April 2, 2025 • 8 mins
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Episode Transcript
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Speaker 1 (00:00):
Text jj R and whatever's on your mind to nine
six eight ninety three.
Speaker 2 (00:08):
In fact, it was funny. I got a text here
that says wait wait wait wait wait wait wait oh god,
where is it? Anyway?
Speaker 1 (00:16):
It talks about how oh I can tell John Jay's
working really hard on enunciating his words and speaking slower.
Speaker 2 (00:23):
Good job, John Jay, thank you, thank you so much.
Six oh two.
Speaker 1 (00:27):
Yeah, I'm trying to, especially with the phone number eight
seven seven ninety three, seven one oh four seven. I
was just I did a little thing in Saxon Hacks
about how people what people do to stay awake when
they drive, And I said, have you ever seen anybody
do something crazy when driving?
Speaker 2 (00:39):
And Maria, you got a story?
Speaker 3 (00:42):
Yeah, so I have a story.
Speaker 2 (00:45):
I grab an SUV so I sit up a little
higher than a car.
Speaker 3 (00:52):
So it's happened more than one time that I see this.
Speaker 4 (00:55):
And there was guys having fun with himself.
Speaker 2 (01:02):
Oh yeah, that's the thing. That's the thing.
Speaker 1 (01:08):
It's the thing. I mean, not like a thing like
something every guy does. But I think it's some bizarre
fetish because you heard about the guy that went to
that drive through at that coffee pass, right, Yeah, yeah,
Maria thanks for calling in and thank you for listening.
Speaker 3 (01:21):
Yeah, you're welcome.
Speaker 2 (01:23):
Have a good day, you too.
Speaker 1 (01:24):
Okay, So I was talking to text with Kyle last
night and I told her, I said, because you know,
she's been watching Dexter for nine seasons, like she finally
finished Dexter, so she's kind of hasn't been in my
TV friend. So I was giving her updates on a
show to watch and send her stuff. And I even
said it, I go, I feel like I'm like a
friend just came out of a coma.
Speaker 2 (01:43):
And let him know all the world of TV.
Speaker 1 (01:46):
So what have you experienced now that you've been back
into the current TV world?
Speaker 3 (01:50):
But I do feel really behind, especially because we talk
about TV a lot with each other in this room.
And so I did decide to catch up on Adolescence.
I watched Adolescence, which was number one on Netflix for
a long time while I was watching Dexter. It's not anymore,
so I felt like I wanted to watch that first,
just to like before it just.
Speaker 5 (02:07):
Went away forever. And it was good.
Speaker 3 (02:10):
But you guys talked a lot about how they filmed
the show and how it was like one take and
one camera through the whole thing, and I thought that
was interesting for like one episode, but then the last
episode I felt it made it very boring. Like the
last episode I could have done without except for the
last ten minutes of it.
Speaker 1 (02:24):
When I reviewed Adolescents, I said, it's really neat. I go,
it's almost like the way they film it is also
another character, but it distracts you from the show. And
I also said it unless you appreciate how much editing
is important, because you could have edited like right if
you weren't doing the whole one camera.
Speaker 2 (02:39):
Shot that last episode. Okay, we're gonna go buy paint. Cut, Okay,
we're gonna be bought the paint. Okay, I'm gonna pour
the paint in my car.
Speaker 5 (02:45):
You got to mix that up a little bit like
the studio does that. They have a lot of single
camera shoots that go from room to room and set
the set and all that, but then they go back
and shoot it like a normal TV show.
Speaker 3 (02:55):
I don't really do this, but I watched it at
one point five speed and still fast forwarded through that
last time episode. But it was a good show. Glad
I caught up on it.
Speaker 2 (03:02):
That was great.
Speaker 3 (03:03):
And John Jay kept sending me TV.
Speaker 2 (03:04):
Shows, TV show, TV shows to watch, so.
Speaker 3 (03:07):
I was like, oh my gosh, where do I go.
