Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
Let me know when you're ready.
Speaker 2 (00:05):
I bet that's a good start.
Speaker 3 (00:07):
This is Tanner, Drew and Laura's Donkey show.
Speaker 2 (00:14):
Man.
Speaker 4 (00:15):
Soun's been happening. I don't know what I think that, Laura.
I think the dates are set wrong on the like
on some of these cards, and my sound effects and
things are just disappearing from my bar. Oh no, I
like my all my little my kids screaming, my little
screams and the only one I got left.
Speaker 1 (00:32):
Did they have like a ten year mark on.
Speaker 4 (00:34):
When you can set the date? My guess is I
loaded these years ago, like ten years ago, and I thought, well,
I'll probably be fired, but.
Speaker 2 (00:40):
They would have archived sometimes Sometimes Yeah, I go there
and I can't see it, Like I wasn't finding the
kids in there.
Speaker 4 (00:46):
But maybe I didn't really.
Speaker 1 (00:47):
Dig that hard somewhere in the ether.
Speaker 4 (00:49):
But it's just like things just disappear. And it's because
these stupid dates. We're getting a new system, because the
computers that we run the station on it's like an
automated machine called next Gen. Yeah, and it's just like
twenty something years old, you know. It's it's really old,
probably older than that.
Speaker 1 (01:03):
It has been here my entire career.
Speaker 4 (01:05):
Well, the first one was was just called Profit. This
is the second one. So this one's a little like
twenty something years old.
Speaker 2 (01:09):
It is interesting though, I mean you'd think that, uh,
I don't know, like I don't know how quickly that
new software is going to roll out, because we're already
using it for some things. But like the live interface,
I know, from what I understand it was kind of
a train wreck, and I haven't heard anything about it.
Speaker 4 (01:27):
So the new one that we have is called sound Plus.
To give you a little behind the scenes, it's not
like it was back in the day when DJs would
push in CD players or they'd have to drop a
needle on a record or even like have cassette tapes
or anything like that. Like everything's digital now, and so
what they do is, uh, help me.
Speaker 2 (01:45):
On here, brain farting about sound plus.
Speaker 4 (01:48):
Yeah, so they got this just like it's just.
Speaker 2 (01:50):
Like a software interface and you go in.
Speaker 4 (01:52):
Yeah, but it's it's web based.
Speaker 1 (01:54):
Yeah, yeah, it's hard.
Speaker 2 (01:56):
It's all cloud based. It's also it's like if if
Amazon webs are vis goes down, are we are ability
to work after the show?
Speaker 4 (02:05):
Which happened like Amazon got hacked or something bad. Happened
and like for the whole day, we couldn't do anything. Yeah,
and so the new one is called sound Plus, and
right now they're like it's in development stages, but we're
still we're using it. Right some stations like lower Station
in Colorado that she's on, they've already flipped fully to
sound Plus.
Speaker 2 (02:22):
Well they're not doing it.
Speaker 4 (02:23):
They're not doing any live shows. I get it, but no,
they've got to figure that out because we can't do
a live show with sound Plus.
Speaker 2 (02:28):
Which is they tried. They were like the guinea pig
and it was just such a mess of disaster.
Speaker 1 (02:33):
Pretty important to be able to do live on a
radio station.
Speaker 4 (02:37):
So yeah, this computer next gen, it's just I love it.
It's nice and trusty. You know, I've been using it
for so long, but it is super old. The new
one's got some cool features, but it's kind of glitchy still.
Speaker 2 (02:47):
And it's nice to be able to just like go
to a website like when you're at home.
Speaker 4 (02:51):
It's nice.
Speaker 2 (02:51):
It's like you just like type in a website and
there you are, and you can if you have the.
Speaker 4 (02:54):
Right gear, it can sound like you're in the studio.
So yeah, yeah, Marcus go ahead.
Speaker 5 (02:58):
Well, I'll tell you little story about being tempered in
the fire with next Gen. I don't know if you
guys remember this, but it was my first like probably
week or two on staff at the radio station I
had in Eugene. I had finally been given a small
part time amount of hours and I sat down on
a Saturday to run the board for some remote and
Sarge was actually training me and I first of all,
(03:21):
I want to say this about Sarge first and foremost.
He taught me a lot, and I don't think he
wanted to be there on that Saturday, especially not with
my ass Okay, so we need to we need to
take all this into consideration before I tell you what happened.
