September 8, 2025 • 53 mins
This episode is made possible, thanks to one of our listeners, James Buckley! By request, Jeff and David discuss the tropes of mountain climbing thrillers and explore the dangers of isolated settings, and the fear of being hunted, as a group of hikers frantically try to bring a kidnapped girl to safety in Julian Gilbey's 2011 thriller, A Lonely Place to Die!
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Would you like to hear an episode about one of your favorite directors, or films? Check us out on our Patreon with a FREE 7-day trial. You can also sign up as a free member!
Check out www.afilmbypodcast.com/ for more information.
Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.
Find us on Instagram, X, and Facebook @afilmbypodcast.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
So I was talking to my dad the other day
about movies from the seventies, because as you and Scott
and Wayne, I think that's fair to say. I have
been doing the A film at fifty, you know, all
these movies from nineteen seventy five. I've been asking my
dad about, you know, did you go see this? Do
you remember when this came out? And sometimes he's like
(00:20):
I don't, I don't know what that movie is, or
saying sometimes he's like, of course everyone went and saw that.
We were talking about the Eiger sanction. You know, you
and Wayne? Did you and Wayne did that when a couple?
What was that like two months ago?
Speaker 2 (00:33):
Two months ago? Yeah, that's right.
Speaker 1 (00:35):
I like he had he had a line where he
was just basically yeah, that's when the movies were made.
They made him different. They didn't have all the computer
crap that you guys do now. You know, Clint was
on the mountain. He had to be on the mountain. Yeah,
And I was like, yeah, you know that was back
then when safety regulations were a little bit different than
the way'd have a choice, they'd have a choice. Could
(00:57):
you imagine them making a movie like that today without
the use of CGI there's.
Speaker 2 (01:04):
No way it would happen today, right, No way?
Speaker 1 (01:08):
Wrong?
Speaker 2 (01:09):
Oh, I am.
Speaker 1 (01:11):
Dave. Let's talk about a film by Julian Gilby, his
twenty eleven underrated thriller, A Lonely Place to Die. Hello everybody,
(01:46):
and welcome back. I'm Jeff Johnson, David Burns and this
is a film by podcast. So David, who is making
today's episode possible?
Speaker 2 (01:59):
That, of course is our Patreon member James Buckley.
Speaker 1 (02:03):
James Buckley, one of our Patreon producers, has tasked us
with discussing today's film you see, listeners. Not only do
you get access to exclusive episodes on Patreon, you also
get some very cool merchandise like our new T shirt
that James gotten the mail recently told me he loved it,
(02:25):
So James, thank you for that. And depending on the
tier that you join, you get the ability to call
the shots several times a year and tell us which
director or film will be covering it. All starts with
as little as three dollars a month. You can check
out www dot patreon dot com slash a film by podcast,
(02:47):
sign up for a free trial today, and hey, if
you're not ready for that, but you are interested in
hearing some exclusive episodes. Sign up for the free membership
because occasionally we do put a free one out right, Dave.
Speaker 2 (02:59):
Yes, we do.
Speaker 3 (03:00):
So far this year James has been responsible for these
episodes Devil in the Blue Dress and the Raid.
Speaker 1 (03:08):
Well, let's see if he can go three for three.
Let's start with a little chat about Julian Gilby. Three
facts and maybe a quote, And Dave, I gotta be honest,
I was kicking over every loose rock on the mountain
trying to find some stuff out about this guy. You know,
newer director, right, he's not been around long, so ye.
(03:32):
British actor Nigel Bruce, best known for playing Doctor Watson
alongside Basil Rathbone's Sherlock Holmes in many Sherlock Holmes films,
can also be remembered for his work in the Alfred
Hitchcock thrillers Rebecca, which Brad and I covered a few
seasons ago, and Suspicion. But Dave, Julian Gilby most likely
(03:57):
remembers him as his great grand father. Now, you remember
at the beginning of the year, you and you, me
and Amber were talking about young Schlock Holmes. I know,
we kind of talked a little bit about Basil Rathbun
and his movies.
Speaker 2 (04:09):
Mm hm.
Speaker 1 (04:10):
Who would have thought we'd be talking about is a
great great grandson, Julian Gilby The Small World?
Speaker 2 (04:19):
What happened?
Speaker 1 (04:19):
Yeah, I gotta ask you a question because you have
directed several independent films. It's tough, right, Oh.
Speaker 2 (04:28):
It's very hard. Yes.
Speaker 1 (04:30):
For his first film, the two thousand and two low
budget horror film Reckoning Day, Gilby wrote, acted, directed, and
was his own cinematographer. Okay, he was also the makeup
artist and editor.
Speaker 2 (04:50):
Well, you do wear many hats, but wow, that's a
little ridiculous.
Speaker 1 (04:53):
I'm thinking back because I've been on set with you,
and I'm starting to wonder, like maybe you've been sandbagging.
He should be doing some more.
Speaker 3 (05:00):
First off, I'd never want to be in front of
the camera, so kudos town for being doing that.
Speaker 2 (05:04):
But that's not for me.
Speaker 1 (05:06):
Yeah, I'll tell you one thing that may or may
not be for you. Before scouting locations for this film began,
he and his brother Will, who co wrote the script,
became experienced climbers so that they can make this movie.
Speaker 2 (05:21):
That's going all in.
Speaker 1 (05:23):
Yeah, Well, as we talked about, and you know, at
the cold Open, we were talking about Eiger sanction. Right
back then, there was no CGI, there was no computer
animation to change stuff.
Speaker 2 (05:34):
Up on location.
Speaker 1 (05:36):
He is on location with this movie with his cast
and his crew and they're on the mountain and with exception, Yeah,
with exception, there's a few very nerve wracking scenes with
Melissa George where she's kind of trapped on the mountain
with it with no safety harness, no line. Now, obviously
(05:57):
he's not gonna let Melissa George be on a mountain
five on her feet up and not attached or anything.
So she was attached and they digitally erased some of
the lines that were keeping her safe. Other than that
they're up there.
Speaker 2 (06:10):
That's insane.
Speaker 3 (06:11):
But again, you can tell how realistic it looks in
the film because of them doing that.
Speaker 2 (06:15):
So I'm glad they did it.
Speaker 1 (06:17):
Yeah, so I got I found a quote he did
an interview with a California literary review discussing this movie
and kind of how his how he directs right, and
he says, quote, I like to think of myself sometimes
as a bit of a method director. So what the
characters are going to do? I want to do? Now,
(06:39):
when I say method, I don't mean I'm kidnapping. No, No,
that's more the fictional side of things. No, it was
the climbing and the mountaineering. Now that's not to say
we didn't have quite a lot of winging it for
the opening sequence up the mountain, and you know, the
crew got scared and a rock almost fell on somebody.
That's just bad luck. And mountains are not a safe environment. No, no, no,
(07:01):
So I kind of dig the fact he wants to
shoot on the mountain, so he's gonna have to be
on the mountain, so he's going to have to climb.
So he kind of talks about how they basically created
a skeleton crew to say we don't need you, we
don't need you. You're staying down. You're staying down. And
then he would just hand pick a handful of people
(07:21):
to go up the mountain to get these shots and
to get it done, and he was up there right
there with them.
Speaker 3 (07:27):
I really respect him for that, Yeah, absolutely, And I
can see why keep it simple, keep it small, because
the more people you have up there, the more dangerous
it's going to be. Calm, So I get that, but yeah, wow,
that's impressive that they did that on the side of
the mountain, especially today. Come on, man, you do that
on set somewhere with some CGI, not really being on
the side of a mountain.
Speaker 1 (07:48):
I don't know how he got away with it, but yeah, Dave,
I know you and I kind of went into this
not knowing what this movie was. James Buckley, our Patreon producer, said,
guys a lonely place to die, And my reaction was absolutely, Dave,
what is I've.
Speaker 2 (08:08):
Never heard of it, you know, and I haven't.
Speaker 1 (08:10):
Yeah, so you want to give us a brief synopsis
of what this movie is all about.
Speaker 3 (08:14):
Sure, five friends are enjoying some mountain climbing and exploring
when they stumble upon a girl buried in the ground
with only a breathing tube sticking out of the surface
allowing her to breathe. The five friends quickly dig her
up and make a plan to get her to safety,
only discover that they found themselves in the wrong place
at the wrong time, even though they're trying to do
the right thing. It leads them into the race of
(08:36):
their life to not only save the little girl, but
also themselves.
Speaker 1 (08:40):
David, I gotta hand it to you that synopsis is
just as good as the trailer that you can watch
for this online. You can watch it on tuob. I'm
gonna ask did you go in Ice Cold? Like did
you know anything about this movie and you just hit play?
Or did you do a little research? Did you watch
the trailer?
Speaker 3 (08:59):
So I did not watch the trailer. I went into
this Ice Cold. But here's the thing. When I got
to the point where they discover the girl, I don't
know where I saw that at. I don't know if
it popped up like when I was like browsing through
some films one day on tuby, because I remember them
finding that breathing too. But that's all I remember from
that film. It's like I've seen that somewhere, but I
(09:20):
think it's just because I was browsing. But yeah, I
went into this Ice Cold.
Speaker 1 (09:24):
I I had to know a little. I had to
I had to at least have my my interest peaked.
Speaker 2 (09:29):
Mm hm.
Speaker 1 (09:30):
So I was like, you know what, let's let's let's
just watch the trailer. It's it's it's streaming free on
tub Let's check it out. Let's see what I'm in for.
Because James is he's not let us down yet.
Speaker 2 (09:38):
In my opinion, he has not.
Speaker 1 (09:39):
He has not this trailer is so intense.
Speaker 2 (09:44):
Mh.
Speaker 1 (09:45):
And in just two minutes, we are getting dangerous climbing mountains,
Guys on a with rifles, hunting people, people in peril,
there's a little girl, there's kidnapping. I'm all in after
seeing the trailer, this is one of the better construct
the trailers I've seen in a long time.
Speaker 2 (10:03):
Especially for spailling it.
Speaker 3 (10:04):
But I didn't see the trailer, but I mean with
it being a spalling dependent film, that says a lot
of the trailer was not powerful.
Speaker 1 (10:10):
If if I would have seen the trailer when I
knew we were doing it, you know, when I first
knew that we were going to be doing this movie,
if I want to watch the trailer that night, we've
probably been recording like within two days, I would immediately
have to stop at what I was doing to go
see this meeting. Yeah, you know one of those IFC films.
Did you ever notice like it's like them in A
twenty four are like becoming the go to studios for
(10:34):
the risk amazing.
Speaker 3 (10:35):
Stuff, right, yeah, because they take risks where the big
studios don't, these smaller ones do.
Speaker 2 (10:40):
They go after them. And I want that. I like that,
that's what a small director like this.
Speaker 1 (10:45):
Would want well talking about filming on location, Can we
just take a minute to talk about the beautiful cinematography
by Ali Asad?
Speaker 2 (10:54):
Yeah.
Speaker 3 (10:54):
Absolutely, I'd written that down because, as you know, I
love to talk about cinematography.
Speaker 2 (10:58):
Let's do it.
Speaker 3 (10:59):
Being a fer myself, so all of his shots were
absolutely stunning, especially when you're dealing with all the mountains,
the climbing going into that. I can't imagine with you
know what you told us that they did this on
the side.
Speaker 2 (11:14):
Of a mountain. I cannot imagine.
Speaker 3 (11:16):
As a cinematographer being up there with the camera watching
my safety, watching other people's safety, but also making sure
that I'm getting the shots right. That's crazy, Jeff. And
the fact that he pulls it off as he does
is amazing, and it's beautifully done. Beautifully done.
Speaker 1 (11:33):
I can't agree more. I'm just captivated by the shots
that he's getting and I'm thinking, my god, Scotland is gorgeous. Yeah,
and just the lighting everything is amazing. And then danger
hits and I looked I was like, wait a minute,
(11:54):
not even We're not even five minutes in, right, and
we get what I kind of feel is becoming a
trope for thrillers or action movies that take place on
a mountain. And what I'm talking about, uh is h
I'll call it the cliffhanger trope. Sure, ye're five minutes
in the line breaks, the girl's in trouble. Hey, it's okay,
(12:17):
Stallone's here. It's in a savor right, Game's got it,
He's you know, game, don't you lose her? Man? You know?
And I remember seeing this opening weekend, not not to
turn this into a cliffhanger episode, but I remember seeing
that and my date was clutching the arm rests, and
(12:38):
you know, she's like, don't let me die, don't you know?
The girl and he's so please, you know. And I
leaned over and I told this girl, it's Stallone. He's
not gonna drop.
Speaker 2 (12:52):
Her incorrection and then dropped her.