But we talked yesterday about how the first show I
really should watch afterwards since I just watched Dexter was
the show that's number one on Netflix right now, and
that's Gone Girls, which is a documentary about these like
the Gilgo Island murders, and it was like Long Island,
they were looking for one girl and they found four bodies,
(03:27):
and then they're still looking for her and they find
more bodies, and so I started that. I'm on episode
two of that and it is really fascinating. But I
also felt like I had the duty to also start
the other show that yes yes, which is called The
Long Bright River. And it's so weird because I feel
like the documentary Gone Girls and Long Right River are
the same stories, but one's a documentary and one is
(03:49):
a fiction show right supposedly fiction.
Speaker 2 (03:51):
Yeah, I thought that yesterday.
Speaker 1 (03:53):
I finished The Gone Girls yesterday because I kind of
watched it backwards a little bit because I thought episode
who got boring, but I was wrong.
Speaker 2 (03:58):
I went back to finish episode two and it's really good.
Speaker 1 (04:00):
So I'm excited for you with the episode two, there's
a corruption thing with a police that I've never seen before,
Like it's it's pretty amazing. But then there's at the
end you'll find episode three, three episodes there's just like
dead body after dead, but there's so many dead bodies
attached to this guy, this killer. Yeah, it's really crazy.
But yes, the one on Peacock is very similar because they.
Speaker 3 (04:23):
Both, like both killers in each show are focusing on
sex workers because they say, like, you know, nobody will
miss them when they go missing. It doesn't become a
huge news story. No one reports it really, And so
like the Long Bright River show, on Peacock is Amanda Seafreid,
and she's a cop and she runs the area where
most of the sex workers work, and she has like
(04:43):
a familial connection with one of them, and that one
goes missing, and so you're trying to like follow her
as she's looking for this person.
Speaker 2 (04:51):
How far did you get on that.
Speaker 3 (04:52):
I started episode two?
Speaker 2 (04:54):
Oh good, okay, it's remember I remember.
Speaker 5 (04:56):
It's so weird. I still feel a cut up. I mean,
you went all the way through adolescents. That would take
me a week and a half.
Speaker 1 (05:05):
That was a tough watch, I think, Yeah, But especially,
I mean, there were so many different levels of adolescents.
Speaker 2 (05:09):
But Long Bright River is really good.
Speaker 1 (05:12):
I'm so glad you're watching it so we can talk
about it when it's done, because that was so many
things I want.
Speaker 2 (05:15):
To talk about.
Speaker 1 (05:16):
But there's so many parallels to Gone Girls in this thing. Yeah,
so many.
Speaker 4 (05:19):
I started the Gone.
Speaker 2 (05:20):
Girl, Oh you did? How far did you get?
Speaker 4 (05:22):
Episode and a half in? So I'm halfway through the
second episode. It's really good. I actually ended up turning
it off because I was really mad, Like, I got
really upset and frustrated in that documentary because for one, like,
I went to college to do that, to be a detective,
to go and be and help solve crimes like that. Literally,
I was a criminal justice major just to go out
and do that kind of stuff. And I got so mad,
(05:45):
so mad when they didn't search the area where the
girl was last seen the first girl right like I was.
I had to turn it off. I was like, how
could you not search that area? And then when they
searched that area, of course, they find what they're supposed
to find, but I'd been eighteen months. It made me
so well, you.
Speaker 2 (06:02):
Find out why, you find out why.
Speaker 1 (06:04):
At the end of episode two, Oh okay, and there's
police corruption.
Speaker 2 (06:07):
It's really, it's even more mental.
Speaker 1 (06:09):
Somebody's going to make a movie out of this because
it is an unbelievable serial killer documentary. It's especially when
the guy is still alive, like they just caught the
guy two years ago and they will go back they
think he committed his first murder in nineteen ninety three,
says it's really And then the way they catch him,
you know, with using moderns of the way, they get
rid of the corruption and they bringing new people, and
(06:29):
those new people right away start using technology, and this
guy is caught again very much like the Peacock Show
because of a pickup truck, because of his truck. Like,
it's so weird anyway, I can't wait for you to
finish that. And it's so sad that it's a true story.
Speaker 5 (06:43):
How many people do they think he took out?
Speaker 4 (06:46):
But I'm like halfway through the second episode and there's
like thirteen missing bodies.
Speaker 5 (06:50):
Well, how hard could that be? The bust of guy
who's doing thirteen fourteen bodies?
Speaker 3 (06:53):
Well, to me, it's like, what's wild is how brazen
he is dumping all the bodies right there together and like, okay.
