May 5, 2025 • 22 mins
Today on the show Loren is joined by Breakfast Club Producer Brandon and get on the latest news on Beyonce getting hit with a Cease And Desist Over 'Unauthorized' Use Of Venue In Tour and Loren lets us in on the history of the Met Gala and what to prepare for the Met Gala today!
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Episode Transcript
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Speaker 1 (00:02):
I'm a homegirl that knows a little bit about everything
and everybody.
Speaker 2 (00:05):
You know, if you don't lie about that, right la.
Speaker 1 (00:09):
Hello guys, it's Lauren Rosa and this is the Latest
with Lauren the Rosa. I am the homegirl that knows
a bit about everything and everybody. And as always, the
Latest with Laurena Rosa is your dig on everything pop
culture and those conversations that are going to shake the room.
Now today we are back with another episode. I'm here, Brandon's.
Speaker 2 (00:29):
Here, Yep, yep, I'm we are here.
Speaker 3 (00:31):
I'm in Sunday clothes.
Speaker 1 (00:33):
It's raining here in New York, and I actually like,
we gotta get through this because I'm headed to a
fitting with Romeo Hunt from Youo is going to be
dressing me for the met Gala after activities invites. Just
keep coming, keep coming, you know what I'm saying, Like different,
I know how.
Speaker 2 (00:47):
Much you like your fashion, So watching things happen for
you is inspiring as well just watching it. So that's dope.
Speaker 3 (00:53):
Thank you.
Speaker 1 (00:54):
I'm in a really good space, like I'm feeling like
the seeds that I've been planting are starting to grow,
and that's a good feeling.
Speaker 3 (01:01):
You hung over from the Strip Club.
Speaker 2 (01:03):
I was not at the Strip Club, though I was
hung over. I feel like Alergi is kicking my ass.
But I'm I'm happy, y'all.
Speaker 3 (01:10):
So let's get on into the latest. So Beyonce.
Speaker 1 (01:14):
We had talked a bit on the Breakfast Club and
here on the podcast about Beyonce and the Cowboy Carter
tour and you know, just things happening. But now Beyonce
has been hit with a cease and desist. So earlier
this week, Beyonce was hit with a cease and desist
lawsuit because the Las Vegas Fear Sphere, the owners of
the Sphere that were just kicking my ass, claim that
(01:34):
Beyonce's production team used an image of the Sphere without
their permission, which is crazy because legally it's like, yes,
I get it, and they have an argument, but it's Beyonce.
Like I feel like you just like be happy that
Beyonce used anything in relation to you, Like, what do
you mean?
Speaker 2 (01:50):
No, I mean, looking into the story, it seemed a
little petty because you know, they wanted her to perform
at the Sphere and she didn't reply to oz it
James Dolan, They said, the CEO of the sphere. He
wanted her to perform, and she never applied to him.
So it seems like you can't use nothing about the
sphere and none of your productions don't even acknowledge us
anymore since you're not. But that's what it felt like,
you know, reading up on the story, So you.
Speaker 1 (02:11):
Feel like without that whole background information or the background
her not performing there, they wouldn't have dropped this lawsuit.
Speaker 2 (02:18):
Yeah, I feel like you know things about relationships if
they have built that relationship of you know, you just
do this for me, I'll do this for you. And
I don't think it's that First of all. I want
to know if it's can do does he have a
case because it's just an image of a building, right, Yeah,
she used in the video. She used the Eiffel Tower,
she used the Statue of Liberty. She just used monuments
(02:40):
that are recognizable in cities.
Speaker 3 (02:42):
Gotcha.
Speaker 2 (02:42):
Oh, I don't see what the issue is here.
Speaker 1 (02:44):
So for context, So, during the opening night of Beyonce's
Cowboy Carter tour, so that was back on April twenty eighth,
Beyonce used the Las Vegas Sphere in one of the
visuals that're like one of the interlude visuals now in
the video. So it's the two to Heaven song, the
one of R Kelly's ex wife Drea. She depicted so
(03:06):
Beyonce has depicted as one hundred feet tall and she's
striding through Las Vegas before she stops at the Sphere.
Then she lowers down before picking the venue up, tapping
it with one of the with one of her fingers
and walking away with in her hand. For those of
you guys who are watching the video here on YouTube,
you can take a look here for all all your listeners.
I'm describing it because I know that you can't see it,
(03:27):
but please go check it out. It'll be posted to
the bron Gar Grinding Instagram into my Instagram, Lauren la Rosa.
Speaker 3 (03:33):
Now, the clip went.
Speaker 1 (03:34):
Crazy because people are always hype to see Beyonce visuals.
But who you're talking about Madison Square Garden Bass James Dolan.
He was upset about this and people were actually tweeting like, imagine,
you can't get booked Beyonce, So now you mad and
you send a lawsuit?
Speaker 3 (03:47):
Right.
Speaker 1 (03:48):
The biggest issue that he had here was that because
you saw her in the with the Sphere in Las Vegas,
there was big speculation that her tour would be hitting there,
So basically they feel like they were wrongly depicted or
like it was almost like a false advertisement that could
have fell back on them to people that would have
wanted to come and see her in Las Vegas. McCarthy
(04:08):
went on to say that bees interlude has caused significant
speculation that she would end her tour with the Sphere residency,
because you remember some time ago, there's been right now
even though right now still there's rumors that Beyonce supposed
to do a Las Vegas residency, So people thought that
this was her saying and signally because she does this
in a lot of her art. Taylor Swift does it
(04:28):
as well, where they dropped these easter eggs, so people
thought it was an easter egg. So the letter the
Season Assists that was sent to her company, Beyonce's company,
park Or Entertainment, asked her to stop using the venue
Sphere without permission in the interlude so that it wouldn't
cause any confusion. It has recently comes to SEG's attention.
This is what the letter said that a Cowboy Carter
Tour interlude video contains an unauthorized use of SEG's intellectual property.
(04:53):
The letter states SEG is sure that multiple aspects of
the Interluw video, including other brands, clips, and music, were
duly cleared by the tour with rights permissions from stakeholders
whose works were used in the video, as it's common practice. Seg, however,
was never asked if the prominent appearance and manipulation of
SEG's sphere venue could be authorized. So basically what they're
(05:16):
saying is is, y'all asks us to use a lot
of other stuff and other people in this. So when
it comes to music, other you know, images or whatever.