Speaker 1 (12:55):
He was like, what did I just what happened? You know?
One of the greatest openings to a movie, you know,
hilariously Peried Peried in Ace Fincher too with Nature Calls.
But then Vertical Limit, which you and I love a
big fan of Vertical We covered it, Andrew, we had
(13:16):
our special guest Andy Tom. We're all talking. Vertical Limit
has that same. Everyone's cool. We're just we're just climbing
this mountain. And then the line you know, snaps, and
then it's like and I'm thinking they did it cliffing.
I'm not gonna do it vertical limit. Nope, there goes
dadd Holy shit. Like when you have a movie open
(13:40):
with people having some fun on a mountain, I just
assume that someone's gonna die, you know, you do, yeah,
And I think it's like four minutes and change, there's
a mistake happens, and three of our climbers, three of
our our characters are in serious jeopardy, and I'm like,
what Melissa George isn't gonna die because she's she's a star.
(14:04):
I don't know which one of these two chumps is
about to bite it. But but then they don't. No,
the one guy saves the other, and it's it's all good.
Speaker 4 (14:12):
You know.
Speaker 3 (14:12):
I'm a photographer, Yeah, but there are certain places you
do not want to pull your camera out, okay, and
I think that's one of them. You do not.
Speaker 1 (14:20):
This jackass is like, hold on, let me get a selfie,
you know, take my picture. You know. She's like she's
all excited about this hawk, you know, that's flying by,
and he's like, never forget the hawk, take my picture.
Get I want you, I want able to see how
high up we are and this foot is not paying
attention where it should be and rope and all of
a sudden you're upside down about to fall. I was
(14:44):
surprised that no one died.
Speaker 2 (14:46):
Yeah, but I just want you to know.
Speaker 3 (14:48):
And I want to go on record, Jeffrey, if you
and I were ever in that situation, just tell me
to put the damn camera away.
Speaker 1 (14:53):
Okay the minute. The minute, I'm I'm I'm blaying or
whatever the hell like, and you're like, hold on, I
got I gotta, I gotta put a put the big lens.
I'm like, put it away. Now was not the time.
And Melissa George is even like, hey, why don't we
take the picture when we're at the top of the mountain.
Speaker 2 (15:12):
You're coming sense?
Speaker 1 (15:13):
Yeah, common sense? Id I do love that. Once they
get up there, she immediately is like, hey, you'll never
climb with me again if you can't get it together.
There's a time and place like hell, yeah, get him,
get him, Melissa, get him. I thought it was fantastic though,
because I'm I'm watching it and my heart was pounding,
(15:34):
and I was I just was feeling the pressure and
the stress. I was like, ah, all right, they're fine,
But then my brain was like, yeah, it's still a thriller.
People will die, So they will and they do and
they do. But uh not before we take a quick break.
When we come back, Dave, there's a couple of people
we need to talk about in this cast. Okay, absolutely,
(15:59):
welcome back. We are discussing Julian Gilby's A Lonely Place
to Die brought to you by our Patreon member James Buckley.
So James, thank you as always for your support and
for keeping us watching good movies.
Speaker 2 (16:16):
That's true.
Speaker 1 (16:18):
Melissa George, she's playing Alison. I'm gonna say this is
an actress who has done a lot of work. She
just kept very busy over the years. I just don't
understand why we're not seeing her on the big screen
more often. Amazing.
Speaker 2 (16:37):
I love her. She's a great actress.
Speaker 1 (16:39):
I I kind of came to know her from she
had a limited run on Friends. She was playing the
nanny Molly. Okay, but she did mal Holland Drive. Everyone
knows her. I think she's kind of launching the Spotlight
with the Amityville horror remake.
Speaker 2 (16:57):
Where she's playing Yeah.
Speaker 1 (17:00):
And then she did that awesome vampire movie Thirty Days
a Night.
Speaker 2 (17:02):
Oh yeah, great film, I love that movie. Yep.
Speaker 1 (17:06):
Amber Lewis will remind us that she was on Gray's Anatomy.
I never watched the show, so I'm sure she was
awesome on it.
Speaker 2 (17:15):
I'm sure she was.
Speaker 3 (17:16):
Again, I will also remind you because everything comes back
to Star Trek. She was in Discovery. She played Vina
you got no, she did? Yeah, she did. Everything comes
back to.
Speaker 1 (17:25):
Sometimes I think you're making shit up just as just
to use your line. Everything comes back to Trek. She
was on Star Trek, Discovery, she was okay, but yes,
she was all right. So we'll look for her at
the conventions, and that's.
Speaker 2 (17:38):
Right, and Wayne will be getting her autograph.
Speaker 1 (17:40):
Sure, I'm sure he will. I'll tell you whose autograph
he won't be getting, Franka POTENTI. I think I'm saying
that right. I'm not sure. Very good actress. She was
in the first Jason Bourne movie if you remember Oh Yeah,
Run Hullo Run and Jason and the Bourne Identity. She
had the job and then she was replaced by Melissa George.
Speaker 2 (18:02):
So I'm okay with that.
Speaker 1 (18:05):
I'm okay with it too. I'm assuming you'd call that, Uh,
what's what's the what's the line there?
Speaker 2 (18:10):
Dave creative difference? Is Jeff create a favorite line?
Speaker 1 (18:13):
Her favorite line?
Speaker 2 (18:14):
Yeah?
Speaker 1 (18:16):
Uh. The thing I love about this movie is Melissa George.
Speaker 2 (18:20):
Yeah.
Speaker 1 (18:21):
I don't know how she does half the things she's
doing in this movie, but she is a full on
action star. I know she did a lot of her
her climbing. Julian Gilby is on record of saying, hey,
she did everything I needed her to do. She tried
(18:42):
to do more than what I needed her to do,
and that's when I had to remind her there is
a stunt woman that we are paying to be here
to take some of these risks. So well she looks Yeah, absolutely,
she's very believable. Uh and she you you would believe
that she's in and climber. There's no doubt about that.
She pulls well. Okay, she has a she has a
(19:05):
climber's body.
Speaker 2 (19:06):
Yeah.
Speaker 1 (19:07):
And what I mean by that is you can see
that she is she's sculpted, she's toned, like I believe,
like you know, when she's climbing. Some of these moments
that just the muscle definition that you see pop up,
you know, and like her back and her shoulders, it's
in her arms. It's like, hell, yeah, this woman she
went and learned how to climb.
Speaker 2 (19:25):
Yeah.
Speaker 1 (19:26):
Uh. And I know before they they are on location
in Scotland, she's back here in the States, actually in
Los Angeles, you know, climbing walls and and training and
prepping for it.
Speaker 2 (19:37):
Yeah.
Speaker 3 (19:37):
And you have to have that because there's a certain
way that you prevent your body when you're when you're
climbing like that. And you can clearly tell those who
don't have the training and those who do have the training.
So you can tell she went through a lot of
practice there prepped for this, and it shows.
Speaker 1 (19:51):
She's very impressive in this. And I'm not talking just
about the action stuff, the physicality that she she brings
to it, her moments with the little girl. I know
we'll get of that later when we're talking about some
noteworthy scenes. But she's amazing, absolutely amazing. This is my
new favorite Melissa George performance. Go ahead and say that
right now. Yes, she is being hunted her and her
(20:15):
friends by mister Kid, who is played with just a
cold calculating I don't know what to call it coolness.
Like this guy, he's Sean Harris is just super cool.
He's he's such a great bad guy, isn't he?
Speaker 2 (20:35):
He is from extremely well in this and again you believe.
Speaker 1 (20:40):
In yeah, now if you're if you're saying Sean Harris.
Sean Harris. He played Solomon Lane in some of the
Mission Impossible movies, so obviously just a fantastic villain. Uh.
Did you ever see a movie called The King with
Timothy Shallamey. No, We're gonna do it at some point
(21:00):
because I love this movie. Uh, he's in that as well, Okay,
and he's he's he's one of those character actors where
you're like every time, like the first time you see him,
you're like, oh, I know that guy. I've seen him before,
even though you haven't seen him before. I've now seen
him in four movies, and I'm I'm trying to make
it five because like I want to look up his
filmography and figure out what else he's done, because he's
(21:21):
he's incredible. He's so he's just nerdously awesome in this movie.
Speaker 3 (21:26):
There are certain actors who can really pull off the villain,
and he does incredible job with it.
Speaker 1 (21:31):
I think it's something about he's not he's not a
large guy. No, and his voice is very soft. It's
very distinct. So it's almost like you you want or
you need to pay attention to every word he says,
because if you miss something, you're afraid he's gonna kill you. Yeah.
I just there's something soft about him that that makes
(21:52):
him scary. And I know that sounds weird to say
it like that, but that's the best way I can
think about it.
Speaker 2 (21:57):
But it's true. It makes sense.
Speaker 1 (21:59):
His soft this is scary. Yeah. He So he's one,
he's one of the two kidnappers. And just from the gig.
His his his introduction, you know, because we got some
we got some.
Speaker 2 (22:15):
Poachers, but they had me foold with that dude.
Speaker 1 (22:18):
Well okay, so we got these two, these two guys
who are giving off some serious deliverance vibes. Yeah, and
I'm like, okay, these two jackasses are the scary people, like,
that's who we got to worry about. And they've got
these these very intimidating rifles. Well I think they're both
(22:39):
they're both carrying three O eight's right, And then Sean
Harris and his buddy show up without rifles and just
dispatch these two guys like they're nothing. Oh but I
mean that one guy, I mean they're both shitheads. But
like the second guy, when they're like keep walking and
he's they're basically backing him up off the cliff, and
(22:59):
he is so scared and terrified. I was like, Yeah,
if I got to be one of those two guys,
I'll be the I'll be guy number one that just
gets his throat slit. He doesn't even know it. He's
dead instantly. The other guy, man, he took a just
gloriously terrible, awful fall down the mountain. He didn't die instantly.
Speaker 3 (23:20):
I just loved how a little bit. I just loved
how that was directed. Not them dying. I just loved
the fact that they threw you off as an audience.
You thought they were the killers, they were the ones
who were there that were going to take out our climbers.
And then because they never show what they're looking at
or they're aiming at, you just get you just cut
to seeing the hiker the climbers, you know, walking and running,
(23:41):
so you assume that these are the two guys. But
then when the other two show up and they get
killed and you realize, oh crap, they were just hunting shit.
Speaker 1 (23:48):
How how great of a misdirect was that? It was great?
Even even when Sean Harris shows up, I'm like, oh, okay,
so these guys work for him and it is not
the case. All of a sudden, you get a little
bit of a you know alpha, you know, challenging for
for dominance, Like the poachers are pissed at these at
(24:11):
these guys, and then these guys are like they just
they just dispatch them so quickly and comments It's great.
Absolutely love Sean Harris, Melissa George. I gotta be honest
with you. I didn't really recognize anyone else in this cast.
Is there someone that you wanted to talk about? Is
there someone I'm missing?
Speaker 2 (24:31):
There is someone you're missing?
Speaker 1 (24:32):
Jeff Okay, Ed ed Spieler's Ed's who is it?
Speaker 2 (24:36):
Ed Spieler's sper You.
Speaker 3 (24:39):
Haven't been introduced to mister Spielers yet because you haven't
got to pick card season three and yes, once again
to star Trek. But here's another thing. We met him
at a convention a couple of years ago. Wayne already
got his autograph on that.
Speaker 2 (24:56):
Yeah, he was.
Speaker 1 (24:57):
Okay, who is he playing in the movie, like put
face to it?
Speaker 3 (25:01):
He plays he plays ed ed. Yeah, he survives almost
to the end.
Speaker 1 (25:07):
Okay, Okay, he's the he's the he's the dip ship
with the camera. Yes, on the mountain, Yes, the younger guy. Yeah.
Speaker 3 (25:14):
So I I can't tell you the name of the
character for Piccard because I don't you've not seen season
three yet. No, I don't want to ruin anything for you. Okay,
but he has a big role in Picard season three.
Speaker 1 (25:23):
And we've already seen him. We've already talked to him. Well,
you guys have talked to him.
Speaker 2 (25:26):
Yeah. I went up with Wayne to meet him to
sign the audit his So.
Speaker 1 (25:30):
Yeah, I'm assuming he's actually British. He's not. He is, Okay,
pretty nice guy too, all right, And he used a
pivotal role in Piccard season three.
Speaker 2 (25:39):
Absolutely all right.
Speaker 1 (25:41):
Well, uh, I admit I did like him. I did
like that character.
Speaker 2 (25:46):
Yeah, because for the camera stuff. But other than that, yes, well, character.
