May 22, 2025 • 29 mins
This comedic duo brings laughter through their rapid-fire banter and classic routines. Their chemistry and timing have cemented their place in entertainment history.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:12):
Hey, yeah, yeah, the evident Costello program brought to you
by Camel, the cigarette that's first in the service.
Speaker 2 (00:19):
According to actual sales records.
Speaker 1 (00:21):
See if your throat and your taste don't make Camel
a first with you too, find out for yourself.
Speaker 2 (00:29):
Listen to the great rhythms of Freddie Rich and his
artist brother.
Speaker 1 (00:31):
The swingy singing of Connie Haynes, and that roly poly
little road hog who, whenever he's stopped by a traffic
cop always.
Speaker 3 (00:40):
Says, hey, hey, Costella, castella, kame here.
Speaker 4 (00:58):
Where have you been? Wait a minute, and where did
you get that suit? It looks like a naval officer's uniform. Oh,
a naval office. That's uniform. I should have to tell you.
I'm gonna join the Merchant Marine. How do you like
a fancy uniform? Get all the gold bread on my cap,
the gold bread on my sleep. Wait a minute, Costello,
that's a nice uniform, all right, but you've got the
pants on backwards.
Speaker 5 (01:18):
I know.
Speaker 4 (01:19):
I want to be a real admiral. And look, you
can't get it into the Merchant Marine. You couldn't pass
the physical examination. Who couldn't have it? I walked in
the recruiting office southnoon. Everybody's slepping. And the captain pointed
at me.
Speaker 6 (01:30):
And he said, boys, there's a whale.
Speaker 4 (01:33):
Of a man. The captain said, you were a whale
of a man. Well, he didn't use them same word.
And what did they say? He said, boys, get a
little that big hunker blubber. You know, I can hardly
wait till I get on my ship Abbot Sale and
sally over the bounding New Jersey. Now wait a minute,
wait o, wait, wait a minute, that's over the bounding main.
I come from Patterson, New Jersey. Why should I give
(01:54):
a plug to Maine?
Speaker 7 (01:55):
Now?
Speaker 4 (01:55):
I love bluck. Oh there you are. That shows you
you know nothing about the sea. You're not a nauticle, man,
I'm not what I said. You're the you're the least
bit nautical.
Speaker 6 (02:09):
Oh I have my movements, I do have it, No
I do. After all, a fuller can't be bicycle all
the time.
Speaker 4 (02:16):
There's no sensicle and be an icicle. When you meet
a little cuticle who wants to be nauticle, what are
you talking about? What am I talking about? As well?
Speaker 6 (02:23):
Last nighticle, I met a cuticle riding a bicycle.
Speaker 4 (02:26):
I bought her a popsicle, And just as she was
going to give me a kisicle, a copsicle on a motorcycle,
blew his whisical and gave me a stlepsicle in a
puscycle and sent me a homesticle. That's enough that silly talk.
What do you mean by coming in here talking about
being a sailor? You don't know anything about the sea?
(02:47):
Who don't? My whole family was sailors.
Speaker 6 (02:49):
Have it?
Speaker 4 (02:50):
Even my large stubbers was a sailor. What was his capacity?
Five quarts? And on a what did he do as
a sailor? He was on a tanker? Where is he now?
On a bender? Now we'll live? Be serious? Please now
take me? Who wants you in our shutout? I love
the sea? The sea is in my blood. Sailboats, steamboats, rowboats,
(03:11):
They're all in my blood. No wonder your skin is
so lumpy. You can joke all you want, But I
love the sea. Do you realize that I lived on
salt water for twenty years?
Speaker 6 (03:21):
How can you drink that stuff?
Speaker 4 (03:22):
Oh? Never mind that the ocean is wonderful. Did you
ever see the flying fishes fly, all the leaping tuners lead? No?
But I saw the dolphins stout and heard the porpoises park. Look, Castella,
I'm going to see how much you know about boats. Now,
have you have you ever been down to the docks.
Speaker 6 (03:38):
Yeah, I was at the docks this morning.
Speaker 4 (03:40):
Did you see any vessels? Yep? The nurse carried one in.
I had. I'm not funny. I'm not talking about that
kind of a dock. I'm talking about a wall. What
a wah wa wa waf Oh that's cute, habit.
Speaker 6 (03:56):
Not give me a paw.
Speaker 4 (04:00):
The walk is where the boat's in bar do what embark? Embark?
What are you doing? I don't know. You want to
play doggy? Oh Classtello? Please? I don't think you know
anything about boats. Do you know anything about sloops?
Speaker 6 (04:13):
Oh?
Speaker 4 (04:13):
I'm crazy about sloops.
Speaker 6 (04:15):
That's nothing like a hot ball of sloop, but plenty
of crackers, you dummy.
Speaker 4 (04:19):
You wouldn't know the difference between us.
Speaker 6 (04:20):
I'm gonna talk by Charlie Chan.
Speaker 4 (04:22):
Listen to me, please, I'm just I'm just after telling
you you wouldn't know the difference between a sloop and
a gunboat.
Speaker 6 (04:28):
That's what my mother made for lunch. He made one
chicken gun boat sloop.
Speaker 4 (04:32):
You please talk. Said, Look, how about this boat you're
going out on? How fast is it? How fast? Yeah,
it goes forty miles an hour? On no, no, on no, no,
you don't mean miles. You mean your boat goes nuts.
My boat goes knots hur to read every boat goes nuts.
Speaker 6 (04:47):
What drives the nuts?
Speaker 4 (04:48):
The engines? Indians, engines drive the Boat's not that's ride.
We gotta get work through the gene. Notry. He'll fix
those engines. Not on love people. No no, no, no, no, no, no, no,
I know, I know everything. I'm not talking about engines, engines, engines.
The faster the engines turn, the more nuts you get,
(05:08):
and the more you talk, the more not so I
would you please listen, not sir, nautical miles. For instance,
if you ask a sailor how fast the boat is going,
he won't say miles to you. He'll say nuts to you,
and I'll say nots right back to half. No you
do no, no, no, no, you're not fine sailor. A
great guy to have on a boat in case of
an emergency. Look, what would you do if you were
(05:30):
on a boat and it started leaking in the middle
of the night. I put a pan under it and
go back to bed.
Speaker 8 (05:34):
No, no, well, ain't that right?
Speaker 4 (05:38):
Certainly not. Suppose there was a big hole in the
side of the boat and the water was rushing in.
What would you do? I pour a hole on the
other side, let the water out. You see? There you
go again? Why you don't even know what part of
the boat from you know, one part from the other. Yes,
I don't, No, you don't. Yes, let me let me hear.
Let's see all right, go ahead, in the different back
of the boat.
Speaker 6 (05:57):
Okay, the bow, the bowers, the flare ball, that's right.
Speaker 4 (06:00):
Here's the back of the vote, and the starboard is
on the right side. Where's the pot? And I'm bottle
in the icebox? I tell you look, look, look. Suppose
suppose you were out in the boat and a strong
east wind came up. What would you do? I trowt
an aka that's right now. But suppose a terrific west
wind came up. I trod on araka. But suppose a
north wind came up, and I trod on araka. Hey,
(06:20):
wait a minute, where are you getting all those anchors
same place? You're getting all that wing Hostella. You are,
without a doubt, the most imbecilic moron I have ever
met in my life. Thank you Abbot's And I wish
you'd tell it to my uncle artist sevens why he
thinks I'm a jerk?
