October 9, 2025 • 26 mins
Bia on Issues with Cardi B, Operating From a Different Frequency & Debut Album
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
He's in the house today.
Speaker 2 (00:08):
Yeah, five point one, we got I know. The bell
just makes everything sound more. It's like exciting. Everything's exciting
with the bell.
Speaker 3 (00:17):
Hi wama, how are you?
Speaker 2 (00:19):
I'm good? How are you?
Speaker 1 (00:21):
I'm feeling great?
Speaker 2 (00:22):
Are you good? Because it's a big day for I
mean no, not yet. Friday is a big day for you.
Speaker 1 (00:27):
Is everything up to up to here?
Speaker 2 (00:29):
How long has this project been in the works?
Speaker 4 (00:31):
I would say this song, there's a song on this
project as old as like three years old.
Speaker 2 (00:35):
Okay, so this has been this is like been cooking this.
Speaker 1 (00:38):
Yeah, I've been I've been cooking this.
Speaker 4 (00:39):
And there's been songs that I felt like I wanted
to put out but I just wasn't ready to put
out or that I just didn't feel like it was
the time in the in the state of culture or
music to put them out. But right now, I just
feel like I'm on a different frequency in music, Like
people are calling for different music, they want to be inspired.
So I feel like it was a perfect time to
(01:00):
put this out. Of all, a lot of these songs
out right now.
Speaker 2 (01:03):
Okay, So what is that vibe though? Like when you
say things that people weren't ready for like, what does
that mean?
Speaker 4 (01:08):
Well, at least not ready for for me for me,
because I think that like people know me for like
one type of sound or one thing that kind of
like monotone rapping about like whatever it is. I'm rapping
about braggedocious things, material things, And I think I got
to a place where I was like, what am I
putting out into the world and what type of legacy
do I want to leave with my music. I wanted
(01:30):
to be way more intentional about it, and I always
wanted my debut album to be intentional and just very
true to my experiences in life. Because people would say, like,
you have your whole life to work on your first album.
I used to hear that and I'd be like, what
do they mean? And when people would say you should
put out an album right now, I'll be like, no, I'm
just not ready.
Speaker 1 (01:47):
I'm just not ready.
Speaker 2 (01:48):
Too much pressure on yourself probably.
Speaker 4 (01:50):
Yeah, Like it was like pressure, But for the first time,
I didn't feel like this date was ten ten long
before the madness everything that's been going on, so like
this project, I felt like personally I was ready to
put it out because I was in a space where like,
I'm just feeling like a softer woman and more vulnerable
with my art and just wanting to like shift my music.
Speaker 2 (02:12):
Isn't that where you talk about everything that's going on.
It's like it could really shift, Like you could have
a whole plan for yourself and your rollout and your
music and you're being vulnerable and you have like a
whole idea about what you want to do, and then
something shifts or like what is it? What do you
consider this a rap beef, a battle? What do you
consider this thing that's no noise?
Speaker 4 (02:34):
It's literally noise is to distract me from what the
bigger messages. Like what I've been saying to everybody, I
was like, this is something I've been working on for
so long. I'm grateful that there's new eyes on my
project and that there's new eyes to take it back
to the music because at the end.
Speaker 1 (02:50):
Of the day, that's what I'm here for.
Speaker 4 (02:51):
Yeah, this is a competitive sport for me, So it
is it's it's always going to go back to the music.
And I'm a writer and I'm a real artist, and
I'm talent that I believe in my art. So when
you put people to focus on the music, which is
what I'm here for I'm glad for them to do that,
Like I'm great, no people, Yeah, but help people what
I mean how they Yeah, for sure, however they come
(03:13):
because they might fucking a run and like something and
be like, oh wow, I didn't, Well I didn't.
Speaker 2 (03:20):
Because there is a thing the way rat beefs and
people use them as marketing, Like labels don't necessarily hate
if they're artists, is in the middle of some type
of the feud or something like that, Like I digress.
Speaker 4 (03:35):
Yeah, my label is very like they they love and
know me as a person and like what I stand for.
So they're very like when they believe in my in
my music. They've always been like, yo, this is your message.
We need you here, we want you here like we.
Speaker 2 (03:52):
That's a that's a that's a nice thing to have.
Absolutely know what I'm saying because sometimes it goes together
the other way around.
Speaker 4 (03:59):
Yeah, Like my label in me, like they care about
the pen, they care about the writing, they care about
the art, you know. And they've been with me for
some time so they they've seen my growth and they
want me to stay in like a high frequency place.
They don't want me to be in like a low
frequency wrap space where I'm trying to like, I have
(04:20):
nothing to prove I rat better anyway, so.
Speaker 1 (04:23):
It's like if we let's pull it out.
Speaker 4 (04:26):
It's like I think, once it gets to like messy,
I think you say your ship, you get your ship off,
I get my shit off.
Speaker 1 (04:33):
Whatever.
Speaker 4 (04:33):
That's cool, whatever you feel like you got to do
to sleep at night. But at the end of the day,
like once it started getting to like messy and like weird,
it's below the frequency for me, Like I just got
to get get it off. For me, I have a
studio in my house, so I'm gonna get it off
by any means necessary.
Speaker 1 (04:51):
Whatever I feel like you're going to I already did.
Speaker 4 (04:55):
But it's like whether I decided, whether I decided to
put it out, I wouldn't attach that to my album
because my album is beautiful. My album is a beautiful
piece of art, a beautiful piece of work, and I
would be doing a disservice by making that the highlight
of my album or even my interviews, because I speak
for a whole different type of women.
Speaker 2 (05:13):
Like who is she? Who is that that you speak for?
Speaker 4 (05:15):
I speak for women that are like not often spoken
for in whatever they categorize themselves as but I meet
them in real life and that's why I'm here. It's
like it's not here to push negativity. I love women
like that's never been the never been the mission for me.
I think the fans create a lot of that, and
(05:36):
then you know, it pipes us up to feel some
type of way, and then of course I feel my way,
you feel your way, and we might not see eye
to eye, but it always comes from a place of
like somebody standing on something.
Speaker 2 (05:47):
Yeah, I get that. It's always weird for like me
because I hate especially women, but rap battles in general
for me because I could meet an artist and be like,
I really like her, she's so dope, and then the
other one I could be like, I really like her,
she's so dope, and then once those two women start
beefing with each other, it almost this is not your problem,
but for everybody else, it almost makes it like.
Speaker 1 (06:09):
You gotta pick a side, like you gotta pick a side.
Speaker 2 (06:11):
I never want to pick, never wanted to pick a side.
So I mean from early from Little Kim and Foxy
Brown to on to Little Kim and Nikki to like,
it's always like you try to be neutral you try
to like, I can't control two grown ass women do
what two grown ass women want to do. That's your business,
you know what I mean. But it does affect how
it lands for people in some way. Do you feel
(06:33):
like that or no?
Speaker 4 (06:34):
Yeah I do, And I think that that's what we're
here to kind of like learn from the things like that, and.
Speaker 1 (06:42):
Like it's never mine.
Speaker 4 (06:44):
I'm never here to to bring down women like you know,
so at the end of the day, like that's never
the goal. But I'm here to stand on what's important
to me, that's the art. And when I meet like
other female artists and they look to me like a mentor,
they ask me business questions, they ask me contract show questions,
I'm very honest with them, like I have an open
mentor space with a lot of women in rap or
(07:06):
in music. So yeah, that's that's not that's not the
goal or the mission for me.
Speaker 2 (07:12):
Take your situation out of it. In general, what's happening
with women. I feel like, yo, I can't even keep
up who's beefing with who? Like I can't even and
and and then there's no boundaries about where we go
with stuff. And I just in the art of war,
like what do you believe is.
Speaker 1 (07:30):
Boundaries when you war?
Speaker 4 (07:32):
But like, you know, even even when people said that
I spoke negatively about her kids, I would never do that.