And in Las Vegas, you know that those buildings and
the way that they look it's.
Speaker 3 (05:26):
All a part of the brand.
Speaker 1 (05:27):
And they do a lot of that, like architecture on purpose, right,
and they make up staples like you can think about
like how certain places like playing Hollywood and stuff like
that look in Vegas. So from what I'm reading here,
I think that they would have a case if she
didn't go about this the right way, which confuses me
because it's Beyonce, so it's like, why wouldn't she? But
it does seem a bit petty, it does. It does
(05:48):
seem a bit petty.
Speaker 3 (05:49):
Now.
Speaker 1 (05:49):
I brought all that up because this lawsuit dropped and
then there was more Beyonce tour news. So people have
been talking about the tickets, and I thought with the
tour going viral, more people were going to just start
buying the tickets.
Speaker 3 (06:02):
Even though you know you don't got the money.
Speaker 1 (06:03):
But you know, it's like fomo, yeah did you Like,
I know, I don't know how much of a Beyonce
you are, but didn't make you want to go and
see the tour when you were seeing like Roomy and
like you know, blue performing on stage and stuff.
Speaker 2 (06:13):
I've been hurt by a lot of Beyonce bands, so
it's a weird little thing on on.
Speaker 1 (06:19):
You mean, like excess or like no, let's explore you
are no no no, but I replaceable different. No.
Speaker 2 (06:30):
I thought it was more about the album. I think
a lot of people weren't big fans of the actual.
Speaker 3 (06:35):
You're the second person to tell me that.
Speaker 2 (06:37):
Yeah, So I think that's more of like Renaissance had
like great, and then I think it's that, and then
I think it's just money the economy. I feel like
the tickets are expensive and like you are real selective
nowadays with who they see a lot like the big arts,
So I hearing like if you're if they're going to
Kendrick or Chris Brown, you probably don't got the bandwidth
to be paying for Beyonce as well like those are.
(06:58):
That's probably two start there between.
Speaker 1 (07:01):
The two between including outfits and travel, and I get it,
but I don't know. I just feel like there's always
like the foumo thing, especially like with us, like we're
gonna we're gonna spend a dollar on to spend, we
feel like we're missing something or whatever. And I think,
I don't know, maybe it's because Beyonce kind of just
recently came off of the Renaissance tour. Because normally with
Beyonce tours, for me, the hype is is like, oh
(07:22):
my god, I gotta get the ticket. I gotta get
the ticket because I don't know when she's going back
on tour. She just came off of a tour, so
a lot of those fans did Renaissance. Now Cowboy Carter
is here, there's rumors of Vegas residency, so it's like,
maybe you feel like I'm gonna see her again a lot.
Speaker 2 (07:37):
Like she's not Like I feel like people aren't necessarily
like missing her.
Speaker 1 (07:41):
Yet people have been saying though that a lot of
people felt like Renaissance was her last tour, but a
lot of people felt like Cowboy Carter might be her last.
They said that every tour though, but a lot of
people feel like that. But she's had some issues that
you know this last week a couple of hiccups on stage,
which I know somebody getting fined.
Speaker 3 (07:57):
You don't play it to be.
Speaker 2 (07:59):
I saw you yo.
Speaker 3 (08:01):
Okay.
Speaker 1 (08:02):
So there was one of them where she couldn't find
her mark on stage, like her X on stage, and
she's like visibly looking.
Speaker 3 (08:08):
Then there was another one where, uh, she had the.
Speaker 1 (08:13):
Like there was she was trying to take There was
like a stunt that she was going with like a
glove and she's holding her mic and like people are
trying to take that off of her while she's on
safe and she visibly looks pissed. And she's normally really
good about handling like when things are not going right,
like this is not she just not a first ROADI
of course they'd be like who taught Laura? No pun intended?
(08:33):
She always saying it like I swear I'm a rapper,
like double Antandra don't play with me. But yeah, so
the fact that she looked visibly upset and we all
know is Beyonce. She's the queen of live performance. It's like, oh,
somebody ain't gonna have a job, somebody family ain't getting
no more free Cowboy Carter tickets, and yeah, so people,
I think people right now are still trying to figure
(08:53):
out if it's worth going to not worth it because
it's Beyonce, but basically, if it's like if I'm spending
my last dollar, is the show, like, you know, monumental
enough that I want to spend my last.
Speaker 3 (09:05):
Dollar if I got to chew, pick and choose.
Speaker 1 (09:08):
And then you got these moments going viral, countering the
other big moments where everybody was like, oh my god,
you know, she got her babies out there, Blue is dancing,
We're meeting roomy. Now she just thinks her mom Tina
Nose on stage for you know, New York Times bestseller
for her Matriarch book, and then all this, you know,
these little hiccups happened, and people not centered on it.
I don't feel like you said you didn't even see it.
Speaker 2 (09:28):
That I didn't see that specifically, but yeah, I've been
seeing clips and the the biggest thing I've been seeing
is blues improvement and dancing, Like I almost couldn't believe it. Yeah,
who is like who? And she looked I think she
who is that? Like she cooking? Yo? I really love
that because I remember an article came out that the
(09:50):
slander she was getting from the first like videos that
came out of her on tour motivated her to do better.
And now she's like, oh, she's a dancer now, Yeah,
I wonder if that's what she wants to do, like
if she wants to going to that path, and like
it looked like you could keep up like in Beyonce Shadow.
All right, it's a wild take, But was Beyonce dancing
like that?
Speaker 1 (10:07):
And her No Beyonce, No no, no, no, no baby no
in the beginning of and the behive and y'all can
come and get me off y'all want because we will
be upset when you dissect anything Beyonce and don't just
like give it to her all the way the beginning,
No Beyonce developed as I mean, the Destiny's Child had
to stage presence. They were moving, they were dancing, but
the vehicle in the machine of Beyonce, like the whole
(10:30):
Beyonce versus Sasha Fierce air Like it was really cute
and she was doing her thing before that, but she
evolved into this like.
Speaker 3 (10:38):
Machine of like, yeah, who the hell is that? Blue
Ivy did that so fast?
Speaker 1 (10:44):
I would say faster or maybe we just start paying
attention a lot more because it's social media. Yeah, but baby,
when I saw Blue Ivy walk out the day Javou
that opening night, I said, oh, Blue Ivy is tea yeah.
