJs.
Speaker 7 (11:56):
Wow, so you were you were, Yeah, you're back in
the We're talking the nineties here when it was smart drinks.
Speaker 4 (12:02):
They were really trying to push was smart drinks.
Speaker 7 (12:05):
Mid ninety smart drinks, electronic music and you're chewing your
face off? Was It was a real alternative in those days.
Speaker 5 (12:14):
It was interesting.
Speaker 4 (12:15):
Was quite a different and quite a different sort of
a group.
Speaker 1 (12:18):
Janeden when everyone had to come together. There was this
weird cross off between people that want to chew their
face off and just dickhead drunks on beer like me
that wanted guns and roses.
Speaker 5 (12:28):
Back on the stereo.
Speaker 4 (12:29):
Oh, yes see that's okay, Welly. Was Wellington have jumped
on board? The chewing your face off started more in
a psychedelic situation, Yeah, Wellington. And it was more like
we all have the same playlist playlist on a walkman
like tape that had been dub we put it on.
(12:50):
We'd take take a bit of psychedelics, wait for them
to come on, then run through the forest with the
same playlist on that. It was it's a great vibe.
That's a really good vibe.
Speaker 5 (13:04):
I love that. I'll tell you all this great vibe.
Speaker 1 (13:05):
Here the lasers meshre set up some new laser lights
and you're being cut to pieces by lasers.
Speaker 4 (13:11):
I don't want to look left because you could take
down multiple aircraft that we need.
Speaker 1 (13:17):
To get a welding visor in here for if we could.
Speaker 4 (13:21):
Okay, so let's go.
Speaker 5 (13:22):
Can we not?
Speaker 1 (13:23):
Can we not hear your first one, the one that
you know that that being are rejected?
Speaker 4 (13:26):
Oh you see if you it is it is called amphetamine.
You only actually need to hear about about about thirty
seconds to get to get the vibe and fetamine by
drax d R A X. And this was sort of
it was when trance was quite uplifting. You see it
(13:49):
starts off like this.
Speaker 5 (13:51):
Jesus is terrifying.
Speaker 4 (13:52):
When the beat comes in and this is when you're
seeing it's quite low. But then the beat is not
sells this song. It's coming up very shortly. Breathe out
for it because this is where swelling happens in your heart.
And then this is I this is real get of
(14:24):
a shed, need to the railway station. I remember this.
Speaker 7 (14:28):
This is this is plea used to play this at
the brain, please, to have these geeks called the brain
and all times.
Speaker 4 (14:34):
But then I've seen way out of that and for
you now then I got into just a really nice
chewing your face off. Have I moved up to Auckland
in my early twenties.
Speaker 1 (14:43):
Before we moved up to Auckland, Can I just play
a tune and see if whether you respect this tune
at all?
Speaker 3 (14:48):
Here?
Speaker 5 (14:53):
I feel it's a similar era.
Speaker 4 (14:56):
I'll see it. It's almost got too much going on.
I ever, then you've got that just too much harsh keys.
Speaker 7 (15:14):
This is this was absolutely at the brain. This general
Lee would have been cranking this.
Speaker 4 (15:22):
Yees see, this had got around one o'clock in the morning,
gone to.
Speaker 5 (15:26):
Anyway, Sorry, you know, let's go back to your story,
so I interrupted.
Speaker 4 (15:29):
So then moved to Auckland and I was living out
at pih and there was a really good crew of
house DJs out at Peter and a few people that
would make their own situations.
Speaker 5 (15:42):
What do you mean they're running labs?
Speaker 1 (15:43):
Yeah, you need to ask that question.
Speaker 4 (15:48):
And then we're coming would party around town. You know,
Galatos was going off at that stage, all the various
sort of dance parties and then we go back to
pH and that insula did the downstairs barn area and
you'd open it up and then we'd have about forty
or fifty people who continue on there through a Sunday.
(16:09):
Oh yeah, here we go and and this is this
is where I sort of got really into Ian Pooley
at the time, and he wrote a chump. Yeah. He
used to go out. He would go out there and
here party out there and sort of your legends like
your Dick Johnson's and so forth. And this is where
my first tune's actually an im Pooley Remax Body and
(16:30):
Soul by Mattio and Martos.
Speaker 7 (16:32):
Oh, this is a great tune and interesting that I met.
I hung out with the Empoulie out in pr because
my friend Chuizodonica used to used to do all the
lightspeed gigs, oh did he?
Speaker 4 (16:42):
Yeah?
Speaker 7 (16:42):
And he used to bring Ian ply gentleman. He is
a lovely gentleman and the old campaigner. And he he
bought Dick Johnson over. He bought all of these paper
records guys over.
Speaker 4 (16:53):
Yeah.
Speaker 7 (16:54):
And Ian Pooley what a great New Zealander.
Speaker 4 (16:56):
He is lovely guy. Holl you what I like about
this as it's good for going about your work. It's
got like a bit of a metronome to get yourself
and do.
Speaker 1 (17:06):
You take a lot a lot of space on the
dance for God him? Are you in your pocket? You're
sort of an early shuffler. Hands my legs out.
Speaker 4 (17:16):
Occasionally I like to get a get a bit of
almost a tie cheese sort of creating the space.
Speaker 7 (17:23):
You look like you sort of also you look like
you you get the arms out wide, like you're dancing
with a particularly o beast person.
Speaker 4 (17:30):
Yeah. All like I love the bus driver the bog
where you're just really fondling the wheel before they go.
Speaker 1 (17:36):
Well, when we get guests and on the chew your
face off special and you are the first that we
had had.
Speaker 5 (17:43):
We always get.
Speaker 1 (17:44):
Them just to show some moves and the laser lights
and we'll just try and get a little bit video
there if we could before the end mash did you
sort that out piece?
Speaker 4 (17:51):
Absolutely? Maybe with the with the lasers coming. I don't
want to choreograph mashes video. Yeah, and see now that's
open up. Yeah, here we go.
Speaker 5 (18:02):
This is a yus for me.
Speaker 4 (18:04):
Oh yeah, that's here we go go on. See this
is then this is a sort of I like to
I like to break the night up. There's the first
get to the club part where run's too excited. They
might have had a bit too much stuff early. They're
trying to get stuff, they're trying to get a couple
of drinks, and you haven't found your spot on the
(18:24):
dance floor. Then there's there about midnight when this sort
of stuff's coming on, and then you start really going
about your work.
Speaker 1 (18:32):
This is when you start thinking this is a really
good night You're thinking, oh my god, this is this
is actually a really good night out.
Speaker 4 (18:39):
This is I've picked the right spot. Yeah, I'm sort
of cruising around. And then you're willing to go a
bit deeper because you've sectioned off your area with you
and your mate. You know who to look out for,
who not to look out for, who how to look
out for?
Speaker 7 (18:53):
The undercover of cops with the mustaches and a swinging
bly trying to grab some gear off you.
Speaker 5 (18:59):
Yeah, let's go, Yeah, let's go on this one.
Speaker 7 (19:02):
For sure, this is only the beginning of us too,
because it cranks him with the vocal.
Speaker 4 (19:07):
Yeah, I think this is a sign of a good
house tume. What I've enjoyed from you Jerry is looking
at times of house tunes because that definitely breaks down
whether it's a commercial banger or not. Yeah, like a
tune sort of goes for your six seven minutes and
really works its.
Speaker 7 (19:26):
Way up, absolutely, and it should have little bits and
pieces which mean, you know, opportunities to mix in with
different songs and bring in vocal parts.
Speaker 5 (19:34):
Hey Die, you know mass you know I do.
Speaker 4 (19:37):
I've done a couple of he was producing a big
show I did.
Speaker 5 (19:42):
Oh yeah, yeah, he's a great New Zealander.
Speaker 4 (19:45):
That's where I first learned about the blue light that
goes on when you're off air.
Speaker 5 (19:49):
Oh right, yeah, that's an important one there.
Speaker 4 (19:51):
And he's also produced the Mad Monday podcast because he
was a bit under the under the sleep radar from was.
Speaker 5 (19:59):
He was getting his testicle drain one or other.
Speaker 4 (20:03):
Yeah no, I'm just waiting for the breakdown here. How
long has this song got to go back?
Speaker 5 (20:06):
And it's got another three minutes?
Speaker 4 (20:08):
Okay.
Speaker 7 (20:09):
I feel like at one point there's a bit where
the beat drops away and we'd move just to the
vocal on its own before bringing the beat back in again.
I think it's coming up soon.
Speaker 4 (20:19):
Oh, listen to that, And I love someone just freestyling
on a on a saddle organ.