Speaker 1 (06:44):
And now you hear all sorts of rumors about the
cigarette shorty. Theories are tossed around like confetti at a
New Year's Eve celebration. Well, I'm not going into all
the whys and wherefores, but I can speak for the
makers of camels. More camels have been made than ever
before in our history, and still the demand can't be met.
Speaker 2 (07:03):
But when you do get camels, they are camels.
Speaker 1 (07:06):
Still a cigarette of costlyer tobaccos blended in the time
honored camel way. Not one shred of tobacco that isn't
properly aged is being used. Camel's reputation will not be
sold down the river. No matter what the pressure of
these times, asked for camels. Every time you buy cigarettes.
Their rich, full flavor and cool mildness make them worth
(07:27):
asking for again and again.
Speaker 2 (07:33):
War or piece camel is still camel.
Speaker 1 (07:44):
Camel Cigarettes now presents Freddy Ridge with a wonderful arrangement
of sweet dreams, sweethearts.
Speaker 4 (09:32):
You have it.
Speaker 6 (09:33):
What's the idea dragging me down here at the shipyard.
Speaker 4 (09:35):
Well, cos tell, if you're going into the merchant marines,
you've got to learn something about boats. Now. Is he
right over there tied up to that pair? You see
two schooners and a skiff?
Speaker 6 (09:43):
Oh, this supposed to be the place where my uncle
Otie steps was last night?
Speaker 4 (09:46):
What do you mean he had two schooners and he
come home skiff? No, when you cut that out, please
you have it? Have it? What's the funny looking board
over there? Wh on the top of it? Oh, that's
one they're just building. That's a hull of a ship.
You're telling me what kind of a bordhism? Hey, pat boy,
step aside. We're about to christen the ship. All right, lady,
break that bottle of champagne over the stern.
Speaker 8 (10:08):
Yeah, lady, what's my dear? He shut it that bound
on me.
Speaker 2 (10:15):
Oh, I'm so sorry. In all this fog, I couldn't
tell one tub from another.
Speaker 4 (10:21):
Let me at that day, get away from their costella.
It's not her fault. She mistook you for a ship.
Speaker 7 (10:26):
Hi.
Speaker 4 (10:27):
I hope I didn't hurt you. No, you didn't.
Speaker 6 (10:30):
You just cracked my boilers, and my inter roma's flooded.
Speaker 4 (10:34):
I should let those of our shipyards. And I'm telling you, oh,
why had a pert right should be like at refusal? Right?
Speaker 6 (10:39):
Never mind that now I said bermic.
Speaker 4 (10:41):
Right to be here.
Speaker 2 (10:42):
In fact, they named this boat has to be because
I have such graceful lines.
Speaker 6 (10:46):
My friends tell me I look jump like a streamlined ship.
Well don't look now, kid, but your cargo has shifted.
Speaker 4 (10:54):
Hey, wait a minute, what are your two guys hanging
around here for? My friend Costela here wants to be
a sailor.
Speaker 6 (10:59):
Oh yes, Oh, come on, fat boy, grab that Duffel
bag and follow me.
Speaker 4 (11:03):
Okay, well put me down, you fool. I'm sorry, Lee,
and all this fog, I couldn't tell one old Duffel
from another. Costella, come on, let's go, Come on, please,
let's get going. Come on, yeah, step right into this
office and we'll examine you. That's it. I'll open your shirt, Costello,
(11:28):
and let me see what kind of a chest you've got. Oh,
I couldn't do that. Oh come on, Costell, open your shirt.
But I can't. I feel too embarrassed, embarrassed to show
your chest. I forgot the comit this morning come on here,
I'll help you off with your shirt. Come on, say
you got some nice tattooing there. What's that picture of
that lady on your bag? Oh that's Whistler's mother. Whistler's mother?
(11:50):
Or what are those two sailors doing there with her?
Those are the guys she whistled that. Hey, Costello, I
see you've got General Eisenhower tattooed on your chest. Yeah,
I got General mont coming.
Speaker 6 (12:00):
I want shoulder and General Patton on the other shoulder.
Speaker 4 (12:02):
Have you got any more? I wish I could show
you a hippo. Why not? I don't want to take
my shoes off. I might catch hold. Well, Costello, you
seem to be all right physically, and I'll just step
in the next room and see the officer and charge
your personnel. Hey, I'm suggling on the poop dick, I'm
(12:25):
at the end. Hey, look, castelos po imagine. Well, well, well,
what can I do for you boys? I'm in charge
of the CBS. CBS could be.
Speaker 9 (12:42):
Now just that second, Castello, what are you doing with
your hand? Absolute you that's have there from your salute?
Speaker 4 (12:48):
Can I help it up? My nose? Itches, Costella, behave
yourself the kits and could you use a man like
Costello on one of your ships?
Speaker 9 (12:55):
Ooh yes, inded, you know I've got a sheep leaving
tomorrow for the underwear Island, the.
Speaker 4 (12:59):
Under where Ireland, the West one. Oh I was telling
unless some with a picture company in the West Indies.
I was making shorts. He was making shirts.
Speaker 9 (13:12):
Oh, I get it, making shirt I don't wear them.
Speaker 4 (13:19):
Listen, Kitsel, where else does your boat go? Well? After
it leaves the West Indies, it goes to Quba.
Speaker 6 (13:24):
Perto Rico and Haiti And what comes after Haiti Haiti.
Speaker 4 (13:28):
One, Haiti two, Haiti three. Oh, but this guy has
nothing but a big.
Speaker 6 (13:33):
No bab What is our no bead spell backwards baboon?
Who who are you calling a bab boon?
Speaker 4 (13:41):
In my country that means fight well. In my country,
that means fight so well. How do you like that
we're both in the same country? Castella, quit hogging in
our kitsel? Won't give you a job?
Speaker 9 (13:52):
Yeah, serih, mister Castello, And you know I got just
a job for you. We are looking for a breathing
boy like you to fight many sharks.
Speaker 4 (14:00):
On the record, I'm afraid, I'm afraid I'm afraid.
Speaker 6 (14:03):
I'm afraid I couldn't take that job on the call
of My.
Speaker 4 (14:05):
Middle name is earl. What's what's your middle name got
to do with it? Earl and water don't mix? That's
that'll do me such a cloud. Why don't you admit
that you can't swim? Who can't swim? Every night I
go swimming after dinner? You mean you swim on us
a full stomach? Go, I swim on my back. Last night,
I was not swimming in the ocean. I saw a
school of whales swimming I feet above the water just
(14:27):
that second, d just that second. How could our school
of whales swim et feet? That book?
Speaker 6 (14:32):
Do you water?
Speaker 4 (14:33):
This was a high school. I couldn't a high school. Well,
we're going to see how much you know about swimming.
I challenge you to our swimming grapes. Right now, Castell,
Kitsel is calling you bluff. Yeah all right, Kitchen, tell
you what I'll do. Do you see that little red
light way out in the water.
