The Producer Life...

Justin and Producer Ryley take you behind the scenes!

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
All right, hello friends, it is the after show podcast.
I am justin. You probably know that if you're listening
to this, but thank you for listening. I appreciate it
so much. Some couple of things to get to today
to check in with. Thank you to everybody that sent talkbacks.
I really I appreciate you, guys. I love coming in
in the morning and hearing talkbacks from the previous podcast.

(00:21):
And yesterday was kind of a free for all. I
did a solo podcast for like ten minutes or I
just I don't even know what I talked about, but
I think I said some good stuff. I don't know.

Speaker 2 (00:31):
Justin.

Speaker 3 (00:31):
It's Mo from Salem, New Hampshire, and I just have
to say you are just a fantastic, inspiring human being.
Truly just listening, keep going, keep going to you talk
off the cuff like that about what's truly important in life,
and you know it's it's just awesome and it's such

(00:52):
a privilege to be able to listen to you and
you're just awesome.

Speaker 1 (00:58):
Thank you, Thank you. I love you too.

Speaker 2 (01:00):
Mo.

Speaker 1 (01:00):
Mo is from Salem, New Hampshire. I love her. Producer
Riley's here, Hi, Riley, Hello, how are you? You probably
heard her snickering. We're gonna get to you in one
second because we have something to tackle you and I
that has to deal with what you do on the show.
But yeah, Mo actually lives in Salem, I believe. Yeah,
she lives there and she is a nurse. And she
came to my yard sale Riley. Remember I had that

(01:22):
yard sale a couple of years ago. She came and
was hanging out. And then another day I was did
she buy something from there? She did? I forget what
she got. She bought something, probably well, she probably felt
bad that she had to buy something from nanny. It
was ridiculous. But another time I was in market basket.
Now you're you live in Salem, Riley. So there's ten

(01:43):
market baskets within a one mile radius, by the way,
which one's your favorite?

Speaker 4 (01:47):
Oh so okay, the old, new one, the one that's
now by the Marshalls, And.

Speaker 1 (01:54):
That's the one I go to.

Speaker 4 (01:54):
Yeah, yeah, Joe far we're getting a whole Foods. Yeah,
you didn't know that that's.

Speaker 1 (02:01):
Going in Tuscan. Not sure where I know, because my
wife is excited.

Speaker 4 (02:05):
You even have room for that?

Speaker 1 (02:07):
I don't know, But there's been a high. There's been
a high demand for it. Yeah, I think actually yeah,
so yeah, so there's three market baskets Tuscan. The one
you just said in the middle is a small older one. Yeah,
that's yeah. And I feel like that's for the elderly
people absolutely, Like my wife's grandmother shops there and nanny

(02:28):
drops her off. She's eighty four and she does her
shopping by herself and then they pick her up.

Speaker 4 (02:32):
But I don't like going to that one because I
don't know where anything is.

Speaker 1 (02:34):
Yeah, I mean neither. I like the one that we
go to. Mean, I love it.

Speaker 4 (02:37):
It's perfect.

Speaker 1 (02:40):
So I was in that little one and it was
like on a Friday, I had done the After Show
with Winnie and I was in there shopping and this
woman walked by me and she she was on her phone.
I noticed she was on her phone, walks by me. Whatever.
A few minutes later, I'm checking out and the woman's
coming towards me now and she's holding the phone and
she goes, oh, oh my god, I'm listening to the

(03:01):
after Show while I'm shopping, and now here you are.
And it was mom, that's actually kind of funny. Pretty funny, right,
pretty cool. So that's that Thank you everybody. Yeah, I
was talking about I know you probably didn't listen yesterday,
but I was talking about perspective in life and how
important perspective is and having a positive attitude towards things
and how you look at things is really you know

(03:22):
how your day is gonna go. Yeah, if you look
at things things negatively, you're gonna have a negative day.

