April 18, 2025 • 32 mins
In Part 2 of our Woman in the Yard breakdown, we’re going full spoilers — so if you haven’t seen it, now’s your warning. This episode takes a hard look at the film’s central and controversial subject: suicide. We’re unpacking how the movie handles such a heavy theme, what worked, what felt off, and how it all ties into that haunting final act. We’ll be sharing our own perspectives on the message it tried (or failed) to send, and why the ending has stuck with — or unsettled — so many. It’s raw, real, and a little uncomfortable… just like the movie.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:34):
What's Up? And welcome back to thirteen thirty one. I'm
your host, mister Ripper, and as always I have my
lovely co host with me, the one the only Todd
of Thunder, Hey, what's up? And the Mistress of the
Monsters Atlanta.
Speaker 2 (00:47):
Hey, my little monsters.
Speaker 1 (00:49):
And I know it's been a little bit, but you know,
life be life and sometimes. So we're here for the
part two that all of y'all have been waiting for.
Thank you to everybody that takes time to listen to this.
But we are here with part two of Woman in
the Odd So we wanted to take and do kind
(01:11):
of a separate thing because the overall dark part of
this movie deals with suicide. That is the main premise
of this movie, and it's pretty dark subject matter. It's
kind of taboo, I would say, in movies in general.
You don't see a lot of movies dealing or touching
on this subject. For a lot of people, this has
(01:32):
been very kind of controversial because some people have never
gone through this, and I think that's what the movie
trust to convey for a person that is going through this,
what it's mentally like, right, And then you have people
that go through it and can see and kind of
(01:54):
they kind of feel like, yeah, yeah, they feel like
they can relate. So, Miss Land, what was kind of
your takeaway on this dark subject matter.
Speaker 2 (02:05):
It definitely caught me off guard.
Speaker 3 (02:07):
I said in the last episode that the trailer definitely
gave nothing away. I was not expecting this to be
involving mental health in any capacity.
Speaker 2 (02:17):
I feel like did.
Speaker 3 (02:18):
A really good job of portraying what it feels like
to go through depression at that level. I could see
where if you've never been through that type of trauma
and that type of mental struggle, where it wouldn't make
as much sense as if you have, but I would
hope it's see For me, I have gone through some
really dark times and some really deep dark depression struggles
(02:42):
with suicide. So it's hard for me to say what
it's like for someone who hasn't gone through how they
would feel watching it, because for me, I did relate
so much, and I felt like they did a really
good job showing what that darkness is like.
Speaker 1 (02:57):
They did a really good job of can being what
it's like inside someone's brain. Now, Todd, you've never really
gone through that, yeah, I have, I just haven't dealt
with it. Okay, so you have gone through it? Oh yeah, yeah.
Speaker 4 (03:11):
I think what this subject matter mainly is gonna do.
It's gonna make people think, you know, because I think
everyone has went through some surface level of depression. But
the thing about this film is have they went through
it deep enough to relate to this film?
Speaker 2 (03:28):
Yeah?
Speaker 4 (03:29):
That's what I kind of took away from it, like,
because this film, in my opinion, goes to the dark,
deep things of your mind that where you almost can't
come back from it. And even though some people can
relate to that depression, maybe they can't relate to it
that far.
Speaker 1 (03:46):
It's interesting. I've known you for almost twenty plus years
and I've never really talked to you about this.
Speaker 4 (03:53):
I don't like to be the self diagnosis guy like
everybody on the fucking internet is. But I think that
my struggles, my depression has come from I guess they've
been triggers of events. It hasn't been that I wake
up every morning depressed. I would call that kind of
(04:14):
clinically depressed. I don't I'm not depressed, and I don't
know why depressed. Most of my dark times have come
from something that happened and either has made me feel
that way because I don't know how to deal with it.
But I've never been clinically depressed or waking up going.
Speaker 1 (04:32):
Why do I feel like this?
Speaker 4 (04:33):
It's always my depression.
Speaker 1 (04:35):
Always. I could always come up with a reason interesting.
I have dealt with both honestly. On my end, I
side note, I guess it's safe to say that this
is going to be a kind of a dark episode.
But on my end, I've definitely suffered very heavily through
(04:55):
some dark times, and I wouldn't say I'm clinically depressed.
I would say that I probably at one point was
clinically depressed. Thinking about it, it was probably due to traumatic
events and never taking the time to amend that or
try to get closure to it or try to figure
(05:17):
it out, which is you know it's not right because
you're doing a disservice to yourself, but putting yourself through hell.
Speaker 4 (05:25):
It might be one of those things where the longer
you don't deal with it, the more it powers up
and the more it weighs on your mind.
Speaker 1 (05:32):
Yeah what about you, Lanta.
Speaker 3 (05:34):
Yeah, So depression runs in my family, specifically for the women,
and it's something that I've dealt with since I was
a kid, and I remember just being like in elementary
school and being so sad, Like sad's not even really
an appropriate word for how I would feel and struggle
and not knowing why and feeling like something was really
really wrong with me, and come to find out I
(05:56):
have clinical depression. It took a long time for me
to ever seek out help because for some reason I
fell into that stigma of, well, I can't take medicine
because I'm not crazy.
Speaker 2 (06:07):
I don't need that. I can fight through this and
irug there.
Speaker 3 (06:12):
Was like a level of shame surrounding it for me,
and some type of sense of I think pride of
I don't want to be like everyone else in my family.
I want to I want to figure this out on
my own. So for me, it took until I lost
my sister to suicide that put me so far deeper
into my mental health struggles to the point where I
(06:35):
didn't know if I was going to make it out.
So I saw help and started therapy, and that really
started my journey into healing that brokenness inside of me.
And I think it'll be something for me that I
struggle with my whole life. And there have been times
where I have been on medicine, and I don't feel
any shame about that. Now.
Speaker 2 (06:54):
I fully am an advocate.
Speaker 3 (06:56):
If you have a chemical imbalance in your brain and
you need the help from medicine, take it. There is
no shame in taking medicine. If you have cancer and
you get chemo treatment, what's the difference. You're sick and
you need help.
Speaker 1 (07:09):
I back you up and saying that. And I also
think that if you do struggle with some kind of
depression and you don't want to necessarily jump straight to medicine,
that that's fine. Definitely look into your options on trying
to figure out what works for you and if you
(07:30):
can do it on your own right.
Speaker 2 (07:32):
And that's how I started. I started with therapy first.
Speaker 3 (07:35):
And every person is going to be different because the
imbalances in our brain are going to be different and
the things that trigger it are going to be different.
You really do have to figure out what's going to
work best for you and your specific set of circumstances.