Speaker 6 (14:53):
Yeah, well we'll swim out to that red light in back,
and the guy who makes it.
Speaker 4 (14:56):
In the fastest time wins Oki dokie, I'll go for you.
Well there he goes Costello. He's swimming straight for the
red light. You'd better be ready to try it when
Kitsel gets back. Kitchen, a coming back isn't coming back?
Speaker 6 (15:10):
What do you mean that red light is on the
back end of a boat going to China.
Speaker 9 (15:20):
The night?
Speaker 1 (15:21):
Connie Haynes things a beautiful ballad for her camel audience.
Speaker 2 (15:25):
I'm making believe, uh am may.
Speaker 8 (15:30):
Making believe that you're in my own.
Speaker 10 (15:36):
And you're soup far away, making the leave, don't talking
to you.
Speaker 8 (15:48):
I wish you could see what I say.
Speaker 10 (15:54):
And see.
Speaker 8 (15:57):
Moutiful rickening like we used.
Speaker 4 (16:04):
To do, making believe.
Speaker 8 (16:10):
The just love ware dreaming until my dreams come true.
Speaker 11 (16:19):
Whis the good night.
Speaker 12 (16:22):
To how the life and kiss my pillows, making believe you, making.
Speaker 8 (16:38):
Believe that you're in my arm. I know the storm a.
Speaker 13 (16:47):
Way making believe I from talking to you. Wish you
could hear what I say.
Speaker 5 (17:03):
In the.
Speaker 8 (17:05):
Line with dancing like we you see.
Speaker 12 (17:12):
You making.
Speaker 8 (17:17):
It's just a love way of cleaning until my dream
has come true.
Speaker 11 (17:26):
Ah, whisper good night, do not light, kiss my piddle,
making it leave, making the leave it you.
Speaker 8 (17:42):
Nobody else but you.
Speaker 1 (18:03):
On the corner of Maine and Catalpa streets. Two men
were talking.
Speaker 14 (18:07):
So I said to him, Frank, I've been buying from
you for fourteen years.
Speaker 4 (18:11):
You've got to give me some camels.
Speaker 6 (18:12):
Yeah, then what stoop down under that corner?
Speaker 4 (18:15):
I said, come around here, see if yourself. He said
to me, no camels. No camels. Same with me too.
Speaker 7 (18:21):
So I've been smoking their spraying and that.
Speaker 4 (18:23):
Huh.
Speaker 7 (18:24):
Remember how those guys in the radio used to say,
compare camels with other cigarettes.
Speaker 4 (18:29):
Hum.
Speaker 7 (18:29):
Now, when you gotta compare, whether you want it or not,
you really begin to catch on to what great cigarettes
those camels are.
Speaker 14 (18:36):
Yeah, Mile, but boy, what a flavor. You knew you
were having a smoke of camels.
Speaker 7 (18:42):
Yeah, but I keep on buying camera, asking for him
every time I buy cigarettes. Get them too sometimes and
you know I was talking.
Speaker 2 (18:50):
Yes, folks, keep on asking for camels.
Speaker 1 (18:52):
Cost you your tobaccos really aged and still blended in
the traditional camel way. This is one brand that will
not be sold down the river. See camel's war or piece.
Camel is still camel.
Speaker 4 (19:17):
Castella. This is ridiculous. We've been rowing around in this
harbor and the dock for over an hour, and they
chase you off every ship. Nobody wants to hire you
as a sailor. And besides, I'm very hungry. Oh, here's
a bottle of milk. Catch yourself a fish. What kind
of a fish could I catch with a bottle of milk? Catfish? No, look,
let's go back to shore, not me habit.
Speaker 6 (19:37):
I'm going to every boat in this harbor until i
get a job.
Speaker 4 (19:40):
Hey, hey, look, there's a boat bearing down on us.
Now in a spare a dime for a cup of coffee?
A time for a cup of coffee? Who are you?
Speaker 1 (19:51):
Oh?
Speaker 4 (19:51):
Just a tramp steamer.
Speaker 6 (19:55):
There's a quarter niles, Go stuff yourself with it, hey
cause tell her.
Speaker 4 (20:00):
There's a big ship laying at anchor, and there's a
ladder hanging over the side. Look, I'll grabbed you by
the coat and boost you up. What riff your coat
is gone? Then you better grab me by the shirt.
Speaker 6 (20:13):
What ripped?
Speaker 4 (20:14):
Your shirt is gone? Now i'll grab you by the trousers.
I'm afraid to ask what's coming off down below? You'd
be surprised. Better get you aboard. Never mind a board,
give me a battle stand by below. I'm sending down
the first maid.
Speaker 6 (20:33):
Put something around me.
Speaker 4 (20:34):
Have it quick. His wife is coming down. Hi, up there,
don't bother sending down your first maid? All right, I'll
send down my second maid.
Speaker 6 (20:41):
How do you like that?
Speaker 4 (20:42):
The guy's a pigamist coat. Send on your second mate.
How about the third maid? The guy's got three mates?
What is this to see? A mattermoney?
Speaker 2 (20:50):
Cold?
Speaker 4 (20:51):
Go ahead, Castellic, climb aboard. Well, welcome to the SS sponge.
This sponge is soaked. Hey, you must be our new admiral.
Just a minute, captain, a quiet plant. What's the matter abbit?
This guy thinks I'm an admiral. Oh, this is my
big chance to run my own ship. Take it easy, here,
(21:13):
I got watch me put it an easy. Go ahead,
crank up the ship. Let's get started. Put it get
Oh but sure, you can't start the ship until you
get steam up.
Speaker 6 (21:23):
I'll get steam up, Hey steam, yes, sir, get up?
Speaker 4 (21:28):
Anything else there? Yeah? Batting down the hatches? What the
hatches are all? Batting down?
Speaker 6 (21:33):
Batting them down again?
Speaker 4 (21:35):
We'll show those hatches. Wait, wait a minute, Costello. You
can't make this ship going until you weigh the anchor. Okay,
have it bringing a scale now before you start, Costella,
you'd better get all your hands on deck? Get what
your hands? Where are your hands in my pockets? Yet? Done? Costella?
What about the weather? Did you get the weather forecast?
The what the weather forecast? How do you find the weather?
(21:58):
I opened the window and there were no This is serious, Costella.
Suppose you run into a storm. I don't think we'll
have a storm. How about a shower?
Speaker 6 (22:06):
Take one if you think you need it and I
think you need it, never mind, I think.
Speaker 4 (22:09):
We both need all right, Come on, Costella, let's go
up on the captain's bridge. Honest? What that thing over
there is the captain's bridge? Gonna sakes? How does he
get that big thing in his mouth?
Speaker 2 (22:20):
A pardon, meet sir? But we better not set sail.
The barometer is falling.
Speaker 6 (22:23):
Well, pick it up and let's get going a fast
you slaps, swaps, lard board.
Speaker 4 (22:31):
The mainsail, raise the gypsail, lower the sheets and change
the best friends. Where we're moving, Costello? Isn't this wonderful?
Here we go over the bounding wings?
Speaker 6 (22:44):
Uh up and um uh.
Speaker 8 (22:50):
Uh and uh.
Speaker 14 (22:53):
Uh uh.