So just a little peek behind the curtain for anybody
that doesn't know, the button F five is what fires
the next element. So when you hear Tanner running the
(03:42):
board every time a new commercial comes on, or every
time he fires out of a break, he hits that
F five and it fires what he's looking at and
that's what plays next. Pretty simple.
Speaker 4 (03:51):
I hate to be it was F nine, Yeah, F.
Speaker 5 (03:54):
Nine, Sorry, I was. I was. I was trying to
go for my first F nine press and Sarge just
in there with me. He says, okay, so as soon
as you hear him kick it back, you hit F nine,
it'll play the commercial and we sit here until it's
ready for him to go on again. It's pretty easy.
I said okay, and he goes, okay, press it and
I hit F nine and the entire day. This is
like ten in the morning on a Saturday at KP
(04:15):
and W. The entire day fired at the same time,
and within seconds, the entire day was gone, and Sarge
fucking lost it. I mean, I've never seen the guy
up that quick. And he's like, what did you do?
What did you do? And I'm like, dude, even if
I did something, I'm not going to be able to
tell you what it is.
Speaker 2 (04:34):
It's my first and I press.
Speaker 5 (04:38):
I pressed F nine. I don't know what, and he's
like he's grabbing my headphone cable and he's like, where
was this? Where was this? Dude? I do not know.
But I killed the whole day on the radio with
one stroke of kea And it's still kind of one
of my uh, one of my favorite memories.
Speaker 3 (04:53):
You know.
Speaker 4 (04:53):
I can picture I can actually see Sarge melting down
doing that, and we knew him in that exact time
period of his life to where the that was his angriest.
Speaker 6 (05:01):
Yeah, so he didn't can he hadn't learned to kind
of who saw himself through a moment by that point,
so he.
Speaker 4 (05:07):
Would do the scallop.
Speaker 1 (05:11):
Be a whole thing.
Speaker 4 (05:12):
Yeah, there was one time we had this chocolate Shrek
egg in the studio that was there. Someone gave it
to his mom, your mom, and it was just set
in the studio for years, and we all always had
this joke, we're gonna eat that thing if we ever
get a huge job someday.
Speaker 6 (05:24):
Yeah, And we had had it since almost the beginning
of the Donkey Show era, and that's why she gave
us the one with Shrek and Donkey.
Speaker 4 (05:31):
And one day Sarge was really angry at us for
something I don't even remember, but he sent us text
messages earlier, so we already knew he was pissed off.
When I got to work, I noticed that the Shrek
egg had been smashed. Now, he says that a tiny
fiberglass sign that had our station logo on it fell down.
This thing weighed three ounces. There's no way it crushed
this fucking egg. But he claims that's what happened. I
(05:53):
know what happened. He got angry, reached over and grabbed
something and just smashed it on the counter.
Speaker 6 (05:57):
And you can see the egg is even like lodged upwards.
If something falls from the top, it goes downward, it
doesn't go up, and the bottom smashes in.
Speaker 4 (06:06):
If you take an hold of your hand in the
same position that he was in, it just fits perfectly
on the desk. Yeah, you know. And then I in
front of her about it. He was like, no, man,
the sign fell. Bullshit. Did you crashed? You crashed?
Speaker 2 (06:18):
So I totally would have staged that if I smashed
your egg. I wouldn't have made up some stupid excuse.
I would have really, I would have put some work
figured to lay the sign on it exactly. Yeah, like
flip the egg upside down or yeah.
Speaker 4 (06:29):
Have you ever done anything like that, Laura, Like uh,
gone to like gone to great links, to fool somebody,
to con somebody.
Speaker 2 (06:37):
No, but I have not told somebody when I broke
something like I remember my roommate in college freshman year.
She was not the cleanliest person, and so our room
was always scattered with her stuff and this was in
the iPod nano had just come out and she had
I can't remember what color it was, but it was
(06:58):
on the floor and I stepped on it and I
broke it. And I looked down and I was like,
I just broke her nano or heard whatever you call it,
her iPod. And I didn't tell her and she I
was there when she was like, oh my god, my
iPod is broken. I was like, I was just like,
that's crazy what happened. But like, yeah, I'm not going
to fess up to that.
Speaker 4 (07:18):
That's crazy.
Speaker 1 (07:19):
That's what happened.
Speaker 2 (07:22):
That's what happens when you leave your stuff on the floor.