Speaker 2 (07:00):
So towards the end, I'm not ruined anything.
Speaker 1 (07:02):
I mean, but they they confiscate the guy's computers and
they find that he was so buttoned down, like they
found all his notes, like how to you know, to
make sure he eats right, make sure you get enough
sleep to hit them harder, like all go in whorder
to eliminate any tattoos from the people, to cut them
off fast, chop off their head and their arms so
(07:24):
that they can't be traded. I mean, it's really this
guy is I've never heard of anybody, you know, you
hear about Texas Chase from Masacows back then. This is now. Wow,
So this is now. So that means there are probably
serial killers right now. And if you're listening to the show,
call us eight seven seven nine three seven one four
seven Nick clearline five for any serial killers.
Speaker 2 (07:42):
I want to come through Angela, good morning, Good morning,
all right, what's up?
Speaker 3 (07:49):
I just wanted to call and talk about Long Bright Rivers.
Speaker 2 (07:52):
Yeah.
Speaker 3 (07:52):
I finished the show yesterday and it was like a
predictable Lifetime movie. I guess the killer was an episode.
Speaker 5 (08:01):
Doesn't that bother you when it's so obvious? When it's
so on the nose.
Speaker 4 (08:06):
Yes, yeah, I was very disappointed in the omer.
Speaker 2 (08:13):
Well did you gut?
Speaker 4 (08:14):
Can you? Do? You have a guest on who it is?
John Jason?
Speaker 2 (08:16):
I finished it.
Speaker 1 (08:17):
I finished it, but I told Kyle my guest before,
and I don't want to tell her if I'm right
or wrong, but I'm never wrong. I Oh, we have
a serial killer on the line. Hello, this is serial killer.
Speaker 2 (08:29):
Yes, hi, Hello, Yes I heard you guys need a
serial killer? Uh?
Speaker 5 (08:34):
You wanted to talk to one?
Speaker 2 (08:36):
Yes?
Speaker 5 (08:37):
Well, I just hate three bowls of tricks.
Speaker 2 (08:40):
You killed there, but I have a stomach. I had
to be more specific, but
Text jj R and whatever's on your mind to nine
six eight ninety three.
Speaker 2 (00:08):
In fact, it was funny. I got a text here
that says wait wait wait wait wait wait wait oh god,
where is it? Anyway?
Speaker 1 (00:16):
It talks about how oh I can tell John Jay's
working really hard on enunciating his words and speaking slower.
Speaker 2 (00:23):
Good job, John Jay, thank you, thank you so much.
Six oh two.
Speaker 1 (00:27):
Yeah, I'm trying to, especially with the phone number eight
seven seven ninety three, seven one oh four seven. I
was just I did a little thing in Saxon Hacks
about how people what people do to stay awake when
they drive, And I said, have you ever seen anybody
do something crazy when driving?
Speaker 2 (00:39):
And Maria, you got a story?
Speaker 3 (00:42):
Yeah, so I have a story.
Speaker 2 (00:45):
I grab an SUV so I sit up a little
higher than a car.
Speaker 3 (00:52):
So it's happened more than one time that I see this.
Speaker 4 (00:55):
And there was guys having fun with himself.
Speaker 2 (01:02):
Oh yeah, that's the thing. That's the thing.
Speaker 1 (01:08):
It's the thing. I mean, not like a thing like
something every guy does. But I think it's some bizarre
fetish because you heard about the guy that went to
that drive through at that coffee pass, right, Yeah, yeah,
Maria thanks for calling in and thank you for listening.
Speaker 3 (01:21):
Yeah, you're welcome.
Speaker 2 (01:23):
Have a good day, you too.
Speaker 1 (01:24):
Okay, So I was talking to text with Kyle last
night and I told her, I said, because you know,
she's been watching Dexter for nine seasons, like she finally
finished Dexter, so she's kind of hasn't been in my
TV friend. So I was giving her updates on a
show to watch and send her stuff. And I even
said it, I go, I feel like I'm like a
friend just came out of a coma.
Speaker 2 (01:43):
And let him know all the world of TV.
Speaker 1 (01:46):
So what have you experienced now that you've been back
into the current TV world?