Speaker 1 (07:49):
Yeah, because I think the overall reason why we're talking
about this is because it's such a heavy concept in
this movie, and as people that have strung with this,
I think that in order to really understand this movie.
You really have to kind of be in that mindset.
(08:11):
And for some people that don't deal with depression or
don't have depression, I think they're going to find this
movie just chaotic and stupid. Would you say that that's
accurate or what would you say is your take on that?
Speaker 3 (08:27):
Based on reviews I've seen, I would say that's pretty accurate.
I have seen a lot of opinions of people really
hating this movie and saying that it was stupid. I
have grace for that because I feel like they just
don't understand, and that's okay. It would be really cool
if they had people in their lives that have struggle
with depression that understand the concept of this movie, where
(08:48):
they can have open discussion and kind of help them
understand what it was really portraying and just start some
I think it's going to start some really good conversations.
We've had many conversations in this household about this movie,
about the subject matter.
Speaker 2 (09:02):
We've talked more about this movie. I think we have
any that we've seen in theater.
Speaker 1 (09:05):
Because of the heavy subject matter. Right now, Todd, what
about you, Why do you think that this movie in
particular gets the hate that it's getting I.
Speaker 4 (09:15):
Think that some people might appreciate the heavy subject matter
in it, they didn't like how the movie dealt with it,
and I felt like at the end of the film,
most people felt like the movie said it was okay
to give up. And I think that's one of the
reasons why some people do not like this film, even
though it's so many people in real life that have
(09:38):
went down that road. I think that some people find
like movies and entertainment to be held responsible to kind
of maybe steer you away from that because they do
have such a powerful stance to give out positive message.
So I really feel like some people were on board
(09:59):
and then they were.
Speaker 1 (10:00):
Like ugh at the end. Well, I've noticed that a
lot of people hated the majority of the movie, not
necessarily the ending. I will elaborate on the ending a
little bit more here in a minute, But what did
you think about the overall mental portrayal, like the mental
(10:20):
struggle portrayal of it.
Speaker 4 (10:22):
That was one thing that I was struggling with in
this film, as far as like telling myself or asking myself,
do I like this film because of the subject matter?
If I give this a negative review, it would feel
like I'm trying to give the subject negative thoughts.
Speaker 2 (10:40):
It's tough.
Speaker 4 (10:41):
Yeah, the way I'm looking at it is I'm trying
to separate it, like I'm trying to put it out there,
Like I totally think and believe that the subject should
be talked about and should be discussed. But at the
same time, I don't know if it made the movie
actually good in my opinion.
Speaker 1 (10:59):
At you, Leanna, what was your overall takeaway for the
Mental Struggle betrayal?
Speaker 3 (11:06):
I enjoyed that it took us a little bit to
realize that the woman in.
Speaker 2 (11:12):
The yard was her was her darkness?
Speaker 1 (11:14):
Not me?
Speaker 3 (11:15):
But no, because you are, like I Q fifty thousand
when it comes to figuring out movies.
Speaker 1 (11:22):
Just figure out my life. Why.
Speaker 3 (11:27):
I'm curious because I had started wondering, like I don't
I don't remember exactly. I'd have to rewatch it to
be like it was this moment where I was.
Speaker 2 (11:34):
Like, is this her? Is this her darkness?
Speaker 3 (11:39):
But I never said anything and you never did either,
So I'm not sure where you figured it out and
where I'd like.
Speaker 1 (11:44):
Started to kind of wonder, Yeah, because I texted you
or like I wrote it down in.
Speaker 2 (11:48):
In a text yeah, you wrote it in text.
Speaker 3 (11:50):
I thought that it was really cool how they showed
almost as like depression is this separate entity from yourself,
this demon in your head that is trying to con
vince you to do the bad thing, but it's not
really who you are, it's not you. And also just
how people can really act out of character for themselves
when they are going through this.
Speaker 1 (12:12):
Now, what did you think about it as a horror movie?
Speaker 3 (12:15):
So as a horror movie, I didn't mind. This to
me was not a scary movie. But I also feel
like not all horror movies have to be scary. We've
talked about that on the podcast before. If you're just
going into it to be scared, I mean, there's so
much more to horror than just being scared, right, And
I do feel like this was as a horror movie
more definitely more of a PG thirteen. Very I could
(12:38):
see this being like a good intro into horror someone
that hasn't watched a lot. It would be like a
good film for them to watch in their beginning stages
of watching horror. I mean, to me, like there were
several times where I had jump scares, which Todd you
had asked I don't know if it was the last
episode or off. Just when we were talking about what
made you look gave you a jump?
Speaker 2 (12:58):
Scary?
Speaker 1 (12:58):
It was on the last episode?
Speaker 2 (13:00):
Was it on the episode? And I couldn't.
Speaker 3 (13:02):
I still can't remember exactly what it was, but I
remember like four distinct times where I was like, oh,
like it got me.
Speaker 2 (13:08):
You know.
Speaker 3 (13:08):
Maybe it was because I was tired, so I wasn't
as like, you know, up to par so to.
Speaker 1 (13:13):
Speak right now, mister Thunder, Now, what did you think
about this as a overall horror movie? It wasn't good.
Speaker 4 (13:20):
I agree, it wasn't good as a horror film, and
as a horror fan, I felt like the horror genre
was the wrong genre to use to bring forth such
a heavy subject. And because you promoted it as a
horror film, people go into it as a horror film,
(13:40):
and suicide and depression and stuff like that is real
life horror. But I think mixing it in with fantasy horror,
which is kind of supposed to be a little silly,
doesn't work for me.
Speaker 1 (13:52):
I think it's kind of interesting because as a horror movie,
looking at this, I didn't think it was that great
of a horror movie. I thought it was kind of subpart.
Now talking about the supernatural aspect or the supernatural element
of this movie. Some people will believe that, you know,
supernatural stuff is real, and then I would say the
(14:12):
majority don't believe in supernatural elements of this world, like
such as ghosts, monsters, creatures of that nature. So for
somebody like that, they're going to kind of scoff at it,
like you put something that's a very serious matter with
something that's not very serious, Yeah, and that can take
(14:33):
away from the overall impact of the message that you're
trying to convey or deliver. And I think that's where
I got kind of drawn out a little bit of it.
I think that they should have went more of the
I would say thriller route that very intense.
Speaker 4 (14:51):
Yeah, at least like a drama film.
Speaker 1 (14:53):
I would I would say, like a drama thriller would
have been a better category for this film. And I
think that if they would have taken that and ran
with it and kind of gotten rid of like the
supernatural element and kind of did like a maybe like
a secret window twist where you think that it's somebody
(15:16):
else but really it's you.
Speaker 4 (15:17):
YEA.