I would never say you can go back and listen
to it. It's a double entendre, but don't. I can't
help the fact that some people don't write rap and
don't know rap to know what's a double entendre, what's
a metaphor what's a disc to you?
Speaker 1 (07:49):
What's a diss to some you know?
Speaker 2 (07:50):
I know, I feel you. I know the line. I think.
I think because part of me I was like, she
ain't say nothing bad about the kid. But also as
a mother, even if as a mother, as somebody says
the kid's name, it immediately is gonna just being honest.
Even if it was the name, it would spark a
different level of reaction.
Speaker 1 (08:07):
Perfect.
Speaker 4 (08:07):
But even if it wasn't the name, they're general names,
like their general words, those that bar still would have
worked in a wrap.
Speaker 2 (08:15):
Yeah, No, I get.
Speaker 4 (08:17):
For sure, you know, but yeah I get it, like
for sure, yeah, but I'm just not in here in
a space to even take it even further than that,
like talk about somebody's kids or speak on somebody who's pregnant,
because like that energy is just weird.
Speaker 2 (08:30):
Is it frustrating for you that this is the conversation
going around as you getting ready a launch.
Speaker 4 (08:36):
It's not frustrating because I feel like there's a lot
of unanswered questions. So that's what I'm here for, Like
I have to there's two sides to every story, and
there's the truth. Yeah, So like you can go and
you could go on a press run and tell people
like a bunch of lies, and then I can go
and tell my side of the story and then you
take how you want to take it.
Speaker 1 (08:52):
But you can go do the research and you can
go look up the receipts and it's all there. Yeah,
and not one lie with.
Speaker 2 (08:57):
SOD and no discomfort in the face that this is
like intruding in your launch of your baby.
Speaker 4 (09:04):
No, because it's just gonna make people go and look
up my baby. They're gonna't want to know, like what
does she feel about this?
Speaker 2 (09:10):
Yeah?
Speaker 1 (09:10):
What is she gonna say? Back? Go listen to it.
Speaker 2 (09:14):
And then when they get the baby, what is the
what do you hope they get out of it?
Speaker 5 (09:18):
Like?
Speaker 2 (09:18):
What do you hope is like the takeaway from the album.
You know what I'm saying.
Speaker 4 (09:23):
I feel like there's something from everybody on the album,
and I don't feel like it has anything really to
do with negativity other than just pushing the culture forward
and pushing art forward. So I think when they when
they listen to my album, I think they'll be surprised
because there's like a lot of differences. I'm a piano
on there, there's record Latin records on there. There's things
(09:43):
that are like just different from what R and B
with tie like things that are different when people expect
from me.
Speaker 3 (09:50):
Yeah.
Speaker 2 (09:50):
Yeah, so that's exciting. Then have you fostered like good
strong relationships with other women, Yeah, absolutely business.
Speaker 4 (09:57):
I've been out here, I've been out for ten fifteen years.
I haven't one rap beef. I have real good relationships
with a lot of artists, women.
Speaker 1 (10:05):
And men in the music industy.
Speaker 2 (10:06):
I'm just wondering the best, I don't know, advice or
best thing that you've gotten from another woman.
Speaker 1 (10:13):
I feel like.
Speaker 4 (10:13):
I've had different interactions with like Rihanna, with Nikki, with
different women that have all Sylvia r Own, like different
women in music that have helped me be like, look
at my trajectory or my or my program and be like, Okay,
what can I take from them and apply to what
I have going on. They've always every interaction I've had
(10:36):
with with a woman in music that whether she raps
or whatever, it's always been positive.
Speaker 1 (10:41):
Eve.
Speaker 4 (10:42):
I've met Eve, it was beautiful, Like I've never had
a negative interaction with like another girl that raps.
Speaker 2 (10:49):
Outside of this, what about Sylvia? What did she what
was that? Really? What did she put you onto? Because
Sylvia definitely no, She's a whole boss. That's that's why
I wonder if she puts you on any game.
Speaker 4 (11:00):
That's what she did. She put me onto a lot
of games. I'm grateful for her. I'm just I'm so
grateful for my friend Zoe. I'm grateful for women that
are strong, powerful women that they hold me to a
higher standard. And example, like.
Speaker 2 (11:15):
Where do we see you ten years from now?
Speaker 3 (11:18):
Oh?
Speaker 2 (11:18):
I see myself with five five is more like five.
Speaker 4 (11:21):
Like probably five years from now, like more of like
maybe on some type of tour family like sometime I'll
slow it down in five years, like I'll see something
like that for myself.
Speaker 1 (11:32):
But definitely like entrepreneur, I love, I have.
Speaker 2 (11:37):
A makeup line, I saw that you wanted a nail salon.
Speaker 4 (11:40):
Yes, I love Yes, I love makeup, so for sure,
Like I would definitely like open some things.
Speaker 1 (11:46):
I love businesses.
Speaker 2 (11:46):
I think we talked about that one time, you and
your nail salona.
Speaker 1 (11:50):
Mm hmm.
Speaker 2 (11:51):
I know good nail salon is good.
Speaker 1 (11:53):
But yeah, even an R and B project I see
for me like in the future.
Speaker 2 (11:57):
Really I love R and B to like a whole
R and B album.
Speaker 1 (12:00):
Yeah, for sure, or the whole Latin album too.
Speaker 2 (12:02):
Probably that's a lot within five years.
Speaker 1 (12:05):
Yeah, I could do. I could do that, So it's
just I could do two projects in a year.
Speaker 2 (12:08):
So is this roll out about to happen fast? Like
do you feel like after this album you're gonna just
keep hitting?
Speaker 4 (12:12):
No, I feel like after this album, I'm gonna tour
this music and I'm gonna sing it everywhere I can
sing it.
Speaker 1 (12:18):
Do you love it tour set up? Not right now,
but I will.
Speaker 2 (12:22):
Okay, are you gonna do you know who you want
to go out with or any of that yet or
not yet?
Speaker 4 (12:25):
But I just kind of want to see like what
spaces like the music falls into and I'm trying with
like new sounds like sad parties. Something new for me
and I love that song bad guys like see you
have a video coming up for that tomorrow tomorrow.
Speaker 2 (12:40):
Oh wow, what's that? What's that look like? We you
shut that here?
Speaker 1 (12:43):
No, it's alright. I started in Little Haiti in Miami.
Speaker 2 (12:45):
Oh dope, are you in Miami? No, you're in La.
Speaker 1 (12:48):
Miami is my second home. Shout out to Miami.
Speaker 2 (12:50):
We love it, We love it there. All right, Let's
look at your in real life. Why you're not eating?
So what's the last thing you eait? You said grapes?
You're not eating?
Speaker 4 (12:58):
You got me just moving?
Speaker 1 (13:01):
No food?
Speaker 2 (13:03):
Go to karaoke song Willow Smith? Which one?
Speaker 4 (13:06):
Wait a minute, Rihanna stay? I do those two? I
belted at karaoke. You you depends?
Speaker 2 (13:14):
Have you been to the ladies love karaoke?
Speaker 1 (13:16):
Here? I might go, it's so good. I'm a belt it.
Speaker 4 (13:19):
I'm gonna sing one of my songs and then I'm
gonna do somebody else's Rihanna stay.
Speaker 2 (13:23):
It's not an easy song to say, and I can
sing it. You can. You want to give us two lines?
Why you can't say you can do it? No, you
don't do it.
Speaker 1 (13:31):
There's no auto tune in this mic auto something.
Speaker 2 (13:36):
I like this, What is your superpower? You said you
are telepathic?
Speaker 1 (13:41):
It's all one thing.
Speaker 2 (13:42):
Prophetic, Oh, a telepathic prophetic wordsmith, you got it, got it?
But what does that mean? What does that mean?
Speaker 1 (13:50):
Telepathic?
Speaker 4 (13:51):
I could communicate with different things and people through the mind.
Speaker 2 (13:54):
Also, tell me about that? How you do that?
Speaker 3 (13:57):
Like connect?
