Episode Transcript
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Speaker 1 (00:04):
Let me know when you're ready. I bet that's a
good start. This is Tanner, Drew and Laura's Donkey Show.
Donkey Show.
Speaker 2 (00:13):
Yeah, crack it.
Speaker 3 (00:23):
Oh my god, that's Court.
Speaker 4 (00:24):
When he poos, it's very painful when he poos.
Speaker 5 (00:27):
There's been times too much.
Speaker 4 (00:30):
Sometimes you gotta give it a little push.
Speaker 5 (00:32):
I get it. Yeah right, squeeze that out.
Speaker 4 (00:34):
Thanks for checking out Tanner to and Laura's Donkey Show
podcast right on line at one five nine the brew
dot com, our iHeartRadio, Apple or wherever you listen to podcasts.
I'm Tanner, Drew's there, Laura's here, Court's here, bus Dress,
Marcus is here, Mack, what's happening y'all? Happy Wednesday. We're
recording this on June eighteenth. Thes go ahead.
Speaker 6 (00:51):
Sorry.
Speaker 2 (00:52):
When Drew said Tapa Tello really got me thinking. I
found myself a new hot sauce and I'm so excited
about it. But it has been stinging the ring.
Speaker 1 (00:59):
I'll tell you, yeah that you get that ring burns.
Speaker 6 (01:02):
And is that because you're using a lot of it
or is it just the acidity maybe is hitting that
that sweet spot?
Speaker 2 (01:10):
You know me very well, it's one hundred percent the
amount that I'm using. It's it's not like that bad
of a hot sauce. I've just been really getting after.
I've been through two bottles since I discovered it, and
that was only a month ago.
Speaker 4 (01:20):
I'm a hot sauce guy too, So do you do
you do you put it on as you eat or
do you Are you one of those people who like
rolls out your burrito and then pours it and rolls
it back up.
Speaker 2 (01:29):
Well, if I'm having a burrito, I like to sauce
as I bite because I don't like to take a
part of burrito and try to reconstruct it.
Speaker 5 (01:36):
That's a math problem. I don't have time for it.
Speaker 4 (01:37):
I see people do that. Well, you just messed with
the integrity of the burrito. You know, it's gonna taste
different now. I don't know how, but it's gonna.
Speaker 2 (01:46):
I make myself a breakfast sandwich pretty much every day
and on an English muffin and I coat. I mean
it's saturated on both sides with that hot sauce. So
it's it's a personal choice. But it's not bad. It's
just and it's like the most generic looking bottle. You
guys have probably tried it It's just Louisiana Hot sauce.
It's a clear bottle red or a yellow and red label.
Speaker 5 (02:07):
Dude, it's amazing.
Speaker 2 (02:08):
It's like the best because you know, Tapatio's got a
little bit of this the Mexican food feel to it,
so it doesn't always go great on things like a uh,
you know, maybe you want it on a burger or
a piece of pizza if you're getting crazy like this,
Louisiana Hot sauce is right down the middle.
Speaker 5 (02:23):
It's perfect.
Speaker 4 (02:24):
I'm I'm dating somebody right now, and I spotted here
like two or three weeks ago. She we got Taco
Bell and she literally rolled out the burrito you know
where I could see it's enterds and everything, and then
she put the hot sauce on it back up and
I almost broke up with the right then.
Speaker 6 (02:39):
I'd say that it's way worse to do it at
Taco Bell because the thing looks like shit.
Speaker 4 (02:45):
Yes, well we were at home, so we were in there.
Speaker 6 (02:46):
If that's what you no diarrhea that you're eating like,
I don't want to see that. If you open a burrito,
the only way you open a brito is if you
have burrito wrappability. And I'm not.
Speaker 1 (02:59):
A a wrapper.
Speaker 4 (03:01):
I can't do it. But I can't. I can't fold close,
I can't wrap it that.
Speaker 1 (03:04):
Full in and flop.
Speaker 6 (03:05):
But there are certain people who they've worked at a
Mexican restaurant. They could pack in so many ingredients they
can open it. I'll choose to sauce the top.
Speaker 4 (03:14):
And the girl I am dating is half Mexican Sish.
I guess suppose she.
Speaker 6 (03:17):
Probably wrapped it better than that kid did back by
the counter.
Speaker 4 (03:20):
Yeah, but I I I can't do that. I I
pour the sauce on as I go, you know, one
bite at a time.
Speaker 3 (03:27):
My ex was he yeah, that's he would take his
big burrito, but tapatillo was his thing, so he would
take a bite, sauce the next bite, bite that bite,
and bite.
Speaker 4 (03:36):
And you're right, though, like once you see the inside
of it, it looks like cat shit totally, you know.
Speaker 3 (03:41):
Taco bell. Yeah, but if it's like an actual good, like.
Speaker 4 (03:44):
Three fried beans look gross where they're from.
Speaker 3 (03:46):
Yeah, that's why I don't know.
Speaker 1 (03:48):
Yeah, but when the meat looks like three fried beans,
you know you're a talk.
Speaker 5 (03:53):
Tanner.
Speaker 2 (03:53):
You might have yourself a kind of a magic trick
with your girlfriend being able to roll a burrito, because
sometimes I get a Taco Bell burrito and they've rolled
it the wrong way, so like bite one is sour cream,
Bite two is rice, Bite three is meat, Like you get.
Speaker 1 (04:07):
That's the seven layer bo Yeah.
Speaker 2 (04:11):
But they stacked it horizontally. They needed to stack it
vertically so you can flip it and reroll.
Speaker 4 (04:18):
I get there's zero care to your to your you know,
the preparation of your feud. I can always tell when
there's zero care.
Speaker 3 (04:24):
When who would hear if I worked at Taco Bell,
I wouldn't carry either. I just deal with it.
Speaker 4 (04:28):
Speaking of generalities, but yes, Taco Bell does just do it.
Like let's okay, let's say you go to Taco Bell
and you get a Nacho Bell Grande and then like
most of the meat is on one left, like the
left side, and then all these yeah, there's all these
raw chips over here. There's got some cheese on it,
and that's it. Like that type of shit you could
just tell like they didn't try.
Speaker 3 (04:43):
I actually went to uh, I don't know why I
was doing this, but I went to Sonic Breakfast. This
was years ago, and I think I just got like
cheese and egg and potato little mini burrito or whatever,
and it was so destroyed on the inside and like
all the toppings just falling out out of it everywhere.
I took a picture of it and tweeted about it
and Sonic, and then I felt bad because Sonic replied
(05:05):
and was like, I'm so sorry that you had this experience.
Speaker 5 (05:08):
They fired that guy immediately.
Speaker 1 (05:10):
Oh my god.
Speaker 3 (05:10):
I didn't mean for that to happen. No. Yeah, they
were like, the next time you're in, just here's a
free torn burrito. Yeah.
Speaker 4 (05:19):
I did that with Pizza Hut once. Like they showed
up and the pizza had clearly been dropped. It was
all on one side, and I took a picture of
it and I tweet and I tweeted it or granted
or whatever, and they responded and gave me a freeze off.
Speaker 5 (05:30):
That's nice.
Speaker 3 (05:31):
Yeah, sometimes bitch and paesel.
Speaker 4 (05:33):
I know. I wasn't trying to bitch. I was just like, look,
I mean I still hate the pizza.
Speaker 1 (05:36):
The next time, please send that in a d M.
Speaker 4 (05:40):
Yeah, there'll be a you could have brought us out.
Speaker 2 (05:43):
Both of you guys should send me those pictures because
I could use a free burrito.
Speaker 4 (05:52):
Yeah, I should have saved that. I don't even know
if I have it off the check, but if I do,
I'm whatever.
Speaker 3 (05:56):
It is This customer service representatives at Pizza Hug be like,
wait a minute, I've seen this photo now sixteen times
a day.
Speaker 4 (06:04):
You said it's the same picture four years ago.
Speaker 5 (06:06):
They keep dropping the pizzas in the exact same way.
Speaker 4 (06:10):
I hate it when that happens. It's you'll see uber
drivers do that. You're because they don't give a ship.
You know, they're getting three dollars for the delivery, so
they'll just they'll drop it and bark dust.
Speaker 6 (06:18):
And sometimes I bet they break check your pizza just
to the door exactly, if it's not rolled up like
an ocean wave on one side.
Speaker 1 (06:29):
You know.
Speaker 3 (06:29):
Speaking of spicy food, you know what I tried the
other day, after we talked about flaming hot Cheetos and
the factory closing down or whatever, get chet, I bought
some flame of.
Speaker 1 (06:38):
Hot Cheetos flaming hot buttholes.
Speaker 3 (06:40):
Yeah, Dill pickle flavored flaming hot Cheetos, and they were
really good, but like I couldn't stop eating them, and
it didn't like blow up my butthole. But like my
tomb Tom, it was so sad.
Speaker 6 (06:54):
Think about pickle flavor is probably also has some vinegar
in there, and the hot the hot chemical you put
a napalm in your belly.
Speaker 3 (07:03):
Yeah, I didn't feel they taste.
Speaker 4 (07:05):
Sometimes it tastes so good, Like I I know when
I eat certain things, I'm gonna get a tummy ache,
But sometimes I love it so much that I do
it anyway. Yeah, I love crush red peppers and talking
about putting a lot of ha sauce on stuff. I
know I'm gonna get heartburn before I'm done.
Speaker 6 (07:19):
With the slice and you're just making it rain, but
I will, Yeah, I will just sprinkle that like it's
cocaine on the on a on a glass top.
Speaker 4 (07:26):
So so good, you know, And I love it so much,
like I like to coat it to the point where
I like I'm sweating. I like that the thing with
tastes good, the flame of hot cheetos.
Speaker 5 (07:36):
Though, like, despite whatever flavorings they say are in there,
there's there's probably none of those foods. There's no actual pickles.
Speaker 3 (07:42):
Or it's all some sort of like weird chemical.
Speaker 1 (07:45):
Chemo cold twenty one seeds.
Speaker 3 (07:47):
Yeah, I'm like, oh god, what I put in my body.
Speaker 6 (07:50):
They are magical in the fact that it hurts so good,
is what I would say with them. Because as soon
as you stop eating flaming hot Cheetos, your mouth starts
to react. But then when you put another one in
your mouth, it almost cames down the prairie fire just
enough to enjoy it. But if you stop again, it
knows to burn your mouth.
Speaker 3 (08:10):
It's actually, it's actually wild. I'm like, I need some milk.
Speaker 1 (08:13):
Whoever engineered it is a mad scientist, right.
Speaker 4 (08:16):
Have you ever gotten a crush red pepper or anything
hot stuck between your tooth and gums like it just
it'll irritate that and it just burns.
Speaker 6 (08:25):
You can actually get a not a cut, but like
a full on abrasion from a single red pepper flake.
Speaker 4 (08:31):
It happened with THEO when I was a teenager, got
stuck between my gum and my tooth and it was
there for like a day or so and it finally
came out.
Speaker 1 (08:39):
But is it a spicy or it was just it
was just a rag.