Speaker 1 (15:18):
Overall the message I was kind of pissed. I've been
sitting on this for a couple of weeks. Now. My
problem with this is that the end of the movie
she has a happily ever after because she killed herself.
I absolutely hate that.
Speaker 2 (15:35):
Yeah, I agree with you.
Speaker 3 (15:37):
I saw an interesting perspective though, and it made me
kind of look at the ending slightly different.
Speaker 1 (15:42):
Go ahead, let's hear it.
Speaker 3 (15:44):
So I was the one when we came out of
the theater that was like, that was black and white.
She definitely killed herself, right. This perspective really made me
start to wonder. I feel like, for me, I'm going
to have to rewatch it to see how where I
really stand on it. But he was saying, you know,
a lot of that is a lot of people opinions.
Is that or takeaways from it is that she ended
her life and then she got her little happily ever after.
(16:06):
It came across as, oh, everything's going to be so
much better if you just do it. And I didn't
like the ending for that reason. But he was saying,
you know, we never hear the gun go off. She
comes out, her kids are coming back to the house,
the lights come on. The farm is now named the
Iris like it was the memory with her and her
husband and their conversation. He made a good point that
(16:28):
when you see the sign with the name of the farm,
it's not backwards like it is in the other when
she's in that like mirror world and that non reality,
only her name was backwards, and if you remember, she
had a really hard time when her daughter kept writing
the letter R backwards, and he was saying that he
(16:51):
felt like it was kind of a metaphor for when
she's in that darkness. The writing it backwards is kind
of like her not in the right headspace. And nothing
else was backwards, even the painting itself did not look backwards.
It was just her signature, and he was saying that
he believes that it was more of a message of
things do get better if you fight this and you
(17:13):
don't end your life, there is hope through this darkness
things can get better. But it might be something like
for her that because you see that she has a
long history when they show the flashback of her and
her husband in the conversation, she has a long history
of depression. To me, it was obvious in that scene
that she wasn't herself, that she was struggling in that moment.
(17:35):
It's probably something like for a lot of people, this
is going to be a lifelong journey. You're going to
be strung with this for a long time. But it
doesn't mean that there's not going to be good things
that happen. There's not light after the darkness. So I
don't know that really has gotten in my head of
like did I take the ending wrong? And was it
actually not as bad as I thought? So I feel
(17:57):
like it deserves a rewatch with both perspectives in mine
to really figure out how I feel about it.
Speaker 4 (18:02):
Now.
Speaker 1 (18:02):
Can I throw a monkey wrench in that theory?
Speaker 2 (18:03):
Sure?
Speaker 1 (18:04):
Cool? So the lady that is in black, that is
in the yard, it's her but future correct, Like it's
her that's already happened. It's future her. Correct.
Speaker 2 (18:23):
I see that though until the very last scene.
Speaker 1 (18:27):
With her, Well, you start going through that with towards
the end of the movie. That's the overall reveal. Yes, okay, Well,
when they are in the addict and she shines the
light on her and her face is messed up, it's
a gunshot womb.
Speaker 2 (18:42):
Right, But you don't she doesn't look like that until
then till that moment.
Speaker 1 (18:45):
But it's her future self, So why would you have
a gunshot wound in her face? I'm just I'm just
throwing it out there. I mean, am I wrong in
saying that? Or like, how do y'all feel about that?
Speaker 4 (18:57):
Well, nothing in this film, in my opinion, is a
matter of fact. This whole Lady in the yard, Woman
in the yard might not represent the future. It might
be it could represent the future. It might not be real, right,
it might be you know, her demons.
Speaker 1 (19:16):
I don't know.
Speaker 4 (19:16):
It's really fucked up.
Speaker 3 (19:18):
And if you think about it too, like this woman
in the yard, this woman in black is the villain,
just like when a person is going through depression, the
depression is the villain. Villains lie, Villains manipulate, They try
to convince you to do things you shouldn't do. Like,
I don't know, that's kind of like where the point
of view I'm seeing it from right now?
Speaker 4 (19:38):
Okay, But the thing that makes me think about the
ending of the film is everything up until that point
had been chaotic and nothing had went right in these
people's lives, and then all of a sudden, everything's happy and.
Speaker 1 (19:57):
The kids come back out of the blue. They just
come back out of the fucking blue with no help.
The power comes on, like the doll comes back, Everything
just nonsensical, just gets happy. And I don't know what
that message means. Does that mean, hey, I've subdued this
demon depression or could it mean what you guys initially
(20:21):
thought it meant was, well, you know, when she did
what she did to herself, she has eliminated all the
bad things in her life and now she can be happy.
Speaker 2 (20:31):
But she also had a conversation.
Speaker 3 (20:33):
This is one of the things I forgot to mention
that he pointed out that I was like, yeah, she
had the conversation with her son where she said, if
she comes back, I know how to deal.
Speaker 2 (20:41):
With her now.
Speaker 3 (20:43):
And a lot of times, once you recognize some people
don't realize they're struggling with depression that's what they have,
or bipolar or any type of mental health issue. And
sometimes once you finally recognize it and you learn how
to manage it, you better know how to face it
in the future. But I'm also struggling, like with what
(21:04):
you said of like all of a sudden, all these
things happen. It's too convenient, right, So I don't know,
it's confusing.
Speaker 4 (21:11):
And I don't feel like if you made a conscious
decision that your world just automatically gets brighter. Like you said,
it's going to be a struggle, it's going to be
a road. But is everything in this movie just a metaphor?
Speaker 1 (21:26):
You know?
Speaker 4 (21:26):
Now she was in the darkness one moment, now she's
in the light. My personal opinion is, if you're touching
on this subject matter, I believe that it should have
a concrete ending. Well, I think the fact that they
were trying to sell this as a horror film got
in the way of that.
Speaker 1 (21:46):
I can see where you're coming from, but that still
doesn't change how I feel like, if you're going to
touch on the suicide subject matter, you have to have
a clear cut ending.
Speaker 4 (21:57):
Well, yeah, that's what I'm saying. That's why I'm upset
that it wasted as a horror film, because, like you
said earlier, when you mix in the fantasy world of
horror and real life situations, especially when it's a mental
thing going on, maybe you don't give the respect to
the subject that it needs, and maybe you're too transparent.
Speaker 1 (22:20):
That's a good point.
Speaker 4 (22:22):
People struggling through that their heads already full of cobwebs.
They don't need to be more confused. I think you're
onto something right there. I think that, you know, going
back to it, it's got to be something more precise
with it, you know, letting people know that it does
get better, that you can fight this, you can win.
