Episode Transcript
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Speaker 1 (00:00):
Top ten answers are on the board the best long.
Speaker 2 (00:05):
Songs of all time. Let me give you some parameters.
Song must be at least eight minutes long.
Speaker 1 (00:18):
And and.
Speaker 2 (00:21):
What why'd you just throw a pet?
Speaker 3 (00:24):
I didn't throw pen, I dropped it.
Speaker 2 (00:28):
We're going to have to it says.
Speaker 1 (00:33):
What counts as a long song rather than just a
long piece of music. We're going to have to disregard
a lot of jazz and electronic music because extended solos
and long stretches of repetition, respectively, make eight minutes unexceptional
for them. Also, songs can't be long just because they
(00:57):
have an extended instrumental section tacked into them.
Speaker 2 (01:01):
For example, free Bird was when.
Speaker 4 (01:04):
I wrote down that was one of the ones I
thought of too. A true long it's longer in eight
minutes long.
Speaker 1 (01:11):
A truly great long song is a song all the
way through, whether that means it's constructed of different sections
or simply the same section extended to a truly heroic length.
Speaker 4 (01:30):
Free Bird, by the way, is nine oh eight.
Speaker 3 (01:31):
Oh okay.
Speaker 2 (01:33):
Top ten answers are on the board. Hit it.
Speaker 1 (01:35):
So this is a weird criteria because no had guitar solo.
Speaker 4 (01:41):
How do you know if it's going on too long.
Speaker 3 (01:43):
Yeah, the.
Speaker 4 (01:45):
Actually, I will say this is another one I thought of.
I bet is not on this list based on your rules. Yeah, okay,
and it's one that people often cite as being this
crazy long song. It's funny to play it on a
jukebox indvida.
Speaker 2 (01:57):
Yes, not on the list.
Speaker 4 (01:58):
Because of your rules. Yes, but that is a great
long song, just not on.
Speaker 1 (02:04):
Yes, it is a great long song, but it's it's
a great No. No, it's not a great long song.
It's a great long piece of music, just like Freebird
is a great long piece of music.
Speaker 4 (02:16):
It's like one of the best songs ever, which one
free Bird?
Speaker 2 (02:20):
I agree? Not a song piece of music, that's why.
Speaker 1 (02:24):
And don't like like the the like don't get Me in.
Speaker 2 (02:27):
Don't get me into all like I can't. I can
like jazz songs and stuff like that. No, because it's
not a song.
Speaker 3 (02:37):
Right, go ahead, Layla, Layla.
Speaker 2 (02:44):
I don't even think Layla's eight minutes long.
Speaker 3 (02:46):
It's not.
Speaker 2 (02:47):
I don't know.
Speaker 4 (02:52):
Dim that sounded like you were having a medical emergency.
Speaker 3 (02:57):
Well I thought that was a good guess.
Speaker 2 (02:58):
No it's not. It doesn't even mean that.
Speaker 1 (03:00):
I thought if anything we would debate over whether it's
a piece of music or a song, but it wasn't
even that.
Speaker 4 (03:06):
I've got one. I think, is this artist a your
favorite song from this I guess that might be a
piece of music, but your favorite tune from this musician
as well, So it's all the things going on, so it's.
Speaker 2 (03:20):
One of my favorite.
Speaker 4 (03:21):
I think you said this is your favorite song by
this artist. Okay, Funeral for a Friend, love Lies Bleeding
Elton John. I'm guessing that's not on the list.
Speaker 2 (03:34):
Piece of music.
Speaker 4 (03:36):
Yeah, don't you love that song? Sorry, don't you love
that piece of music?
Speaker 1 (03:40):
I do, but it's not my favorite. I thought you did,
no mad hatters. Oh okay, how long is how long
is that?
Speaker 5 (03:49):
What?
Speaker 4 (03:49):
Funeral for a Friend?
Speaker 2 (03:50):
Yeah?
Speaker 4 (03:52):
I gotta look it up. It is eleven oh seven ooh.
Speaker 2 (03:56):
But again, that's just that's just an extended piece of music.
Speaker 3 (04:00):
A Stairway to Heaven, say again, Stairway to Heaven eight minutes?
Speaker 2 (04:05):
Okay, are you giving an answer? You guessing an answer?
Speaker 4 (04:08):
Stairway to Heaven number one? Yeah, I guess there was
always that chance that was gonna happen.
Speaker 2 (04:17):
Number one, number one.
Speaker 4 (04:20):
Okay, at least that's a classic song. So this list
is okay?
Speaker 2 (04:23):
So oh yeah, oh absolutely.
Speaker 4 (04:24):
I didn't know if we were gonna even know all
the songs.
Speaker 3 (04:26):
Are Is there a dead song on their piece of music?
Speaker 1 (04:32):
Actually, when you said you can't have this extended instrumental,
I immediately said, okay, no dead, that is true. There
is no dead in the top ten. No dead in
the top ten.
Speaker 2 (04:42):
Oh now I got everybody wants to play? Where am
I going? Line one? Hi, Elliot in the morning, Hey,
good morning. Top nine answers remain on the board.
Speaker 1 (04:52):
Greatest great excuse me, the greatest long songs of all time?
Speaker 2 (04:58):
You crazy Diands say again, Void Say Again, China and
Crazy Diamonds, Pink Void.
Speaker 1 (05:04):
No, sir, no, sir no, no sorry, don't get mad,
don't get mad?
Speaker 4 (05:10):
So that is like parts? Would that not count either?
Is that the reason? You know what I'm saying? Like
twenty one to twelve has has different movements in it?
Does that not count?
Speaker 2 (05:23):
Truly great long?
Speaker 1 (05:25):
A truly great long song is a song all the
way through. Whether that means it's constructed of different sections
or simply the same section extended to a truly truly
heroic length.
Speaker 2 (05:39):
Make of that what you may.
Speaker 3 (05:42):
Have another guess, go ahead to end by the doors.
Speaker 2 (05:47):
How long is that song, Diane?
Speaker 3 (05:49):
I hope it's a great.
Speaker 1 (05:53):
Number six killing it. It is eleven minutes and forty
three seconds long. And that, by the way, is not
the longest one.
Speaker 2 (06:03):
On the list. Thank you.
Speaker 4 (06:05):
This was twenty twelve. Not on the list, not on
the list, not on the list.
Speaker 1 (06:09):
Sorry, Line eight, Hi Elliott the morning, Yes, American pie,
where are you.
Speaker 2 (06:18):
Calling me from? Seriously? Green though? Oh that's right. Then
you can't pick phones up there? Oh my god, your ass? Yes,
much better. No, American, I heard you. No, that's not
(06:40):
on the that's not.
Speaker 3 (06:42):
Is it?
Speaker 2 (06:43):
What makes it a good guess? I mean it's not
a long song.
Speaker 3 (06:47):
It's good.
Speaker 2 (06:47):
It's a nice musical piece, but it's not a song.
Speaker 4 (06:51):
It's like ten minutes the I don't know.
Speaker 2 (06:53):
How long it is. I just know that it's not
in the top ten. Oh, you're in a news day
on I'm actually in a great mood today. I mean
I'm mad at Dustin. Well, don't hang up? Oh did
she hang up mad?