Speaker 1 (25:50):
Again, it's in the misdirect because I'm like, this dip
ship is not gonna make it right. And then he
kind of he heroes up. He does not as much
as Melissa George does, but he still you know, he
steps up to take care of the little girl and
I dig that.
Speaker 2 (26:05):
I mean he goes down the side of a hill
and breaks his leg.
Speaker 1 (26:08):
Oh that hurts.
Speaker 2 (26:09):
Oh god, yeah, ouch.
Speaker 1 (26:11):
Like that is a great moment there when he's she
I mean, Melissa George is full on like Ripley throughout
the whole, as soon as the action starts, because he's like,
what do you want me to do?
Speaker 4 (26:21):
It broke?
Speaker 1 (26:21):
But like, sugar, you didn't break it. Your brother on
at your phone.
Speaker 3 (26:24):
It's like wow, And Edieven reminds me a little bit
of you, Jeff. There's the scene whether before they find
the girl. They're taking a break. They're eating, they're drinking,
and she goes to hand him something and the food
touches something else and he goes, oh, I can't eat
it now, it's tainted.
Speaker 2 (26:41):
This reminds me of job.
Speaker 1 (26:43):
They'll be they'll be calling me out for my my,
uh my, nonsense, I.
Speaker 2 (26:49):
Gotta call you out.
Speaker 1 (26:51):
Oh man? All right?
Speaker 2 (26:53):
Then?
Speaker 1 (26:53):
Uh background on this movie, HM, barely anything can be found.
Not surprised, I try to yeah not, Oh yeah, I'm
not surprised. But here's what I can't tell you. So
it's filmed on location in Scotland. We've been talking about that.
Speaker 2 (27:06):
Yep.
Speaker 1 (27:07):
The working title was The Grave at Angel's Peak.
Speaker 2 (27:12):
Yuck.
Speaker 1 (27:13):
Okay, hold on to that one, okay, because his brother
co wrote the script from an original screenplay that he
did called The Long Weekend.
Speaker 2 (27:23):
Okay, I could see that one.
Speaker 1 (27:26):
Okay, So okay. So here's the thing. Honestly, I'm not
loving A Lonely Place to Die as.
Speaker 2 (27:34):
A title as a title, but it's catchy.
Speaker 1 (27:37):
It is. It rolls up to a little It maybe
a little misleading. I just but I like. I like
it more than The Grave at Angel's Peak. I like
it better than The Long Weekend. The Long Weekend could
star Helen Mirren in a garden. We don't know. It's
(27:58):
just it doesn't grab me, know, none of the titles
grab me. A Lonely place to Die it almost works
if the movie stayed on the mountain.
Speaker 2 (28:08):
We'll get to this.
Speaker 1 (28:09):
Is that fair? We're good? Okay, Okay. Maybe I'm making
a little bit too much of it, but I just
had to say that. The film premiered at Action Fest
Film Festival in North Carolina. Dave not too far south
from US. I think we might want to check this
film festival out next year. This movie won Best Film
(28:30):
and Best Director at the actual Film Festival. Yeah, I did.
I mean, I'm telling you right now. Like the direction,
Julian's direction is fantastic, cinematography, fantastic. I'm loving, I'm loving everything.
Let's talk about a couple of scenes and find our
way to the pivotal moment, if you will. So, can
(28:52):
we start off with them discovering the little girl at.
Speaker 2 (28:55):
Anna, Yeah, when Ed's taking his pe break.
Speaker 1 (29:00):
Yes, a voice it carries from that pipe. Yeah, and
it has a real caroline and poltergeist vibe.
Speaker 2 (29:11):
It's almost very ghost like. Yeah, going through that forest.
Speaker 1 (29:16):
Yes, Yeah, I'm like, okay, is what are we dealing
with it? Is this a supernatural thriller? Is it a
regular thriller? Why is this little girl have to be
so creepy? Because that's the rule in thrillers and horror films,
Like if there's a little girl, she's nine times out
of ten she's creepy, right of course.
Speaker 2 (29:36):
Yeah, so another troope, but we love it.
Speaker 1 (29:39):
Yeah, and uh, you know they find her, they dig her,
you know, they dig out this little this little box
that she's been held in. And now I feel like
the movie switches gears because now we have to get
her to safety off the mountain before whoever is coming after. Right,
we haven't seen Sean Harris at this point, we haven't
seen the Deliverance style poachers.
Speaker 2 (30:01):
No nobody yet except for a main cast.
Speaker 1 (30:04):
I think about how scary a moment like that would
be in real life, Jeff, if I would just stumble
along a little girl in a hole like that.
Speaker 3 (30:12):
Yeah, I mean, you know, obviously somebody put her there,
and they put her there for a reason, and they
clearly did not want her to be discovered. So you
discovering them and digging them up just puts you in the.
Speaker 2 (30:24):
Crosshairs, you know.
Speaker 1 (30:26):
You got to know immediately you're on the clock. Yes, absolutely,
because someone's probably coming back pretty soon, yep. And clearly
they are a dangerous individual yep. And I would love
to think that I'm gonna level up and be all,
you know, superhero, but I'd probably be like scared shitless
and like get her, pick her up, let's go right now.
(30:48):
So I do like that vibe that they all have,
like let's go, come on.
Speaker 3 (30:52):
I agree, I mean they all sense the danger immediately
and they knew that they had to get out of
which which makes sense because I would think anybody would
would feel that. But I think the biggest mistake there
was splitting up. Shouldn't I shouldn't have done that.
Speaker 2 (31:05):
Well, I understand why they were doing it because of
the climb. I get it, I get it.
Speaker 3 (31:09):
Yeah, but I think they all should have went together,
even if it was the long way.
Speaker 1 (31:13):
You know, it's it's safety and numbers. I get that,
And it is a it is a cool moment because
it's like, hey, it'll take us twenty miles or two
of us can go down the what do they call
It's like the Devil's Peak or Devil's Devil's tooth, Devil's peak,
something like that, something something something scary as hell.
Speaker 2 (31:31):
Yeah, it's the five hundred foot drop.
Speaker 1 (31:34):
Because at this point, I think I think it's safe
to say, like Rob is who we're looking at to
be the hero of the movie, right, Yeah, he's the
most experienced climber. He's calling the shot. I love when
he basically points to Alison say it's you, and then
he looks at Ed and he's like, hey, no arguments,
I need the best, and Ed has the the situational
(31:55):
awareness to he does take ego out of it and
just say, hey, yeah, she's the best. You guys, the
ear the two best. That's what you gotta do. So
imagine my shock when Rob is dead two minutes later.
Speaker 2 (32:09):
Not much long later.
Speaker 3 (32:10):
I'm like, what And it's funny when I'm not funny
because it's tragic that happens. But the director's camera angles
at times really let you to believe that something's wrong,
something's up, even though you weren't sure just yet. And
then just the way he shot them climbing down that cliff,
you're like, something's going to happen here, but you weren't
(32:31):
sure of it yet until you see poor Rob. The
rope break and Rob comes flying down.
Speaker 1 (32:37):
Little little taste of danger when the rope is not
long enough, and now she, you know, is like, I'm
out of rope. You know, she's freaking out. And then
she's like, it's a five foot drop to the nearest foothold,
and then just goes Tom cruise mission impossible too, and
let's go of the rope and makes it and then
(32:58):
she like looks up. She's like, hey, this is some
scary ship, like be careful, and you're like, well, he's
he's gonna be fine, and his body just goes sailing
past her and you're like, hold on, hold on, he's fine, right,
And then we get the shot of like his corpse
splattered across the rock.
Speaker 2 (33:18):
I'm like, yeah, he's not fine.
Speaker 1 (33:20):
What he's not fine?
Speaker 2 (33:21):
He's not fine.
Speaker 1 (33:24):
But then she she takes the the dive.
Speaker 2 (33:28):
Yeah, coming hurling at her.
Speaker 1 (33:30):
Yeah, rocks. It's like I say, okay, one rock, that's
that's okay. Two rocks, three, three rocks. Someone's trying to
throw rocks at her and and knock her off. And
that's when we see the real villains have showed up.
Speaker 2 (33:44):
Mm hmm.
Speaker 1 (33:45):
And these guys are like on a shooting spree, and
the the the intensity just ratchets up from this moment.
Speaker 2 (33:53):
Absolutely.
Speaker 1 (33:54):
Can we talk about her her first blood John Rambo
moment where she's like, she's stuck right on the mountain.
He's probably what another two fifty up?
Speaker 2 (34:07):
Yeah, at least, And she.
Speaker 1 (34:08):
Does this the the Insanity Leap where she she goes
to like three or four branches of an evergreen tree
to break her fall and then it hits the water
I'm like, do they seriously just kill Melissa George? Are
we like, are we gonna be with like the other
people because they and in my brain's like, well they
got the kids, so that would make sense. But but
(34:31):
it's Melissa George. Why did you kill Melissa George? Except
except that you didn't? And she washes up on the
rocky shore next to Rob's corpse to find out the
ropes beIN cut. Yep, great moment.
Speaker 2 (34:46):
I think, absolutely it is.
Speaker 1 (34:49):
How did you feel? There's another trope we got to
talk about. How did you feel about the bluff?
Speaker 4 (34:56):
I think?
Speaker 1 (34:56):
Is it Alex? Maybe the other guy, one of the
other guys does the whole The trope I'm talking about
is is when you're in a typically it's a horror film,
you know, sometimes it's an action movie.
Speaker 2 (35:07):
Mm hmm.
Speaker 1 (35:08):
But someone decides that they're gonna sacrifice themselves there's no reason.
Speaker 2 (35:14):
Yeah where he actually he's got the girl, but he doesn't.
Speaker 1 (35:16):
Yeah, he's like you guys, you know, you make a
run for.
Speaker 2 (35:19):
It, and did that really do anything?
Speaker 3 (35:22):
No? But can can Alex? Can you understand you need
to go zig zag, don't run straight? Are we ever
gonna learn this lesson.
Speaker 1 (35:30):
This guy did not grow up playing technobile, because no,
you gotta have the move man, especially when two guys
have scope right right, Yeah, you're not that far away,
you know. I just I questioned his choice.
Speaker 2 (35:48):
Mm hmm.
Speaker 1 (35:49):
But I feel like I question that choice anytime someone
decides to sacrifice themselves for the greater good. Like even
think about like a I know this. I know recently
on Patreon, we did Andrew and I did Ten for two.
We did Sinners, which I'm still saying is the best
movie of the year so far. But there's that moment
(36:11):
where Delroy Lindo is like, go on, you guys, get
out of here, and then just cuts himself open to
just feed the vampires, which did nothing since Remick and
the other vampires were waiting from upstairs. You know, I
just we need to do better. We did this this trope,
and it's not that it's it's a bad trope, like.
Speaker 2 (36:34):
But making mast it needs to be made sense. Okay.
Speaker 1 (36:38):
Well, yeah, so like Vasquez and Gorman mm hmm setting
off the hand grenade in Aliens to take out several
aliens and help the survivors. That makes sense, Yes, it does.
Speaker 2 (36:51):
That's a true sacrifice right there. It makes sense.
Speaker 1 (36:54):
Yeah, Donna the Dead, you know the remake where you know,
if you're a bit and you know you're not gonna
make it and you want to be the do the
self sacrificing thing to give the group a chance. Yea
makes sense, it does. This guy it's smart, you know
how they he It looked like he was carrying the
little girl. But couldn't they just stayed together?
Speaker 2 (37:16):
Yes, they could have.
Speaker 1 (37:20):
Yeah, I don't know, I just we could do better
with that trope. I think one other thing about that scene,
great moment because they put they put like three rounds
in him and he's still living. And you know Sean
Harris's accomplice, He's like, I'm gonna finish him off. He's like,
not for what he just put us through. He can
(37:40):
he can bleed outright. But Sean Harris, if he wasn't
terrifying enough, has that moment where he leans down and
he's like, uh, do you feel that that's that's your
nobility hurts? Doesn't it? Like I've never seen a villain
talk shit to a dying good guy, right because the
(38:02):
guy didn't. You know, typically any other movie, this guy
would have you know, had some clever thing to say
and then died.
Speaker 2 (38:10):
Yep, not, he he gets.
Speaker 1 (38:12):
The last thing he hears is Sean Harris talking shit
at him and then he dies and I'm like, that's cold,
baby's cold. It is. Oh man, I'll tell you one
more scene before the pivotal moment that I want to
talk about. We talked about Melissa George and how amazing
she is in this right her the moment where she
(38:34):
has to convince this little girl who does not speak
English to climb down the side of the mountain with
the harness and this little girl who, you know it
doesn't understand what's going on. Just the the frustration and
the hopelessness that is conveyed on Melissa George's face where
she's like, you just just do it. You just listen
(38:57):
to me, you know, she what are you gonna do?