Speaker 1 (22:42):
Now. If they were going to go the happy ending route, cool,
that's fine. But I would have liked to see her
go into the house and then like the cops pull
up and then they discover, you know, the body of
(23:03):
the mom, and then the kids come back, you know,
with somebody, and then they see their mother there and
you see the horrific nature of the aftermath. To let
them know that you might have gotten your happy ending,
but now these people will forever have to live and suffer,
right because of your selfish actions that you didn't think, hey,
(23:30):
I'm going to leave a legacy of heartache or I'm
going to scar somebody for the rest of their life.
You take the selfish act of not handling it and
just handling it the cowards way out. And I say
that as somebody that has dealt with it, it is
the coward's way out.
Speaker 4 (23:49):
Yeah, that would have been very powerful. But you know,
I think the studio decided that they were going to
promote this as a horror film because that was the
easiest genre to push. And I believe that if OKA
say that, if they would have went a different route
(24:10):
and saying, Hey, this is going to be a heavy
movie blah blah blah, they might have thought to themselves, Oh,
they're going to scare people away because some people might
not flock to the theaters to see this heavy subject matter.
So let's just promote it as a horror film. And
they come here thinking they're going to see some frickin
conjuring none type of film, which is what I thought.
Speaker 1 (24:29):
We were going to get.
Speaker 4 (24:31):
And then you know, by the way this film, you know,
those that did go and see it, this film hasn't
done well at the box office at all, and those
that have went to see it, I would say about
seventy five percent have had negative things to say about it.
Speaker 1 (24:49):
So, well, I think it's time we talk about our
overall rating for this movie and how we're going about
rating this movie. This one's kind of a the more
difficult one we've ever had rating wise that I can
really remember. So I will take the bullet and I
(25:12):
will start off the rating because I don't know which
way you are going to go, and I can't remember
the last time I actually started off the rating. I'm
going to rate this as a horror movie.
Speaker 2 (25:26):
That's what I was thinking too.
Speaker 1 (25:28):
As a horror movie, I give this a two and
a half. I think it had some really great visuals
for depression and they nailed that. But the acting. I
hated the mother. She played a very shitty mother very well.
(25:51):
I don't know if it was quite her delivery or
the writing. I'm kind of confused in that category, but
I didn't feel like there was no point where she
loved her kids. I felt like she was a stepmother
at best. I feel like her son was okay. I
kind of understand like where he was coming from and
(26:14):
being aggravated with her. I feel like the little girl
was okay. Plus, the movie opened with a dog pissing
on a fence. I don't know if y'all notice that
in the background. And the more I thought about it
and the more I've sat on it, you know, as
a horror movie, I think the movie kind of sucked.
(26:37):
And as far as depression goes and what it's like
inside somebody's head, I would rate that maybe like a four, honestly,
But the ending of the movie, I really think they
went the happy route. That's just my take on it.
That's how it came off to me. And it pisses
(26:59):
me off the more think about it, because it's only
a happy ending for you.
Speaker 4 (27:03):
And yeah, you kind of need to clarify that. It's
not happy as in they did the right thing right.
It's happy as in, like you mentioned earlier, the selfish
way for happy for the person, the demon's happy.
Speaker 3 (27:17):
Yeah, miss Lana, Well, I was thinking of going the
same route you were, of rating this solely as a
horror film, and that I liked it obviously more than
you guys said. I did not think this is a
perfect movie. The mom is not giving out a five today.
I actually, as a horror film rate this as a
(27:38):
three point five.
Speaker 1 (27:39):
Interesting todd of Thunder? What do you rate the lady?
Speaker 4 (27:44):
Well, as I started off, that was what I was
struggling with. Do I take the subject matter more into
consideration or do I just rate this as a horror film?
And I've went down the path that you have and
I'm looking at it as a horror film and I
(28:04):
already stated it didn't it didn't work for me, brother,
I think I initially I was gonna give it a three. Same,
but I think your two and a half is kind
of good because I could have used more jump skiers.
(28:26):
I hate saying that, but usually movies without a high
body count or high gore or anything like that, like
you said earlier, like you're pg thirteen, even though the
subject matter shouldn't make this PG thirteen.
Speaker 1 (28:44):
You need some.
Speaker 4 (28:44):
Heavy scars or at least creepiness to it. But then again,
I'm thinking because of the subject they wasn't going for
it anyway. Anyway, two and a half. I don't know
what else to say about this. The subject matter is
either going to creep up on you and you're gonna
go oh, or you're gonna go what the fuck? And
(29:08):
I'm knocking on.
Speaker 1 (29:10):
That what the fuck door. I'm kind of in between, honestly.
But you know, normally, on our episodes, we normally do
our outro. But I think on this one, I would
like to end on the note that if you are
mentally struggling out there, please seek help. Reach out to
(29:31):
a family member, reach out to a loved one, reach
out to a friend. Hell I normally don't do this,
but if you want to hit me up on Instagram,
it's thirteen thirty one Ripper.
Speaker 2 (29:42):
If you're a lady and more comfortable, you can reach out.
Speaker 1 (29:44):
To me and your handle.
Speaker 2 (29:47):
The Leanna don with two ends at the end.
Speaker 1 (29:50):
Reach out to us, talk to us. We'll talk to
you about movies. We'll talk to you about whatever. We'll
give you advice from our end, things that we've done,
our personal journeys and struggles. Todd handles our Facebook. You
can definitely hit him up.
Speaker 4 (30:07):
Yeah, send us a message on Facebook if you want
to send a private message on Facebook Messenger and want
to talk, just to have something to talk about. If
you want a private conversation about some movies or whatever
you want to you know, I'll get on there and
we'll chat it up.
Speaker 1 (30:24):
Yeah, we're not going to judge you on any aspect
or anything like that.
Speaker 2 (30:29):
Judgment free zone over here.
Speaker 1 (30:31):
Judgment free zone. I mean, unless you killed somebody and
then we've got to call the cops. But you know,
if you're struggling mentally with you know, life, relationships, family,
anything in that category that we possibly can help you
in or put you in the right direction of talking
(30:51):
to somebody.
Speaker 4 (30:52):
Absolutely, because no matter how much you feel alone, Just
know that everybody goes through this. Everybody has relationship problems,
problems with their parents, problems with their family, problems with
their friends.
Speaker 1 (31:07):
So you're not alone.
Speaker 4 (31:09):
And talk to somebody because we've all had similar experiences
and we can give you better options.
Speaker 1 (31:17):
Yeah, you've got an open ear over here at thirteen
thirty one, and you know, just feel free to reach
us out and thank you for listening.
Speaker 2 (31:30):
I was so lonely, I felt so stressed. I needed
someone to talk to. Three numbers made a difference. Nine
eight eight Suicide and Crisis Lifeline Call, text or Chat
twenty four to seven. Someone's there to listen to me
and support me. Three numbers helped me find the help
(31:52):
I needed.