Speaker 1 (07:06):
Yeah?
Speaker 2 (07:07):
No, don't hang up mad. I'm in a great mood today.
Where am I going? Hi? Jollie in the morning, it's
Tomson Fairfax. Yes, sir, go angry.
Speaker 1 (07:22):
Low sparked High Hill Boys.
Speaker 2 (07:25):
Huh No?
Speaker 4 (07:29):
Do you some the traffic song?
Speaker 2 (07:32):
It carries off forever? Yeah, but that doesn't mean that
it's a long song.
Speaker 6 (07:39):
Okay, it is a song and it goes long.
Speaker 2 (07:44):
I like your school of margin. How did nobody go
with that first?
Speaker 1 (07:54):
That should be the first one except for Inn, the
god of Davida that everybody thinks of. I will ask
you this, what to Alice's Restaurant and in a gotta
Davida have in common?
Speaker 2 (08:05):
Neither is on the list. Neither is on the list.
Speaker 4 (08:10):
This has stumping me. I don't have anything.
Speaker 2 (08:12):
How about Diane came with two?
Speaker 4 (08:14):
What about Taylor All too well? Ten minute version?
Speaker 3 (08:18):
Very good?
Speaker 2 (08:18):
Where am I going?
Speaker 4 (08:19):
No, it's not.
Speaker 2 (08:20):
Where am I going? Seven? Say again?
Speaker 3 (08:22):
How could that not be on the list?
Speaker 1 (08:23):
Well, because I'm looking at the list and it's not
on there. Is it a good piece of music? Yeah,
but it's not. It's not one of the greatest long
songs of all time.
Speaker 2 (08:32):
Hi, Elliot in the morning.
Speaker 6 (08:34):
All right, I've got two of them. One of them
has got to be from the greatest album of all
time American idiot Jesus of Suburbia, which is like nine
minutes long.
Speaker 2 (08:42):
Well, you better hope your second one is on there.
All right, Well, this.
Speaker 6 (08:46):
Goes back a little bit of time. I'm not sure
it's the exact timing of it, but I know it's
a long song. But everybody knows it's from the Exorcist, Michael.
It's tubular bells. Is that on there?
Speaker 2 (08:56):
No, No, that's just that.
Speaker 1 (08:58):
That's like saying that, that's like saying in a jazz song.
It's just a musical piece, but one of the purest
moods the yes, but still no, that was that's just
a musical.
Speaker 2 (09:10):
That's that's like an interlude or whatever.
Speaker 6 (09:12):
Not green day, green day, blot on there.
Speaker 2 (09:14):
You can ask me a third time and I'm going
to tell you the same answer.
Speaker 4 (09:16):
It's probably the movement disqualifier. That two is separate into sections.
Speaker 2 (09:20):
Yes, thank you, thank you, all right, very good, Thank you, sir.
And I'm not angry. Do I come across like I'm
in a mood today?
Speaker 4 (09:27):
No, you're just treating it like you don't think people
were listening.
Speaker 2 (09:32):
Well, I mean a little bit. Line four, Hi Elliott,
the morning, good morning, how were you here?
Speaker 1 (09:43):
We go, yes, go ahead, from Autumn to ashes, short
stories with tragic engines.
Speaker 6 (09:50):
It's like a nine and a half night long song.
Speaker 1 (09:57):
All right, yeah, oh okay, no, not on There is
the storm cellar.
Speaker 3 (10:05):
Okay, it's for a truck.
Speaker 4 (10:09):
Okay.
Speaker 1 (10:10):
Uh yeah, that is not that is not on here. Sorry,
my friend, good guess though, good guess. That's a smart
guess line. One.
Speaker 2 (10:18):
Hi Elliot in the morning. Hey Elliott, that's the pez
Waal guy. So I've got something nerdy weird. Al has
a song called Albuquerque that's eleven minutes and twenty three
seconds long. That's hysterical.
Speaker 1 (10:30):
But isn't there a big built in like uh that
just like an instrumental that goes on and on like
free Bird.
Speaker 2 (10:38):
No, this is dialogue through the whole thing.
Speaker 6 (10:40):
You's got like a minute long section where he's at
a donuts store and he's asking the guy he got
any glazed donuts?
Speaker 2 (10:44):
No, we're out of glaze. On do you have any
bear flus? No, we're at a backlas. You have the
apple fritters? No, we're out of apple fritters. It's just
this whole segment.
Speaker 1 (10:53):
Uh No, I'm sorry, it's not on the it's not
on the list, not on the list.
Speaker 2 (10:56):
Sorry about that. I was hoping that's okay, that's all right. Yeah.
Speaker 4 (11:00):
Should we be leaning towards one genre over another?
Speaker 2 (11:04):
No?
Speaker 1 (11:04):
No, As a matter of fact, I'd like you to
not do that. I'd like you to not do.
Speaker 4 (11:09):
That over the two we have so far.
Speaker 2 (11:11):
Led Zeppelin and who else? The Doors?
Speaker 4 (11:14):
So you want us to get away from rock?
Speaker 1 (11:16):
No?
Speaker 2 (11:17):
But I just don't think it's all rock. There are
more rock ones on here.
Speaker 1 (11:21):
I mean, listen, rock lens itself more than other genres.
Speaker 4 (11:26):
Did you just come up with the one?
Speaker 1 (11:27):
Now?
Speaker 3 (11:27):
I'm just that now I'm thinking of bands?
Speaker 2 (11:28):
Is it?
Speaker 3 (11:28):
Is it something like yes?
Speaker 1 (11:31):
Ugh, you know, I hate Yes, I know, but uh no. No.
Speaker 3 (11:35):
Genesis that they have like some notoriously long songs too.
Speaker 2 (11:40):
So how are we gonna do this?
Speaker 3 (11:42):
Well, we're not hitting very far.
Speaker 2 (11:46):
Genesis is not on the least. So are you just
gonna name bands? Where am I going? Line one?
Speaker 1 (11:53):
Hi?
Speaker 6 (11:53):
Elliott the Morning, Hey clocke in at eight minutes and
fifty seven seconds, November lan by gn R.
Speaker 2 (12:01):
Number three, good, great one, great one.
Speaker 1 (12:05):
As a matter of fact, Now listen, I thank you, sir,
I understand, I understand why led Zeppelin ends up at
number one.
Speaker 2 (12:14):
I would argue November Rain.
Speaker 1 (12:16):
Eight minutes fifty six seconds long should have been number two,
and number.
Speaker 2 (12:21):
Two should have been number three. My op opinion, yeah, yeah,
my opinion.
Speaker 1 (12:30):
All right.
Speaker 3 (12:30):
Thought it was like some weird prog rock band I
don't know about.
Speaker 4 (12:33):
No, you already went with, yes, yeah, garbage band.
Speaker 2 (12:36):
Where am I? Line one? Hi Elliot in the Morning, Hello, Yeah, Hi,
who's this?
Speaker 4 (12:44):
Mits Patrick?
Speaker 6 (12:44):
I was gonna say, oh a r that's that was
a crazy game of poker.
Speaker 4 (12:48):
It's just like a fifteen song.
Speaker 1 (12:50):
Yeah, great, great musical piece, but that they'll get there, they'll.