Speaker 3 (08:45):
Back in the day, it was only nacho cheese and
cool ranch.
Speaker 6 (08:48):
Spicy nacho is not bad. The standard spicy now that
they have.
Speaker 3 (08:52):
Is that like the purplish bag.
Speaker 1 (08:53):
It's like, yeah, an off color, darker red.
Speaker 3 (08:56):
Yeah, okay, But.
Speaker 5 (08:57):
The worst thing about having that kind of stuff stuck
in between your teeth is like you're constantly like tonguing it,
like trying to trying to break it free. Like its
spent hours.
Speaker 3 (09:07):
Yeah.
Speaker 4 (09:08):
I like the idea because they remind me of being
a kid and stuff. But I eat a torito and
then like, I get so grossed out by the cheese
dust on your fingertails.
Speaker 3 (09:15):
Oh yeah, that's the thing with the flame and hot
cheetahs too. I was like, my fingers are all red.
Speaker 1 (09:19):
Yeah, so dusted all the time.
Speaker 4 (09:22):
I want to see Laura just hoarding a whole bag
of man.
Speaker 3 (09:25):
I was just sitting on the couch. This is what's
even worse about this, guys. This is what I ate
for lunch, flame and hot to rito or cheetos. And
I also noticed that Selena Gomez had her new Oreo
cookies out, So all I ate was Seleni Gomez Oreos
in a flame and hot and I felt like the
(09:46):
most disgusting version of myself. That was your lunch, that
was my lunch.
Speaker 5 (09:50):
I can't imagine why your stomach hurts, I know.
Speaker 6 (09:54):
And what your body does like there there's actually no
food in any of that, so like the body.
Speaker 1 (09:59):
Just it's like you're still hungry.
Speaker 6 (10:01):
Oddly enough, how did you get twice as tired when
you just fueled your body?
Speaker 3 (10:05):
I know, yeah, I fueled it with non spike. I
did take an alf after that, so you.
Speaker 4 (10:13):
Have to to just you know, you're gonna you're gonna
sweat out cheeto does Then I woke.
Speaker 3 (10:17):
Up and I was like, oh weird. I still feel
like shit, but hey.
Speaker 6 (10:22):
Those moments when you're chewing up that oreo, well, I mean,
like waking up from a nap, you already feel like
shit on top of your your cheeto, your cheeto.
Speaker 3 (10:30):
My cheeto oreo binge.
Speaker 1 (10:32):
Yeah.
Speaker 2 (10:33):
Yeah, but the Fantasia Fever Dream was top ten for sure.
Speaker 6 (10:39):
Exactly the craziestler diabetic coma for over an hour.
Speaker 1 (10:43):
Yeah.
Speaker 4 (10:44):
On the live show today we were and you can
check out the podcast at one of five nine the
brew dot com. But we were talking about movies. The
lore hadn't seen. She hadn't seen National Treasure, which I
think the for you know, there are only two of
them right right now. They might make a third, but correct,
you know, they they're great American classics, plausible to oh yeah,
and so. But then we got talking about like artifacts
(11:05):
and you know, like the Declaration of Independence or the
Mona Lisa. I am convinced, and I could be wrong
because I've never even seen them in person. I've never
been to DC. Uh that those aren't the real ones.
That those are all copies. Those are all perfect replicas,
and the real ones are in a lab somewhere or
like in an air tights uh, you know, containment system
like they've got the Vatican.
Speaker 5 (11:26):
Yeah. I think with the the Declaration of Independence, depending
on which one you look at, like the one that
they have, I think they have one.
Speaker 1 (11:33):
Because there's a handful of problems multiple there.
Speaker 5 (11:35):
Are multiple copies. I think if you look at one
that's like the.
Speaker 6 (11:38):
Person had to write all that out that day is
like goddamn and the writer's cramp.
Speaker 4 (11:41):
It can just give me a minute. I only brought
one feather for this.
Speaker 5 (11:46):
But I do think like if if they're in like
a big public space like the Lincoln Memorial something like that,
those are fake. But there are some that are on
display that I think are real because they are copies.
Speaker 3 (11:56):
Yeah, I think and I always assume, and maybe this
is an incorrect assumption, but I feel like, if it's
in a museum, what's the point of putting up a
fake Like if you if you can boast and say,
we are the only place in the world that has
this thing, why would you bother creating a replica? And like,
(12:18):
I know why, because you happens if it gets damaged.
Speaker 4 (12:21):
Have you seen the movie Heist?
Speaker 3 (12:23):
No?
Speaker 4 (12:23):
Never know a guy pretending to have a handicap will
sneak into your place and steal everything.
Speaker 3 (12:28):
Or when somebody will sit on your crystal encrusted chair.
Speaker 4 (12:33):
I think like like, yeah, I think you just said it, Laura,
like to protect it. I I can't imagine every single
little artifact like that, but there's got to be some
that are total replicas that are being that are being shown,
and the real ones are somewhere where it's the vault,
America's vault, where it's got we've got.
Speaker 1 (12:48):
All our goods.
Speaker 5 (12:49):
I think that the Mona Lisa. I've never seen the
Mona Lisa myself. I've seen in another Da Vinci painting
in Europe and it was behind like probably yeah, interest
of bullets.
Speaker 4 (13:01):
But that's what they would do regardless even if it
was a fac that's you're because that gets you to argue,
of course, it's it's a real one. It's behind two
inches of glass.
Speaker 5 (13:09):
I think those are real. And because the other thing
that I never expected with that, with the Da Vinci
I saw, and I think the Mona Lise is the
same way. I'm just expecting it to be like two
feet across and like three feet tall kind of it's
about like it's probably one ft one foot across in
about a foot and a half high.
Speaker 4 (13:26):
Because it's the replica. Then the es is like a
big one from my I've seen it.
Speaker 5 (13:31):
I've seen it in person.
Speaker 1 (13:32):
It's bigger than maybe that other one that you did,
but it's more like this.
Speaker 5 (13:37):
Yeah, don't forget that.
Speaker 2 (13:39):
There's there's scholars out there that could look at a
painting from across the room and that's right.
Speaker 4 (13:43):
Yeah, But there are also people out there who fake
things like this, and they get paid to fake things
like this. I mean, you know, I'm not saying it's
every little item, but there are people out there who
are so good that it takes many experts to prove
that it's an imitation.
Speaker 3 (13:56):
I just don't know why you would bother paying somebody
who's that good doing that to put a fake painting
up in the loop.
Speaker 4 (14:03):
You know, I'll tell you why, Nicholas Cage just come
and take your shit.
Speaker 1 (14:06):
Yeah, it's very true.
Speaker 6 (14:08):
And I wouldn't be surprised if the uh list one
a stuff like the stuff that is going to be
a burden if it's hurt, Like if.
Speaker 1 (14:16):
Something happens to the Mona Lisa, everybody's gonna go, are
you kidding me? Why is that not protecting what that's
going on?
Speaker 4 (14:23):
When there's only one of them? With the Declaration of Independence,
I guess we can throw one out there.
Speaker 6 (14:27):
There's a multiple, yeah, or like someone who has a
famous painting, But if you said it to one of us, we're.
Speaker 1 (14:32):
Like, okay, I'll take your word for it.
Speaker 6 (14:35):
Maybe some of those are just where they are, but
there's a possibility that they're they've gone lou or that
they've gone Vatican style on some of the big dogs.
But I could never be certain because they wouldn't tell
even if you pointed a gun at their mouth.
Speaker 3 (14:47):
Yeah, I'm not Yeah, I'm not knowledgeable enough to even
know where to begin.
Speaker 4 (14:52):
And some of that stuff that at these museums are
totally fake too, Like you know they go and show you.
I don't know where the museum is, but it's got
Lincoln's haben that he built by his bare hands, not
the replica they built like the seventies or something like that.
But people they don't say that it's not I don't
think it's printed anywhere. I think they just sell it
as it's his fucking cabin.
Speaker 5 (15:12):
Yeah, I was.
Speaker 4 (15:16):
Burned down in a forest fire.
Speaker 6 (15:17):
I want to go to the George Washington when where
they have the real horse teeth that he that he
had in his mouth, and like they have his dungeon
and all that.
Speaker 1 (15:26):
Stuff, like dungeon.
Speaker 6 (15:28):
He had a slave dungeon, just like all the other
presidents of the United.
Speaker 4 (15:34):
First, that's what it was, exactly, the Benjamin the sex
wing that he had coming to the ceiling.
Speaker 6 (15:41):
When Shane Gillis talks about it in his stand up,
it's a frightening experience because you'd think, like, oh, this
is everyone's hero.
Speaker 1 (15:47):
No, this is a grinder from.
Speaker 4 (15:50):
Like I think he came out of that saying like, Wow,
this guy's a piece of ship.
Speaker 6 (15:53):
Yeah that's so intense. Anyone else then the guy on
the dollar does not get a pass.
Speaker 4 (15:58):
Yeah, Marcus, have you been to d See Have you
seen these artifacts? Would you say that they're real or copies?
Speaker 2 (16:05):
I haven't been, but I'm I guess you could call
me naive enough to believe that there there's a lot
of them that are real, right. I know that there's
gonna be replicas out there, but I also don't see
the reason for the pomp and circumstance around it if
you're not going to display the real ones eventually, Like
we've built monuments around these goddamn things. There's an entire
(16:27):
national mall in DC it's meant for us to go
see them. It just seems like a lot to put
into it if you're not actually gonna have the real
document there. And there's only so many Nicholas cages that
are thinking about stealing these things, you know. It's it's
not just the theft that I'm thinking of, though, it's
the damage that the light causes to these things.
Speaker 4 (16:48):
You know, it's the day, And I understand a lot
of them are in airtight containments and those lips underground,
and they're in filters all that stuff, but they're still
over time, you know, light is light. Go and look
at those statues where they say like if you rubbed
the tit, it'll give you luck. The tit is gold
and everything else will be black because the people just
rub the stuff off. We did get a text message
from people from seventy This one came earlier, from seventy
(17:10):
four to forty eight. The Mona Lisa is one thousand
percent not the real one. I could see that being
not the real one because there's only one.
Speaker 1 (17:18):
Yeah, yeah, I could, I could. That's that's that one.
Speaker 6 (17:21):
A thing I was talking about that though, there's a
very starry night. These types of paintings, it's a treasure.
Speaker 4 (17:28):
I fucking hate that painting. By the way, start.
Speaker 3 (17:31):
What do you mean?
Speaker 1 (17:32):
Do you mean? What's creepy about a beautiful story?
Speaker 5 (17:35):
Oh?
Speaker 4 (17:35):
Is this a whole? This is what I'm thinking of.
Speaker 1 (17:36):
Storry Night's the trip it's not.
Speaker 3 (17:38):
Yeah, but it's not the guy who's like the scream.
Speaker 5 (17:42):
No, that's a screen.
Speaker 4 (17:43):
That's okay, That's what I'm thinking of.
Speaker 3 (17:44):
Sorry, Storry Knight is just like it's a starry Knight.
I used to have it all.