Speaker 1 (31:53):
Nine eight eight Suicide and Crisis Lifeline Call, text or
Chat twenty four to seven.
What's Up? And welcome back to thirteen thirty one. I'm
your host, mister Ripper, and as always I have my
lovely co host with me, the one the only Todd
of Thunder, Hey, what's up? And the Mistress of the
Monsters Atlanta.
Speaker 2 (00:47):
Hey, my little monsters.
Speaker 1 (00:49):
And I know it's been a little bit, but you know,
life be life and sometimes. So we're here for the
part two that all of y'all have been waiting for.
Thank you to everybody that takes time to listen to this.
But we are here with part two of Woman in
the Odd So we wanted to take and do kind
(01:11):
of a separate thing because the overall dark part of
this movie deals with suicide. That is the main premise
of this movie, and it's pretty dark subject matter. It's
kind of taboo, I would say, in movies in general.
You don't see a lot of movies dealing or touching
on this subject. For a lot of people, this has
(01:32):
been very kind of controversial because some people have never
gone through this, and I think that's what the movie
trust to convey for a person that is going through this,
what it's mentally like, right, And then you have people
that go through it and can see and kind of
(01:54):
they kind of feel like, yeah, yeah, they feel like
they can relate. So, Miss Land, what was kind of
your takeaway on this dark subject matter.
Speaker 2 (02:05):
It definitely caught me off guard.
Speaker 3 (02:07):
I said in the last episode that the trailer definitely
gave nothing away. I was not expecting this to be
involving mental health in any capacity.
Speaker 2 (02:17):
I feel like did.
Speaker 3 (02:18):
A really good job of portraying what it feels like
to go through depression at that level. I could see
where if you've never been through that type of trauma
and that type of mental struggle, where it wouldn't make
as much sense as if you have, but I would
hope it's see For me, I have gone through some
really dark times and some really deep dark depression struggles
(02:42):
with suicide. So it's hard for me to say what
it's like for someone who hasn't gone through how they
would feel watching it, because for me, I did relate
so much, and I felt like they did a really
good job showing what that darkness is like.
Speaker 1 (02:57):
They did a really good job of can being what
it's like inside someone's brain. Now, Todd, you've never really
gone through that, yeah, I have, I just haven't dealt
with it. Okay, so you have gone through it? Oh yeah, yeah.
Speaker 4 (03:11):
I think what this subject matter mainly is gonna do.
It's gonna make people think, you know, because I think
everyone has went through some surface level of depression. But
the thing about this film is have they went through
it deep enough to relate to this film?
Speaker 2 (03:28):
Yeah?
Speaker 4 (03:29):
That's what I kind of took away from it, like,
because this film, in my opinion, goes to the dark,
deep things of your mind that where you almost can't
come back from it. And even though some people can
relate to that depression, maybe they can't relate to it
that far.
Speaker 1 (03:46):
It's interesting. I've known you for almost twenty plus years
and I've never really talked to you about this.
Speaker 4 (03:53):
I don't like to be the self diagnosis guy like
everybody on the fucking internet is. But I think that
my struggles, my depression has come from I guess they've
been triggers of events. It hasn't been that I wake
up every morning depressed. I would call that kind of
(04:14):
clinically depressed. I don't I'm not depressed, and I don't
know why depressed. Most of my dark times have come
from something that happened and either has made me feel
that way because I don't know how to deal with it.
But I've never been clinically depressed or waking up going.
Speaker 1 (04:32):
Why do I feel like this?
Speaker 4 (04:33):
It's always my depression.
Speaker 1 (04:35):
Always. I could always come up with a reason interesting.
I have dealt with both honestly. On my end, I
side note, I guess it's safe to say that this
is going to be a kind of a dark episode.
But on my end, I've definitely suffered very heavily through
(04:55):
some dark times, and I wouldn't say I'm clinically depressed.
I would say that I probably at one point was
clinically depressed. Thinking about it, it was probably due to traumatic
events and never taking the time to amend that or
try to get closure to it or try to figure
(05:17):
it out, which is you know it's not right because
you're doing a disservice to yourself, but putting yourself through hell.
Speaker 4 (05:25):
It might be one of those things where the longer
you don't deal with it, the more it powers up
and the more it weighs on your mind.
Speaker 1 (05:32):
Yeah what about you, Lanta.
Speaker 3 (05:34):
Yeah, So depression runs in my family, specifically for the women,
and it's something that I've dealt with since I was
a kid, and I remember just being like in elementary
school and being so sad, Like sad's not even really
an appropriate word for how I would feel and struggle
and not knowing why and feeling like something was really
really wrong with me, and come to find out I
(05:56):
have clinical depression. It took a long time for me
to ever seek out help because for some reason I
fell into that stigma of, well, I can't take medicine
because I'm not crazy.
Speaker 2 (06:07):
I don't need that. I can fight through this and
irug there.
Speaker 3 (06:12):
Was like a level of shame surrounding it for me,
and some type of sense of I think pride of
I don't want to be like everyone else in my family.
I want to I want to figure this out on
my own. So for me, it took until I lost
my sister to suicide that put me so far deeper
into my mental health struggles to the point where I
(06:35):
didn't know if I was going to make it out.
So I saw help and started therapy, and that really
started my journey into healing that brokenness inside of me.
And I think it'll be something for me that I
struggle with my whole life. And there have been times
where I have been on medicine, and I don't feel
any shame about that. Now.
Speaker 2 (06:54):
I fully am an advocate.
Speaker 3 (06:56):
If you have a chemical imbalance in your brain and
you need the help from medicine, take it. There is
no shame in taking medicine. If you have cancer and
you get chemo treatment, what's the difference. You're sick and
you need help.
Speaker 1 (07:09):
I back you up and saying that. And I also
think that if you do struggle with some kind of
depression and you don't want to necessarily jump straight to medicine,
that that's fine. Definitely look into your options on trying
to figure out what works for you and if you
(07:30):
can do it on your own right.
Speaker 2 (07:32):
And that's how I started. I started with therapy first.
Speaker 3 (07:35):
And every person is going to be different because the
imbalances in our brain are going to be different and
the things that trigger it are going to be different.
You really do have to figure out what's going to
work best for you and your specific set of circumstances.
Speaker 1 (07:49):
Yeah, because I think the overall reason why we're talking
about this is because it's such a heavy concept in
this movie, and as people that have strung with this,
I think that in order to really understand this movie.
You really have to kind of be in that mindset.