Speaker 2 (12:55):
Hit you on just a long extended uh by.
Speaker 1 (13:00):
May as well be free bird, right, yeah it is there,
free Bird? Yeah no, no, listen, I like the song,
I like them, but yeah no, that just gets counted
as free bird. It's not a song musical piece.
Speaker 2 (13:14):
No. By the way, nobody is saying it's bad. Nobody's
saying free Bird is a bad song.
Speaker 1 (13:18):
I'm sure some famous jazz songs that are that long.
Nobody's saying it's a bad musical piece. It just doesn't
fit the criteria.
Speaker 2 (13:27):
Hi Elliot the Morning.
Speaker 5 (13:30):
Hello, Yes, Hi, who's thish Yes, Hamian Rhapsody or Unchained Melody.
Speaker 1 (13:40):
I see a little silhouetto of a man not on
the list. I don't think it's eight minutes now Bohemian,
I think it's seven something, isn't it?
Speaker 4 (13:49):
You know the exact time.
Speaker 2 (13:50):
I think it's seven fifty four.
Speaker 4 (13:52):
You must have it in front of you.
Speaker 2 (13:53):
No, I don't.
Speaker 1 (13:54):
I swear to god, I don't have what it's like
to the other one on chain Melody, Change Melody.
Speaker 2 (13:58):
I don't even know if that song's four minutes.
Speaker 4 (14:00):
Bohemian Rhapsody is five point fifty five.
Speaker 2 (14:03):
Oh yeah, you're not even close, ma'am.
Speaker 4 (14:07):
Were they light in the movie?
Speaker 1 (14:09):
Then?
Speaker 3 (14:09):
Okay, she's just matching your thank you?
Speaker 2 (14:18):
And Unjade Melody is a very short song.
Speaker 4 (14:21):
What about tool? Is there any tool on the list?
Is the longer? Are they just longer pieces.
Speaker 2 (14:27):
Of using their tool? On the list? There is not
Hi Elliott in the morning, Hello, Yeah, Hi? Who's this.
Speaker 1 (14:42):
This?
Speaker 6 (14:42):
Colin Richmond?
Speaker 2 (14:44):
I got two songs for you from the same band.
Speaker 6 (14:47):
Okay, it's Mountain Jam and in memory of Elizabeth Reid
from the Alman Brothers band.
Speaker 1 (14:55):
Well, two things, Somebody's uh, Diane's two nipples just popped out.
Speaker 2 (15:00):
She is hot for the Almond Brothers. No, they are
not they are not on. They are not not on.
Speaker 6 (15:06):
That's that's that's crazy.
Speaker 2 (15:07):
Mountain jams like an hour long the hey listen again.
Great musical piece, great musical piece, but not on the
not on the list.
Speaker 4 (15:14):
What about dire Straits money for Nothing?
Speaker 2 (15:16):
Great song, great song, not on the list?
Speaker 4 (15:20):
I suck at this is wait?
Speaker 2 (15:22):
Is is money for nothing? Eight minutes?
Speaker 4 (15:25):
I thought, so.
Speaker 2 (15:34):
Is it really? You know what I mean?
Speaker 4 (15:36):
There's a radio ed it's obviously yeah, well of course, but.
Speaker 1 (15:39):
What was the I would I wonder why that one
doesn't count?
Speaker 4 (15:44):
Is there any Metallica on the list?
Speaker 1 (15:46):
No?
Speaker 4 (15:47):
A bunch of people asking about Meatloaf, Oh Paradise spent
a dashboard lights.
Speaker 2 (15:52):
Great song, but no, and I got him gow and
I got him Gow not on the That's not it.
Speaker 4 (16:00):
That's that's like doptams. Yes, is just gems on there,
and it's like I would do anything for love, but
I want to do that.
Speaker 2 (16:09):
That's that's yeah, that's exactly that's free bird. Where am
I going? Fine? I'm just gonna have to start giving
these out. Hi Ellie in the morning.
Speaker 3 (16:18):
Elliott what's up with Chris and Charleston?
Speaker 1 (16:20):
Hey be kicking yourself?
Speaker 2 (16:22):
Iconic super Bowl performance Purple Rain, Prince, it's not on
the list. I wonder if that's a time issue. I
wonder if that's a time issue.
Speaker 4 (16:33):
I'm checking right now.
Speaker 2 (16:34):
I think it's over eight minute. How did that not
make it? Or is it just a is it just
a like a guitar solo? Like what threw it off?
I don't that's a good one. That one should be
on there.
Speaker 4 (16:48):
Well, we've listed some good Yeah. No, we have just movements,
I guess, pieces of music.
Speaker 1 (16:52):
And that's where I'm gonna have to put Purple Rain.
Purple Rain, though, God, what a great song, What a
great song.
Speaker 4 (16:58):
Almost bought a print shirted Old Navy yesterday. I didn't,
but it was marked down dramatically.
Speaker 3 (17:06):
I think.
Speaker 2 (17:07):
Oh, but let me ask you this.
Speaker 1 (17:08):
If it's on sale, are you saving money? Not if
you're spending money? I didn't buy it.
Speaker 3 (17:14):
Sale starts today where at Old Navy? I think it's
either Teday or tomorrow.
Speaker 2 (17:17):
Is Target having a sale?
Speaker 1 (17:19):
I found pants I want to get you for your birthday,
the one that had the middle plea.
Speaker 4 (17:26):
Did you see those?
Speaker 2 (17:31):
Number?
Speaker 1 (17:31):
Ten? Oh?
Speaker 4 (17:32):
Well, people are still guessing. Oh yeah, go ahead, I
see the cure? Which song they just wrote? The cure?
Speaker 2 (17:41):
There is a cure song on here.
Speaker 4 (17:43):
Someone else wrote it, Disintegration number five?
Speaker 1 (17:46):
Oh, number five, number five, don't love the song?
Speaker 4 (17:49):
But yes, Kristen has guessed scenes from an Italian restaurant
bottle of red.
Speaker 2 (17:57):
No, sir, I'm sorry, ma'am.
Speaker 4 (17:59):
Oh it's seventh thirty seven.
Speaker 2 (18:01):
It's not long enough.
Speaker 4 (18:03):
I also see on here, okay, we got guns and roses.
Speaker 1 (18:09):
November Rain loved by the way, love the song, Love
the song when when Slash is playing out in the
rain so good? And remember excellent Stephanie Seymour all but
got married during the making of that video. I see
people have said, Bob Dylan, which one I gotta fire?
(18:31):
Bob Dylan's on the list double people said Desolation Row
number two.
Speaker 2 (18:37):
That's the one.
Speaker 1 (18:37):
I argue that should be number three and November Rain
should be number two. Desolation Row is on there, number two,
number four. Nobody's gonna get number seven.
Speaker 2 (18:48):
Number eight. No.
Speaker 1 (18:50):
I can make number eight worth as much as powerball.
Speaker 2 (18:54):
And no one will get it.
Speaker 5 (18:56):
Uh.
Speaker 2 (18:57):
Nine?
Speaker 1 (18:59):
Nine I had an issue you with and ten you'd
better be able to separate the art from the artist.
Speaker 4 (19:08):
So that may be who guessed this? Where does your
name go from? Brain? Is it? Kanye West? Runaway?