Speaker 4 (03:27):
One thing that I love about if we ever carpool together,
because I make you do that a lot for me
because I don't want to drive. I like that you
turn everything into a life lesson for me. Like not
in like a grandpa, no, like in like very much
like an older brother sort of way. I always feel like,
I like, get out of your car and I'm like, Okay,
I've got things to think about now.

Speaker 1 (03:47):
It's just because of experience, I think. You know, It's
just you go through things, you learn things, and I've
made every mistake possible. There is a voicemail okay that
was sent to me from years ago this and I
can't even listen to it. I don't even know. I
was so angry yelling at somebody. It's a long story

(04:08):
as to why it exists. But I listened to it,
and I'm like, who is that person? You know? So
I've been through some crazy, crazy stuff.

Speaker 4 (04:15):
Yeah, thinking back on your older self, you mean you
left it or somebody left it.

Speaker 1 (04:19):
I left it for somebody else that I was angry at,
and I was like yelling and screaming at them and
being kind of threatening towards them, and I'm like, super embarrassed.
I played it for my wife. She goes, what is that?
Why were you so angry?

Speaker 4 (04:35):
But then you have moments where that cop reached out
to you and he was like, I'm so proud of you.

Speaker 1 (04:39):
Oh my god, you remember that? Oh my god. I
don't know if I ever shared that in this podcast. Yeah.
Sergeant Mollus from Malden, Massachuset. He's retired now, but he
was the high school cop at Maldon High and then
he was a detective and then he became chief of
the police. He lived right around the corner from me,
so he arrested me several times, and all my friends,
everything he knew, all all about me, was on my case.

(05:01):
He was a legit like cops cop if you will. Yeah,
And obviously I ended up leaving Maldon, and you know,
did what I did and turned my life around to whatever.
And then one day someone came in, a salesperson and
there was an envelope left under the radio station door
and it was a letter from him, and it was
like it was beautiful, like he goes, you know, I
always wonder what happened to you, and I had no idea.

(05:23):
And a friend of mine was a woman, was talking
to me recently saying, you know, there's a kid from
Malden on Kiss one o eight now and I looked
you up and I just cannot believe one year alive
and to where you are. I'm so proud of you,
you know. And he gave me his phone number. I
never called him. I should have called him, yeah, but.

Speaker 4 (05:42):
Also sometimes it's good to just leave it as that.

Speaker 1 (05:45):
Yeah, you know, yeah, he was a motherfucker though. I
want to a quick story. So I had gotten arrested
for something out to forget what it was. And when
I got arrested, they had, you know, he brought me
in and he brought me into like the interrogation room,
and he started asking me questions about other like drug
dealers and people in the city. And obviously you don't talk.
That's the general rule. You don't snitch, you don't talk.

(06:08):
So I wouldn't tell him anything, and he was getting
so mad because these were my friends, and so I
didn't tell him anything because god forbid, I'm ever labeled
a rat. Yeah, and so whatever, he was mad, they
booked me. Whatever. Fast forward like some time later, I'm
standing in Malden Square with a group of my friends
and he comes walking up because we were kind of
near the police station. He walks by us, I kid,

(06:30):
you not interrupts us and goes, hey, justin you know,
that was a really good talk we had last week
or whatever, you know, just I really enjoyed it. It
was a good talk we had at the station. My
friends were like, what the fuck does that mean? He
basically was insinuating Riley that I was a snitch and
I had to convince my friends that I didn't and

(06:51):
he was making it up and ended up, Okay, I
didn't get stitches that time. Now that's a So when
you are in that world obviously snitching and ratting and
it's the lowest form of life, but then what happens
is I learned this from like a mentor of mine,
is once you get out of that life, and you're
not involved in that anymore. The word rat really doesn't

(07:14):
exist because you're not in there in that world anymore.
So I learned that because after I got clean, I
would still use that lingo like I'm not a rat,
I'm not a rat. And one time this guy said
to me, he goes, No, that word doesn't exist to
you anymore. Now if you go back into a world
of crime, then it does. He goes. I'll give you
an example. If I'm at my house and I see

(07:35):
someone breaking into my neighbor's house, I'm calling the police. Yeah,
does that make me a rat? And I thought about
it and I go no, he goes, See what I mean,
He's gonna move away from that, away from that lingo
and that thought process. I just thought that was interesting.
So there you go. Shout out to mo went on
a tangent. There one other thing I want to get
to before we get to Riley and what we're going

(07:57):
to talk about real quick, which has to do with
the show, is this.