Speaker 4 (17:48):
Oh, that one's all right, I don't I don't like
it because it reminds me of a bad, bad acid trip.
Speaker 1 (17:53):
But you know, it kind of reminds me of like
a children's book, total.
Speaker 3 (17:57):
A bad acid trip, children's books, Samson, there's.
Speaker 1 (18:00):
All start reading children's books on acid and see what happened.
Speaker 4 (18:02):
I'm convinced those guys were all high out of their minds.
Speaker 5 (18:04):
I'm sure they were. But somebody's actually animated Storry Night
like like, so it looks like you're you're tripping when
you're looking at it.
Speaker 1 (18:10):
It's like I can see that a little filter on
that make you get vertigo.
Speaker 4 (18:15):
Yeah, the screen one always always freaked me out as
a kid, and so when I look at it, I
obviously I don't get freaked out anymore, but I still
get that sensation that I had as a kid, and
I just and I look away from it because I
don't like.
Speaker 6 (18:25):
Wasn't he in an asylum when he when he painted
Starry Night? I believe it's the view out the window
of looking out the window of an asylum.
Speaker 4 (18:36):
He probably is there a movie about that that sounds
like it'd be a good movie.
Speaker 6 (18:39):
Be Sweet Van Go the Van Gobros. I don't know
if he's got a brother, but it rolls off the
time the Van Bross about how his brother worked at
like a Jiffy Lube and he was super talented Van Bros.
Speaker 3 (18:52):
It's like the Property Brothers but exactly.
Speaker 4 (18:54):
Yeah, uh so anyway, that's I just thought that was interesting,
and Laura looked it up. It looks it's like they
may do National Treasure three.
Speaker 3 (19:02):
It looks like Disney is writing a script for it,
but Nick Cage has been like, nah, not happening, so
it sounds like he's not involved.
Speaker 4 (19:10):
Which is wild because he does everything.
Speaker 1 (19:12):
He says yes to everything right in these days, he using.
Speaker 5 (19:16):
Some real turds and it's all for the cash, Like
he was.
Speaker 4 (19:19):
In that The Left Behind books. You know, there was
there was a reboot movie called Their Left Behind and
Nicholas Cage plays the main character and it's just it's
so bad.
Speaker 1 (19:28):
It's like that.
Speaker 4 (19:29):
I think that was the time he was hurting for cash.
Speaker 3 (19:31):
Yeah, like he was in debt.
Speaker 4 (19:32):
Yeah he needed And.
Speaker 5 (19:33):
Now a lot of his movies are all almost like
kind of meta where they're all making fun of the
fact that he's Nicholas Cage and he's they're very twenty four.
Speaker 3 (19:40):
Yeah, you know, like, well, like I watched why did
I watch it the day dream scenario with Nick Cage
that was kind of goofy. Nick Cage was this dude
and he kept appearing in stranger's dreams and then they
would see him in person and be like, whoa, you're
the dude from my dream. And it caused him like
all this trouble.
Speaker 5 (19:59):
I did see that. Yeah, that one is weird as hell.
It is super because yeah, then he gets all like
a big head about it and then the whole thing
falls apart. Yeah, it's it's it's weird. It's a weird,
weird movie.
Speaker 1 (20:08):
Yeah. Well, you throw enough darts, you're bound to hit
the board.
Speaker 6 (20:11):
And that's what Nick Cage has done. He's got a
couple that you love, but he just had to do
a trillion to get to that number.
Speaker 3 (20:17):
Yeah.
Speaker 4 (20:18):
I like some Nick Cage man. He's been doing some
some bangers.
Speaker 6 (20:21):
I think that a lot of us have a comfort
level with him just because we grew up with him.
You know it can he's still Stanley Good.
Speaker 4 (20:27):
Speed fast Nick Cage movie The Rock.
Speaker 1 (20:31):
I think The Rock is Stanley Good.
Speaker 4 (20:34):
I like Pig Pig is Good. I like that one
a lot.
Speaker 1 (20:38):
I like Raising Arizona.
Speaker 3 (20:40):
Oh, I haven't seen raising.
Speaker 4 (20:42):
Yes, okay, what's that one? Where is it match stick Man?
Speaker 1 (20:45):
Or it's the the one where they're the I think
it's match Stick Men?
Speaker 4 (20:49):
Where the the then Connor? Yeah, that one's really good.
Oh and the weather weather Man is good. That's probably
my one of my favorite Nicholas Cage movie.
Speaker 2 (20:59):
Face Off, Face Off, Shut it Down exactly, face Off.
That's the one we were missing that And I do
think Gone in Sixty Seconds is a good.
Speaker 1 (21:06):
Movie as well.
Speaker 2 (21:07):
Yeah, Face Off one, I mean Cage as Nick Cage
as John Travolta.
Speaker 5 (21:12):
Yeah, that's that's as metas it gets.
Speaker 1 (21:14):
And that was in the nineties.
Speaker 4 (21:15):
And tan Ara was fun. But that's like kind of
silly if you.
Speaker 5 (21:18):
Want to say. Look like one of his most batshit
uh performances, along with Face Off. Bad Lieutenant is absolutely nuts.
Speaker 4 (21:27):
I haven't seen that.
Speaker 5 (21:28):
Yeah, he's he's basically a cop who's high on on
a variety of drugs, but he is he is just
Nick caging his ass off the entire time.
Speaker 4 (21:35):
Dude, we gotta talk.
Speaker 1 (21:36):
We got to reach out court.
Speaker 4 (21:37):
You're the boss. You're the program director of one oh
five point nine The Brew kfb W in Portland, Oregon,
and you should reach out to our weekend guy. Uh,
the only DJ licensed to party cope, because that is
Nicholas Cage's direct brother. It's his actual brother, and you
can kind of hear it when you listen to him.
You can hear the Nicholas Cage in him. But I
don't talk to him because he does his show remotely. Yeah,
(21:59):
so you should reach out to him. He can we
get your bro on the show.
Speaker 5 (22:04):
Yeah, I will. I will not do that.
Speaker 1 (22:09):
Come on, we got all the branch.
Speaker 4 (22:10):
All right, how about you give me the email and
I'll do it. He's in the global You can type
in Okay, I'll do that.
Speaker 5 (22:16):
You can type in cope.
Speaker 4 (22:17):
Do I have to type in only DJ licenses?
Speaker 1 (22:20):
It has to be a subject or he doesn't answer
the email.
Speaker 3 (22:23):
Uh.
Speaker 1 (22:23):
I know that Tanner and Laura were here.
Speaker 6 (22:26):
When we talked about this last time. But Marcus gone
in sixty seconds? Is one that you mentioned?
Speaker 1 (22:32):
What is the Rotten Tomatoes score in your mind? What
would be an appropriate score?
Speaker 3 (22:36):
You know it?
Speaker 6 (22:37):
Tanners say, I don't know it for sure, but I
have a feeling it's bad. Yeah, we looked how we
did and it's bad.
Speaker 1 (22:43):
Well, Marcus play the game first.
Speaker 2 (22:48):
With Rotten Tomatoes, there's one thing that I like. Can
you tell me a good car movie that's gotten a
good Rotten Tomato like Fast and Furious, I think, and
the Furious ruined it for me.
Speaker 3 (23:00):
It's going to be because I think we did it
for the Rotten Tomatoes game. So the movie that we
put up against it must have been another car movie
and it must have been rated higher.
Speaker 1 (23:09):
Pick pick a number, Marcus sixty seven, twenty six, Come on,
it's criminals.
Speaker 4 (23:18):
The Ridiculous dreadlocks, that angel.
Speaker 1 (23:23):
And what's role.
Speaker 3 (23:28):
The popcorn meter? Though the audience score is seventy seven.
Speaker 1 (23:32):
Car that's card dudes, Yeah you know they get the Chubb.
Speaker 4 (23:37):
Sixty five to seventy five is seventy.
Speaker 1 (23:39):
Yeah.
Speaker 3 (23:39):
Critics that critics can suck a big one.
Speaker 4 (23:42):
Yeah, sometimes they're pretty bad.
Speaker 3 (23:44):
Uh.
Speaker 2 (23:45):
Never cast movie critics that can appreciate eleanor like pick
me out the movie critic that can look at that
car and even tell me what the making model is,
And that I think is the reason I like the movie.
I love seeing these cars that they're stealing, Like that's
the appeal of it. It's not, it's not really Nicholas
Cage like I am watching this for the for the
burn and rubber porn.
Speaker 5 (24:04):
Let's be honest.
Speaker 4 (24:05):
I forgot about another really good Nicholas Cage movie that
I don't know that everyone's seen, but the.
Speaker 3 (24:09):
One about the Weight of Unbearable. That one's kind of
talent whatever.
Speaker 5 (24:15):
But that one is good.
Speaker 1 (24:16):
We may not have mentioned his best one. I just
thought of. But what do you got eight milimeter?
Speaker 4 (24:22):
What what do you mean about?
Speaker 1 (24:24):
Isn't that about like snuff porn? Yeah?
Speaker 4 (24:26):
It was, and James Gandolfini is in it.
Speaker 5 (24:29):
It's a messed up movie.
Speaker 1 (24:30):
It is dark, gets weird, but Nicholas Cage is really
good in it.
Speaker 4 (24:34):
It is Oh that's dark.
Speaker 3 (24:35):
That has an even lower score than Gone in sixty Seconds.
Speaker 5 (24:39):
The score that one.
Speaker 3 (24:39):
It's got a twenty four percent.
Speaker 4 (24:40):
To get out of here? Did you like it?
Speaker 1 (24:43):
Court?
Speaker 5 (24:43):
I saw once in theaters.
Speaker 4 (24:45):
Oh you saw in the theater like a freak.
Speaker 5 (24:47):
I guess because it was a Nicholas Cage movie. Yeah,
well it looked good to me until I watched him
like that.
Speaker 1 (24:52):
Was that was?
Speaker 4 (24:53):
I liked it, but in like a dark it's like
true crime.
Speaker 3 (24:57):
It's his Rotten Tomatoes twenty four percent and then Google's
is eighty two percent of people liked this movie. So
I think again the critics were just like critics are saying.
Speaker 1 (25:05):
Well, we're missing the monster leaving Leaving Las Vegas. I
kind of felt like that.
Speaker 4 (25:11):
Was a given.
Speaker 1 (25:11):
That's why with the ninety one percent got an oscar
on that one. Yeah, that, I mean that was he
was on a time another level. He was so pathetic
in that or in Leaving Loss.
Speaker 3 (25:21):
Yeah, what's the one where he's a plant adaptation a
plant Like I just remember the cover of the movie.
Speaker 5 (25:29):
I mean, adaptation is one of his movies, but I
don't I don't remember him being a plant adaptations where.
Speaker 1 (25:34):
He yeah, it is age playing.
Speaker 3 (25:35):
Yeah. The cover is a planter knocked over and his
face is the planter.
Speaker 5 (25:41):
See he's yeah, okay, yeah. In that movie, he's he's
hihimself and his own brother at the same time with.