Speaker 7 (22:59):
Uh stop.
Speaker 4 (23:05):
Stop that's the matter with you? Something teror pullus gone
to help? How do you know? Are you psyche?
Speaker 7 (23:13):
No?
Speaker 4 (23:13):
I'm so shick ah. You'll be all right in a minute.
Let's take a walk around the deck. Hey have it.
What isn't the air wonderful? What's that little coop up
on top of the ship. That's the crows ness, the closeness.
Speaker 6 (23:26):
Let's go up and take a peek at the little darlings.
Speaker 4 (23:29):
No, please, please, there are no crows up there, and
one of those big birds flying around up there? Those
are girls. How can you tell the gulls from the boys. No,
come on, please, Castella, Please wait a minute, Wait a minute.
Speaker 6 (23:40):
I mean I want to.
Speaker 4 (23:40):
Climb up in that crows nest and gather some eggs.
There are no eggs in that crows ness.
Speaker 6 (23:44):
There must be a couple of them, just dropped after
that last jag.
Speaker 4 (23:49):
Look, please forget about the egg. I wish I wasn't
a boddy. You mean I take it easy, less a taste. Wait,
look that's a taste, just an luck. I'll be careful
what you're saying. I'd like to be a little sitting
in a tree when you'd walk by, I'd break myself.
Speaker 6 (24:05):
And splatter thee with me.
Speaker 4 (24:15):
Some yok yes, pleady, Castella, please cut that kind of stuff.
Speaker 2 (24:18):
Off.
Speaker 6 (24:19):
Well, I think I'll go below and get something to eat.
Speaker 4 (24:22):
Win away eat. Well. You can mess with the captain's wife,
not me. I ain't messing with nobody's white.
Speaker 2 (24:27):
Oh pardon me, sir, but we'll have to turn back.
We're going to run into a squall.
Speaker 6 (24:31):
A squall? WA's an Indian's wife doing out here in
the ocean?
Speaker 4 (24:36):
Call? Look, there's somebod the ahead of us in the pod.
Hey you see it? Something hooming up ahead of us
in the pond. Yeah, he's trying to run into us. Yes, hey,
you so you know the rules of the sea.
Speaker 6 (24:50):
Get out of the way.
Speaker 4 (24:51):
Do you want us to run into us?
Speaker 6 (24:53):
What do you mean running in here? This is a lighthouse.
Speaker 4 (24:55):
Well, get it out of the way. You're on the
wrong side. Free get away.
Speaker 6 (25:02):
Ain't dim your light, you're blinding me.
Speaker 4 (25:05):
Castella. You'd better let me take that wheel before we're
all killed. Don't you get worried at But don't you worry.
I can steal this boat. I know every rock along
this coast. That must be a strange one. Hey, Castella,
what I think you struck a wreath? What breath? Breathe?
You were barking much better in the first part. Hey,
(25:25):
we're moving again. Look at costello. There's a little fishing
boat dead ahead, fresh of clams, twenty five cents of dolls,
fresh of clams, twenty five cents of dollars. Climb a
child at ten cents.
Speaker 6 (25:44):
Of ball flaw.
Speaker 4 (25:49):
Hey, but give me some clickers. I'm in the sloop again.
Speaker 1 (26:00):
US Jallow will be back for camel cigarettes and ju
them off.
Speaker 15 (26:06):
Thanks to the Yanks of the week. Tonight we salute
Lieutenant Everdy Pruet of Monday, Texas. In one night he
led a patrol across the Roar River, through minefields and
into Sigfried line positions. He brought back three wounded men
and a machine gun and artillery fire, and single handed
four or eight Germans with a rifle and hand grenades
until the wounded men were safely away. In your honor,
(26:29):
Lieutenant Prouet, the makers of Camels are sending to our
fighters overseas four hundred thousand Camels cigarettes.
Speaker 1 (26:42):
Each of the three Camel Radio Show honors a Yank
of the Week by sending free four hundred thousand camel
cigarettes overseas a total of more than a million camels
sent free each week.
Speaker 2 (26:51):
Camel broadcasts go out to the United States three times
a week.
Speaker 1 (26:54):
Our rebroadcast to practically every area in the world where
our men are fighting and in cooperation with the Good
Neighbor policy, also to Central and South America. Listen tomorrow
to Jimmy Duranty and Gary Moore, Monday to Bob Hawk
and thanks to the Yanks, and next Thursday to Abbott
and Gustello and out here Budd and Lou back with
a final word.
Speaker 4 (27:12):
Uh say Costello, Yeah, did you know that your kid
brother Sebastian was sitting in the control room all through
the show tonight?
Speaker 6 (27:18):
Yeah?
Speaker 4 (27:18):
What's she doing in air? I'm gonna find out, hey, Sebastian,
So come out out here. Hello on Cobud.
Speaker 6 (27:24):
Hello a wait, I came down here tonight as you
guys do me a favor. Well, what's on my mind?
I mean, what's on your mind?
Speaker 4 (27:32):
Abbot? If I'm gonna play these double parts, I want
more money? Come on, Sebastian, what do you want? Well, Alcobud,
I'm thinking of starting a program on my own, and I.
Speaker 6 (27:42):
Got a couple of good guys to help me do it.
Made you shore some Tommy Lamb, and we want to
put on a nice program. Now you know all the
big shots and radio you can help me.
Speaker 4 (27:50):
Well, we'd like to help you, Sebastian, but really we
don't know anybody.
Speaker 6 (27:54):
No Jimmy that I hurt this program tonight.
Speaker 4 (27:58):
You must know somebody, luck, Sebastian. I'm surprised at you
to think that you would come out here on this
microphone and deliberately tied to this scred at the acting
ability of her brother Alou and myself. How can you
be so ungrateful? What in the world is the matter
with you?
Speaker 9 (28:12):
Oh?
Speaker 4 (28:15):
The night folks, the night folks.
Speaker 1 (28:23):
You are to do that next week for another great
Aviden cost double show. And remember camels are worth asking
for every time. See for yourself camel's mildness, coolness and
flavor click with you.
Speaker 5 (28:41):
A suburban railroad station, two men go into the smoking car.
Speaker 7 (28:45):
As I was saying, George, that's one of the best
looking pipes I've ever seen.
Speaker 14 (28:48):
Beauty, isn't it. My son, Tommy, you know, the one
of the eighth Air Force. He's home on Fellow brought
me this from London. But yes, well, I hate to
hate the kid's feelings, but the god damn thing burns
my tongue brutally if it'll only smoked as good as
it looked.
Speaker 5 (29:01):
Why, oh why doesn't someone tell the grieving gentleman about
Prince Albert smoking tobacco real he maned tobacco flavor and
yet gentle to the tongue as a mother with her babe,
no bite treated to take out all the bite and parch.
Primp cut two for perfect packing, smooth drawing, even burning,
and the bargain just about fifty pipe poles in one
regular two ounce Prince Albert package.
Speaker 1 (29:25):
The Avvan Coast tell the show for camel cigarettes will
be back at.
Speaker 2 (29:27):
This very same time next week. Don't mess it. This
is Ken Niles in Hollywood, whetsing you all the blessing.
Speaker 6 (29:33):
Good night.