Speaker 2 (10:56):
And then I'm trying to like compare it to the
professional dances behind it and see if like, but she's
like nepotism, Like I just want to put my daughter.
She's keeping up with the dam I'm like, I'm eating them.
Speaker 1 (11:08):
Up like crazy, like even her faces too, like.
Speaker 3 (11:16):
Okay, that's why I'm not dancing.
Speaker 1 (11:18):
Well, I don't know if we if we do get
that Las Vegas residency and we get to see Blue
on stage, and you know what I mean, it's probably
not gonna happen at this sphere now because of this
cease and desist that was saying and they you know
before when it was reported that she was doing the
residency and that it was going to happen there.
Speaker 3 (11:33):
The negotiations fell through.
Speaker 1 (11:34):
So for some reason, I don't know, beyond Beyonce in
that Sphere team, they just can't figure it out, Like
they just can't get it together. So we'll have to
you know, it's the first.
Speaker 2 (11:42):
Few days star, right, they got time to get this
ship together.
Speaker 1 (11:45):
Well, Beyonce is doing her the tourter she's doing now
doesn't have anything to do with the Sphere, but because
when the Las Vegas residency rumors dropped, and then news
had came out that if she did do the residency,
it was going to be there. But then news came
out that the those negotiations fell through, like they couldn't.
Speaker 3 (12:03):
I don't know.
Speaker 1 (12:03):
It was like demands from both sides that like I
guess they just weren't meeting in the middle correctly, and
then she was looking at other locations and then it
just never happened. So that's why they're like, Yo, you
can't just throw us in your promo, Like now you
got your fans thinking you bring in something here that's
probably not it's nothing on paper.
Speaker 2 (12:19):
So there was negotiations. I thought there was, she wasn't.
She didn't reach back out.
Speaker 1 (12:22):
No, no, no, no, no, So Beyonce had a loss.
So the New York Post, actually I put up an
article Beyonce had a Las Vegas show scheduled at Allegiance
Stadium on July twenty fifth, twenty twenty five. Initially there
were reports of a potential residency at the Sphere, but
those negotiations fell through.
Speaker 3 (12:38):
Then Yeah, so.
Speaker 2 (12:39):
Okay, I thought she ignored them completely.
Speaker 1 (12:41):
No no, no, no, no, so it just didn't work out. No,
it didn't work out that time. Yes, yeah, gota. So
moving on what I'm excited about because this is the
reason why I got to get on up out of
here and go to a fitting mecgala. The met Gala
of the twenty twenty five met Gala is taking place.
Speaker 3 (13:00):
In New York.
Speaker 1 (13:01):
The theme this year is super fine Tailoring, Black Style.
Now this is an ode to black dandyism, and all
of us were fine and sophisticated. Glory Brandon, do you
know anything that I just said?
Speaker 2 (13:12):
No words go. I started looking around the room. I
was like, yes, you got it. You got fashion girl.
Speaker 1 (13:19):
Have you been seeing anything from the meggalo on your timeline?
I like to ask people outside of fashion how they
view what's happening in fashion.
Speaker 2 (13:25):
I saw the theme mostly I forgot the day of
it was said around black sat.
Speaker 1 (13:31):
Around black people. Most people are just excited about that.
A lot of people were like, you know what this is.
I saw an interview when June Ambrose sat down a
complex and they talked about the Megala a couple months
ago or a month or so ago.
Speaker 3 (13:45):
A lot of people feel like this is in.
Speaker 1 (13:47):
A Winter Tours because they put together the medic you know,
I think this is their this is their home. They
feel like this is in a win tours. Thank you
to to Andre Leon Tally. So Andre Leon Tally big
force in fashion. He was an editor. He was like
a lot of like the major black not even just
black celebrities, because he had his hands in everything with
(14:07):
everybody and a lot of the big fashion houses, but
a lot of the big h you know us black
people in fashion. He would he helped to like kind
of bring them to the forefront, to develop them, to say,
to allow the coature world to meet them for the
first time because it wasn't a place where we were welcomed.
And he was always one of, you know, if not
the only Black people that you would see front row
(14:28):
at a lot of these colture shows and these couature houses,
Like he did so much just by his presence and
you know, doing everything that he did behind the scenes
in front of the camera for black people in fashion,
but for people in fashion in general. But he was
a black man, you know what I mean. And then
he passed away, and people felt like at the time
when he passed away that in a winterur and you know,
(14:49):
Vogue and you know, just that whole couture world didn't
do enough for him, like he was. Even like at
the time when he passed away, there was conversations about, like,
you know, his family struggling to pay for his funeral
and just like which was crazy because when you think
about who he was as a journalist, as a editor
at large for Vogue, creative director, stylist, like just an
American fashion hero. He there have been reports of him
(15:12):
going through money things for some time before his passing,
but I think people just he gave so much. He
gave so much artist wise, uh, you know, just he
was radical renaissance. You know some of the things he
did and said, showing up with the big capes, just
his looks, people just expected more. So I think some
people feel like this is her thank you to him
(15:32):
for everything he contributed while being an editor at large
and Vogue and all that stuff. But yeah, so the theme,
the theme is tailoring, black style, super fine tailor, and
black style. Dandyism is a sub conversation that is happening
around the theme because it's people are taking it real
black black dandyism is looked at as like stylish, elegant.
(15:53):
Think about you know, dapper Dan in the suits. Think
about I'm trying to think who else I would describe
as dandy, Coman Domingo, like you know, like suited booted.
There's a lot of origins and a lot of history
to it. Like at one point in time, people, you know,
we're having conversation about dandyism in a way of like, okay,
it's connected to slavery, and it was a way for
(16:15):
us to assimulate, like kind of get away from the
idea of slavery and to be looked at as like something.
There's two sides of that. So that was our take
on it. But on the other side, you know, white
people and their take on dandyism during that time where
we were trying to simulate and let people know, like
we are more than how our slave masters presented us.
Speaker 3 (16:37):
Not to get too deep, but I think that this
is important.
Speaker 1 (16:39):
White people would use it as a way to like
almost you know, how you stage your home when you're
trying to sell it. Yeah, they would dress up their
slaves like that and sell them as luxury goods.
Speaker 3 (16:48):
Yes.
Speaker 1 (16:49):
Now the Megala is actually outside of just getting flying
people having a good time. It's connected to the actual
museum itself, and it brings attention to like, you know,
different like the curated exhibit that they do within that
museum that you remember that one year they put Rihanna
in the museum. Yeah, and then you know it on
the back end, it raises money for different things, and
you know there's actual substance to it.