Speaker 2 (08:01):
Hi.

Speaker 5 (08:01):
Justin. My name's Christine. I'm just leaving you a message
because I heard an alarming commercial on the radio on
kissinoight this afternoon, A very long time morning show listener,
and I heard a commercial for Christinome from Homeland Security

(08:22):
talking about ice and deportation. I'm assuming that's from iHeart.

Speaker 1 (08:28):
Yes, this is a giant deal at the radio station
that we are dealing with. Yeah, this is not us.
I mean it plays on our stations, but basically we
didn't even know it was playing. It's just started playing.
And my boss is like fielding calls and emails about it.
So this is pushed through nationally. We have no control
over it. It sucks because a lot of people are

(08:49):
angrily angry and rightfully so right and so between that
and top Dog the top Dog Law, it's like, people go,
what the hell are you doing? So I just wanted
to play that just to know that. Yeah, we're dealing
with it too. We get a lot of complaints about it,
and my boss is applying to like every email.

Speaker 5 (09:07):
Yeah.

Speaker 4 (09:07):
He told us to give people his email if they
have issues.

Speaker 1 (09:11):
Which I have, if they've DMed yeah.

Speaker 4 (09:13):
Which is pretty telling about how we feel about it.

Speaker 1 (09:15):
I feel like so the way he the way it
was positioned to me is like on a scale of like, obviously,
what happened with Winny and her layoffs and all the
company layffs, not just her, all of them was like
a big deal. It's a big fallout on every radio
station that was affected by the layoffs. That right there,
much bigger. Yeah, Like as far as being a problem
because a lot of people are upset about it.

Speaker 4 (09:37):
Yeah, it sucks and I we understand.

Speaker 1 (09:40):
Yeah. So the way the radio station works is obviously
you have like commercials that we've run that are local,
and then we have ones that are national, and then
we have ones that are kind of pushed through. We
don't put them in, they're pushed through on a national level,
and that's one of them. And so it just started
playing and now he's dealing with it. We're dealing with it,
so we're sorry.

Speaker 4 (09:57):
Yeah, I do turn the air down if I so,
I don't want to listen to it either.

Speaker 1 (10:01):
I get it, Yeah, I get I get it. Man,
I get so many DMS about it. So yeah, I
just know it's it's not us. It's kind of out
of control. I hate to keep saying that, but it's true.
It's like it's like the layoffs thing. I had to
keep saying that it's out of our control. But there's
nothing we can do, just is what it is, but Riley,
I did get a talk back. That's why I brought
you in so you can speak to this as can

(10:22):
I justin.

Speaker 2 (10:23):
Would you ever consider giving us a kind of play
by play of what goes into producing a show. I've
always been curious on what goes on behind the scenes.
It just comes across so easy, but I know there's
a ton of prep and I'd love to learn more.

Speaker 1 (10:45):
Thanks, now she's talking my language. And I'd brought in
producer Riley because you are called producer Riley.

Speaker 4 (10:52):
Yeah thatgame for a reason.

Speaker 1 (10:55):
Yeah, Well, because Lisa's son is named Riley. So when
you join the show.

Speaker 4 (11:00):
Be that side note on that. Well, so my middle
name is Catherine, and my mom wanted to call me
Riley Kate when I was growing up, and then when
I got to like elementary school, I was like, I'll
just go by Riley. I wish i'd gone by Riley
Kate though, because I could have been Riley Kate on
Kiss Want to wait?