Speaker 2 (19:17):
Bingo? Number ten? Number ten?
Speaker 4 (19:20):
What about in the rap world? What about rappers? Delight?
Speaker 2 (19:25):
Oh? Great? So with a hip hop? A hippie? A hippie?
Did the hip hip hop? Not on the list?
Speaker 4 (19:33):
He is white? In case is your first segment you've
ever heard on this show?
Speaker 2 (19:38):
No, but no, how is that not on there?
Speaker 1 (19:41):
Or are they going to say it's two partsy two
partsy partsy?
Speaker 4 (19:47):
Their definition of a song is very bizarre.
Speaker 7 (19:49):
I'm just telling you you want number four please Burial
come down to US thirteen O six Wow, number seven
so one Led Zeppelin two Bob Dylan three Guns n'
Roses for Burial come down to US number five, The
Cure Disintegration, number six, The Doors the End number seven.
Speaker 1 (20:13):
Frank Ocean Pyramids. So somebody guess that, Oh did they
really number eight? I hop over for a second. That's
not the name of the song. I'm literally hopping over.
Speaker 2 (20:23):
Number eight. Number nine Lona del Rey.
Speaker 1 (20:25):
Venice Bitch from Norman fin Rockwell, number ten, Kanye West
Runaway number eight. It is the longest song on the list.
If I give you the time, will you be able to.
Speaker 4 (20:41):
Get it the time?
Speaker 3 (20:42):
Time?
Speaker 1 (20:43):
Yeah, and get ready to put them windows down? Twenty
five minutes thirty four seconds.
Speaker 4 (20:54):
God, that's longer than the live version of Whipping Posts.
Speaker 1 (21:00):
Twenty five minutes twenty five minutes, thirty four seconds.
Speaker 4 (21:06):
Was it released as a as a track on an
album or was this its own special thing?
Speaker 1 (21:11):
No, it was actually released as a track on an album,
and it took up two thirds.
Speaker 3 (21:17):
Of the side I have no I don't know.
Speaker 2 (21:24):
You want the song or the If I give you
the song, will you give me the artist? Or do
you want the artist?
Speaker 4 (21:30):
You'll give me the song, give me the song.
Speaker 3 (21:31):
I could try with the artist. I don't know.
Speaker 2 (21:32):
Impossible soul.
Speaker 1 (21:35):
Hit it, Diane, go ahead, Nope, go ahead, Mike's open.
Speaker 4 (21:42):
I don't know.
Speaker 3 (21:44):
I don't know what it is.
Speaker 1 (21:46):
Sufjen Stevens, Suvian say again, suan Oh, I never heard
of him.
Speaker 4 (21:53):
He's from I think Michigan or somewhere around. Diane. He
could have lived next to me. I has no idea.
Speaker 1 (22:01):
Wait you got s u f j n soff Jam
He's famous.
Speaker 2 (22:07):
He is not to me. Never heard of him.
Speaker 4 (22:10):
We've played his music before, not that track.
Speaker 2 (22:12):
The well, let's do it now.
Speaker 1 (22:13):
Let's rolle in windows down for some soft jam, uh,
Suevian Stevens. Yeah, we played Chicago video game Death of
Dignity and no Shade in the Shadow of the Cross.
Speaker 2 (22:26):
Would I know, Impossible Soul?
Speaker 4 (22:28):
It doesn't sound like you.
Speaker 1 (22:29):
No. I would ask if it's in the system, But
there's no room in the system.
Speaker 4 (22:34):
There is no song that long in the system because
you can sort filtered by length. Nothing even gets close
to that. Are two three, four minutes? Yeah? Do you
want to hear the first few notes?
Speaker 1 (22:48):
Yeah, Impossible Soul.
Speaker 4 (22:51):
Making sure it's the twenty five minute version and not
the radio edit. Oh you know what, Maybe I should
look at lyrics quickly.
Speaker 2 (22:59):
No, you're fine, Okay, I have a dumb button.
Speaker 4 (23:01):
All right, all right, here we go, Diane. Okay, you
want to do the intro? Ready?
Speaker 2 (23:08):
Yepkay?
Speaker 4 (23:16):
Can you?
Speaker 2 (23:16):
Can you hit poems?
Speaker 1 (23:18):
I realized it's been a while, but like when the
song starts, that's when you taught you're doing the introkay, right,
you're not waiting till midway three?
Speaker 3 (23:24):
I also don't have you gotta feel.
Speaker 1 (23:26):
The music you gotta feel the music. You gotta feel it.
I don't know the song, okay, but I can kill
that intro. You gotta feel the music, suff Jane Stevens Okay,
see yeah, it's ten fifty six.
Speaker 2 (23:39):
Oh my god, seriously, that's like starts.
Speaker 1 (23:41):
A sponsored time check out of gotta get those in.
What are people paying for?
Speaker 4 (23:48):
Diane? I'm fine with that. It was in the law. Yes, okay,
So Diane, I'll give you this. You have about twenty seconds, okay, okay, okay,
it's a little cheat sheet here.
Speaker 2 (23:56):
Here we go. It's counting down.
Speaker 4 (23:58):
Ten fifty six sponsored by Yeah, eleven seconds.
Speaker 3 (24:09):
Looks like it's gotta be nice today here, Jane Stevens,
shoon yard.
Speaker 2 (24:17):
Feel the music, Okay, feel the music.
Speaker 4 (24:20):
It's gonna be twenty seconds to feel.
Speaker 2 (24:22):
The music, right, don't don't don't don't.
Speaker 1 (24:24):
Start time in and weather in me feel the music,
talk about it.
Speaker 2 (24:29):
Let it come from inside in here, in here.
Speaker 4 (24:32):
We do need that ten fifty eight. Okay, air check
So please get that pen and here we go.
Speaker 3 (24:39):
Looks like it's going to be a beautiful day today.
Speaker 2 (24:41):
What do you know?
Speaker 3 (24:44):
All right?
Speaker 2 (24:47):
Can we start? Are we ready?
Speaker 4 (24:49):
She had ten more seconds and here we go. Looks
like it's thing that could be.
Speaker 1 (24:58):
Oh Elliott showing I sit in the airchair, bro, Will
you hit the post for her?
Speaker 4 (25:06):
Are you ready?
Speaker 2 (25:07):
Yeah?
Speaker 1 (25:07):
Remember it's twenty seconds? Absolutely the only information she had
to impossible not to think of this song. When you
think of the greatest long songs in the world, of
course you would find Bob Dylan on there, you would
find led Zeppelin, and of course you would find sub
Chance Steven's impossible soul kiss Man.
Speaker 4 (25:34):
I don't know why you're celebrating you again butchered his name.
Speaker 2 (25:37):
Yeah, I know, but I didn't want to have to
stumble over it. I just wanted to get into it.
But I nailed it right up to that post, barely.
Speaker 4 (25:45):
Room for a short and curly eleven million monthly listeners
on Spotify, thank you. This is like a festival headliner
we're talking about here. You're treating Again like he's a
lot of Delray. Now you know her, but you're treating
him like is this up and time?
Speaker 2 (26:02):
I don't know the song. I'm sorry, I don't know
the song. But I nailed the intro because I felt
the music
Top ten answers are on the board the best long.
