161. A SIGÚN: Fausto Mata

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
Ladies and gentlemen, today' sepisode comes to you thanks to a new
member of the asgon family and Itis Hotel Radi are Santo Domingo, beautiful,
comfortable, central and with all thefacilities that may need your guest or
family coming, if you have businessmeetings or people coming for family business meetings.

(00:22):
We bring comedians and we host themthere and they love look at you.
I' m going to explain whythis hotel has more than four hundred
parks, has twelve event halls,where you can hold meetings, conference parties,
everything. It has a bar withhappy flee every day of the week,
has the sigh Baker and where youcan eat delicious things at any time

(00:43):
and has the best of everything isthe location. It is on the side
of Naco Square which has its huthousand restaurant bank shops literally heading for two
minutes and if you want the gym, your guest is not any gym that
goes and the Bodisher that is leftto the side is included in the reservation

(01:03):
of the Radison Santo Domingo. Youlistened well, so your people whenever you
want to bring him to Santo Domingo, feel comfortable and with many facilities.
This is your hotel there We hopeyou We do this second brief and last
interruption to remind you about the store. Zero Eco Paola tingle. This is

(01:25):
in gallery three hundred and sixty.But in addition to that, you can
place your orders for zero delivery Rof Zero with z, but on Instagram
you throw zero RD. There's the Whatsapp. You can be subdued.
Zero is that you can buy cleaningproducts, personal hygiene and have from

(01:48):
home some groceries, oils, sweets, etc, and various items, but
everything has the quality that produces zerowaste. Zero garbage zero. That'
s why the zero store, whichis part of a world movement called Cyrrow
wast or zero waste and that's why the name of the store.

(02:12):
We are extremely friendly with the environment. If there are many organic products out
there, but it lacked the nextstep, they are organic products in a
container that becomes garbage. We getthose very noble products with the environment,
but besides that, in a morenoble packaging. That' s still the

(02:37):
whole idea, and that' swhy we' re asking you to be
part of this zero RD movement.Very good. Ladies and gentlemen, another
episode of ACG a podcast. Weremind you before going into matter, to
go to Carlos comic com where manythings can happen. You guys are gonna
see the dates of our next shows. You can register your email to find

(03:01):
out when I show up near you. You are going to watch my videos,
my comedy special, raising carajitos,which is available for you to see
right now and also to consume mycomedy class, my master class stand up
comed. If you' re interestedin this laughing business, there' s

(03:23):
the solution. Now yes, weenter with Mr Fausto Mata is a piano
mouth affectionately known as a piano mouth. You know he' s famous,
because he talks a lot and youdidn' t have to make much effort,
because that' s how it wasHe gave me a great conversation.
We talk about everything, about hislife, his childhood, his beginnings,

(03:46):
in dangerous neighborhoods, how the theaterenters, how he is interested in the
theater, how he goes to theschool of dramatic art and almost finishing after
making dramatic works and tragedies, theyinvite him to make wear stockings and up
to there And there began the wholestory that we know this great hilarious character

(04:09):
that has made us laugh a loton television, in the cinema and in
the theater. Enjoy this conversation accordingto Carlos Sánchez with asg a fausto kills
is the other way around. So, a Faust kills Carlos Sanchez. It

(04:39):
' s nice for you It's nice. It' s just that
I felt bachate after they came hereor not. You can' t change
me, but it' s nice. She' s pretty. The clothes
are great. And because you've been getting hot up here, you
' re not getting hot, you' re getting hot on the street.
No. The thing is, I' m kind of giving things to me.
That button is giving me weddings.Crazy go there, damn it,

(05:03):
what a difference it makes. Ibreathe fauto hey, but I like you
better the way you look. Justlike you know you have an open shirt.
It' s like half a Latinlover so he' s got a
weird vein that I' m carefulabout there. You experienced some things.

(05:29):
It flows It flows It flows,it flows, it flows, it flows,
it flows, it flows, itflows, it flows, it flows,
it flows, it flows. Alot of people who after they flow
and say there' s because Iflowed to me sometimes they tell me that
flows. I say so as diarrheayes and there is no pussy that suits
you fautiviry. So we were talkingabout what we were talking about is that

(05:49):
what we' re talking about isthat we' re prassing when we get
together, you' re talking abouthow you' re not gonna find the
AIDS vaccine. No. It's not that they talk you' ll
see the one who came to thatwho' s going to r right now.
Yes, sir, let him putthe seals that he won' t
find either. There and less there. Now you go I learned to say

(06:10):
the word. If we talk aboutdolls here, they' re already black
tape and dawn, how the outsidesheath is done, I don' t
look good and that' s thedawn of the you' re going to
put up here come on then you, OK, well, thank God,

(06:32):
we' ve been living picking upon some things I understood and also many
people who understood and were telling meand collaborating and advising me fauto, loose,
that, let go of that,and one day I don' t
know what he gave me. Igot up with my eyes watery, I
said pussy, but see little.I' m screwing with this. Neither
the people I' m against aregoing to harm the world nor me,

(06:54):
as I' m going to fixit, because I' m in this.
I' m making a free groupof enemies and I decided to pick
myself up, I took care ofmyself, I pulled back and I stopped
talking dolls what I had heard.That' s right, so I'

(07:15):
ll try to panic after clearly,of course, I picked up straws and
stopped talking in the nets, andwhatever happens if a tsunami goes in until
I catch my nose, I don' t talk, okay, but then,
when you had those lawsuits in thenets, it was because you were
really trying to fix the world.Yeah, okay, it wasn' t

(07:35):
for Buca Sounds. Not ever,because if you realize that, come here
and why I' m in thatlawsuit. It means it wasn' t
on purpose looking for the sound orthe lawsuit. Well, I can tell
you, Soto. We know thatthere are people who live from that,
from Buca Sonidos, exactly, soI don' t live from that.
I don' t have a podcast. I don' t charge for Intagram.
I don' t charge for likeTiktok. I don' t even

(07:59):
know about king. I have theaccounts that Manuli made me and they made
me a friend Look, but youdon' t have a ticktop or Dale
account. So I' ve givenmyself and I' ve been surprised that
there are a lot of little filmcutouts that I' ve made hold of
titus. They send it to meand I go to fruit. But more
than I put things up, Idon' t raise anything. I don
' t know how to upload stuffin integr I' ve been able to
learn it. I give to jampolquea great brother of mine and comedian who

(08:22):
is with me and Manoli himself andtell me or someone else is my little
brother. Let' s be thekiller. Look, I found myself topping
this, but I didn' twin anything. And I was saying because
I' m not winning anything.If I had a platform where I was
there a YouTube channel that opened onecalled The Boca in Boca, which I
liked very much and is still open. I didn' t put a boat
in it, I liked the nameJan de Boca was in my mouth and

(08:46):
I said let me talk and Iwas upset about things that I felt uncomfortable
as a social entity, because peopleunderstand that because you' re a comedian,
you shouldn' t think about anything. There, yes, no,
no, don' t devote yourselfto your comedy, and I' ll
tell her fierce if I' vededicated myself to my comedy a week or
stopped seeing you because I look atyou and grab like Pachuli from 6:

00 a m to 8 (09:07):
00 p m, making jokes, making faces,
making pods. No one can takeit anymore. I can' t
stand Pachuli and he' s mybrother, because I can' t do
that. I can' t beso intense on a subject, on a
single subject of humor, humor,humormun. I want people to know that
I' m a Dominican in life. There are more things I wanted to
win a candidate than I wanted Fulanoto bet that Fulano is going to be

(09:30):
such a thing that I feel uncomfortablewith the situation that is happening to X
person that if a big brother ofmine is missing a problem, he has
a problem with a house and tarreror a sheath of that. I get
involved, I can' t bethat ambiguous. I hate ambiguous people,
you' re ambiguous, you're the little person that I' m

(09:52):
being ambiguous because you don' tmess with it, you don' t
talk about anything, you don't risk it, you' re like
a pothole. No. But fromtime to time I had raised my mouth,
yes, but five, but butvery bencoando very bn when it is
always good and sometimes the copper prechocita, if you are tin, if
you are steel. People need youknow what the hell you' ve done

(10:13):
to yourself over the years, yeah, okay, but you' re telling
me now that you did that andnow he' s backing you out.
Yeah, okay,' cause inthe end, what happened. You felt
like you were more filled with anegativity that I wasn' t giving you.
Film directors were picking up. Well, I am. I' m
like py Rose. You know somethingabout baseball, I' ll white it

(10:35):
out for you. You' renot tennis and stuff, and you'
re not. But I played thegoal where when I was a kid and
I was going a beach league.Hey, we made it to Polvitillo.
I played Vitilla and I was inball league and I was pitcher and I
had a good arm and I dreamtof getting to the Big League. I
swear I don' t dream ofanyone, because I love you. Dreams
is called with the chacha this onethat went out in Miami bach Era.

(10:56):
What' s the name of anold cricket, which looks like a chopper
bike. What was her name,which was the good ana Nicole Smith,
was not the other, as Isaid, the youngest, who was blonde,
who looked like a talk doll thatthe Chinese sell with their mouth open
rano curase. What' s thename of that good one, that one

(11:22):
that came out like that and omildsand I got you good, because I
had those same dreams with sept Betcherand I went into DD taba de Oriole
de Voltimore. Me. At thattime my idols were Roger Clement and Nolan
Ryan were. The long one,the skinny one, the hose not that

(11:46):
rayer express a stripe. The otherone was striped on the Texas baldie,
which was that he retired very old, but threw almost one heater closing.
He didn' t come by throwinga hiro and I think, but what
made him famous, that he retiredwith old and very old, that is,
so long, lasted much longer thanany express. His name was he
expressed, uh, yeah, butthat was a runner, that something you

(12:11):
say, that skinny tall. Iremember a long blond hair over here brings
and vigo you yes, devil,Randy me, sy Johnson, that mangue,
Grandy me, but it was easybecause when he was strutting his foot,
he was falling in front of thebatter. The lady gave him that,
killed a pigeon and fined him.That' s where I' m

(12:31):
right,' cause he got thedove and the gringos don' t get
it. I don' t think, not with that size he did so
take that summer, he lasted hiswhole life, because he didn' t
have to do the whole thing andI said I heard you, but you
know coming back and falling into it, making it like I' m leaving
and I return the rejection rate thatI was looking for. Not only are
you looking for me with the population, but a person who has marks.

(12:54):
I ran into a maco cape linerthat doesn' t even hit my knees,
with all the marks in its pockets. Now that' s true.
I make good money at Telemicro.If I' m not what else I
earn at Telemicro. I have towet it right now and I have caused
situations in Telemicro of many people whoare there that thank God they have taken
it away from me and they haveeven taken it out of the channel because

(13:15):
of situations that we have made cornerand thanks from management, they have realized
that it has happened and they havesaid no and to make a balance we
do not stay here. I'm not conflicted. I' m just
a right person. That' swhy, when I say put me on
the Public Show Commission, if Iget on the Public Show Commission, you

(13:37):
know. Everyone knows what' sgoing to happen to me, because I
' m running with it. Yeah, I' m sure it' ll
be a psychological sheath of mine,but everyone knows what I' m going
to do right away. Today Itook command and the next day I have
an action to do. Apart fromthem, I gather the person I can
work with, with whom I understandthat I can work and sit down.

(14:01):
But the world is waiting for theyaguazo that you throw here. That'
s like when you grab and putTyson on the corner what he' s
waiting for. A majaguazo can lastup to the closed do, because so
seeing. But people are waiting onthe first firewood, so I' m
a person to deal with it.Then I pass judgment and that sumark is

(14:22):
sold to those people I' mattacking. Yeah, and I' m
not attacking him. I' mjust saying, sir. But you think
this is art. You think thisis the way it is, that you
think it all works that way.We can let the country go that way
and thank God, time gives methe right reason, to what extent are
we? When I started there wasn' t this block, these blocks because

(14:50):
I have to explore with that,these blocks that there are situations and conditions
of ladies and gentlemen, that wedon' t need to know. Each
one has a demon inside. Thereare things we' ve done, which
people who value weight don' tneed to want you to admire at certain
times for a job you haven't done in art, which suddenly will

(15:11):
be collapsed because they found that someonesaid something of yours that has nothing to
do with art. Unless I care. Carles Rodriguez had numbered three hundred and
fifty- five thousand people of differentsexes. What matters to me when I
catch Bates if I am a dolo, and even if he gives him the
stick for the people right now lookat yourself, right now I do not
recommend to any artist who have atheme, because right now we want to

(15:35):
know if Sandra Ves Rocar hit Vainato Fulano it was unfaithful that if it
was Nicio Trio, right now theart has been directed like this. There
I said it to personal life andnot positive, but negative. The chime
the fight Fulanito that ended with Fulanita, who told her leather, who pulled
her hair, who saw her ina restaurant and in the end you tell

(15:56):
yourself to see that there is she, what you do. No, she
sings and what the lime is Peopledon' t know, they don'
t know, but everyone knows whoshe is. And everyone knows that he
' s got his hair tied toFulanita, and everyone knows that he broke
up with Fulanito and that he wastold tre poda by the nets and after
that he has fifty- eight songs. That' s why I' ve
heard only one and millions are beingmade on that subject. Look, look,

(16:17):
what a story your interview has.I' ve had a lot of
interviews. Yours very cool, veryjovial, very cool you, but thank
you very much. Calling you were, a good person you were, a
person who can easily have zero cupof rejection from a person that people tell
us the Sanchez why I can findhim Carlos Sanchez bad, because a person
like that quiet, clean in thatsense. But right now, if the

(16:38):
show, if that my camera andyou say it rapped but guy was quiet.
Did you drink coffee? He drankcoffee, you went to my house,
you shot me, so everyone thinksif he doesn' t come out
like that. I understand that everyonein the media now has to have a
problem with someone. The more thewoman' s gammon goes, the more

(17:00):
overall rating and more and more ispaid for, the more hidden world you
have. I have encountered situations offriends of mine that I never thought of
when it comes from people imprisoned fordefamation and swears you, you look for
it on the street, you fallin prison and then you find out that
it really is the wanted one onthe street. It' s unfair.
I think there' s got tobe a cleanup. If there is a

(17:22):
question, yes, yes, yes, of how much when you say something
to a lady or a gentleman,to what extent it can take you at
zero. That' s because rightnow lawyers and relax judges get caught.
I' m suing you. Thenthe demand lockers are filled. Demand,
demand, time is wasted. Weget the justices of relaxation the lawyers right
now, so much of giggles arewhat they get the most out of this

(17:45):
whole process. And I was defamedon one occasion, and the first thing
I did was put forty thousand pesoson me a lawyer and the lawyer instead
of doing his damn job. Whathe tells me, find yourself, at
what point they were defaming you.I don' t fucking look for you,
' cause I' m paying youa boob. You have 40,
000. Now I have to summonthe whole task to you as a rack

(18:06):
to remember to send me a foldersee what you do. If I look
at you pussy, chronicle, chroniclecontinue in the time that an artist is
making. If you, if Ihave to send what I did, because
that' s what looks stupidest inmy whole fucking life that they never take
me for granted what stupid I haveto say on a sheet look I introduced
myself there the coffee mud. Look. I went to Puerto Rico and I
' m in your movie Look rightnow. You guys ride all that.