Speaker 7 (20:27):
So this is the Matteo matteos im Poorlie's soul max
of body and soul.
Speaker 4 (20:32):
Here we go. Yeah, this is a great chourn.
Speaker 7 (20:39):
This absolutely one hundred percent will sit very, very comfortably
in the suite of other songs on the.
Speaker 4 (20:44):
Mat and Jerry show. Yeah, chew your face off.
Speaker 5 (20:48):
You wouldn't even notice it.
Speaker 4 (20:51):
Yeah, this is a big head on the dance floor.
Speaker 7 (20:53):
Say around about nineteen ninety ninety nine.
Speaker 5 (20:57):
You your thoughts on this, Meshy.
Speaker 4 (21:00):
Yeah, I love this.
Speaker 3 (21:00):
I'm a massive supporter of doting with those.
Speaker 4 (21:02):
Thank you here we go, Here we go, Here we go,
turn it up being.
Speaker 2 (21:10):
This is good.
Speaker 7 (21:11):
This is when you close your eyes and you really
feel what's coming up inside.
Speaker 4 (21:14):
And you open them and the DJ's doing excessive tweaking
to pretend they actually produced the June tune. All right,
that's definitely on the list that she goes. Now we're
into Ellan Braken, Fred Foulkey. Yeah, Yeah, this is called intro.
(21:36):
There was a twelve inch because I am I was
a bit in the house. Djang Buzz Djang was where
I sort of started out my situation and this was
one of my favorites, but really hard to mix in.
For some reason, there was something about this feet and
baselines are what I like in chunes and this baseline
(21:57):
that when I talk about going about your work, a
baseline line just keeps you're driving, you know, a little
bit of a fuzzy beat here. You're like, oh, yeah,
is it going to get him? Here? Is it gonna
pull back? Hey, this baseline will sort our Daddy's a
little cashew, I'll tell you that. Yeah, it's a It's
(22:21):
an engorging baseline when you really just need it because
it sort of pulls itself back.
Speaker 5 (22:28):
Look, you called this.
Speaker 4 (22:29):
As you go about your work, you find out.
Speaker 5 (22:31):
You're in You're in your pocket. Oh no, this is.
Speaker 4 (22:41):
Oh this is the baseline.
Speaker 8 (22:43):
We went this up.
Speaker 4 (22:46):
You get a bit of a float around. This is
like I'm getting up, I'm getting up off.
Speaker 7 (22:51):
As soon as you get out, you go, now's my
going to head the dark floor? Because this has got
a stalking baseline.
Speaker 9 (23:03):
Oh yeah, anybody, and then you when you don't know
(23:26):
whether the endorphins are just coming from you.
Speaker 4 (23:29):
This is also the decision where you might go, I'm
even such a good time, I'm gonna double down.
Speaker 7 (23:38):
It's got that heavenly givenly vocal in the background, which
is so beautiful.
Speaker 4 (23:43):
It's got your driving base here with the floating that's
gonna double down. And then you go, should we go,
let's go again, and they're like no, we only went
again like half an hour ago, and you go no.
Then me end up vomited. Yeah, it's in the cubicle
(24:03):
by yourself. This couldn't be more years for me. I
think basslines are those things that I always wish I
could write, like because you only really need to write
(24:24):
about eight notes. Yeah, yeah, eight to sixteen notes.
Speaker 5 (24:27):
Well, I mean these are all variations on another one.
Speaker 1 (24:30):
Boats at ust oh yeah, but great florish at the end,
got a meal, I by myself alone at home a lot.
Speaker 5 (24:41):
I plug in a bass guitar.
Speaker 1 (24:43):
Put down a feet and I just come up with
the funkiest bass lines ever written.
Speaker 5 (24:47):
And I record them when I listen to the back and
they're so shit. The next day.
Speaker 4 (24:59):
Oh, there was such a I really enjoyed the early
two thousands as a partying time in Auckland.
Speaker 10 (25:05):
Yeah, it also was pre cameras and that so yeah,
but it was pre cameras, so it was a very
free time. It was a very free.
Speaker 4 (25:20):
Time in a nightclub.
Speaker 7 (25:21):
You could quietly gurn you away into a corner somewhere
and nobody would.
Speaker 4 (25:26):
Be the wiser.
Speaker 5 (25:31):
Yeah, and nights says to be. I don't want it
to sound too nostalgia, but.
Speaker 1 (25:36):
It was a bit of time when you constantly went
been grabbed by a bunch of people to either people
you don't know, all people that you do know, for
a photo opportunity to to.
Speaker 5 (25:44):
Document the night.
Speaker 4 (25:45):
It was near.
Speaker 1 (25:46):
It wasn't about documenting about the night. It was about
being in the night. I was like, you done get
to We've gotta.
Speaker 5 (25:50):
Get Photo'm gonta get Yeah, we've gotta get a photo.
The second later, we've got to get a photo. It's like, no,
I just want to be in the pocket. I'm about
to ship my pants. There's a lot of to come
out of.
Speaker 4 (26:01):
There's so many you go through, so many bodily function waves,
and then amongst little moments of euphoria.
Speaker 7 (26:09):
Well, I always had the issue where some situations where
you be like, I don't really want to use the
toilet in this particular situation. So oftentimes I just I
live reasonably close to town I just taxi home, do
my eblutions, do I needed to do mid dance party,
then come back.
Speaker 4 (26:24):
That's a great move. Just reset and then once all
that's happened, you're just ready to go. You need that
to happen.
Speaker 5 (26:30):
If you invite a girl home for a ship.
Speaker 7 (26:34):
Just generally me and the old Dickoh that's a yes,
that's years on Alan Brake and Fred Folkey with that,
and that's such a great But I.
Speaker 1 (26:45):
Feel like you and Jeremy are in sync. I feel
today going with the music you're playing. It's just like
to see whenever you drop a tune, Jerry's a huge shittingeting.
Speaker 5 (26:54):
Drink covers Jerry's face.
Speaker 4 (26:57):
Jerry's actually one of these guys. I'm really surprized. I
didn't know. Right, we have quite a similar friend group
and would have been I reckon at the same parties.
Speaker 5 (27:11):
Oh you would have been.
Speaker 4 (27:11):
Yeah. So now it's there's very much. Yeah, you go.
Speaker 1 (27:18):
Both on TV, you're both in the similar friend groups,
you're both chewing your faces off each other, well, chewing
your face off yourself in the same clubs on k road.
Speaker 7 (27:29):
Well, to be fair, I can I can tell you
what was going, what was happening to me at that
particular time. I'm tooking your late nineties early two thousands.
Most of the time I couldn't I was so wasted
I couldn't see. Yeah, I don't even know what was happening. Sometimes.
I remember a lot of times looking around nightclubs and
people often looked like they were wearing glasses or had.
Speaker 4 (27:52):
I spent most of the.
Speaker 7 (27:53):
Sort of the late nineties looking at people's face and
mockl you were doing in the dark, like do I
know that person?
Speaker 4 (27:58):
Do I not know that business?
Speaker 5 (27:59):
You were too wasted to make new friends.
Speaker 4 (28:02):
I got thrown out of a club for what I
was wearing because it was I got given this like
at the time, friend was bringing in this brand called
Comte de Garson, and they do like beautiful stuff, but
it was like a striped shirt with another pattern on it.
And the bartender came up and went, you've got to
(28:22):
get out or change because you're ruining people, because he goes,
you were just triggering, flickering, and like I've had about
six people come up and mention your top.
Speaker 7 (28:37):
Yeah, well that was That's that's often the case. I mean,
I just remember looking around at certain times and you
couldn't work out whether that people's the chewing your face off.
There was a time when when Chewing your Face Off
first sort of started to really make its way into
the mainstream, and and things were slightly different then, But
(28:57):
before that, it was almost like it was very tribal.
There was a great divide, as Matt was saying before,
about people who were who were out for a drunk night,
and then you'd see the people who were still because
the lack of licensing laws were different, so so clubs
could be open forever, and so you'd be going back
to these clubs site. There was a club called Feel
that used to be on k Road, and that was
like a that was a post club club.
Speaker 1 (29:19):
There was at the Feel where you had to go
and look in the thing and they decided whether you
came in on the video camera.
Speaker 5 (29:23):
Yeah they never let me.
Speaker 7 (29:24):
In and yeah, and you'd sit around and then there's
people just sit around on the munt.
Speaker 4 (29:29):
Actually, do you know what.
Speaker 1 (29:29):
One time I was in this club in Feel, and
one of the few times I was a letter and
I was in there with Dom Bowden and we were
massively on the rints and I still sit there with
Graham Hill, and this guy wanted to fight Dom Bowden.