Speaker 2 (00:05):
Songs of all time. Let me give you some parameters.
Song must be at least eight minutes long.
Speaker 1 (00:18):
And and.
Speaker 2 (00:21):
What why'd you just throw a pet?
Speaker 3 (00:24):
I didn't throw pen, I dropped it.
Speaker 2 (00:28):
We're going to have to it says.
Speaker 1 (00:33):
What counts as a long song rather than just a
long piece of music. We're going to have to disregard
a lot of jazz and electronic music because extended solos
and long stretches of repetition, respectively, make eight minutes unexceptional
for them. Also, songs can't be long just because they
(00:57):
have an extended instrumental section tacked into them.
Speaker 2 (01:01):
For example, free Bird was when.
Speaker 4 (01:04):
I wrote down that was one of the ones I
thought of too. A true long it's longer in eight
minutes long.
Speaker 1 (01:11):
A truly great long song is a song all the
way through, whether that means it's constructed of different sections
or simply the same section extended to a truly heroic length.
Speaker 4 (01:30):
Free Bird, by the way, is nine oh eight.
Speaker 3 (01:31):
Oh okay.
Speaker 2 (01:33):
Top ten answers are on the board. Hit it.
Speaker 1 (01:35):
So this is a weird criteria because no had guitar solo.
Speaker 4 (01:41):
How do you know if it's going on too long.
Speaker 3 (01:43):
Yeah, the.
Speaker 4 (01:45):
Actually, I will say this is another one I thought of.
I bet is not on this list based on your rules. Yeah, okay,
and it's one that people often cite as being this
crazy long song. It's funny to play it on a
jukebox indvida.
Speaker 2 (01:57):
Yes, not on the list.
Speaker 4 (01:58):
Because of your rules. Yes, but that is a great
long song, just not on.
Speaker 1 (02:04):
Yes, it is a great long song, but it's it's
a great No. No, it's not a great long song.
It's a great long piece of music, just like Freebird
is a great long piece of music.
Speaker 4 (02:16):
It's like one of the best songs ever, which one
free Bird?
Speaker 2 (02:20):
I agree? Not a song piece of music, that's why.
Speaker 1 (02:24):
And don't like like the the like don't get Me in.
Speaker 2 (02:27):
Don't get me into all like I can't. I can
like jazz songs and stuff like that. No, because it's
not a song.
Speaker 3 (02:37):
Right, go ahead, Layla, Layla.
Speaker 2 (02:44):
I don't even think Layla's eight minutes long.
Speaker 3 (02:46):
It's not.
Speaker 2 (02:47):
I don't know.
Speaker 4 (02:52):
Dim that sounded like you were having a medical emergency.
Speaker 3 (02:57):
Well I thought that was a good guess.
Speaker 2 (02:58):
No it's not. It doesn't even mean that.
Speaker 1 (03:00):
I thought if anything we would debate over whether it's
a piece of music or a song, but it wasn't
even that.
Speaker 4 (03:06):
I've got one. I think, is this artist a your
favorite song from this I guess that might be a
piece of music, but your favorite tune from this musician
as well, So it's all the things going on, so it's.
Speaker 2 (03:20):
One of my favorite.
Speaker 4 (03:21):
I think you said this is your favorite song by
this artist. Okay, Funeral for a Friend, love Lies Bleeding
Elton John. I'm guessing that's not on the list.
Speaker 2 (03:34):
Piece of music.
Speaker 4 (03:36):
Yeah, don't you love that song? Sorry, don't you love
that piece of music?
Speaker 1 (03:40):
I do, but it's not my favorite. I thought you did,
no mad hatters. Oh okay, how long is how long
is that?
Speaker 5 (03:49):
What?
Speaker 4 (03:49):
Funeral for a Friend?
Speaker 2 (03:50):
Yeah?
Speaker 4 (03:52):
I gotta look it up. It is eleven oh seven ooh.
Speaker 2 (03:56):
But again, that's just that's just an extended piece of music.
Speaker 3 (04:00):
A Stairway to Heaven, say again, Stairway to Heaven eight minutes?
Speaker 2 (04:05):
Okay, are you giving an answer? You guessing an answer?
Speaker 4 (04:08):
Stairway to Heaven number one? Yeah, I guess there was
always that chance that was gonna happen.
Speaker 2 (04:17):
Number one, number one.
Speaker 4 (04:20):
Okay, at least that's a classic song. So this list
is okay?
Speaker 2 (04:23):
So oh yeah, oh absolutely.
Speaker 4 (04:24):
I didn't know if we were gonna even know all
the songs.
Speaker 3 (04:26):
Are Is there a dead song on their piece of music?
Speaker 1 (04:32):
Actually, when you said you can't have this extended instrumental,
I immediately said, okay, no dead, that is true. There
is no dead in the top ten. No dead in
the top ten.
Speaker 2 (04:42):
Oh now I got everybody wants to play? Where am
I going? Line one? Hi, Elliot in the morning, Hey,
good morning. Top nine answers remain on the board.
Speaker 1 (04:52):
Greatest great excuse me, the greatest long songs of all time?
Speaker 2 (04:58):
You crazy Diands say again, Void Say Again, China and
Crazy Diamonds, Pink Void.
Speaker 1 (05:04):
No, sir, no, sir no, no sorry, don't get mad,
don't get mad?
Speaker 4 (05:10):
So that is like parts? Would that not count either?
Is that the reason? You know what I'm saying? Like
twenty one to twelve has has different movements in it?
Does that not count?
Speaker 2 (05:23):
Truly great long?
Speaker 1 (05:25):
A truly great long song is a song all the
way through. Whether that means it's constructed of different sections
or simply the same section extended to a truly truly
heroic length.
Speaker 2 (05:39):
Make of that what you may.
Speaker 3 (05:42):
Have another guess, go ahead to end by the doors.
Speaker 2 (05:47):
How long is that song, Diane?
Speaker 3 (05:49):
I hope it's a great.
Speaker 1 (05:53):
Number six killing it. It is eleven minutes and forty
three seconds long. And that, by the way, is not
the longest one.
Speaker 2 (06:03):
On the list. Thank you.
Speaker 4 (06:05):
This was twenty twelve. Not on the list, not on
the list, not on the list.
Speaker 1 (06:09):
Sorry, Line eight, Hi Elliott the morning, Yes, American pie,
where are you.
Speaker 2 (06:18):
Calling me from? Seriously? Green though? Oh that's right. Then
you can't pick phones up there? Oh my god, your ass? Yes,
much better. No, American, I heard you. No, that's not
(06:40):
on the that's not.
Speaker 3 (06:42):
Is it?
Speaker 2 (06:43):
What makes it a good guess? I mean it's not
a long song.
Speaker 3 (06:47):
It's good.
Speaker 2 (06:47):
It's a nice musical piece, but it's not a song.
Speaker 4 (06:51):
It's like ten minutes the I don't know.
Speaker 2 (06:53):
How long it is. I just know that it's not
in the top ten. Oh, you're in a news day
on I'm actually in a great mood today. I mean
I'm mad at Dustin. Well, don't hang up? Oh did
she hang up mad?