Speaker 3 (17:11):
But we like to see people get fly.
Speaker 1 (17:13):
So a lot of people are looking out for a
sat Rocky who's one of the co chairs, Colman Domingo
because he's always in the suit, so why not Lewis Hamilton,
former Little One Driver, he'd be fly for real Williams
who's also a co chair.
Speaker 3 (17:28):
Lebron James is a co chair this year.
Speaker 1 (17:30):
Celebrities though that people are really looking forward to Doci
and I am so excited for Dochi because number one,
this is so on brand for her. Huh No, I
think she's actually gonna have on clothes.
Speaker 3 (17:45):
You can't tell her your ass snagget.
Speaker 2 (17:49):
Haynes matches.
Speaker 1 (17:51):
Listen, the people are excited for Dochi. Do She actually
posted this picture on if you saw it, but she
did this tribute to Andre Leon tally like when she
first like hers fly, she the beginning of the weekend,
when she started stepping out for the events, And when
I saw this picture of Delchi, I was like, Okay,
this year, maybe people won't be so off theme and
so off of understanding the nature and the history of
(18:13):
the theme that like we're gonna be like what the
heck is going on? You know, a lot of people
are just kind of nervous. And the name of that book,
Monica Miller, who's also helping to plan, you know, and like,
you know, she's just helping to curate a bit when
it comes to the Megala. Monica Miller, who is the
author of two thousand and nine, a two thousand and
nine book called Slaves to Fashion Black Dandyism in the
Styling of Black in the Styling of the Black that'sper identity.
(18:37):
They're gonna draw from different things in her book. So
the different literature from her book that talks about, you know,
just performance and how performance translates into fashion and dress
when it comes to black dandyism, so it's supposed to
be like a like I feel like we might leave
off feeling like we just left church, Like it's gonna
be real deeps.
Speaker 2 (18:54):
When you're describing I'm thinking like maybe like Baptist Sunday's
fine is kind of.
Speaker 1 (18:59):
See, but even that, I feel like you can lean
into dandyism there because it's like the hats, it's you
know what I mean, you gotta come to church a
certain way. We have we have Black people have always
used fashion to uh assimilate or to tell a story,
you know what I'm saying. So like I love when
we have a chance to kind of like put that
on display. I hate that it doesn't happen as often
at this level as it should.
Speaker 3 (19:19):
Steal, but you know what I'm saying, Like we do
what we do when we do it.
Speaker 1 (19:24):
I do think though some people are nervous because people
be off brand with it. People could be it could
give a little racist depending on who you are and
what you wear, so be careful. Yeah, so taking it
to the streets to be outside. We outside, we outside outside.
The Met gall of twenty twenty five, anticipation has been
the biggest thing that I've seen on x so tempting.
(19:47):
Tony Underscore tweeted, everybody's hashed, everybody's teasing the Met Gala looks.
Why is nothing good? Like they look nice, but nothing
has moved me. All of us so cerebral and I
guess it's to the point, but I'm tired of archive pools,
archive pools all the time.
Speaker 3 (20:02):
Do you know what the archive pool is?
Speaker 2 (20:04):
I know what the archive is and where the pool is.
But when you put them words together, is so.
Speaker 3 (20:08):
It's the same thing. It's like you pulling from like
a vintage brand.
Speaker 1 (20:10):
So basically like a lot of times with the Met Gala,
people feel like, oh, these celebrities get their stylace to
go pull these like ancient, like vintage luxury pieces. But
you still look like nothing, like it ain't given nothing.
And that's the biggest say. Have you ever watched the
Met Gala carpet and been like, what the hell are
people wearing?
Speaker 3 (20:27):
That's what people are scared of. That's what this sweet
is seeing. Okay, gotcha, And then.
Speaker 1 (20:34):
Somebody else tweeted it, says MoMA Yola, I'm so nervous
for the meggalaft to see his themed like we could
probably witness the most offensive shit ever with the way
twenty twenty five has been going dot dot dot. I
don't know dot dot dot not the Maga Mommy's that
the Meggala is Tommy Lawren.
Speaker 3 (20:53):
Please just stay home.
Speaker 1 (20:54):
I don't even feel like it, Like I really, I
don't know, canus owens like whoever?
Speaker 3 (20:59):
Whatever? One of y'all girls, please just not please.
Speaker 2 (21:02):
I can see it. Yes, Trump said you're not running
for a third term, so I feel like he's gonna
start showing up.
Speaker 1 (21:11):
Trump came to this met gala, I would just instantly
be offended because I feel.
Speaker 2 (21:15):
Like I'm fly or what if he had the best
fit on there.
Speaker 3 (21:18):
Leave it to black men that always just have room
and hope for Trump.
Speaker 2 (21:24):
It's crazy.
Speaker 3 (21:24):
All right, all right, y'all, we're gonna wrap it up here.
Speaker 1 (21:28):
So I've given y'all a lot of the background this
met gala talk for anybody who did not know what.
Speaker 3 (21:33):
Was going on.
Speaker 2 (21:34):
Now, I feel like in my heart, Jason really gonna
be there myself up at what you're trying to bet.
Speaker 1 (21:39):
If he's gonna go number one, and then if he's
gonna fall again this yere or not fall allegedly whatever,
I'll bet it all, all right, we bet ten dollars. Okay,
I'm betting that. You bet he's gonna go.
Speaker 2 (21:54):
Yeah, I think he's gonna be there.
Speaker 1 (21:56):
I feel like he's tired of all of the like
I did not fall. I did not fall. But if
you know what, maybe I should try to run into
Jason Derulo and get him falling just one time for.
Speaker 3 (22:05):
Pinky promise that you're gonna pay the bet when I win.
Speaker 2 (22:07):
Yeah, all right, right.
Speaker 1 (22:11):
Yeah, I don't trust you, date white woman.
Speaker 3 (22:14):
I don't trust you.
Speaker 2 (22:14):
I do not.
Speaker 1 (22:17):
So we'll see if Jason Gulo shows up, if he
falls or not, If Rihanna shows up and just all
of the dandism that is going to hit the carpet,
I'll be running out and about. Make sure you guys
are following me at Lornda Rosa everywhere. This has been
the latest with Lorena Rosa, and I tell you guys
every single time, if you're right here with me talking
about these topics. I appreciate you because at the end
of the day, y'all could be anywhere, but y'all are
(22:38):
right here.