Speaker 6 (07:24):
And that was a dorm room. Yeah, so there was
only two sets of feet that could have.
Speaker 2 (07:31):
No. No, I was just like I don't know, because
like there were in and out of our dorm room
and stuff like that.
Speaker 4 (07:36):
If she broke it, and she's still like, oh, like
really guilt shamed her friend.
Speaker 2 (07:40):
No, I didn't, but I did. I did not fess up.
Speaker 1 (07:44):
And that ah, you don't have the money to buy
her a new one.
Speaker 2 (07:47):
Because it's like an eyebottom, Like, oh my god, that's
so expensive.
Speaker 1 (07:50):
Like, wow, are you from the future?
Speaker 2 (07:51):
Yeah.
Speaker 4 (07:54):
When I was a kid once, so I went over
to my mom's, Like my mom took me of her
friend's house, and I remember when I walked in, it
was a very fancy house.
Speaker 2 (08:00):
You know.
Speaker 4 (08:00):
They had a lot of knickknacks, like those brass, expensive
looking knickknacks on on tables and oh yeah, I mean
I just ended up playing with one of these little
knickknack things. It was one of those gravity things that
it wasn't the balls, but it was something that had
to do with gravity. And I remember I broke it
and I panicked. I just stuffed it, stuffed it under
the couch.
Speaker 1 (08:16):
Yeah, oh my god.
Speaker 6 (08:17):
Yeah, in those moments, I was a kid, You're like, oh,
so panic I was, and I feel like I feel
like I killed somebody and hid the body, you know,
as a kid.
Speaker 4 (08:27):
I I just I remember freaking out, and I was
so quiet on the drive home, and I think I
thought that lady's gonna tell my mom never heard anything
of it, so maybe she found nothing when she moved.
Speaker 5 (08:37):
So when I was a senior in high school, I
got mad and punched a door and broke my hand
full on boxers fracture, like busted that that that pinky
all the way across the hand just in half man.
I knew that my parents would be livid if they
knew I was just being dumb and angry and struck
a metal door, And so my friends and I came
(08:57):
up with this ruse that I was to climb out
of the back seat and uh one of and I
grabbed the side of like the the gunwale or whatever
the car, and somebody slammed my hand in it, and
it was perfect. We were just like, this is perfect,
it works. Nobody gets in trouble. It was an accident. Yeah,
I forgot that my dad was an insurance agent and
(09:18):
handled the insurance on this car, so he's thinking from
his hey, we'll just file a real easy claim on
their insurance. They won't end up having to pay for anything,
and we'll get the hospital bill covered when we go
get Marcus's hand put in a cast. Well, instantly my
whole story fell apart and we had to go and
just tell everything and be honest with it. And it
was one of the most embarrassing moments in my life
(09:39):
because I had to tell not only my parents but
also the other parents and the kid who own the car.
You know, and they get you in the living room
and it's like you have to give a presentation of
how big of an asshole you were.
Speaker 4 (09:51):
I learned my lesson.
Speaker 5 (09:52):
I learned my lesson that time. I try to be
very judicious with the FIBs.
Speaker 2 (09:56):
Now man, I got my favorite thing when I got
away with putting. It wasn't my fist. I didn't put
my fist through the door. I put my knee through
a door because I was I had just taken Oh man,
I'll never forget it. I was in college again, in
like a off campus housing area, and I took a
shot of Dark Eyes vodka. And this was like three
(10:20):
dollars for a like it was very cheap, so cheap.
Speaker 1 (10:23):
Had never even heard of it.
Speaker 4 (10:24):
It was vodka and also engine clean.
Speaker 2 (10:26):
It was Yeah, it was disgusting, and we had already
been drinking and I took a shot of it. Didn't
even get all the way down my throat before I knew.
I was like, this is coming back up. So I'm
running into the bathroom. As I'm running into the bathroom,
I put my knee through the wood door and make
it into the bathroom projectile vomit all over the bathroom,
(10:47):
like did not at all make it to the toilet,
and then I was mortified. That kind of sobered me
up because I'm like, I got to this is so embarrassing.
I got to clean up all my bar But then
there was a hole in the door for like forever.
And when we were moving out, we're like, what are
we to do about this? And we just put like
a full length mirror over the door, and they were
they were none the wiser.
Speaker 4 (11:05):
It's great, no ice. At least it's better than you
getting like you crashing out and putting a knee in
the door, like I thought you were mad, So you
just did it by accident.