Speaker 3 (25:48):
Him just like playing himself. I like it when they
do that, hiring other actors.
Speaker 5 (25:53):
He's I mean, he's not Nicholas Cage, He's he's he
plays Charlie Kaufman, who is He's like a movie writer,
but it's all about him trying to write a movie.
Speaker 4 (26:02):
I love the I love movies about movies. I like
shows about movies, you know, like Entourage, the Studio, and
I love it when actors play themselves, like the movie
This is the End. It's silly and ridiculous, but I
love that idea where they're playing themselves. It's real life.
They're they're acknowledging real things and real people, and those
people are playing themselves. I wish we would get more
of that. We got a little bit of that, and
(26:23):
uh and so there's like a there's like a TV
show recently that we got that in and then the
studio is great that I guess that's what I was saying.
Speaker 5 (26:29):
There's a whole scene like Dave franco is just being
a total little douche, a little little stone or douche.
Speaker 4 (26:34):
And I really like this, and so I think we should.
I would like I want to start, you know, how
we get biopicks about rock stars. Why the hell are
we not seeing biopicks about some of these big actors
who had crazy Nicholas or sorry Jack Nichol, Nicholson in
the seventies or something.
Speaker 3 (26:49):
Sure, we'll get those when he's dead, and we're we.
Speaker 4 (26:53):
Don't need that, Like Ray Charles was alive when that
movie came out.
Speaker 1 (26:57):
He was fairly but as soon as it happened.
Speaker 4 (26:59):
The point is is that why wait some of these guys,
they're they're already legends. I really would love to see
a story about it.
Speaker 5 (27:05):
I think it would. It's because they're probably holding it up.
They're like, you're not telling my story, and they wait until.
Speaker 6 (27:11):
The next time Kin gets a check and they're like, well,
I don't care that he loves smut.
Speaker 3 (27:15):
Yes exactly, that's precisely the situation. I think.
Speaker 1 (27:19):
Well, I I love that Charles coming for you.
Speaker 4 (27:21):
I love that Ray Charles, you know, before he died,
said tell the story, you know, talk about the heroin,
talk about everything, and I feel like that's what we need.
But I want to see that about movie stars, you know,
like when you know, when they were doing coke on set.
I'd love to see a movie about the making of
the Pie Pye movie, because I hear that movie they
were coked out of their pipee Popeye with Popeye that
(27:41):
I say, pipee pie yeah with uh with Robin Robin
Williams that movie.
Speaker 5 (27:49):
There's a great podcast it's called What Went Wrong, and
it's all about what went wrong in the filming of movies,
and they talk about that one really yeah, and it's
it is it's crazy. Uh, they did have a full
on cocaine budget and it was huge.
Speaker 4 (28:03):
I think a lot of movies did. I read a
James Cameron book that said in the eighties, seventies and eighties, man,
they would budget it into the movie, but they would use.
Speaker 5 (28:09):
It like catering or equipment or something. Yeah, it's crazy
about that movie. Is like they built that whole set
and still it still exists to this day. You can
go visit that that town. It's become like a whole
place you can go to. But it's a it's a
That movie is crazy. I remember watching that movie, like
they when the teachers didn't they probably got too drunk
the night before. They want to just do a TV
or a movie night or a movie day or whatever.
They would throw on Popeye just because like, hey, we
(28:32):
all love popeologically and it's not a kid's movie.
Speaker 4 (28:34):
It's just everyone is coked out of their I hear.
It's the crew, the director, the actors, everybody, extras. Everyone
was coked out. I guess the amount of drugs that
on set made people uncomfortable.
Speaker 5 (28:44):
I mean Robin Williams alone, that.
Speaker 1 (28:47):
Was his cocaine. Yeahs, it's on.
Speaker 5 (28:49):
That was his prime cocaine era.
Speaker 4 (28:52):
What do you think that I never you know, obviously
was alive then, But what do you think the cocaine
in the seventies.
Speaker 3 (28:56):
Was like bonkers?
Speaker 5 (28:58):
Probably? I mean I think back in in the seventies,
I mean, they're doing cocaine. But I think coaeludes was
the big thing. I remember hearing the back I didn't
I didn't know what was man when I was a kid.
I but I knew kueludes was a thing.
Speaker 4 (29:08):
I mean the first time I heard about that was
watching Scarfs.
Speaker 3 (29:11):
I still don't know what coludes are like pills the
other pills.
Speaker 5 (29:13):
They're like like basically downers.
Speaker 4 (29:16):
It's right, yeah, there is.
Speaker 5 (29:18):
It's a yeah. They don't sell them anymore. Like I
don't even think they make them.
Speaker 4 (29:21):
I don't think they make it off because I know
the movie Wolf of Wall Street, they were just popping
kayludes lefting right right.
Speaker 5 (29:26):
Yeah, that whole scene where he's trying to drive the
Lamborghini and ye.
Speaker 1 (29:29):
That and it doesn't kicks in. That's the greatest scene.
Speaker 4 (29:34):
He's like, I made it home safe and then the
car is.
Speaker 1 (29:37):
Just busted yet destroyed.
Speaker 4 (29:40):
That movie is good, Laura. It is just three a
half hours.
Speaker 3 (29:42):
I've seen Wolf of Wall. Yeah, it's been a while
and I probably wouldn't like I don't I wouldn't remember reference.
Speaker 4 (29:50):
I watched it again, like a six months ago something.
It's really good.
Speaker 1 (29:54):
God, how good?
Speaker 5 (29:55):
It is a great movie.
Speaker 4 (29:56):
Martin Scorsese. Man, my best Martin Scorsese movie, because just
saw Good Fellas for the first time last week in court.
What do you think it is.
Speaker 5 (30:04):
Martin Scorsese movie that you watch last weekend?
Speaker 4 (30:06):
Bet, Laura just watched Goodfellas for the first time. What's
the best Martin Scorsese movie?
Speaker 3 (30:10):
Oh?
Speaker 5 (30:11):
Oh, I mean Goodfellas. I think it's probably my favorite.
That would be the one. Yeah, I can't think of
one that I like better. I mean Casino's Casino Departed
depart is good, but Goodfellas is a perfect movie. I
mean it's it's hard. It's hard to argue with that one.
Speaker 4 (30:30):
Yeah, Goodfellas and Casino. I think Casino I like a
little bit better, just because I love the lore of
mob Vegas. And yeah, you know, in the end of
the movie they show you know, Old Vegas being destroyed,
and I love that kind of shit. Martin Scorsese always
does that, Like in the Gangs in New York. At
the end of the movie, you see like eighteen hundred
New York and then it fades to modern New York. Yeah,
(30:51):
I love I love that kind of stuff. But yeah,
I would say good Fellows Casino for me, Goodfellas too.
Speaker 1 (30:57):
Gangs in New York, Gangs in New York hadn't have departed,
had departed.
Speaker 2 (31:02):
I haven't even mentioned Raging Bowl yet, Like that's I mean,
you know it's his. I'm just looking at a print
out of all the movies right now, and even the
ones that I'm not that into are good.
Speaker 1 (31:13):
The Color of Money, I mean, are you kidding? These
are the classics. You know what's wild to me is
that Axi driver.
Speaker 4 (31:20):
The biggest all tast trick driver. The biggest directors in Hollywood.
Uh you know, Steven Spielberg, Robert Zimris, Martin Scorsese, and
who's the there's five of them, oh, Star Wars guy,
George George Lucas, and there's one other dude that's like
a five to fifth guy. But they were all really
they were best friends before they became famous. Director is
(31:41):
it Francis for the Cobla? Yeah, they were all really close, uh,
and they would share ideas and and give critique each other,
and they all became successful, not just successful, but like
the pioneers of the genre or the you know, the medium.
Speaker 5 (31:53):
Yeah. No, and that's George Lucas showed Star Wars to
those those guys, like what do you guys think, and
like a couple of them were like, this is going
to change everything, and well I think one goes like,
oh that sucks. Yeah, let's do it.
Speaker 1 (32:04):
Wor you want to feel old that Departed turns twenty.
Speaker 4 (32:07):
No way, Jesus, Like we just found out Inception turned fifteen.
Speaker 5 (32:11):
Yeah this year.
Speaker 3 (32:12):
I was like, well that's a fifteen year old movie.
And I was almos like no, no way, yeah, yeah, I.
Speaker 5 (32:18):
Mean old Star Wars episode one is coming up on
thirty in a couple of years. Yeah.
Speaker 4 (32:24):
And just to think, like the time between the first
movies and those movies is like, I think it's less
time now, it's way less. Court's running off, you got
he his wife's gone row his.
Speaker 3 (32:34):
Work wife large?
Speaker 4 (32:36):
Oh is it's large?
Speaker 6 (32:37):
They got a meeting, all right, well that does it
for us anyway, We've We've talked about it all, Marcus.
Speaker 4 (32:41):
I love your face. I'm sorry we didn't talk to
you as much today.
Speaker 1 (32:44):
He just we always need a little more Marcus, That's true.
Sor right.
Speaker 2 (32:47):
I'm gonna go watch Next with Nicholas Cage, where you
can see two minutes into the future in his own life.
Speaker 4 (32:52):
It's so silly, but I liked it.
Speaker 6 (32:55):
You go crush that and bring us a book report
tomorrow on it. Marcus, would you, you know, would you
like to play us out?
Speaker 1 (33:03):
Play you out?
Speaker 2 (33:04):
I feel like whenever I do something other than talk
at normal volume, my mic cuts out on you.
Speaker 1 (33:09):
Nicholas Cage, Nicholas Cage, Yeah, I want.
Speaker 4 (33:16):
To hear like I want to hear like an R
and B version, like a power Ballader.
Speaker 1 (33:20):
Yeah, power BALLAD or R and B whatever it hits
you or Jason Mora's style.
Speaker 2 (33:25):
Of things are like almost identically the same. So, you know,
can we just talk a little bit about the man
who is Nicholas Cage, the man who has never been
afraid to take a risk with a movie like Snake Eyes,
the man who wasn't afraid to have the flaming Pumpkinhead
in that stupid superhero movie that I can't remember the
title of.
Speaker 4 (33:45):
Tanner, are you gonna sing?
Speaker 1 (33:47):
Yeah, it wasn't The.
Speaker 4 (33:52):
Ghost Rider.
Speaker 1 (33:53):
This was a poem. He's like, this is a slam poetry.
Speaker 5 (33:59):
Eleanor eleanor wherefore are there?
Speaker 1 (34:02):
Eleanor there?
Speaker 5 (34:03):
It is stolen? Gone?
Speaker 2 (34:05):
Sixty seconds next eight millimeter the rock con air, put
down the bunnet, nice very nice house. The end, Like,
that's how slam poetry in is you guys?
Speaker 1 (34:18):
Really this week snapped you out? Dude, That's that's a win.
Nice job a.
Speaker 3 (34:26):
M.
Speaker 2 (34:27):
You've been listening to Tanner, Drew and Laura's Donkey Show,
heard daily at one O five nine the brew dot com.
Speaker 1 (34:34):
May God have mercy on all of our souls.
