August 24, 2025 • 24 mins
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Dive into the daily escapades of Sam Spade, the iconic private detective, in "Adventures of Sam Spade Daily." This podcast revives the thrilling atmosphere of mid-20th-century detective radio dramas with a modern twist. Tune in each day for new mysteries and sharp-witted adventures that capture the essence of the beloved character created by Dashiell Hammett. Whether you're a long-time fan or new to the genre, this daily podcast is your ticket to suspenseful storytelling.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
The Adventures up Sam Spade detected eight filler in so
Detective Lieutenant Donnie Arnside detailed San Francisco at plays from
Samuel's fade Lies as I'm want to, said a boy
(00:21):
nine six subject the Betrayal and bumpus Hell. Red Gillis
was a raw bone pope from the border country. He
was a stranger the pumpers hell, but he was no
stranger to crumble. He jogged his Pinto down the narrow
main street, not liking what he saw, and rained up
in front of the Sheriff's office. He dismounted and slapped
the trail dust off his levies, and he hits up
(00:41):
his gun belt and ambled inside it. He looked at
the heavy shouldered blue gild man behind the desk, and
he didn't like what he saw. Neither did the sheriff.
Rants blag it. State your business now, I can do
it better than that. State your business and get out,
he smiled. Red smiled thinly and drawled it. I'm looking
for my brother, and what be your name outside of Red?
Speaker 2 (01:01):
Here?
Speaker 1 (01:01):
I can do that better, man, And what be your
name outside of Red? Red Gillis's hand slid throw one
of the sixth shield this assilently as the sun coming
up over the butty gillis. He snid red gillis from
the tontoe room. That's pretty good. The Sheriff's muscles tightened
like steel springs and pulled them erect. Ain't no ton
o' ramer welcome hereabouts in Bumpa's Hell? He cursed. That
(01:22):
was real good, and then the slap of four hands
on leather was followed by the simultaneous row of four
six guns. Hey, wait a minute, the shoff in there?
Speaker 3 (01:32):
Who was it?
Speaker 1 (01:33):
The Sheriff's sister way next door, right on the most
exciting part way now see here.
Speaker 2 (01:40):
I won't take no furniture. It wouldn't be neighbor you.
Speaker 1 (01:42):
What is it, missus Kelsey?
Speaker 4 (01:43):
You mind?
Speaker 5 (01:43):
Come along?
Speaker 6 (01:44):
What are you up to here anyway?
Speaker 2 (01:46):
Me?
Speaker 1 (01:46):
Oh nothing, I'm just relaxing with an apple and a
good book.
Speaker 6 (01:49):
That's see, no apple, and the only reading matter I
see is some Western crash trash.
Speaker 2 (01:54):
Now come on, there's trouble on third fell.
Speaker 1 (01:56):
Well, there's trouble in Bumpa's Hell.
Speaker 6 (01:57):
Don't you as squire at me?
Speaker 2 (01:59):
I'm no duty and I know your duty.
Speaker 7 (02:02):
Come on more?
Speaker 1 (02:03):
Okay, look, oh, my ear, and that Durnde saw help
me is how it started. Effie had just read a
book called Hot to Relax, and I said there the
Western stories were relaxing. And that's how I happened to
be at home at ten pm writing herd and a
copy of Sheriff and Outlaw Rip Roaring Adventures of the
Old West. But bumpas hell, hath no fury Like my neighbor,
(02:26):
missus Kelsey, I left Red Gillis and the Sheriff face
to face and vice versa, eyes flashing and guns ablaze,
and followed her meekly up to the third floor. Sorry,
been at it for three hours a half in the room,
(02:47):
lest nurse cop. You speak to him, speak to them,
you see that right?
Speaker 3 (02:51):
No care under my times for me?
Speaker 1 (02:53):
Oh well, why didn't you call it cop, did you?
Speaker 2 (02:58):
Yeah?
Speaker 1 (02:58):
Yeah, you showed it to me. Put your way back
and I'll see what I can do. Yeah, yeah, put
it back, Hey.
Speaker 2 (03:06):
Open up, not go back with you if he was
the last man.
Speaker 6 (03:13):
Off afore for to seek the assistance of a couple
of classes, Do.
Speaker 3 (03:23):
Not try anything clancy behind my back. You have got
clob from now on you and knee is strictly on
the kool bed.
Speaker 6 (03:28):
Well give on principle.
Speaker 7 (03:33):
Hey wait a minute, Hey, wait a minute.
Speaker 5 (03:35):
Don't I remember you from someplace?