Speaker 1 (07:06):
Yeah?
Speaker 2 (07:07):
No, don't hang up mad. I'm in a great mood today.
Where am I going? Hi? Jollie in the morning, it's
Tomson Fairfax. Yes, sir, go angry.
Speaker 1 (07:22):
Low sparked High Hill Boys.
Speaker 2 (07:25):
Huh No?
Speaker 4 (07:29):
Do you some the traffic song?
Speaker 2 (07:32):
It carries off forever? Yeah, but that doesn't mean that
it's a long song.
Speaker 6 (07:39):
Okay, it is a song and it goes long.
Speaker 2 (07:44):
I like your school of margin. How did nobody go
with that first?
Speaker 1 (07:54):
That should be the first one except for Inn, the
god of Davida that everybody thinks of. I will ask
you this, what to Alice's Restaurant and in a gotta
Davida have in common?
Speaker 2 (08:05):
Neither is on the list. Neither is on the list.
Speaker 4 (08:10):
This has stumping me. I don't have anything.
Speaker 2 (08:12):
How about Diane came with two?
Speaker 4 (08:14):
What about Taylor All too well? Ten minute version?
Speaker 3 (08:18):
Very good?
Speaker 2 (08:18):
Where am I going?
Speaker 4 (08:19):
No, it's not.
Speaker 2 (08:20):
Where am I going? Seven? Say again?
Speaker 3 (08:22):
How could that not be on the list?
Speaker 1 (08:23):
Well, because I'm looking at the list and it's not
on there. Is it a good piece of music? Yeah,
but it's not. It's not one of the greatest long
songs of all time.
Speaker 2 (08:32):
Hi, Elliot in the morning.
Speaker 6 (08:34):
All right, I've got two of them. One of them
has got to be from the greatest album of all
time American idiot Jesus of Suburbia, which is like nine
minutes long.
Speaker 2 (08:42):
Well, you better hope your second one is on there.
All right, Well, this.
Speaker 6 (08:46):
Goes back a little bit of time. I'm not sure
it's the exact timing of it, but I know it's
a long song. But everybody knows it's from the Exorcist, Michael.
It's tubular bells. Is that on there?
Speaker 2 (08:56):
No, No, that's just that.
Speaker 1 (08:58):
That's like saying that, that's like saying in a jazz song.
It's just a musical piece, but one of the purest
moods the yes, but still no, that was that's just
a musical.
Speaker 2 (09:10):
That's that's like an interlude or whatever.
Speaker 6 (09:12):
Not green day, green day, blot on there.
Speaker 2 (09:14):
You can ask me a third time and I'm going
to tell you the same answer.
Speaker 4 (09:16):
It's probably the movement disqualifier. That two is separate into sections.
Speaker 2 (09:20):
Yes, thank you, thank you, all right, very good, Thank you, sir.
And I'm not angry. Do I come across like I'm
in a mood today?
Speaker 4 (09:27):
No, you're just treating it like you don't think people
were listening.
Speaker 2 (09:32):
Well, I mean a little bit. Line four, Hi Elliott,
the morning, good morning, how were you here?
Speaker 1 (09:43):
We go, yes, go ahead, from Autumn to ashes, short
stories with tragic engines.
Speaker 6 (09:50):
It's like a nine and a half night long song.
Speaker 1 (09:57):
All right, yeah, oh okay, no, not on There is
the storm cellar.
Speaker 3 (10:05):
Okay, it's for a truck.
Speaker 4 (10:09):
Okay.
Speaker 1 (10:10):
Uh yeah, that is not that is not on here. Sorry,
my friend, good guess though, good guess. That's a smart
guess line. One.
Speaker 2 (10:18):
Hi Elliot in the morning. Hey Elliott, that's the pez
Waal guy. So I've got something nerdy weird. Al has
a song called Albuquerque that's eleven minutes and twenty three
seconds long. That's hysterical.
Speaker 1 (10:30):
But isn't there a big built in like uh that
just like an instrumental that goes on and on like
free Bird.
Speaker 2 (10:38):
No, this is dialogue through the whole thing.
Speaker 6 (10:40):
You's got like a minute long section where he's at
a donuts store and he's asking the guy he got
any glazed donuts?
Speaker 2 (10:44):
No, we're out of glaze. On do you have any
bear flus? No, we're at a backlas. You have the
apple fritters? No, we're out of apple fritters. It's just
this whole segment.
Speaker 1 (10:53):
Uh No, I'm sorry, it's not on the it's not
on the list, not on the list.
Speaker 2 (10:56):
Sorry about that. I was hoping that's okay, that's all right. Yeah.
Speaker 4 (11:00):
Should we be leaning towards one genre over another?
Speaker 2 (11:04):
No?
Speaker 1 (11:04):
No, As a matter of fact, I'd like you to
not do that. I'd like you to not do.
Speaker 4 (11:09):
That over the two we have so far.
Speaker 2 (11:11):
Led Zeppelin and who else? The Doors?
Speaker 4 (11:14):
So you want us to get away from rock?
Speaker 1 (11:16):
No?
Speaker 2 (11:17):
But I just don't think it's all rock. There are
more rock ones on here.
Speaker 1 (11:21):
I mean, listen, rock lens itself more than other genres.
Speaker 4 (11:26):
Did you just come up with the one?
Speaker 1 (11:27):
Now?
Speaker 3 (11:27):
I'm just that now I'm thinking of bands?
Speaker 2 (11:28):
Is it?
Speaker 3 (11:28):
Is it something like yes?
Speaker 1 (11:31):
Ugh, you know, I hate Yes, I know, but uh no. No.
Speaker 3 (11:35):
Genesis that they have like some notoriously long songs too.
Speaker 2 (11:40):
So how are we gonna do this?
Speaker 3 (11:42):
Well, we're not hitting very far.
Speaker 2 (11:46):
Genesis is not on the least. So are you just
gonna name bands? Where am I going? Line one?
Speaker 1 (11:53):
Hi?
Speaker 6 (11:53):
Elliott the Morning, Hey clocke in at eight minutes and
fifty seven seconds, November lan by gn R.
Speaker 2 (12:01):
Number three, good, great one, great one.
Speaker 1 (12:05):
As a matter of fact, Now listen, I thank you, sir,
I understand, I understand why led Zeppelin ends up at
number one.
Speaker 2 (12:14):
I would argue November Rain.
Speaker 1 (12:16):
Eight minutes fifty six seconds long should have been number two,
and number.
Speaker 2 (12:21):
Two should have been number three. My op opinion, yeah, yeah,
my opinion.
Speaker 1 (12:30):
All right.
Speaker 3 (12:30):
Thought it was like some weird prog rock band I
don't know about.
Speaker 4 (12:33):
No, you already went with, yes, yeah, garbage band.
Speaker 2 (12:36):
Where am I? Line one? Hi Elliot in the Morning, Hello, Yeah, Hi,
who's this?
Speaker 4 (12:44):
Mits Patrick?
Speaker 6 (12:44):
I was gonna say, oh a r that's that was
a crazy game of poker.
Speaker 4 (12:48):
It's just like a fifteen song.
Speaker 1 (12:50):
Yeah, great, great musical piece, but that they'll get there, they'll.