Speaker 1 (13:58):
I'm connecting with you right now?
Speaker 2 (13:59):
What do you telling me? What you're saying to me?
Speaker 1 (14:03):
It's like some allion shit I got going on. But
aside from that.
Speaker 2 (14:07):
Tell me more about that. That's very interesting to me.
Speaker 4 (14:09):
And all my friends say, I'm like prophetic, Like everything
I say it ends up coming true.
Speaker 2 (14:13):
This is facts you been telling me. The wordsmith, the telepathic,
I like, I like to I like to know about this.
Speaker 4 (14:20):
I just feel like I'm like on a different vibe
getting in your head, Like you.
Speaker 2 (14:24):
Know, does that work? Were guys too?
Speaker 1 (14:27):
It just works in general? Like I'm I'm here with you.
Speaker 2 (14:31):
What are you getting? What am I? What are you
getting from me? Today?
Speaker 4 (14:33):
Good?
Speaker 1 (14:33):
Or today?
Speaker 2 (14:34):
You are good?
Speaker 1 (14:35):
I love that you had a busy day, but it's
it's it's now.
Speaker 2 (14:38):
I had a no, I've had a crazy week. My
whole week has been upside down. You get that anyway,
your celebrity crush.
Speaker 1 (14:44):
Tupac, Yeah, he was. He was my celebrity chuck crush.
Speaker 2 (14:48):
You see these new images of him that they have him,
like if he was here now, Like I guess the Ai.
Speaker 1 (14:52):
Tupac Ai Tupac is so cool hologram Tupac.
Speaker 2 (14:56):
No, it's like full it looks like him at like
modern like at the basketball games and ship like that.
It's it is, but it's a little like it's a
little scary because because it used to look mad fake
and now it's starting to look like wait a minute, yeah,
they had another day that he was in Cuba. No way,
he's like, yeah, I've just been out here. I got
to check it out, know, and it's like for real
(15:16):
real it looks it looks really real. Yeah he's doing
with the selfie creepy. It's nothing And I didn't know
that before I wrote that. Ye crazy one thing on
your bucket list your nail salon.
Speaker 1 (15:29):
Yes, why don't you just do it?
Speaker 3 (15:31):
You can do that now.
Speaker 1 (15:32):
Yeah, I kind of just thinking of like what location when.
Speaker 4 (15:34):
You go on it, Like no, I don't know what
the name is gonna be yet, but.
Speaker 2 (15:39):
Okay, pet peeve. Not having enough time to eat. Eating
is a thing here. And liars. Yeah, I hate a liar,
me too, the worst kind of fucking people. Okay.
Speaker 4 (15:50):
Uh.
Speaker 2 (15:51):
The last thing that sent you down a rabbit hole UFOs,
talk to me about it is because you're telepathic.
Speaker 4 (15:57):
Yeah, I feel like I got that, like one time
I seen UFO. Nobody thinks it really happened. I've seen
it for sure.
Speaker 2 (16:03):
Were you by yourself? Are you the only person that
saw it?
Speaker 1 (16:05):
Oh? Yeah, pretty much.
Speaker 2 (16:07):
Okay, well that's why it's questionable. Yeah, but people need
like a little bit more than that. But I know,
I know it was Tell me where you were? What
did you say?
Speaker 1 (16:15):
Miami? I just seen it. I seen it.
Speaker 4 (16:17):
And then ever since, I just felt like, well, I'm
on like a different vibe, like.
Speaker 2 (16:22):
Oh so something happened to you when you saw it?
Maybe what did you see? What was it? Like a light?
Speaker 4 (16:27):
I don't know, Like ever since, I've just been diving
in like and it's a real thing.
Speaker 1 (16:32):
People are seeing them all over the place.
Speaker 2 (16:35):
Yeah, I know, I want you gotta look it up.
Speaker 1 (16:36):
I don't want to tell you too much, girl, they
might come and get me.
Speaker 2 (16:39):
No, we don't. We don't want that for you, and they.
Speaker 4 (16:41):
They might really like my album and need me to
start performing songs in space, so let me just relax
or under the sea.
Speaker 2 (16:48):
You don't want to stir up anything. We're gonna play
our little game. We do a game, Ivy, you're gonna
do it with me. We do a little thing called
check it or let it slide?
Speaker 1 (16:56):
Okay.
Speaker 2 (16:57):
We tell you scenarios and things, and then you tell
us if you would check that shit or you would
let it slide?
Speaker 1 (17:04):
Okay, check it or let it slide? Okay.
Speaker 6 (17:07):
An artist you are friends with announces that they are
dropping a project the same date as your anticipated project.
Speaker 3 (17:15):
Are we checking it or we letting it slide?
Speaker 1 (17:17):
Put a side?
Speaker 2 (17:19):
Is what it is?
Speaker 3 (17:20):
Yeah?
Speaker 2 (17:20):
And they didn't mention it.
Speaker 4 (17:22):
They they might have mentioned it depends what if they
didn't mention it?
Speaker 1 (17:27):
A little weird, but it depends.
Speaker 2 (17:28):
On weird weird.
Speaker 1 (17:31):
What's for me?
Speaker 3 (17:32):
It's for me?
Speaker 4 (17:34):
Like another person's project, don't really affect mine, because who's
gonna listen to minds?
Speaker 1 (17:38):
Who's gonna listen to mine? Anyways?
Speaker 3 (17:40):
Go ahead, angie, what is for you is that?
Speaker 2 (17:43):
What is for you is for you? Someone that you
were dating pops out with their new boo. Three weeks
after you guys stopped talking.
Speaker 1 (17:51):
Super let us slide the fuck. I'm not that girl,
see you bye? Are you ding?
Speaker 4 (18:02):
Weeks later, three weeks like you lucky you, lucky you
lucky one sooner than that.
Speaker 1 (18:07):
I wish it would make it two days sooner.
Speaker 2 (18:10):
Go ahead.
Speaker 1 (18:11):
I could care less, baby, if it's out. My life
is not my business.
Speaker 2 (18:15):
What kind of guys do you like?
Speaker 4 (18:17):
Strong ones, strong manly, protector, provider, beautiful heart, nice man, strong, tall, fine, fine.
Speaker 2 (18:32):
You got one of those.
Speaker 4 (18:33):
I'm just saying, Oh, hey, bo I'm talking about you.
Speaker 6 (18:40):
Okay, okay, you're on the first dinner date and your
date is smacking at the dinner.
Speaker 2 (18:47):
Table like his food, Like that's disgusting.
Speaker 1 (18:50):
Check your baby relaxing, I'll say, yo. I would tell him.
Speaker 3 (18:59):
I would tell him what are you gonna tell them?
Speaker 1 (19:03):
What?
Speaker 5 (19:04):
Like?
Speaker 1 (19:05):
Why do you doing so loud? Are you cool?
Speaker 2 (19:10):
It's crazy?
Speaker 1 (19:13):
That was gonna be my thing today. If somebody asked
me like a question, I didn't like.
Speaker 2 (19:18):
Oh that was your big plan? Did anybody did anybody
ask you'all care good?
Speaker 4 (19:30):
I've been very I've been very transparent today.
Speaker 2 (19:35):
That's funny good. It's funny whenever I have, like if
I have firsts who were like about to do their
first interviews, and they always ask my opinion, like, y'are
about to go do this interview? Whatever. I'm like, if
somebody asks you a question that you don't like, you
could always ask the person the question back in a
different way and then it takes the focus over you.
That's why I always tell artists like, if there's something
that makes you like if you asked me? What asked
(19:56):
me a terrible question?
Speaker 3 (19:58):
So how's your boyfriend doing?
Speaker 1 (20:01):
Oh?
Speaker 2 (20:01):
Ivy, Wait, how is your boyfriend?
Speaker 3 (20:05):
He's great? He's great?
Speaker 2 (20:07):
Who is he anyway? See how that?
Speaker 1 (20:11):
Just see how he just got too off?
Speaker 2 (20:13):
You know what I'm saying.