Speaker 2 (29:44):
This is the National Broadcasting Company
Hey, yeah, yeah, the evident Costello program brought to you
by Camel, the cigarette that's first in the service.
Speaker 2 (00:19):
According to actual sales records.
Speaker 1 (00:21):
See if your throat and your taste don't make Camel
a first with you too, find out for yourself.
Speaker 2 (00:29):
Listen to the great rhythms of Freddie Rich and his
artist brother.
Speaker 1 (00:31):
The swingy singing of Connie Haynes, and that roly poly
little road hog who, whenever he's stopped by a traffic
cop always.
Speaker 3 (00:40):
Says, hey, hey, Costella, castella, kame here.
Speaker 4 (00:58):
Where have you been? Wait a minute, and where did
you get that suit? It looks like a naval officer's uniform. Oh,
a naval office. That's uniform. I should have to tell you.
I'm gonna join the Merchant Marine. How do you like
a fancy uniform? Get all the gold bread on my cap,
the gold bread on my sleep. Wait a minute, Costello,
that's a nice uniform, all right, but you've got the
pants on backwards.
Speaker 5 (01:18):
I know.
Speaker 4 (01:19):
I want to be a real admiral. And look, you
can't get it into the Merchant Marine. You couldn't pass
the physical examination. Who couldn't have it? I walked in
the recruiting office southnoon. Everybody's slepping. And the captain pointed
at me.
Speaker 6 (01:30):
And he said, boys, there's a whale.
Speaker 4 (01:33):
Of a man. The captain said, you were a whale
of a man. Well, he didn't use them same word.
And what did they say? He said, boys, get a
little that big hunker blubber. You know, I can hardly
wait till I get on my ship Abbot Sale and
sally over the bounding New Jersey. Now wait a minute,
wait o, wait, wait a minute, that's over the bounding main.
I come from Patterson, New Jersey. Why should I give
(01:54):
a plug to Maine?
Speaker 7 (01:55):
Now?
Speaker 4 (01:55):
I love bluck. Oh there you are. That shows you
you know nothing about the sea. You're not a nauticle, man,
I'm not what I said. You're the you're the least
bit nautical.
Speaker 6 (02:09):
Oh I have my movements, I do have it, No
I do. After all, a fuller can't be bicycle all
the time.
Speaker 4 (02:16):
There's no sensicle and be an icicle. When you meet
a little cuticle who wants to be nauticle, what are
you talking about? What am I talking about? As well?
Speaker 6 (02:23):
Last nighticle, I met a cuticle riding a bicycle.
Speaker 4 (02:26):
I bought her a popsicle, And just as she was
going to give me a kisicle, a copsicle on a motorcycle,
blew his whisical and gave me a stlepsicle in a
puscycle and sent me a homesticle. That's enough that silly talk.
What do you mean by coming in here talking about
being a sailor? You don't know anything about the sea?
(02:47):
Who don't? My whole family was sailors.
Speaker 6 (02:49):
Have it?
Speaker 4 (02:50):
Even my large stubbers was a sailor. What was his capacity?
Five quarts? And on a what did he do as
a sailor? He was on a tanker? Where is he now?
On a bender? Now we'll live? Be serious? Please now
take me? Who wants you in our shutout? I love
the sea? The sea is in my blood. Sailboats, steamboats, rowboats,
(03:11):
They're all in my blood. No wonder your skin is
so lumpy. You can joke all you want, But I
love the sea. Do you realize that I lived on
salt water for twenty years?
Speaker 6 (03:21):
How can you drink that stuff?
Speaker 4 (03:22):
Oh? Never mind that the ocean is wonderful. Did you
ever see the flying fishes fly, all the leaping tuners lead? No?
But I saw the dolphins stout and heard the porpoises park. Look, Castella,
I'm going to see how much you know about boats. Now,
have you have you ever been down to the docks.
Speaker 6 (03:38):
Yeah, I was at the docks this morning.
Speaker 4 (03:40):
Did you see any vessels? Yep? The nurse carried one in.
I had. I'm not funny. I'm not talking about that
kind of a dock. I'm talking about a wall. What
a wah wa wa waf Oh that's cute, habit.
Speaker 6 (03:56):
Not give me a paw.
Speaker 4 (04:00):
The walk is where the boat's in bar do what embark? Embark?
What are you doing? I don't know. You want to
play doggy? Oh Classtello? Please? I don't think you know
anything about boats. Do you know anything about sloops?
Speaker 6 (04:13):
Oh?
Speaker 4 (04:13):
I'm crazy about sloops.
Speaker 6 (04:15):
That's nothing like a hot ball of sloop, but plenty
of crackers, you dummy.
Speaker 4 (04:19):
You wouldn't know the difference between us.
Speaker 6 (04:20):
I'm gonna talk by Charlie Chan.
Speaker 4 (04:22):
Listen to me, please, I'm just I'm just after telling
you you wouldn't know the difference between a sloop and
a gunboat.
Speaker 6 (04:28):
That's what my mother made for lunch. He made one
chicken gun boat sloop.
Speaker 4 (04:32):
You please talk. Said, Look, how about this boat you're
going out on? How fast is it? How fast? Yeah,
it goes forty miles an hour? On no, no, on no, no,
you don't mean miles. You mean your boat goes nuts.
My boat goes knots hur to read every boat goes nuts.
Speaker 6 (04:47):
What drives the nuts?
Speaker 4 (04:48):
The engines? Indians, engines drive the Boat's not that's ride.
We gotta get work through the gene. Notry. He'll fix
those engines. Not on love people. No no, no, no, no, no, no, no,
I know, I know everything. I'm not talking about engines, engines, engines.
The faster the engines turn, the more nuts you get,
(05:08):
and the more you talk, the more not so I
would you please listen, not sir, nautical miles. For instance,
if you ask a sailor how fast the boat is going,
he won't say miles to you. He'll say nuts to you,
and I'll say nots right back to half. No you
do no, no, no, no, you're not fine sailor. A
great guy to have on a boat in case of
an emergency. Look, what would you do if you were
(05:30):
on a boat and it started leaking in the middle
of the night. I put a pan under it and
go back to bed.
Speaker 8 (05:34):
No, no, well, ain't that right?
Speaker 4 (05:38):
Certainly not. Suppose there was a big hole in the
side of the boat and the water was rushing in.
What would you do? I pour a hole on the
other side, let the water out. You see? There you
go again? Why you don't even know what part of
the boat from you know, one part from the other. Yes,
I don't, No, you don't. Yes, let me let me hear.
Let's see all right, go ahead, in the different back
of the boat.
Speaker 6 (05:57):
Okay, the bow, the bowers, the flare ball, that's right.
Speaker 4 (06:00):
Here's the back of the vote, and the starboard is
on the right side. Where's the pot? And I'm bottle
in the icebox? I tell you look, look, look. Suppose
suppose you were out in the boat and a strong
east wind came up. What would you do? I trowt
an aka that's right now. But suppose a terrific west
wind came up. I trod on araka. But suppose a
north wind came up, and I trod on araka. Hey,
(06:20):
wait a minute, where are you getting all those anchors
same place? You're getting all that wing Hostella. You are,
without a doubt, the most imbecilic moron I have ever
met in my life. Thank you Abbot's And I wish
you'd tell it to my uncle artist sevens why he
thinks I'm a jerk?