Speaker 2 (12:55):
Hit you on just a long extended uh by.
Speaker 1 (13:00):
May as well be free bird, right, yeah it is there,
free Bird? Yeah no, no, listen, I like the song,
I like them, but yeah no, that just gets counted
as free bird. It's not a song musical piece.
Speaker 2 (13:14):
No. By the way, nobody is saying it's bad. Nobody's
saying free Bird is a bad song.
Speaker 1 (13:18):
I'm sure some famous jazz songs that are that long.
Nobody's saying it's a bad musical piece. It just doesn't
fit the criteria.
Speaker 2 (13:27):
Hi Elliot the Morning.
Speaker 5 (13:30):
Hello, Yes, Hi, who's thish Yes, Hamian Rhapsody or Unchained Melody.
Speaker 1 (13:40):
I see a little silhouetto of a man not on
the list. I don't think it's eight minutes now Bohemian,
I think it's seven something, isn't it?
Speaker 4 (13:49):
You know the exact time.
Speaker 2 (13:50):
I think it's seven fifty four.
Speaker 4 (13:52):
You must have it in front of you.
Speaker 2 (13:53):
No, I don't.
Speaker 1 (13:54):
I swear to god, I don't have what it's like
to the other one on chain Melody, Change Melody.
Speaker 2 (13:58):
I don't even know if that song's four minutes.
Speaker 4 (14:00):
Bohemian Rhapsody is five point fifty five.
Speaker 2 (14:03):
Oh yeah, you're not even close, ma'am.
Speaker 4 (14:07):
Were they light in the movie?
Speaker 1 (14:09):
Then?
Speaker 3 (14:09):
Okay, she's just matching your thank you?
Speaker 2 (14:18):
And Unjade Melody is a very short song.
Speaker 4 (14:21):
What about tool? Is there any tool on the list?
Is the longer? Are they just longer pieces.
Speaker 2 (14:27):
Of using their tool? On the list? There is not
Hi Elliott in the morning, Hello, Yeah, Hi? Who's this.
Speaker 1 (14:42):
This?
Speaker 6 (14:42):
Colin Richmond?
Speaker 2 (14:44):
I got two songs for you from the same band.
Speaker 6 (14:47):
Okay, it's Mountain Jam and in memory of Elizabeth Reid
from the Alman Brothers band.
Speaker 1 (14:55):
Well, two things, Somebody's uh, Diane's two nipples just popped out.
Speaker 2 (15:00):
She is hot for the Almond Brothers. No, they are
not they are not on. They are not not on.
Speaker 6 (15:06):
That's that's that's crazy.
Speaker 2 (15:07):
Mountain jams like an hour long the hey listen again.
Great musical piece, great musical piece, but not on the
not on the list.
Speaker 4 (15:14):
What about dire Straits money for Nothing?
Speaker 2 (15:16):
Great song, great song, not on the list?
Speaker 4 (15:20):
I suck at this is wait?
Speaker 2 (15:22):
Is is money for nothing? Eight minutes?
Speaker 4 (15:25):
I thought, so.
Speaker 2 (15:34):
Is it really? You know what I mean?
Speaker 4 (15:36):
There's a radio ed it's obviously yeah, well of course, but.
Speaker 1 (15:39):
What was the I would I wonder why that one
doesn't count?
Speaker 4 (15:44):
Is there any Metallica on the list?
Speaker 1 (15:46):
No?
Speaker 4 (15:47):
A bunch of people asking about Meatloaf, Oh Paradise spent
a dashboard lights.
Speaker 2 (15:52):
Great song, but no, and I got him gow and
I got him Gow not on the That's not it.
Speaker 4 (16:00):
That's that's like doptams. Yes, is just gems on there,
and it's like I would do anything for love, but
I want to do that.
Speaker 2 (16:09):
That's that's yeah, that's exactly that's free bird. Where am
I going? Fine? I'm just gonna have to start giving
these out. Hi Ellie in the morning.
Speaker 3 (16:18):
Elliott what's up with Chris and Charleston?
Speaker 1 (16:20):
Hey be kicking yourself?
Speaker 2 (16:22):
Iconic super Bowl performance Purple Rain, Prince, it's not on
the list. I wonder if that's a time issue. I
wonder if that's a time issue.
Speaker 4 (16:33):
I'm checking right now.
Speaker 2 (16:34):
I think it's over eight minute. How did that not
make it? Or is it just a is it just
a like a guitar solo? Like what threw it off?
I don't that's a good one. That one should be
on there.
Speaker 4 (16:48):
Well, we've listed some good Yeah. No, we have just movements,
I guess, pieces of music.
Speaker 1 (16:52):
And that's where I'm gonna have to put Purple Rain.
Purple Rain, though, God, what a great song, What a
great song.
Speaker 4 (16:58):
Almost bought a print shirted Old Navy yesterday. I didn't,
but it was marked down dramatically.
Speaker 3 (17:06):
I think.
Speaker 2 (17:07):
Oh, but let me ask you this.
Speaker 1 (17:08):
If it's on sale, are you saving money? Not if
you're spending money? I didn't buy it.
Speaker 3 (17:14):
Sale starts today where at Old Navy? I think it's
either Teday or tomorrow.
Speaker 2 (17:17):
Is Target having a sale?
Speaker 1 (17:19):
I found pants I want to get you for your birthday,
the one that had the middle plea.
Speaker 4 (17:26):
Did you see those?
Speaker 2 (17:31):
Number?
Speaker 1 (17:31):
Ten? Oh?
Speaker 4 (17:32):
Well, people are still guessing. Oh yeah, go ahead, I
see the cure? Which song they just wrote? The cure?
Speaker 2 (17:41):
There is a cure song on here.
Speaker 4 (17:43):
Someone else wrote it, Disintegration number five?
Speaker 1 (17:46):
Oh, number five, number five, don't love the song?
Speaker 4 (17:49):
But yes, Kristen has guessed scenes from an Italian restaurant
bottle of red.
Speaker 2 (17:57):
No, sir, I'm sorry, ma'am.
Speaker 4 (17:59):
Oh it's seventh thirty seven.
Speaker 2 (18:01):
It's not long enough.
Speaker 4 (18:03):
I also see on here, okay, we got guns and roses.
Speaker 1 (18:09):
November Rain loved by the way, love the song, Love
the song when when Slash is playing out in the
rain so good? And remember excellent Stephanie Seymour all but
got married during the making of that video. I see
people have said, Bob Dylan, which one I gotta fire?
(18:31):
Bob Dylan's on the list double people said Desolation Row
number two.
Speaker 2 (18:37):
That's the one.
Speaker 1 (18:37):
I argue that should be number three and November Rain
should be number two. Desolation Row is on there, number two,
number four. Nobody's gonna get number seven.
Speaker 2 (18:48):
Number eight. No.
Speaker 1 (18:50):
I can make number eight worth as much as powerball.
Speaker 2 (18:54):
And no one will get it.
Speaker 5 (18:56):
Uh.
Speaker 2 (18:57):
Nine?
Speaker 1 (18:59):
Nine I had an issue you with and ten you'd
better be able to separate the art from the artist.
Speaker 4 (19:08):
So that may be who guessed this? Where does your
name go from? Brain? Is it? Kanye West? Runaway?