Speaker 2 (11:13):
Yeah, I did do it on accident, but my knee
did go fullying around a little bit.
Speaker 4 (11:18):
Funny of your leg went through over seeing that and
like you gotta work that foot back. Yeah, it's one
of the funniest things.
Speaker 2 (11:25):
Not that time.
Speaker 1 (11:25):
Making saw dust on the way back.
Speaker 4 (11:27):
Yeah, uh well, all right, there it is. That's right.
There's that Laura vomited after.
Speaker 6 (11:34):
Immediately fell through a door. If only I could have
been a fly on the wall for that shot. Good time,
So careful handing her something without a chaser, I know,
give this lady some juice.
Speaker 2 (11:46):
I'm gonna find someone and bring it in so we
can all try it.
Speaker 4 (11:49):
Darius Rucker, we all know him right.
Speaker 2 (11:51):
It's one serious mother Rucker. That's the I used to
make hood.
Speaker 1 (11:56):
He turned country star.
Speaker 4 (11:58):
Yeah, Darius Rucker actually cut his Atlantic City concert short
on Saturday. I guess he lost his voice. Oh no,
he apologize to the fans and and you know, since
there wasn't able, they weren't able to reschedule the show.
He gave everybody refunds, so they performed a little bit
and then gave her one refund. So you got a
half a show and your money back.
Speaker 2 (12:16):
That's nice.
Speaker 1 (12:16):
That terrible. I mean, what else is he gonna do
if he can't sing?
Speaker 4 (12:19):
Here's the moment it happened.
Speaker 1 (12:21):
Don't like you can't sing anymore.
Speaker 5 (12:25):
I promise you we're gonna prut this up. He gets
your money back.
Speaker 1 (12:29):
I'll be good.
Speaker 3 (12:29):
I just can't sing.
Speaker 6 (12:30):
I've never done this before.
Speaker 5 (12:31):
It's the first, mate.
Speaker 4 (12:36):
You're pissed.
Speaker 6 (12:37):
Hopefully he reads that thing, because he does have a
pretty little voice.
Speaker 2 (12:40):
I mean, it is nice, though, that he gave everyone
their money back, because I feel like some artists would
be like sorry, I saw I came out.
Speaker 4 (12:47):
I saw nickelback, and Chad came out and said, dude,
my voice is shot. They just shot me some steroids
that it helped me get through the show. Uh, it's
really bad, but I'm gonna give you my best. Just
let you guys know, my voice is shot. It was
really not great. And he did the show because they
wanted that money. Yeah, yea to that baycheck.
Speaker 1 (13:03):
Find a way through it.
Speaker 4 (13:04):
But I do think it's cool when artists are like,
you know, let's just give the fans their money back.
Speaker 2 (13:08):
Yeah.
Speaker 1 (13:09):
Certain.
Speaker 4 (13:09):
Even though I don't like Kid Rock, I dig that
he only charges twenty bucks for a ticket and he
will do like in Detroit, will do like three or
four nights in a row to ten.
Speaker 2 (13:17):
A couple of summer years at Pineknob at DTE.
Speaker 4 (13:20):
But that's cool because he sells out every single one
of them for twenty dollars a ticket.
Speaker 2 (13:24):
Yeah, so he's still making a ton of money.
Speaker 1 (13:26):
But it finds a way for people to actually go
to a show.
Speaker 4 (13:29):
Yeah, it's really cool. I wish more people would do that.
I don't know how he gets around around the ticket
master stuff, but they pay him in bud Light. Yeah, yeah, Marcus,
I hear you chiming in.
Speaker 5 (13:38):
Sorry, yeah, I just I wish that some things would change.
And this is not really what you're talking about, but
like record companies will forward bands money so that they
can buy gear and go on tour and a lot.
You know, maybe it's not a big thing for Darius Rucker.
It definitely doesn't register for nickelback. But a little bit
smaller band decides to give those refunds on a show
(13:59):
like that, and that's twenty or thirty grand that gets
tacked onto the end of their tour loan and they
got to pay all that money back.
Speaker 4 (14:05):
That's yeah.
Speaker 5 (14:08):
They these guys have forty hour week jobs when they're
not on tour because they owe the record company hundreds
of thousands of dollars for the privilege of going on tour.
Speaker 2 (14:17):
Oh that's why people are doing it themselves.