You know?
Speaker 2 (39:01):
Yeah?
Speaker 3 (39:02):
And I can imagine being a situation like that. I
mean that would drive me crazy. And you can see
it on her face and I love that.
Speaker 1 (39:10):
Let me ask you, do you you gotta you gotta
get an eight year old to safety? Are you taking
are you taking the Croatian girl Anna who doesn't speak English?
Or are you taking catatonic Newt who speaks English. But
is it gonna pay attention or listen to anything you say? Like,
Who's who are you taking down the mountain? Dave? Who
(39:30):
I should say? Who are you taking to safety? You know?
Speaker 2 (39:32):
I still I think I'll stick with Nute, You go
with Newton, I'll go with Nute.
Speaker 1 (39:36):
Yeah, okay, you know.
Speaker 2 (39:39):
And proud of me for that decision.
Speaker 1 (39:41):
Yeah, that little girl survived a hell of a lot
longer with no food and no training. So yeah, yes,
you're right you put her in George. Great moment. But Dave,
I don't know if we've if we've talked about your
pivotal moment. I'm thinking we have it. Can I share
what I think is the pivotal moment of this movie?
Speaker 2 (40:02):
Sure? Absolutely, let's hear it.
Speaker 1 (40:04):
Let's talk about the conversation between Sean Harris's mister kid
and uh, the little girl's mafia henchman. Dad's a guy
who's doing the transaction for you know, obviously we got
a kidnapped situation happening here. That scene they have in
the coffee shop is where Sean Harris ridiculously good. Yes,
(40:29):
it's too I dare say it's it's almost too good
for this movie. And I apologize, Jillian Gilby, I that's
not meant to be a slight. But this movie, this scene,
it's almost too good for this movie. And it's not
just the performances. It's the dialogue, this story that he
shares about the little boy in the Paris job before
(40:54):
this one. I just love the fact that every time
you think Sean Harris can't be more scared, he he
ups it from its pivotal moment it is.
Speaker 3 (41:05):
And is this the because he talks about two kids
or three kids, one of them when he let the
rats get killed. Yes, and he still collected the money.
I'm assuming you're talking about the one where the boy
bonded with him. Yes, and then he went out playing
football and the kid leaned over to get the football
and he turned and shoots him in the back of
the head.
Speaker 1 (41:24):
Shot in the back of the head.
Speaker 2 (41:25):
Yeah, holy crap, man, Because he's like.
Speaker 1 (41:27):
I made a mistake once I bonded with with one
of the kids, and yeah, you know, and he talks
about how the parents thought they were smarter than him
and with the suitcase full of shredded newspapers and then yep,
absolutely man, this is the best scene. Yeah.
Speaker 2 (41:46):
I couldn't agree more with you on that one. Yeah,
I could not agree more with you on that one.
Speaker 4 (41:50):
Yeah.
Speaker 1 (41:51):
And I say that thinking like, hey, we've got some
incredible action on this mountain. But you know, we've talked
about some great scenes. We've talked about I think we've
identified the pivotal moment. Let's take one more break, and
then when we get back, let's let's talk about what
maybe isn't working in this movie. Absolutely, because I think
(42:14):
I think we're both in sync on nothing. Something right,
We'll be right back, Okay, Dave. So here's the thing.
Would you agree with me that the first two acts
first say, I don't know, forty five minutes or so
(42:35):
of this film.
Speaker 2 (42:36):
Is superb, without question.
Speaker 1 (42:40):
Yeah, So what happened in the third act?
Speaker 3 (42:44):
This film should have stayed in the wilderness and in
the mountains, right film. It just there's a shift in
this movie that didn't shift correctly, and that is them
going to the village, the town and you've got this
raid thing going on. The festival, yeah, the Stonehurst Festival,
(43:04):
which I know is based off of a real festival. Yeah,
but they go to the they go to the police,
and then they the police officers there saying you're getting
that vibe that maybe he's in on it, maybe he's not.
And then it just and then the all of a sudden,
the killers make it to the to the village like
it was no big deal, like they were just right there.
All of that just seemed so convenient and awkward that
(43:28):
it just almost ruined the film for me.
Speaker 2 (43:30):
It really did well.
Speaker 1 (43:31):
Here's here's where the confusion sets in for me. The
third act we introduce almost as many characters as the
first two acts have, and it's like, here's the little
girl's war criminal father from Serbia. Here's the mafioso guy
that handles his business. Here's the people that the mafia
(43:54):
guys hired to help with the transaction. Ye, here's the
creepy cop who is just for reasons I don't understand,
almost menacing, right, Like we're like, I get like, maybe
you're wanting to throw throw us for with another misdirection. Sure, yeah,
(44:17):
but he's purposely not calling for help. And and your
star Trek Discovery friend ed is like did you hear
him make a call? Like, what it's been fifteen minutes,
what are we still doing? Here because it's a situation
where it's like, ah, yeah, this this festival's going on
and I'm the only one here, and we'll call We'll
get you some help. Here, a little girl have some cake.
It's like, why is this guy being so creepy?
Speaker 2 (44:41):
He didn't make any sense.
Speaker 1 (44:42):
And he's like, oh, I can't let you leave, you know.
They're like they get like, now we're getting the hell
out of here. He's like, Nope, if you're leaving, you're
not leaving with her. And I was like, what are
we doing? Until he gets shot in the face, right,
you know, by the you know, the sniper that's working
with mister Kidd has commutely showed up.
Speaker 2 (44:59):
It's like he knows where they're at.
Speaker 1 (45:01):
Yeah, and then okay, now let's be fair. On the mountain,
he's shooting slightly better than a stormtrooper.
Speaker 2 (45:09):
Yeah. And now in town he shoot sharp shooter.
Speaker 1 (45:13):
He's a sharpshooter, and he's he's shooting into a dark
police station through windows and and nearly and nearly getting him, right,
I mean, he definitely you know, gets the cop. But
I just don't understand what's going on here. And I
get it, we don't get our favorite moment, the pivotal
(45:33):
moment with with Sean Harris in the cafe. We don't
get that if it's if this doesn't leave the mountain
and go into.
Speaker 2 (45:41):
Town, but we could just could be somewhere else.
Speaker 1 (45:44):
Well okay, but if we're gonna go into town, why
are we seeing all of town? Like we go from
like the police station to the alleyway and then you know, hey,
Ed's dead and then we're in like some kind of
mansion like country home.
Speaker 2 (45:59):
Right or the fight rights out and it's on fire,
catches on fire.
Speaker 1 (46:04):
The firefighters got to drag her out, and it's like,
the hell's happening here? Like what? And I'm sitting like
he does his thing? Did you notice like that? It
was almost like maybe five seconds of just pitch black.
That was silence, like the screen just stopped.
Speaker 2 (46:19):
Yep, And I'm like what I thought something was wrong?
I was like, what happened?
Speaker 1 (46:24):
I was like, well I did, I did too. I
was like, uh, did the power? What happened? And then
it pops back up And then now that the firefighters
are there to save, I was like, well, can't end
like this? It feels like the end and all the
little girl's fine now and we're heading off in the ambulance.
We get it, we get our happy ending. But then
Serbian war criminal Dad catches Sean Harris who's tried to
get away with the money, and now he's gonna get
(46:46):
tortured to death. It's we're going like Casino, like the
end of Casino with like yep, strip him, put him
in this hole. We're gonna beat him to death. I
just feel like we had forty five to fifty minutes
of incredible storytelling and film yep, and then we went
off the rails and I just don't get why, and.
Speaker 3 (47:06):
It became a different movie. I literally felt like I
was watching a different movie.
Speaker 1 (47:10):
Yes, if I'll tell you right now, if we were
sitting here watching this movie for the first time and
I got up to go to the bathroom or to
go refill my drink and I came back, I would
look at you and be like, what are you doing?
Did you turn it back to turn the movie back on?
Like what what's this? What's this bullshit?
Speaker 2 (47:30):
What do you?
Speaker 1 (47:31):
I just don't get it, man.
Speaker 2 (47:32):
I don't either. That was my biggest problem with it.
Speaker 1 (47:35):
That right there, I I want to tell you something
real quick. I'm not gonna read them, but I do
want to share this because for a minute I was like,
is it just is it me? I don't know if
Dave is going to agree. You know, he might think
I'm wrong. Now clearly I know that you're you're you're
not thinking that, but I was like, I I don't
(47:55):
know about this, and listen to this. I was on
the IMDb mm hm, you know people like to do
with their reviews and sure and give some stuff. Hope
it's a kid to name drop people use Robston his
title A good effort, but a bit disappointing, and the
first sentence. The movie started off well with an interesting idea,
(48:17):
but somehow ran out of steam and commitment Snoopy style,
great first hour, Theo Robertson efficient thriller that could have
been better, And like, when I read some of these,
they all were like, Hey, this is such an awesome movie.
But then somewhere at the end, yeah, it kind of
fell apart. I don't I don't know.
Speaker 3 (48:37):
I just I think I don't know why they made
that decision. To be honest with you, but I feel
like if you and I were in the writing room
together with Wayne and we were just writing this script.
I don't think either one of us would let us
go that route because we are saying the same thing,
what you what are you doing? This is taking the
whole idea off the rails, and it is.
Speaker 1 (48:59):
Even think back to some of some of our screenwriting
that we've done in the past. Even if even if
you and I had come to this conclusion that it works,
you know, when it's in Wayne's hands and he's he's editing,
He's coming, Hey, guys, what happened? Why are we Why
we in this little village with mafia guys and sharp
(49:21):
sharpshooters and this weird you know, these creepy demon festival people, Like,
what's what's going on? He would have he would have
he would have course corrected us. He would have this ending.
We're clearly not fans of the ending. But let's talk,
let's talk recommendation. Let's let's wrap this up. As I said,
it's currently streaming on two B it's free. I say,
(49:43):
see this if for no other reason than for Melissa
George's amazing performance. Dave, despite the ending being a little
bit of a letdown, would you recommend this? Yeah?
Speaker 3 (49:56):
Absolutely, just just for the cinematography of the mountains, the climbing,
and of course, as you said, Melissa George, she does
an incredible job in this film and she is worth
watching this film for.
Speaker 2 (50:06):
So yes, I recommend it.
Speaker 1 (50:08):
All right, well, listeners, what do you think of a
lonely place to die? Have you seen this one? Let
us know on social media. You'll find us on Facebook, Instagram,
and x You can check out a film by Podcast
dot com for all of our episodes. They are streaming free.
Uh there's a link to the Patreon Dave, so check
(50:28):
it out. You can sign up for your free trial
offer or sign up as a free member because there's
there's content there for you. Yeah, sign up, yeah, yeah,
right to us at a Film by Podcast at gmail
dot com with your questions, comments and concerns. We may
just read your response on the show, and if we do,
we'll send you some a film by swag Dave. It's
(50:49):
no secret while you're here today, thank you? Yeah, bit
youre app producer. I said, hey, who who you wanna?
Who you want on this episode? Is David Burns available? Thinking? Yeah,
he was available last time. You know, he's you're like
the you're like the number one draft pick for for
(51:11):
James Buckley, it seems.
Speaker 3 (51:12):
Like and I'm okay with that, James, So if you
want to continue to keep it throwing me some good
films like this, I love watching them talking about them.
Speaker 2 (51:19):
So thank you.
Speaker 1 (51:20):
I know, I know you're you've been pretty busy, like
obviously you do. Uh, You're doing the Phaser set the
Stun with Wayne and Scott. I know you guys are
about to wrap up season three of Strange New Worlds. Yep,
I'm gonna remind you though, I know how I know
how busy you are, but I will remind you that
we are very close to the fortieth anniversary of the
(51:44):
third G I Joe mini series. We are Pyramid of Darkness.
You're not going to miss that, are you?
Speaker 2 (51:51):
No way in hell am I going to miss that?
Jeff will be all right, Yo Joe, Yo Joe.
Speaker 4 (51:59):
Uh.
Speaker 1 (52:00):
And then at the end of the month, can you
tell us what's coming up for a film at fifty
on our Patreon? What are you what Scott doing?
Speaker 3 (52:07):
So we decided to go back to Attaka Atka and
talk about Dog Day Afternoon.
Speaker 1 (52:16):
That is a fantastic film.
Speaker 2 (52:18):
Yes, it is looking forward.
Speaker 1 (52:19):
To that and Dave, I appreciate you being here for
another Patreon requested film from James Buckley, and to all
of you out there listening to the show, following us
on social media subscribing to the Patreon like James Buckley,
we thank you and if you're gonna get on that
(52:40):
producer to you like he is, we look forward to
what you have in store for us. We'll see you
next time.