Speaker 3 (01:50):
But I do feel really behind, especially because we talk
about TV a lot with each other in this room.
And so I did decide to catch up on Adolescence.
I watched Adolescence, which was number one on Netflix for
a long time while I was watching Dexter. It's not anymore,
so I felt like I wanted to watch that first,
just to like before it just.
Speaker 5 (02:07):
Went away forever. And it was good.
Speaker 3 (02:10):
But you guys talked a lot about how they filmed
the show and how it was like one take and
one camera through the whole thing, and I thought that
was interesting for like one episode, but then the last
episode I felt it made it very boring. Like the
last episode I could have done without except for the
last ten minutes of it.
Speaker 1 (02:24):
When I reviewed Adolescents, I said, it's really neat. I go,
it's almost like the way they film it is also
another character, but it distracts you from the show. And
I also said it unless you appreciate how much editing
is important, because you could have edited like right if
you weren't doing the whole one camera.
Speaker 2 (02:39):
Shot that last episode. Okay, we're gonna go buy paint. Cut, Okay,
we're gonna be bought the paint. Okay, I'm gonna pour
the paint in my car.
Speaker 5 (02:45):
You got to mix that up a little bit like
the studio does that. They have a lot of single
camera shoots that go from room to room and set
the set and all that, but then they go back
and shoot it like a normal TV show.
Speaker 3 (02:55):
I don't really do this, but I watched it at
one point five speed and still fast forwarded through that
last time episode. But it was a good show. Glad
I caught up on it.
Speaker 2 (03:02):
That was great.
Speaker 3 (03:03):
And John Jay kept sending me TV.
Speaker 2 (03:04):
Shows, TV show, TV shows to watch, so.
Speaker 3 (03:07):
I was like, oh my gosh, where do I go.
But we talked yesterday about how the first show I
really should watch afterwards since I just watched Dexter was
the show that's number one on Netflix right now, and
that's Gone Girls, which is a documentary about these like
the Gilgo Island murders, and it was like Long Island,
they were looking for one girl and they found four bodies,
(03:27):
and then they're still looking for her and they find
more bodies, and so I started that. I'm on episode
two of that and it is really fascinating. But I
also felt like I had the duty to also start
the other show that yes yes, which is called The
Long Bright River. And it's so weird because I feel
like the documentary Gone Girls and Long Right River are
the same stories, but one's a documentary and one is
(03:49):
a fiction show right supposedly fiction.
Speaker 2 (03:51):
Yeah, I thought that yesterday.
Speaker 1 (03:53):
I finished The Gone Girls yesterday because I kind of
watched it backwards a little bit because I thought episode
who got boring, but I was wrong.
Speaker 2 (03:58):
I went back to finish episode two and it's really good.
Speaker 1 (04:00):
So I'm excited for you with the episode two, there's
a corruption thing with a police that I've never seen before,
Like it's it's pretty amazing. But then there's at the
end you'll find episode three, three episodes there's just like
dead body after dead, but there's so many dead bodies
attached to this guy, this killer. Yeah, it's really crazy.
But yes, the one on Peacock is very similar because they.
Speaker 3 (04:23):
Both, like both killers in each show are focusing on
sex workers because they say, like, you know, nobody will
miss them when they go missing. It doesn't become a
huge news story. No one reports it really, And so
like the Long Bright River show, on Peacock is Amanda Seafreid,
and she's a cop and she runs the area where
most of the sex workers work, and she has like
(04:43):
a familial connection with one of them, and that one
goes missing, and so you're trying to like follow her
as she's looking for this person.
Speaker 2 (04:51):
How far did you get on that.
Speaker 3 (04:52):
I started episode two?
Speaker 2 (04:54):
Oh good, okay, it's remember I remember.
Speaker 5 (04:56):
It's so weird. I still feel a cut up. I mean,
you went all the way through adolescents. That would take
me a week and a half.
Speaker 1 (05:05):
That was a tough watch, I think, Yeah, But especially,
I mean, there were so many different levels of adolescents.
Speaker 2 (05:09):
But Long Bright River is really good.
Speaker 1 (05:12):
I'm so glad you're watching it so we can talk
about it when it's done, because that was so many
things I want.
Speaker 2 (05:15):
To talk about.