Speaker 3 (22:39):
Thank you.
I'm a homegirl that knows a little bit about everything
and everybody.
Speaker 2 (00:05):
You know, if you don't lie about that, right la.
Speaker 1 (00:09):
Hello guys, it's Lauren Rosa and this is the Latest
with Lauren the Rosa. I am the homegirl that knows
a bit about everything and everybody. And as always, the
Latest with Laurena Rosa is your dig on everything pop
culture and those conversations that are going to shake the room.
Now today we are back with another episode. I'm here, Brandon's.
Speaker 2 (00:29):
Here, Yep, yep, I'm we are here.
Speaker 3 (00:31):
I'm in Sunday clothes.
Speaker 1 (00:33):
It's raining here in New York, and I actually like,
we gotta get through this because I'm headed to a
fitting with Romeo Hunt from Youo is going to be
dressing me for the met Gala after activities invites. Just
keep coming, keep coming, you know what I'm saying, Like different,
I know how.
Speaker 2 (00:47):
Much you like your fashion, So watching things happen for
you is inspiring as well just watching it. So that's dope.
Speaker 3 (00:53):
Thank you.
Speaker 1 (00:54):
I'm in a really good space, like I'm feeling like
the seeds that I've been planting are starting to grow,
and that's a good feeling.
Speaker 3 (01:01):
You hung over from the Strip Club.
Speaker 2 (01:03):
I was not at the Strip Club, though I was
hung over. I feel like Alergi is kicking my ass.
But I'm I'm happy, y'all.
Speaker 3 (01:10):
So let's get on into the latest. So Beyonce.
Speaker 1 (01:14):
We had talked a bit on the Breakfast Club and
here on the podcast about Beyonce and the Cowboy Carter
tour and you know, just things happening. But now Beyonce
has been hit with a cease and desist. So earlier
this week, Beyonce was hit with a cease and desist
lawsuit because the Las Vegas Fear Sphere, the owners of
the Sphere that were just kicking my ass, claim that
(01:34):
Beyonce's production team used an image of the Sphere without
their permission, which is crazy because legally it's like, yes,
I get it, and they have an argument, but it's Beyonce.
Like I feel like you just like be happy that
Beyonce used anything in relation to you, Like, what do
you mean?
Speaker 2 (01:50):
No, I mean, looking into the story, it seemed a
little petty because you know, they wanted her to perform
at the Sphere and she didn't reply to oz it
James Dolan, They said, the CEO of the sphere. He
wanted her to perform, and she never applied to him.
So it seems like you can't use nothing about the
sphere and none of your productions don't even acknowledge us
anymore since you're not. But that's what it felt like,
you know, reading up on the story, So you.
Speaker 1 (02:11):
Feel like without that whole background information or the background
her not performing there, they wouldn't have dropped this lawsuit.
Speaker 2 (02:18):
Yeah, I feel like you know things about relationships if
they have built that relationship of you know, you just
do this for me, I'll do this for you. And
I don't think it's that First of all. I want
to know if it's can do does he have a
case because it's just an image of a building, right, Yeah,
she used in the video. She used the Eiffel Tower,
she used the Statue of Liberty. She just used monuments
(02:40):
that are recognizable in cities.
Speaker 3 (02:42):
Gotcha.
Speaker 2 (02:42):
Oh, I don't see what the issue is here.
Speaker 1 (02:44):
So for context, So, during the opening night of Beyonce's
Cowboy Carter tour, so that was back on April twenty eighth,
Beyonce used the Las Vegas Sphere in one of the
visuals that're like one of the interlude visuals now in
the video. So it's the two to Heaven song, the
one of R Kelly's ex wife Drea. She depicted so
(03:06):
Beyonce has depicted as one hundred feet tall and she's
striding through Las Vegas before she stops at the Sphere.
Then she lowers down before picking the venue up, tapping
it with one of the with one of her fingers
and walking away with in her hand. For those of
you guys who are watching the video here on YouTube,
you can take a look here for all all your listeners.
I'm describing it because I know that you can't see it,
(03:27):
but please go check it out. It'll be posted to
the bron Gar Grinding Instagram into my Instagram, Lauren la Rosa.
Speaker 3 (03:33):
Now, the clip went.
Speaker 1 (03:34):
Crazy because people are always hype to see Beyonce visuals.
But who you're talking about Madison Square Garden Bass James Dolan.
He was upset about this and people were actually tweeting like, imagine,
you can't get booked Beyonce, So now you mad and
you send a lawsuit?
Speaker 3 (03:47):
Right.
Speaker 1 (03:48):
The biggest issue that he had here was that because
you saw her in the with the Sphere in Las Vegas,
there was big speculation that her tour would be hitting there,
So basically they feel like they were wrongly depicted or
like it was almost like a false advertisement that could
have fell back on them to people that would have
wanted to come and see her in Las Vegas. McCarthy
(04:08):
went on to say that bees interlude has caused significant
speculation that she would end her tour with the Sphere residency,
because you remember some time ago, there's been right now
even though right now still there's rumors that Beyonce supposed
to do a Las Vegas residency, So people thought that
this was her saying and signally because she does this
in a lot of her art. Taylor Swift does it
(04:28):
as well, where they dropped these easter eggs, so people
thought it was an easter egg. So the letter the
Season Assists that was sent to her company, Beyonce's company,
park Or Entertainment, asked her to stop using the venue
Sphere without permission in the interlude so that it wouldn't
cause any confusion. It has recently comes to SEG's attention.
This is what the letter said that a Cowboy Carter
Tour interlude video contains an unauthorized use of SEG's intellectual property.
(04:53):
The letter states SEG is sure that multiple aspects of
the Interluw video, including other brands, clips, and music, were
duly cleared by the tour with rights permissions from stakeholders
whose works were used in the video, as it's common practice. Seg, however,
was never asked if the prominent appearance and manipulation of
SEG's sphere venue could be authorized. So basically what they're
(05:16):
saying is is, y'all asks us to use a lot
of other stuff and other people in this. So when
it comes to music, other you know, images or whatever.
And in Las Vegas, you know that those buildings and
the way that they look it's.
Speaker 3 (05:26):
All a part of the brand.