(08:11):
And for some people that don't deal with depression or
don't have depression, I think they're going to find this
movie just chaotic and stupid. Would you say that that's
accurate or what would you say is your take on that?
Speaker 3 (08:27):
Based on reviews I've seen, I would say that's pretty accurate.
I have seen a lot of opinions of people really
hating this movie and saying that it was stupid. I
have grace for that because I feel like they just
don't understand, and that's okay. It would be really cool
if they had people in their lives that have struggle
with depression that understand the concept of this movie, where
(08:48):
they can have open discussion and kind of help them
understand what it was really portraying and just start some
I think it's going to start some really good conversations.
We've had many conversations in this household about this movie,
about the subject matter.
Speaker 2 (09:02):
We've talked more about this movie. I think we have
any that we've seen in theater.
Speaker 1 (09:05):
Because of the heavy subject matter. Right now, Todd, what
about you, Why do you think that this movie in
particular gets the hate that it's getting I.
Speaker 4 (09:15):
Think that some people might appreciate the heavy subject matter
in it, they didn't like how the movie dealt with it,
and I felt like at the end of the film,
most people felt like the movie said it was okay
to give up. And I think that's one of the
reasons why some people do not like this film, even
though it's so many people in real life that have
(09:38):
went down that road. I think that some people find
like movies and entertainment to be held responsible to kind
of maybe steer you away from that because they do
have such a powerful stance to give out positive message.
So I really feel like some people were on board
(09:59):
and then they were.
Speaker 1 (10:00):
Like ugh at the end. Well, I've noticed that a
lot of people hated the majority of the movie, not
necessarily the ending. I will elaborate on the ending a
little bit more here in a minute, But what did
you think about the overall mental portrayal, like the mental
(10:20):
struggle portrayal of it.
Speaker 4 (10:22):
That was one thing that I was struggling with in
this film, as far as like telling myself or asking myself,
do I like this film because of the subject matter?
If I give this a negative review, it would feel
like I'm trying to give the subject negative thoughts.
Speaker 2 (10:40):
It's tough.
Speaker 4 (10:41):
Yeah, the way I'm looking at it is I'm trying
to separate it, like I'm trying to put it out there,
Like I totally think and believe that the subject should
be talked about and should be discussed. But at the
same time, I don't know if it made the movie
actually good in my opinion.
Speaker 1 (10:59):
At you, Leanna, what was your overall takeaway for the
Mental Struggle betrayal?
Speaker 3 (11:06):
I enjoyed that it took us a little bit to
realize that the woman in.
Speaker 2 (11:12):
The yard was her was her darkness?
Speaker 1 (11:14):
Not me?
Speaker 3 (11:15):
But no, because you are, like I Q fifty thousand
when it comes to figuring out movies.
Speaker 1 (11:22):
Just figure out my life. Why.
Speaker 3 (11:27):
I'm curious because I had started wondering, like I don't
I don't remember exactly. I'd have to rewatch it to
be like it was this moment where I was.
Speaker 2 (11:34):
Like, is this her? Is this her darkness?
Speaker 3 (11:39):
But I never said anything and you never did either,
So I'm not sure where you figured it out and
where I'd like.
Speaker 1 (11:44):
Started to kind of wonder, Yeah, because I texted you
or like I wrote it down in.
Speaker 2 (11:48):
In a text yeah, you wrote it in text.
Speaker 3 (11:50):
I thought that it was really cool how they showed
almost as like depression is this separate entity from yourself,
this demon in your head that is trying to con
vince you to do the bad thing, but it's not
really who you are, it's not you. And also just
how people can really act out of character for themselves
when they are going through this.
Speaker 1 (12:12):
Now, what did you think about it as a horror movie?
Speaker 3 (12:15):
So as a horror movie, I didn't mind. This to
me was not a scary movie. But I also feel
like not all horror movies have to be scary. We've
talked about that on the podcast before. If you're just
going into it to be scared, I mean, there's so
much more to horror than just being scared, right, And
I do feel like this was as a horror movie
more definitely more of a PG thirteen. Very I could
(12:38):
see this being like a good intro into horror someone
that hasn't watched a lot. It would be like a
good film for them to watch in their beginning stages
of watching horror. I mean, to me, like there were
several times where I had jump scares, which Todd you
had asked I don't know if it was the last
episode or off. Just when we were talking about what
made you look gave you a jump?
Speaker 2 (12:58):
Scary?
Speaker 1 (12:58):
It was on the last episode?
Speaker 2 (13:00):
Was it on the episode? And I couldn't.
Speaker 3 (13:02):
I still can't remember exactly what it was, but I
remember like four distinct times where I was like, oh,
like it got me.
Speaker 2 (13:08):
You know.
Speaker 3 (13:08):
Maybe it was because I was tired, so I wasn't
as like, you know, up to par so to.
Speaker 1 (13:13):
Speak right now, mister Thunder, Now, what did you think
about this as a overall horror movie? It wasn't good.
Speaker 4 (13:20):
I agree, it wasn't good as a horror film, and
as a horror fan, I felt like the horror genre
was the wrong genre to use to bring forth such
a heavy subject. And because you promoted it as a
horror film, people go into it as a horror film,
(13:40):
and suicide and depression and stuff like that is real
life horror. But I think mixing it in with fantasy horror,
which is kind of supposed to be a little silly,
doesn't work for me.
Speaker 1 (13:52):
I think it's kind of interesting because as a horror movie,
looking at this, I didn't think it was that great
of a horror movie. I thought it was kind of subpart.
Now talking about the supernatural aspect or the supernatural element
of this movie. Some people will believe that, you know,
supernatural stuff is real, and then I would say the
(14:12):
majority don't believe in supernatural elements of this world, like
such as ghosts, monsters, creatures of that nature. So for
somebody like that, they're going to kind of scoff at it,
like you put something that's a very serious matter with
something that's not very serious, Yeah, and that can take
(14:33):
away from the overall impact of the message that you're
trying to convey or deliver. And I think that's where
I got kind of drawn out a little bit of it.
I think that they should have went more of the
I would say thriller route that very intense.
Speaker 4 (14:51):
Yeah, at least like a drama film.
Speaker 1 (14:53):
I would I would say, like a drama thriller would
have been a better category for this film. And I
think that if they would have taken that and ran
with it and kind of gotten rid of like the
supernatural element and kind of did like a maybe like
a secret window twist where you think that it's somebody
(15:16):
else but really it's you.
Speaker 4 (15:17):
YEA.
Speaker 1 (15:18):
Overall the message I was kind of pissed. I've been
sitting on this for a couple of weeks. Now. My
problem with this is that the end of the movie
she has a happily ever after because she killed herself.
I absolutely hate that.
Speaker 2 (15:35):
Yeah, I agree with you.