Speaker 4 (14:19):
I think you totally should, man, because the record company
is like I saw that, they'll give you these advances
and they expect all of that money back, even the
recording time. Like if they spend all that money on
a studio and a producer, they want all of that
money back, which is like it's I'm paying for it
like they make it. They make they make the artist
pretty much a slave of some kind, and there's no
(14:40):
guarantees because there it doesn't matter how talented you are.
We all know the amazingly talented people who will never
get a chance and who would never make one hundred
thousand dollars singing, even though they deserve it.
Speaker 2 (14:52):
It also doesn't even necessarily matter how hard you promote
the artists. It's like, I've had so many record reps
sitting in my office, yeah, playing me record that. I'm
like this, shiit sucks so bad, Like, I know you
want me to play this, but it's never gonna It's.
Speaker 4 (15:04):
Not how many like no name bands or artists have
come through our radio stations to perform and you're just like,
we're never.
Speaker 2 (15:09):
Gonna say you get this exactly. It's countless.
Speaker 4 (15:12):
I thought that with Michelle Branch, and I was wrong.
Michelle Branch came in right before she blew up. Nobody
knew who she was, and she came in and did
one of her you know, everywhere to me or something
in front of us on her acoustic guitar, and I
thought to myself, that's okay, but whatever but I mean even.
Speaker 1 (15:24):
She lasted.
Speaker 2 (15:27):
What a year or two, a couple of years, but
then she kind of disappeared.
Speaker 6 (15:30):
But she got like match Box twenty big for a
couple of years. Oh for sure, some burns so bright
that that light can never be.
Speaker 1 (15:36):
I mean she put on again.
Speaker 4 (15:37):
She was like the Taylor Swift at that time, just
maybe not as big.
Speaker 2 (15:39):
But yeah, she heard Vanessa Dlton. Oh my god, Yeah,
that song is popping off now. It's in commercial I
hear everywhere, and.
Speaker 4 (15:46):
TikTok is the only one I don't want to listen
to is black. I got Cack, I got Cack band,
and that's the only one I want.
Speaker 1 (15:51):
That is the best version.
Speaker 4 (15:53):
Even when I hear that version of sometimes I skip
it because if that little piano riff gets stuck on
my head.
Speaker 1 (15:57):
You can't for the whole day do it all day.
You're at the grocery store.
Speaker 2 (16:00):
No no, no, no, and then you hear it on
in the grocery creage.
Speaker 4 (16:04):
I'm in the twilight zone. Yeah, yeah, Marcus.
Speaker 5 (16:07):
I thought I saw something really cool happen with a
record company here that gives me a little bit of hope.
And it's funny because it has to do with Hopeless Records.
They bought out the catalog for Fat Records, which was
Fat MIC's independent label. He's the bass player for No
Effects and Fat Records. When they sold out, cleared every
band's past due balance or every band's balance that was
(16:28):
on tour, so everything that they had forwarded for all
those punk bands. When they sold to Hopeless Records, they said,
you guys are all square. We don't know.
Speaker 4 (16:35):
That's awesome, that's pretty badass. That's great, And I bet
that was a huge relief for some of those bands.
Speaker 6 (16:40):
The small ones though, like Marcus is, the ones going
to work when they get home.
Speaker 4 (16:44):
Because it really sounds like you're paying to play. Well
as a musician and a no name band that's just
coming up like you were playing, you were paying to work.
Speaker 1 (16:51):
You're in a club basically.
Speaker 2 (16:53):
Yeah, yeah, exactly, especially bands like that where it's like
you're not playing the Moda Center, you're not playing Red Rocks,
You're playing at some shitty venue.
Speaker 4 (17:02):
In you're playing at the jukebox in North Carolina.
Speaker 2 (17:04):
In a city you don't even want to be in,
you know, So it's like you're not making a ton
of cash, right, Yeah.
Speaker 4 (17:10):
No, I feel bad for these guys, not the base
bass players though, because who cares about bass player? Everyone else?
Speaker 2 (17:15):
I feel bad. I mean, I think that he's doing okay.
Speaker 4 (17:18):
Who fat Mike?
Speaker 1 (17:19):
Yeah, well, he sold the label, he's got how.