(18:27):
You' re the one who's nominated, you put it in Puerto
Rico and they' re nobody.I don' t have to go do
that. I have to do that. You have to follow my career.
If you are an art critic,you must be aware of the fact that
you are going to the shows,dropping it brings people, watching your work
and then emptying. That' snot mine, but you' ve got
it right now. You don't even have to go right now with

(18:47):
you following the page following the networks. It has a computer of good level
and having wi FI is the leastthat has to have a person of critics
my fi and check you what isCeltic. You can' t claim me
there. That' s why Isee that as a paraglider. That'
s why I almost don' tgo like a paraglider. It' s
a paraglider, because there' sa paraglider that' s a paraglider like

(19:11):
something you put it as an applicatorfrom the cinema, which is for a
paraglider, like a sheath, alistening or paragliding. Or parapet or parapet.
Ah you know you gave a parapentoand I, I, and I,
was flying from you I left Vacoba. I was there to hook you
up with Pompi, pop, hey, I put a Pumpi ia in it,

(19:36):
and then I say pussy, what' s this about already I think
if or I think you' regonna make me with coffee. No,
no, no, no, no, no, no, no, no,
no, no, no, no. What do you guys see white?
You have a world made, youeat with stick. Right. I
do, well, it' stwo things. It' s funny.

(19:56):
Everything that eats with succi stick orpop. If there' s a comedian
who had a joke, that's what he was saying. The Chinese
eat with sticks and they already knowthat quotes the fork tell me, that
is, the fork is quote aI make it compadre. That' s
better, it' s easier.Or I' m more likely to know

(20:18):
what you' re holding with ater doesn' t get me four holes
and you don' t get iteither. You look like a prisoner I
look like I own a guy upthere. I' m not with anyone.
And then look what happens that weightof brands started to give me the
back, to turn my back andthe movie people. Right now I'

(20:40):
m going to sin indiscreetly. Mypeople are for Lama face the movie has.
Now for omega ma. I alsoparticipate and we have that it is
also the only one, that theonly one who has sponsored me, so
that Robertico, by getting into politics, has released the cinema in band A
Chilopez evicted me. Chilopa doesn't call me what else or he evicted
you because he didn' t fightme anymore, because they see me harmful

(21:03):
in the movies. If I feelthat I can no longer carry the number
of people, there is, butno one could carry the number of people
they used to take. No,but if they grab from there, like
Chedia, Chid is being shut down. They' re closing the door for
me? Look, I' vereceived news and I' ve told a
lot of people, but put mein there with chela and I get out.
He says no, because you knowthat chedy' s dedicated to fighting.

(21:26):
So I' ve heard people tellme that the fuck he' s
putting me in a movie. No, no, no, no, no,
no, no, no, no, no, no, no,
no, no, no They didn' t tell me you were fighting.
Then they' re taking us outof the movies. I' m the
person who' s been most successfulon the Dominican summit and I don'
t have a star here on theride I don' t hurt I recalculate
it, I say, I subdueit boldly because I say wow, that

(21:47):
' s weird. Then a journalisttells me that he doesn' t mention
a name, because he' svery close to the person who takes care
of that photo. If the prizeis not yours nor do you have power
over that prize, do not complain, because that prize is not yours it
is the person' s, ifthose people if they want to give it
to you, for example, likeme, if I want to invite you
to my house, I invite you. If I don' t invite you
to my house, you don't love yourself. You don' t

(22:10):
have to complain in front of me, because the piano brought me such a
mundi and it didn' t takeme. No. Then I say.
But I have to plagiarize some people, even if I have the numbers,
even if I have the numbers,because there came a moment that time is
going to take you out, it' s going to make you realize that.
And the last famous playto that youhad was that of a nebrea,

(22:30):
of a nebrea and that it washypoque that gave you with regret of that,
You believe yes, but look endedup going red, from there I
do see being renebrea and it wasthe one that resigned. People are speculating
that they canceled it. I didn' t quit. He left a good
show that night program to mush.Now it was called tonight tonh something like
that and now your mush something likethat. Hello your Nike at night,

(22:56):
you your mush ok your much atnight, eight at night and you snow
at night. Then he couldn't take the pressure. Hence because look
what happens which telemicro has a cinemacondition when. I don' t know
which one is you and I orwhich one is mine. The two so
have the same health ingredients, yeshe said nuro, I don' t

(23:18):
know what it is. But,well, the mess is that we'
re people we' re born there. I' m twenty- five years
old in telemic I think and whenyou come in with an extreme formality,
you' re going to bump intome. Hit me once I ran into
six computer people in hand where Inever saw a computer to create a script,

(23:41):
to create that we' re goingto make some arrangements to the program.
And when you see the perun chompmouth ratings, it' s number
one if you don' t look, we' re number one on that
schedule lately, on that show,and we' ve been number one on
telemicro as programs. And when Ifind people who come to write me tell

(24:03):
me things that have not been numberone at anything. I kind of touch
my ego,' cause Penucho ismy son, he' s my kid.
When I had people you say butwhat they have done I suffer to
know that I' m sounding self- centered, but I don' t
give a damn, and my reputationis in your mouth and even if I
say even if I haven' tsaid it' s you they' ll

(24:26):
tell you that I said it,how I say it, where you come
from, you did theater. Iam a theatre, I am of quality
this dramatic and I had the bestteachers that there could be for a person
of theater, because I came fromthe truth of the root of a one
with Ivan, Garcia, Ivan,García de cer flees from ofecerus. I

(24:47):
hear you with jafe rigye with ayde Mico. It' s so much
they say the check beam in padescanseArturo López, María Castillo, Oh my
God I' m going to staythe important one in the most important what
carlota road of theater. I cocuyothat we are still part of theater,

(25:10):
Ocuyo that the theater or whose BaratoMigalon is an internal hinchite. I said
Barato because it was a so,that she got involved with someone who was
her partner, then she dedicated moretime to her partner than to us.
From time to time and we weregoing we told her to look at Baratola
and she caught it, because itwas really very little time and you came

(25:33):
to work with o. It wasalso at the time of Claudio de Chapuzon
Chapuzo, but Chapuzo had a theaterparallel to what we made a star,
the Chapuzo. Imagine every time Chapuzootook out, took out a play,

(25:53):
we went. There were so manyOlga Mouthrel people and there was woe to
me a world for the world Iwas telling you that they were the creminata
of the teachers. Now there isa group of young people who are not
demeriting their work. Yeah, yeah, so much with her. I'
m not giving you that follow-up, but the great masters come from

(26:15):
that time. It needs to berepeated. I' m also how from
there you get to the mood andthe television. In what you were doing
theater, you came to a lotof drama, a lot of tragedies.
Every time I did something that lookedor came up with something funny, then
their teachers didn' t get choirwith that they told you. Go for

(26:36):
the twelve o' clock option makesComedia the Devil and I took a fucking
pick, that is, demeriting thechoice of both is like that prostitution,
because that means that the theater isthe mother of the arts. Go to
the 12 o' clock to makeComedy Barata, that is, if at
any time you wanted to propose ajoke or whatever God is. Once I

(26:59):
was never in my head in thecomedy they were doing, because there are
theatrical comedy that you couldn' teven insinuate, or grab codes that are
television, or use good even inthe fallacy that it' s very difficult
for you to make a false,because the cartoon and the fansco is very
close, which is the false thefanfare. For example, you saw the
clowns. For example, you tellme your mother died, and I or

(27:21):
how my mother died. But ifyou see a high- gala comedian,
that' s already like the comedian, the comedian, the comedy as they
are like several, people may thinkthe same thing. A comedian, a
comedian, a comedian. They're different things. It' s like

(27:44):
more aesthetics. It' s amore aesthetic comedy. Farcesco, the clown
that already enters almost the mute food, Chalie Charpling and the quality clowns use
a lot of clear. That's why they call him clown. But
I managed all that. I hadto sail between not seeing myself on television

(28:06):
and seeing myself comical, and theteachers kept me tuning, tuning, tuning,
fining, until there came a timewhen in the conuco restaurant, the
conuco who was, that is,behind jaragua, a lady named Josefina,
who told me that she died unfortunately, and if not, forgive me.
But that was my mother, mymother that well, she doesn' t

(28:29):
know what I appreciate. He saidI want to do a season. I
want a person, actors who actas peasants, peasants, but who was
an aesthetic champion, a peasant whois not the standard peasant who looks at
a tea. If you pay attentionto me there, I' m going
to keep an eye on them,but I' m not going to be
responsible for her. It was likemore of a cymmer. You remember that
yes, yes, yes, morethan the normal television comedians that watery to

(28:55):
ba like emma are something different.She wanted that aesthetic peasant and thank God,
manuecito is a ravenous servant. That' s where Isabel Spaince came in
You knew Sabel thought until Vicente.Vincent had Vicente Santo, had an occasion
with us. Oh, my God, Gilberto Hernández, a narisu sciento cap,

(29:21):
yes, yes, yes, yes, how clear with us and suddenly
and pepe non had at that time. Peña came in. Then, Pepe
came to us and there he leftme in Ramón' s gosbedia in that
Ramón Medías and I didn' tknow it was very honor of them.
And then look at you, MrComedy Distributor, and that' s when
I took his card to sell TVsMonday through Friday and he comes at night.

(29:45):
I was already in, working Fridayand Saturday. He was on a

Friday night at 9 (29:48):
00. It was just that flap in his entire
life, Gomez Diana, it wasn' t a Friday. If I'
d gone Thursday, I wouldn't have been here talking to you about
fate and I' ll go andtalk to the man, you tell me
you' re going to comedian lookat that little bolibita to talk to Bolivita,
to get you cha, who eatsdiabla, yes, you talk to

(30:11):
him yes so I can put youolivita on oleb. I ad looked at
that a clear tiger boy that suchI had me. What you call this
my little thing, my fear,reserve, my reservation. That' s
the word you gave me at thege point of what I wanted to say
my reservation to talk about that littlesubject in the theater. That was the

(30:32):
tip of throwing the contempt ar andhow I' m going to tell my
teachers now that I' m goingto work on the notion of twelve o
' clock. As I was saying, how did I get there and how
did you tell him to hear howthey got that dwindling. I got to
where my late mother, I tellMom, first I went to the Canal,
I went to where she told me, she gave me, she tells

(30:53):
me to go tomorrow, early at10: 00 in the morning and they
' re going to wait there witha letter and they' re going to
take you to Bolivita' s officeto the set where she' s riding
to get you put in comedy.I want to pour immediately I do that
same thing that I saw in theconuco and I go and they return me
beast. I was a 70-80- peso engine. It cost me

(31:15):
that they still hurt me. I' d like to collect. I know
you bastards,' cause it was40 out of the way and 40 back.
He security, had reached him theletter that he let me pass,
but he didn' t read itbecause he had a tumult of people,
because TV Micro always accumulates people outsideto let him in from public audiences.
And when he puts me on,you put yourself there and I think they

(31:37):
' re going to go in fromabove and go with the one with the
dress that I see I didn't go with like someone dressed like to
have respect for him a poor boyof Blue leans back mere Montés one hundred
forty- two back all that partea deal that is how it goes I
have removed Panta and Brazil, becausepeople tend clothes. I know that smells
every people who live out there whyman that you clothes look like n'

(32:00):
s and I went bread i duay, Mira, doña, slutty pussy.
I think I' m dead andI' m on my way and
I got to her and I gotback and they called me. When I
see the viper at that time theygive vipen aha tells me Mira, what
happened that I got back. Iwas returned by a gentleman who called him
the Luk shadow was the security whowore a hat and I returned to people

(32:22):
and when I go I return andsay mediabe has little hats. Not because
you know they come here a lotcrazy to say they want to work here.
I gave him the right thing todo. I must be just how
crazy they don' t show upthere. I want to work there.
He knows the madman, but thatboy with hope, which is that when
abs comes they are a fucking talent, yes, yes, yes, but

(32:43):
perhaps the condition is physical pop.One makes a prejudice to how the person
goes and one returns it. AndI was talking about that with Ogi Horge
on this day that the guy whoworks at Telemicro has to have that filter,
that is, that patience of receivingthirty- two people every day who
tell you to get me to workand there comes a point that hardens your
skin. Yeah, at first,you start by saying oh brother, I

(33:06):
' m sorry, we can't and there' s a point that
you say no, because you don' t cut anymore. But that'
s the part that' s onthe net. Oh, of course you
' re kicking her off. Youcan throw thirty. Photograph with a person,
but he comes smell my love.I' ve banged 30 of you
I' m sick of it.Then they put themselves on the network,
I deny a photo to a fan, but it' s already thirty.
I' m eating, I'm with my kids, and that person

(33:28):
takes a video from me. Oh, look. You' re gonna kill
me because I have a girlfriend wholives in Europe and she wants to.
So she' s got me inone in a zoom and they' re
putting me in and then that's what it' s all about now
just her that' s right nextto you that started calling you, but
the charm of me that asked,I' m there, I' m
following him. Eating me is asheath. My brother, I' m
fed up already and I' mon the poster and you haven' t