He wanted to fight Dom Ban and me. He was like,
you fucking he was really going on us. And then
Graham Hill came between us all and said, look, and
this is some supposed to be excuse exclusive club. You're
(29:51):
not supposed to be brawling in there. But anyway, came
between and he goes like, what I'll do as I've
got a plan. He said to Dom Bowden to come down.
Speaker 5 (29:57):
I've got a plan.
Speaker 1 (29:57):
Tom Bowden's not as he's a guy that he's not
a fight, he's a lover. And and and Graham Hell
came with his great plan. He goes, just leave it
with me, and he goes up to the guy and
he goes, Dom and Matt would like to buy you
a drink. And then and then what he did, and
then the guy goes and then so what Graham Hell
did is he bought the drink and then he put
it under the bar and he pissed in the drink,
(30:19):
so he filled it up.
Speaker 7 (30:22):
Diffuser, Well, the guy, especially the size of Graham help.
Speaker 5 (30:26):
Yeah, but the guy didn't see this. This is the
brilliance of the plan.
Speaker 1 (30:28):
And so then he gave it to dom Boud and
to bring the drink over and serve the drink to
the guy. So the guy was was he was like, oh,
these guys have bought me a drink. I'm not going
to fight them anymore. And we felt good because the
guy was drinking graham Hell's urine.
Speaker 4 (30:41):
A one diplomacy.
Speaker 1 (30:43):
Yeah, And so the whole situation was diffused, and then
people towed their face off into the deep, into the night,
deep into the way we've derailed with mice punishing story.
Speaker 5 (30:53):
Where are we?
Speaker 4 (30:54):
Well? Now, I'm actually going a bit. My final ones
very left field, but this one's a bit more left field.
Not not polarizing, but it's definitely it's a different sort
of vibe. It's a it's a house take on quite
a classic churn here. This is a ride like the
wind the classic the class Room Cross, yeah, and this
is the class remix of it. I think this falls
(31:15):
in my baseline situation again.
Speaker 7 (31:19):
I mean that's right, like the one, one of the
great tunes.
Speaker 4 (31:22):
And this for me sits around the three in the
morning thing where stuff's got started to get too heavy.
Then the DJ wants to just bring it back a bit.
So this start is a bit heavy. Then the vocal
comes in to chill it out of it. But it's
also when you've got a heavy speaker system, you're out it.
(31:44):
Like the Leslie Race Course. You're just chewing your face off,
going up and down the escalator and a loop for
two hours. Taken me back.
Speaker 5 (31:59):
Oh yeah, those are three fifty.
Speaker 4 (32:01):
This is three thirty eight. Gave us at three thirty eight. Absolutely,
lets me right up.
Speaker 8 (32:06):
The top of.
Speaker 7 (32:11):
The second one is really coming on at the stage.
Speaker 4 (32:13):
Yeah, put the crisp of the cross. That's so guys,
A pleasure having you.
Speaker 7 (32:32):
Yeah, I'll tell you what.
Speaker 1 (32:33):
That's so punchoppy. I think this is Semia.
Speaker 5 (32:37):
I actually hit it one off.
Speaker 4 (32:42):
Oh yeah, I remember going out to I actually first
met Dick Johnson at in Ellieslie Race Course. I'd I'd
party with nit d a lot and they were they
were close baddies and you need like I'd always respected
his music and when you meet someone and they are
an awesome person, it's such a win. Yeah. Well he
(33:06):
was part of he would have been playing.
Speaker 7 (33:07):
It would have been probably a light speed gego put
on by the old campaigner because he used to put
the mine out of Alsie Racecourse.
Speaker 4 (33:13):
I mean one of the greatest gigs I ever.
Speaker 7 (33:14):
Went to out there was Mark Forena, Mark Farina, Mark
Farina who played I'll Never Forget Once in a Lifetime
by talking Heads in the middle of this house set
(33:35):
and it was one of the one of the best
tunes I've ever heard.
Speaker 4 (33:38):
On the dance for the entire Allesleie race Course just
went completely crazy.
Speaker 1 (33:43):
He's a calendar, Mark, you know this song here and
this put that heading to the bar and paints that off.
Speaker 5 (33:52):
But oh yeah, and that feels good.
Speaker 4 (33:55):
It's not about pining it off.
Speaker 7 (33:56):
It's just about just hopefully not releasing everything in your pants.
Speaker 5 (34:00):
But there's the potential for this. The basis of.
Speaker 1 (34:03):
This song chriss Across right like the Wind being on
both the soft on playlist and you have.
Speaker 4 (34:10):
The soft on version, and yeah, that could be first
an absolute first for the and jury punishing the playlist.
Speaker 7 (34:18):
So this is a year from me here as well.
So far I got to say, you're really bringing it.
Speaker 4 (34:23):
So the last one is actually going to have to
come with a huge not a huge story, but a
big background because it is technically almost too soft for
a soft on playlist. Oh my God, and it can't
whoa So it comes. It comes with this caveat of
(34:43):
at the nightclub. We're at a place place on K Road.
Due to the story, I might not mention the caliber.
No it wasn't Calender, then con hear it. No, yeah,
next door to that.
Speaker 5 (35:00):
We're in there.
Speaker 4 (35:01):
Everyone's having a huge time. We start our night quite early.
Then all supplies ran dry. Someone puts the call out
from the bar guy. Someone comes in, does their delivery.
Then I'm sitting in the corner. I was having a
good night, so I hadn't had anything yet. I'm looking around.
(35:21):
People are dropping like flies. The DJ goes for a
cross fade, cross fades, then just falls over and so
big ketamine drop right whereas everyone thought they were two thousands.
Speaker 5 (35:42):
Okay, situation, this is.
Speaker 7 (35:44):
I vaguely feel like I may have remembered these particular things,
but the orange and were they sort of a slightly
strange show?
Speaker 5 (35:51):
They were?
Speaker 4 (35:51):
Actually? Yes, then I remember these strangely. The DJ claws
himself up and out of the bluep it's this tune
on and it brings everyone to the dance floor for
slow mo, the slowest motion chewing your face off ever.
It is Ronoco Flow by Inya. He claws himself up
(36:16):
and he put this on and then like Kennemine Zombies,
everyone just floated out of their chairs and just floated
and rebye. It'd been quite a heavy.
Speaker 5 (36:30):
That's a selector. He selected the exact right, chum.
Speaker 4 (36:33):
But what peace of mind when you've just cross faded
yourself into the dirt? Then you claorus and all his
hero is Ronoco Flow. And then I was sitting there
and then i'd because i'd sort of I've been going
pretty well, so I just went the sampler whereas people
(36:54):
are with it, chuck the whole thing down, and so
I asked right in the zone and the people are
just loading. We've gone from a hardhouse situation into and
now this is a song that sits with me. It
brings the all a wayway to me.
Speaker 7 (37:12):
This is I just imagine, is everybody dropping, everybody falling down,
and then this is just a This is a rebirth.
This is like springtime, isn't it?
Speaker 4 (37:20):
It was? It was like the Green Shoots, Yes, the
Green Shirts finding way.
Speaker 5 (37:25):
Going from an acorn into a tree.
Speaker 7 (37:27):
We'll find a way even on a dance floor and
k road on in a pit, it will.
Speaker 4 (37:31):
Find the light. Yeah, well, and this set me up.
Then when I see jang house parties, I always look
for a tune to drop that would be a resettion,
and often around two thirty three I go for portis Vola,
which is a very deep opera tune just to shut
(37:52):
something in. And then you'd initially get it, Oh what
is this mate? Then ah, and then it resets people
and rebirths them to get back into the face chewing.
And I think he pulled it out. He mixed in
at this point where it's just perfect to start getting
(38:14):
a few effects on it. Then he just bought in
a beautiful beat and would reset.
Speaker 7 (38:19):
What a journey it's been this morning with you die him.
It's really taken me back, and I'm sure it's taken
a whole lot of other people back as well.
Speaker 4 (38:27):
So this is even if it's not on the playlist,
it's just a reminder to everyone out there, have an
intermission every now and again if something goes down, like
the sound system goes down, reset with something like this.
Speaker 5 (38:42):
Well, do we dare to put this on both playlists
as well?
Speaker 4 (38:45):
Just I'd be very happy to have this on the playlist.
Speaker 1 (38:49):
You put it on both the soft on and on
the chew your face off. Jeez, die hen would you're
a great New Zealand really you've made that Friday.
Speaker 4 (38:58):
It's I mean, you guys on a beautiful operation here
and one of the highlights of two thousand and twenty
one has been been slipping and doing a bit more
stuff around Harek. So good have you even on the
on the league stuff and a bit of cricket commentary
here and there.