Speaker 1 (05:27):
And they do a lot of that, like architecture on purpose, right,
and they make up staples like you can think about
like how certain places like playing Hollywood and stuff like
that look in Vegas. So from what I'm reading here,
I think that they would have a case if she
didn't go about this the right way, which confuses me
because it's Beyonce, so it's like, why wouldn't she? But
it does seem a bit petty, it does. It does
(05:48):
seem a bit petty.
Speaker 3 (05:49):
Now.
Speaker 1 (05:49):
I brought all that up because this lawsuit dropped and
then there was more Beyonce tour news. So people have
been talking about the tickets, and I thought with the
tour going viral, more people were going to just start
buying the tickets.
Speaker 3 (06:02):
Even though you know you don't got the money.
Speaker 1 (06:03):
But you know, it's like fomo, yeah did you Like,
I know, I don't know how much of a Beyonce
you are, but didn't make you want to go and
see the tour when you were seeing like Roomy and
like you know, blue performing on stage and stuff.
Speaker 2 (06:13):
I've been hurt by a lot of Beyonce bands, so
it's a weird little thing on on.
Speaker 1 (06:19):
You mean, like excess or like no, let's explore you
are no no no, but I replaceable different. No.
Speaker 2 (06:30):
I thought it was more about the album. I think
a lot of people weren't big fans of the actual.
Speaker 3 (06:35):
You're the second person to tell me that.
Speaker 2 (06:37):
Yeah, So I think that's more of like Renaissance had
like great, and then I think it's that, and then
I think it's just money the economy. I feel like
the tickets are expensive and like you are real selective
nowadays with who they see a lot like the big arts,
So I hearing like if you're if they're going to
Kendrick or Chris Brown, you probably don't got the bandwidth
to be paying for Beyonce as well like those are.
(06:58):
That's probably two start there between.
Speaker 1 (07:01):
The two between including outfits and travel, and I get it,
but I don't know. I just feel like there's always
like the foumo thing, especially like with us, like we're
gonna we're gonna spend a dollar on to spend, we
feel like we're missing something or whatever. And I think,
I don't know, maybe it's because Beyonce kind of just
recently came off of the Renaissance tour. Because normally with
Beyonce tours, for me, the hype is is like, oh
(07:22):
my god, I gotta get the ticket. I gotta get
the ticket because I don't know when she's going back
on tour. She just came off of a tour, so
a lot of those fans did Renaissance. Now Cowboy Carter
is here, there's rumors of Vegas residency, so it's like,
maybe you feel like I'm gonna see her again a lot.
Speaker 2 (07:37):
Like she's not Like I feel like people aren't necessarily
like missing her.
Speaker 1 (07:41):
Yet people have been saying though that a lot of
people felt like Renaissance was her last tour, but a
lot of people felt like Cowboy Carter might be her last.
They said that every tour though, but a lot of
people feel like that. But she's had some issues that
you know this last week a couple of hiccups on stage,
which I know somebody getting fined.
Speaker 3 (07:57):
You don't play it to be.
Speaker 2 (07:59):
I saw you yo.
Speaker 3 (08:01):
Okay.
Speaker 1 (08:02):
So there was one of them where she couldn't find
her mark on stage, like her X on stage, and
she's like visibly looking.
Speaker 3 (08:08):
Then there was another one where, uh, she had the.
Speaker 1 (08:13):
Like there was she was trying to take There was
like a stunt that she was going with like a
glove and she's holding her mic and like people are
trying to take that off of her while she's on
safe and she visibly looks pissed. And she's normally really
good about handling like when things are not going right,
like this is not she just not a first ROADI
of course they'd be like who taught Laura? No pun intended?
(08:33):
She always saying it like I swear I'm a rapper,
like double Antandra don't play with me. But yeah, so
the fact that she looked visibly upset and we all
know is Beyonce. She's the queen of live performance. It's like, oh,
somebody ain't gonna have a job, somebody family ain't getting
no more free Cowboy Carter tickets, and yeah, so people,
I think people right now are still trying to figure
(08:53):
out if it's worth going to not worth it because
it's Beyonce, but basically, if it's like if I'm spending
my last dollar, is the show, like, you know, monumental
enough that I want to spend my last.
Speaker 3 (09:05):
Dollar if I got to chew, pick and choose.
Speaker 1 (09:08):
And then you got these moments going viral, countering the
other big moments where everybody was like, oh my god,
you know, she got her babies out there, Blue is dancing,
We're meeting roomy. Now she just thinks her mom Tina
Nose on stage for you know, New York Times bestseller
for her Matriarch book, and then all this, you know,
these little hiccups happened, and people not centered on it.
I don't feel like you said you didn't even see it.
Speaker 2 (09:28):
That I didn't see that specifically, but yeah, I've been
seeing clips and the the biggest thing I've been seeing
is blues improvement and dancing, Like I almost couldn't believe it. Yeah,
who is like who? And she looked I think she
who is that? Like she cooking? Yo? I really love
that because I remember an article came out that the
(09:50):
slander she was getting from the first like videos that
came out of her on tour motivated her to do better.
And now she's like, oh, she's a dancer now, Yeah,
I wonder if that's what she wants to do, like
if she wants to going to that path, and like
it looked like you could keep up like in Beyonce Shadow.
All right, it's a wild take, But was Beyonce dancing
like that?
Speaker 1 (10:07):
And her No Beyonce, No no, no, no, no baby no
in the beginning of and the behive and y'all can
come and get me off y'all want because we will
be upset when you dissect anything Beyonce and don't just
like give it to her all the way the beginning,
No Beyonce developed as I mean, the Destiny's Child had
to stage presence. They were moving, they were dancing, but
the vehicle in the machine of Beyonce, like the whole
(10:30):
Beyonce versus Sasha Fierce air Like it was really cute
and she was doing her thing before that, but she
evolved into this like.
Speaker 3 (10:38):
Machine of like, yeah, who the hell is that? Blue
Ivy did that so fast?
Speaker 1 (10:44):
I would say faster or maybe we just start paying
attention a lot more because it's social media. Yeah, but baby,
when I saw Blue Ivy walk out the day Javou
that opening night, I said, oh, Blue Ivy is tea yeah.
Speaker 2 (10:56):
And then I'm trying to like compare it to the
professional dances behind it and see if like, but she's
like nepotism, Like I just want to put my daughter.
She's keeping up with the dam I'm like, I'm eating them.