Let me know when you're ready. I bet that's a
good start. This is Tanner, Drew and Laura's Donkey Show.
Donkey Show.
Speaker 2 (00:13):
Yeah, crack it.
Speaker 3 (00:23):
Oh my god, that's Court.
Speaker 4 (00:24):
When he poos, it's very painful when he poos.
Speaker 5 (00:27):
There's been times too much.
Speaker 4 (00:30):
Sometimes you gotta give it a little push.
Speaker 5 (00:32):
I get it. Yeah right, squeeze that out.
Speaker 4 (00:34):
Thanks for checking out Tanner to and Laura's Donkey Show
podcast right on line at one five nine the brew
dot com, our iHeartRadio, Apple or wherever you listen to podcasts.
I'm Tanner, Drew's there, Laura's here, Court's here, bus Dress,
Marcus is here, Mack, what's happening y'all? Happy Wednesday. We're
recording this on June eighteenth. Thes go ahead.
Speaker 6 (00:51):
Sorry.
Speaker 2 (00:52):
When Drew said Tapa Tello really got me thinking. I
found myself a new hot sauce and I'm so excited
about it. But it has been stinging the ring.
Speaker 1 (00:59):
I'll tell you, yeah that you get that ring burns.
Speaker 6 (01:02):
And is that because you're using a lot of it
or is it just the acidity maybe is hitting that
that sweet spot?
Speaker 2 (01:10):
You know me very well, it's one hundred percent the
amount that I'm using. It's it's not like that bad
of a hot sauce. I've just been really getting after.
I've been through two bottles since I discovered it, and
that was only a month ago.
Speaker 4 (01:20):
I'm a hot sauce guy too, So do you do
you do you put it on as you eat or
do you Are you one of those people who like
rolls out your burrito and then pours it and rolls
it back up.
Speaker 2 (01:29):
Well, if I'm having a burrito, I like to sauce
as I bite because I don't like to take a
part of burrito and try to reconstruct it.
Speaker 5 (01:36):
That's a math problem. I don't have time for it.
Speaker 4 (01:37):
I see people do that. Well, you just messed with
the integrity of the burrito. You know, it's gonna taste
different now. I don't know how, but it's gonna.
Speaker 2 (01:46):
I make myself a breakfast sandwich pretty much every day
and on an English muffin and I coat. I mean
it's saturated on both sides with that hot sauce. So
it's it's a personal choice. But it's not bad. It's
just and it's like the most generic looking bottle. You
guys have probably tried it It's just Louisiana Hot sauce.
It's a clear bottle red or a yellow and red label.
Speaker 5 (02:07):
Dude, it's amazing.
Speaker 2 (02:08):
It's like the best because you know, Tapatio's got a
little bit of this the Mexican food feel to it,
so it doesn't always go great on things like a uh,
you know, maybe you want it on a burger or
a piece of pizza if you're getting crazy like this,
Louisiana Hot sauce is right down the middle.
Speaker 5 (02:23):
It's perfect.
Speaker 4 (02:24):
I'm I'm dating somebody right now, and I spotted here
like two or three weeks ago. She we got Taco
Bell and she literally rolled out the burrito you know
where I could see it's enterds and everything, and then
she put the hot sauce on it back up and
I almost broke up with the right then.
Speaker 6 (02:39):
I'd say that it's way worse to do it at
Taco Bell because the thing looks like shit.
Speaker 4 (02:45):
Yes, well we were at home, so we were in there.
Speaker 6 (02:46):
If that's what you no diarrhea that you're eating like,
I don't want to see that. If you open a burrito,
the only way you open a brito is if you
have burrito wrappability. And I'm not.
Speaker 1 (02:59):
A a wrapper.
Speaker 4 (03:01):
I can't do it. But I can't. I can't fold close,
I can't wrap it that.
Speaker 1 (03:04):
Full in and flop.
Speaker 6 (03:05):
But there are certain people who they've worked at a
Mexican restaurant. They could pack in so many ingredients they
can open it. I'll choose to sauce the top.
Speaker 4 (03:14):
And the girl I am dating is half Mexican Sish.
I guess suppose she.
Speaker 6 (03:17):
Probably wrapped it better than that kid did back by
the counter.
Speaker 4 (03:20):
Yeah, but I I I can't do that. I I
pour the sauce on as I go, you know, one
bite at a time.
Speaker 3 (03:27):
My ex was he yeah, that's he would take his
big burrito, but tapatillo was his thing, so he would
take a bite, sauce the next bite, bite that bite,
and bite.
Speaker 4 (03:36):
And you're right, though, like once you see the inside
of it, it looks like cat shit totally, you know.
Speaker 3 (03:41):
Taco bell. Yeah, but if it's like an actual good, like.
Speaker 4 (03:44):
Three fried beans look gross where they're from.
Speaker 3 (03:46):
Yeah, that's why I don't know.
Speaker 1 (03:48):
Yeah, but when the meat looks like three fried beans,
you know you're a talk.
Speaker 5 (03:53):
Tanner.
Speaker 2 (03:53):
You might have yourself a kind of a magic trick
with your girlfriend being able to roll a burrito, because
sometimes I get a Taco Bell burrito and they've rolled
it the wrong way, so like bite one is sour cream,
Bite two is rice, Bite three is meat, Like you get.
Speaker 1 (04:07):
That's the seven layer bo Yeah.
Speaker 2 (04:11):
But they stacked it horizontally. They needed to stack it
vertically so you can flip it and reroll.
Speaker 4 (04:18):
I get there's zero care to your to your you know,
the preparation of your feud. I can always tell when
there's zero care.
Speaker 3 (04:24):
When who would hear if I worked at Taco Bell,
I wouldn't carry either. I just deal with it.
Speaker 4 (04:28):
Speaking of generalities, but yes, Taco Bell does just do it.
Like let's okay, let's say you go to Taco Bell
and you get a Nacho Bell Grande and then like
most of the meat is on one left, like the
left side, and then all these yeah, there's all these
raw chips over here. There's got some cheese on it,
and that's it. Like that type of shit you could
just tell like they didn't try.
Speaker 3 (04:43):
I actually went to uh, I don't know why I
was doing this, but I went to Sonic Breakfast. This
was years ago, and I think I just got like
cheese and egg and potato little mini burrito or whatever,
and it was so destroyed on the inside and like
all the toppings just falling out out of it everywhere.
I took a picture of it and tweeted about it
and Sonic, and then I felt bad because Sonic replied
(05:05):
and was like, I'm so sorry that you had this experience.
Speaker 5 (05:08):
They fired that guy immediately.
Speaker 1 (05:10):
Oh my god.
Speaker 3 (05:10):
I didn't mean for that to happen. No. Yeah, they
were like, the next time you're in, just here's a
free torn burrito. Yeah.
Speaker 4 (05:19):
I did that with Pizza Hut once. Like they showed
up and the pizza had clearly been dropped. It was
all on one side, and I took a picture of
it and I tweet and I tweeted it or granted
or whatever, and they responded and gave me a freeze off.
Speaker 5 (05:30):
That's nice.
Speaker 3 (05:31):
Yeah, sometimes bitch and paesel.
Speaker 4 (05:33):
I know. I wasn't trying to bitch. I was just like, look,
I mean I still hate the pizza.
Speaker 1 (05:36):
The next time, please send that in a d M.
Speaker 4 (05:40):
Yeah, there'll be a you could have brought us out.
Speaker 2 (05:43):
Both of you guys should send me those pictures because
I could use a free burrito.
Speaker 4 (05:52):
Yeah, I should have saved that. I don't even know
if I have it off the check, but if I do,
I'm whatever.
Speaker 3 (05:56):
It is This customer service representatives at Pizza Hug be like,
wait a minute, I've seen this photo now sixteen times
a day.
Speaker 4 (06:04):
You said it's the same picture four years ago.
Speaker 5 (06:06):
They keep dropping the pizzas in the exact same way.
Speaker 4 (06:10):
I hate it when that happens. It's you'll see uber
drivers do that. You're because they don't give a ship.
You know, they're getting three dollars for the delivery, so
they'll just they'll drop it and bark dust.
Speaker 6 (06:18):
And sometimes I bet they break check your pizza just
to the door exactly, if it's not rolled up like
an ocean wave on one side.
Speaker 1 (06:29):
You know.
Speaker 3 (06:29):
Speaking of spicy food, you know what I tried the
other day, after we talked about flaming hot Cheetos and
the factory closing down or whatever, get chet, I bought
some flame of.
Speaker 1 (06:38):
Hot Cheetos flaming hot buttholes.
Speaker 3 (06:40):
Yeah, Dill pickle flavored flaming hot Cheetos, and they were
really good, but like I couldn't stop eating them, and
it didn't like blow up my butthole. But like my
tomb Tom, it was so sad.
Speaker 6 (06:54):
Think about pickle flavor is probably also has some vinegar
in there, and the hot the hot chemical you put
a napalm in your belly.
Speaker 3 (07:03):
Yeah, I didn't feel they taste.
Speaker 4 (07:05):
Sometimes it tastes so good, Like I I know when
I eat certain things, I'm gonna get a tummy ache,
But sometimes I love it so much that I do
it anyway. Yeah, I love crush red peppers and talking
about putting a lot of ha sauce on stuff. I
know I'm gonna get heartburn before I'm done.
Speaker 6 (07:19):
With the slice and you're just making it rain, but
I will, Yeah, I will just sprinkle that like it's
cocaine on the on a on a glass top.
Speaker 4 (07:26):
So so good, you know, And I love it so much,
like I like to coat it to the point where
I like I'm sweating. I like that the thing with
tastes good, the flame of hot cheetos.
Speaker 5 (07:36):
Though, like, despite whatever flavorings they say are in there,
there's there's probably none of those foods. There's no actual pickles.
Speaker 3 (07:42):
Or it's all some sort of like weird chemical.
Speaker 1 (07:45):
Chemo cold twenty one seeds.
Speaker 3 (07:47):
Yeah, I'm like, oh god, what I put in my body.
Speaker 6 (07:50):
They are magical in the fact that it hurts so good,
is what I would say with them. Because as soon
as you stop eating flaming hot Cheetos, your mouth starts
to react. But then when you put another one in
your mouth, it almost cames down the prairie fire just
enough to enjoy it. But if you stop again, it
knows to burn your mouth.
Speaker 3 (08:10):
It's actually, it's actually wild. I'm like, I need some milk.
Speaker 1 (08:13):
Whoever engineered it is a mad scientist, right.
Speaker 4 (08:16):
Have you ever gotten a crush red pepper or anything
hot stuck between your tooth and gums like it just
it'll irritate that and it just burns.
Speaker 6 (08:25):
You can actually get a not a cut, but like
a full on abrasion from a single red pepper flake.
Speaker 4 (08:31):
It happened with THEO when I was a teenager, got
stuck between my gum and my tooth and it was
there for like a day or so and it finally
came out.
Speaker 1 (08:39):
But is it a spicy or it was just it
was just a rag.