Speaker 1 (11:13):
Oh yeah, it might have been.

Speaker 4 (11:15):
So cool name. I could have been Riley Kate instead
of producing.

Speaker 1 (11:20):
Missed opportunity better than McCabe.

Speaker 4 (11:22):
And he chose that name.

Speaker 1 (11:24):
He chose it.

Speaker 4 (11:24):
I didn't choose producer Riley.

Speaker 1 (11:26):
No, we gave that name to Yeah, McCabe's real name
is Mike, and there was a kid in his high school. Well,
I'm going to have a mon soon he'll tell the story.
There was kid in his high school name McCabe and
he liked that name.

Speaker 4 (11:36):
Yeah, it's not even his last name.

Speaker 1 (11:37):
He's not even his last name.

Speaker 4 (11:39):
Which is very confusing to me. Still sometimes I forget.

Speaker 1 (11:41):
That he's an interesting character. Anyway, when it comes to
producing the show, yes, a lot of work goes into it,
a lot. So I want to get your thoughts first, Okay,
because what you do is you helped me produce the show,
and obviously your role's kind of changed with you know,
the changes and everything. Yeah, but originally you were answering

(12:03):
the phones, doing the podcast and assisting me. Is that right? Yeah,
so you would so you'd answer the phones, and that
you'd edit the show up and put the podcast up. Yeah,
and now you do. You have to run the board
and do the video and will not answer the phones.
I have to do that.

Speaker 4 (12:21):
We we split it.

Speaker 1 (12:23):
I try. She'd you should see what we do. It's
actually unbelievable. It's crazy. But when it comes to producing
the show. So I get in around four a m.
Bill gets in around four to four fifteen. I get in.
I go right to printing everything that Billy needs. So
that's all the news stories, the entertainment stories. I set

(12:43):
up kind of the the it's called the log of
what our music is. Riley does it the most of it.
I'll go in and make some adjustments that I like
to do, and then I start pulling sound. Right, So
I give Billy what he needs. So I give him
a national news feed, a local feed, and then entertainment feed.
I give him that. I give him the weather. He
begins writing his news and getting that ready. While he's

(13:05):
doing that, I am printing more entertainment stories. What I
do during the day is as I'm on my phone scrolling,
doom scrolling, I'm screenshotting. And so when I come in,
we have prep services that kind of highlight different entertainment stories.
I'll print them, I'll pull the sound, I'll go to
my phone, my notes, I'll go on TMZ, and I'll
try to pull as much as possible. Okay, And it's

(13:28):
at this time that Riley comes in, and so Riley
does the five to six AM. So you come in
and you bang that out the five to six am
the pre show, and then you come in and join
us and you sit in with us.

Speaker 4 (13:38):
Yeah. After I do the log, Yeah.

Speaker 1 (13:39):
Yep, so oh yes, you finish the log, get that ready,
and then you come in with us. You sit down
and Billy writes his news and then he has to
write his entertainment too, So then he'll take all the
stories that I printed. He'll sit with Riley and I
he'll lay them all out in front of him and
he'll start building a report. It's basically what he does.
And so once he's we'll do the six forty, then

(14:00):
we'll do the entertainment, and then once he's done, the
show starts at six am. Lisa gets in around four fifty.

Speaker 4 (14:08):
Yeah, she is in around five when I do, I think, yeah.

Speaker 1 (14:10):
And she's part of it too, but she helps more
billion the office. Yes, So as Billy's writing, he's talking
on Lisa about different stories and then he and then
he comes in here with us. He finishes, then Lisa
goes into the main studio gets ready for the traffic.

Speaker 4 (14:23):
Yes.

Speaker 1 (14:23):
At six am, do I have everything?

Speaker 4 (14:25):
Yeah? I feel like they discuss what they think is
important ye together. Yeah, yeah, but that's it.

Speaker 1 (14:30):
Yeah, well I.

Speaker 4 (14:31):
Also do the weather.