Speaker 1 (11:08):
Up like crazy, like even her faces too, like.
Speaker 3 (11:16):
Okay, that's why I'm not dancing.
Speaker 1 (11:18):
Well, I don't know if we if we do get
that Las Vegas residency and we get to see Blue
on stage, and you know what I mean, it's probably
not gonna happen at this sphere now because of this
cease and desist that was saying and they you know
before when it was reported that she was doing the
residency and that it was going to happen there.
Speaker 3 (11:33):
The negotiations fell through.
Speaker 1 (11:34):
So for some reason, I don't know, beyond Beyonce in
that Sphere team, they just can't figure it out, Like
they just can't get it together. So we'll have to
you know, it's the first.
Speaker 2 (11:42):
Few days star, right, they got time to get this
ship together.
Speaker 1 (11:45):
Well, Beyonce is doing her the tourter she's doing now
doesn't have anything to do with the Sphere, but because
when the Las Vegas residency rumors dropped, and then news
had came out that if she did do the residency,
it was going to be there. But then news came
out that the those negotiations fell through, like they couldn't.
Speaker 3 (12:03):
I don't know.
Speaker 1 (12:03):
It was like demands from both sides that like I
guess they just weren't meeting in the middle correctly, and
then she was looking at other locations and then it
just never happened. So that's why they're like, Yo, you
can't just throw us in your promo, Like now you
got your fans thinking you bring in something here that's
probably not it's nothing on paper.
Speaker 2 (12:19):
So there was negotiations. I thought there was, she wasn't.
She didn't reach back out.
Speaker 1 (12:22):
No, no, no, no, no, So Beyonce had a loss.
So the New York Post, actually I put up an
article Beyonce had a Las Vegas show scheduled at Allegiance
Stadium on July twenty fifth, twenty twenty five. Initially there
were reports of a potential residency at the Sphere, but
those negotiations fell through.
Speaker 3 (12:38):
Then Yeah, so.
Speaker 2 (12:39):
Okay, I thought she ignored them completely.
Speaker 1 (12:41):
No no, no, no, no, so it just didn't work out. No,
it didn't work out that time. Yes, yeah, gota. So
moving on what I'm excited about because this is the
reason why I got to get on up out of
here and go to a fitting mecgala. The met Gala
of the twenty twenty five met Gala is taking place.
Speaker 3 (13:00):
In New York.
Speaker 1 (13:01):
The theme this year is super fine Tailoring, Black Style.
Now this is an ode to black dandyism, and all
of us were fine and sophisticated. Glory Brandon, do you
know anything that I just said?
Speaker 2 (13:12):
No words go. I started looking around the room. I
was like, yes, you got it. You got fashion girl.
Speaker 1 (13:19):
Have you been seeing anything from the meggalo on your timeline?
I like to ask people outside of fashion how they
view what's happening in fashion.
Speaker 2 (13:25):
I saw the theme mostly I forgot the day of
it was said around black sat.
Speaker 1 (13:31):
Around black people. Most people are just excited about that.
A lot of people were like, you know what this is.
I saw an interview when June Ambrose sat down a
complex and they talked about the Megala a couple months
ago or a month or so ago.
Speaker 3 (13:45):
A lot of people feel like this is in.
Speaker 1 (13:47):
A Winter Tours because they put together the medic you know,
I think this is their this is their home. They
feel like this is in a win tours. Thank you
to to Andre Leon Tally. So Andre Leon Tally big
force in fashion. He was an editor. He was like
a lot of like the major black not even just
black celebrities, because he had his hands in everything with
(14:07):
everybody and a lot of the big fashion houses, but
a lot of the big h you know us black
people in fashion. He would he helped to like kind
of bring them to the forefront, to develop them, to say,
to allow the coature world to meet them for the
first time because it wasn't a place where we were welcomed.
And he was always one of, you know, if not
the only Black people that you would see front row
(14:28):
at a lot of these colture shows and these couature houses,
Like he did so much just by his presence and
you know, doing everything that he did behind the scenes
in front of the camera for black people in fashion,
but for people in fashion in general. But he was
a black man, you know what I mean. And then
he passed away, and people felt like at the time
when he passed away that in a winterur and you know,
(14:49):
Vogue and you know, just that whole couture world didn't
do enough for him, like he was. Even like at
the time when he passed away, there was conversations about, like,
you know, his family struggling to pay for his funeral
and just like which was crazy because when you think
about who he was as a journalist, as a editor
at large for Vogue, creative director, stylist, like just an
American fashion hero. He there have been reports of him
(15:12):
going through money things for some time before his passing,
but I think people just he gave so much. He
gave so much artist wise, uh, you know, just he
was radical renaissance. You know some of the things he
did and said, showing up with the big capes, just
his looks, people just expected more. So I think some
people feel like this is her thank you to him
(15:32):
for everything he contributed while being an editor at large
and Vogue and all that stuff. But yeah, so the theme,
the theme is tailoring, black style, super fine tailor, and
black style. Dandyism is a sub conversation that is happening
around the theme because it's people are taking it real
black black dandyism is looked at as like stylish, elegant.
(15:53):
Think about you know, dapper Dan in the suits. Think
about I'm trying to think who else I would describe
as dandy, Coman Domingo, like you know, like suited booted.
There's a lot of origins and a lot of history
to it. Like at one point in time, people, you know,
we're having conversation about dandyism in a way of like, okay,
it's connected to slavery, and it was a way for
(16:15):
us to assimulate, like kind of get away from the
idea of slavery and to be looked at as like something.
There's two sides of that. So that was our take
on it. But on the other side, you know, white
people and their take on dandyism during that time where
we were trying to simulate and let people know, like
we are more than how our slave masters presented us.
Speaker 3 (16:37):
Not to get too deep, but I think that this
is important.
Speaker 1 (16:39):
White people would use it as a way to like
almost you know, how you stage your home when you're
trying to sell it. Yeah, they would dress up their
slaves like that and sell them as luxury goods.
Speaker 3 (16:48):
Yes.
Speaker 1 (16:49):
Now the Megala is actually outside of just getting flying
people having a good time. It's connected to the actual
museum itself, and it brings attention to like, you know,
different like the curated exhibit that they do within that
museum that you remember that one year they put Rihanna
in the museum. Yeah, and then you know it on
the back end, it raises money for different things, and
you know there's actual substance to it.
Speaker 3 (17:11):
But we like to see people get fly.