Speaker 1 (05:16):
But there's so many parallels to Gone Girls in this thing. Yeah,
so many.
Speaker 4 (05:19):
I started the Gone.
Speaker 2 (05:20):
Girl, Oh you did? How far did you get?
Speaker 4 (05:22):
Episode and a half in? So I'm halfway through the
second episode. It's really good. I actually ended up turning
it off because I was really mad, Like, I got
really upset and frustrated in that documentary because for one, like,
I went to college to do that, to be a detective,
to go and be and help solve crimes like that. Literally,
I was a criminal justice major just to go out
and do that kind of stuff. And I got so mad,
(05:45):
so mad when they didn't search the area where the
girl was last seen the first girl right like I was.
I had to turn it off. I was like, how
could you not search that area? And then when they
searched that area, of course, they find what they're supposed
to find, but I'd been eighteen months. It made me
so well, you.
Speaker 2 (06:02):
Find out why, you find out why.
Speaker 1 (06:04):
At the end of episode two, Oh okay, and there's
police corruption.
Speaker 2 (06:07):
It's really, it's even more mental.
Speaker 1 (06:09):
Somebody's going to make a movie out of this because
it is an unbelievable serial killer documentary. It's especially when
the guy is still alive, like they just caught the
guy two years ago and they will go back they
think he committed his first murder in nineteen ninety three,
says it's really And then the way they catch him,
you know, with using moderns of the way, they get
rid of the corruption and they bringing new people, and
(06:29):
those new people right away start using technology, and this
guy is caught again very much like the Peacock Show
because of a pickup truck, because of his truck. Like,
it's so weird anyway, I can't wait for you to
finish that. And it's so sad that it's a true story.
Speaker 5 (06:43):
How many people do they think he took out?
Speaker 4 (06:46):
But I'm like halfway through the second episode and there's
like thirteen missing bodies.
Speaker 5 (06:50):
Well, how hard could that be? The bust of guy
who's doing thirteen fourteen bodies?
Speaker 3 (06:53):
Well, to me, it's like, what's wild is how brazen
he is dumping all the bodies right there together and like, okay.
Speaker 2 (07:00):
So towards the end, I'm not ruined anything.
Speaker 1 (07:02):
I mean, but they they confiscate the guy's computers and
they find that he was so buttoned down, like they
found all his notes, like how to you know, to
make sure he eats right, make sure you get enough
sleep to hit them harder, like all go in whorder
to eliminate any tattoos from the people, to cut them
off fast, chop off their head and their arms so
(07:24):
that they can't be traded. I mean, it's really this
guy is I've never heard of anybody, you know, you
hear about Texas Chase from Masacows back then. This is now. Wow,
So this is now. So that means there are probably
serial killers right now. And if you're listening to the show,
call us eight seven seven nine three seven one four
seven Nick clearline five for any serial killers.
Speaker 2 (07:42):
I want to come through Angela, good morning, Good morning,
all right, what's up?
Speaker 3 (07:49):
I just wanted to call and talk about Long Bright Rivers.
Speaker 2 (07:52):
Yeah.
Speaker 3 (07:52):
I finished the show yesterday and it was like a
predictable Lifetime movie. I guess the killer was an episode.
Speaker 5 (08:01):
Doesn't that bother you when it's so obvious? When it's
so on the nose.
Speaker 4 (08:06):
Yes, yeah, I was very disappointed in the omer.
Speaker 2 (08:13):
Well did you gut?
Speaker 4 (08:14):
Can you? Do? You have a guest on who it is?
John Jason?
Speaker 2 (08:16):
I finished it.
Speaker 1 (08:17):
I finished it, but I told Kyle my guest before,
and I don't want to tell her if I'm right
or wrong, but I'm never wrong. I Oh, we have
a serial killer on the line. Hello, this is serial killer.
Speaker 2 (08:29):
Yes, hi, Hello, Yes I heard you guys need a
serial killer? Uh?
Speaker 5 (08:34):
You wanted to talk to one?
Speaker 2 (08:36):
Yes?
Speaker 5 (08:37):
Well, I just hate three bowls of tricks.
Speaker 2 (08:40):
You killed there, but I have a stomach. I had
to be more specific, but
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