Speaker 1 (06:44):
And now you hear all sorts of rumors about the
cigarette shorty. Theories are tossed around like confetti at a
New Year's Eve celebration. Well, I'm not going into all
the whys and wherefores, but I can speak for the
makers of camels. More camels have been made than ever
before in our history, and still the demand can't be met.
Speaker 2 (07:03):
But when you do get camels, they are camels.
Speaker 1 (07:06):
Still a cigarette of costlyer tobaccos blended in the time
honored camel way. Not one shred of tobacco that isn't
properly aged is being used. Camel's reputation will not be
sold down the river. No matter what the pressure of
these times, asked for camels. Every time you buy cigarettes.
Their rich, full flavor and cool mildness make them worth
(07:27):
asking for again and again.
Speaker 2 (07:33):
War or piece camel is still camel.
Speaker 1 (07:44):
Camel Cigarettes now presents Freddy Ridge with a wonderful arrangement
of sweet dreams, sweethearts.
Speaker 4 (09:32):
You have it.
Speaker 6 (09:33):
What's the idea dragging me down here at the shipyard.
Speaker 4 (09:35):
Well, cos tell, if you're going into the merchant marines,
you've got to learn something about boats. Now. Is he
right over there tied up to that pair? You see
two schooners and a skiff?
Speaker 6 (09:43):
Oh, this supposed to be the place where my uncle
Otie steps was last night?
Speaker 4 (09:46):
What do you mean he had two schooners and he
come home skiff? No, when you cut that out, please
you have it? Have it? What's the funny looking board
over there? Wh on the top of it? Oh, that's
one they're just building. That's a hull of a ship.
You're telling me what kind of a bordhism? Hey, pat boy,
step aside. We're about to christen the ship. All right, lady,
break that bottle of champagne over the stern.
Speaker 8 (10:08):
Yeah, lady, what's my dear? He shut it that bound
on me.
Speaker 2 (10:15):
Oh, I'm so sorry. In all this fog, I couldn't
tell one tub from another.
Speaker 4 (10:21):
Let me at that day, get away from their costella.
It's not her fault. She mistook you for a ship.
Speaker 7 (10:26):
Hi.
Speaker 4 (10:27):
I hope I didn't hurt you. No, you didn't.
Speaker 6 (10:30):
You just cracked my boilers, and my inter roma's flooded.
Speaker 4 (10:34):
I should let those of our shipyards. And I'm telling you, oh,
why had a pert right should be like at refusal? Right?
Speaker 6 (10:39):
Never mind that now I said bermic.
Speaker 4 (10:41):
Right to be here.
Speaker 2 (10:42):
In fact, they named this boat has to be because
I have such graceful lines.
Speaker 6 (10:46):
My friends tell me I look jump like a streamlined ship.
Well don't look now, kid, but your cargo has shifted.
Speaker 4 (10:54):
Hey, wait a minute, what are your two guys hanging
around here for? My friend Costela here wants to be
a sailor.
Speaker 6 (10:59):
Oh yes, Oh, come on, fat boy, grab that Duffel
bag and follow me.
Speaker 4 (11:03):
Okay, well put me down, you fool. I'm sorry, Lee,
and all this fog, I couldn't tell one old Duffel
from another. Costella, come on, let's go, Come on, please,
let's get going. Come on, yeah, step right into this
office and we'll examine you. That's it. I'll open your shirt, Costello,
(11:28):
and let me see what kind of a chest you've got. Oh,
I couldn't do that. Oh come on, Costell, open your shirt.
But I can't. I feel too embarrassed, embarrassed to show
your chest. I forgot the comit this morning come on here,
I'll help you off with your shirt. Come on, say
you got some nice tattooing there. What's that picture of
that lady on your bag? Oh that's Whistler's mother. Whistler's mother?
(11:50):
Or what are those two sailors doing there with her?
Those are the guys she whistled that. Hey, Costello, I
see you've got General Eisenhower tattooed on your chest. Yeah,
I got General mont coming.
Speaker 6 (12:00):
I want shoulder and General Patton on the other shoulder.
Speaker 4 (12:02):
Have you got any more? I wish I could show
you a hippo. Why not? I don't want to take
my shoes off. I might catch hold. Well, Costello, you
seem to be all right physically, and I'll just step
in the next room and see the officer and charge
your personnel. Hey, I'm suggling on the poop dick, I'm
(12:25):
at the end. Hey, look, castelos po imagine. Well, well, well,
what can I do for you boys? I'm in charge
of the CBS. CBS could be.
Speaker 9 (12:42):
Now just that second, Castello, what are you doing with
your hand? Absolute you that's have there from your salute?
Speaker 4 (12:48):
Can I help it up? My nose? Itches, Costella, behave
yourself the kits and could you use a man like
Costello on one of your ships?
Speaker 9 (12:55):
Ooh yes, inded, you know I've got a sheep leaving
tomorrow for the underwear Island, the.
Speaker 4 (12:59):
Under where Ireland, the West one. Oh I was telling
unless some with a picture company in the West Indies.
I was making shorts. He was making shirts.
Speaker 9 (13:12):
Oh, I get it, making shirt I don't wear them.
Speaker 4 (13:19):
Listen, Kitsel, where else does your boat go? Well? After
it leaves the West Indies, it goes to Quba.
Speaker 6 (13:24):
Perto Rico and Haiti And what comes after Haiti Haiti.
Speaker 4 (13:28):
One, Haiti two, Haiti three. Oh, but this guy has
nothing but a big.
Speaker 6 (13:33):
No bab What is our no bead spell backwards baboon?
Who who are you calling a bab boon?
Speaker 4 (13:41):
In my country that means fight well. In my country,
that means fight so well. How do you like that
we're both in the same country? Castella, quit hogging in
our kitsel? Won't give you a job?
Speaker 9 (13:52):
Yeah, serih, mister Castello, And you know I got just
a job for you. We are looking for a breathing
boy like you to fight many sharks.
Speaker 4 (14:00):
On the record, I'm afraid, I'm afraid I'm afraid.
Speaker 6 (14:03):
I'm afraid I couldn't take that job on the call
of My.
Speaker 4 (14:05):
Middle name is earl. What's what's your middle name got
to do with it? Earl and water don't mix? That's
that'll do me such a cloud. Why don't you admit
that you can't swim? Who can't swim? Every night I
go swimming after dinner? You mean you swim on us
a full stomach? Go, I swim on my back. Last night,
I was not swimming in the ocean. I saw a
school of whales swimming I feet above the water just
(14:27):
that second, d just that second. How could our school
of whales swim et feet? That book?
Speaker 6 (14:32):
Do you water?
Speaker 4 (14:33):
This was a high school. I couldn't a high school. Well,
we're going to see how much you know about swimming.
I challenge you to our swimming grapes. Right now, Castell,
Kitsel is calling you bluff. Yeah all right, Kitchen, tell
you what I'll do. Do you see that little red
light way out in the water.
Speaker 6 (14:53):
Yeah, well we'll swim out to that red light in back,
and the guy who makes it.