Speaker 1 (14:32):
You also do the weather?

Speaker 4 (14:33):
Yeah, well I do Lisa's weather and I do the weather. Seven,
I'm seven, hello, ten, eleven, and twelve.

Speaker 1 (14:39):
Do you know that I didn't know that?

Speaker 4 (14:41):
Yeah?

Speaker 1 (14:41):
Oh on kiss on kiss yeah nice, I'll have to
I'll have to listen, all right. So then we have
to come up with topics for the show. What are
we going to talk about? So Riley does a prep
sheet yep and a trending sheet too, Yes.

Speaker 4 (14:59):
Yeah, I do both, just like I try to look
through some of the prep sites that we have stuff
that I know that you probably wouldn't pull an entertainment.
So some of like the more random ones like today,
which you would have pulled but you didn't. So it's fine,
Like the Goop thing yea, like I had that on there.
That way they could refer to that the stuff that

(15:20):
I think we might need, you pull, the stuff that
we need eyeple, the stuff that we might need.

Speaker 1 (15:25):
Yes, yes, So we just basically gather and then we
put together essentially is what it is. So I'll give
you an example today Today Billy came in, he did
his news, then he did his entertainment before he does entertainment.
We produced a six forty segment which is kind of
where entertainment used to be, but we moved it so
now it's more of we kind of pull one big

(15:47):
story or one you know story we think it's worth
talking about to put at six forty. So today we
were thinking about it and the Macy's Thanksgiving Parade, huge lineup.
It's connected to jingle Ball. Obviously there's a lot of
audio attack to it. I love playing audio, so anything
that we can play a lot of audio, I'm just
an audio guy. You know that about me if you
listen to the show. So we did that at six forty,

(16:09):
and then we had Turkey Toss at seven ten. So
the jingle Ball tickets, it's just very busy. So Billy
writes all this down, so he has notes to go
by because it's a lot.

Speaker 4 (16:18):
He does it all by hand, which is so funny.

Speaker 1 (16:20):
It's very old school him.

Speaker 4 (16:22):
Yeah, just like create all these and so that's why
if you hear him turning papers, it's because he's turning
like eight different papers in front of him, right, which
I always think is so funny when I hear the
papers turning like in the audio, just.

Speaker 1 (16:35):
Because he has so much in front of him and
most people probably now that we said it, they might
hear it, yeah, but typically they don't. They don't hear it.

Speaker 2 (16:41):
Yeah.

Speaker 1 (16:42):
So yeah, so then we do that. Then we have
to in the midst of all that, come up with
a good topic time, which usually comes from us going
over the entertainment stories of the day. Today was Tom Brady.
That was an easy one, you know, it's kind of
people talking about it. That's something we want to talk
about with our listeners. That was topic time. And then
the rest of the show, Riley we plugging on the sheet.
So but things are like fast moving and they're always changing.

(17:04):
So we do our headline segment or I'll pull some
headlines that are real or fake, which is a fun
thing that we can put anywhere. But if there's another
story that comes up, like a trending or local story,
we'll put that at eight twenty. Yeah.

Speaker 4 (17:14):
Sometimes we'll move things around.

Speaker 1 (17:15):
Yeah, So it's all laid out on a sheet that
we go by essentially, and then we had Joe Fower
from Tuscan at nine to ten, and then nine and nine,
twenty five and nine are wrap up in talkback left over,
so we have the basic structure of the show that
makes sense. Yeah, right, And then during the show, Riley
is running the board, so she's in there. Anything that's

(17:37):
playing over the over the radio, she's running and making
sure it's running. She's pushing the buttons. She's keeping Billy
and Lisa on time so they know what's going on.
What am I missing?

Speaker 4 (17:47):
I run Lisa's traffics. Lisa's traffics like the biggest besides
obviously getting into the show.

Speaker 1 (17:52):
Yeah, but there's a lot of traffics.

Speaker 4 (17:55):
So many traffics feel bad for Lee, like she'll be like,
can I go to the bathroom? Like nope, no traffic
and a live here.