(33:49):
started eating yet. No longer Iam not cold all, but so the
experience has been now. The timecame for me to start putting good,
but he didn' t tell me. So when you tell your theater teachers,
gentlemen, look, I' mgoing to telemicro, yeah, Turo
Lopez. He was the first oneI told him and I kind of told
him when you were running. Thatone on a board, not a bisa

(34:14):
board. Professor, I can tellyou something. He says yes, yes,
we do the exercises now Aina byfor sir tells me with his bultic
and his lens if you say genaroand told me Genaro tell me money,
but let' s sit down araticle. But they were generated because my
name is Genaro, really genaro andfauto fauto, Genaro kills ortiz a ok

(34:37):
know what point. He also hada problem with Pinky because he put the
film on him, but I calledmyself Bagenar. Then one day I was
using Genero' s name to introducemyself abroad and I gave a letter to
a dichotheque saying that he cannot usethat man, who is a man of
property, owned the right of Havana. I told him well, poite fuck,
because I was born in the seventy- one and he called me Genaro

(35:00):
and when it was a phrase,I didn' t know pussy and I
didn' t have Fautomata, ofcourse, they changed, but Genaron got
away aha well, yes, ane to mochuela. I love you,
Pinkie, but I know where Iwant it and where I have it.
Oh my God and Bón, sothat Arturo Lopez and I tell him I

(35:25):
and you don' t look,they' re calling me erosion of the
twelve that I do because they foundme there and I wish I didn'
t know, because here you don' t earn anything. You know that
one and I come from a neighborhood, I come from the blue one.
I' m behind the hood backthere and I want to earn something from

(35:46):
that guy who' s so mountedand all that sheath and that was all
the time. Going by the handand saying Mira e faul Genaro, do
what you gave her your conscience,because wherever you test, you are what
has to make a difference. You, you have a technique, you from
academia and you have to grab it. That you learned here and start presenting

(36:12):
it where I want you to movebefore you go into telemicro. I was
already with Victor Alpinal the cancer club, very good advice, gave you arturo,
very good things. I think he' s gonna tell me Look,
everybody' s crazy. Yeah,and Victor at the end that I and
I were on channel forty- one. I had to tell Victor Pinales too
that I am calling from the optionand I too a program is called telelife

(36:36):
on the TV show, that isto say TV life channel of the priests
and I, Victor, I wantto tell you something personal. I don
' t think I' m workingwith you here again, because they called
me from leisure. When I sawthat the turo told me that it was
me pussy, let me check outto go put on comedy and comes victims

(36:58):
to the ferromycia. Fausto is thatI know you don' t leave and
they made you that proposal. Ifit' s real, if you don
' t leave, it' sme that I' m going to take
you out because that' s whereyou get the world and when it comes
to seeing, you pull me out, because here you pull, you'
re not biting. I' lltake a little hen out of you.
Every time I meet a sponsor whosends me five, I give you five,
I give you three, go thereto my son and thank God,

(37:19):
Dad God, he blessed me.When I walked in there, just shut
up at how old you are atthe night you' re in the ossion.
And then comes come eatie and putson an HD program and the mom
of humor and tells me Cheddie we' re missing another comedian, because I
want, I say we bring Victor, who I saw and said you think
he comes and we bring Victor.And that' s where I put Victor
to telemicro Look at all this,I say all that God. And then,

(37:42):
when I went to Fine Arts thatI had to leave, they stayed
with me, I had puppets left, they remained like two subjects that if
I want to, I can doit now. But right now, I
' m going to look for mimingmy diploma. They have to give it
to me because they' re subjectsthat weren' t basic, but they
were like two subjects. I wasfinishing, I was four years old at
Bellas Arte and when I got tothe cos that already Comedy, I had
a car. Tresmes gave me acart Wow I already earned more money than

(38:06):
any of the teachers who were thereeconomically I was there and I got there,
because I went to thank him andsay goodbye to the teachers that I
was not going to come back anymore. Some people took it well,
grabbed me and told me I hopeyou do what I have to do,
because you in the theater, youwere a good future. They told me
and I came out and all thatknowledge of the School of Fine Arts helped

(38:30):
you for comedy. I was funny, and you were funny. I'
m not sure, it wasn't that Fine Arts made you funny,
and you were funny. You havea vein of humor, of repentism,
of creating jokes and of thinking comically. But it was funny. But the
theater gave me the humor codes,gave me the comedian codes. Then it

(38:55):
' s funny. When I hada funny person on the street, a
fuck comes here, it' sa comic is a comedian. Be good
that when people see you vetoed thata pants, roll and a green shirt,
a bow and pussy is comical.You see that guy' s more,
it' s more visual than whenyou already died. Yeah, for
example, you' re a comedian, you' re your try, I
write, my jokes, you're dressed does your routine. It'

(39:17):
s more formal now. It isI believe that of legend of humor,
the humorist hears what is called ofgene humor the humorist in the cream innate.
The comedian. That' s whenI did the comic crossover with humorist
knowledge, it fails me. Itis comedy when the situations of living room,
of getting in, of police,of characterizing the character already between comedian,

(39:42):
Pan Pan pampanoumorista, because I stillhave to walk a little bit more
on that, because already the comics. I' ve got it over,
comedian, I' ve got itover. I' ve played now I
have to dig deeper into humorism.I don' t make stand commery no
no. I' m not interestedin it first. I say no,
no, no. I don't want to fight another one. I

(40:04):
want to stay in my funny place, I' ll read the comfy one.
I don' t want to fuckwith that. I see the boys
at the comedy club. I seein Chao what you guys good. You
set a milestone in that kind ofhumor, where we didn' t think
that was going to work, likea person is going to stop, remember

(40:24):
that we' re black Berry backthen. We' re a person who
' s going to see a skinnylittle face, covered in red that doesn
' t have a small neighborhood,stands in front of some people and is
going to be born and you didit. Oh, yeah, you'
re the pencil, the pencil ofthat kind of humor. Yes, power

(40:45):
that is no longer hard can cometo say that you do not see here
in the anxieties notice that they slowdry in these times where they do not
repeat them, where one repeats path, right now lacks respect to anyone.
No Freddy, there was one whosaid fred was bigger than Freddy. And
you know they live in the highgrace, the fate that I have left

(41:06):
about ten years of life, thatI put ten years, or I go
to flight at sixty- one.I' m fifty- two. I
' m giving him ten to stayto beat him Mom by one, because
Mom, it' s not truethat he' s gonna beat me now,
but you pull forward. Your babya lot when your aber life you
' re playing numbers we see alot, that' s a depressed person.

(41:27):
I give myself my drink, butthe drink to me doesn' t
give me to go out and thatoffend and fuck people and notice that when
I' m working, when Igot a movie, I immediately get to
sleep in that movie, I don' t get seen with a drag on
my hand. People know for mybrother, you disappeared my brother. I

(41:47):
tell people that they say the samething, that that man donated himself.
Then I understand that you have tohelp me cut my career. Throw me
a video where you see me ina dump site that doesn' t ram
a MG grab me somewhere. Thething is, I' m very frequent.

(42:09):
I sit in one place, puta little glass in there with a
little sip and sit down. I' m having some conversations. I'
m talking politics, I' mtalking basketball, I' m talking baseball,
I' m talking little, I' m talking humor. Watch yourself,
my career hates humor. I'm not interested. Talk about humor.

(42:30):
That depresses me. Me because Idon' t know, but why
it depresses you. I don't know the mood. I' m
depressed because I feel on my case, I feel like I' m doing
the same thing. You want ajob disconnect, a job disconnect. Water.
Water? Wow? Water? Ido things and sometimes like the one

(42:52):
who comes to the house and thewoman starts talking to him about problems.
Yeah, and that the roof,that leak, that window, that child,
that you have to pay for theschool, that you see it comes
to a point of your design thatI come from eight hours of problem on
the street because it doesn' tsay black how it went. Now I
give you, tell me about thechicken that' s left. Well,
it' s good The chicken's good. You look good. He

(43:13):
' s gonna put you to bedlike people, but really. But what
happens is that I stop that thereare times that I know that you have
to talk about those things at somepoint. We need to talk about the
roof leaking, because we can't ignore it either. But there'
s a day you say crazy.Today it' s not like he asks
you, you fit punched in asheath changing hear wildebeest I haven' t

(43:35):
eaten blacker little tor tells me Ichange your food. I make myself,
I eat, I change it,but don' t come to me,
put my arm on. I'll get in that arm doesn' t
eat me, you sweaty pussy,because that' s easy. Then let
me let go of my career andfall back. You and you are my
manager or the one who says andgive me something that isn' t eaten.
He' s there in 27 withLink and six months of p tells
me to give me, there's something I haven' t eaten.

(43:57):
I mean, fuck off for anotherhorse,' cause here, you,
you, you, you got sixmonths looking for food. Here he has
not appeared and then why he doesnot look elsewhere, for he has to
look like the determiner after the fire. You have to meet the first one.
But that' s the way itis. He has but love or
talk about it. Yeah, yeah, but humor. Let' s say

(44:21):
as a job and give the gentlemana sip too that when he' s
visiting but come here put him tothe man, look how I work,
see what happens. But, okay, we' re gonna go ahead and
close things, so we don't leave you on my tabo anymore.
Then yes, definitely. You havefour years of Fine Art, where you
undertake character creation, voice management,body expression, a lot of body expression.

(44:45):
If you had Arturo Lopez, that' s fire, that' s
a military academy, but comedian withmore body expression. But you know that
because you don' t or thatyou also have by nature a physicist who
helps you too. I used todance a lot when it was me,
because imagine and I was already flexible. He played a lot of basketball.

(45:05):
So, when you incorporate that,you see that the boy that I make
in the beginning has a mun datewith the waiter array and I remember the
waiter, so I was a renegadewith that. They told me you'
re going to be beautiful, andI pussy was that it' s Raimond
doing the Músisí, yes, butyou' re going to do it because
he taught the gomez. He likesit when they make beautiful and I put
the panther charancharan and put the pantomimein him. I sabenatomimimist and put him

(45:30):
in pantomium. Look good, Iwent and then I put the father in,
I put the music in, Iput the modern stuff in, tell
me what we can be. Billyc I started to give him some colors
of mine, of course, butthat without the theater. You wouldn'
t have made it in the theater. Not because of creation. How can
I do something, because everything isdone. But I have to give him

(45:51):
a version comes in everyday, somethingeveryday. This chair can' t be
a chair for me. This chaircan be a cart to assume that at
the least moment I grab or achicken and put it there and use it
where we fall. Same thing wherewe fall. Easy when we want vulgarity.
For example, it' s theeasy thing when you use vulgarity without

(46:15):
peyana the explicit luck. Ah,that man makes me king, but he
made you laugh with a vulgarity.Your mind is in connection with vulgarity.
But when you can make that personlaugh, make that same joke without falling
into words or that or in situationsof that level. That' s when

(46:36):
between the big game, even somethingthat has always seemed so cool to me
is that there are times when youmutate the bad word and you let the
audience imagine it to use it moreSometimes it enjoys more than when you throw
MMG at it. While if youmake a gesture that you know you mean
MMG, if the audience takes it, that makes more laugh than you make

(46:57):
it clear. And also, thatthe child I love you interprets him clearly.
Well, kids right now, probably. It is a likely pot because
the United States is now educated,towards, because there is a very stupid
phrase of many parents. That's for you to learn. There'
s a father who grabs it fromthe beer they' re drinking. Well,
for what panca garment, why youhave to learn child be all that

(47:21):
yes, only more macho than Ihave seen and wild also wild time.
So they' re covering. Sothere' s a lot of homophobic father
who don' t want his kidsto make him understand that by breaking him
as a kid and there' sno time, it' s got nothing
to do with it, nothing todo with it. Many of me have
talked to friends who are gay whotell me that they were already four years
old and they were clear, ofcourse, they knew that they were quiet

(47:44):
there so that the dad wouldn't give him a helmet just like that.
But that' s already normal.But one thing I' m also
curious about. I know and wetalked about where you came from the neighborhood
where you grew up that there wasdrug crime. Your dad was A what
' s up? Your dad wasa blacksmith, he was another bank,
he was the cadador, he wasa merchant selling yaw sweet potato or creating

(48:09):
the new market ok then you comefrom that environment, as someone coming from
that environment is interested in dramatic art. It' s cool, as I
explained to you almost very much minebefore, before Christ Look, I was
in a church, I was analtar boy. In the church he came
up with and a public school calledthe Huechio School, Wachi léquela. There

(48:34):
was a guy named French who wasI don' t know why they called
him that, but they made himFrench and he was a man who had
rudimentary street theater group. He hadno knowledge, but one is guided by
him. I won some cholitos doingstreet theater. He was passing the hat
and they hired him in quotation marksat Chio' s club school and they

(49:00):
called him Club Chopo He was alsosports, there was a basketball group,
there was chore poetry and there hecomes and he says who wants to do
comedy. I started first with thedance dance group folk bara nothing, but
I didn' t give for thatat that time. But then the one
who didn' t stop and cancome here, for the theater group.

(49:21):
And I went to the theater groupand I come with the surprise that there
is more in theater than in thedance group, and there were characters that
put it on me because I wasthe smallest makes me make skinny flowers and
when there was a big one,they would put me that it was that
I took to fight with the bigone and they had me as a wild

(49:43):
card to do things and I startedto like it. Then the Chillo Club
took him out, for him.Then he made a neighbor' s meeting
and I was going to go tothe Baptist Church. There a light theatre
group was formed in the darkness thatmakes the theater group look in the darkness
that when there were problems in theneighborhood, situations that were a little strong,
we made a play in relation tothat and we also dramatized the word,

(50:06):
the word that was to be readin the Church. We branched it
and the father talked about what wasseen there. Gentlemen, remember that unless
you play the role of Jesus Christ, the baptism and the dramas of we
were. That was and I startedto like it and I got how old

(50:28):
we' re talking about, howold you are here we' re talking
about. Ten years less. Givehim three or three teenagers, you were
a teenager, teenagers for teenagers.Baji and my dad and mom took me
out of there because I was studyingin Santo cura de ar already, I
was almost getting to high school andshe said no you don' t leave

(50:49):
and I was paying more attention tothe Church theater than to school, than
to school. Then they took meout. Then the priest came to my
house and said," Look,I don' t know how you'
re going to interpret this, butthis boy is very talented, because I
had a deployment and the Church wassomething. The father opens wherever he is.