Speaker 3 (15:37):
I saw an interesting perspective though, and it made me
kind of look at the ending slightly different.
Speaker 1 (15:42):
Go ahead, let's hear it.
Speaker 3 (15:44):
So I was the one when we came out of
the theater that was like, that was black and white.
She definitely killed herself, right. This perspective really made me
start to wonder. I feel like, for me, I'm going
to have to rewatch it to see how where I
really stand on it. But he was saying, you know,
a lot of that is a lot of people opinions.
Is that or takeaways from it is that she ended
her life and then she got her little happily ever after.
(16:06):
It came across as, oh, everything's going to be so
much better if you just do it. And I didn't
like the ending for that reason. But he was saying,
you know, we never hear the gun go off. She
comes out, her kids are coming back to the house,
the lights come on. The farm is now named the
Iris like it was the memory with her and her
husband and their conversation. He made a good point that
(16:28):
when you see the sign with the name of the farm,
it's not backwards like it is in the other when
she's in that like mirror world and that non reality,
only her name was backwards, and if you remember, she
had a really hard time when her daughter kept writing
the letter R backwards, and he was saying that he
(16:51):
felt like it was kind of a metaphor for when
she's in that darkness. The writing it backwards is kind
of like her not in the right headspace. And nothing
else was backwards, even the painting itself did not look backwards.
It was just her signature, and he was saying that
he believes that it was more of a message of
things do get better if you fight this and you
(17:13):
don't end your life, there is hope through this darkness
things can get better. But it might be something like
for her that because you see that she has a
long history when they show the flashback of her and
her husband in the conversation, she has a long history
of depression. To me, it was obvious in that scene
that she wasn't herself, that she was struggling in that moment.
(17:35):
It's probably something like for a lot of people, this
is going to be a lifelong journey. You're going to
be strung with this for a long time. But it
doesn't mean that there's not going to be good things
that happen. There's not light after the darkness. So I
don't know that really has gotten in my head of
like did I take the ending wrong? And was it
actually not as bad as I thought? So I feel
(17:57):
like it deserves a rewatch with both perspectives in mine
to really figure out how I feel about it.
Speaker 4 (18:02):
Now.
Speaker 1 (18:02):
Can I throw a monkey wrench in that theory?
Speaker 2 (18:03):
Sure?
Speaker 1 (18:04):
Cool? So the lady that is in black, that is
in the yard, it's her but future correct, Like it's
her that's already happened. It's future her. Correct.
Speaker 2 (18:23):
I see that though until the very last scene.
Speaker 1 (18:27):
With her, Well, you start going through that with towards
the end of the movie. That's the overall reveal. Yes, okay, Well,
when they are in the addict and she shines the
light on her and her face is messed up, it's
a gunshot womb.
Speaker 2 (18:42):
Right, But you don't she doesn't look like that until
then till that moment.
Speaker 1 (18:45):
But it's her future self, So why would you have
a gunshot wound in her face? I'm just I'm just
throwing it out there. I mean, am I wrong in
saying that? Or like, how do y'all feel about that?
Speaker 4 (18:57):
Well, nothing in this film, in my opinion, is a
matter of fact. This whole Lady in the yard, Woman
in the yard might not represent the future. It might
be it could represent the future. It might not be real, right,
it might be you know, her demons.
Speaker 1 (19:16):
I don't know.
Speaker 4 (19:16):
It's really fucked up.
Speaker 3 (19:18):
And if you think about it too, like this woman
in the yard, this woman in black is the villain,
just like when a person is going through depression, the
depression is the villain. Villains lie, Villains manipulate, They try
to convince you to do things you shouldn't do. Like,
I don't know, that's kind of like where the point
of view I'm seeing it from right now?
Speaker 4 (19:38):
Okay, But the thing that makes me think about the
ending of the film is everything up until that point
had been chaotic and nothing had went right in these
people's lives, and then all of a sudden, everything's happy and.
Speaker 1 (19:57):
The kids come back out of the blue. They just
come back out of the fucking blue with no help.
The power comes on, like the doll comes back, Everything
just nonsensical, just gets happy. And I don't know what
that message means. Does that mean, hey, I've subdued this
demon depression or could it mean what you guys initially
(20:21):
thought it meant was, well, you know, when she did
what she did to herself, she has eliminated all the
bad things in her life and now she can be happy.
Speaker 2 (20:31):
But she also had a conversation.
Speaker 3 (20:33):
This is one of the things I forgot to mention
that he pointed out that I was like, yeah, she
had the conversation with her son where she said, if
she comes back, I know how to deal.
Speaker 2 (20:41):
With her now.
Speaker 3 (20:43):
And a lot of times, once you recognize some people
don't realize they're struggling with depression that's what they have,
or bipolar or any type of mental health issue. And
sometimes once you finally recognize it and you learn how
to manage it, you better know how to face it
in the future. But I'm also struggling, like with what
(21:04):
you said of like all of a sudden, all these
things happen. It's too convenient, right, So I don't know,
it's confusing.
Speaker 4 (21:11):
And I don't feel like if you made a conscious
decision that your world just automatically gets brighter. Like you said,
it's going to be a struggle, it's going to be
a road. But is everything in this movie just a metaphor?
Speaker 1 (21:26):
You know?
Speaker 4 (21:26):
Now she was in the darkness one moment, now she's
in the light. My personal opinion is, if you're touching
on this subject matter, I believe that it should have
a concrete ending. Well, I think the fact that they
were trying to sell this as a horror film got
in the way of that.
Speaker 1 (21:46):
I can see where you're coming from, but that still
doesn't change how I feel like, if you're going to
touch on the suicide subject matter, you have to have
a clear cut ending.
Speaker 4 (21:57):
Well, yeah, that's what I'm saying. That's why I'm upset
that it wasted as a horror film, because, like you
said earlier, when you mix in the fantasy world of
horror and real life situations, especially when it's a mental
thing going on, maybe you don't give the respect to
the subject that it needs, and maybe you're too transparent.
Speaker 1 (22:20):
That's a good point.
Speaker 4 (22:22):
People struggling through that their heads already full of cobwebs.
They don't need to be more confused. I think you're
onto something right there. I think that, you know, going
back to it, it's got to be something more precise
with it, you know, letting people know that it does
get better, that you can fight this, you can win.
Speaker 1 (22:42):
Now. If they were going to go the happy ending route, cool,
that's fine. But I would have liked to see her
go into the house and then like the cops pull
up and then they discover, you know, the body of
(23:03):
the mom, and then the kids come back, you know,
with somebody, and then they see their mother there and
you see the horrific nature of the aftermath. To let
them know that you might have gotten your happy ending,
but now these people will forever have to live and suffer,
right because of your selfish actions that you didn't think, hey,
(23:30):
I'm going to leave a legacy of heartache or I'm
going to scar somebody for the rest of their life.