Speaker 1 (18:02):
The live read thing is another big part of the show.
So not a lot of other shows do that, the
live read thing. Really Yeah, well they do. Yeah, they
don't do it on Jamming maybe in other other cities,
but but they do it here. They've always done that
because it costs more, right, because think about that, if
the commercials start, people tend to tune out. But if

(18:23):
the commercials are coming to an end and it ends
with traffic, they know we're coming back or coming to music.

Speaker 4 (18:29):
So that they're listening to the traffic or.

Speaker 1 (18:31):
They're listening to the traffic, and then it goes right
into a live read and you're like, oh is this content?
Oh no, and then you hear the commercial.

Speaker 4 (18:36):
Boom, or you'll just be like, well, the music is
coming up in a second, so I'll just wait.

Speaker 1 (18:39):
Yeah and smart, and it's very smart and you gotta
think about it about it too. We do our whole
show live. Yeah, like it's live live. There was a
kid named Zach who works in our traffic department that
was shadowing today. He was kind of sitting in with
Riley and I seeing what we do because he's interested
in the you know, broadcasting programming side of things, and

(19:01):
he goes, you guys do this all live?

Speaker 4 (19:04):
Yeah?

Speaker 1 (19:04):
Like yeah, yeah.

Speaker 4 (19:05):
He was like, you guys kind of build the shot
of nothing and we were like, yeah, every single.

Speaker 1 (19:10):
Day pretty much. It just it just happens, and we
do a lot in four.

Speaker 4 (19:14):
Hours, so so much.

Speaker 1 (19:17):
Yeah, Like he was watching me put it together the
whole entertainment, how I do the sound, and I was
pulling sound in real time while live on the air.
I mean, he just couldn't believe it. To me, it's
normal to you it's normal because you know we've been
doing it, but to him it was like shocking.

Speaker 4 (19:32):
It is really interesting to see and he was kind
of standing over your shoulder like I used to do.
But it is interesting to see you when I know
you're looking for a sound bite that's in the system
already and you're still talking on air. You are typing
something and also talking at the same time. I'm always
very impressed when you do that. Yeah, because I know

(19:53):
you like you sort it in a specific way, so
you have things titled in ways that you're like, Okay,
I know X y Z is titled like this. I
will can pull it up easily. But it's still very
impressive to watch you type and talk at the same time.

Speaker 1 (20:04):
Yeah, because I'm thinking, I'm listening for keywords that would
be good. I'm always just searching for sound so as
I'm talking, and you know, he's talking about Sidney Sweeney
and the jeans thing, so I'm typing in jeans or
I'm typing in fashion. I have it stored a certain
way to see if there's any clips that I can
possibly play, and when there's a good one, I'm able
to play it or talk into it and play it,
so it's just a it's just I feel like there's

(20:24):
something that we have that not a lot of other
shows have.

Speaker 4 (20:27):
It's super individual and special.

Speaker 1 (20:29):
Yeah, and I'm playing I'm playing talkbacks live.

Speaker 4 (20:31):
Yeah that's yeah, yeah, which.

Speaker 1 (20:33):
Is actually pretty crazy.

Speaker 4 (20:34):
It's like we love that the talkbacks are like literally
part of the show.

Speaker 1 (20:38):
Yeah. Yeah, they say crazy things. Then it's not us
saying the crazy things, you know, because lud knows if
I was to Yeah, I don't know. I feel like
I can be more edgy. I'm more edgy off the
air and my natural life obviously, you know, I can
say more things that are you know, whatever, But on

(20:59):
the air, I feel like it doesn't sound right.

Speaker 4 (21:02):
No. Yeah, I feel like the only time we ever
get like a little is it's usually like just jokes. Yeah, yeah,
like you're not obviously we're not bringing up something that's
like too dirty because we know that there's kids in
the car, Like there's always going to be times where
it doesn't land, and we don't love that, Like we
want our jokes to land.