(51:13):
They have a display in a moodat Helo' s theater. I
don' t know what his dreamis that we' re going to try
to work. It' s yourjob. If you' re lazy in
math. Even I can come hereon Saturdays. Help him with his contour,
but don' t take him outof the church you know or it
' s a neighborhood, forty-two hoods. Let' s take a
look at three hundred forty- two. You that area, you know what

(51:34):
that says to me there, thename of my war. Tito already.
You don' t see him onthe street, because he doesn' t
come to college at all. He' s not gonna have anything to do.
If when he comes from college,he gets into church, he does
theater. We keep him busy.Your boy to keep busy and thank you
two allowed me to keep going withthat and when my dad started seeing me
my mom, who was the mostcorrect thing to see people. I was

(51:55):
a celebrity in my neighborhood. I' d fill it up, I'
d go, Mira. It's right over here where I' m
at. We wanted to do aplay. The same car dumpsters the bad
tigers that from a heist took twentypesos from me that last night went well
with me. Everybody wanted to seethe play we' re going to.
We did the crucifixion when Santa weekarrived, when something happened to a criminal,

(52:16):
We made a drama of that inthe Church and everyone went and brought
eyes. Because it wasn' tlike that. The guy crawled into the
alley and grabbed him, and we' d put on and we' d
do that. I knew that wowwas a crazy drama. It was like
a real fact. What do youcall these situations? The event aha,
but done in dramatized. I startedto like him and already I felt that

(52:37):
I couldn' t say anything else, that I didn' t announce the
situation, but my dad wanted meto be a system analyst technician, which
was what I am. I'm really after the bachelor' s degree
and where we studied it onfu okah, my dad spent some pussy money
on that forgiveness and put him nothit it there. I put some money
in. He found me a computer, but wait, but go because you
' re strong, because your dad' s here. You see the paths

(52:58):
of the theater and your dad whatmakes you sell, vibrate and enjoy in
the market. Yeah, I mean, your dad' s barely paying bills,
he' s billing, and he' s making an effort to send
you to the UFU to laufuque wasn' t the mabarada ricoreña, yeah,

(53:19):
uh, the pedro in the curreñafrie. He was fable belja was what
he was. It was trying toget you out of the theater. I
didn' t want to get out. The theater was so I wouldn'
t have time to get involved withthe exact tigerage. And then, though,
that' s what you do yourcareer and whatever you want to go
back to the theater, your dadwill have said. I didn' t
want to rip your head off,rip your head off. And there comes

(53:42):
Gilberto Hernández, who I mentioned toyou. There' s a vacation.
I got a flu that I don' t know what the flu was.
When he comes to see the influence, because why do they come here flu
give him names of time. Youdidn' t have to put the coronum
on. I didn' t havea bad flu writer. Sure, what
' s wrong with it? It' s that flu is bad, or
as a child who' s northand then discovered a life of that.
The children are nortan, that comesfrom the screening, yes, yes,

(54:05):
low, comes the cold breeze thatcomes from the north and is an old
And that is not so that comescold, that they remain to enter between
the cavity of cranials, the coldsand you grab where not two. I
shouldn' t have caught him.And I went to study, studying information
and taking information in computer science.There came a moment I told you old
man. I want to last sixmonths because I' m tired of studying.

(54:30):
I already had six subjects left tobe licensed, licensed a system and
from there I started to be asystem engineer and I was a system technician.
Analyst and system technician, but Iwas missing my bachelor' s degree.
In the centura she went for engineering, but she went for the bachelor
' s degree. My dad wantedit to be heard in the licensed neighborhood.

(54:52):
Right now, you say the graduate' s here. You who are
playing don' t matter a rebelgraduate, but the bachelor gives me for
a passage to a doctor. Toa doctor I put a lot of people
in Fine Arts, which was whatthey didn' t want me to be
on television. I give her pompbecause, unfortunately, the situation like this.

(55:14):
Education doesn' t pay. Educationdoesn' t guarantee you that you
' re going to have a wayof living that you can say, I
can live this dig or dignifiedly livean accountant and in some cases that'
s at sixty percent of what I' m getting generously because look right now
I had two hundred lawyers coming out. That' s why the lawyers who

(55:36):
grab you want to rip your headoff, because if they owe a bed
of forty thousand pesos, your lawsuitis worth forty. What a coincidence.
Hey, that' s the safestbookkeeping. But my prolema is worth foursome
and your bed is worth forty.Look, there' s no prisoner.
Look how lucky he is, ifhe' s lucky he' s got

(55:57):
what aim in aim. But that' s where he comes out in the
neighborhood. It feels like it's not worth tudiating. Sometimes it'
s clear why you' re seeingwhat' s happening in the forty-
two that I' m not seeing. I' m not seeing that there
' s no hope? Is therehope? Is there hope? What I
don' t say opportunity is alot of room. All right, but,
however, you were a guy.There are many or less who are
not going to tea. They stayedthere in the church doing activities. Then

(56:21):
they took you to the unfu thenyou did dramatic art in fine arts and
notice how you stood out above allyour neighbors, so in the end your
studies did take you further. Theytook me how sad I have returned in
some places from where I came outand I have found a boy of the
same kind that I see him lookinglike my grandparents and I see him easily

(56:43):
in my petty from where I cameout when I crossed, that when they
saw me I was going with abeautiful clothes jump or with a wig or
a make- up to be ableto arrive or do theater. They told
me with a barna that that's going to stop the madman. You
realize that. I, wow,could be there if my dad and mom
hadn' t had me what tohave. What happens is that the young

(57:07):
people now who are in those neighborhoodsdon' t and I don' t
want them to go and misunderstand thatI' m saying it' s not.
That' s why I say there' s hope. But there you
get into a teat you get pregnantto let go of the son, the
mother, the grandmother, in thiscase, the grandmother, in this case,
what you can do Grandma doesn't have the same with Grandma,

(57:29):
she already has her problem, shehas a problem with the daughter, she
doesn' t want to leave thestreet and how she will take care of
the grandson if she still has aproblem with the daughter, why since she
was fifteen they are releasing boy tothe street a factory. I have a
friend who has three children, threedifferent parents and she is 23 years old
and has a boyfriend now and thegroom has no children. And what does

(57:51):
the groom say? And I thinkI' m going to your tiger face.
The sea is missing, the evilis missing Oh, I think I
' m like that, but Iknow the other four out of four is
coming. For me, it's like a beef bank, a bank
of suspicion that I' m playingwith a tik when maintenance comes if it
' s given to him. Butnotice that woman and she says I don

(58:12):
' t want to know about thatdog' s mario, because I say
I don' t want to knowabout the dog, about my ex.
They never want to know, becausethey won' t get anything out of
him. They' re guys thatI' m the titular everyone' s
the turban tit. You didn't get a reggaeton ahte one already t
ra the titu rbano. Here's the one that' s distributing altista
middle place. You have to checkit out that I want to increase it.

(58:38):
It' s a son of hismother who you' re watering all
the parrot' s card Say thatartist, you don' t have to
threaten that Tolentino Di didn' t. I don' t think I'
m an artist. I think I' m an artist, but I'
m embarrassed. Now I' msaying artist. I prefer to say a
person that I am acting in amedium, a public medium and I do

(59:02):
something that people can understand that funny, because I don' t hear I
prefer to use the definition and gofor the margin, not go for the
track, and shrinks the more,the more uncomfortable part, where are the
plugs is that I said directly thatnot the altita were not very artist.
Here, the communicator, you realizethere' s no room right now.

(59:25):
Yes, but then when you think, that you believe in this environment of
crime and of people you study andof vague people and of and that I
have seen dead and that lost theone they have killed, people ahead of
you and forward in your yes.Of course, of course, of drugs.
Students, my friends, the firstone I saw that I didn'

(59:50):
t think, was a boy namedAgrippino who in a deck game, but
it wasn' t Nunez Collado,right, no. No, no,
no, it' s not Agripina. They called that the last guy to
another young man of the same agewith a minor and that boy was my
partner in playing with me. Ididn' t contemplate in fifteen years fourteen

(01:00:10):
how my little friend has it inthe house houses that they call it that
where they place the little ones untilthey are and I disappeared. And that
boy came in, came in worseand then it was the terror of the
dance and then he fell into victoryand I came back for my friend and
I didn' t understand why thatwas happening and then, unfortunately, they

(01:00:31):
finished it in victory and I hadto live with it. When I saw
a friend of mine who' stalking to me and suddenly he' s
full and I see him running outfull and there' s another last pile
and he falls there and he's with a gun. A lot of
stabs and paint machete were used atthe time. It' s very difficult
that it' s because they killedhim once for five times they sat down

(01:00:54):
it was because before, when youminted the mother, they were a people
already you raised it you know inmy neighborhood, in the cemetery of Christ
the King, if thirty percent isdead there, it was because the mother
invented someone at a certain time becausebefore or it was serious look this minute
at the mother, it was youas almate and they went out with machetas.

(01:01:15):
We see, we' re thefamily, my mom' s what
she gets, and no one wouldget into that anymore and we' d
see. There are still a lotof people still in my neighborhood, who
can' t move their hands becausethey read those tendons, they' re
gone and they save you, thatpiano they' ve gotten used to that
video system and that was already ascratched living way, cut a lot of

(01:01:37):
it. Thank God, they've become that it' s come to
you like the word that I wishthey could get to you most of which
is why I have people who aren' t. I don' t believe
in each other' s day.I understand that whatever code people can get
off the street, I respect it. I do respect that. I don
' t have enough or I putup another offer. I put in another
offer, okay? That one cameout. Rle a good tabo. Really

(01:02:00):
put your offer on another one.If I always say that if any belief
made you a better person, thenI celebrate that belief, though I don
' t believe in that one less, but you' re a more family
type now. He does less badthings. It makes a contribution to society
pussy. Good thing you believe inthat ban You have whatever you want to

(01:02:22):
believe, and if it' sless, it' s less, it
' s less, it changes thereTake a bath, add, that is,
at least, it produces less lowto the least under lewdness. But
then, now, when you gofrom time to time you visit that neighborhood
and see your neighbor, your friends, I don' t have much that

(01:02:43):
I don' t go, butand how you feel that the thing is
now worse or the same. Ithink it' s better. It'
s better because thank God, thankGod I haven' t heard much,
because before every time, quarantine isn' t much more active. I went
to Chichiha ball at forty- twoand it was a convertible. I was
a must of capotable and I saidit open and down that guys and what

(01:03:04):
happens, that that' s adifferent code. I don' t even
want to tell you, because that' s code that I don' t
touch, because I know what's going on there and everyone who comes
in and everyone who was born there, Sabel, and there' s things
that I' m not going tosay happen there and I don' t
recommend to anyone that they dive intothat world that leaves us. Oh,
I' m a raw tit.I went to Bolachichihua with a group of

(01:03:25):
boys. Up there I bumped intoguys who had not a fifteen I can
get you. I sent photography tomy dad Wow and that boy, because
my dad lives in Maria Montes'back and I went to forty- two.
I was born in forty- two, but my dad as a kid
already took me to the back ofMara Montén. My dad was going to
eat at the frying place my mom, who was selling fry in a corner,

(01:03:46):
in a place where a building calledthe Five- Five Fair was made,
which is a store per apartment.And there, before making a store,
there was a lot where they wereputting blah and my mom put her
little table there to fry the merchants, because it' s the new market.
There and my dad went and hadbreakfast there in the morning fried and
egg and ended up falling in lovewith my mom. And that' s

(01:04:08):
where this nigger came out and mybrother, Samuel, came out and they
made the building. That' swhere my children' s mother worked or
that' s where I fell inlove with her. The story was repeated,
but with anteconsolar building and then theydid better they did the sheath.
I overcame my dad because he did. He did it as a cop.