Speaker 2 (19:17):
Bingo? Number ten? Number ten?
Speaker 4 (19:20):
What about in the rap world? What about rappers? Delight?
Speaker 2 (19:25):
Oh? Great? So with a hip hop? A hippie? A hippie?
Did the hip hip hop? Not on the list?
Speaker 4 (19:33):
He is white? In case is your first segment you've
ever heard on this show?
Speaker 2 (19:38):
No, but no, how is that not on there?
Speaker 1 (19:41):
Or are they going to say it's two partsy two
partsy partsy?
Speaker 4 (19:47):
Their definition of a song is very bizarre.
Speaker 7 (19:49):
I'm just telling you you want number four please Burial
come down to US thirteen O six Wow, number seven
so one Led Zeppelin two Bob Dylan three Guns n'
Roses for Burial come down to US number five, The
Cure Disintegration, number six, The Doors the End number seven.
Speaker 1 (20:13):
Frank Ocean Pyramids. So somebody guess that, Oh did they
really number eight? I hop over for a second. That's
not the name of the song. I'm literally hopping over.
Speaker 2 (20:23):
Number eight. Number nine Lona del Rey.
Speaker 1 (20:25):
Venice Bitch from Norman fin Rockwell, number ten, Kanye West
Runaway number eight. It is the longest song on the list.
If I give you the time, will you be able to.
Speaker 4 (20:41):
Get it the time?
Speaker 3 (20:42):
Time?
Speaker 1 (20:43):
Yeah, and get ready to put them windows down? Twenty
five minutes thirty four seconds.
Speaker 4 (20:54):
God, that's longer than the live version of Whipping Posts.
Speaker 1 (21:00):
Twenty five minutes twenty five minutes, thirty four seconds.
Speaker 4 (21:06):
Was it released as a as a track on an
album or was this its own special thing?
Speaker 1 (21:11):
No, it was actually released as a track on an album,
and it took up two thirds.
Speaker 3 (21:17):
Of the side I have no I don't know.
Speaker 2 (21:24):
You want the song or the If I give you
the song, will you give me the artist? Or do
you want the artist?
Speaker 4 (21:30):
You'll give me the song, give me the song.
Speaker 3 (21:31):
I could try with the artist. I don't know.
Speaker 2 (21:32):
Impossible soul.
Speaker 1 (21:35):
Hit it, Diane, go ahead, Nope, go ahead, Mike's open.
Speaker 4 (21:42):
I don't know.
Speaker 3 (21:44):
I don't know what it is.
Speaker 1 (21:46):
Sufjen Stevens, Suvian say again, suan Oh, I never heard
of him.
Speaker 4 (21:53):
He's from I think Michigan or somewhere around. Diane. He
could have lived next to me. I has no idea.
Speaker 1 (22:01):
Wait you got s u f j n soff Jam
He's famous.
Speaker 2 (22:07):
He is not to me. Never heard of him.
Speaker 4 (22:10):
We've played his music before, not that track.
Speaker 2 (22:12):
The well, let's do it now.
Speaker 1 (22:13):
Let's rolle in windows down for some soft jam, uh,
Suevian Stevens. Yeah, we played Chicago video game Death of
Dignity and no Shade in the Shadow of the Cross.
Speaker 2 (22:26):
Would I know, Impossible Soul?
Speaker 4 (22:28):
It doesn't sound like you.
Speaker 1 (22:29):
No. I would ask if it's in the system, But
there's no room in the system.
Speaker 4 (22:34):
There is no song that long in the system because
you can sort filtered by length. Nothing even gets close
to that. Are two three, four minutes? Yeah? Do you
want to hear the first few notes?
Speaker 1 (22:48):
Yeah, Impossible Soul.
Speaker 4 (22:51):
Making sure it's the twenty five minute version and not
the radio edit. Oh you know what, Maybe I should
look at lyrics quickly.
Speaker 2 (22:59):
No, you're fine, Okay, I have a dumb button.
Speaker 4 (23:01):
All right, all right, here we go, Diane. Okay, you
want to do the intro? Ready?
Speaker 2 (23:08):
Yepkay?
Speaker 4 (23:16):
Can you?
Speaker 2 (23:16):
Can you hit poems?
Speaker 1 (23:18):
I realized it's been a while, but like when the
song starts, that's when you taught you're doing the introkay, right,
you're not waiting till midway three?
Speaker 3 (23:24):
I also don't have you gotta feel.
Speaker 1 (23:26):
The music you gotta feel the music. You gotta feel it.
I don't know the song, okay, but I can kill
that intro. You gotta feel the music, suff Jane Stevens Okay,
see yeah, it's ten fifty six.
Speaker 2 (23:39):
Oh my god, seriously, that's like starts.
Speaker 1 (23:41):
A sponsored time check out of gotta get those in.
What are people paying for?
Speaker 4 (23:48):
Diane? I'm fine with that. It was in the law. Yes, okay,
So Diane, I'll give you this. You have about twenty seconds, okay, okay, okay,
it's a little cheat sheet here.
Speaker 2 (23:56):
Here we go. It's counting down.
Speaker 4 (23:58):
Ten fifty six sponsored by Yeah, eleven seconds.
Speaker 3 (24:09):
Looks like it's gotta be nice today here, Jane Stevens,
shoon yard.
Speaker 2 (24:17):
Feel the music, Okay, feel the music.
Speaker 4 (24:20):
It's gonna be twenty seconds to feel.
Speaker 2 (24:22):
The music, right, don't don't don't don't.
Speaker 1 (24:24):
Start time in and weather in me feel the music,
talk about it.
Speaker 2 (24:29):
Let it come from inside in here, in here.
Speaker 4 (24:32):
We do need that ten fifty eight. Okay, air check
So please get that pen and here we go.
Speaker 3 (24:39):
Looks like it's going to be a beautiful day today.
Speaker 2 (24:41):
What do you know?
Speaker 3 (24:44):
All right?
Speaker 2 (24:47):
Can we start? Are we ready?
Speaker 4 (24:49):
She had ten more seconds and here we go. Looks
like it's thing that could be.
Speaker 1 (24:58):
Oh Elliott showing I sit in the airchair, bro, Will
you hit the post for her?
Speaker 4 (25:06):
Are you ready?
Speaker 2 (25:07):
Yeah?
Speaker 1 (25:07):
Remember it's twenty seconds? Absolutely the only information she had
to impossible not to think of this song. When you
think of the greatest long songs in the world, of
course you would find Bob Dylan on there, you would
find led Zeppelin, and of course you would find sub
Chance Steven's impossible soul kiss Man.
Speaker 4 (25:34):
I don't know why you're celebrating you again butchered his name.
Speaker 2 (25:37):
Yeah, I know, but I didn't want to have to
stumble over it. I just wanted to get into it.
But I nailed it right up to that post, barely.
Speaker 4 (25:45):
Room for a short and curly eleven million monthly listeners
on Spotify, thank you. This is like a festival headliner
we're talking about here. You're treating Again like he's a
lot of Delray. Now you know her, but you're treating
him like is this up and time?
Speaker 2 (26:02):
I don't know the song. I'm sorry, I don't know
the song. But I nailed the intro because I felt
the music
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