Speaker 1 (21:21):
Yeah, the kids thing is a big deal. That's something
that we forget sometimes is the kids are in the
back seat and then they'll DM me and be like,
now my kid's asking me what a vibrator is?

Speaker 4 (21:32):
Yeah, like what's a slut? Yeah yeah, and we're.

Speaker 1 (21:34):
Like oh no, or god forbid. They go to school
and repeat what they heard too.

Speaker 4 (21:38):
And you have young kids, so you understand what it's
like to be in the car or you're able saying well, dad,
what does that mean? And then you're like, oh no,
don't say that.

Speaker 1 (21:47):
Yep, I do, absolutely, I do.

Speaker 4 (21:50):
Another thing I think people would love to know is
how you get all of the candid microphones from.

Speaker 1 (21:56):
Oh yeah, So when Billy's in my studio in the
morning or anytime he walks in, I start recording when
he doesn't know. So those candid microphones are real. He
doesn't know he's being recorded.

Speaker 4 (22:07):
If he ever says that's edited, it's not.

Speaker 1 (22:10):
It's not edited. It's not. At the he comes in,
he sits down and he just starts talking. And I
have to It's funny because with Riley, when she first
started coming in, she didn't know what I was doing.
So you have to pick up cues on when Billy's
going to go on a rant. When he gets it,
he gets angry, and so when he does you got

(22:31):
to kind of not talk and let him talk.

Speaker 4 (22:34):
I feel like I've gotten pretty good about that.

Speaker 1 (22:35):
Yeah. So there were a couple that were ruined by Riley.

Speaker 4 (22:38):
You didn't know or is somebody walking in or whatever.

Speaker 1 (22:41):
Yeah, So then Riley would be like talking to him,
it's Bill, what do you mean? Oh no, you're crazy
Billy Billy, but you're talking over him, and so it
just not clean audio. So I had to talk with her.
I'm like, look, you got to pick up a cue
when he's going on a rant. Just be quiet or
just say like one word.

Speaker 4 (22:56):
Now else I can usually see when you turn the
mic on or like potted up. So usually I'm pretty good.
But it's one thing that we both do is we'll
try to set him off a little bit, Like if
he's going on a rant, sometimes we'll try to like
stoke the fire.

Speaker 1 (23:09):
Yeah.

Speaker 4 (23:10):
It that way he keeps going. The more he ramped up,
he gets more the funny.

Speaker 1 (23:13):
Hurt is for us. It's the best. Unhinged Billy is
just the best. It's literally and that's what we.

Speaker 4 (23:18):
Get from five to six thirty. He's crazy.

Speaker 1 (23:25):
He is a crazy person in a good way. He's
lovable crazy, but he is crazy. Oh, we love him.
We love him. So any other questions about producing the
show you can ask, it doesn't matter. I'll try to
answer as much as possible.

Speaker 4 (23:37):
I do have.

Speaker 1 (23:38):
McCabe coming in soon. Power of Recovery is coming in.
I'm booking some people to come in and join me.
If not, I'll just yap. Imagine that I just talk
like I'm talking to my friends because I feel like
they're my friends.

Speaker 4 (23:52):
There is one day that I don't know you might
have been on the phone, but I did peek in
here because I was looking for you, and you had
your feet up on the desk like reclining with your
headphones on, so I could tell that you were recording something,
but like your feet were just like fully up on
the desk, and I was like, who's.

Speaker 1 (24:07):
He talking to me? Yeah? I was talking to myself, well,
my friends. I was talking to my friends, right, but
really to myself. But I think they like it. I
think they appreciate it. So you can always join the
app to show. You can always get your input in
on the iHeartRadio app. You just boom, hit that microphone button,
leave a talk back, and produce a rally. Thank you
so much for coming in today anytime. I appreciate it
and I have a good day. We will talk tomorrow hopefully,

(24:29):
but I feel pretty good about it. Bye bye,