(01:04:29):
I did it like with the polybioportivoindoors, because I hadn' t done
it doesn' t make it good. It' s what it was.
I mean, your kids are allfrom the same mom, a mom.
I say they' re your bestshot are three, the three, what
aim you see fell the same,three fell to himself. But it'

(01:04:49):
s or it' s secularized,you know that one, ma' am.
We have to make one of themI saw there in the park,
Enriquillo. I love Seleneo very muchShe' s a hero. He'
s taking on a fight because they' re in the time of rebellion.
The children. Oh, yeah,how old your son is, seventeen years
old, and there' s onein fifteen who thinks there' s a

(01:05:10):
woman who' s one who is. So are two complicated times. You
have to give it permission and there' s one out of ten, which
is the one with the medium thattakes a lot from that of King'
s, of the fifteen. Theman of mine took on Internet issues on
that kind of thing that' spretty messed up in networks and in pods.
The whole aunt is in networks,but I don' t think she
' s there, because she's wasting time. I' m getting
lower quality, quality has a goodschool, thank God, but even the

(01:05:33):
teachers are already telling me boy.He' s very distracted with that Internet
issue on and I understand now I' m going to maybe use the strategy
of placing it. I' mstarting to see if I put it in
editions to put it in that line, but not that I' m left
with what to play, what todo with Twitter, of that nonsense of

(01:05:54):
electronic games. Some of your childrenhave also taken out histrionics. Yours doesn
' t feel that way, butwhen I put him to make a cortico
and the one comes out of themiddle, the little girl comes out a
lot, the boy comes out alot, he does not feel ashamed.
What he needs is to let goof the shame. But the text is
recorded, released like me. Iwant him released, but in art,

(01:06:15):
I got you coming in as acop and you' re gonna grab me.
You can' t. You're gonna tell me he' s
under arrest. I' m talkingjustice. If you say that, I
feel that that does whatever your versionof doing what I told you to do
and make it work on fire,gentlemen, stop there. You' re

(01:06:36):
under arrest because you' re goingto nemarar play and add to it that
it' s what we do that' s cinema. A little bowy,
a little bowy, one thing aboutthe weak. If you know how to
do what the other one tells you, you' re going to do cytoso
then in the Dominican cinema, becauseI just have to tell you to tell
him, you leave my house now. So this says you leave my house
now. It' s already corten. It' s fine Excellent. Wow,

(01:06:59):
what' s up with any more. You stare, you' re
telling you what I tell you tolook for your way of being is and
make your seal that that' sme, I' m a seal.
You were a stamp. They giveyou a code. There. I would
like it to be one day someoneto do a social experiment that puts some
comedians different genres or different styles morethan genre, because comedy has a different

(01:07:21):
genre styles. How would Carlos Sanchezsay this text, How would I say
it, well, in piano mouth, how would you say it reimo,
a le eda, Miguel, asI would say it. Which is comedians
from now on, Patchulín, Patchulima, don' t tell him how they
' d say it through, becauseit' s a range of boy I
' m asking for. He excusesthe new generation boys what they do at

(01:07:43):
Stand COMMERY I really feel bad aboutthem, because I don' t know
the guys who make Stand Commers.What happens is that most of them stay
at the comedy club and at thattime they haven' t been on TV
shows. Some of them aren't even much on Ry. They don
' t need it either, becauseI think they' re successful with that.
Yeah, that' s in yourspace. I don' t invade
what' s supposed to be mine, because you know that that was part

(01:08:05):
of what happened to me at thebeginning that I started in the time that
they don' t see him andthe other one said already in the channel
clearly the taste already you and Isaid pussy to me laugh it is that
I started in a time that therewere no nets. So I didn'
t go on TV or radio.I was in my little little pod theater
house. They called me from arestaurant, from a bar and then I

(01:08:29):
was building an audience little by littlefrom mouth to mouth and then it was
in search of me exactly and whenit arrives, for example, the first
time that I already in the jaragua, that' s what the people that
I think we say and with thepeople pina to me it stung pussy and
how this guy I not the jharagua, I saw but pussy, I
was eight years old working. Whathappens is that it wasn' t in

(01:08:49):
a mass media that everyone saw me, but I was creating my audience little
by little. Yeah, what ajoke when I' m fine, if
you cast the gloomy one is thatI' m full and I' m
going to be full of coffee severaltimes. Yeah, yeah, yeah,
what do you see? Yes,yes, yes, I said my God

(01:09:11):
until I began to appreciate and seewhat style it was. And we'
re already seeing. The Internet's here. We are open to the
world. Yeah, and me,that' s what he does. The
guy by then was comedy. Weunderstand that he didn' t do comedy,
he wasn' t a comedian.Just like that and it' s
weird, uh, that' sa meal because you don' t come
up with a stupide, that is, it has a lot to comment on
that role of my genre. Yeah, I take care of that boy,

(01:09:33):
a copycat who has you right nowthis boy that you' re saying what
' s called a dummies, whata good job, not co Boba,
I want to bring him here bomblook crazy. You have a phone of
everything, everything Boba does, Iexploit my laughter. That' s a
good guy That' s a coolguy. Well, you know who you

(01:09:54):
have to bring here to Montecus didn' t bring him back. I think
last week it was yes, yes, yes, it ticked what a mountain
pimp really is a different person whatI had in the nets, but Fuk
He blew his head off and cleanedup that episode blew my head off the
conversation with him. Yeah, andas he told me about his past life
and the drug and the sheath looksvery, very interesting that conversation. That

(01:10:17):
comes out the day after tomorrow isgoing out this Monday. Oh, well,
I' m gonna give it tomyself because I do tell you with
that sheath I love it then.But you know that' s where I
' ve talked to Irving a coupleof times that he' s my negroes.
Of course it seems that you seeit white, but it is a
black lined, upholstered in white,with pal a pair of hand, paint,
an adventure hand corduroy. There's no goat, because I see

(01:10:39):
it all blank. Yeah, sure, maybe you haven' t seen it
in leather. Nobody knows if there' s a maco in there yet,
but not that we were talking.I go where they blow it, because
I know it denies you ok likethe vega that for that it is a
lot. We feel it' seasier for a comedian, a comedian,

(01:11:01):
to enter the drama than for adrama actor to enter the comedy, because
and he tells me that he wasin plays, where there are theater actors
who give him comic lines and tellme devils. They put it on for
Batia and they don' t hither. We' re humorous, we

(01:11:23):
see it, we say pussy,you have to say it like that,
like this, and you see thelaughter of the audience and you say,
but this laughter is half of whatit could have been. It' s
like sometimes, as a comedian,you' re angry to say pussy hits
the mature one. Crazy humorist drivesthe time better than when you' re
doing a show, you know what' s done? It' s been

(01:11:46):
a while and he knows that thepunch has already gone down, because you
' ve already saturated those people withjokes and you know when you' ve
got it. Then we' relike sharks. Still san yes, yes,
blood. We don' t activatewith the blood. We see blood.
We' re pulling, pulling andpulling. By the time the blood
ran out. We collected the dramahad not to notice that when we manage

(01:12:10):
the rhythm of the situations that knowus, we cannot beat the rhythm.
Don' t rave the rhythms thataren' tépoque there are rhythms,
because the food there is a rhythm. And sometimes the opposite has happened to
me. I was talking to someonelast night that there are times that they
hire me for a forty- minuteshow and I throw myself an hour an
oriquincen that feels like you can't get it out yet and tells me
my manna and what it was wasn' t forty minutes and I didn'

(01:12:33):
t that audience had to pick itup anymore, because when I tore people
up they were distracted. There werestill people standing and the first fifteen minutes.
All right, people sit back down, people calm down again, you
start and there you say or I' ve already taken the rhythm and when
I leave I' m going outloud. But it' s that time,

(01:12:54):
that sixth sense. It is developedby humorism, the humorist. Developing
it studies you with whom you arewith and takes the temperature to the public.
Your mom died, for example.There' s more to you.
He died in the drama. Theguy' s square. If there'
s a background music that you canenjoy. To the tough comedian. You

(01:13:15):
don' t have to set anythingdown. He is the atmosphere of all
music. Your mom' s dead, she' s staying and she'
s taking her time. Drama doesn' t matter rhythm. They don'
t care about the rhythm. Theycan be handled in an environment where rhythm
doesn' t matter. If not, as they internalize the message, how

(01:13:36):
they can make the person understand thatwhat they have just told him, he
has just penetrated it, that hehas just screwed it up, that changed
his life with that news that wasgiven him. But the comedian can'
t be that unless you relax himin clown. Your mom died. It

(01:14:01):
' s already in a way thatyou see cloud you realize. You have
a lot of theater links. Ifyou want to do it like this,
theater ra you' re going todo to me. You died of tigerssing
You start with luxury in your heada lot depending on how you interpret it,
as you would feel by going throughyour emotional memory, because of course,
at some point you' ve gonethrough things that you' ve been

(01:14:23):
told and you don' t believeit. Don' t provoke as soon
as he left here and died rightnow, you say don' t relax
and because fauto was here for whathe says. Yeah, they' re
a code that you read and yousee other people and what you have to
do as an actor. Keep thatexpression. When I had a velod there
are many expressions of each That's the richest thing there is a wake.
Hey, what a cruel, blackthing I' m telling you.

(01:14:45):
Yeah, yeah, yeah. Itis very rich to see how people how
the same pain is painted, interpretedin different rome era. Yeah, yeah,
yeah, here it can be red, here it can be people who
maybe don' t like cock thetime he died up there and maybe the
guy who owes him that he diedowes him and he' s looking instead

(01:15:08):
of looking at the dead, he' s looking at the doña and such
a secret. Now don' tlet the lady go crazy with a sheath
that the guy left. But everyoneis already coming together in that first actor
he dictates. But it doesn't sound cruel or anything, because we,
the humorists, are people who seelife and death differently, we go
another way. That is our workmany times where everyone is. Our work

(01:15:29):
is saline from there and see itall from outside of a wider plane for
one to look at there, butlook at his face that guy who if
he pulls next to him, youdon' t see him. You have
to get out to tell me what' s going on here and that face
and that one I don' tknow what. And that' s where
the jokes come from And that's where the clear humor comes from We
see the jokes, a person whofalls. Well, that can' t

(01:15:49):
give rise to an idea of something. We don' t take her once
we grab the guy who falls off. We live working, we work.
People don' t know that comedianslive working at twenty- four hours at
a dinner such as eating a sheathand see a trior to what they don
' t want to pay the billfor the time they don' t want
to pay the bill and they're going to record because they don'

(01:16:13):
t live and sometimes pussy, Youdidn' t get tired of working,
because we should thank you, DadGod or the being that you understand that
you want to give you the graceto allow us to work in what we
like. Because look what he wasgoing to say to me that I was
going to work on what I like. I can' t imagine you working
that in an office. Of course, when an office comes in, I
vote for a person who sees itthere And I feel like I' m

(01:16:36):
doing four not when I' mrecording comedy I don' t care what
time I get out. I wantedto ask you now something that I remembered.
Speaking also to Irving Yo, he' s worked on a lot of
film with you. I' veworked several movies with you crazy. This
is real, this is a mysteryof life to you us. I'

(01:16:59):
ve never moved you with a plate, gritted food, eating weird, really
crazy, you never eat hand you' re not eating anymore. It'
s like I don' t seethings. He goes through the buffé.
That' s where a gizzard bites, picks up one like I said I
' ll kill, the little thingof yugi' s beep. Grab an
arupita and sit with a pitcher,coffee and start at blah and tá everyone

(01:17:19):
with a plate and fauto with ayuga arupita and I, crazy, did
a dish and like moms there aretwo things that people have not seen,
that I have not seen then,ok I tied, eat me and you
and you taking out how much live, so they will die to wait.

(01:17:41):
That' s what I said,Carlos Sanchez in a corner that he'
s waiting to look forward to.What do you do how much you do
to get him to wear a candledoesn' t look. I' m
a person. I have a problemwith that. I think it' s
gonna be the tip of it.It' s got to be family,
because Samuel, a skinny guy,doesn' t eat either. My dad
' s religious about eating. Inthe morning, eat heavy breakfast, eat

(01:18:06):
at twelve, eat yes or yes. And in the night I know I
was born or yes, like theguards, like the guards my dad doesn
' t care when my dad isseventy- eight years old and he'
s really tough. But I feelyou' re talking about how hard this
is. It' s good thatyou touched on that subject that I lay
down at night and I know I' m gonna fuck about it and I

(01:18:30):
don' t take any responsibility forme to improve that, because you think
you' re gonna fuck about itI think I do, I get off
with that because, for example,I don' t have breakfast. I
didn' t eat or eat breakfasttoday. You haven' t even eaten
any breakfast and it' s fiveand ten. I haven' t eaten
or had breakfast And you' vealready given yourself a pair of beer,
it' s worth a little beerthan coffee, a little rum and orange

(01:18:53):
juice. I' m the onlything that I have in my stomach wow
what but and I don' tfeel like I have to eat absolutely not
like that, but you don't feel hungry. If I forget,
I go to bed. I sleptonce I said an interview and that was
people say pussy that I lasted twodays and I realized that in those two
days I had not eaten anything.I mean, you got up, yeah,
I care about committee I didn't eat anything. I stayed at

(01:19:15):
work, bread pan Ice the moviesat down and I said I or more
than hungry, I fell asleep inthe car because we were in this movie
that we were making the submarine andI got in the car and we'
re more or better a rat,because I' m very sleepy. Dad
I give birth, I lie down, I get up, I keep working
on buns the other day I getup to wax tomorrow I can dig up
more mom and then I go backto the mampan pod and then I say

(01:19:41):
how to come here. But beforeyesterday it was my last dish. I
don' t have in my fridge, there' s no food. I
don' t have a fridge inmy food. I mean, I don
' t have a fridge in mycumin, it doesn' t have food,
I don' t have to seein my food, I don'
t have food, I don't have a tongue at work, I
don' t have food and Idon' t have food in my fridge
water. Ah, well, Idon' t have one, because I

(01:20:02):
have a drinking water next to thebed. Vano for me, ok me,
it' s Mom type, I' m going to mourn the bed.
I can have if I can havemaybe a piece of salami, m
that sometimes I say stop in buyami. Now I' m sausage that more
than mancre I have maybe some greenapples and thirty must be made and why

(01:20:25):
it' s the one that doesthat so much. Ah pole everything I
love, anxiety, hangover aha,but I' m going to die.
I understand, that the person hasto see it, what jobs I'
m doing because it won' tlast long. But you' re calm.
That I care about your kids likethat. No, because when I
die it won' t matter anymore, because with God and he' s
going to tell me you see pussy, you had more life. I'

(01:20:47):
m not going to hear anything.Otherwise I don' t have to leave
money because I' m in arrears. I don' t care, so
I' ve always said that andthat I hope my family will bury me
and make me feel pretty, soddingbut if they want to let me throw
at one count I won' tget any good. It matters, or
it doesn' t matter. Ican' t. There are many people

(01:21:08):
who are working, working, working, Rondo, Rando, Rando, Rando,
Rando, No Perote and what peopleare going to say about me When
I died, I left my childrenon the street and I don' t
know. If you listen to aBavarian, you didn' t die if
you stayed in the street. Temporagave, of course she' s irresponsible.
If you, in the meantime,I' m keeping my children,

(01:21:28):
you have a dignified life. Yougave her education, education, a life
I didn' t have and Ididn' t have close to having.
Of course, my dad and momgave me a life of decent education.
I studied at Christian college, whichis an education that has a certain discipline.
It' s like the Christian andthe military. That' s true,
no matter what you think. Ifyou don' t have a discipline
in that, that' s notperson I study at a Jesuit school too

(01:21:53):
and how you repented. No,that' s where you met your wife
You want me to talk. No, no, no, no attention,
you talk like that to get hit. No, so they' re talking
to you. They found him,virgin. Don' t say that,
because back then it was a boys' school. Nothing else then if I
knew there my aposta is dangerous thebath. Now that that' s going