Speaker 4 (52:51):
I can my fucking please. An hour before the doll,
crime go for all your drivers grow. He burnt your
(53:14):
crop and temp charrowings. An hour before the doll.
Speaker 1 (53:23):
Mm hmmm
Speaker 4 (53:32):
Mmmm
So I was talking to my dad the other day
about movies from the seventies, because as you and Scott
and Wayne, I think that's fair to say. I have
been doing the A film at fifty, you know, all
these movies from nineteen seventy five. I've been asking my
dad about, you know, did you go see this? Do
you remember when this came out? And sometimes he's like
(00:20):
I don't, I don't know what that movie is, or
saying sometimes he's like, of course everyone went and saw that.
We were talking about the Eiger sanction. You know, you
and Wayne? Did you and Wayne did that when a couple?
What was that like two months ago?
Speaker 2 (00:33):
Two months ago? Yeah, that's right.
Speaker 1 (00:35):
I like he had he had a line where he
was just basically yeah, that's when the movies were made.
They made him different. They didn't have all the computer
crap that you guys do now. You know, Clint was
on the mountain. He had to be on the mountain. Yeah,
And I was like, yeah, you know that was back
then when safety regulations were a little bit different than
the way'd have a choice, they'd have a choice. Could
(00:57):
you imagine them making a movie like that today without
the use of CGI there's.
Speaker 2 (01:04):
No way it would happen today, right, No way?
Speaker 1 (01:08):
Wrong?
Speaker 2 (01:09):
Oh, I am.
Speaker 1 (01:11):
Dave. Let's talk about a film by Julian Gilby, his
twenty eleven underrated thriller, A Lonely Place to Die. Hello everybody,
(01:46):
and welcome back. I'm Jeff Johnson, David Burns and this
is a film by podcast. So David, who is making
today's episode possible?
Speaker 2 (01:59):
That, of course is our Patreon member James Buckley.
Speaker 1 (02:03):
James Buckley, one of our Patreon producers, has tasked us
with discussing today's film you see, listeners. Not only do
you get access to exclusive episodes on Patreon, you also
get some very cool merchandise like our new T shirt
that James gotten the mail recently told me he loved it,
(02:25):
So James, thank you for that. And depending on the
tier that you join, you get the ability to call
the shots several times a year and tell us which
director or film will be covering it. All starts with
as little as three dollars a month. You can check
out www dot patreon dot com slash a film by podcast,
(02:47):
sign up for a free trial today, and hey, if
you're not ready for that, but you are interested in
hearing some exclusive episodes. Sign up for the free membership
because occasionally we do put a free one out right, Dave.
Speaker 2 (02:59):
Yes, we do.
Speaker 3 (03:00):
So far this year James has been responsible for these
episodes Devil in the Blue Dress and the Raid.
Speaker 1 (03:08):
Well, let's see if he can go three for three.
Let's start with a little chat about Julian Gilby. Three
facts and maybe a quote, And Dave, I gotta be honest,
I was kicking over every loose rock on the mountain
trying to find some stuff out about this guy. You know,
newer director, right, he's not been around long, so ye.
(03:32):
British actor Nigel Bruce, best known for playing Doctor Watson
alongside Basil Rathbone's Sherlock Holmes in many Sherlock Holmes films,
can also be remembered for his work in the Alfred
Hitchcock thrillers Rebecca, which Brad and I covered a few
seasons ago, and Suspicion. But Dave, Julian Gilby most likely
(03:57):
remembers him as his great grand father. Now, you remember
at the beginning of the year, you and you, me
and Amber were talking about young Schlock Holmes. I know,
we kind of talked a little bit about Basil Rathbun
and his movies.
Speaker 2 (04:09):
Mm hm.
Speaker 1 (04:10):
Who would have thought we'd be talking about is a
great great grandson, Julian Gilby The Small World?
Speaker 2 (04:19):
What happened?
Speaker 1 (04:19):
Yeah, I gotta ask you a question because you have
directed several independent films. It's tough, right, Oh.
Speaker 2 (04:28):
It's very hard. Yes.
Speaker 1 (04:30):
For his first film, the two thousand and two low
budget horror film Reckoning Day, Gilby wrote, acted, directed, and
was his own cinematographer. Okay, he was also the makeup
artist and editor.
Speaker 2 (04:50):
Well, you do wear many hats, but wow, that's a
little ridiculous.
Speaker 1 (04:53):
I'm thinking back because I've been on set with you,
and I'm starting to wonder, like maybe you've been sandbagging.
He should be doing some more.
Speaker 3 (05:00):
First off, I'd never want to be in front of
the camera, so kudos town for being doing that.
Speaker 2 (05:04):
But that's not for me.
Speaker 1 (05:06):
Yeah, I'll tell you one thing that may or may
not be for you. Before scouting locations for this film began,
he and his brother Will, who co wrote the script,
became experienced climbers so that they can make this movie.
Speaker 2 (05:21):
That's going all in.
Speaker 1 (05:23):
Yeah, Well, as we talked about, and you know, at
the cold Open, we were talking about Eiger sanction. Right
back then, there was no CGI, there was no computer
animation to change stuff.
Speaker 2 (05:34):
Up on location.
Speaker 1 (05:36):
He is on location with this movie with his cast
and his crew and they're on the mountain and with exception, Yeah,
with exception, there's a few very nerve wracking scenes with
Melissa George where she's kind of trapped on the mountain
with it with no safety harness, no line. Now, obviously
(05:57):
he's not gonna let Melissa George be on a mountain
five on her feet up and not attached or anything.
So she was attached and they digitally erased some of
the lines that were keeping her safe. Other than that
they're up there.
Speaker 2 (06:10):
That's insane.
Speaker 3 (06:11):
But again, you can tell how realistic it looks in
the film because of them doing that.
Speaker 2 (06:15):
So I'm glad they did it.
Speaker 1 (06:17):
Yeah, so I got I found a quote he did
an interview with a California literary review discussing this movie
and kind of how his how he directs right, and
he says, quote, I like to think of myself sometimes
as a bit of a method director. So what the
characters are going to do? I want to do? Now,
(06:39):
when I say method, I don't mean I'm kidnapping. No, No,
that's more the fictional side of things. No, it was
the climbing and the mountaineering. Now that's not to say
we didn't have quite a lot of winging it for
the opening sequence up the mountain, and you know, the
crew got scared and a rock almost fell on somebody.
That's just bad luck. And mountains are not a safe environment. No, no, no,
(07:01):
So I kind of dig the fact he wants to
shoot on the mountain, so he's gonna have to be
on the mountain, so he's going to have to climb.
So he kind of talks about how they basically created
a skeleton crew to say we don't need you, we
don't need you. You're staying down. You're staying down. And
then he would just hand pick a handful of people
(07:21):
to go up the mountain to get these shots and
to get it done, and he was up there right
there with them.
Speaker 3 (07:27):
I really respect him for that, Yeah, absolutely, And I
can see why keep it simple, keep it small, because
the more people you have up there, the more dangerous
it's going to be. Calm, So I get that, but yeah, wow,
that's impressive that they did that on the side of
the mountain, especially today. Come on, man, you do that
on set somewhere with some CGI, not really being on
the side of a mountain.
Speaker 1 (07:48):
I don't know how he got away with it, but yeah, Dave,
I know you and I kind of went into this
not knowing what this movie was. James Buckley, our Patreon producer, said,
guys a lonely place to die, And my reaction was absolutely, Dave,
what is I've.
Speaker 2 (08:08):
Never heard of it, you know, and I haven't.
Speaker 1 (08:10):
Yeah, so you want to give us a brief synopsis
of what this movie is all about.
Speaker 3 (08:14):
Sure, five friends are enjoying some mountain climbing and exploring
when they stumble upon a girl buried in the ground
with only a breathing tube sticking out of the surface
allowing her to breathe. The five friends quickly dig her
up and make a plan to get her to safety,
only discover that they found themselves in the wrong place
at the wrong time, even though they're trying to do
the right thing. It leads them into the race of
(08:36):
their life to not only save the little girl, but
also themselves.
Speaker 1 (08:40):
David, I gotta hand it to you that synopsis is
just as good as the trailer that you can watch
for this online. You can watch it on tuob. I'm
gonna ask did you go in Ice Cold? Like did
you know anything about this movie and you just hit play?
Or did you do a little research? Did you watch
the trailer?
Speaker 3 (08:59):
So I did not watch the trailer. I went into
this Ice Cold. But here's the thing. When I got
to the point where they discover the girl, I don't
know where I saw that at. I don't know if
it popped up like when I was like browsing through
some films one day on tuby, because I remember them
finding that breathing too. But that's all I remember from
that film. It's like I've seen that somewhere, but I
(09:20):
think it's just because I was browsing. But yeah, I
went into this Ice Cold.
Speaker 1 (09:24):
I I had to know a little. I had to
I had to at least have my my interest peaked.
Speaker 2 (09:29):
Mm hm.
Speaker 1 (09:30):
So I was like, you know what, let's let's let's
just watch the trailer. It's it's it's streaming free on
tub Let's check it out. Let's see what I'm in for.
Because James is he's not let us down yet.
Speaker 2 (09:38):
In my opinion, he has not.
Speaker 1 (09:39):
He has not this trailer is so intense.
Speaker 2 (09:44):
Mh.
Speaker 1 (09:45):
And in just two minutes, we are getting dangerous climbing mountains,
Guys on a with rifles, hunting people, people in peril,
there's a little girl, there's kidnapping. I'm all in after
seeing the trailer, this is one of the better construct
the trailers I've seen in a long time.
Speaker 2 (10:03):
Especially for spailling it.
Speaker 3 (10:04):
But I didn't see the trailer, but I mean with
it being a spalling dependent film, that says a lot
of the trailer was not powerful.
Speaker 1 (10:10):
If if I would have seen the trailer when I
knew we were doing it, you know, when I first
knew that we were going to be doing this movie,
if I want to watch the trailer that night, we've
probably been recording like within two days, I would immediately
have to stop at what I was doing to go
see this meeting. Yeah, you know one of those IFC films.
Did you ever notice like it's like them in A
twenty four are like becoming the go to studios for
(10:34):
the risk amazing.
Speaker 3 (10:35):
Stuff, right, yeah, because they take risks where the big
studios don't, these smaller ones do.
Speaker 2 (10:40):
They go after them. And I want that. I like that,
that's what a small director like this.
Speaker 1 (10:45):
Would want well talking about filming on location, Can we
just take a minute to talk about the beautiful cinematography
by Ali Asad?
Speaker 2 (10:54):
Yeah.
Speaker 3 (10:54):
Absolutely, I'd written that down because, as you know, I
love to talk about cinematography.
Speaker 2 (10:58):
Let's do it.
Speaker 3 (10:59):
Being a fer myself, so all of his shots were
absolutely stunning, especially when you're dealing with all the mountains,
the climbing going into that. I can't imagine with you
know what you told us that they did this on
the side.
Speaker 2 (11:14):
Of a mountain. I cannot imagine.
Speaker 3 (11:16):
As a cinematographer being up there with the camera watching
my safety, watching other people's safety, but also making sure
that I'm getting the shots right. That's crazy, Jeff. And
the fact that he pulls it off as he does
is amazing, and it's beautifully done. Beautifully done.
Speaker 1 (11:33):
I can't agree more. I'm just captivated by the shots
that he's getting and I'm thinking, my god, Scotland is gorgeous. Yeah,
and just the lighting everything is amazing. And then danger
hits and I looked I was like, wait a minute,
(11:54):
not even We're not even five minutes in, right, and
we get what I kind of feel is becoming a
trope for thrillers or action movies that take place on
a mountain. And what I'm talking about, uh is h
I'll call it the cliffhanger trope. Sure, ye're five minutes
in the line breaks, the girl's in trouble. Hey, it's okay,
(12:17):
Stallone's here. It's in a savor right, Game's got it,
He's you know, game, don't you lose her? Man? You know?
And I remember seeing this opening weekend, not not to
turn this into a cliffhanger episode, but I remember seeing
that and my date was clutching the arm rests, and
(12:38):
you know, she's like, don't let me die, don't you know?
The girl and he's so please, you know. And I
leaned over and I told this girl, it's Stallone. He's
not gonna drop.
Speaker 2 (12:52):
Her incorrection and then dropped her.
Speaker 1 (12:55):
He was like, what did I just what happened? You know?
One of the greatest openings to a movie, you know,
hilariously Peried Peried in Ace Fincher too with Nature Calls.