Speaker 5 (39:15):
And it's to tell it was so good.
Speaker 1 (39:17):
I mean, people don't understand what's happened, but it was
a mister Gorbachev tear down that wall situation and company.
Speaker 7 (39:25):
It sounds like the Molly's just starting to kicking arrows
in the and you were initially you were kept on
the other side of the iron curtain.
Speaker 5 (39:33):
From us for a long time, for a long time.
Speaker 1 (39:35):
And it's just great that we can come together and
the big corporations, a big corporation finally collapse to the
point where you were allowed to over here.
Speaker 4 (39:44):
Thanks for coming in. Diet always a pleasure. Have a
lovely weekend.
Speaker 5 (39:49):
Hello on Matt Heath.
Speaker 1 (39:50):
You have been listening to the Matt and Jerry Daily
bespoke podcast. Right now you can listen to our Radio
Highlights podcast, which you will absolutely get barred up anyway,
set to download, like, subscribe, write, review, all those great things.
It really helps myself and Jerry and to a lesser extent,
Messi and Ruder. If you want to discuss anything raised
in this pod, check out the Conclave, a Matt and
(40:11):
Jerry Facebook discussion group. And while I'm plugging stuff, my book,
A Lifeless Punishing Thirteen Ways to Love the Life You've
Got is out now get it.
Speaker 5 (40:19):
Wherever you get your books, or just google the bastard.
Anyway you seem busy, I'll let you go. Bless Blessed, blessed.
Give them a taste of keyw from me,
Get a wounders, Matt Heath here as we build up
to the final week of the Matten Jerry Show, the
victory lap slash mea culpa. I've put together a little
bit of a story of the history of the Matt
and Jerry Show on my time at Radiohodaki. You can
read it at Matdheath dot substack dot com. Maybe you
want to subscribe. It can be free if you want. Anyway, Blessed, Blessed, blessed,
(00:21):
give them a taste of Kiwi love you all, see
you next week.
Speaker 2 (00:27):
All right, Okay, we're recording in three two one, and
we're recording.
Speaker 3 (00:33):
Just like yesterday. We rarely shouldn't go into what we
were talking about just before the recording start.
Speaker 2 (00:39):
And why have we decided that the moment before we
start recording these intros to to to Mattie's most love moments?
Why is that just moments before we have some of
our hottest conversations of the day.
Speaker 3 (00:49):
But it's the same as the Matt and Jury Show
and the radio broadcast on the FM broadcast. It's true.
Speaker 2 (00:53):
The closer to the end of the song you get, yeah,
the more controversial the conversation off Here is.
Speaker 3 (00:57):
The other thing I'm finding now that I've been talking
abit more on that show this week. Yeah, as I'll
take a big swig of water or coffee just before
you tune. The MIC's on their MESHI ah okay, and
my god, the amount of times have been so glad
that you're the one that talks out of songs.
Speaker 2 (01:11):
Oh, I see what you're saying. So you've got enough
time by the time I go that was the Follies.
Ready a heartach twenty minutes past eight.
Speaker 3 (01:17):
Because if it was me, I'd be like, that was
the Fighter. Yeah, hey, it's meshing.
Speaker 2 (01:21):
Ready. Here, we're taking you through some of our first
Actually an apology to make yesterday. I forgot to hit
publish on yesterday's Maddie's Most Loved Moment episode.
Speaker 3 (01:32):
Fuck, they were on you, the Conclaver, the Conclavers, they.
Speaker 4 (01:35):
Were on me.
Speaker 2 (01:37):
I was out at a date night last night my
lovely partner Lauren, and my phone was firing up. But
once I got home, I hit publish. So that episode
from yesterday is now up. It was up by about
fifty I think it was last night. Now it is Friday, ruder,
Fuck is it it is? It is Friday? Monday, of course,
is going to be the victory lap. We're all fizzing
(01:57):
at the bung for that one. I can't to get
stuck in. But today's episode of Maddie's Most Loved Moments
is a no brainer. It's a Friday. It was the
first episode that Madi mentioned when I asked him what
are some of his most love moments from the Daily
Bespot podcasts of the past decade. This was the first
thing he said. So today, in the celebration of it
(02:17):
being Friday, we thought we'd take you back, yeah to.
Speaker 3 (02:20):
About twenty twenty one.
Speaker 2 (02:21):
I believe this podcast was first published.
Speaker 3 (02:23):
This is legendary. I didn't work on the Met and
Jury show.
Speaker 5 (02:27):
Was this pre ruder?
Speaker 3 (02:27):
A year was it when this was released? But it
ran quite a cutter across the whole country.
Speaker 2 (02:33):
So this is an episode of to your Face Off Fridays.
If you are new around here. This is when we
used to accumulate a whole bunch of songs before the
copyright laws really just took a grasp of our podcast.
Speaker 3 (02:44):
We used to just blast a.
Speaker 2 (02:45):
Whole bunch of listeners submitted house tunes and decide whether
or not they would make the met and Jury Show
to Your Face Off playlist, which was operating off Spotify.
Speaker 3 (02:52):
I have on good.
Speaker 2 (02:52):
Authority that the man Jury to Your Face Off playlist
still does exist.
Speaker 3 (02:56):
That's you know, that's a positive in the day and
age when people do a silly thing, they go through
podcasts and they go through YouTube clips. Yeah, look looking
for copyright infringements.
Speaker 4 (03:10):
Yep.
Speaker 6 (03:11):
It's nice in this day and age that we can
get away with something. Well, we're going to try to
get away with it. I'm not sure how it's going
to go. Oh good point, but we're going to upload
it and just kind of let things happen.
Speaker 2 (03:23):
Hopefully, the earlier listen to this, the more likely you
have of being able to make it the whole way
through before I don't know, just a crowd of lawyers
coming and tear.
Speaker 3 (03:30):
This episode down. Well, here we go, sore you.
Speaker 2 (03:32):
The Managery Show Show Your Face Off playlist is still up.
It hasn't it a song added to it in about
two years, which sounds about right that is when we
would have finished doing it. But it is one of
Maddie's most love moments for all the right reasons this podcast,
so do enjoy it. Anything else to Ed Reder, I
was just going to say, speaking of copyright infringement, let's
see if we can fuck off Phil Collins.
Speaker 3 (03:52):
Well, take a look at me now, there's just an
empty space.
Speaker 4 (04:00):
There's nothing left in to remind me.
Speaker 3 (04:04):
Ben net Phil Collins, just coming on your face.
Speaker 2 (04:11):
I mean, there's gonna be any Phil Collins and sadays
to your face Offpicial with Diehindra from twenty one.
Speaker 3 (04:17):
No is the answer to that.
Speaker 2 (04:18):
All right, Okay, that's it from us.
Speaker 3 (04:20):
You're done. I'm done.
Speaker 4 (04:23):
You're done.
Speaker 3 (04:24):
Phil Collins. Hic of a drummer.
Speaker 2 (04:26):
Yeah, he of a drummer?
Speaker 4 (04:27):
Rp.
Speaker 3 (04:29):
He's not dead, is he? God?
Speaker 4 (04:33):
Weird when you need them. Okay, enjoy the episode.
Speaker 2 (04:36):
We'll see you on Monday for the Managery Show.
Speaker 4 (04:38):
I got that.
Speaker 3 (04:39):
That took me a second, but I got it.
Speaker 2 (04:41):
We'll see how on Monday for the Managery Show, Victory.
Let look forward to it. Go well, love you all
very much, bespoke you dokies, and of course the podcast.
We'll be back in full forth next week. The We'll
be back and the show highlights. We'll be back for
one final week as well.
Speaker 3 (04:53):
Oh huge.
Speaker 2 (04:55):
Okay, enjoy your weekend.
Speaker 3 (04:57):
Well, that gives me tangles and goosebumps and shivers and spine.
Speaker 2 (05:00):
Speaking of goosebump tingles and shivers in my spine, this
activity on the conclave regarding what's happening next Friday after
the met in jury sho wraps up. I think we
need to be very careful about talking about this.
Speaker 3 (05:11):
Yes, that's exactly what I was going to say. Somehow
information has been leaked. Did we just say it last week?
Matt has said it. I think Matt originally said it
jokingly when he announced I was going to say for
a timement that he was leaving Radio Daki. Yeah, he
said they're going to be a big Friday at Prager.
Speaker 2 (05:26):
Yes, so look, if you do want to participate in
some kind of send off, we might see it on
Ponsby Road at some point.
Speaker 3 (05:33):
There's no way we're going to be at Praguer. He
was kidding.