Speaker 1 (17:13):
So a lot of people are looking out for a
sat Rocky who's one of the co chairs, Colman Domingo
because he's always in the suit, so why not Lewis Hamilton,
former Little One Driver, he'd be fly for real Williams
who's also a co chair.
Speaker 3 (17:28):
Lebron James is a co chair this year.
Speaker 1 (17:30):
Celebrities though that people are really looking forward to Doci
and I am so excited for Dochi because number one,
this is so on brand for her. Huh No, I
think she's actually gonna have on clothes.
Speaker 3 (17:45):
You can't tell her your ass snagget.
Speaker 2 (17:49):
Haynes matches.
Speaker 1 (17:51):
Listen, the people are excited for Dochi. Do She actually
posted this picture on if you saw it, but she
did this tribute to Andre Leon tally like when she
first like hers fly, she the beginning of the weekend,
when she started stepping out for the events, And when
I saw this picture of Delchi, I was like, Okay,
this year, maybe people won't be so off theme and
so off of understanding the nature and the history of
(18:13):
the theme that like we're gonna be like what the
heck is going on? You know, a lot of people
are just kind of nervous. And the name of that book,
Monica Miller, who's also helping to plan, you know, and like,
you know, she's just helping to curate a bit when
it comes to the Megala. Monica Miller, who is the
author of two thousand and nine, a two thousand and
nine book called Slaves to Fashion Black Dandyism in the
Styling of Black in the Styling of the Black that'sper identity.
(18:37):
They're gonna draw from different things in her book. So
the different literature from her book that talks about, you know,
just performance and how performance translates into fashion and dress
when it comes to black dandyism, so it's supposed to
be like a like I feel like we might leave
off feeling like we just left church, Like it's gonna
be real deeps.
Speaker 2 (18:54):
When you're describing I'm thinking like maybe like Baptist Sunday's
fine is kind of.
Speaker 1 (18:59):
See, but even that, I feel like you can lean
into dandyism there because it's like the hats, it's you
know what I mean, you gotta come to church a
certain way. We have we have Black people have always
used fashion to uh assimilate or to tell a story,
you know what I'm saying. So like I love when
we have a chance to kind of like put that
on display. I hate that it doesn't happen as often
at this level as it should.
Speaker 3 (19:19):
Steal, but you know what I'm saying, Like we do
what we do when we do it.
Speaker 1 (19:24):
I do think though some people are nervous because people
be off brand with it. People could be it could
give a little racist depending on who you are and
what you wear, so be careful. Yeah, so taking it
to the streets to be outside. We outside, we outside outside.
The Met gall of twenty twenty five, anticipation has been
the biggest thing that I've seen on x so tempting.
(19:47):
Tony Underscore tweeted, everybody's hashed, everybody's teasing the Met Gala looks.
Why is nothing good? Like they look nice, but nothing
has moved me. All of us so cerebral and I
guess it's to the point, but I'm tired of archive pools,
archive pools all the time.
Speaker 3 (20:02):
Do you know what the archive pool is?
Speaker 2 (20:04):
I know what the archive is and where the pool is.
But when you put them words together, is so.
Speaker 3 (20:08):
It's the same thing. It's like you pulling from like
a vintage brand.
Speaker 1 (20:10):
So basically like a lot of times with the Met Gala,
people feel like, oh, these celebrities get their stylace to
go pull these like ancient, like vintage luxury pieces. But
you still look like nothing, like it ain't given nothing.
And that's the biggest say. Have you ever watched the
Met Gala carpet and been like, what the hell are
people wearing?
Speaker 3 (20:27):
That's what people are scared of. That's what this sweet
is seeing. Okay, gotcha, And then.
Speaker 1 (20:34):
Somebody else tweeted it, says MoMA Yola, I'm so nervous
for the meggalaft to see his themed like we could
probably witness the most offensive shit ever with the way
twenty twenty five has been going dot dot dot. I
don't know dot dot dot not the Maga Mommy's that
the Meggala is Tommy Lawren.
Speaker 3 (20:53):
Please just stay home.
Speaker 1 (20:54):
I don't even feel like it, Like I really, I
don't know, canus owens like whoever?
Speaker 3 (20:59):
Whatever? One of y'all girls, please just not please.
Speaker 2 (21:02):
I can see it. Yes, Trump said you're not running
for a third term, so I feel like he's gonna
start showing up.
Speaker 1 (21:11):
Trump came to this met gala, I would just instantly
be offended because I feel.
Speaker 2 (21:15):
Like I'm fly or what if he had the best
fit on there.
Speaker 3 (21:18):
Leave it to black men that always just have room
and hope for Trump.
Speaker 2 (21:24):
It's crazy.
Speaker 3 (21:24):
All right, all right, y'all, we're gonna wrap it up here.
Speaker 1 (21:28):
So I've given y'all a lot of the background this
met gala talk for anybody who did not know what.
Speaker 3 (21:33):
Was going on.
Speaker 2 (21:34):
Now, I feel like in my heart, Jason really gonna
be there myself up at what you're trying to bet.
Speaker 1 (21:39):
If he's gonna go number one, and then if he's
gonna fall again this yere or not fall allegedly whatever,
I'll bet it all, all right, we bet ten dollars. Okay,
I'm betting that. You bet he's gonna go.
Speaker 2 (21:54):
Yeah, I think he's gonna be there.
Speaker 1 (21:56):
I feel like he's tired of all of the like
I did not fall. I did not fall. But if
you know what, maybe I should try to run into
Jason Derulo and get him falling just one time for.
Speaker 3 (22:05):
Pinky promise that you're gonna pay the bet when I win.
Speaker 2 (22:07):
Yeah, all right, right.
Speaker 1 (22:11):
Yeah, I don't trust you, date white woman.
Speaker 3 (22:14):
I don't trust you.
Speaker 2 (22:14):
I do not.
Speaker 1 (22:17):
So we'll see if Jason Gulo shows up, if he
falls or not, If Rihanna shows up and just all
of the dandism that is going to hit the carpet,
I'll be running out and about. Make sure you guys
are following me at Lornda Rosa everywhere. This has been
the latest with Lorena Rosa, and I tell you guys
every single time, if you're right here with me talking
about these topics. I appreciate you because at the end
of the day, y'all could be anywhere, but y'all are
(22:38):
right here.
Speaker 3 (22:39):
Thank you.
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