But then Vertical Limit, which you and I love a
big fan of Vertical We covered it, Andrew, we had
(13:16):
our special guest Andy Tom. We're all talking. Vertical Limit
has that same. Everyone's cool. We're just we're just climbing
this mountain. And then the line you know, snaps, and
then it's like and I'm thinking they did it cliffing.
I'm not gonna do it vertical limit. Nope, there goes
dadd Holy shit. Like when you have a movie open
(13:40):
with people having some fun on a mountain, I just
assume that someone's gonna die, you know, you do, yeah,
And I think it's like four minutes and change, there's
a mistake happens, and three of our climbers, three of
our our characters are in serious jeopardy, and I'm like,
what Melissa George isn't gonna die because she's she's a star.
(14:04):
I don't know which one of these two chumps is
about to bite it. But but then they don't. No,
the one guy saves the other, and it's it's all good.
Speaker 4 (14:12):
You know.
Speaker 3 (14:12):
I'm a photographer, Yeah, but there are certain places you
do not want to pull your camera out, okay, and
I think that's one of them. You do not.
Speaker 1 (14:20):
This jackass is like, hold on, let me get a selfie,
you know, take my picture. You know. She's like she's
all excited about this hawk, you know, that's flying by,
and he's like, never forget the hawk, take my picture.
Get I want you, I want able to see how
high up we are and this foot is not paying
attention where it should be and rope and all of
a sudden you're upside down about to fall. I was
(14:44):
surprised that no one died.
Speaker 2 (14:46):
Yeah, but I just want you to know.
Speaker 3 (14:48):
And I want to go on record, Jeffrey, if you
and I were ever in that situation, just tell me
to put the damn camera away.
Speaker 1 (14:53):
Okay the minute. The minute, I'm I'm I'm blaying or
whatever the hell like, and you're like, hold on, I
got I gotta, I gotta put a put the big lens.
I'm like, put it away. Now was not the time.
And Melissa George is even like, hey, why don't we
take the picture when we're at the top of the mountain.
Speaker 2 (15:12):
You're coming sense?
Speaker 1 (15:13):
Yeah, common sense? Id I do love that. Once they
get up there, she immediately is like, hey, you'll never
climb with me again if you can't get it together.
There's a time and place like hell, yeah, get him,
get him, Melissa, get him. I thought it was fantastic though,
because I'm I'm watching it and my heart was pounding,
(15:34):
and I was I just was feeling the pressure and
the stress. I was like, ah, all right, they're fine,
But then my brain was like, yeah, it's still a thriller.
People will die, So they will and they do and
they do. But uh not before we take a quick break.
When we come back, Dave, there's a couple of people
we need to talk about in this cast. Okay, absolutely,
(15:59):
welcome back. We are discussing Julian Gilby's A Lonely Place
to Die brought to you by our Patreon member James Buckley.
So James, thank you as always for your support and
for keeping us watching good movies.
Speaker 2 (16:16):
That's true.
Speaker 1 (16:18):
Melissa George, she's playing Alison. I'm gonna say this is
an actress who has done a lot of work. She
just kept very busy over the years. I just don't
understand why we're not seeing her on the big screen
more often. Amazing.
Speaker 2 (16:37):
I love her. She's a great actress.
Speaker 1 (16:39):
I I kind of came to know her from she
had a limited run on Friends. She was playing the
nanny Molly. Okay, but she did mal Holland Drive. Everyone
knows her. I think she's kind of launching the Spotlight
with the Amityville horror remake.
Speaker 2 (16:57):
Where she's playing Yeah.
Speaker 1 (17:00):
And then she did that awesome vampire movie Thirty Days
a Night.
Speaker 2 (17:02):
Oh yeah, great film, I love that movie. Yep.
Speaker 1 (17:06):
Amber Lewis will remind us that she was on Gray's Anatomy.
I never watched the show, so I'm sure she was
awesome on it.
Speaker 2 (17:15):
I'm sure she was.
Speaker 3 (17:16):
Again, I will also remind you because everything comes back
to Star Trek. She was in Discovery. She played Vina
you got no, she did? Yeah, she did. Everything comes
back to.
Speaker 1 (17:25):
Sometimes I think you're making shit up just as just
to use your line. Everything comes back to Trek. She
was on Star Trek, Discovery, she was okay, but yes,
she was all right. So we'll look for her at
the conventions, and that's.
Speaker 2 (17:38):
Right, and Wayne will be getting her autograph.
Speaker 1 (17:40):
Sure, I'm sure he will. I'll tell you whose autograph
he won't be getting, Franka POTENTI. I think I'm saying
that right. I'm not sure. Very good actress. She was
in the first Jason Bourne movie if you remember Oh Yeah,
Run Hullo Run and Jason and the Bourne Identity. She
had the job and then she was replaced by Melissa George.
Speaker 2 (18:02):
So I'm okay with that.
Speaker 1 (18:05):
I'm okay with it too. I'm assuming you'd call that, Uh,
what's what's the what's the line there?
Speaker 2 (18:10):
Dave creative difference? Is Jeff create a favorite line?
Speaker 1 (18:13):
Her favorite line?
Speaker 2 (18:14):
Yeah?
Speaker 1 (18:16):
Uh. The thing I love about this movie is Melissa George.
Speaker 2 (18:20):
Yeah.
Speaker 1 (18:21):
I don't know how she does half the things she's
doing in this movie, but she is a full on
action star. I know she did a lot of her
her climbing. Julian Gilby is on record of saying, hey,
she did everything I needed her to do. She tried
(18:42):
to do more than what I needed her to do,
and that's when I had to remind her there is
a stunt woman that we are paying to be here
to take some of these risks. So well she looks Yeah, absolutely,
she's very believable. Uh and she you you would believe
that she's in and climber. There's no doubt about that.
She pulls well. Okay, she has a she has a
(19:05):
climber's body.
Speaker 2 (19:06):
Yeah.
Speaker 1 (19:07):
And what I mean by that is you can see
that she is she's sculpted, she's toned, like I believe,
like you know, when she's climbing. Some of these moments
that just the muscle definition that you see pop up,
you know, and like her back and her shoulders, it's
in her arms. It's like, hell, yeah, this woman she
went and learned how to climb.
Speaker 2 (19:25):
Yeah.
Speaker 1 (19:26):
Uh. And I know before they they are on location
in Scotland, she's back here in the States, actually in
Los Angeles, you know, climbing walls and and training and
prepping for it.
Speaker 2 (19:37):
Yeah.
Speaker 3 (19:37):
And you have to have that because there's a certain
way that you prevent your body when you're when you're
climbing like that. And you can clearly tell those who
don't have the training and those who do have the training.
So you can tell she went through a lot of
practice there prepped for this, and it shows.
Speaker 1 (19:51):
She's very impressive in this. And I'm not talking just
about the action stuff, the physicality that she she brings
to it, her moments with the little girl. I know
we'll get of that later when we're talking about some
noteworthy scenes. But she's amazing, absolutely amazing. This is my
new favorite Melissa George performance. Go ahead and say that
right now. Yes, she is being hunted her and her
(20:15):
friends by mister Kid, who is played with just a
cold calculating I don't know what to call it coolness.
Like this guy, he's Sean Harris is just super cool.
He's he's such a great bad guy, isn't he?
Speaker 2 (20:35):
He is from extremely well in this and again you believe.
Speaker 1 (20:40):
In yeah, now if you're if you're saying Sean Harris.
Sean Harris. He played Solomon Lane in some of the
Mission Impossible movies, so obviously just a fantastic villain. Uh.
Did you ever see a movie called The King with
Timothy Shallamey. No, We're gonna do it at some point
(21:00):
because I love this movie. Uh, he's in that as well, Okay,
and he's he's he's one of those character actors where
you're like every time, like the first time you see him,
you're like, oh, I know that guy. I've seen him before,
even though you haven't seen him before. I've now seen
him in four movies, and I'm I'm trying to make
it five because like I want to look up his
filmography and figure out what else he's done, because he's
(21:21):
he's incredible. He's so he's just nerdously awesome in this movie.
Speaker 3 (21:26):
There are certain actors who can really pull off the villain,
and he does incredible job with it.
Speaker 1 (21:31):
I think it's something about he's not he's not a
large guy. No, and his voice is very soft. It's
very distinct. So it's almost like you you want or
you need to pay attention to every word he says,
because if you miss something, you're afraid he's gonna kill you. Yeah.
I just there's something soft about him that that makes
(21:52):
him scary. And I know that sounds weird to say
it like that, but that's the best way I can
think about it.
Speaker 2 (21:57):
But it's true. It makes sense.
Speaker 1 (21:59):
His soft this is scary. Yeah. He So he's one,
he's one of the two kidnappers. And just from the gig.
His his his introduction, you know, because we got some
we got some.
Speaker 2 (22:15):
Poachers, but they had me foold with that dude.
Speaker 1 (22:18):
Well okay, so we got these two, these two guys
who are giving off some serious deliverance vibes. Yeah, and
I'm like, okay, these two jackasses are the scary people, like,
that's who we got to worry about. And they've got
these these very intimidating rifles. Well I think they're both
(22:39):
they're both carrying three O eight's right, And then Sean
Harris and his buddy show up without rifles and just
dispatch these two guys like they're nothing. Oh but I
mean that one guy, I mean they're both shitheads. But
like the second guy, when they're like keep walking and
he's they're basically backing him up off the cliff, and
(22:59):
he is so scared and terrified. I was like, Yeah,
if I got to be one of those two guys,
I'll be the I'll be guy number one that just
gets his throat slit. He doesn't even know it. He's
dead instantly. The other guy, man, he took a just
gloriously terrible, awful fall down the mountain. He didn't die instantly.
Speaker 3 (23:20):
I just loved how a little bit. I just loved
how that was directed. Not them dying. I just loved
the fact that they threw you off as an audience.
You thought they were the killers, they were the ones
who were there that were going to take out our climbers.
And then because they never show what they're looking at
or they're aiming at, you just get you just cut
to seeing the hiker the climbers, you know, walking and running,
(23:41):
so you assume that these are the two guys. But
then when the other two show up and they get
killed and you realize, oh crap, they were just hunting shit.
Speaker 1 (23:48):
How how great of a misdirect was that? It was great?
Even even when Sean Harris shows up, I'm like, oh, okay,
so these guys work for him and it is not
the case. All of a sudden, you get a little
bit of a you know alpha, you know, challenging for
for dominance, Like the poachers are pissed at these at
(24:11):
these guys, and then these guys are like they just
they just dispatch them so quickly and comments It's great.
Absolutely love Sean Harris, Melissa George. I gotta be honest
with you. I didn't really recognize anyone else in this cast.
Is there someone that you wanted to talk about? Is
there someone I'm missing?
Speaker 2 (24:31):
There is someone you're missing?
Speaker 1 (24:32):
Jeff Okay, Ed ed Spieler's Ed's who is it?
Speaker 2 (24:36):
Ed Spieler's sper You.
Speaker 3 (24:39):
Haven't been introduced to mister Spielers yet because you haven't
got to pick card season three and yes, once again
to star Trek. But here's another thing. We met him
at a convention a couple of years ago. Wayne already
got his autograph on that.
Speaker 2 (24:56):
Yeah, he was.
Speaker 1 (24:57):
Okay, who is he playing in the movie, like put
face to it?
Speaker 3 (25:01):
He plays he plays ed ed. Yeah, he survives almost
to the end.
Speaker 1 (25:07):
Okay, Okay, he's the he's the he's the dip ship
with the camera. Yes, on the mountain, Yes, the younger guy. Yeah.
Speaker 3 (25:14):
So I I can't tell you the name of the
character for Piccard because I don't you've not seen season
three yet. No, I don't want to ruin anything for you. Okay,
but he has a big role in Picard season three.
Speaker 1 (25:23):
And we've already seen him. We've already talked to him. Well,
you guys have talked to him.
Speaker 2 (25:26):
Yeah. I went up with Wayne to meet him to
sign the audit his So.
Speaker 1 (25:30):
Yeah, I'm assuming he's actually British. He's not. He is, Okay,
pretty nice guy too, all right, And he used a
pivotal role in Piccard season three.
Speaker 2 (25:39):
Absolutely all right.
Speaker 1 (25:41):
Well, uh, I admit I did like him. I did
like that character.
Speaker 2 (25:46):
Yeah, because for the camera stuff. But other than that, yes, well, character.
Speaker 1 (25:50):
Again, it's in the misdirect because I'm like, this dip
ship is not gonna make it right. And then he
kind of he heroes up. He does not as much
as Melissa George does, but he still you know, he
steps up to take care of the little girl and
I dig that.
Speaker 2 (26:05):
I mean he goes down the side of a hill
and breaks his leg.
Speaker 1 (26:08):
Oh that hurts.