Speaker 4 (05:35):
Oh was he?
Speaker 3 (05:36):
I reckon? He was kidding? Mate, you're winking at me.
I'm not just can't figure out why you'd be winking
at me about that? Yeah, I mean it does feel weird.
I'm not winking at you, mate.
Speaker 2 (05:44):
No, so we will. I just want to look, this
is if it's just a joke, If any of the
lawyers from me here are listening, we will not be.
Speaker 3 (05:54):
On Pons Road next Friday. It's just it was just
that was just a bit for radio, that's what they
call it.
Speaker 2 (06:00):
I just had to come on and clear that up
because there have been some stirs about concerns around what
might happen on Friday afternoon here in Auckland.
Speaker 3 (06:06):
Not going to happen.
Speaker 2 (06:07):
Just don't look, don't worry, that's all all.
Speaker 3 (06:11):
It's going to be smoking merry, a bit of a gig,
all right, shove up your stating.
Speaker 5 (06:19):
The podcast we have started.
Speaker 1 (06:21):
We've started a reportering. The podcast has started. I'm you familiar,
Die Hendwood with.
Speaker 5 (06:25):
Our new way we start the podcast.
Speaker 4 (06:28):
I am is this this sort of Vietnam Good morning Vietnam? Yeah, yeah,
good morning Vietnam slash Headless Chickens.
Speaker 5 (06:34):
Yeah, that's a very hurtful way to put it.
Speaker 4 (06:36):
But yeah, when I heard Headless Chickens, I mean I've
gone down a rabbit hole of em. They were very.
Speaker 1 (06:42):
Similar bands Ecstasy, Yeah, and they had the course went unbelievable.
Speaker 5 (06:49):
Actually, can we pull that up? Your unbelievable?
Speaker 4 (06:52):
That one? Yea chickens. Oh yes, that's sort of nineties.
There's a weird beat. Yes, that's right. It was like Jesus.
Speaker 5 (07:03):
They were like Jesus, unbelievable. They're like Jesus Jones, like
when they hear us, here's a song.
Speaker 4 (07:09):
Oh yeah, listen to their least.
Speaker 5 (07:11):
Their feat was compulsory and all songs in this.
Speaker 4 (07:13):
Era, I feel like every here less chickens. Yeah, and
had that beat.
Speaker 5 (07:17):
Oh my god, you're so right.
Speaker 4 (07:22):
Questions here so perfectly?
Speaker 5 (07:26):
Oh yeah, smart, Oh my god. The singer with a
sideways cat you could you could.
Speaker 7 (07:35):
Run a hand to this.
Speaker 1 (07:38):
Leave you got a full band with guitars and everything.
Speaker 5 (07:44):
You're not being played on.
Speaker 3 (07:45):
The song and the video.
Speaker 4 (07:47):
You're unbelievable. This is a good cat. Who this is
like a favorite to edit things too, like what now?
This the song would always be.
Speaker 7 (07:58):
They always have montages and stuff to the song on
what Now?
Speaker 1 (08:01):
One time the mother of my children, Oh are you
playing off something else?
Speaker 8 (08:06):
Oh?
Speaker 2 (08:06):
Well?
Speaker 1 (08:09):
And the mother and my children once came home and
this relates to this video because they're all wearing Vision streetwear.
When she came home and she was so excited. She
came in the door and she had bags of everything goes.
They found an old crate of Vision streetwear that had
been lost for like three decades, and they just found
it and somewhere in Auckland, and they opened up a
Vision Street where I'm pop up store with legit stuff
(08:33):
that had been sitting in storage. I don't know where this.
Speaker 5 (08:35):
Create had been.
Speaker 4 (08:37):
I was deep down the Vision Street where some of
my kids now, my kids, it's very deep. My kids
who are.
Speaker 1 (08:44):
Fourteen and eleven are just carveed and Vision streetwear because
she found all the stuff.
Speaker 5 (08:48):
And boy, they look like a mef. Now I'm seeing
the video.
Speaker 7 (08:50):
Vision the street where it doesn't sound as lame. It
sounds completely lame now, but it was not lame at
the time. It was a very cool Vision Street where
I mean the people it's called street where.
Speaker 4 (08:59):
Yeah, well it was I believe Mark Gonzales who started Vision.
He then got kicked out of his own brand and
started Blind.
Speaker 5 (09:06):
Skateboards, right, is that right?
Speaker 4 (09:09):
Give me in here for esoteric skateboard brand knowledge.
Speaker 5 (09:13):
Yeah, yeah, let's go. Let's kick this off with a year.
Speaker 4 (09:16):
Sure, there we go.
Speaker 5 (09:17):
Are we going with Chris Riha or are we going
with unbelievable christ Rea?
Speaker 3 (09:20):
Oh?
Speaker 4 (09:30):
So chew your face off, special words, special guest. Oh,
it's a pleasure to be here. And you bought a
little baggy of tunes. I have brought a little baggy
of chuns, pre pre wrapped as well, so there would
be no mucking around on the dance floor.
Speaker 1 (09:48):
We get stuck in do we want to run meshes
parnishing dmind? Or should we get messioned to do it
an a cappella like a verbal, like a manual admind.
Speaker 7 (09:55):
Let's not lower the vibe and bring mession here. I
can come. I think we can just sort of Plash's
little little thing that he's put together.
Speaker 5 (10:03):
It's pretty aggressive.
Speaker 4 (10:04):
Okay, here we go.
Speaker 8 (10:05):
If it's time for Matt and Jerry's to your Face
Off Fridays, this is where we put songs that have
been submitted by you to the panel, all with the
aim to make the official to your Face Off flayliss.
You can submit songs for future episodes by sliding into
the Matt and Jerry Show in box or email us
(10:26):
at Matt and Jerry at yahoo dot com. Search Radio
how Rocky on Spotify to find the songs that have
made the cut so far. Now let's catch you in.
Speaker 5 (10:39):
I feel like we've lost a lot of them mint
and we grew, we built up with the Rye. But
that's that's all right. Now we know what we're doing here.
Speaker 7 (10:45):
Okay, So we're gonna You've brought in a little baggie
off tunes and we're gonna listen to those chunes that
are where or not they make the playlist?
Speaker 4 (10:53):
So is it me me?
Speaker 5 (10:55):
Uh?
Speaker 7 (10:56):
Well, you you obviously want them to make the playlist,
so you're going to write you on all of us.
Speaker 4 (11:00):
The thing is, I'm I'm open to discussion on these tunes.
I rate these tunes where they make the playlist or not.
I come from a lineage of face chewing. I started
my face chewing as a young A young man too,
I seen. I actually sent Banger a sample of my
first face chewing tune which got the response was a
(11:23):
bit too hard for the playlist there. But apparently German
techno is not first on the list. No. And this
I started warehouses in Wellington. This guy called Thomas Heckman,
who is a techno sort of trance guy, came over
in a very New Zealand phase. He got up on
stage just as he started these two homies, jumped the fence,
(11:46):
Nicholas keyboard and took off the gig got can and
just the local DJs.
Speaker 7 (11:56):
Wow, so you were you were, Yeah, you're back in
the We're talking the nineties here when it was smart drinks.
Speaker 4 (12:02):
They were really trying to push was smart drinks.
Speaker 7 (12:05):
Mid ninety smart drinks, electronic music and you're chewing your
face off? Was It was a real alternative in those days.
Speaker 5 (12:14):
It was interesting.
Speaker 4 (12:15):
Was quite a different and quite a different sort of
a group.
Speaker 1 (12:18):
Janeden when everyone had to come together. There was this
weird cross off between people that want to chew their
face off and just dickhead drunks on beer like me
that wanted guns and roses.
Speaker 5 (12:28):
Back on the stereo.
Speaker 4 (12:29):
Oh, yes see that's okay, Welly. Was Wellington have jumped
on board? The chewing your face off started more in
a psychedelic situation, Yeah, Wellington. And it was more like
we all have the same playlist playlist on a walkman
like tape that had been dub we put it on.
(12:50):
We'd take take a bit of psychedelics, wait for them
to come on, then run through the forest with the
same playlist on that. It was it's a great vibe.
That's a really good vibe.
Speaker 5 (13:04):
I love that. I'll tell you all this great vibe.
Speaker 1 (13:05):
Here the lasers meshre set up some new laser lights
and you're being cut to pieces by lasers.
Speaker 4 (13:11):
I don't want to look left because you could take
down multiple aircraft that we need.
Speaker 1 (13:17):
To get a welding visor in here for if we could.
Speaker 4 (13:21):
Okay, so let's go.