Speaker 1 (20:14):
I gotta use that.
Speaker 2 (20:16):
He was good?
Speaker 3 (20:16):
You know what I mean?
Speaker 2 (20:17):
It's free Game today and the Ani Martinez Show. Okay,
someone face times you without texting first, just a random
face time.
Speaker 1 (20:29):
Is it one of my like people that I talk to?
Speaker 3 (20:32):
Or not?
Speaker 1 (20:33):
Number so nobody can reach me?
Speaker 2 (20:35):
But you have a new number.
Speaker 1 (20:36):
Yeah, I do that new number.
Speaker 3 (20:38):
Sorry?
Speaker 1 (20:39):
Who is like? You can't even FaceTime me if you
don't have my number?
Speaker 2 (20:43):
But let you have one of those things. When you
call that, it says no caller ID.
Speaker 1 (20:50):
Your number comes up, my number comes up, her.
Speaker 2 (20:52):
Number comes up. Okay, so you're not checking it because
nobody has your face time.
Speaker 1 (20:56):
Yeah, and me and my friends communicate that way.
Speaker 4 (20:58):
They face on me. They know not to text me.
I will not answer a text message.
Speaker 2 (21:02):
You're not a text No, I'm.
Speaker 1 (21:03):
So FaceTime only, or you have to call me.
Speaker 2 (21:05):
That's so funny. I enjoy a FaceTime too, even if
I look, if I look crazy, I just answer the
phone facing up.
Speaker 1 (21:10):
Yeah, me too.
Speaker 2 (21:11):
Just I just do like it look be like you.
Speaker 1 (21:13):
Got I give you my brow.
Speaker 2 (21:16):
I give you like a half a brow.
Speaker 3 (21:17):
Alright, It depends what it is.
Speaker 2 (21:18):
Something about the ear and the talking and the noise
of my ear just fucking makes me uncomfortable. And also
I don't know, I don't like a phone to my
ear makes me feel like getting brain cancer. Yeah, not
into it.
Speaker 3 (21:31):
I'm just not a fan of people face long there.
Speaker 2 (21:34):
Yeah, I don't take text too long. Text takes too long,
all right, go another one, check it or let it slide.
Speaker 6 (21:41):
To be an addition, someone from your team brings a
guest to your studio session, and all they're doing is
put in Instagram stories.
Speaker 1 (21:50):
Check it instantly.
Speaker 2 (21:52):
Fuck out of here, Yeah, off your place, get out here, beat.
Speaker 1 (21:55):
It for sure? Beat it.
Speaker 2 (22:00):
Are you confrontational like that or I'm.
Speaker 4 (22:02):
Very like I'm not confrontational, but I'm definitely checking at
the door. Like and especially with like studio etiquette, because
that's like my space.
Speaker 2 (22:09):
What is that? What is the etiquette to somebody who's
never been to a studient.
Speaker 4 (22:13):
I don't want you coming in here pulling your phone out,
don't bring a hundred people I don't know, don't record,
don't don't.
Speaker 1 (22:22):
Give me suggestions.
Speaker 4 (22:23):
I don't if you're not like in the mix, like
if it's not somebody like valued, it's just somebody coming in.
Speaker 1 (22:28):
Like, oh, I think you should put an ad liberate there,
get the bar back and bring that back loop that wrong?
Speaker 4 (22:32):
Like I have people that have been to the studio
like that, and it's asked and it's like, you know,
it's like.
Speaker 1 (22:39):
Just you know, too much going on, too many cooks
in the kitchen. It's never a good thing.
Speaker 2 (22:43):
Okay, why you get me that one? I do it
because I even want to do it.
Speaker 1 (22:52):
Reverse on you.
Speaker 2 (22:54):
Yes, you can reverse anything I asked.
Speaker 5 (22:57):
You can reverse on me, Oi'd you walk into a
club a DJ plays a rivals disc record right before
you do a walk through?
Speaker 2 (23:08):
Do you check that or do you let it slide?
Speaker 4 (23:10):
I wouldn't even do the walk through? What do you
mean it's out like you should know I'm coming. Why
would you do that?
Speaker 2 (23:16):
And you would just leave?
Speaker 1 (23:17):
Yeah, I would just like just like a check it.
Speaker 2 (23:19):
That's a quiet check.
Speaker 1 (23:20):
It's a quiet chick.
Speaker 4 (23:21):
I'm not like a big like a type of person,
like you know, you know where you fucked up at
with me.
Speaker 2 (23:27):
We're not gonna do disrespect.
Speaker 4 (23:28):
Yeah, I will never tolerate disrespect ever, So you quietly
or no, Like it depends what mood I'm.
Speaker 1 (23:35):
In for sure.
Speaker 2 (23:38):
What would the alternative be?
Speaker 4 (23:41):
Cut that shit off myself, Like I'm like that, like
I'll cut it off. But yeah, for overall, Like I
know how DJs are because I'm really close with my DJ.
He's like one of my best friends and he's like
real particular about his set, you know. And I respect
the DJs because like they make this shit flow. So
I wouldn't disrespect a DJ, he said. I would just like,
but you know where.
Speaker 2 (24:02):
But you wouldn't pass out because they were playing a
record by somebody you not going with.
Speaker 1 (24:07):
Yeah, but not on my not on my ship, like
not like, well you're not on my program.
Speaker 2 (24:11):
Yeah yeah, yeah for sure.
Speaker 3 (24:13):
Not That feels like that's that's a check it, that's
a check check it.
Speaker 2 (24:17):
Okay, go all right, bullshit ask questions.
Speaker 6 (24:22):
That was crazy that you put me on crazy blast,
but we don't let that slide. You come home ready
to heat up your leftovers. You had a long day,
you starve, and you've been thinking about this.
Speaker 1 (24:33):
By my food.
Speaker 2 (24:34):
You know, you think of food you don't eat.
Speaker 6 (24:36):
You open the fridge so hungry, you open the fridge
and you discover that somebody h your leftovers.
Speaker 1 (24:42):
Oh, I'm checking it. I flipped.
Speaker 4 (24:44):
That's something I'll go to hell about. He's seen me
go to hell about that before.
Speaker 2 (24:48):
What do you mean he had.
Speaker 4 (24:50):
A homegirl that ate my food one time?
Speaker 2 (24:54):
Not a whole girl again, you food, and she didn't ask.
Speaker 1 (25:08):
And we had a chef there. I won't even get
into it, but.
Speaker 2 (25:12):
It was a chef there. He made you.
Speaker 1 (25:13):
She was like I was cool her too.
Speaker 4 (25:14):
She was like my homegirl too, So I felt like
I couldn't go too crazy. But I was like, you
told her she could have it.
Speaker 2 (25:21):
Mm. She's still mad and she's hungry now also at the.
Speaker 1 (25:25):
Same time thinking about that, thinking about it.
Speaker 2 (25:28):
All right, we got let's see one last one. Your partner.
I'm still trying to figure out. Do you have a boyfriend?
Do you have a man? Girl?
Speaker 1 (25:38):
Do you have a man?
Speaker 2 (25:44):
You're welcome?
Speaker 3 (25:45):
Thank you.
Speaker 2 (25:46):
I taught you that. I just want I gave you that.
Speaker 3 (25:54):
That was good.
Speaker 2 (25:57):
She hit me with my you know what, I'm gonna
let it slides, check me, check me so good?
Speaker 5 (26:09):
All right?
Speaker 2 (26:09):
What do people need to know? New album Friday?
Speaker 4 (26:12):
New album are coming to maybe possibly a tour coming soon.
Speaker 1 (26:18):
Look out video bag guy dropping? Yeah, where'd you shoot that?
Speaker 2 (26:22):
You said? You shout in Miami?
Speaker 1 (26:23):
Miami?
Speaker 4 (26:24):
Okay, yeah, a lot of great things. I'm outside, she's
outside having me.
Speaker 2 (26:29):
Thank you, baby, thank you for coming. What's up of
being about today?