Speaker 2 (26:09):
Oh god, yeah, ouch.
Speaker 1 (26:11):
Like that is a great moment there when he's she
I mean, Melissa George is full on like Ripley throughout
the whole, as soon as the action starts, because he's like,
what do you want me to do?
Speaker 4 (26:21):
It broke?
Speaker 1 (26:21):
But like, sugar, you didn't break it. Your brother on
at your phone.
Speaker 3 (26:24):
It's like wow, And Edieven reminds me a little bit
of you, Jeff. There's the scene whether before they find
the girl. They're taking a break. They're eating, they're drinking,
and she goes to hand him something and the food
touches something else and he goes, oh, I can't eat
it now, it's tainted.
Speaker 2 (26:41):
This reminds me of job.
Speaker 1 (26:43):
They'll be they'll be calling me out for my my,
uh my, nonsense, I.
Speaker 2 (26:49):
Gotta call you out.
Speaker 1 (26:51):
Oh man? All right?
Speaker 2 (26:53):
Then?
Speaker 1 (26:53):
Uh background on this movie, HM, barely anything can be found.
Not surprised, I try to yeah not, Oh yeah, I'm
not surprised. But here's what I can't tell you. So
it's filmed on location in Scotland. We've been talking about that.
Speaker 2 (27:06):
Yep.
Speaker 1 (27:07):
The working title was The Grave at Angel's Peak.
Speaker 2 (27:12):
Yuck.
Speaker 1 (27:13):
Okay, hold on to that one, okay, because his brother
co wrote the script from an original screenplay that he
did called The Long Weekend.
Speaker 2 (27:23):
Okay, I could see that one.
Speaker 1 (27:26):
Okay, So okay. So here's the thing. Honestly, I'm not
loving A Lonely Place to Die as.
Speaker 2 (27:34):
A title as a title, but it's catchy.
Speaker 1 (27:37):
It is. It rolls up to a little It maybe
a little misleading. I just but I like. I like
it more than The Grave at Angel's Peak. I like
it better than The Long Weekend. The Long Weekend could
star Helen Mirren in a garden. We don't know. It's
(27:58):
just it doesn't grab me, know, none of the titles
grab me. A Lonely place to Die it almost works
if the movie stayed on the mountain.
Speaker 2 (28:08):
We'll get to this.
Speaker 1 (28:09):
Is that fair? We're good? Okay, Okay. Maybe I'm making
a little bit too much of it, but I just
had to say that. The film premiered at Action Fest
Film Festival in North Carolina. Dave not too far south
from US. I think we might want to check this
film festival out next year. This movie won Best Film
(28:30):
and Best Director at the actual Film Festival. Yeah, I did.
I mean, I'm telling you right now. Like the direction,
Julian's direction is fantastic, cinematography, fantastic. I'm loving, I'm loving everything.
Let's talk about a couple of scenes and find our
way to the pivotal moment, if you will. So, can
(28:52):
we start off with them discovering the little girl at.
Speaker 2 (28:55):
Anna, Yeah, when Ed's taking his pe break.
Speaker 1 (29:00):
Yes, a voice it carries from that pipe. Yeah, and
it has a real caroline and poltergeist vibe.
Speaker 2 (29:11):
It's almost very ghost like. Yeah, going through that forest.
Speaker 1 (29:16):
Yes, Yeah, I'm like, okay, is what are we dealing
with it? Is this a supernatural thriller? Is it a
regular thriller? Why is this little girl have to be
so creepy? Because that's the rule in thrillers and horror films,
Like if there's a little girl, she's nine times out
of ten she's creepy, right of course.
Speaker 2 (29:36):
Yeah, so another troope, but we love it.
Speaker 1 (29:39):
Yeah, and uh, you know they find her, they dig her,
you know, they dig out this little this little box
that she's been held in. And now I feel like
the movie switches gears because now we have to get
her to safety off the mountain before whoever is coming after. Right,
we haven't seen Sean Harris at this point, we haven't
seen the Deliverance style poachers.
Speaker 2 (30:01):
No nobody yet except for a main cast.
Speaker 1 (30:04):
I think about how scary a moment like that would
be in real life, Jeff, if I would just stumble
along a little girl in a hole like that.
Speaker 3 (30:12):
Yeah, I mean, you know, obviously somebody put her there,
and they put her there for a reason, and they
clearly did not want her to be discovered. So you
discovering them and digging them up just puts you in the.
Speaker 2 (30:24):
Crosshairs, you know.
Speaker 1 (30:26):
You got to know immediately you're on the clock. Yes, absolutely,
because someone's probably coming back pretty soon, yep. And clearly
they are a dangerous individual yep. And I would love
to think that I'm gonna level up and be all,
you know, superhero, but I'd probably be like scared shitless
and like get her, pick her up, let's go right now.
(30:48):
So I do like that vibe that they all have,
like let's go, come on.
Speaker 3 (30:52):
I agree, I mean they all sense the danger immediately
and they knew that they had to get out of
which which makes sense because I would think anybody would
would feel that. But I think the biggest mistake there
was splitting up. Shouldn't I shouldn't have done that.
Speaker 2 (31:05):
Well, I understand why they were doing it because of
the climb. I get it, I get it.
Speaker 3 (31:09):
Yeah, but I think they all should have went together,
even if it was the long way.
Speaker 1 (31:13):
You know, it's it's safety and numbers. I get that,
And it is a it is a cool moment because
it's like, hey, it'll take us twenty miles or two
of us can go down the what do they call
It's like the Devil's Peak or Devil's Devil's tooth, Devil's peak,
something like that, something something something scary as hell.
Speaker 2 (31:31):
Yeah, it's the five hundred foot drop.
Speaker 1 (31:34):
Because at this point, I think I think it's safe
to say, like Rob is who we're looking at to
be the hero of the movie, right, Yeah, he's the
most experienced climber. He's calling the shot. I love when
he basically points to Alison say it's you, and then
he looks at Ed and he's like, hey, no arguments,
I need the best, and Ed has the the situational
(31:55):
awareness to he does take ego out of it and
just say, hey, yeah, she's the best. You guys, the
ear the two best. That's what you gotta do. So
imagine my shock when Rob is dead two minutes later.
Speaker 2 (32:09):
Not much long later.
Speaker 3 (32:10):
I'm like, what And it's funny when I'm not funny
because it's tragic that happens. But the director's camera angles
at times really let you to believe that something's wrong,
something's up, even though you weren't sure just yet. And
then just the way he shot them climbing down that cliff,
you're like, something's going to happen here, but you weren't
(32:31):
sure of it yet until you see poor Rob. The
rope break and Rob comes flying down.
Speaker 1 (32:37):
Little little taste of danger when the rope is not
long enough, and now she, you know, is like, I'm
out of rope. You know, she's freaking out. And then
she's like, it's a five foot drop to the nearest foothold,
and then just goes Tom cruise mission impossible too, and
let's go of the rope and makes it and then
(32:58):
she like looks up. She's like, hey, this is some
scary ship, like be careful, and you're like, well, he's
he's gonna be fine, and his body just goes sailing
past her and you're like, hold on, hold on, he's fine, right,
And then we get the shot of like his corpse
splattered across the rock.
Speaker 2 (33:18):
I'm like, yeah, he's not fine.
Speaker 1 (33:20):
What he's not fine?
Speaker 2 (33:21):
He's not fine.
Speaker 1 (33:24):
But then she she takes the the dive.
Speaker 2 (33:28):
Yeah, coming hurling at her.
Speaker 1 (33:30):
Yeah, rocks. It's like I say, okay, one rock, that's
that's okay. Two rocks, three, three rocks. Someone's trying to
throw rocks at her and and knock her off. And
that's when we see the real villains have showed up.
Speaker 2 (33:44):
Mm hmm.
Speaker 1 (33:45):
And these guys are like on a shooting spree, and
the the the intensity just ratchets up from this moment.
Speaker 2 (33:53):
Absolutely.
Speaker 1 (33:54):
Can we talk about her her first blood John Rambo
moment where she's like, she's stuck right on the mountain.
He's probably what another two fifty up?
Speaker 2 (34:07):
Yeah, at least, And she.
Speaker 1 (34:08):
Does this the the Insanity Leap where she she goes
to like three or four branches of an evergreen tree
to break her fall and then it hits the water
I'm like, do they seriously just kill Melissa George? Are
we like, are we gonna be with like the other
people because they and in my brain's like, well they
got the kids, so that would make sense. But but
(34:31):
it's Melissa George. Why did you kill Melissa George? Except
except that you didn't? And she washes up on the
rocky shore next to Rob's corpse to find out the
ropes beIN cut. Yep, great moment.
Speaker 2 (34:46):
I think, absolutely it is.
Speaker 1 (34:49):
How did you feel? There's another trope we got to
talk about. How did you feel about the bluff?
Speaker 4 (34:56):
I think?
Speaker 1 (34:56):
Is it Alex? Maybe the other guy, one of the
other guys does the whole The trope I'm talking about
is is when you're in a typically it's a horror film,
you know, sometimes it's an action movie.
Speaker 2 (35:07):
Mm hmm.
Speaker 1 (35:08):
But someone decides that they're gonna sacrifice themselves there's no reason.
Speaker 2 (35:14):
Yeah where he actually he's got the girl, but he doesn't.
Speaker 1 (35:16):
Yeah, he's like you guys, you know, you make a
run for.
Speaker 2 (35:19):
It, and did that really do anything?
Speaker 3 (35:22):
No? But can can Alex? Can you understand you need
to go zig zag, don't run straight? Are we ever
gonna learn this lesson.
Speaker 1 (35:30):
This guy did not grow up playing technobile, because no,
you gotta have the move man, especially when two guys
have scope right right, Yeah, you're not that far away,
you know. I just I questioned his choice.
Speaker 2 (35:48):
Mm hmm.
Speaker 1 (35:49):
But I feel like I question that choice anytime someone
decides to sacrifice themselves for the greater good. Like even
think about like a I know this. I know recently
on Patreon, we did Andrew and I did Ten for two.
We did Sinners, which I'm still saying is the best
movie of the year so far. But there's that moment
(36:11):
where Delroy Lindo is like, go on, you guys, get
out of here, and then just cuts himself open to
just feed the vampires, which did nothing since Remick and
the other vampires were waiting from upstairs. You know, I
just we need to do better. We did this this trope,
and it's not that it's it's a bad trope, like.
Speaker 2 (36:34):
But making mast it needs to be made sense. Okay.
Speaker 1 (36:38):
Well, yeah, so like Vasquez and Gorman mm hmm setting
off the hand grenade in Aliens to take out several
aliens and help the survivors. That makes sense, Yes, it does.
Speaker 2 (36:51):
That's a true sacrifice right there. It makes sense.
Speaker 1 (36:54):
Yeah, Donna the Dead, you know the remake where you know,
if you're a bit and you know you're not gonna
make it and you want to be the do the
self sacrificing thing to give the group a chance. Yea
makes sense, it does. This guy it's smart, you know
how they he It looked like he was carrying the
little girl. But couldn't they just stayed together?
Speaker 2 (37:16):
Yes, they could have.
Speaker 1 (37:20):
Yeah, I don't know, I just we could do better
with that trope. I think one other thing about that scene,
great moment because they put they put like three rounds
in him and he's still living. And you know Sean
Harris's accomplice, He's like, I'm gonna finish him off. He's like,
not for what he just put us through. He can
(37:40):
he can bleed outright. But Sean Harris, if he wasn't
terrifying enough, has that moment where he leans down and
he's like, uh, do you feel that that's that's your
nobility hurts? Doesn't it? Like I've never seen a villain
talk shit to a dying good guy, right because the
(38:02):
guy didn't. You know, typically any other movie, this guy
would have you know, had some clever thing to say
and then died.
Speaker 2 (38:10):
Yep, not, he he gets.
Speaker 1 (38:12):
The last thing he hears is Sean Harris talking shit
at him and then he dies and I'm like, that's cold,
baby's cold. It is. Oh man, I'll tell you one
more scene before the pivotal moment that I want to
talk about. We talked about Melissa George and how amazing
she is in this right her the moment where she
(38:34):
has to convince this little girl who does not speak
English to climb down the side of the mountain with
the harness and this little girl who, you know it
doesn't understand what's going on. Just the the frustration and
the hopelessness that is conveyed on Melissa George's face where
she's like, you just just do it. You just listen
(38:57):
to me, you know, she what are you gonna do?
You know?
Speaker 2 (39:01):
Yeah?
Speaker 3 (39:02):
And I can imagine being a situation like that. I
mean that would drive me crazy. And you can see
it on her face and I love that.