Speaker 5 (13:22):
Can we not?
Speaker 1 (13:23):
Can we not hear your first one, the one that
you know that that being are rejected?
Speaker 4 (13:26):
Oh you see if you it is it is called amphetamine.
You only actually need to hear about about about thirty
seconds to get to get the vibe and fetamine by
drax d R A X. And this was sort of
it was when trance was quite uplifting. You see it
(13:49):
starts off like this.
Speaker 5 (13:51):
Jesus is terrifying.
Speaker 4 (13:52):
When the beat comes in and this is when you're
seeing it's quite low. But then the beat is not
sells this song. It's coming up very shortly. Breathe out
for it because this is where swelling happens in your heart.
And then this is I this is real get of
(14:24):
a shed, need to the railway station. I remember this.
Speaker 7 (14:28):
This is this is plea used to play this at
the brain, please, to have these geeks called the brain
and all times.
Speaker 4 (14:34):
But then I've seen way out of that and for
you now then I got into just a really nice
chewing your face off. Have I moved up to Auckland
in my early twenties.
Speaker 1 (14:43):
Before we moved up to Auckland, Can I just play
a tune and see if whether you respect this tune
at all?
Speaker 3 (14:48):
Here?
Speaker 5 (14:53):
I feel it's a similar era.
Speaker 4 (14:56):
I'll see it. It's almost got too much going on.
I ever, then you've got that just too much harsh keys.
Speaker 7 (15:14):
This is this was absolutely at the brain. This general
Lee would have been cranking this.
Speaker 4 (15:22):
Yees see, this had got around one o'clock in the morning,
gone to.
Speaker 5 (15:26):
Anyway, Sorry, you know, let's go back to your story,
so I interrupted.
Speaker 4 (15:29):
So then moved to Auckland and I was living out
at pih and there was a really good crew of
house DJs out at Peter and a few people that
would make their own situations.
Speaker 5 (15:42):
What do you mean they're running labs?
Speaker 1 (15:43):
Yeah, you need to ask that question.
Speaker 4 (15:48):
And then we're coming would party around town. You know,
Galatos was going off at that stage, all the various
sort of dance parties and then we go back to
pH and that insula did the downstairs barn area and
you'd open it up and then we'd have about forty
or fifty people who continue on there through a Sunday.
(16:09):
Oh yeah, here we go and and this is this
is where I sort of got really into Ian Pooley
at the time, and he wrote a chump. Yeah. He
used to go out. He would go out there and
here party out there and sort of your legends like
your Dick Johnson's and so forth. And this is where
my first tune's actually an im Pooley Remax Body and
(16:30):
Soul by Mattio and Martos.
Speaker 7 (16:32):
Oh, this is a great tune and interesting that I met.
I hung out with the Empoulie out in pr because
my friend Chuizodonica used to used to do all the
lightspeed gigs, oh did he?
Speaker 4 (16:42):
Yeah?
Speaker 7 (16:42):
And he used to bring Ian ply gentleman. He is
a lovely gentleman and the old campaigner. And he he
bought Dick Johnson over. He bought all of these paper
records guys over.
Speaker 4 (16:53):
Yeah.
Speaker 7 (16:54):
And Ian Pooley what a great New Zealander.
Speaker 4 (16:56):
He is lovely guy. Holl you what I like about
this as it's good for going about your work. It's
got like a bit of a metronome to get yourself
and do.
Speaker 1 (17:06):
You take a lot a lot of space on the
dance for God him? Are you in your pocket? You're
sort of an early shuffler. Hands my legs out.
Speaker 4 (17:16):
Occasionally I like to get a get a bit of
almost a tie cheese sort of creating the space.
Speaker 7 (17:23):
You look like you sort of also you look like
you you get the arms out wide, like you're dancing
with a particularly o beast person.
Speaker 4 (17:30):
Yeah. All like I love the bus driver the bog
where you're just really fondling the wheel before they go.
Speaker 1 (17:36):
Well, when we get guests and on the chew your
face off special and you are the first that we
had had.
Speaker 5 (17:43):
We always get.
Speaker 1 (17:44):
Them just to show some moves and the laser lights
and we'll just try and get a little bit video
there if we could before the end mash did you
sort that out piece?
Speaker 4 (17:51):
Absolutely? Maybe with the with the lasers coming. I don't
want to choreograph mashes video. Yeah, and see now that's
open up. Yeah, here we go.
Speaker 5 (18:02):
This is a yus for me.
Speaker 4 (18:04):
Oh yeah, that's here we go go on. See this
is then this is a sort of I like to
I like to break the night up. There's the first
get to the club part where run's too excited. They
might have had a bit too much stuff early. They're
trying to get stuff, they're trying to get a couple
of drinks, and you haven't found your spot on the
(18:24):
dance floor. Then there's there about midnight when this sort
of stuff's coming on, and then you start really going
about your work.
Speaker 1 (18:32):
This is when you start thinking this is a really
good night You're thinking, oh my god, this is this
is actually a really good night out.
Speaker 4 (18:39):
This is I've picked the right spot. Yeah, I'm sort
of cruising around. And then you're willing to go a
bit deeper because you've sectioned off your area with you
and your mate. You know who to look out for,
who not to look out for, who how to look
out for?
Speaker 7 (18:53):
The undercover of cops with the mustaches and a swinging
bly trying to grab some gear off you.
Speaker 5 (18:59):
Yeah, let's go, Yeah, let's go on this one.
Speaker 7 (19:02):
For sure, this is only the beginning of us too,
because it cranks him with the vocal.
Speaker 4 (19:07):
Yeah, I think this is a sign of a good
house tume. What I've enjoyed from you Jerry is looking
at times of house tunes because that definitely breaks down
whether it's a commercial banger or not. Yeah, like a
tune sort of goes for your six seven minutes and
really works its.
Speaker 7 (19:26):
Way up, absolutely, and it should have little bits and
pieces which mean, you know, opportunities to mix in with
different songs and bring in vocal parts.
Speaker 5 (19:34):
Hey Die, you know mass you know I do.
Speaker 4 (19:37):
I've done a couple of he was producing a big
show I did.
Speaker 5 (19:42):
Oh yeah, yeah, he's a great New Zealander.
Speaker 4 (19:45):
That's where I first learned about the blue light that
goes on when you're off air.
Speaker 5 (19:49):
Oh right, yeah, that's an important one there.
Speaker 4 (19:51):
And he's also produced the Mad Monday podcast because he
was a bit under the under the sleep radar from was.
Speaker 5 (19:59):
He was getting his testicle drain one or other.
Speaker 4 (20:03):
Yeah no, I'm just waiting for the breakdown here. How
long has this song got to go back?
Speaker 5 (20:06):
And it's got another three minutes?
Speaker 4 (20:08):
Okay.
Speaker 7 (20:09):
I feel like at one point there's a bit where
the beat drops away and we'd move just to the
vocal on its own before bringing the beat back in again.
I think it's coming up soon.
Speaker 4 (20:19):
Oh, listen to that, And I love someone just freestyling
on a on a saddle organ.
Speaker 7 (20:27):
So this is the Matteo matteos im Poorlie's soul max
of body and soul.
Speaker 4 (20:32):
Here we go. Yeah, this is a great chourn.
Speaker 7 (20:39):
This absolutely one hundred percent will sit very, very comfortably
in the suite of other songs on the.
Speaker 4 (20:44):
Mat and Jerry show. Yeah, chew your face off.
Speaker 5 (20:48):
You wouldn't even notice it.
Speaker 4 (20:51):
Yeah, this is a big head on the dance floor.
Speaker 7 (20:53):
Say around about nineteen ninety ninety nine.
Speaker 5 (20:57):
You your thoughts on this, Meshy.
Speaker 4 (21:00):
Yeah, I love this.
Speaker 3 (21:00):
I'm a massive supporter of doting with those.
Speaker 4 (21:02):
Thank you here we go, Here we go, Here we go,
turn it up being.
Speaker 2 (21:10):
This is good.
Speaker 7 (21:11):
This is when you close your eyes and you really
feel what's coming up inside.
Speaker 4 (21:14):
And you open them and the DJ's doing excessive tweaking
to pretend they actually produced the June tune. All right,
that's definitely on the list that she goes. Now we're
into Ellan Braken, Fred Foulkey. Yeah, Yeah, this is called intro.
(21:36):
There was a twelve inch because I am I was
a bit in the house. Djang Buzz Djang was where
I sort of started out my situation and this was
one of my favorites, but really hard to mix in.