Speaker 1 (26:33):
The UNCA
He's in the house today.
Speaker 2 (00:08):
Yeah, five point one, we got I know. The bell
just makes everything sound more. It's like exciting. Everything's exciting
with the bell.
Speaker 3 (00:17):
Hi wama, how are you?
Speaker 2 (00:19):
I'm good? How are you?
Speaker 1 (00:21):
I'm feeling great?
Speaker 2 (00:22):
Are you good? Because it's a big day for I
mean no, not yet. Friday is a big day for you.
Speaker 1 (00:27):
Is everything up to up to here?
Speaker 2 (00:29):
How long has this project been in the works?
Speaker 4 (00:31):
I would say this song, there's a song on this
project as old as like three years old.
Speaker 2 (00:35):
Okay, so this has been this is like been cooking this.
Speaker 1 (00:38):
Yeah, I've been I've been cooking this.
Speaker 4 (00:39):
And there's been songs that I felt like I wanted
to put out but I just wasn't ready to put
out or that I just didn't feel like it was
the time in the in the state of culture or
music to put them out. But right now, I just
feel like I'm on a different frequency in music, Like
people are calling for different music, they want to be inspired.
So I feel like it was a perfect time to
(01:00):
put this out. Of all, a lot of these songs
out right now.
Speaker 2 (01:03):
Okay, So what is that vibe though? Like when you
say things that people weren't ready for like, what does
that mean?
Speaker 4 (01:08):
Well, at least not ready for for me for me,
because I think that like people know me for like
one type of sound or one thing that kind of
like monotone rapping about like whatever it is. I'm rapping
about braggedocious things, material things, And I think I got
to a place where I was like, what am I
putting out into the world and what type of legacy
do I want to leave with my music. I wanted
(01:30):
to be way more intentional about it, and I always
wanted my debut album to be intentional and just very
true to my experiences in life. Because people would say, like,
you have your whole life to work on your first album.
I used to hear that and I'd be like, what
do they mean? And when people would say you should
put out an album right now, I'll be like, no, I'm
just not ready.
Speaker 1 (01:47):
I'm just not ready.
Speaker 2 (01:48):
Too much pressure on yourself probably.
Speaker 4 (01:50):
Yeah, Like it was like pressure, But for the first time,
I didn't feel like this date was ten ten long
before the madness everything that's been going on, so like
this project, I felt like personally I was ready to
put it out because I was in a space where like,
I'm just feeling like a softer woman and more vulnerable
with my art and just wanting to like shift my music.
Speaker 2 (02:12):
Isn't that where you talk about everything that's going on.
It's like it could really shift, Like you could have
a whole plan for yourself and your rollout and your
music and you're being vulnerable and you have like a
whole idea about what you want to do, and then
something shifts or like what is it? What do you
consider this a rap beef, a battle? What do you
consider this thing that's no noise?
Speaker 4 (02:34):
It's literally noise is to distract me from what the
bigger messages. Like what I've been saying to everybody, I
was like, this is something I've been working on for
so long. I'm grateful that there's new eyes on my
project and that there's new eyes to take it back
to the music because at the end.
Speaker 1 (02:50):
Of the day, that's what I'm here for.
Speaker 4 (02:51):
Yeah, this is a competitive sport for me, So it
is it's it's always going to go back to the music.
And I'm a writer and I'm a real artist, and
I'm talent that I believe in my art. So when
you put people to focus on the music, which is
what I'm here for I'm glad for them to do that,
Like I'm great, no people, Yeah, but help people what
I mean how they Yeah, for sure, however they come
(03:13):
because they might fucking a run and like something and
be like, oh wow, I didn't, Well I didn't.
Speaker 2 (03:20):
Because there is a thing the way rat beefs and
people use them as marketing, Like labels don't necessarily hate
if they're artists, is in the middle of some type
of the feud or something like that, Like I digress.
Speaker 4 (03:35):
Yeah, my label is very like they they love and
know me as a person and like what I stand for.
So they're very like when they believe in my in
my music. They've always been like, yo, this is your message.
We need you here, we want you here like we.
Speaker 2 (03:52):
That's a that's a that's a nice thing to have.
Absolutely know what I'm saying because sometimes it goes together
the other way around.
Speaker 4 (03:59):
Yeah, Like my label in me, like they care about
the pen, they care about the writing, they care about
the art, you know. And they've been with me for
some time so they they've seen my growth and they
want me to stay in like a high frequency place.
They don't want me to be in like a low
frequency wrap space where I'm trying to like, I have
(04:20):
nothing to prove I rat better anyway, so.
Speaker 1 (04:23):
It's like if we let's pull it out.
Speaker 4 (04:26):
It's like I think, once it gets to like messy,
I think you say your ship, you get your ship off,
I get my shit off.
Speaker 1 (04:33):
Whatever.
Speaker 4 (04:33):
That's cool, whatever you feel like you got to do
to sleep at night. But at the end of the day,
like once it started getting to like messy and like weird,
it's below the frequency for me, Like I just got
to get get it off. For me, I have a
studio in my house, so I'm gonna get it off
by any means necessary.
Speaker 1 (04:51):
Whatever I feel like you're going to I already did.
Speaker 4 (04:55):
But it's like whether I decided, whether I decided to
put it out, I wouldn't attach that to my album
because my album is beautiful. My album is a beautiful
piece of art, a beautiful piece of work, and I
would be doing a disservice by making that the highlight
of my album or even my interviews, because I speak
for a whole different type of women.
Speaker 2 (05:13):
Like who is she? Who is that that you speak for?
Speaker 4 (05:15):
I speak for women that are like not often spoken
for in whatever they categorize themselves as but I meet
them in real life and that's why I'm here. It's
like it's not here to push negativity. I love women
like that's never been the never been the mission for me.
I think the fans create a lot of that, and
(05:36):
then you know, it pipes us up to feel some
type of way, and then of course I feel my way,
you feel your way, and we might not see eye
to eye, but it always comes from a place of
like somebody standing on something.
Speaker 2 (05:47):
Yeah, I get that. It's always weird for like me
because I hate especially women, but rap battles in general
for me because I could meet an artist and be like,
I really like her, she's so dope, and then the
other one I could be like, I really like her,
she's so dope, and then once those two women start
beefing with each other, it almost this is not your problem,
but for everybody else, it almost makes it like.
Speaker 1 (06:09):
You gotta pick a side, like you gotta pick a side.
Speaker 2 (06:11):
I never want to pick, never wanted to pick a side.
So I mean from early from Little Kim and Foxy
Brown to on to Little Kim and Nikki to like,
it's always like you try to be neutral you try
to like, I can't control two grown ass women do
what two grown ass women want to do. That's your business,
you know what I mean. But it does affect how
it lands for people in some way. Do you feel
(06:33):
like that or no?
Speaker 4 (06:34):
Yeah I do, And I think that that's what we're
here to kind of like learn from the things like that, and.
Speaker 1 (06:42):
Like it's never mine.
Speaker 4 (06:44):
I'm never here to to bring down women like you know,
so at the end of the day, like that's never
the goal. But I'm here to stand on what's important
to me, that's the art. And when I meet like
other female artists and they look to me like a mentor,
they ask me business questions, they ask me contract show questions,
I'm very honest with them, like I have an open
mentor space with a lot of women in rap or
(07:06):
in music. So yeah, that's that's not that's not the
goal or the mission for me.
Speaker 2 (07:12):
Take your situation out of it. In general, what's happening
with women. I feel like, yo, I can't even keep
up who's beefing with who? Like I can't even and
and and then there's no boundaries about where we go
with stuff. And I just in the art of war,
like what do you believe is.
Speaker 1 (07:30):
Boundaries when you war?
Speaker 4 (07:32):
But like, you know, even even when people said that
I spoke negatively about her kids, I would never do that.
I would never say you can go back and listen
to it. It's a double entendre, but don't. I can't
help the fact that some people don't write rap and
don't know rap to know what's a double entendre, what's
a metaphor what's a disc to you?