Speaker 5 (17:21):
Much he's his biggest His biggest cash cow I think
is no longer No Effects because he just doubled down
and said I'll never play another show with No Effects
again after they wrapped up their tour and so now
it's like you got to look at the Punk Rock
Museum in Vegas. Is probably his biggest money maker because
they don't have the record label anymore. They shut that
(17:43):
down too.
Speaker 4 (17:44):
Says he's worth five millions.
Speaker 1 (17:45):
That's what I'm saying.
Speaker 2 (17:46):
That's yeah, that's pretty good.
Speaker 5 (17:47):
Yeah, and I'm sure a lot of that money comes
from No Effects album sales, especially when it's on your label.
Speaker 2 (17:53):
Yeah for a little punk rock band that.
Speaker 4 (17:55):
Yeah, and they at CDs when people are actually buying CDs.
Speaker 2 (17:58):
Oh, totally.
Speaker 5 (17:58):
They were in the height of Yeah, hang on, they
are anything but shitty little punk band. I just just
like an this is an icon in the industry.
Speaker 2 (18:06):
No, I know, I know, live I know, but I'm
just saying. When they started out they it wasn't gonna
be like some Tailor Swift level thing like they built,
like the the fan base they created and the empire
they built themselves like that was ground up stuff. Like
bands like that didn't get that big.
Speaker 5 (18:25):
You know.
Speaker 2 (18:26):
That's all I'm saying. For a shitty little punk band there,
they did very well for themselves. That is what I meant.
Speaker 5 (18:31):
I'll give you that. And I guess too if No
Effects would love it if you called them a shitty
little punk band, So I should just go ahead.
Speaker 4 (18:36):
And fall in No Effects a Stern played like, used
some no Effects as an intro if I can get
the story right. Stern used some No Effects as an
intro and show once and he came out and goes,
what the hell's this? And so I was like, oh,
it's No Effects and the guys, this band sucks. I
can't remember. I think it was no Effects.
Speaker 5 (18:53):
It was No Effects. It was the song Drugs Are Good,
and they actually put it on the subsequent album. They
put this drop in like a hidden track from.
Speaker 1 (19:01):
That nights because yeah, that's punk rock.
Speaker 4 (19:03):
Yeah for sure, it's Ben sucks.
Speaker 1 (19:05):
It's like you, yeah, finally our Stern hates us.
Speaker 5 (19:08):
Now what band is this and the guy says no
effects and he goes, no talent.
Speaker 4 (19:14):
Yeah, that's right, that's no time.
Speaker 1 (19:16):
Yeah, that's just.
Speaker 2 (19:17):
That's not the first or last time they heard that.
Speaker 1 (19:19):
You keep that clip.
Speaker 4 (19:20):
I think he was just he probably didn't even give
it a listen. He just he was back then, he
was just smashing things to smash.
Speaker 1 (19:25):
Yeah, let's shock you.
Speaker 4 (19:26):
Yeah, all right, it steime for porn star birthdays before
we roll up out here Laura's favorite segment. Yeah, uh
or just you know, just acknowledging these ladies and the
work that they do for the communities, but they live it.
Speaker 6 (19:36):
Okay's these ladies share a birthday with my wife forty today.
Speaker 4 (19:40):
That's right, your wife is forty years old. So what
are you guys doing tonight, you guys, Uh.
Speaker 1 (19:44):
We're having We're having a party. And since this she
will not hear this.
Speaker 6 (19:49):
I hired a musician and we're talking about all these
musicians and how tough it is to get a gig.
Speaker 1 (19:54):
I've known this guy for twenty plus years.
Speaker 6 (19:56):
He's a professional musician but also like a family man
and chose not to go chase debt through his whole life.
So we've got a really good guy coming. When I
sent him sent my mom the audio, she started crying
so hopefully.
Speaker 2 (20:10):
So is he like play guitar? Is he bringing over
an acoustic guitar? He's got his own band.
Speaker 6 (20:15):
He's in a Counting Crows cover band as well, where
they play all Counting Crows.
Speaker 1 (20:20):
And then he has his solo stuff that he does,
like at Wineries and like color Blind. So he'll play
the hits and then he'll.
Speaker 6 (20:26):
Play some of his own stuff's And nobody has any
idea except for my two little girls and my parents,
because the concerts at their house.
Speaker 1 (20:36):
I probably had to tell them.
Speaker 4 (20:38):
My kids have kept the secret.
Speaker 1 (20:40):
So just hafter they.
Speaker 2 (20:41):
Left, are you gonna pay slow dance with Amy on
the deck while he's playing? That would be really romantic.