(01:22:15):
to work, because, gentlemen,it was transformed halfway, it was from
the prose, it was from theclose, it was operated, its sheath
was cut off and it was cracked. You always stick a bird in because
I hit you. They have tosay hello to the community I have gold,
the comedian is white, which yousay very true. As much criticism

(01:22:39):
as can be made of religious schoolsif they have a discipline, a method
of study and work. And Iknow that when we went to universities in
some subjects, we didn' tstand out on the other schools. Of
course, for example, mathematics.To all of us we were always ahead

(01:23:01):
and that' s look at themethod of your life. You are told
of a university that nothing is aspecialist on. Its spearhead is electronics.
And even though they don' tfind you electronics, and there' s
more potato stuff, or you getout of there, you get out of
there, and even if you don' t like electronics, then you know
from a college, you can getthrough everything on electricity. You' re
not gonna fucking die. Knowledge doesnot weigh clear, you can not quarrel,

(01:23:26):
you cannot find the current in differentcar your tam look. We had
a boy, a boy, aboy, a boy named William, who
was from another religion although he didnot believe in the cross, that the
cross was not placed anywhere, andthe coat of arms of the College of
Saint Cruel sescar has a cross inthe middle. He grabbed and was threaded
and removed and removed or with Luisand Pepe took it away, but the

(01:23:50):
father stayed looking at the thing andwhen he saw and saw it, he
grabbed it and put it in thedirection because he said he could not modify
the coat of arms or the uniform. Do not use to modify. And
there came a moment left with hiscourse. You didn' t submit yourself
or something and say to him notbecause I analyze that, regardless of whether

(01:24:11):
it' s not the religion I' m in, I understand that right
now, I' m in biology, I' m tough, in mathematics
I' m tough. That onefigured it out. Hey smart, that
smart, smart boy that piss giftis intellig a reguero, a beer that
was here. Sometimes you have togive in. Sometimes you have to give
in. Take gisell yes, takethat there. Sometimes you have to give

(01:24:32):
in yes, yes, yes?I can' t do that psycho That
' s what happened to me.I stopped fucking giving in. I don
' t feel like I lost.I don' t feel like I joined
you You know, you know,you know, you know, you know,
you know, you know, youknow, you know, you know,
you know, you know You feelI don' t add up to
you. I didn' t jointhat fight, all that activity, in
front of all those people. Helent me money. I don' t

(01:24:54):
know how. I' m stillmaking real money, because companies really feed
on people they don' t have. Perhaps many brains are people who are
easier to sell to you yes,but they do not feed on that much
time in fight and negativity. Sowhat they need images of people who aren
' t conflicted when you see peoplewho follow me on TV do what piano,

(01:25:17):
when you' re fucking and fallingand going against that person, people
say well, we don' towe those people down there and this tiger
what you' re killing those people, we don' t want to sell
this product that fufu fufu. Andif people came down from confuf how it
' s possible they' ll putme to make the picture of the FUFUFU.

(01:25:43):
The I wanted to ask you Youmade me the story of when you
were made Sanki Panki two. Ithink, I think correct me if I
' m wrong that in that fightyou were the one who raised the value
and the price to the comedians inDominican cinema. Love that story that was

(01:26:04):
what he was doing because through thefilm, at the time the film was
selling as if they were making littlefilm, the Dominicans were crazy about having
movies. They were selling a barbarousballot. Besides the Sanky Panki was very
good. Seventy thousand picks of ballotsthat make a million people here go up
there and take it. There werealso a lot of people who are the

(01:26:25):
mastillera movie of all time. Numberone goes men to. You guys still
wanted to keep paying him. Onehundred thousand pesos, one hundred thousand pesos.
They wanted to give me when SankyPank came one that they gave me
one hundred thousand pesos of those.One hundred thousand pesos. I bought a
computer because I wanted to have acomputer. I had to have a laptop
to have it and I took eightythousand pesos at that time from Sanky pank

(01:26:45):
one, i e a laptop andeighty thousand pesos were not a hundred zero.
But I took it twenty- twok tecuí that the ton did not
cost three thousand pesos, but Idid not know and then came to San
isnk Don. It took a longtime. Frankie Romero, who owns the
Franchise, came down from Miami andwas informed that I didn' t want

(01:27:09):
to make the film. And Isaid no. I just don' t
want to do it, I justdon' t want to do it for
the money, because it' ssupposed to be an established movie and you
know that pussy of money. Likethey come to me to say that you
take twice as much as you do. Now we' re going to two
hundred and they ate you a picture. I talked I fought with frank In

(01:27:29):
Romero and it' s three hundredand fifty and I' m listening just
like you' re looking at medry. I then where I' m
in there not that anymore so thatI run not that I don' t
do it for less than a millionpesos. A million pesos. I need
it was a million pesos, butwe' re talking about people that I
understand, they earned, I thinkit was like 80 million pesos with that
movie. But that page got away. But there were intermediaries who didn'

(01:27:56):
t reach Frank Romero. Frank EnRomero was the one who put me.
Frank Romero came down from Santiago,first from Miami, from Santiago and we
gathered there where you are winged thatit was to rock faith before what takes
you picture that you would not wantto make the film. I don'
t, I want to do itand there was the person who wanted to
give me three hundred thousand pesos andI don' t want to do it
for the amount that you' retelling me the gentleman here. I want

(01:28:16):
to do it for a million pesosand the guy' s gonna give you
a million pesos. Wow I okhalf starting and half closing the movie and
Frank Romero himself did it, makeit my dad in the movies. Sure
when I' m gonna rip themovie off, but you' re telling
me to walk by the Filmaine AccountingOffice. Take my first five hundred thousand

(01:28:40):
pesos at once to get into thehouse and Jodian Vaina, we all believe
a thousand pasa I had left agreasy for me cleaned half of myself and
I already had an apartment and Ihave anticipated that is practically where Miceo'
s mother was living with my childrenand the film came out. Then they
sent me to Puerto Rico with acomparison to act and sell it more money.

(01:29:02):
Franklin Romero. Frank Romero was neverafraid to give me money. For
a certain film that we are makingto San that Pan that four that starts
and starts well, we already startedin July, the 15th of July.
We start We have American Republic,seventy- five percent here and the other
twenty- five percent in Africa,which we are going to be for the

(01:29:25):
first time in Africa, which weare very happy about. Thanks, we
got the permits that Chulo is goingto be a shrink named Sankpan than Safari.
We' re going to be MetiGuay, Armenia, you go,
Genia how much day in time,ten days, twenty- five hours of
travel. We have to go toEurope, to Europe, and we'
re going to be jumping. Ido not know if I believe that Europe

(01:29:46):
and the original cast is in KoreanCorrea Pachulito, yes and will be the
director of the Venado and Genaro toand Carle Carlito, that of Juana will
also be the Morena van Baytsdenca isthat we are looking for. Yeah,
we' re already contacting her Pichulaand you love life in Tampa the other
day I had the show over thereand there' s Patricia Banks too that

(01:30:09):
' s on your way there.Yeah, and come on, come on,
we' re at Andra' sto go and they' re going
to Kenya, to that whole group. If good parts, you don'
t go all three, because wehave a situation that I' m going
to tell you after this, whatGenia is. When you listen to her
and you say wow, a lotof people are gonna say that and you
think I can take a quarter.Well, gentlemen, the waists are different.

(01:30:34):
There' s a different orientation,there' s a different visual,
because it' s a movie whereyou' re going to have real African
landscapes, which isn' t thatwe put a chroma behind where we'
re going to ride elephants, wherewe' re going to be a safari
and we' re going to seelion and we' re going to be
really. So that' s thenice thing about it and aside from the

(01:30:59):
story, that story one that Iwant. That' s why I tell
you, oh my God, giveme a breo one day for me given
some of the idea, that's where we are now. That one
' s so cool. So youhave that lawsuit and you say no million
pesos. And from there that helped, everybody grabbed to set the standard for
you to wait. If we're gonna make money, we' re
all gonna make money. But now, buddy, I think we' re

(01:31:23):
making very little. I do findthat as much as I want to earn
little, because I can' tcatch a movie and we buy a three
million pesos monthly apartment, which isa nonsense And what is a three million
pesos apartment, No, what athree million pesos apartment is a piece in
a neighborhood. Yeah, so I' m kind of a movie actor that
you put on Look at me inArgentina. I was dedicated a month in

(01:31:44):
the period of independence in February,a whole month Latin cinema that called me
e g as with these people ofArgentina. Maybe he' s got a
little pickle It' s a goodthing the movie is. Someone said there
' s a brown over there.He says no we have a month at
the level of promoting the anniversary ofindependence. We want to do it as

(01:32:05):
a comedian who has been so successfulhere in Argentina, in film through Latin
cinema. If not you, hedidn' t dedicate it to me as
a whole. Wow, what doyou think. He knows Sunday cinema has
a movie. I know Sunday.I have a movie quarry that if you
grab three months, you know Sundaysif I have to be participating in more
than thirty movies. And I wowwhen I go to Cuba, that I

(01:32:27):
come that is taking me to allplaces in Cuba, that I come out
in three pages of newspaper grama frombeyond Cuba, where nothing else is talked
about Carlos Marches, about the questionof communism and things, and I close
in three pages and take me tothe national cinema quadrant and I am where
the signature of Robert de Niro is. I' m on that wall filmed.

(01:32:48):
There are pampam films here that giveme Thomas fie Macking, that take
me there And I see today Igo and come out and when I'
m greeting him to the Cuban actorsthat are making movies there, I want
you to see with the eyes ofreverence. And I say to myself that
I did because I don' tfeel like I' m an actor at

(01:33:10):
the level that oh my God apeeroso franc, for example, that'
s one of those actors' favorites. When you say you' ll act
that ah good fran peerso pepe closesthat it only has that you know that
you say actors. But like theseguys that you talk to him about other
Dominican actors, without touching a name, and they still consider you as the
actor they prefer. Why are youfucking me? Why do they fuck me

(01:33:33):
in Puerto Rico? Why are youfucking me in Miami? Why do you
fuck me in Venezuela? Why theyfuck me in Panama, why they fuck
me when you talk to him aboutthe actors. Not me, because you
' re looking at me. Butif you were one, just like that
here when I see you pounding meand when you see, when you leave
since the plane makes a hundred cónof the gomba. There, go ahead.
They' re not actors, they' re my photo assistants. Look,

(01:33:56):
look there, look, you bean, I got a picture with a
piano mouth and the aba to thatFrank. But ask Fran because I want
Juan Fran Brothers. Not in PuertoRico. Not because I' ve eaten
well there, but it' show Levin was soon vilified and he went
with me to present a movie thereand he says I' m not going

(01:34:17):
back to Puerto Rico with a car, because that' s where I see
the speck. He says I'm not going back to that crazy guy.
There are no more humble people ofgaban the verti Eivin says photo that
I am sick of fucking with thesepeople, because people look, look,
how they have me here, sheath, but pussy, how good you see
with a Dominican. It' son that level and so you don'
t know the work we have incinema at Latin American level, that faithful

(01:34:41):
people. I do a live oneand from Brazil and you' ll say
ah dominican pussy isn' t radicuof or they' re not Brazilian.
When I go to Puerto Rico,I don' t show Dominicans, I
chow the Puerto Rican thing. WhenI see Cuba, my job is for
the Cuban. When I go toPanama, what they fill the site is
Panamanian. I feel good, Ifeel time, because I feel that my

(01:35:01):
work is hovering over another, otherattitudes from other countries another community. I
feel sad sometimes because I' vegone to countries where Mexicans don' t
even think it' s good forthem to suck. I' ve done
chow on it in the Cholceo wepulled four thousand seven hundred people hand them

(01:35:29):
a patchul strap and I four thousandseven hundred people. It is the record
to dominate it of all time PuertoRico, because no Dominican has put in
a place more than two thousand sevenhundred people, that also the record of
us, like me, that Iam the Dominican record of seven films in
Puerto Rico. And I' mgoing to have two different sagas, two
different sagas in two different countries.We' re talking about Latin cinema,

(01:35:50):
just like we are. Two differentsagas that I already have dominicaño, one,
two and three, and now Ihave sangipan that one, two and
three, and I' m alsoin the otoman that we' re stuck
in it in that code how muchthey can' t even mention you and
say wow, how impossible the thatloborico, when I say where the dominica

(01:36:10):
with the cock is like it's going to fall the world. Who
is the technical mine that Dominican Loboreco, I how strange that Dominican codes are
coming to you as it has cometo music. Dominican urbans are getting into
Puerto Rico, they' re gettinginto Miami and they' re getting in

(01:36:33):
the merengue, you don' thave to tell it anymore, but already
the urban one, the reggaeton andthese issues that you' re getting into.
They' ve had to live withit, and as a Dominican,
we deport. What we do comesout, but I tell you I'
m proud. Then it' sgonna happen to me. You feel like
you feel bad knowing how you goto other countries and they value you so

(01:36:59):
much more than how you value yourselfhere at home. I feel like shit.
Oh wow, here, here,yeah, here. I have to
be honest. I' m right, I' ve always been right.
Aha, that is, you wentto another country, because you feast for
another country. No. I don' t have to leave for my dad
of all we have in fact,to stay in the homeland that saw you
born, but I feel like we' re going through a time. Maybe

(01:37:20):
a time has to pass. Let' s say you' re going rock
where we' re not respecting.I can go to the moon and introduce
myself to the moon for the firsttime. First Dominican going to the moon
and presenting a show to the personwho went with me there on the rocket
a show landed and went down againhigher. It doesn' t matter here,

(01:37:43):
in the meantime, in the world, but my God this Dominican went
to the moon, he showed upfierce any Dominican. Any Dominican goes to
Puerto Rico and shoves four thousand sevenhundred people into the Showliseo that he had
still talking about it. However,great thing. That' s why they

(01:38:04):
' re all crazy, not myniggers. There is respect because I say
that I disagree with the prohibited substance, this disagrees with the vulgarity in the
networks and I disagree. You can' t point me at saying that I
' m talking about shit. WhatI am talking about questions that supposedly humbly
and logically have to happen. Whydo you think that I am saying that

(01:38:26):
I want to be the chairman ofthe Public Show Committee, because there must
be, there must be a controlof some things and what is happening now
I am glad that it happens andI want the communication to collapse to a
level, on a level hear mytea, I can tea, I can

(01:38:47):
hope that you did not edit it, to a level where there are lives
in danger. You feel like Ilove you that no one dies, but
whatever happens, something so big incommunication that people say. I knew that
' s going to happen, butI' m already predicting it from when,
when YouTube wasn' t there,it wasn' t even monetized.