Speaker 1 (07:49):
What's a diss to some you know?
Speaker 2 (07:50):
I know, I feel you. I know the line. I think.
I think because part of me I was like, she
ain't say nothing bad about the kid. But also as
a mother, even if as a mother, as somebody says
the kid's name, it immediately is gonna just being honest.
Even if it was the name, it would spark a
different level of reaction.
Speaker 1 (08:07):
Perfect.
Speaker 4 (08:07):
But even if it wasn't the name, they're general names,
like their general words, those that bar still would have
worked in a wrap.
Speaker 2 (08:15):
Yeah, No, I get.
Speaker 4 (08:17):
For sure, you know, but yeah I get it, like
for sure, yeah, but I'm just not in here in
a space to even take it even further than that,
like talk about somebody's kids or speak on somebody who's pregnant,
because like that energy is just weird.
Speaker 2 (08:30):
Is it frustrating for you that this is the conversation
going around as you getting ready a launch.
Speaker 4 (08:36):
It's not frustrating because I feel like there's a lot
of unanswered questions. So that's what I'm here for, Like
I have to there's two sides to every story, and
there's the truth. Yeah, So like you can go and
you could go on a press run and tell people
like a bunch of lies, and then I can go
and tell my side of the story and then you
take how you want to take it.
Speaker 1 (08:52):
But you can go do the research and you can
go look up the receipts and it's all there. Yeah,
and not one lie with.
Speaker 2 (08:57):
SOD and no discomfort in the face that this is
like intruding in your launch of your baby.
Speaker 4 (09:04):
No, because it's just gonna make people go and look
up my baby. They're gonna't want to know, like what
does she feel about this?
Speaker 2 (09:10):
Yeah?
Speaker 1 (09:10):
What is she gonna say? Back? Go listen to it.
Speaker 2 (09:14):
And then when they get the baby, what is the
what do you hope they get out of it?
Speaker 5 (09:18):
Like?
Speaker 2 (09:18):
What do you hope is like the takeaway from the album.
You know what I'm saying.
Speaker 4 (09:23):
I feel like there's something from everybody on the album,
and I don't feel like it has anything really to
do with negativity other than just pushing the culture forward
and pushing art forward. So I think when they when
they listen to my album, I think they'll be surprised
because there's like a lot of differences. I'm a piano
on there, there's record Latin records on there. There's things
(09:43):
that are like just different from what R and B
with tie like things that are different when people expect
from me.
Speaker 3 (09:50):
Yeah.
Speaker 2 (09:50):
Yeah, so that's exciting. Then have you fostered like good
strong relationships with other women, Yeah, absolutely business.
Speaker 4 (09:57):
I've been out here, I've been out for ten fifteen years.
I haven't one rap beef. I have real good relationships
with a lot of artists, women.
Speaker 1 (10:05):
And men in the music industy.
Speaker 2 (10:06):
I'm just wondering the best, I don't know, advice or
best thing that you've gotten from another woman.
Speaker 1 (10:13):
I feel like.
Speaker 4 (10:13):
I've had different interactions with like Rihanna, with Nikki, with
different women that have all Sylvia r Own, like different
women in music that have helped me be like, look
at my trajectory or my or my program and be like, Okay,
what can I take from them and apply to what
I have going on. They've always every interaction I've had
(10:36):
with with a woman in music that whether she raps
or whatever, it's always been positive.
Speaker 1 (10:41):
Eve.
Speaker 4 (10:42):
I've met Eve, it was beautiful, Like I've never had
a negative interaction with like another girl that raps.
Speaker 2 (10:49):
Outside of this, what about Sylvia? What did she what
was that? Really? What did she put you onto? Because
Sylvia definitely no, She's a whole boss. That's that's why
I wonder if she puts you on any game.
Speaker 4 (11:00):
That's what she did. She put me onto a lot
of games. I'm grateful for her. I'm just I'm so
grateful for my friend Zoe. I'm grateful for women that
are strong, powerful women that they hold me to a
higher standard. And example, like.
Speaker 2 (11:15):
Where do we see you ten years from now?
Speaker 3 (11:18):
Oh?
Speaker 2 (11:18):
I see myself with five five is more like five.
Speaker 4 (11:21):
Like probably five years from now, like more of like
maybe on some type of tour family like sometime I'll
slow it down in five years, like I'll see something
like that for myself.
Speaker 1 (11:32):
But definitely like entrepreneur, I love, I have.
Speaker 2 (11:37):
A makeup line, I saw that you wanted a nail salon.
Speaker 4 (11:40):
Yes, I love Yes, I love makeup, so for sure,
Like I would definitely like open some things.
Speaker 1 (11:46):
I love businesses.
Speaker 2 (11:46):
I think we talked about that one time, you and
your nail salona.
Speaker 1 (11:50):
Mm hmm.
Speaker 2 (11:51):
I know good nail salon is good.
Speaker 1 (11:53):
But yeah, even an R and B project I see
for me like in the future.
Speaker 2 (11:57):
Really I love R and B to like a whole
R and B album.
Speaker 1 (12:00):
Yeah, for sure, or the whole Latin album too.
Speaker 2 (12:02):
Probably that's a lot within five years.
Speaker 1 (12:05):
Yeah, I could do. I could do that, So it's
just I could do two projects in a year.
Speaker 2 (12:08):
So is this roll out about to happen fast? Like
do you feel like after this album you're gonna just
keep hitting?
Speaker 4 (12:12):
No, I feel like after this album, I'm gonna tour
this music and I'm gonna sing it everywhere I can
sing it.
Speaker 1 (12:18):
Do you love it tour set up? Not right now,
but I will.
Speaker 2 (12:22):
Okay, are you gonna do you know who you want
to go out with or any of that yet or
not yet?
Speaker 4 (12:25):
But I just kind of want to see like what
spaces like the music falls into and I'm trying with
like new sounds like sad parties. Something new for me
and I love that song bad guys like see you
have a video coming up for that tomorrow tomorrow.
Speaker 2 (12:40):
Oh wow, what's that? What's that look like? We you
shut that here?
Speaker 1 (12:43):
No, it's alright. I started in Little Haiti in Miami.
Speaker 2 (12:45):
Oh dope, are you in Miami? No, you're in La.
Speaker 1 (12:48):
Miami is my second home. Shout out to Miami.
Speaker 2 (12:50):
We love it, We love it there. All right, Let's
look at your in real life. Why you're not eating?
So what's the last thing you eait? You said grapes?
You're not eating?
Speaker 4 (12:58):
You got me just moving?
Speaker 1 (13:01):
No food?
Speaker 2 (13:03):
Go to karaoke song Willow Smith? Which one?
Speaker 4 (13:06):
Wait a minute, Rihanna stay? I do those two? I
belted at karaoke. You you depends?
Speaker 2 (13:14):
Have you been to the ladies love karaoke?
Speaker 1 (13:16):
Here? I might go, it's so good. I'm a belt it.
Speaker 4 (13:19):
I'm gonna sing one of my songs and then I'm
gonna do somebody else's Rihanna stay.
Speaker 2 (13:23):
It's not an easy song to say, and I can
sing it. You can. You want to give us two lines?
Why you can't say you can do it? No, you
don't do it.
Speaker 1 (13:31):
There's no auto tune in this mic auto something.
Speaker 2 (13:36):
I like this, What is your superpower? You said you
are telepathic?
Speaker 1 (13:41):
It's all one thing.
Speaker 2 (13:42):
Prophetic, Oh, a telepathic prophetic wordsmith, you got it, got it?
But what does that mean? What does that mean?
Speaker 1 (13:50):
Telepathic?
Speaker 4 (13:51):
I could communicate with different things and people through the mind.
Speaker 2 (13:54):
Also, tell me about that? How you do that?
Speaker 3 (13:57):
Like connect?
Speaker 1 (13:58):
I'm connecting with you right now?