Speaker 6 (20:46):
I'm gonna put the odds low there, but I will
I will do the running Man at some point.
Speaker 4 (20:52):
Well, happy birthday to your wife.
Speaker 6 (20:54):
Thank you baby, and uh yeah, that'll probably the last
time we ever mentioned her age for her sake.
Speaker 4 (21:00):
Oh yeah, yeah yeah, And happy twenty sixth birthday to
porn star Alyssa horror Horrorkova horror Cova.
Speaker 1 (21:07):
I don't know, I think that the.
Speaker 4 (21:11):
Yeah, She started in all, I don't even know what
that is. She started natural and busty okay, nice, okay,
a student with an appetite okay. She starred in why
a boyfriend should never forget Valentine's Day one, two and three.
Speaker 2 (21:27):
Ooh, you man, you hear boyfriend keeps forgetting. You do
a better job at reminding me.
Speaker 1 (21:31):
Pick the best men.
Speaker 4 (21:32):
And she also started in jerking my slave.
Speaker 2 (21:34):
Okay, that's fun.
Speaker 4 (21:36):
Slave jerk. By the way, she has a tattoo of
a cat inside a heart on her stomach.
Speaker 2 (21:41):
Oh, she's gonna look great when she gets pregnant.
Speaker 1 (21:44):
When she in the porno, she yells, touch my couty.
Speaker 5 (21:48):
Not that one.
Speaker 2 (21:48):
This one.
Speaker 4 (21:49):
Happy thirty third birthday to porn star Rachel Rose. She
started asked for cash. She also start in dong face,
dong face?
Speaker 2 (22:00):
What do we think that? Do you think it's just
like a dog in her face or do you think
she has some sort of like nice suction cup situation.
Speaker 4 (22:06):
Probably dogs on her face.
Speaker 1 (22:07):
It's gotta be facial dongs.
Speaker 2 (22:09):
What if one was just like coming out of her forehead?
Speaker 1 (22:11):
The unicorn dong?
Speaker 2 (22:12):
Yeah, that'd be fun.
Speaker 4 (22:15):
Rachel also start in mom and Dad will freak out. Yeah, yeah,
they will Poon Lagoon and Squordamania thirty three.
Speaker 2 (22:22):
The thirty three. That's how the poon Lagoon was actually created.
It was because of squidomania.
Speaker 1 (22:28):
Yeah, it is a the whole thing.
Speaker 2 (22:30):
Yeah.
Speaker 4 (22:31):
And finally, Happy thirty fourth birthday to porn star Emma Evans.
She starred in Boffing the Babysitter nineteen.
Speaker 1 (22:38):
What is a boff I don't know.
Speaker 4 (22:40):
Uh, I'm not sure. It's something to do with the butt.
Speaker 1 (22:42):
Was it a booth?
Speaker 2 (22:43):
No, that's a boof How do you spell it.
Speaker 4 (22:45):
A b o f f ing?
Speaker 1 (22:48):
It sounds like a boffoffing.
Speaker 4 (22:50):
Boffing the babysitter. Maybe they maybe they meant to say booth.
Speaker 2 (22:52):
Well, boofing the baby. Still, how do you do that?
How do you boof a babysit?
Speaker 4 (22:57):
I don't know that.
Speaker 5 (22:57):
They can come up with a few ways. Just give
them time.
Speaker 6 (23:00):
How about Marcus watches the title tonight and get a
book report on it tomorrow.
Speaker 2 (23:04):
Let us know.
Speaker 5 (23:06):
Boffing is full breakdown?
Speaker 4 (23:08):
Thank you have and uh. She also starting family Poker
her nights.
Speaker 1 (23:13):
Oh I see where they went there?
Speaker 4 (23:15):
Fury sorry, furry to light three cool pound my cashmere
Cave and what and Wild Sex Spot.
Speaker 1 (23:23):
The Kashmere Cave that's how.
Speaker 2 (23:27):
Cave? What do you think mm hmm, the stupidest name,
like why cash Mire?
Speaker 4 (23:35):
Mm hmm.
Speaker 1 (23:36):
I think we got all the reason why you should
check out these titles. Yeah, it's a big industry.
Speaker 2 (23:43):
Curiosity might get the best of me.
Speaker 5 (23:46):
Isn't Cashmere like really soft?
Speaker 4 (23:49):
Yeah?