Speaker 4 (14:56):
In the fastest time wins Oki dokie, I'll go for you.
Well there he goes Costello. He's swimming straight for the
red light. You'd better be ready to try it when
Kitsel gets back. Kitchen, a coming back isn't coming back?
Speaker 6 (15:10):
What do you mean that red light is on the
back end of a boat going to China.
Speaker 9 (15:20):
The night?
Speaker 1 (15:21):
Connie Haynes things a beautiful ballad for her camel audience.
Speaker 2 (15:25):
I'm making believe, uh am may.
Speaker 8 (15:30):
Making believe that you're in my own.
Speaker 10 (15:36):
And you're soup far away, making the leave, don't talking
to you.
Speaker 8 (15:48):
I wish you could see what I say.
Speaker 10 (15:54):
And see.
Speaker 8 (15:57):
Moutiful rickening like we used.
Speaker 4 (16:04):
To do, making believe.
Speaker 8 (16:10):
The just love ware dreaming until my dreams come true.
Speaker 11 (16:19):
Whis the good night.
Speaker 12 (16:22):
To how the life and kiss my pillows, making believe you, making.
Speaker 8 (16:38):
Believe that you're in my arm. I know the storm a.
Speaker 13 (16:47):
Way making believe I from talking to you. Wish you
could hear what I say.
Speaker 5 (17:03):
In the.
Speaker 8 (17:05):
Line with dancing like we you see.
Speaker 12 (17:12):
You making.
Speaker 8 (17:17):
It's just a love way of cleaning until my dream
has come true.
Speaker 11 (17:26):
Ah, whisper good night, do not light, kiss my piddle,
making it leave, making the leave it you.
Speaker 8 (17:42):
Nobody else but you.
Speaker 1 (18:03):
On the corner of Maine and Catalpa streets. Two men
were talking.
Speaker 14 (18:07):
So I said to him, Frank, I've been buying from
you for fourteen years.
Speaker 4 (18:11):
You've got to give me some camels.
Speaker 6 (18:12):
Yeah, then what stoop down under that corner?
Speaker 4 (18:15):
I said, come around here, see if yourself. He said
to me, no camels. No camels. Same with me too.
Speaker 7 (18:21):
So I've been smoking their spraying and that.
Speaker 4 (18:23):
Huh.
Speaker 7 (18:24):
Remember how those guys in the radio used to say,
compare camels with other cigarettes.
Speaker 4 (18:29):
Hum.
Speaker 7 (18:29):
Now, when you gotta compare, whether you want it or not,
you really begin to catch on to what great cigarettes
those camels are.
Speaker 14 (18:36):
Yeah, Mile, but boy, what a flavor. You knew you
were having a smoke of camels.
Speaker 7 (18:42):
Yeah, but I keep on buying camera, asking for him
every time I buy cigarettes. Get them too sometimes and
you know I was talking.
Speaker 2 (18:50):
Yes, folks, keep on asking for camels.
Speaker 1 (18:52):
Cost you your tobaccos really aged and still blended in
the traditional camel way. This is one brand that will
not be sold down the river. See camel's war or piece.
Camel is still camel.
Speaker 4 (19:17):
Castella. This is ridiculous. We've been rowing around in this
harbor and the dock for over an hour, and they
chase you off every ship. Nobody wants to hire you
as a sailor. And besides, I'm very hungry. Oh, here's
a bottle of milk. Catch yourself a fish. What kind
of a fish could I catch with a bottle of milk? Catfish? No, look,
let's go back to shore, not me habit.
Speaker 6 (19:37):
I'm going to every boat in this harbor until i
get a job.
Speaker 4 (19:40):
Hey, hey, look, there's a boat bearing down on us.
Now in a spare a dime for a cup of coffee?
A time for a cup of coffee? Who are you?
Speaker 1 (19:51):
Oh?
Speaker 4 (19:51):
Just a tramp steamer.
Speaker 6 (19:55):
There's a quarter niles, Go stuff yourself with it, hey
cause tell her.
Speaker 4 (20:00):
There's a big ship laying at anchor, and there's a
ladder hanging over the side. Look, I'll grabbed you by
the coat and boost you up. What riff your coat
is gone? Then you better grab me by the shirt.
Speaker 6 (20:13):
What ripped?
Speaker 4 (20:14):
Your shirt is gone? Now i'll grab you by the trousers.
I'm afraid to ask what's coming off down below? You'd
be surprised. Better get you aboard. Never mind a board,
give me a battle stand by below. I'm sending down
the first maid.
Speaker 6 (20:33):
Put something around me.
Speaker 4 (20:34):
Have it quick. His wife is coming down. Hi, up there,
don't bother sending down your first maid? All right, I'll
send down my second maid.
Speaker 6 (20:41):
How do you like that?
Speaker 4 (20:42):
The guy's a pigamist coat. Send on your second mate.
How about the third maid? The guy's got three mates?
What is this to see? A mattermoney?
Speaker 2 (20:50):
Cold?
Speaker 4 (20:51):
Go ahead, Castellic, climb aboard. Well, welcome to the SS sponge.
This sponge is soaked. Hey, you must be our new admiral.
Just a minute, captain, a quiet plant. What's the matter abbit?
This guy thinks I'm an admiral. Oh, this is my
big chance to run my own ship. Take it easy, here,
(21:13):
I got watch me put it an easy. Go ahead,
crank up the ship. Let's get started. Put it get
Oh but sure, you can't start the ship until you
get steam up.
Speaker 6 (21:23):
I'll get steam up, Hey steam, yes, sir, get up?
Speaker 4 (21:28):
Anything else there? Yeah? Batting down the hatches? What the
hatches are all? Batting down?
Speaker 6 (21:33):
Batting them down again?
Speaker 4 (21:35):
We'll show those hatches. Wait, wait a minute, Costello. You
can't make this ship going until you weigh the anchor. Okay,
have it bringing a scale now before you start, Costella,
you'd better get all your hands on deck? Get what
your hands? Where are your hands in my pockets? Yet? Done? Costella?
What about the weather? Did you get the weather forecast?
The what the weather forecast? How do you find the weather?
(21:58):
I opened the window and there were no This is serious, Costella.
Suppose you run into a storm. I don't think we'll
have a storm. How about a shower?
Speaker 6 (22:06):
Take one if you think you need it and I
think you need it, never mind, I think.
Speaker 4 (22:09):
We both need all right, Come on, Costella, let's go
up on the captain's bridge. Honest? What that thing over
there is the captain's bridge? Gonna sakes? How does he
get that big thing in his mouth?
Speaker 2 (22:20):
A pardon, meet sir? But we better not set sail.
The barometer is falling.
Speaker 6 (22:23):
Well, pick it up and let's get going a fast
you slaps, swaps, lard board.
Speaker 4 (22:31):
The mainsail, raise the gypsail, lower the sheets and change
the best friends. Where we're moving, Costello? Isn't this wonderful?
Here we go over the bounding wings?
Speaker 6 (22:44):
Uh up and um uh.
Speaker 8 (22:50):
Uh and uh.
Speaker 14 (22:53):
Uh uh.
Speaker 7 (22:59):
Uh stop.