You take the selfish act of not handling it and
just handling it the cowards way out. And I say
that as somebody that has dealt with it, it is
the coward's way out.
Speaker 4 (23:49):
Yeah, that would have been very powerful. But you know,
I think the studio decided that they were going to
promote this as a horror film because that was the
easiest genre to push. And I believe that if OKA
say that, if they would have went a different route
(24:10):
and saying, Hey, this is going to be a heavy
movie blah blah blah, they might have thought to themselves, Oh,
they're going to scare people away because some people might
not flock to the theaters to see this heavy subject matter.
So let's just promote it as a horror film. And
they come here thinking they're going to see some frickin
conjuring none type of film, which is what I thought.
Speaker 1 (24:29):
We were going to get.
Speaker 4 (24:31):
And then you know, by the way this film, you know,
those that did go and see it, this film hasn't
done well at the box office at all, and those
that have went to see it, I would say about
seventy five percent have had negative things to say about it.
Speaker 1 (24:49):
So, well, I think it's time we talk about our
overall rating for this movie and how we're going about
rating this movie. This one's kind of a the more
difficult one we've ever had rating wise that I can
really remember. So I will take the bullet and I
(25:12):
will start off the rating because I don't know which
way you are going to go, and I can't remember
the last time I actually started off the rating. I'm
going to rate this as a horror movie.
Speaker 2 (25:26):
That's what I was thinking too.
Speaker 1 (25:28):
As a horror movie, I give this a two and
a half. I think it had some really great visuals
for depression and they nailed that. But the acting. I
hated the mother. She played a very shitty mother very well.
(25:51):
I don't know if it was quite her delivery or
the writing. I'm kind of confused in that category, but
I didn't feel like there was no point where she
loved her kids. I felt like she was a stepmother
at best. I feel like her son was okay. I
kind of understand like where he was coming from and
(26:14):
being aggravated with her. I feel like the little girl
was okay. Plus, the movie opened with a dog pissing
on a fence. I don't know if y'all notice that
in the background. And the more I thought about it
and the more I've sat on it, you know, as
a horror movie, I think the movie kind of sucked.
(26:37):
And as far as depression goes and what it's like
inside somebody's head, I would rate that maybe like a four, honestly,
But the ending of the movie, I really think they
went the happy route. That's just my take on it.
That's how it came off to me. And it pisses
(26:59):
me off the more think about it, because it's only
a happy ending for you.
Speaker 4 (27:03):
And yeah, you kind of need to clarify that. It's
not happy as in they did the right thing right.
It's happy as in, like you mentioned earlier, the selfish
way for happy for the person, the demon's happy.
Speaker 3 (27:17):
Yeah, miss Lana, Well, I was thinking of going the
same route you were, of rating this solely as a
horror film, and that I liked it obviously more than
you guys said. I did not think this is a
perfect movie. The mom is not giving out a five today.
I actually, as a horror film rate this as a
(27:38):
three point five.
Speaker 1 (27:39):
Interesting todd of Thunder? What do you rate the lady?
Speaker 4 (27:44):
Well, as I started off, that was what I was
struggling with. Do I take the subject matter more into
consideration or do I just rate this as a horror film?
And I've went down the path that you have and
I'm looking at it as a horror film and I
(28:04):
already stated it didn't it didn't work for me, brother,
I think I initially I was gonna give it a three. Same,
but I think your two and a half is kind
of good because I could have used more jump skiers.
(28:26):
I hate saying that, but usually movies without a high
body count or high gore or anything like that, like
you said earlier, like you're pg thirteen, even though the
subject matter shouldn't make this PG thirteen.
Speaker 1 (28:44):
You need some.
Speaker 4 (28:44):
Heavy scars or at least creepiness to it. But then again,
I'm thinking because of the subject they wasn't going for
it anyway. Anyway, two and a half. I don't know
what else to say about this. The subject matter is
either going to creep up on you and you're gonna
go oh, or you're gonna go what the fuck? And
(29:08):
I'm knocking on.
Speaker 1 (29:10):
That what the fuck door. I'm kind of in between, honestly.
But you know, normally, on our episodes, we normally do
our outro. But I think on this one, I would
like to end on the note that if you are
mentally struggling out there, please seek help. Reach out to
(29:31):
a family member, reach out to a loved one, reach
out to a friend. Hell I normally don't do this,
but if you want to hit me up on Instagram,
it's thirteen thirty one Ripper.
Speaker 2 (29:42):
If you're a lady and more comfortable, you can reach out.
Speaker 1 (29:44):
To me and your handle.
Speaker 2 (29:47):
The Leanna don with two ends at the end.
Speaker 1 (29:50):
Reach out to us, talk to us. We'll talk to
you about movies. We'll talk to you about whatever. We'll
give you advice from our end, things that we've done,
our personal journeys and struggles. Todd handles our Facebook. You
can definitely hit him up.
Speaker 4 (30:07):
Yeah, send us a message on Facebook if you want
to send a private message on Facebook Messenger and want
to talk, just to have something to talk about. If
you want a private conversation about some movies or whatever
you want to you know, I'll get on there and
we'll chat it up.
Speaker 1 (30:24):
Yeah, we're not going to judge you on any aspect
or anything like that.
Speaker 2 (30:29):
Judgment free zone over here.
Speaker 1 (30:31):
Judgment free zone. I mean, unless you killed somebody and
then we've got to call the cops. But you know,
if you're struggling mentally with you know, life, relationships, family,
anything in that category that we possibly can help you
in or put you in the right direction of talking
(30:51):
to somebody.
Speaker 4 (30:52):
Absolutely, because no matter how much you feel alone, Just
know that everybody goes through this. Everybody has relationship problems,
problems with their parents, problems with their family, problems with
their friends.
Speaker 1 (31:07):
So you're not alone.
Speaker 4 (31:09):
And talk to somebody because we've all had similar experiences
and we can give you better options.
Speaker 1 (31:17):
Yeah, you've got an open ear over here at thirteen
thirty one, and you know, just feel free to reach
us out and thank you for listening.
Speaker 2 (31:30):
I was so lonely, I felt so stressed. I needed
someone to talk to. Three numbers made a difference. Nine
eight eight Suicide and Crisis Lifeline Call, text or Chat
twenty four to seven. Someone's there to listen to me
and support me. Three numbers helped me find the help
(31:52):
I needed.
Speaker 1 (31:53):
Nine eight eight Suicide and Crisis Lifeline Call, text or
Chat twenty four to seven.
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