Speaker 2 (13:59):
What do you telling me? What you're saying to me?
Speaker 1 (14:03):
It's like some allion shit I got going on. But
aside from that.
Speaker 2 (14:07):
Tell me more about that. That's very interesting to me.
Speaker 4 (14:09):
And all my friends say, I'm like prophetic, Like everything
I say it ends up coming true.
Speaker 2 (14:13):
This is facts you been telling me. The wordsmith, the telepathic,
I like, I like to I like to know about this.
Speaker 4 (14:20):
I just feel like I'm like on a different vibe
getting in your head, Like you.
Speaker 2 (14:24):
Know, does that work? Were guys too?
Speaker 1 (14:27):
It just works in general? Like I'm I'm here with you.
Speaker 2 (14:31):
What are you getting? What am I? What are you
getting from me? Today?
Speaker 4 (14:33):
Good?
Speaker 1 (14:33):
Or today?
Speaker 2 (14:34):
You are good?
Speaker 1 (14:35):
I love that you had a busy day, but it's
it's it's now.
Speaker 2 (14:38):
I had a no, I've had a crazy week. My
whole week has been upside down. You get that anyway,
your celebrity crush.
Speaker 1 (14:44):
Tupac, Yeah, he was. He was my celebrity chuck crush.
Speaker 2 (14:48):
You see these new images of him that they have him,
like if he was here now, Like I guess the Ai.
Speaker 1 (14:52):
Tupac Ai Tupac is so cool hologram Tupac.
Speaker 2 (14:56):
No, it's like full it looks like him at like
modern like at the basketball games and ship like that.
It's it is, but it's a little like it's a
little scary because because it used to look mad fake
and now it's starting to look like wait a minute, yeah,
they had another day that he was in Cuba. No way,
he's like, yeah, I've just been out here. I got
to check it out, know, and it's like for real
(15:16):
real it looks it looks really real. Yeah he's doing
with the selfie creepy. It's nothing And I didn't know
that before I wrote that. Ye crazy one thing on
your bucket list your nail salon.
Speaker 1 (15:29):
Yes, why don't you just do it?
Speaker 3 (15:31):
You can do that now.
Speaker 1 (15:32):
Yeah, I kind of just thinking of like what location when.
Speaker 4 (15:34):
You go on it, Like no, I don't know what
the name is gonna be yet, but.
Speaker 2 (15:39):
Okay, pet peeve. Not having enough time to eat. Eating
is a thing here. And liars. Yeah, I hate a liar,
me too, the worst kind of fucking people. Okay.
Speaker 4 (15:50):
Uh.
Speaker 2 (15:51):
The last thing that sent you down a rabbit hole UFOs,
talk to me about it is because you're telepathic.
Speaker 4 (15:57):
Yeah, I feel like I got that, like one time
I seen UFO. Nobody thinks it really happened. I've seen
it for sure.
Speaker 2 (16:03):
Were you by yourself? Are you the only person that
saw it?
Speaker 1 (16:05):
Oh? Yeah, pretty much.
Speaker 2 (16:07):
Okay, well that's why it's questionable. Yeah, but people need
like a little bit more than that. But I know,
I know it was Tell me where you were? What
did you say?
Speaker 1 (16:15):
Miami? I just seen it. I seen it.
Speaker 4 (16:17):
And then ever since, I just felt like, well, I'm
on like a different vibe, like.
Speaker 2 (16:22):
Oh so something happened to you when you saw it?
Maybe what did you see? What was it? Like a light?
Speaker 4 (16:27):
I don't know, Like ever since, I've just been diving
in like and it's a real thing.
Speaker 1 (16:32):
People are seeing them all over the place.
Speaker 2 (16:35):
Yeah, I know, I want you gotta look it up.
Speaker 1 (16:36):
I don't want to tell you too much, girl, they
might come and get me.
Speaker 2 (16:39):
No, we don't. We don't want that for you, and they.
Speaker 4 (16:41):
They might really like my album and need me to
start performing songs in space, so let me just relax
or under the sea.
Speaker 2 (16:48):
You don't want to stir up anything. We're gonna play
our little game. We do a game, Ivy, you're gonna
do it with me. We do a little thing called
check it or let it slide?
Speaker 1 (16:56):
Okay.
Speaker 2 (16:57):
We tell you scenarios and things, and then you tell
us if you would check that shit or you would
let it slide?
Speaker 1 (17:04):
Okay, check it or let it slide? Okay.
Speaker 6 (17:07):
An artist you are friends with announces that they are
dropping a project the same date as your anticipated project.
Speaker 3 (17:15):
Are we checking it or we letting it slide?
Speaker 1 (17:17):
Put a side?
Speaker 2 (17:19):
Is what it is?
Speaker 3 (17:20):
Yeah?
Speaker 2 (17:20):
And they didn't mention it.
Speaker 4 (17:22):
They they might have mentioned it depends what if they
didn't mention it?
Speaker 1 (17:27):
A little weird, but it depends.
Speaker 2 (17:28):
On weird weird.
Speaker 1 (17:31):
What's for me?
Speaker 3 (17:32):
It's for me?
Speaker 4 (17:34):
Like another person's project, don't really affect mine, because who's
gonna listen to minds?
Speaker 1 (17:38):
Who's gonna listen to mine? Anyways?
Speaker 3 (17:40):
Go ahead, angie, what is for you is that?
Speaker 2 (17:43):
What is for you is for you? Someone that you
were dating pops out with their new boo. Three weeks
after you guys stopped talking.
Speaker 1 (17:51):
Super let us slide the fuck. I'm not that girl,
see you bye? Are you ding?
Speaker 4 (18:02):
Weeks later, three weeks like you lucky you, lucky you
lucky one sooner than that.
Speaker 1 (18:07):
I wish it would make it two days sooner.
Speaker 2 (18:10):
Go ahead.
Speaker 1 (18:11):
I could care less, baby, if it's out. My life
is not my business.
Speaker 2 (18:15):
What kind of guys do you like?
Speaker 4 (18:17):
Strong ones, strong manly, protector, provider, beautiful heart, nice man, strong, tall, fine, fine.
Speaker 2 (18:32):
You got one of those.
Speaker 4 (18:33):
I'm just saying, Oh, hey, bo I'm talking about you.
Speaker 6 (18:40):
Okay, okay, you're on the first dinner date and your
date is smacking at the dinner.
Speaker 2 (18:47):
Table like his food, Like that's disgusting.
Speaker 1 (18:50):
Check your baby relaxing, I'll say, yo. I would tell him.
Speaker 3 (18:59):
I would tell him what are you gonna tell them?
Speaker 1 (19:03):
What?
Speaker 5 (19:04):
Like?
Speaker 1 (19:05):
Why do you doing so loud? Are you cool?
Speaker 2 (19:10):
It's crazy?
Speaker 1 (19:13):
That was gonna be my thing today. If somebody asked
me like a question, I didn't like.
Speaker 2 (19:18):
Oh that was your big plan? Did anybody did anybody
ask you'all care good?
Speaker 4 (19:30):
I've been very I've been very transparent today.
Speaker 2 (19:35):
That's funny good. It's funny whenever I have, like if
I have firsts who were like about to do their
first interviews, and they always ask my opinion, like, y'are
about to go do this interview? Whatever. I'm like, if
somebody asks you a question that you don't like, you
could always ask the person the question back in a
different way and then it takes the focus over you.
That's why I always tell artists like, if there's something
that makes you like if you asked me? What asked
(19:56):
me a terrible question?
Speaker 3 (19:58):
So how's your boyfriend doing?
Speaker 1 (20:01):
Oh?
Speaker 2 (20:01):
Ivy, Wait, how is your boyfriend?
Speaker 3 (20:05):
He's great? He's great?
Speaker 2 (20:07):
Who is he anyway? See how that?
Speaker 1 (20:11):
Just see how he just got too off?
Speaker 2 (20:13):
You know what I'm saying.
Speaker 1 (20:14):
I gotta use that.