(01:39:11):
I' m telling you. Shutup with your mouth, follow your comedies
because I can' t stand myselfcomplaining about a situation, if there'
s a sack of garbage, I' m just what picks up that shit
from ay shut up pussy fucking viueimporto and why you think it happens that
the Dominican gives him a job valuinghis Dominican talents, but he has to

(01:39:36):
stop someone from coming out and sayah your WEY that' s what'
s going on, is that wedon' t give a job valuing the
one in the yard. I understandthat the Dominican is proud of himself that
even though he himself is going toget shit, he' s the proud
one of his country. And thenhe did when Happy Sanchez was running to

(01:39:56):
that fucking old man. Now youwere like now we lose when wey won
when Happy Sanchez told me pussy gaveme a hat with the shield. He
tells me I like to speak likehalf English. Yeah, yeah, oh,
look at your goal very pretty andI take your cap and say I
' m not happy to have representedthe pattern is. That medal is yours

(01:40:16):
alone. Take care of the country. It' s all wrong that I
saw that they were saying. Thatdamn sight won' t come from your
ra that even the Octavo won't get there, because we thought you
were old enough to run that prize. It was you who earned it yourself.
The Dominican is the way to noticethat they once speak even with their
full name. I fauto genaro killsyou I don' t go in there

(01:40:42):
fautos the aromato you on Google andthere' s shit. It doesn'
t even come out. He doesn' t have a company, he doesn
' t have a career, he' s got maybe four women, he
' s got an alley, he' s got a record for stealing something
Vani does, and he' sstill proud of. The dominica. Look
at the picture. You sit ina restaurant to eat with your kids and

(01:41:08):
you say well come because but we' re not going in some pictures.
Fuck me. Come on, comeon, don' t get ready.
The Dominican doesn' t like itbecause he feels like going to an artist
and getting low because we' reraised like this and look good. Right
now, you' re going tothe dichotheque where they light the tigers that
are down, you chippers and youwhat are down and the tiger that have
doubtful money and what they don't have, that because there are also

(01:41:30):
people who have earned it. It' s a big deal. They don
' t bully the one who's singing and up with one thing,
because he feels like he' sgot more money and he' s got
more picket and he' s walkingmore. They walk with women who if
they are singing the song that theyfeel jealous and what they do in life
impossible to have tarima with road andwith the time they had almost said that
there was shot what happened there.No, I don' t. Oh
Roche went up and he was makinga sheath and the guy sat there on

(01:41:53):
his back. There are tigers ontheir backs. While he sees between the
artist. First they buy the furniturea piece of furniture counts one hundred and
seventy- five as an ear andbought to sit forward and you raised your
feet. It' s not yourfoot. It is forward and enters time
if what it does is not enjoythe artist, no, because it is
not to enjoy you to teach theartist. The kid' s got more
money. And when that one buysa bucket of mue and I check a

(01:42:15):
bucket of moy, then it isyes and not all the woman drinks it
for you, not just for thechavail. Everybody wants to have the alpha
cart. Everyone is an artist.Look, it' s all about your
going out to a neighborhood and everythingis just as combed in the same way
as urban hairdoes. You put JulioFogon in right now, there' s
one named Julio favor weird, Braudioforne pussy. I' m copying.

(01:42:41):
I' m almost pop and Idon' t remember any name from the
urban brawl fun shooting for the forty- two. You don' t find
it, because so much objective iswaiting for you the zebra of Madagascal,
who fell into the direction that youdon' t know which one was right
now. So much so, whenMozart' s bow came. They'
ve got everything, they' vegot a bow and you say which one

(01:43:02):
' s Mozart, which one's mosa. You don' t find
it, because right now it's the being of belonging, belonging to
me, you have to respect me. They can live with a four blog
bed to corao, but when theycome out there are fake tennis from the
nai. I have to have tennisfrom the ship that in the normal store

(01:43:24):
count fifteen zero, but they sellit to you in eight hundred ninety-
nine weights and they sell you thesame shirt. And if you see the
original at once and see that's the same thing, then what happens
is that they understand that by havinga fear that looks like the original.
They feel original. And if youtell him it' s not original,
you' re disrespecting him. That' s why there' s so much

(01:43:45):
aggression, so much crime, somuch anxiety. Many boys who grab a
seventy engine and get robbed don't see a chance, because right now
and more young women now than theone who doesn' t have money isn
' t given to a woman ofthat beast. But the same thing seemed
like a girl that I liked andfelt like a pimp and she was dressed
in a way that I really didn' t want her to be put in

(01:44:08):
like that, but since it wasn' t Mira I was getting to know
and the first proposal that tells melook at me I would like to make
melo. I thought you couldn't help me with that, and I
told him, but it wasn't me that knocked you down and you
know the relationship is the same brakeah brake, I didn' t,
but it wasn' t me thatknocked you down my black. I'
m getting to know you. Iwant to know which one is you.
But if you' re still inthat vanity, you have to do it

(01:44:29):
yourself and look. And my appreciationtowards that age was that I was very
good, that I was beautiful andin the conversation I felt that I could
dialogue with her with something of quality, but I came up with that one,
with that sheath so insul you knowthat ay ay ay no. I
create a man who puts me onmy breasts and that' s what society
is in now. And that's where the code comes in for most

(01:44:51):
women who are worse than the others. They say not all and those that
say not all are worse than allfera when one talks about dis women we
are not saying because if we takethat away we have to get a list
of the Centre meetings. This one' s not and I have to last
the interview by saying look I'm going to talk about women, but
this one' s not going.It was such in Durg' s not

(01:45:11):
to you it was the net.I mentioned one by one, but you
have to give it to me thatin this situation, both men and women,
I don' t know that thisgeneration was lost. This was lost
We, as they say it islike a cliché, but a phrase that
I will assume. We have norelief. We follow Coquín, Bouruga.

(01:45:32):
We comedian, yes, but wedon' t have a revo. We
mentioned a new merenguer, now merenguernew good Manicru Mani crú and Gabriel took
off, yes, but it iswhat you say Mani Cruz and Chanchancha Manicru
that one before there were two hundredmerengueros and you see that afterwards there are
one hundred fifty or one hundred merenguerswho are still more merenguero than the devil

(01:45:57):
and the next generation are still more. And then we' re at a
time when there' s one.The herrera is old, eh the torito
who unfortunately just announced that he hasa disease. We don' t expect
you to get over that. Thereare many people who have overcome that disease
because, thank God, science,modernity is no longer. It' s
not a like a Corsican signature thatI fucked you or not. Yeah,

(01:46:18):
yeah, yeah, thank God,I think it' s gonna happen in
the rosaries. The rosaries are alreadylords, old elders. They' re
not getting old, they' redissecting I want it, but they'
re dissecting Villalon? Mommified, mummifyingFernandito Villalona? They have to go up
and grab him between eight then ofOngana when this anger was ua. Wow,

(01:46:40):
that' s right now that we' re talking about four years.
We' re not having meringero anymore, not cow. Mani Cruz sun Ani
Cruz remained only that truth not.And Tenermani' s cruel museum for a
specific group and I read his belbdoing all the cover of what died,
all the choir that died right nowand the perico rhymed to survive. Typical
groups have had to turn to usto be able to block ah Claro to

(01:47:02):
call me as the dog hits mewater, and that' s what Tico
Enrique died already even if they arealive. A lot of them are going
to die with a fist in theirhand, but I' m going to
bite. You' re a guywho' s famous because he doesn'
t think much about tomorrow. Youenjoy your life now, it doesn'

(01:47:23):
t exist for me tomorrow. Okay, so as far as you see automate
in the future and how you seeit, that' s what' s
left of it in the years tocome. If you were a hypothesis,
m Mela, I' d likegood. I' d like if I
die like I' m not goingto see it or listen to it,

(01:47:43):
because it looks like the audio.You see the audio, being that when
you see my son if there isanother life and hopefully so, for me
I will see from above how tohave a plash mou say good. Look
at the thing I can' tsay anything about, and when they see
it, they' ll give himan idea. Look, it' s

(01:48:03):
being the piano- mouthed son andsomeone saying and what was the mouth of
a comedian that I' ve foughta lot, but look, it'
s given, look they love eachother. But I' d like in
the future something that can put mein a north. I want to have
a position in the State with whichI can act, for example, the

(01:48:26):
Public Show Commission. I' dlike that. What happens is that the
Public Show Commission acts on media,traditional media such as television and radio.
But even today, as the caseof alophoque he has become powerful with media,
it is that public spectacle has nocontrol. So, I understand then,

(01:48:47):
although he has made the transition toradio, that his programs are now
broadcast by radio frequency, but hisgreatness comes from the digital of a company
that has California. Here comes thecanilla to the House of Deputies, that
is, the canton of the senators, that you are bicameral, to carry

(01:49:08):
a bill where the people who attack, who add to society, we can
even place the defender of the people, because someone has to defend the people,
because even when these appear your carajetasand these cards saying what they say
pollute, because this has no schedule. Note that YouTube doesn' t have

(01:49:30):
a schedule. You see it atthe time you want at twelve o'
clock in the day, you puta habana and then we are in a
society where not again that the childis seeing in my house, has no
time and has no geographical location,for the fact that before if the television
is in the room and is on. Yeah, you can say boy take
off and go away, but thelittle face takes the tablet in the room

(01:49:50):
and you don' t have yourcontrol exactly. Oh. We know that
we have no control over a networkand less over a platform like me You,
which is neither ours, which Iam universal, perhaps for YouTube.
A bad word you' re sayinghere. Maybe in another country, uh,
saying the woman you were beautiful.We' re saying whore, polo
a dick, so we' resaying like that, so for another country,

(01:50:14):
maybe you' re beautiful. Butyou have to establish if you have
even sent to have one thing,one communication, there is YouTube, at
least so that it is to bea little eye- visor with the situation
of us, because you have todo it by bringing in the hand right
now there is no company of friction. It wasn' t no. I
think we can get there more.We' re waiting for the dead man.

(01:50:35):
I' ll bet you in twomonths there' ll be a dead
man. You think it' scaused by the nets, there' s
going to be a dead man.He' s gonna be dead. Unfortunately,
justice has not worked with the demands, because what happens that for me
you come and tell me I wastold that I played Jorge An Drugs.
What I do not understand is whydefamation cases, which are already very much

(01:50:56):
what have been ventilated, none haveended, none have come to say condemned.
You defamed. So b has topay for the lawyer, because you
agree. I let go of fortythousand pesos starting to attract him. Enrique
Crespo, aha won' t haveto prove that to me because everyone who
knows me knows that I don't know about it. Ah what faith
auto drinks if it is a drink, ah, what fauto women, of

(01:51:19):
course, I always said, butI said I don' t even know
a cigar what it was that EnriqueCrespo said, that he used forbidden substance
together, but not a photo ofme next to who he is and I,
ohok he assumed, because he hearsme. That' s the best
defamation there is when I shoot myself, when I throw the problem at myself,

(01:51:42):
for example, I can say noI suffer from this disease, but
it was Fulano who hit me.I' m already assuming a deadly illness.
Sexually transmitted. For example, Isay I have it, but it
was Fulano who gave it to me. When it comes to the lie that
I have, but already defamation.People say he' s not crazy to
say he has it, because he' s defaming himself. He assumed he

(01:52:03):
used that substance and used it onme. I say, wow, what
a privilege with so much friend Ihave and I decided to be like a
person I don' t even see. Aha how I do it by blutu
or way Fi where here, inthis damn country, you know what you
have with him in a place sittingat a table look what Enrique is,
I think, because he' sin Fula. You' ve never sat

(01:52:24):
here. Yeah, me never.I have my thirteen children I wish.
They know that, that' sa matter of networking. Never in my
life have I had to go toa juca. I don' t know
what I mean unless it' sa play, a movie where he grabbed
a cigarette I don' t knowor smoke a cigarette. I don'
t know about that. He's a virgin about that and I don

(01:52:45):
' t like him. There wasn' t even that I felt like a
nicotine and that it made me feeland you smoke ay tells you how I
tell you, I don' tlike it and you' re gonna put
me in a situation like that.And yet, the people were with that
stubbornness that I was raising something inthe nets. Oh, here' s
all my pussy. Too bad he' s got a teased son. I
couldn' t talk anything. Ihad to block the comments because every time

(01:53:09):
I opened the sheath, ay conchonot there the pipe has it in the
pocket or it has it in thepocket of your son and I devil how
incredible, how dangerous this, thatbegan to make me aware of going backwards.
Sir, I had to go love, do the lic with a little
period, do the analysis here withhow much. I didn' t know

(01:53:30):
there was so much dope, becauseI think it was marijuana, cocaine,
and there was another zeta. Yeah, hecta, yeah, yeah, yeah,
I think it was amethysts. Butthen I saw that there were about
eighteen a littin would tell you howmuch it goes to do method that do
it all. Then the newspaper thatVasquez, Johnny Vazquez, went the next
day with the commitment to look forthe sealed envelope and choose what goes out

(01:53:55):
there and pull it out more momsand read it, including Jessica Perera,
who were still reading it. Hodeserves it. It' s sealed now.
He opened it. I saw himat my house. Pa, Pa,
Pa, Pa, Pa, negativewhat you think people left behind.
You think people got me out ofthat. That' s when he saw
me orange. There appeared to bea reggaelo of respect and to pay for

(01:54:16):
the drug that now I have foundout that there is a recipes I like
this is only ballero. The playerswho remove the signature drink that, and
yet, because they take it off. Yes, yes, it is that
the networks are really very negative inthat sense. People like to keep the
bad, the best thing is thegood. The good stuff. Not interesting,
but I' m telling you wehave no relief. You can see
the meringue. Television is also slowlygoing away on TV. First, it

(01:54:42):
' s a problem with interaction.It maintains a very expensive in terecio program
and the networks you are already leavinga small group, a small group,
but already before, as it lived, it can no longer, you can
no longer endure all that cost.Of course, I don' t know
anything else A group that' swell established, that' s solid.
Let' s just say that ifthe hochizantos, the pamelazuelos things like that

(01:55:03):
oally already figure solid, but theydon' t follow him for laughing.
Let' s follow one half andfigure by image. But right now,
someone from scratch who says let methink about a TV show, he can
' t stand it. Don't hold it. It was just a
show asking for humor to look forthe humorist and it was like ten,
because everyone has their YouTube program.It' s going better on YouTube than

(01:55:26):
I did there to win. Twenty- five and thirty fixed is like a
woman on the street. Twenty-five a day. Skinny care twenty-
five and thirty a day sleeping witha man. How you' re going
to count on a serious man whomaybe a month will tell my mom look
grab her ten soft wear. He' s fucking saying I messed with this

(01:55:49):
man. If I laid down thirty- twenty a day, three clear men,
then in the end what was wrong, you get more rented. It
' s more profitable. Open uppeople themselves who are looking for retability.
That' s why I had theso- called communicator out there right now,
the more hidden they have behind them, the better, the better.
We' ve got to slow thisdown now You' re the one.