Speaker 1 (23:49):
So is it like soft Cave?
Speaker 4 (23:51):
Laura?
Speaker 2 (23:51):
But is it like fuzzy or is it.
Speaker 5 (23:55):
Just like it's just soft?
Speaker 6 (23:57):
You're just trying to find out if this is a
vagina or a buttole? Is that where you're getting I
don't know.
Speaker 2 (24:00):
I mean like because when I think Kashmir, I think
like fabric, which is neither I'm a China or a
butt hole. Probably they don't. I don't think we should
think China. Probably, but I don't know what the inside
of China feels like.
Speaker 4 (24:14):
They probably just made that up like on the fly,
like yeah, let's go, it sounds good.
Speaker 1 (24:18):
Rolls up the tongue.
Speaker 4 (24:19):
I remember ari uh Arti Lang, that's what his name was.
Arti Lang was on Stern and he said, back in
the day he had a lot of friends in the
porn industry. Surprise surprise, and he says, all of them
think that they're hilarious.
Speaker 6 (24:29):
Oh yeah, it's like the same thing with the strip
club DJ. It's just an extension the dudes.
Speaker 4 (24:35):
All the guys in porn think that they're hilarious, and
they when they come up with these names. I bet
they're just like and.
Speaker 2 (24:40):
They're like laughing to themselves when you're like, okay, this
is this is why you're naming pornographic films and you're
not like in Hollywood, dude, Like we all have different talents.
Speaker 4 (24:47):
Yeah.
Speaker 5 (24:48):
I found out the other day when I was getting
my tattoo finished. One of the guys that works with
Ashley the tattoo shop used to work in kind of
like ancillarily in the porn industry. He was he worked
for it, so he got he's like on the edges, right,
but he got invited to AVN and everything like that
because it was in southern California, and he's he's like
a six foot guy. He's just a normal size, like
(25:10):
not not huge dude. And he told me he goes
first of all, the one thing that would strike you
as crazy about these male porn stars they all look huge.
They're all ripped he goes, most of them are like
in the five six to five nine range, and the
girls are all like five one, five two. He goes, So,
some of these guys they look like they're six'. Five
they are normal. Dudes AND i was, like but, wait
(25:33):
how did they get that thing that they're walking around
with at five? Nine and he's, LIKE i can't tell you.
THAT i don't know Because i'm five nine AND i
would like to know how to go like past eight nine.
Inches you, know that's a that's a that's a bucket
list type.
Speaker 1 (25:47):
Thing but.
Speaker 5 (25:47):
NOT i guess male porn stars are largely. SHORT i
never knew the More i've.
Speaker 2 (25:52):
Been around that, well AND i guess it's not surprising
because when you are, short maybe you feel like you
need to compensate for. Something so look, HERE i am
just like slaying up bunch of. Women, also i've been
with An if you have a.
Speaker 1 (26:04):
Dog like, them you're not compensating for. Anything that thing
drags on the, Face, like.
Speaker 2 (26:08):
Whoa, bro what is? That BUT i do feel like
the whole height to dong size, ratio in my experience
is really it's not kind of. Accurate, yeah like it's
sometimes it's true sometimes it's not absolutely.
Speaker 4 (26:23):
Not it just depends on the.
Speaker 6 (26:25):
Person some of these porn, stars they're like the gamiest
looking dude and their dong is a leg like oh,
my and.
Speaker 4 (26:32):
Maybe that's WHY i. Got everything's ugly except for that,
cock even that destiny.
Speaker 2 (26:38):
Baby but you, know we deal with it because you know.
Speaker 6 (26:43):
The ugly.
Speaker 5 (26:43):
Stick you put two real hard seas on that. Word ca.
Speaker 4 (26:48):
Ca all, right we're gonna end on that once.
Speaker 1 (26:53):
Again it's fair.
Speaker 2 (26:54):
Enough my mother is not listening to. THIS i have
never had. Sex i'm a.
Speaker 1 (27:00):
Virgin biggest lie of the.
Speaker 2 (27:03):
DAY i need some, milk, emotion no.
Speaker 1 (27:12):
Damage back, Up, Jerry, okay back.
Speaker 3 (27:15):
Up you've been listening To, Tanner drew And Laura's Donkey,
show heard daily at ONE o five nine the brew dot.
Com May god have mercy on all of our.
Speaker 6 (27:27):
Souls