For some reason, there was something about this feet and
baselines are what I like in chunes and this baseline
(21:57):
that when I talk about going about your work, a
baseline line just keeps you're driving, you know, a little
bit of a fuzzy beat here. You're like, oh, yeah,
is it going to get him? Here? Is it gonna
pull back? Hey, this baseline will sort our Daddy's a
little cashew, I'll tell you that. Yeah, it's a It's
(22:21):
an engorging baseline when you really just need it because
it sort of pulls itself back.
Speaker 5 (22:28):
Look, you called this.
Speaker 4 (22:29):
As you go about your work, you find out.
Speaker 5 (22:31):
You're in You're in your pocket. Oh no, this is.
Speaker 4 (22:41):
Oh this is the baseline.
Speaker 8 (22:43):
We went this up.
Speaker 4 (22:46):
You get a bit of a float around. This is
like I'm getting up, I'm getting up off.
Speaker 7 (22:51):
As soon as you get out, you go, now's my
going to head the dark floor? Because this has got
a stalking baseline.
Speaker 9 (23:03):
Oh yeah, anybody, and then you when you don't know
(23:26):
whether the endorphins are just coming from you.
Speaker 4 (23:29):
This is also the decision where you might go, I'm
even such a good time, I'm gonna double down.
Speaker 7 (23:38):
It's got that heavenly givenly vocal in the background, which
is so beautiful.
Speaker 4 (23:43):
It's got your driving base here with the floating that's
gonna double down. And then you go, should we go,
let's go again, and they're like no, we only went
again like half an hour ago, and you go no.
Then me end up vomited. Yeah, it's in the cubicle
(24:03):
by yourself. This couldn't be more years for me. I
think basslines are those things that I always wish I
could write, like because you only really need to write
(24:24):
about eight notes. Yeah, yeah, eight to sixteen notes.
Speaker 5 (24:27):
Well, I mean these are all variations on another one.
Speaker 1 (24:30):
Boats at ust oh yeah, but great florish at the end,
got a meal, I by myself alone at home a lot.
Speaker 5 (24:41):
I plug in a bass guitar.
Speaker 1 (24:43):
Put down a feet and I just come up with
the funkiest bass lines ever written.
Speaker 5 (24:47):
And I record them when I listen to the back and
they're so shit. The next day.
Speaker 4 (24:59):
Oh, there was such a I really enjoyed the early
two thousands as a partying time in Auckland.
Speaker 10 (25:05):
Yeah, it also was pre cameras and that so yeah,
but it was pre cameras, so it was a very
free time. It was a very free.
Speaker 4 (25:20):
Time in a nightclub.
Speaker 7 (25:21):
You could quietly gurn you away into a corner somewhere
and nobody would.
Speaker 4 (25:26):
Be the wiser.
Speaker 5 (25:31):
Yeah, and nights says to be. I don't want it
to sound too nostalgia, but.
Speaker 1 (25:36):
It was a bit of time when you constantly went
been grabbed by a bunch of people to either people
you don't know, all people that you do know, for
a photo opportunity to to.
Speaker 5 (25:44):
Document the night.
Speaker 4 (25:45):
It was near.
Speaker 1 (25:46):
It wasn't about documenting about the night. It was about
being in the night. I was like, you done get
to We've gotta.
Speaker 5 (25:50):
Get Photo'm gonta get Yeah, we've gotta get a photo.
The second later, we've got to get a photo. It's like, no,
I just want to be in the pocket. I'm about
to ship my pants. There's a lot of to come
out of.
Speaker 4 (26:01):
There's so many you go through, so many bodily function waves,
and then amongst little moments of euphoria.
Speaker 7 (26:09):
Well, I always had the issue where some situations where
you be like, I don't really want to use the
toilet in this particular situation. So oftentimes I just I
live reasonably close to town I just taxi home, do
my eblutions, do I needed to do mid dance party,
then come back.
Speaker 4 (26:24):
That's a great move. Just reset and then once all
that's happened, you're just ready to go. You need that
to happen.
Speaker 5 (26:30):
If you invite a girl home for a ship.
Speaker 7 (26:34):
Just generally me and the old Dickoh that's a yes,
that's years on Alan Brake and Fred Folkey with that,
and that's such a great But I.
Speaker 1 (26:45):
Feel like you and Jeremy are in sync. I feel
today going with the music you're playing. It's just like
to see whenever you drop a tune, Jerry's a huge shittingeting.
Speaker 5 (26:54):
Drink covers Jerry's face.
Speaker 4 (26:57):
Jerry's actually one of these guys. I'm really surprized. I
didn't know. Right, we have quite a similar friend group
and would have been I reckon at the same parties.
Speaker 5 (27:11):
Oh you would have been.
Speaker 4 (27:11):
Yeah. So now it's there's very much. Yeah, you go.
Speaker 1 (27:18):
Both on TV, you're both in the similar friend groups,
you're both chewing your faces off each other, well, chewing
your face off yourself in the same clubs on k road.
Speaker 7 (27:29):
Well, to be fair, I can I can tell you
what was going, what was happening to me at that
particular time. I'm tooking your late nineties early two thousands.
Most of the time I couldn't I was so wasted
I couldn't see. Yeah, I don't even know what was happening. Sometimes.
I remember a lot of times looking around nightclubs and
people often looked like they were wearing glasses or had.
Speaker 4 (27:52):
I spent most of the.
Speaker 7 (27:53):
Sort of the late nineties looking at people's face and
mockl you were doing in the dark, like do I
know that person?
Speaker 4 (27:58):
Do I not know that business?
Speaker 5 (27:59):
You were too wasted to make new friends.
Speaker 4 (28:02):
I got thrown out of a club for what I
was wearing because it was I got given this like
at the time, friend was bringing in this brand called
Comte de Garson, and they do like beautiful stuff, but
it was like a striped shirt with another pattern on it.
And the bartender came up and went, you've got to
(28:22):
get out or change because you're ruining people, because he goes,
you were just triggering, flickering, and like I've had about
six people come up and mention your top.
Speaker 7 (28:37):
Yeah, well that was That's that's often the case. I mean,
I just remember looking around at certain times and you
couldn't work out whether that people's the chewing your face off.
There was a time when when Chewing your Face Off
first sort of started to really make its way into
the mainstream, and and things were slightly different then, But
(28:57):
before that, it was almost like it was very tribal.
There was a great divide, as Matt was saying before,
about people who were who were out for a drunk night,
and then you'd see the people who were still because
the lack of licensing laws were different, so so clubs
could be open forever, and so you'd be going back
to these clubs site. There was a club called Feel
that used to be on k Road, and that was
like a that was a post club club.
Speaker 1 (29:19):
There was at the Feel where you had to go
and look in the thing and they decided whether you
came in on the video camera.
Speaker 5 (29:23):
Yeah they never let me.
Speaker 7 (29:24):
In and yeah, and you'd sit around and then there's
people just sit around on the munt.
Speaker 4 (29:29):
Actually, do you know what.
Speaker 1 (29:29):
One time I was in this club in Feel, and
one of the few times I was a letter and
I was in there with Dom Bowden and we were
massively on the rints and I still sit there with
Graham Hill, and this guy wanted to fight Dom Bowden.
He wanted to fight Dom Ban and me. He was like,
you fucking he was really going on us. And then
Graham Hill came between us all and said, look, and
this is some supposed to be excuse exclusive club. You're
(29:51):
not supposed to be brawling in there. But anyway, came
between and he goes like, what I'll do as I've
got a plan. He said to Dom Bowden to come down.
Speaker 5 (29:57):
I've got a plan.
Speaker 1 (29:57):
Tom Bowden's not as he's a guy that he's not
a fight, he's a lover. And and and Graham Hell
came with his great plan. He goes, just leave it
with me, and he goes up to the guy and
he goes, Dom and Matt would like to buy you
a drink. And then and then what he did, and
then the guy goes and then so what Graham Hell
did is he bought the drink and then he put
it under the bar and he pissed in the drink,
(30:19):
so he filled it up.
Speaker 7 (30:22):
Diffuser, Well, the guy, especially the size of Graham help.
Speaker 5 (30:26):
Yeah, but the guy didn't see this. This is the
brilliance of the plan.
Speaker 1 (30:28):
And so then he gave it to dom Boud and
to bring the drink over and serve the drink to
the guy. So the guy was was he was like, oh,
these guys have bought me a drink. I'm not going
to fight them anymore. And we felt good because the
guy was drinking graham Hell's urine.
Speaker 4 (30:41):
A one diplomacy.
Speaker 1 (30:43):
Yeah, And so the whole situation was diffused, and then
people towed their face off into the deep, into the night,
deep into the way we've derailed with mice punishing story.
Speaker 5 (30:53):
Where are we?