(01:56:14):
I want to ask one last question, and I thank you very much for
coming. I' m very fondof you. You. People don'
t know what love we don't have. Yeah, we' re
just hanging around in the cool streamthat' s blowing us up. Yeah,
right, that was that fus inSamuel' s car. I think
we were late walking in your brother' s car a wave, a white
pacacol, I remember and we jumpedat a wanker who had a key to

(01:56:35):
throw out, because the radio twowas warming up. But we' re
talking. We' re going topass it like this. Hey look at
three to three four in the morning, coming out of a fauto movie.
Call me at my place. Igo there and we, in a very
dark street, have stayed the carthrowing humor alone and I ask, I
wait for at least three to fourstab wounds. But luckily, it didn

(01:56:58):
' t happen. It didn't happen, and we found the key.
We jump. I wet you agallon, it seemed like all Dad
God and he had a gallon andthe boy and I took him to the
house. Then what are people goingto say if they come here? But
you know, he didn' tsee anyone because that was his mouth,
wolf four in the morning. I' m curious about you. You feel

(01:57:25):
like you grow up in a precariousenvironment and then you do well in life.
You feel that you, your children, have given them too much so
that they don' t suffer whatyou suffered and that maybe your hand has
gone giving it to you I'm sorry that merra ended a question.
No one had asked me that question. But I feel so bad because first

(01:57:46):
I feel guilty about not being withmy children' s mother and I want
to fill that void so that mychildren don' t see that I left
their mom, because people understand thatyou left and I didn' t abandon
me. There is no better examplethat they are still in their school.
They have a roof of their own. Your mom is living thanks to God

(01:58:08):
that she hasn' t had meto go out to work in a place
that people see her selling in acorner one thing and say look. Anyone
who sees musk peano, look atbeing the one that is there selling Panta
and Brazil in that corner or sellingwho min one thing? That' s
what I had without going into themerit of the person who did it.
Yes, but I have treated himand so far it has been to keep

(01:58:30):
him worthy. My children are studyingin grace from a good school, but
I have been very permissible with themthat if cell phone Daddy, I want
me to take it because I feelthat the space I have not occupied in
them because I am not at homefills it with material questions. I think
it' s been a mistake andI' m paying for it right now

(01:58:51):
because I have two kids that Carland Sol can say right here, since
they see it on this termite andthey' re going to see it.
I have been placed on a greenerlevel, but not a greener one that
worries me, but the normal rebellionof the youth. But right now,
like so these guys, after DrNastra. I' ve been afraid of

(01:59:13):
such a situation. I imagine thathas touched me very closely. I called
tornata. I already have Jevitus.And when people ask me why I'
m very close to Tonatra' sand I don' t even know what
to tell him about this in natral, I say wow, because this is
a circuit. It is very verydifficult father, if not what he,
what he has happened with his son, has to be one of the biggest
nightmares of any dad, but alsothe others have happened because they lost their

(01:59:38):
son. Well, that' strue. Yeah, so I had,
so you can' t get anywhere. There' s a talented young man
who wasn' t in a dubioussituation, he wasn' t a criminal.
I' ve just been doing yearsand on the birthday or they'
re wearing it boy who wasn't even close to what I was doing.
It' s a boy on average. We felt as if there were

(02:00:00):
more futures in this boy who losthis life than in this cha bed Hanne
that presumably was assumed because they werealready condemned. He' s assumed that
that happened. And I don't think Dominican justice, though I have
my doubts, but I don't think I' m crazy enough to
grab people and say you were withoutit. And besides that right now,

(02:00:20):
instead of seeing one of these guysas a person who committed an atrocity to
take a boy' s life eglike they see him as being symbol sex
symbol and how beautiful, but thosemouths he has was the pro Lords,
what' s going on? What' s going on? Well, gentlemen,
these guys made a mistake by accident, because they didn' t really

(02:00:45):
go out to take anyone' slife. But the moment, the shot,
as presumed and said, presults legaciouslythe guy let go and, unfortunately,
had the aim of leading to beingboys of that level. But Caramba,
instead of you placing look well,a genre in my neighborhood arrived or
a lawyer, an architect in lovewith a girl. Everyone the barbarous little

(02:01:08):
fulana has a lawyer, the airof a lawyer, eats a belly,
a lawyer. Now, look atyou, they were dating a guy who
says the pussy friend and you havea brother because chip but you have more.
I talked about that one more time. Penetration, a television project.

(02:01:30):
We soft said that in this countrythere is increasingly respect for the fourth and
no matter how you know it.I only have it fierce then got it
a glass honestly or dishonorably to me. I' m not interested in that.
Which I' m interested in having, because when they grab a hood
or a drug dealer' s bow, why around that person there are two

(02:01:51):
hundred that figure in the middle aroundthat guy. Yeah, women, uh,
because they were a road, that' s what a navi was like
out there. The excuses are coming, she won' t wait for you.
The thing is, he sponsored mychest because I was going to a
commercial that has a love business name. Yeah, yeah, yeah, there
are things you can see from afar. I' ve been in contact with

(02:02:14):
people who are of that level.I met that molester because he was going
to his disco pretty good person forthe artists. It was sitting there fauto
cuño that you fill up, no, sit there, that is, mese
yours I went up to Tarima topresent cello cha not a little you don
' t present chelo pula ah pooit' s okay, how much you
charge me. I thought it wasgoing up and throw my brother out I

(02:02:36):
went up to introduce him. No, no, no, whatever you give
me duck grabs me. Those fifty- year- olds with you fucking charlo
chafua, I got out, Iearned my room fast. Everything worked that
way the whole dichotheque your man has. I have another one called Chino,
who is sentenced to thirty years livingin the luperon. He was always close

(02:02:58):
to my career because I was lookingI slept after either said the person I
was and I was the Chinese.That one, but that' s the
fact that he fell in jail thatI didn' t, no, no,
I got him. I have greatappreciation for him, because that person
has a deference, he has adeal for the person. He has never
involved me with them in any activitythey have, but they are people who
at least respect people and want toplease you. You go to his business

(02:03:24):
and they want to please you.Where you' re sitting, feel me
there Put him on Treat him likepeople are people. So notice that those
guys in the neighborhoods are gods,because what politicians, some politicians, don
' t do about discovering a recipefor someone, they' re there working
on their stuff. That' swhy when there are problems, they keep
telling him they' re hiding himwhen the LEDs pass and I' ve

(02:03:46):
had the opportunity to see those people, because all the Dominican artists have had
to see those people. But,however, women do. Oh, and
that friend and he doesn' tand he doesn' t and he doesn
' t have a hyman. Butthen you, coming back to the question,
you' re afraid that you missedthe man and that maybe your kids
are going that way. They don' t get in the way. So

(02:04:10):
far I haven' t noticed that. Thank God. I still feel naive.
I still feel like I' mwith the boys and I don'
t know extreme innocence. Trap theway to dress your interests in ah that
your voo and your little thing arestill interested in the piano. There'
s one who wants to tug pianothat well, one' s struggling with

(02:04:31):
flute. You see these are thingsyou say, and there are guys you
mention to them, who are fullof such Venezual music that they still don
' t have those records of nothaving that close contact. Yeah, yeah,
they don' t have those shudderingcontacts. And when you do,
I hope they' re intellectually prepared. Let' s put it that way

(02:04:51):
so that they don' t letthemselves get into what they say, because
the guys who talk and sing thingsin urban music, specifically that' s
not the fault your son hasn't dressed you up to know that that
' s a show so he didn' t drown in the Titanic. They
kill a hundred in a song toFulla, I didn' t grab it

(02:05:14):
and I backed it, Fulla,I didn' t grab it, I
dance it, But that' sa fictional song, But there are children
and there are boys and young Tudwho understand that you have to be gangster
or not. I do, Ihave to be like a guy, but
if you don' t mind thatthe one called the prince of hell,
what' s the name of thesaba breaker out there. That guy says
he' s not a character calledthe Kiss character, not that one.

(02:05:39):
That' s how it' sfrom XI is the main one. Yeah,
what' s his name or something. I know what it is.
I forgot my name. I don' t have the name of my head.
That guy I know what he is. And that guy says no this
is a character. We have amusician' s line, a character,
but we drink blood. We eatchops and a pice. No. We

(02:05:59):
don' t have any. Thensometimes you have to have the boys ready
so that rason doesn' t happen. But if we really take care of
ourselves a little bit more and don' t sell him that much, that
' s because what happens is thatit' s left of one gender.
Yeah, that truth. The bachata, the bachata. Hearing a bachata is
very difficult. You have to sendher to the station. There' s
no longer a station. It's very difficult. bachata emitter comes out
one after the other and if ithas, if there is vulgar, it

(02:06:20):
comes out, if the vulgar luedoes not come out, then I say
there must be a control. That' s what I' m afraid of
with my kids. Right now we' re shutting things down on cell phones.
We take it off, the games, we take it off. They
' re getting a boring pussy andAhorita comes in from the holiday that there
' s more, more, morelovemaking and we' re trying to fill

(02:06:41):
it with something. That' swhy I' m gonna put him on.
They fill with exact things, withbuilding work. They' re going
to put it to read that theyeat the piano, the flute, the
kind of music, cartarlo ya,fill it with positive English things that when
they come to talk, all threeof them can swim. I can'
t swim I can' t swimI can' t swim I can'
t swim. I have to stickto the pool of Sana' s two

(02:07:01):
train now I am they have tostick to the pool. When I'
m some giving is playing fucking oldman, I' m proud, but
let' s see Dad God protectus, love us fake tek. He
was a great guy and a greatconversationalist. With you are the soco hook
river with you, always fun atall to talk. I' m very

(02:07:23):
clear to you that yes, crazy, I' m very fond of you.
I wait when I have another project. Out there together, because you
imagine us when you make a movie, you go because you see the jokes
that come out on the screen.True, but the hourboat you have in
a trailer is making yucca, drinkingcoffee, eating pizza and talking morning mornings.

(02:07:45):
But time flies by me. Timeflies by, and there' s
no way you don' t goout making a brother out of all those
people, because one of them isand the other day four hours talking and
the next day five hours talking andthe next day three and a half hours
talking. He says we have togo out the dive, a show,
a hard one day, what doyou say a poo and a guagua in

(02:08:09):
tarima together, two completely different routine. How would I do that? How
would I do that? It's called pop way opi Wa. So
I' m all here popi wa. Homplo gets in with a little guitar
at least bautifica I want you black. This good is still cool and my
weight is for your dog that youleft. Oh, thank you. He

(02:08:30):
picks up dog from the street.She was thirteen, one of them died.
I' m giving him condolences andhe' s always Mars, the
yeta pains, but you know whathis name was ballet or that I had
two. And then a friend cameto the house. He like two days
before, already after the second pickup, we became famous that I recommend

(02:08:52):
dog and a friend this was thatgave him salt the other dog. No.
No, no, then a friendfinds him in an alley in the
colonial zone and showed up at myhouse. And I' m looking at
a dog and I' m likethat and you' re picking it up
dogs, no, but you're not going to do that now and
I' m not. That wasthe third one and there came a friend
who just met the other two.And when I see that one says Ieta

(02:09:13):
and I said ay Mira, itdoesn' t have a name yet look
at it there Yeta and then itwas called Yetta. That' s why
he baptized him, because Yeta saidand these came out the name of e
Pepo. You tell me about Pepo, not Pepo Aha, because it was
more chatty Aha. He knows whoPepo is. He' s a bachatero

(02:09:35):
boy named Pepo and one day hedid it in his neighborhood. It'
s a dichotheque the rent and it' s put on an artistic name because
it' s wrong. It's a name because it' s like
you said that Pepo put on somethingbrivon or that oh squip a thing from
a sheath. There' s acrazy thing that when it comes out that
touching people gets to pick, becausepeople thought that this one believed that they

(02:10:00):
were other people and I don't know, said pussy, so man
leaves it like that, and pepo, hahaha, you don' t know
no spo e pepo, and pepoñowhat sheath. And I was already inside.
They left it. They went tosee Brian, Brian drain Scott,
and Brian' s like ay pepoand he puts it up and pick it

(02:10:24):
up aste that says, uh,pepo, oh what a wildie bye-
bye put it on well, giveme another drag so it doesn' t
go away like that, no,because it' s going to take,
to take. I have two dogsand in my house if you want

All Episodes

Episode Transcript

Popular Podcasts

On Purpose with Jay Shetty

Stuff You Should Know

The Joe Rogan Experience

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}161. A SIGÚN: Fausto Mata

Episode Transcript

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}On Purpose with Jay Shetty

Stuff You Should Know

The Joe Rogan Experience

All Episodes

161. A SIGÚN: Fausto Mata

On Purpose with Jay Shetty