Speaker 1 (39:10):
Let me ask you, do you you gotta you gotta
get an eight year old to safety? Are you taking
are you taking the Croatian girl Anna who doesn't speak English?
Or are you taking catatonic Newt who speaks English. But
is it gonna pay attention or listen to anything you say? Like,
Who's who are you taking down the mountain? Dave? Who
(39:30):
I should say? Who are you taking to safety? You know?
Speaker 2 (39:32):
I still I think I'll stick with Nute, You go
with Newton, I'll go with Nute.
Speaker 1 (39:36):
Yeah, okay, you know.
Speaker 2 (39:39):
And proud of me for that decision.
Speaker 1 (39:41):
Yeah, that little girl survived a hell of a lot
longer with no food and no training. So yeah, yes,
you're right you put her in George. Great moment. But Dave,
I don't know if we've if we've talked about your
pivotal moment. I'm thinking we have it. Can I share
what I think is the pivotal moment of this movie?
Speaker 2 (40:02):
Sure? Absolutely, let's hear it.
Speaker 1 (40:04):
Let's talk about the conversation between Sean Harris's mister kid
and uh, the little girl's mafia henchman. Dad's a guy
who's doing the transaction for you know, obviously we got
a kidnapped situation happening here. That scene they have in
the coffee shop is where Sean Harris ridiculously good. Yes,
(40:29):
it's too I dare say it's it's almost too good
for this movie. And I apologize, Jillian Gilby, I that's
not meant to be a slight. But this movie, this scene,
it's almost too good for this movie. And it's not
just the performances. It's the dialogue, this story that he
shares about the little boy in the Paris job before
(40:54):
this one. I just love the fact that every time
you think Sean Harris can't be more scared, he he
ups it from its pivotal moment it is.
Speaker 3 (41:05):
And is this the because he talks about two kids
or three kids, one of them when he let the
rats get killed. Yes, and he still collected the money.
I'm assuming you're talking about the one where the boy
bonded with him. Yes, and then he went out playing
football and the kid leaned over to get the football
and he turned and shoots him in the back of
the head.
Speaker 1 (41:24):
Shot in the back of the head.
Speaker 2 (41:25):
Yeah, holy crap, man, Because he's like.
Speaker 1 (41:27):
I made a mistake once I bonded with with one
of the kids, and yeah, you know, and he talks
about how the parents thought they were smarter than him
and with the suitcase full of shredded newspapers and then yep,
absolutely man, this is the best scene. Yeah.
Speaker 2 (41:46):
I couldn't agree more with you on that one. Yeah,
I could not agree more with you on that one.
Speaker 4 (41:50):
Yeah.
Speaker 1 (41:51):
And I say that thinking like, hey, we've got some
incredible action on this mountain. But you know, we've talked
about some great scenes. We've talked about I think we've
identified the pivotal moment. Let's take one more break, and
then when we get back, let's let's talk about what
maybe isn't working in this movie. Absolutely, because I think
(42:14):
I think we're both in sync on nothing. Something right,
We'll be right back, Okay, Dave. So here's the thing.
Would you agree with me that the first two acts
first say, I don't know, forty five minutes or so
(42:35):
of this film.
Speaker 2 (42:36):
Is superb, without question.
Speaker 1 (42:40):
Yeah, So what happened in the third act?
Speaker 3 (42:44):
This film should have stayed in the wilderness and in
the mountains, right film. It just there's a shift in
this movie that didn't shift correctly, and that is them
going to the village, the town and you've got this
raid thing going on. The festival, yeah, the Stonehurst Festival,
(43:04):
which I know is based off of a real festival. Yeah,
but they go to the they go to the police,
and then they the police officers there saying you're getting
that vibe that maybe he's in on it, maybe he's not.
And then it just and then the all of a sudden,
the killers make it to the to the village like
it was no big deal, like they were just right there.
All of that just seemed so convenient and awkward that
(43:28):
it just almost ruined the film for me.
Speaker 2 (43:30):
It really did well.
Speaker 1 (43:31):
Here's here's where the confusion sets in for me. The
third act we introduce almost as many characters as the
first two acts have, and it's like, here's the little
girl's war criminal father from Serbia. Here's the mafioso guy
that handles his business. Here's the people that the mafia
(43:54):
guys hired to help with the transaction. Ye, here's the
creepy cop who is just for reasons I don't understand,
almost menacing, right, Like we're like, I get like, maybe
you're wanting to throw throw us for with another misdirection. Sure, yeah,
(44:17):
but he's purposely not calling for help. And and your
star Trek Discovery friend ed is like did you hear
him make a call? Like, what it's been fifteen minutes,
what are we still doing? Here because it's a situation
where it's like, ah, yeah, this this festival's going on
and I'm the only one here, and we'll call We'll
get you some help. Here, a little girl have some cake.
It's like, why is this guy being so creepy?
Speaker 2 (44:41):
He didn't make any sense.
Speaker 1 (44:42):
And he's like, oh, I can't let you leave, you know.
They're like they get like, now we're getting the hell
out of here. He's like, Nope, if you're leaving, you're
not leaving with her. And I was like, what are
we doing? Until he gets shot in the face, right,
you know, by the you know, the sniper that's working
with mister Kidd has commutely showed up.
Speaker 2 (44:59):
It's like he knows where they're at.
Speaker 1 (45:01):
Yeah, and then okay, now let's be fair. On the mountain,
he's shooting slightly better than a stormtrooper.
Speaker 2 (45:09):
Yeah. And now in town he shoot sharp shooter.
Speaker 1 (45:13):
He's a sharpshooter, and he's he's shooting into a dark
police station through windows and and nearly and nearly getting him, right,
I mean, he definitely you know, gets the cop. But
I just don't understand what's going on here. And I
get it, we don't get our favorite moment, the pivotal
(45:33):
moment with with Sean Harris in the cafe. We don't
get that if it's if this doesn't leave the mountain
and go into.
Speaker 2 (45:41):
Town, but we could just could be somewhere else.
Speaker 1 (45:44):
Well okay, but if we're gonna go into town, why
are we seeing all of town? Like we go from
like the police station to the alleyway and then you know, hey,
Ed's dead and then we're in like some kind of
mansion like country home.
Speaker 2 (45:59):
Right or the fight rights out and it's on fire,
catches on fire.
Speaker 1 (46:04):
The firefighters got to drag her out, and it's like,
the hell's happening here? Like what? And I'm sitting like
he does his thing? Did you notice like that? It
was almost like maybe five seconds of just pitch black.
That was silence, like the screen just stopped.
Speaker 2 (46:19):
Yep, And I'm like what I thought something was wrong?
I was like, what happened?
Speaker 1 (46:24):
I was like, well I did, I did too. I
was like, uh, did the power? What happened? And then
it pops back up And then now that the firefighters
are there to save, I was like, well, can't end
like this? It feels like the end and all the
little girl's fine now and we're heading off in the ambulance.
We get it, we get our happy ending. But then
Serbian war criminal Dad catches Sean Harris who's tried to
get away with the money, and now he's gonna get
(46:46):
tortured to death. It's we're going like Casino, like the
end of Casino with like yep, strip him, put him
in this hole. We're gonna beat him to death. I
just feel like we had forty five to fifty minutes
of incredible storytelling and film yep, and then we went
off the rails and I just don't get why, and.
Speaker 3 (47:06):
It became a different movie. I literally felt like I
was watching a different movie.
Speaker 1 (47:10):
Yes, if I'll tell you right now, if we were
sitting here watching this movie for the first time and
I got up to go to the bathroom or to
go refill my drink and I came back, I would
look at you and be like, what are you doing?
Did you turn it back to turn the movie back on?
Like what what's this? What's this bullshit?
Speaker 2 (47:30):
What do you?
Speaker 1 (47:31):
I just don't get it, man.
Speaker 2 (47:32):
I don't either. That was my biggest problem with it.
Speaker 1 (47:35):
That right there, I I want to tell you something
real quick. I'm not gonna read them, but I do
want to share this because for a minute I was like,
is it just is it me? I don't know if
Dave is going to agree. You know, he might think
I'm wrong. Now clearly I know that you're you're you're
not thinking that, but I was like, I I don't
(47:55):
know about this, and listen to this. I was on
the IMDb mm hm, you know people like to do
with their reviews and sure and give some stuff. Hope
it's a kid to name drop people use Robston his
title A good effort, but a bit disappointing, and the
first sentence. The movie started off well with an interesting idea,
(48:17):
but somehow ran out of steam and commitment Snoopy style,
great first hour, Theo Robertson efficient thriller that could have
been better, And like, when I read some of these,
they all were like, Hey, this is such an awesome movie.
But then somewhere at the end, yeah, it kind of
fell apart. I don't I don't know.
Speaker 3 (48:37):
I just I think I don't know why they made
that decision. To be honest with you, but I feel
like if you and I were in the writing room
together with Wayne and we were just writing this script.
I don't think either one of us would let us
go that route because we are saying the same thing,
what you what are you doing? This is taking the
whole idea off the rails, and it is.
Speaker 1 (48:59):
Even think back to some of some of our screenwriting
that we've done in the past. Even if even if
you and I had come to this conclusion that it works,
you know, when it's in Wayne's hands and he's he's editing,
He's coming, Hey, guys, what happened? Why are we Why
we in this little village with mafia guys and sharp
(49:21):
sharpshooters and this weird you know, these creepy demon festival people, Like,
what's what's going on? He would have he would have
he would have course corrected us. He would have this ending.
We're clearly not fans of the ending. But let's talk,
let's talk recommendation. Let's let's wrap this up. As I said,
it's currently streaming on two B it's free. I say,
(49:43):
see this if for no other reason than for Melissa
George's amazing performance. Dave, despite the ending being a little
bit of a letdown, would you recommend this? Yeah?
Speaker 3 (49:56):
Absolutely, just just for the cinematography of the mountains, the climbing,
and of course, as you said, Melissa George, she does
an incredible job in this film and she is worth
watching this film for.
Speaker 2 (50:06):
So yes, I recommend it.
Speaker 1 (50:08):
All right, well, listeners, what do you think of a
lonely place to die? Have you seen this one? Let
us know on social media. You'll find us on Facebook, Instagram,
and x You can check out a film by Podcast
dot com for all of our episodes. They are streaming free.
Uh there's a link to the Patreon Dave, so check
(50:28):
it out. You can sign up for your free trial
offer or sign up as a free member because there's
there's content there for you. Yeah, sign up, yeah, yeah,
right to us at a Film by Podcast at gmail
dot com with your questions, comments and concerns. We may
just read your response on the show, and if we do,
we'll send you some a film by swag Dave. It's
(50:49):
no secret while you're here today, thank you? Yeah, bit
youre app producer. I said, hey, who who you wanna?
Who you want on this episode? Is David Burns available? Thinking? Yeah,
he was available last time. You know, he's you're like
the you're like the number one draft pick for for
(51:11):
James Buckley, it seems.
Speaker 3 (51:12):
Like and I'm okay with that, James, So if you
want to continue to keep it throwing me some good
films like this, I love watching them talking about them.
Speaker 2 (51:19):
So thank you.
Speaker 1 (51:20):
I know, I know you're you've been pretty busy, like
obviously you do. Uh, You're doing the Phaser set the
Stun with Wayne and Scott. I know you guys are
about to wrap up season three of Strange New Worlds. Yep,
I'm gonna remind you though, I know how I know
how busy you are, but I will remind you that
we are very close to the fortieth anniversary of the
(51:44):
third G I Joe mini series. We are Pyramid of Darkness.
You're not going to miss that, are you?
Speaker 2 (51:51):
No way in hell am I going to miss that?
Jeff will be all right, Yo Joe, Yo Joe.
Speaker 4 (51:59):
Uh.
Speaker 1 (52:00):
And then at the end of the month, can you
tell us what's coming up for a film at fifty
on our Patreon? What are you what Scott doing?
Speaker 3 (52:07):
So we decided to go back to Attaka Atka and
talk about Dog Day Afternoon.
Speaker 1 (52:16):
That is a fantastic film.
Speaker 2 (52:18):
Yes, it is looking forward.
Speaker 1 (52:19):
To that and Dave, I appreciate you being here for
another Patreon requested film from James Buckley, and to all
of you out there listening to the show, following us
on social media subscribing to the Patreon like James Buckley,
we thank you and if you're gonna get on that
(52:40):
producer to you like he is, we look forward to
what you have in store for us. We'll see you
next time.
Speaker 4 (52:51):
I can my fucking please. An hour before the doll,
crime go for all your drivers grow. He burnt your
(53:14):
crop and temp charrowings. An hour before the doll.
Speaker 1 (53:23):
Mm hmmm
Speaker 4 (53:32):
Mmmm
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