Speaker 4 (30:54):
Well? Now, I'm actually going a bit. My final ones
very left field, but this one's a bit more left field.
Not not polarizing, but it's definitely it's a different sort
of vibe. It's a it's a house take on quite
a classic churn here. This is a ride like the
wind the classic the class Room Cross, yeah, and this
is the class remix of it. I think this falls
(31:15):
in my baseline situation again.
Speaker 7 (31:19):
I mean that's right, like the one, one of the
great tunes.
Speaker 4 (31:22):
And this for me sits around the three in the
morning thing where stuff's got started to get too heavy.
Then the DJ wants to just bring it back a bit.
So this start is a bit heavy. Then the vocal
comes in to chill it out of it. But it's
also when you've got a heavy speaker system, you're out it.
(31:44):
Like the Leslie Race Course. You're just chewing your face off,
going up and down the escalator and a loop for
two hours. Taken me back.
Speaker 5 (31:59):
Oh yeah, those are three fifty.
Speaker 4 (32:01):
This is three thirty eight. Gave us at three thirty eight. Absolutely,
lets me right up.
Speaker 8 (32:06):
The top of.
Speaker 7 (32:11):
The second one is really coming on at the stage.
Speaker 4 (32:13):
Yeah, put the crisp of the cross. That's so guys,
A pleasure having you.
Speaker 7 (32:32):
Yeah, I'll tell you what.
Speaker 1 (32:33):
That's so punchoppy. I think this is Semia.
Speaker 5 (32:37):
I actually hit it one off.
Speaker 4 (32:42):
Oh yeah, I remember going out to I actually first
met Dick Johnson at in Ellieslie Race Course. I'd I'd
party with nit d a lot and they were they
were close baddies and you need like I'd always respected
his music and when you meet someone and they are
an awesome person, it's such a win. Yeah. Well he
(33:06):
was part of he would have been playing.
Speaker 7 (33:07):
It would have been probably a light speed gego put
on by the old campaigner because he used to put
the mine out of Alsie Racecourse.
Speaker 4 (33:13):
I mean one of the greatest gigs I ever.
Speaker 7 (33:14):
Went to out there was Mark Forena, Mark Farina, Mark
Farina who played I'll Never Forget Once in a Lifetime
by talking Heads in the middle of this house set
(33:35):
and it was one of the one of the best
tunes I've ever heard.
Speaker 4 (33:38):
On the dance for the entire Allesleie race Course just
went completely crazy.
Speaker 1 (33:43):
He's a calendar, Mark, you know this song here and
this put that heading to the bar and paints that off.
Speaker 5 (33:52):
But oh yeah, and that feels good.
Speaker 4 (33:55):
It's not about pining it off.
Speaker 7 (33:56):
It's just about just hopefully not releasing everything in your pants.
Speaker 5 (34:00):
But there's the potential for this. The basis of.
Speaker 1 (34:03):
This song chriss Across right like the Wind being on
both the soft on playlist and you have.
Speaker 4 (34:10):
The soft on version, and yeah, that could be first
an absolute first for the and jury punishing the playlist.
Speaker 7 (34:18):
So this is a year from me here as well.
So far I got to say, you're really bringing it.
Speaker 4 (34:23):
So the last one is actually going to have to
come with a huge not a huge story, but a
big background because it is technically almost too soft for
a soft on playlist. Oh my God, and it can't
whoa So it comes. It comes with this caveat of
(34:43):
at the nightclub. We're at a place place on K Road.
Due to the story, I might not mention the caliber.
No it wasn't Calender, then con hear it. No, yeah,
next door to that.
Speaker 5 (35:00):
We're in there.
Speaker 4 (35:01):
Everyone's having a huge time. We start our night quite early.
Then all supplies ran dry. Someone puts the call out
from the bar guy. Someone comes in, does their delivery.
Then I'm sitting in the corner. I was having a
good night, so I hadn't had anything yet. I'm looking around.
(35:21):
People are dropping like flies. The DJ goes for a
cross fade, cross fades, then just falls over and so
big ketamine drop right whereas everyone thought they were two thousands.
Speaker 5 (35:42):
Okay, situation, this is.
Speaker 7 (35:44):
I vaguely feel like I may have remembered these particular things,
but the orange and were they sort of a slightly
strange show?
Speaker 5 (35:51):
They were?
Speaker 4 (35:51):
Actually? Yes, then I remember these strangely. The DJ claws
himself up and out of the bluep it's this tune
on and it brings everyone to the dance floor for
slow mo, the slowest motion chewing your face off ever.
It is Ronoco Flow by Inya. He claws himself up
(36:16):
and he put this on and then like Kennemine Zombies,
everyone just floated out of their chairs and just floated
and rebye. It'd been quite a heavy.
Speaker 5 (36:30):
That's a selector. He selected the exact right, chum.
Speaker 4 (36:33):
But what peace of mind when you've just cross faded
yourself into the dirt? Then you claorus and all his
hero is Ronoco Flow. And then I was sitting there
and then i'd because i'd sort of I've been going
pretty well, so I just went the sampler whereas people
(36:54):
are with it, chuck the whole thing down, and so
I asked right in the zone and the people are
just loading. We've gone from a hardhouse situation into and
now this is a song that sits with me. It
brings the all a wayway to me.
Speaker 7 (37:12):
This is I just imagine, is everybody dropping, everybody falling down,
and then this is just a This is a rebirth.
This is like springtime, isn't it?
Speaker 4 (37:20):
It was? It was like the Green Shoots, Yes, the
Green Shirts finding way.
Speaker 5 (37:25):
Going from an acorn into a tree.
Speaker 7 (37:27):
We'll find a way even on a dance floor and
k road on in a pit, it will.
Speaker 4 (37:31):
Find the light. Yeah, well, and this set me up.
Then when I see jang house parties, I always look
for a tune to drop that would be a resettion,
and often around two thirty three I go for portis Vola,
which is a very deep opera tune just to shut
(37:52):
something in. And then you'd initially get it, Oh what
is this mate? Then ah, and then it resets people
and rebirths them to get back into the face chewing.
And I think he pulled it out. He mixed in
at this point where it's just perfect to start getting
(38:14):
a few effects on it. Then he just bought in
a beautiful beat and would reset.
Speaker 7 (38:19):
What a journey it's been this morning with you die him.
It's really taken me back, and I'm sure it's taken
a whole lot of other people back as well.
Speaker 4 (38:27):
So this is even if it's not on the playlist,
it's just a reminder to everyone out there, have an
intermission every now and again if something goes down, like
the sound system goes down, reset with something like this.
Speaker 5 (38:42):
Well, do we dare to put this on both playlists
as well?
Speaker 4 (38:45):
Just I'd be very happy to have this on the playlist.
Speaker 1 (38:49):
You put it on both the soft on and on
the chew your face off. Jeez, die hen would you're
a great New Zealand really you've made that Friday.
Speaker 4 (38:58):
It's I mean, you guys on a beautiful operation here
and one of the highlights of two thousand and twenty
one has been been slipping and doing a bit more
stuff around Harek. So good have you even on the
on the league stuff and a bit of cricket commentary
here and there.
Speaker 5 (39:15):
And it's to tell it was so good.
Speaker 1 (39:17):
I mean, people don't understand what's happened, but it was
a mister Gorbachev tear down that wall situation and company.
Speaker 7 (39:25):
It sounds like the Molly's just starting to kicking arrows
in the and you were initially you were kept on
the other side of the iron curtain.
Speaker 5 (39:33):
From us for a long time, for a long time.
Speaker 1 (39:35):
And it's just great that we can come together and
the big corporations, a big corporation finally collapse to the
point where you were allowed to over here.
Speaker 4 (39:44):
Thanks for coming in. Diet always a pleasure. Have a
lovely weekend.
Speaker 5 (39:49):
Hello on Matt Heath.
Speaker 1 (39:50):
You have been listening to the Matt and Jerry Daily
bespoke podcast. Right now you can listen to our Radio
Highlights podcast, which you will absolutely get barred up anyway,
set to download, like, subscribe, write, review, all those great things.
It really helps myself and Jerry and to a lesser extent,
Messi and Ruder. If you want to discuss anything raised
in this pod, check out the Conclave, a Matt and
(40:11):
Jerry Facebook discussion group. And while I'm plugging stuff, my book,
A Lifeless Punishing Thirteen Ways to Love the Life You've
Got is out now get it.
Speaker 5 (40:19):
Wherever you get your books, or just google the bastard.
Anyway you seem busy, I'll let you go. Bless Blessed, blessed.
Give them a taste of keyw from me,
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