Speaker 4 (23:05):
Stop that's the matter with you? Something teror pullus gone
to help? How do you know? Are you psyche?
Speaker 7 (23:13):
No?
Speaker 4 (23:13):
I'm so shick ah. You'll be all right in a minute.
Let's take a walk around the deck. Hey have it.
What isn't the air wonderful? What's that little coop up
on top of the ship. That's the crows ness, the closeness.
Speaker 6 (23:26):
Let's go up and take a peek at the little darlings.
Speaker 4 (23:29):
No, please, please, there are no crows up there, and
one of those big birds flying around up there? Those
are girls. How can you tell the gulls from the boys. No,
come on, please, Castella, Please wait a minute, Wait a minute.
Speaker 6 (23:40):
I mean I want to.
Speaker 4 (23:40):
Climb up in that crows nest and gather some eggs.
There are no eggs in that crows ness.
Speaker 6 (23:44):
There must be a couple of them, just dropped after
that last jag.
Speaker 4 (23:49):
Look, please forget about the egg. I wish I wasn't
a boddy. You mean I take it easy, less a taste. Wait,
look that's a taste, just an luck. I'll be careful
what you're saying. I'd like to be a little sitting
in a tree when you'd walk by, I'd break myself.
Speaker 6 (24:05):
And splatter thee with me.
Speaker 4 (24:15):
Some yok yes, pleady, Castella, please cut that kind of stuff.
Speaker 2 (24:18):
Off.
Speaker 6 (24:19):
Well, I think I'll go below and get something to eat.
Speaker 4 (24:22):
Win away eat. Well. You can mess with the captain's wife,
not me. I ain't messing with nobody's white.
Speaker 2 (24:27):
Oh pardon me, sir, but we'll have to turn back.
We're going to run into a squall.
Speaker 6 (24:31):
A squall? WA's an Indian's wife doing out here in
the ocean?
Speaker 4 (24:36):
Call? Look, there's somebod the ahead of us in the pod.
Hey you see it? Something hooming up ahead of us
in the pond. Yeah, he's trying to run into us. Yes, hey,
you so you know the rules of the sea.
Speaker 6 (24:50):
Get out of the way.
Speaker 4 (24:51):
Do you want us to run into us?
Speaker 6 (24:53):
What do you mean running in here? This is a lighthouse.
Speaker 4 (24:55):
Well, get it out of the way. You're on the
wrong side. Free get away.
Speaker 6 (25:02):
Ain't dim your light, you're blinding me.
Speaker 4 (25:05):
Castella. You'd better let me take that wheel before we're
all killed. Don't you get worried at But don't you worry.
I can steal this boat. I know every rock along
this coast. That must be a strange one. Hey, Castella,
what I think you struck a wreath? What breath? Breathe?
You were barking much better in the first part. Hey,
(25:25):
we're moving again. Look at costello. There's a little fishing
boat dead ahead, fresh of clams, twenty five cents of dolls,
fresh of clams, twenty five cents of dollars. Climb a
child at ten cents.
Speaker 6 (25:44):
Of ball flaw.
Speaker 4 (25:49):
Hey, but give me some clickers. I'm in the sloop again.
Speaker 1 (26:00):
US Jallow will be back for camel cigarettes and ju
them off.
Speaker 15 (26:06):
Thanks to the Yanks of the week. Tonight we salute
Lieutenant Everdy Pruet of Monday, Texas. In one night he
led a patrol across the Roar River, through minefields and
into Sigfried line positions. He brought back three wounded men
and a machine gun and artillery fire, and single handed
four or eight Germans with a rifle and hand grenades
until the wounded men were safely away. In your honor,
(26:29):
Lieutenant Prouet, the makers of Camels are sending to our
fighters overseas four hundred thousand Camels cigarettes.
Speaker 1 (26:42):
Each of the three Camel Radio Show honors a Yank
of the Week by sending free four hundred thousand camel
cigarettes overseas a total of more than a million camels
sent free each week.
Speaker 2 (26:51):
Camel broadcasts go out to the United States three times
a week.
Speaker 1 (26:54):
Our rebroadcast to practically every area in the world where
our men are fighting and in cooperation with the Good
Neighbor policy, also to Central and South America. Listen tomorrow
to Jimmy Duranty and Gary Moore, Monday to Bob Hawk
and thanks to the Yanks, and next Thursday to Abbott
and Gustello and out here Budd and Lou back with
a final word.
Speaker 4 (27:12):
Uh say Costello, Yeah, did you know that your kid
brother Sebastian was sitting in the control room all through
the show tonight?
Speaker 6 (27:18):
Yeah?
Speaker 4 (27:18):
What's she doing in air? I'm gonna find out, hey, Sebastian,
So come out out here. Hello on Cobud.
Speaker 6 (27:24):
Hello a wait, I came down here tonight as you
guys do me a favor. Well, what's on my mind?
I mean, what's on your mind?
Speaker 4 (27:32):
Abbot? If I'm gonna play these double parts, I want
more money? Come on, Sebastian, what do you want? Well, Alcobud,
I'm thinking of starting a program on my own, and I.
Speaker 6 (27:42):
Got a couple of good guys to help me do it.
Made you shore some Tommy Lamb, and we want to
put on a nice program. Now you know all the
big shots and radio you can help me.
Speaker 4 (27:50):
Well, we'd like to help you, Sebastian, but really we
don't know anybody.
Speaker 6 (27:54):
No Jimmy that I hurt this program tonight.
Speaker 4 (27:58):
You must know somebody, luck, Sebastian. I'm surprised at you
to think that you would come out here on this
microphone and deliberately tied to this scred at the acting
ability of her brother Alou and myself. How can you
be so ungrateful? What in the world is the matter
with you?
Speaker 9 (28:12):
Oh?
Speaker 4 (28:15):
The night folks, the night folks.
Speaker 1 (28:23):
You are to do that next week for another great
Aviden cost double show. And remember camels are worth asking
for every time. See for yourself camel's mildness, coolness and
flavor click with you.
Speaker 5 (28:41):
A suburban railroad station, two men go into the smoking car.
Speaker 7 (28:45):
As I was saying, George, that's one of the best
looking pipes I've ever seen.
Speaker 14 (28:48):
Beauty, isn't it. My son, Tommy, you know, the one
of the eighth Air Force. He's home on Fellow brought
me this from London. But yes, well, I hate to
hate the kid's feelings, but the god damn thing burns
my tongue brutally if it'll only smoked as good as
it looked.
Speaker 5 (29:01):
Why, oh why doesn't someone tell the grieving gentleman about
Prince Albert smoking tobacco real he maned tobacco flavor and
yet gentle to the tongue as a mother with her babe,
no bite treated to take out all the bite and parch.
Primp cut two for perfect packing, smooth drawing, even burning,
and the bargain just about fifty pipe poles in one
regular two ounce Prince Albert package.
Speaker 1 (29:25):
The Avvan Coast tell the show for camel cigarettes will
be back at.
Speaker 2 (29:27):
This very same time next week. Don't mess it. This
is Ken Niles in Hollywood, whetsing you all the blessing.
Speaker 6 (29:33):
Good night.
Speaker 2 (29:44):
This is the National Broadcasting Company
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