Speaker 2 (20:16):
He was good?
Speaker 3 (20:16):
You know what I mean?
Speaker 2 (20:17):
It's free Game today and the Ani Martinez Show. Okay,
someone face times you without texting first, just a random
face time.
Speaker 1 (20:29):
Is it one of my like people that I talk to?
Speaker 3 (20:32):
Or not?
Speaker 1 (20:33):
Number so nobody can reach me?
Speaker 2 (20:35):
But you have a new number.
Speaker 1 (20:36):
Yeah, I do that new number.
Speaker 3 (20:38):
Sorry?
Speaker 1 (20:39):
Who is like? You can't even FaceTime me if you
don't have my number?
Speaker 2 (20:43):
But let you have one of those things. When you
call that, it says no caller ID.
Speaker 1 (20:50):
Your number comes up, my number comes up, her.
Speaker 2 (20:52):
Number comes up. Okay, so you're not checking it because
nobody has your face time.
Speaker 1 (20:56):
Yeah, and me and my friends communicate that way.
Speaker 4 (20:58):
They face on me. They know not to text me.
I will not answer a text message.
Speaker 2 (21:02):
You're not a text No, I'm.
Speaker 1 (21:03):
So FaceTime only, or you have to call me.
Speaker 2 (21:05):
That's so funny. I enjoy a FaceTime too, even if
I look, if I look crazy, I just answer the
phone facing up.
Speaker 1 (21:10):
Yeah, me too.
Speaker 2 (21:11):
Just I just do like it look be like you.
Speaker 1 (21:13):
Got I give you my brow.
Speaker 2 (21:16):
I give you like a half a brow.
Speaker 3 (21:17):
Alright, It depends what it is.
Speaker 2 (21:18):
Something about the ear and the talking and the noise
of my ear just fucking makes me uncomfortable. And also
I don't know, I don't like a phone to my
ear makes me feel like getting brain cancer. Yeah, not
into it.
Speaker 3 (21:31):
I'm just not a fan of people face long there.
Speaker 2 (21:34):
Yeah, I don't take text too long. Text takes too long,
all right, go another one, check it or let it slide.
Speaker 6 (21:41):
To be an addition, someone from your team brings a
guest to your studio session, and all they're doing is
put in Instagram stories.
Speaker 1 (21:50):
Check it instantly.
Speaker 2 (21:52):
Fuck out of here, Yeah, off your place, get out here, beat.
Speaker 1 (21:55):
It for sure? Beat it.
Speaker 2 (22:00):
Are you confrontational like that or I'm.
Speaker 4 (22:02):
Very like I'm not confrontational, but I'm definitely checking at
the door. Like and especially with like studio etiquette, because
that's like my space.
Speaker 2 (22:09):
What is that? What is the etiquette to somebody who's
never been to a studient.
Speaker 4 (22:13):
I don't want you coming in here pulling your phone out,
don't bring a hundred people I don't know, don't record,
don't don't.
Speaker 1 (22:22):
Give me suggestions.
Speaker 4 (22:23):
I don't if you're not like in the mix, like
if it's not somebody like valued, it's just somebody coming in.
Speaker 1 (22:28):
Like, oh, I think you should put an ad liberate there,
get the bar back and bring that back loop that wrong?
Speaker 4 (22:32):
Like I have people that have been to the studio
like that, and it's asked and it's like, you know,
it's like.
Speaker 1 (22:39):
Just you know, too much going on, too many cooks
in the kitchen. It's never a good thing.
Speaker 2 (22:43):
Okay, why you get me that one? I do it
because I even want to do it.
Speaker 1 (22:52):
Reverse on you.
Speaker 2 (22:54):
Yes, you can reverse anything I asked.
Speaker 5 (22:57):
You can reverse on me, Oi'd you walk into a
club a DJ plays a rivals disc record right before
you do a walk through?
Speaker 2 (23:08):
Do you check that or do you let it slide?
Speaker 4 (23:10):
I wouldn't even do the walk through? What do you
mean it's out like you should know I'm coming. Why
would you do that?
Speaker 2 (23:16):
And you would just leave?
Speaker 1 (23:17):
Yeah, I would just like just like a check it.
Speaker 2 (23:19):
That's a quiet check.
Speaker 1 (23:20):
It's a quiet chick.
Speaker 4 (23:21):
I'm not like a big like a type of person,
like you know, you know where you fucked up at
with me.
Speaker 2 (23:27):
We're not gonna do disrespect.
Speaker 4 (23:28):
Yeah, I will never tolerate disrespect ever, So you quietly
or no, Like it depends what mood I'm.
Speaker 1 (23:35):
In for sure.
Speaker 2 (23:38):
What would the alternative be?
Speaker 4 (23:41):
Cut that shit off myself, Like I'm like that, like
I'll cut it off. But yeah, for overall, Like I
know how DJs are because I'm really close with my DJ.
He's like one of my best friends and he's like
real particular about his set, you know. And I respect
the DJs because like they make this shit flow. So
I wouldn't disrespect a DJ, he said. I would just like,
but you know where.
Speaker 2 (24:02):
But you wouldn't pass out because they were playing a
record by somebody you not going with.
Speaker 1 (24:07):
Yeah, but not on my not on my ship, like
not like, well you're not on my program.
Speaker 2 (24:11):
Yeah yeah, yeah for sure.
Speaker 3 (24:13):
Not That feels like that's that's a check it, that's
a check check it.
Speaker 2 (24:17):
Okay, go all right, bullshit ask questions.
Speaker 6 (24:22):
That was crazy that you put me on crazy blast,
but we don't let that slide. You come home ready
to heat up your leftovers. You had a long day,
you starve, and you've been thinking about this.
Speaker 1 (24:33):
By my food.
Speaker 2 (24:34):
You know, you think of food you don't eat.
Speaker 6 (24:36):
You open the fridge so hungry, you open the fridge
and you discover that somebody h your leftovers.
Speaker 1 (24:42):
Oh, I'm checking it. I flipped.
Speaker 4 (24:44):
That's something I'll go to hell about. He's seen me
go to hell about that before.
Speaker 2 (24:48):
What do you mean he had.
Speaker 4 (24:50):
A homegirl that ate my food one time?
Speaker 2 (24:54):
Not a whole girl again, you food, and she didn't ask.
Speaker 1 (25:08):
And we had a chef there. I won't even get
into it, but.
Speaker 2 (25:12):
It was a chef there. He made you.
Speaker 1 (25:13):
She was like I was cool her too.
Speaker 4 (25:14):
She was like my homegirl too, So I felt like
I couldn't go too crazy. But I was like, you
told her she could have it.
Speaker 2 (25:21):
Mm. She's still mad and she's hungry now also at the.
Speaker 1 (25:25):
Same time thinking about that, thinking about it.
Speaker 2 (25:28):
All right, we got let's see one last one. Your partner.
I'm still trying to figure out. Do you have a boyfriend?
Do you have a man? Girl?
Speaker 1 (25:38):
Do you have a man?
Speaker 2 (25:44):
You're welcome?
Speaker 3 (25:45):
Thank you.
Speaker 2 (25:46):
I taught you that. I just want I gave you that.
Speaker 3 (25:54):
That was good.
Speaker 2 (25:57):
She hit me with my you know what, I'm gonna
let it slides, check me, check me so good?
Speaker 5 (26:09):
All right?
Speaker 2 (26:09):
What do people need to know? New album Friday?
Speaker 4 (26:12):
New album are coming to maybe possibly a tour coming soon.
Speaker 1 (26:18):
Look out video bag guy dropping? Yeah, where'd you shoot that?
Speaker 2 (26:22):
You said? You shout in Miami?
Speaker 1 (26:23):
Miami?
Speaker 4 (26:24):
Okay, yeah, a lot of great things. I'm outside, she's
outside having me.
Speaker 2 (26:29):
Thank you, baby, thank you for coming. What's up of
being about today?
Speaker 1 (26:33):
The UNCA
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