Speaker 3 (08:45):
Back in the day, it was only nacho cheese and
cool ranch.
Speaker 6 (08:48):
Spicy nacho is not bad. The standard spicy now that
they have.
Speaker 3 (08:52):
Is that like the purplish bag.
Speaker 1 (08:53):
It's like, yeah, an off color, darker red.
Speaker 3 (08:56):
Yeah, okay, But.
Speaker 5 (08:57):
The worst thing about having that kind of stuff stuck
in between your teeth is like you're constantly like tonguing it,
like trying to trying to break it free. Like its
spent hours.
Speaker 3 (09:07):
Yeah.
Speaker 4 (09:08):
I like the idea because they remind me of being
a kid and stuff. But I eat a torito and
then like, I get so grossed out by the cheese
dust on your fingertails.
Speaker 3 (09:15):
Oh yeah, that's the thing with the flame and hot
cheetahs too. I was like, my fingers are all red.
Speaker 1 (09:19):
Yeah, so dusted all the time.
Speaker 4 (09:22):
I want to see Laura just hoarding a whole bag
of man.
Speaker 3 (09:25):
I was just sitting on the couch. This is what's
even worse about this, guys. This is what I ate
for lunch, flame and hot to rito or cheetos. And
I also noticed that Selena Gomez had her new Oreo
cookies out, So all I ate was Seleni Gomez Oreos
in a flame and hot and I felt like the
(09:46):
most disgusting version of myself. That was your lunch, that
was my lunch.
Speaker 5 (09:50):
I can't imagine why your stomach hurts, I know.
Speaker 6 (09:54):
And what your body does like there there's actually no
food in any of that, so like the body.
Speaker 1 (09:59):
Just it's like you're still hungry.
Speaker 6 (10:01):
Oddly enough, how did you get twice as tired when
you just fueled your body?
Speaker 3 (10:05):
I know, yeah, I fueled it with non spike. I
did take an alf after that, so you.
Speaker 4 (10:13):
Have to to just you know, you're gonna you're gonna
sweat out cheeto does Then I woke.
Speaker 3 (10:17):
Up and I was like, oh weird. I still feel
like shit, but hey.
Speaker 6 (10:22):
Those moments when you're chewing up that oreo, well, I mean,
like waking up from a nap, you already feel like
shit on top of your your cheeto, your cheeto.
Speaker 3 (10:30):
My cheeto oreo binge.
Speaker 1 (10:32):
Yeah.
Speaker 2 (10:33):
Yeah, but the Fantasia Fever Dream was top ten for sure.
Speaker 6 (10:39):
Exactly the craziestler diabetic coma for over an hour.
Speaker 1 (10:43):
Yeah.
Speaker 4 (10:44):
On the live show today we were and you can
check out the podcast at one of five nine the
brew dot com. But we were talking about movies. The
lore hadn't seen. She hadn't seen National Treasure, which I
think the for you know, there are only two of
them right right now. They might make a third, but correct,
you know, they they're great American classics, plausible to oh yeah,
and so. But then we got talking about like artifacts
(11:05):
and you know, like the Declaration of Independence or the
Mona Lisa. I am convinced, and I could be wrong
because I've never even seen them in person. I've never
been to DC. Uh that those aren't the real ones.
That those are all copies. Those are all perfect replicas,
and the real ones are in a lab somewhere or
like in an air tights uh, you know, containment system
like they've got the Vatican.
Speaker 5 (11:26):
Yeah. I think with the the Declaration of Independence, depending
on which one you look at, like the one that
they have, I think they have one.
Speaker 1 (11:33):
Because there's a handful of problems multiple there.
Speaker 5 (11:35):
Are multiple copies. I think if you look at one
that's like the.
Speaker 6 (11:38):
Person had to write all that out that day is
like goddamn and the writer's cramp.
Speaker 4 (11:41):
It can just give me a minute. I only brought
one feather for this.
Speaker 5 (11:46):
But I do think like if if they're in like
a big public space like the Lincoln Memorial something like that,
those are fake. But there are some that are on
display that I think are real because they are copies.
Speaker 3 (11:56):
Yeah, I think and I always assume, and maybe this
is an incorrect assumption, but I feel like, if it's
in a museum, what's the point of putting up a
fake Like if you if you can boast and say,
we are the only place in the world that has
this thing, why would you bother creating a replica? And like,
(12:18):
I know why, because you happens if it gets damaged.
Speaker 4 (12:21):
Have you seen the movie Heist?
Speaker 3 (12:23):
No?
Speaker 4 (12:23):
Never know a guy pretending to have a handicap will
sneak into your place and steal everything.
Speaker 3 (12:28):
Or when somebody will sit on your crystal encrusted chair.
Speaker 4 (12:33):
I think like like, yeah, I think you just said it, Laura,
like to protect it. I I can't imagine every single
little artifact like that, but there's got to be some
that are total replicas that are being that are being shown,
and the real ones are somewhere where it's the vault,
America's vault, where it's got we've got.
Speaker 1 (12:48):
All our goods.
Speaker 5 (12:49):
I think that the Mona Lisa. I've never seen the
Mona Lisa myself. I've seen in another Da Vinci painting
in Europe and it was behind like probably yeah, interest
of bullets.
Speaker 4 (13:01):
But that's what they would do regardless even if it
was a fac that's you're because that gets you to argue,
of course, it's it's a real one. It's behind two
inches of glass.
Speaker 5 (13:09):
I think those are real. And because the other thing
that I never expected with that, with the Da Vinci
I saw, and I think the Mona Lise is the
same way. I'm just expecting it to be like two
feet across and like three feet tall kind of it's
about like it's probably one ft one foot across in
about a foot and a half high.
Speaker 4 (13:26):
Because it's the replica. Then the es is like a
big one from my I've seen it.
Speaker 5 (13:31):
I've seen it in person.
Speaker 1 (13:32):
It's bigger than maybe that other one that you did,
but it's more like this.
Speaker 5 (13:37):
Yeah, don't forget that.
Speaker 2 (13:39):
There's there's scholars out there that could look at a
painting from across the room and that's right.
Speaker 4 (13:43):
Yeah, But there are also people out there who fake
things like this, and they get paid to fake things
like this. I mean, you know, I'm not saying it's
every little item, but there are people out there who
are so good that it takes many experts to prove
that it's an imitation.
Speaker 3 (13:56):
I just don't know why you would bother paying somebody
who's that good doing that to put a fake painting
up in the loop.
Speaker 4 (14:03):
You know, I'll tell you why, Nicholas Cage just come
and take your shit.
Speaker 1 (14:06):
Yeah, it's very true.
Speaker 6 (14:08):
And I wouldn't be surprised if the uh list one
a stuff like the stuff that is going to be
a burden if it's hurt, Like if.
Speaker 1 (14:16):
Something happens to the Mona Lisa, everybody's gonna go, are
you kidding me? Why is that not protecting what that's
going on?
Speaker 4 (14:23):
When there's only one of them? With the Declaration of Independence,
I guess we can throw one out there.
Speaker 6 (14:27):
There's a multiple, yeah, or like someone who has a
famous painting, But if you said it to one of us, we're.
Speaker 1 (14:32):
Like, okay, I'll take your word for it.
Speaker 6 (14:35):
Maybe some of those are just where they are, but
there's a possibility that they're they've gone lou or that
they've gone Vatican style on some of the big dogs.
But I could never be certain because they wouldn't tell
even if you pointed a gun at their mouth.
Speaker 3 (14:47):
Yeah, I'm not Yeah, I'm not knowledgeable enough to even
know where to begin.
Speaker 4 (14:52):
And some of that stuff that at these museums are
totally fake too, Like you know they go and show you.
I don't know where the museum is, but it's got
Lincoln's haben that he built by his bare hands, not
the replica they built like the seventies or something like that.
But people they don't say that it's not I don't
think it's printed anywhere. I think they just sell it
as it's his fucking cabin.
Speaker 5 (15:12):
Yeah, I was.
Speaker 4 (15:16):
Burned down in a forest fire.
Speaker 6 (15:17):
I want to go to the George Washington when where
they have the real horse teeth that he that he
had in his mouth, and like they have his dungeon
and all that.
Speaker 1 (15:26):
Stuff, like dungeon.
Speaker 6 (15:28):
He had a slave dungeon, just like all the other
presidents of the United.
Speaker 4 (15:34):
First, that's what it was, exactly, the Benjamin the sex
wing that he had coming to the ceiling.
Speaker 6 (15:41):
When Shane Gillis talks about it in his stand up,
it's a frightening experience because you'd think, like, oh, this
is everyone's hero.
Speaker 1 (15:47):
No, this is a grinder from.
Speaker 4 (15:50):
Like I think he came out of that saying like, Wow,
this guy's a piece of ship.
Speaker 6 (15:53):
Yeah that's so intense. Anyone else then the guy on
the dollar does not get a pass.
Speaker 4 (15:58):
Yeah, Marcus, have you been to d See Have you
seen these artifacts? Would you say that they're real or copies?
Speaker 2 (16:05):
I haven't been, but I'm I guess you could call
me naive enough to believe that there there's a lot
of them that are real, right. I know that there's
gonna be replicas out there, but I also don't see
the reason for the pomp and circumstance around it if
you're not going to display the real ones eventually, Like
we've built monuments around these goddamn things. There's an entire
(16:27):
national mall in DC it's meant for us to go
see them. It just seems like a lot to put
into it if you're not actually gonna have the real
document there. And there's only so many Nicholas cages that
are thinking about stealing these things, you know. It's it's
not just the theft that I'm thinking of, though, it's
the damage that the light causes to these things.
Speaker 4 (16:48):
You know, it's the day, And I understand a lot
of them are in airtight containments and those lips underground,
and they're in filters all that stuff, but they're still
over time, you know, light is light. Go and look
at those statues where they say like if you rubbed
the tit, it'll give you luck. The tit is gold
and everything else will be black because the people just
rub the stuff off. We did get a text message
from people from seventy This one came earlier, from seventy
(17:10):
four to forty eight. The Mona Lisa is one thousand
percent not the real one. I could see that being
not the real one because there's only one.
Speaker 1 (17:18):
Yeah, yeah, I could, I could. That's that's that one.
Speaker 6 (17:21):
A thing I was talking about that though, there's a
very starry night. These types of paintings, it's a treasure.
Speaker 4 (17:28):
I fucking hate that painting. By the way, start.
Speaker 3 (17:31):
What do you mean?
Speaker 1 (17:32):
Do you mean? What's creepy about a beautiful story?
Speaker 5 (17:35):
Oh?
Speaker 4 (17:35):
Is this a whole? This is what I'm thinking of.
Speaker 1 (17:36):
Storry Night's the trip it's not.
Speaker 3 (17:38):
Yeah, but it's not the guy who's like the scream.
Speaker 5 (17:42):
No, that's a screen.
Speaker 4 (17:43):
That's okay, That's what I'm thinking of.
Speaker 3 (17:44):
Sorry, Storry Knight is just like it's a starry Knight.
I used to have it all.
Speaker 4 (17:48):
Oh, that one's all right, I don't I don't like
it because it reminds me of a bad, bad acid trip.
Speaker 1 (17:53):
But you know, it kind of reminds me of like
a children's book, total.
Speaker 3 (17:57):
A bad acid trip, children's books, Samson, there's.
Speaker 1 (18:00):
All start reading children's books on acid and see what happened.
Speaker 4 (18:02):
I'm convinced those guys were all high out of their minds.
Speaker 5 (18:04):
I'm sure they were. But somebody's actually animated Storry Night
like like, so it looks like you're you're tripping when
you're looking at it.
Speaker 1 (18:10):
It's like I can see that a little filter on
that make you get vertigo.
Speaker 4 (18:15):
Yeah, the screen one always always freaked me out as
a kid, and so when I look at it, I
obviously I don't get freaked out anymore, but I still
get that sensation that I had as a kid, and
I just and I look away from it because I
don't like.
Speaker 6 (18:25):
Wasn't he in an asylum when he when he painted
Starry Night? I believe it's the view out the window
of looking out the window of an asylum.
Speaker 4 (18:36):
He probably is there a movie about that that sounds
like it'd be a good movie.
Speaker 6 (18:39):
Be Sweet Van Go the Van Gobros. I don't know
if he's got a brother, but it rolls off the
time the Van Bross about how his brother worked at
like a Jiffy Lube and he was super talented Van Bros.
Speaker 3 (18:52):
It's like the Property Brothers but exactly.
Speaker 4 (18:54):
Yeah, uh so anyway, that's I just thought that was interesting,
and Laura looked it up. It looks it's like they
may do National Treasure three.
Speaker 3 (19:02):
It looks like Disney is writing a script for it,
but Nick Cage has been like, nah, not happening, so
it sounds like he's not involved.
Speaker 4 (19:10):
Which is wild because he does everything.
Speaker 1 (19:12):
He says yes to everything right in these days, he using.
Speaker 5 (19:16):
Some real turds and it's all for the cash, Like
he was.
Speaker 4 (19:19):
In that The Left Behind books. You know, there was
there was a reboot movie called Their Left Behind and
Nicholas Cage plays the main character and it's just it's
so bad.
Speaker 1 (19:28):
It's like that.
Speaker 4 (19:29):
I think that was the time he was hurting for cash.
Speaker 3 (19:31):
Yeah, like he was in debt.
Speaker 4 (19:32):
Yeah he needed And.
Speaker 5 (19:33):
Now a lot of his movies are all almost like
kind of meta where they're all making fun of the
fact that he's Nicholas Cage and he's they're very twenty four.
Speaker 3 (19:40):
Yeah, you know, like, well, like I watched why did
I watch it the day dream scenario with Nick Cage
that was kind of goofy. Nick Cage was this dude
and he kept appearing in stranger's dreams and then they
would see him in person and be like, whoa, you're
the dude from my dream. And it caused him like
all this trouble.
Speaker 5 (19:59):
I did see that. Yeah, that one is weird as hell.
It is super because yeah, then he gets all like
a big head about it and then the whole thing
falls apart. Yeah, it's it's it's weird. It's a weird,
weird movie.
Speaker 1 (20:08):
Yeah. Well, you throw enough darts, you're bound to hit
the board.
Speaker 6 (20:11):
And that's what Nick Cage has done. He's got a
couple that you love, but he just had to do
a trillion to get to that number.
Speaker 3 (20:17):
Yeah.
Speaker 4 (20:18):
I like some Nick Cage man. He's been doing some
some bangers.
Speaker 6 (20:21):
I think that a lot of us have a comfort
level with him just because we grew up with him.
You know it can he's still Stanley Good.
Speaker 4 (20:27):
Speed fast Nick Cage movie The Rock.
Speaker 1 (20:31):
I think The Rock is Stanley Good.
Speaker 4 (20:34):
I like Pig Pig is Good. I like that one
a lot.
Speaker 1 (20:38):
I like Raising Arizona.
Speaker 3 (20:40):
Oh, I haven't seen raising.
Speaker 4 (20:42):
Yes, okay, what's that one? Where is it match stick Man?
Speaker 1 (20:45):
Or it's the the one where they're the I think
it's match Stick Men?
Speaker 4 (20:49):
Where the the then Connor? Yeah, that one's really good.
Oh and the weather weather Man is good. That's probably
my one of my favorite Nicholas Cage movie.
Speaker 2 (20:59):
Face Off, Face Off, Shut it Down exactly, face Off.
That's the one we were missing that And I do
think Gone in Sixty Seconds is a good.
Speaker 1 (21:06):
Movie as well.
Speaker 2 (21:07):
Yeah, Face Off one, I mean Cage as Nick Cage
as John Travolta.
Speaker 5 (21:12):
Yeah, that's that's as metas it gets.
Speaker 1 (21:14):
And that was in the nineties.
Speaker 4 (21:15):
And tan Ara was fun. But that's like kind of
silly if you.
Speaker 5 (21:18):
Want to say. Look like one of his most batshit
uh performances, along with Face Off. Bad Lieutenant is absolutely nuts.
Speaker 4 (21:27):
I haven't seen that.
Speaker 5 (21:28):
Yeah, he's he's basically a cop who's high on on
a variety of drugs, but he is he is just
Nick caging his ass off the entire time.
Speaker 4 (21:35):
Dude, we gotta talk.
Speaker 1 (21:36):
We got to reach out court.
Speaker 4 (21:37):
You're the boss. You're the program director of one oh
five point nine The Brew kfb W in Portland, Oregon,
and you should reach out to our weekend guy. Uh,
the only DJ licensed to party cope, because that is
Nicholas Cage's direct brother. It's his actual brother, and you
can kind of hear it when you listen to him.
You can hear the Nicholas Cage in him. But I
don't talk to him because he does his show remotely. Yeah,
(21:59):
so you should reach out to him. He can we
get your bro on the show.
Speaker 5 (22:04):
Yeah, I will. I will not do that.
Speaker 1 (22:09):
Come on, we got all the branch.
Speaker 4 (22:10):
All right, how about you give me the email and
I'll do it. He's in the global You can type
in Okay, I'll do that.
Speaker 5 (22:16):
You can type in cope.
Speaker 4 (22:17):
Do I have to type in only DJ licenses?
Speaker 1 (22:20):
It has to be a subject or he doesn't answer
the email.
Speaker 3 (22:23):
Uh.
Speaker 1 (22:23):
I know that Tanner and Laura were here.
Speaker 6 (22:26):
When we talked about this last time. But Marcus gone
in sixty seconds? Is one that you mentioned?
Speaker 1 (22:32):
What is the Rotten Tomatoes score in your mind? What
would be an appropriate score?
Speaker 3 (22:36):
You know it?
Speaker 6 (22:37):
Tanners say, I don't know it for sure, but I
have a feeling it's bad. Yeah, we looked how we
did and it's bad.
Speaker 1 (22:43):
Well, Marcus play the game first.
Speaker 2 (22:48):
With Rotten Tomatoes, there's one thing that I like. Can
you tell me a good car movie that's gotten a
good Rotten Tomato like Fast and Furious, I think, and
the Furious ruined it for me.
Speaker 3 (23:00):
It's going to be because I think we did it
for the Rotten Tomatoes game. So the movie that we
put up against it must have been another car movie
and it must have been rated higher.
Speaker 1 (23:09):
Pick pick a number, Marcus sixty seven, twenty six, Come on,
it's criminals.
Speaker 4 (23:18):
The Ridiculous dreadlocks, that angel.
Speaker 1 (23:23):
And what's role.
Speaker 3 (23:28):
The popcorn meter? Though the audience score is seventy seven.
Speaker 1 (23:32):
Car that's card dudes, Yeah you know they get the Chubb.
Speaker 4 (23:37):
Sixty five to seventy five is seventy.
Speaker 1 (23:39):
Yeah.
Speaker 3 (23:39):
Critics that critics can suck a big one.
Speaker 4 (23:42):
Yeah, sometimes they're pretty bad.
Speaker 3 (23:44):
Uh.
Speaker 2 (23:45):
Never cast movie critics that can appreciate eleanor like pick
me out the movie critic that can look at that
car and even tell me what the making model is,
And that I think is the reason I like the movie.
I love seeing these cars that they're stealing, Like that's
the appeal of it. It's not, it's not really Nicholas
Cage like I am watching this for the for the
burn and rubber porn.
Speaker 5 (24:04):
Let's be honest.
Speaker 4 (24:05):
I forgot about another really good Nicholas Cage movie that
I don't know that everyone's seen, but the.
Speaker 3 (24:09):
One about the Weight of Unbearable. That one's kind of
talent whatever.
Speaker 5 (24:15):
But that one is good.
Speaker 1 (24:16):
We may not have mentioned his best one. I just
thought of. But what do you got eight milimeter?
Speaker 4 (24:22):
What what do you mean about?
Speaker 1 (24:24):
Isn't that about like snuff porn? Yeah?
Speaker 4 (24:26):
It was, and James Gandolfini is in it.
Speaker 5 (24:29):
It's a messed up movie.
Speaker 1 (24:30):
It is dark, gets weird, but Nicholas Cage is really
good in it.
Speaker 4 (24:34):
It is Oh that's dark.
Speaker 3 (24:35):
That has an even lower score than Gone in sixty Seconds.
Speaker 5 (24:39):
The score that one.
Speaker 3 (24:39):
It's got a twenty four percent.
Speaker 4 (24:40):
To get out of here? Did you like it?
Speaker 1 (24:43):
Court?
Speaker 5 (24:43):
I saw once in theaters.
Speaker 4 (24:45):
Oh you saw in the theater like a freak.
Speaker 5 (24:47):
I guess because it was a Nicholas Cage movie. Yeah,
well it looked good to me until I watched him
like that.
Speaker 1 (24:52):
Was that was?
Speaker 4 (24:53):
I liked it, but in like a dark it's like
true crime.
Speaker 3 (24:57):
It's his Rotten Tomatoes twenty four percent and then Google's
is eighty two percent of people liked this movie. So
I think again the critics were just like critics are saying.
Speaker 1 (25:05):
Well, we're missing the monster leaving Leaving Las Vegas. I
kind of felt like that.
Speaker 4 (25:11):
Was a given.
Speaker 1 (25:11):
That's why with the ninety one percent got an oscar
on that one. Yeah, that, I mean that was he
was on a time another level. He was so pathetic
in that or in Leaving Loss.
Speaker 3 (25:21):
Yeah, what's the one where he's a plant adaptation a
plant Like I just remember the cover of the movie.
Speaker 5 (25:29):
I mean, adaptation is one of his movies, but I
don't I don't remember him being a plant adaptations where.
Speaker 1 (25:34):
He yeah, it is age playing.
Speaker 3 (25:35):
Yeah. The cover is a planter knocked over and his
face is the planter.
Speaker 5 (25:41):
See he's yeah, okay, yeah. In that movie, he's he's
hihimself and his own brother at the same time with.
Speaker 3 (25:48):
Him just like playing himself. I like it when they
do that, hiring other actors.
Speaker 5 (25:53):
He's I mean, he's not Nicholas Cage, He's he's he
plays Charlie Kaufman, who is He's like a movie writer,
but it's all about him trying to write a movie.
Speaker 4 (26:02):
I love the I love movies about movies. I like
shows about movies, you know, like Entourage, the Studio, and
I love it when actors play themselves, like the movie
This is the End. It's silly and ridiculous, but I
love that idea where they're playing themselves. It's real life.
They're they're acknowledging real things and real people, and those
people are playing themselves. I wish we would get more
of that. We got a little bit of that, and
(26:23):
uh and so there's like a there's like a TV
show recently that we got that in and then the
studio is great that I guess that's what I was saying.
Speaker 5 (26:29):
There's a whole scene like Dave franco is just being
a total little douche, a little little stone or douche.
Speaker 4 (26:34):
And I really like this, and so I think we should.
I would like I want to start, you know, how
we get biopicks about rock stars. Why the hell are
we not seeing biopicks about some of these big actors
who had crazy Nicholas or sorry Jack Nichol, Nicholson in
the seventies or something.
Speaker 3 (26:49):
Sure, we'll get those when he's dead, and we're we.
Speaker 4 (26:53):
Don't need that, Like Ray Charles was alive when that
movie came out.
Speaker 1 (26:57):
He was fairly but as soon as it happened.
Speaker 4 (26:59):
The point is is that why wait some of these guys,
they're they're already legends. I really would love to see
a story about it.
Speaker 5 (27:05):
I think it would. It's because they're probably holding it up.
They're like, you're not telling my story, and they wait until.
Speaker 6 (27:11):
The next time Kin gets a check and they're like, well,
I don't care that he loves smut.
Speaker 3 (27:15):
Yes exactly, that's precisely the situation. I think.
Speaker 1 (27:19):
Well, I I love that Charles coming for you.
Speaker 4 (27:21):
I love that Ray Charles, you know, before he died,
said tell the story, you know, talk about the heroin,
talk about everything, and I feel like that's what we need.
But I want to see that about movie stars, you know,
like when you know, when they were doing coke on set.
I'd love to see a movie about the making of
the Pie Pye movie, because I hear that movie they
were coked out of their pipee Popeye with Popeye that
(27:41):
I say, pipee pie yeah with uh with Robin Robin
Williams that movie.
Speaker 5 (27:49):
There's a great podcast it's called What Went Wrong, and
it's all about what went wrong in the filming of movies,
and they talk about that one really yeah, and it's
it is it's crazy. Uh, they did have a full
on cocaine budget and it was huge.
Speaker 4 (28:03):
I think a lot of movies did. I read a
James Cameron book that said in the eighties, seventies and eighties, man,
they would budget it into the movie, but they would use.
Speaker 5 (28:09):
It like catering or equipment or something. Yeah, it's crazy
about that movie. Is like they built that whole set
and still it still exists to this day. You can
go visit that that town. It's become like a whole
place you can go to. But it's a it's a
That movie is crazy. I remember watching that movie, like
they when the teachers didn't they probably got too drunk
the night before. They want to just do a TV
or a movie night or a movie day or whatever.
They would throw on Popeye just because like, hey, we
(28:32):
all love popeologically and it's not a kid's movie.
Speaker 4 (28:34):
It's just everyone is coked out of their I hear.
It's the crew, the director, the actors, everybody, extras. Everyone
was coked out. I guess the amount of drugs that
on set made people uncomfortable.
Speaker 5 (28:44):
I mean Robin Williams alone, that.
Speaker 1 (28:47):
Was his cocaine. Yeahs, it's on.
Speaker 5 (28:49):
That was his prime cocaine era.
Speaker 4 (28:52):
What do you think that I never you know, obviously
was alive then, But what do you think the cocaine
in the seventies.
Speaker 3 (28:56):
Was like bonkers?
Speaker 5 (28:58):
Probably? I mean I think back in in the seventies,
I mean, they're doing cocaine. But I think coaeludes was
the big thing. I remember hearing the back I didn't
I didn't know what was man when I was a kid.
I but I knew kueludes was a thing.
Speaker 4 (29:08):
I mean the first time I heard about that was
watching Scarfs.
Speaker 3 (29:11):
I still don't know what coludes are like pills the
other pills.
Speaker 5 (29:13):
They're like like basically downers.
Speaker 4 (29:16):
It's right, yeah, there is.
Speaker 5 (29:18):
It's a yeah. They don't sell them anymore. Like I
don't even think they make them.
Speaker 4 (29:21):
I don't think they make it off because I know
the movie Wolf of Wall Street, they were just popping
kayludes lefting right right.
Speaker 5 (29:26):
Yeah, that whole scene where he's trying to drive the
Lamborghini and ye.
Speaker 1 (29:29):
That and it doesn't kicks in. That's the greatest scene.
Speaker 4 (29:34):
He's like, I made it home safe and then the
car is.
Speaker 1 (29:37):
Just busted yet destroyed.
Speaker 4 (29:40):
That movie is good, Laura. It is just three a
half hours.
Speaker 3 (29:42):
I've seen Wolf of Wall. Yeah, it's been a while
and I probably wouldn't like I don't I wouldn't remember reference.
Speaker 4 (29:50):
I watched it again, like a six months ago something.
It's really good.
Speaker 1 (29:54):
God, how good?
Speaker 5 (29:55):
It is a great movie.
Speaker 4 (29:56):
Martin Scorsese. Man, my best Martin Scorsese movie, because just
saw Good Fellas for the first time last week in court.
What do you think it is.
Speaker 5 (30:04):
Martin Scorsese movie that you watch last weekend?
Speaker 4 (30:06):
Bet, Laura just watched Goodfellas for the first time. What's
the best Martin Scorsese movie?
Speaker 3 (30:10):
Oh?
Speaker 5 (30:11):
Oh, I mean Goodfellas. I think it's probably my favorite.
That would be the one. Yeah, I can't think of
one that I like better. I mean Casino's Casino Departed
depart is good, but Goodfellas is a perfect movie. I
mean it's it's hard. It's hard to argue with that one.
Speaker 4 (30:30):
Yeah, Goodfellas and Casino. I think Casino I like a
little bit better, just because I love the lore of
mob Vegas. And yeah, you know, in the end of
the movie they show you know, Old Vegas being destroyed,
and I love that kind of shit. Martin Scorsese always
does that, Like in the Gangs in New York. At
the end of the movie, you see like eighteen hundred
New York and then it fades to modern New York. Yeah,
(30:51):
I love I love that kind of stuff. But yeah,
I would say good Fellows Casino for me, Goodfellas too.
Speaker 1 (30:57):
Gangs in New York, Gangs in New York hadn't have departed,
had departed.
Speaker 2 (31:02):
I haven't even mentioned Raging Bowl yet, Like that's I mean,
you know it's his. I'm just looking at a print
out of all the movies right now, and even the
ones that I'm not that into are good.
Speaker 1 (31:13):
The Color of Money, I mean, are you kidding? These
are the classics. You know what's wild to me is
that Axi driver.
Speaker 4 (31:20):
The biggest all tast trick driver. The biggest directors in Hollywood.
Uh you know, Steven Spielberg, Robert Zimris, Martin Scorsese, and
who's the there's five of them, oh, Star Wars guy,
George George Lucas, and there's one other dude that's like
a five to fifth guy. But they were all really
they were best friends before they became famous. Director is
(31:41):
it Francis for the Cobla? Yeah, they were all really close, uh,
and they would share ideas and and give critique each other,
and they all became successful, not just successful, but like
the pioneers of the genre or the you know, the medium.
Speaker 5 (31:53):
Yeah. No, and that's George Lucas showed Star Wars to
those those guys, like what do you guys think, and
like a couple of them were like, this is going
to change everything, and well I think one goes like,
oh that sucks. Yeah, let's do it.
Speaker 1 (32:04):
Wor you want to feel old that Departed turns twenty.
Speaker 4 (32:07):
No way, Jesus, Like we just found out Inception turned fifteen.
Speaker 5 (32:11):
Yeah this year.
Speaker 3 (32:12):
I was like, well that's a fifteen year old movie.
And I was almos like no, no way, yeah, yeah, I.
Speaker 5 (32:18):
Mean old Star Wars episode one is coming up on
thirty in a couple of years. Yeah.
Speaker 4 (32:24):
And just to think, like the time between the first
movies and those movies is like, I think it's less
time now, it's way less. Court's running off, you got
he his wife's gone row his.
Speaker 3 (32:34):
Work wife large?
Speaker 4 (32:36):
Oh is it's large?
Speaker 6 (32:37):
They got a meeting, all right, well that does it
for us anyway, We've We've talked about it all, Marcus.
Speaker 4 (32:41):
I love your face. I'm sorry we didn't talk to
you as much today.
Speaker 1 (32:44):
He just we always need a little more Marcus, That's true.
Sor right.
Speaker 2 (32:47):
I'm gonna go watch Next with Nicholas Cage, where you
can see two minutes into the future in his own life.
Speaker 4 (32:52):
It's so silly, but I liked it.
Speaker 6 (32:55):
You go crush that and bring us a book report
tomorrow on it. Marcus, would you, you know, would you
like to play us out?
Speaker 1 (33:03):
Play you out?
Speaker 2 (33:04):
I feel like whenever I do something other than talk
at normal volume, my mic cuts out on you.
Speaker 1 (33:09):
Nicholas Cage, Nicholas Cage, Yeah, I want.
Speaker 4 (33:16):
To hear like I want to hear like an R
and B version, like a power Ballader.
Speaker 1 (33:20):
Yeah, power BALLAD or R and B whatever it hits
you or Jason Mora's style.
Speaker 2 (33:25):
Of things are like almost identically the same. So, you know,
can we just talk a little bit about the man
who is Nicholas Cage, the man who has never been
afraid to take a risk with a movie like Snake Eyes,
the man who wasn't afraid to have the flaming Pumpkinhead
in that stupid superhero movie that I can't remember the
title of.
Speaker 4 (33:45):
Tanner, are you gonna sing?
Speaker 1 (33:47):
Yeah, it wasn't The.
Speaker 4 (33:52):
Ghost Rider.
Speaker 1 (33:53):
This was a poem. He's like, this is a slam poetry.
Speaker 5 (33:59):
Eleanor eleanor wherefore are there?
Speaker 1 (34:02):
Eleanor there?
Speaker 5 (34:03):
It is stolen? Gone?
Speaker 2 (34:05):
Sixty seconds next eight millimeter the rock con air, put
down the bunnet, nice very nice house. The end, Like,
that's how slam poetry in is you guys?
Speaker 1 (34:18):
Really this week snapped you out? Dude, That's that's a win.
Nice job a.
Speaker 3 (34:26):
M.
Speaker 2 (34:27):
You've been listening to Tanner, Drew and Laura's Donkey Show,
heard daily at one O five nine the brew dot com.
Speaker 1 (34:34):
May God have mercy on all of our souls.
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