Speaker 1 (03:36):
No, I'm only being neighborly. Why did you beat up?
I'm kind nice missus Kelsey.
Speaker 2 (03:41):
That here's a gross falsehood.
Speaker 6 (03:43):
I did not lay a hand on the old wag?
Was that odious finger Joe Donigan who was just left?
And you can tell him as from me, but I
am extremely unimpressed with his cheap threats to rub me out,
and that I intend to continue on seeing mister Hobson
or any up theer John's which I care to.
Speaker 1 (03:58):
It's pretty good thing. Well you better tell him at yourself.
I don't imagine I'll be seeing it.
Speaker 6 (04:02):
You won't wait a minute. Who are you anyway?
Speaker 1 (04:05):
Just another tenant? I live downstairs? Oh now I recall
whom you are?
Speaker 6 (04:11):
You are that Shamus which lives on the second floor.
Speaker 1 (04:14):
Shamus we call it in the radio.
Speaker 6 (04:15):
Would you care to come in and discuss a certain matter?
Speaker 1 (04:19):
Well? Thanks, another time, I got to get back to
pump as hell.
Speaker 6 (04:22):
Ever she is that a cool heels for a few
moments is an urgent matter which I would like to
hash over right now and without further delay, may I
invite you in for a straight slug.
Speaker 1 (04:33):
Well, okay, but just one in the glass.
Speaker 6 (04:35):
Let's make yourself ye.
Speaker 1 (04:38):
Say, when just up with the lipstick mark?
Speaker 6 (04:42):
Yeah you are too now to make a long story
shortness to said, my name is Rosemary Cell which remains
my stage name notwithstanding a circumstance.
Speaker 7 (04:50):
But I am legally married to that barnacle which.
Speaker 6 (04:52):
Is just us at this joint now, being as you
are in the detective business, kindly permitted to singis honey? Sorry,
I'm not a type of job out of my troubles
just to pass the time of day.
Speaker 1 (05:02):
I'm sure I am an actress. I knew that.
Speaker 6 (05:05):
And although I'm low in funds due to being between
jobs right now, on account of that notothead making a
scene in the last joint at which I worked, just
to show you how the breaks fall, mister Fade, the
Lada Wilkerson who just happens to be about the biggest
talent agent in this city. If you have the time,
(05:26):
I'm phone me on the telephone and arranged auditions. She
also advanced me the sum of one hundred clams, which
I will pay you to put the bee on that
dog Joe Donoghan the rat?
Speaker 1 (05:37):
Now which is he? What do you mean put the
bee on?
Speaker 6 (05:39):
Listen, Sam, That s grifter has got a record as
long as my arm, and what I have got on
him is longer than his arm. In short, I should
like him thrown into the can so that I can
feel safe.
Speaker 7 (05:50):
To sing on him.
Speaker 1 (05:51):
All. Look, Rosemary, so you had a fight with Joe.
You're sare you want him to pay? You want to
pay him off? Now why don't you just wait until
morning and see how you feel?
Speaker 6 (05:58):
Like I'm listening to that knuckle dust the remains at large,
I will be feeling no pain, now, I know that
from my flamboyant manner, you'd never guess it.
Speaker 7 (06:07):
But that is only the actress amazing.
Speaker 6 (06:09):
In actuality that please intends to do me in.
Speaker 1 (06:12):
Oh now, com Rose, well you disagree? Well now, really, Rosemary,
a big.
Speaker 6 (06:16):
Pain in ash Murray drinking my paw that back of
a bottle.
Speaker 2 (06:22):
Back of the bottle.
Speaker 1 (06:23):
Well, I'll be going now only trying to be namely well.
Back to Bumper's health. Rance Flagget the smoking coat, still
gripping his hairy fists, suddenly pitched forward like a fallen
Joshua free at Red Gilliss's feet. Red leaned over with
(06:44):
a thin smile playing at the corners of his mouth,
not liking what he saw, and lifted the badge off
of Bladget's cow hide vest and pended on his own
bumpus Hell had a little share whom.
Speaker 3 (06:56):
Hey hey.
Speaker 1 (07:00):
Then I heard it. It sounded like a man sneaking
up a fire escape. I went over to the window,
rare was it? And looked up. I didn't like what
I saw. An overcoated figure reached the third floor landing
and stood silhouette it against the lighted window of Rosemary's apartment.
He was about the height and weight of that rap
Joe Donoghan. By the time I rolled out the window
(07:22):
under the fire escape, his right hand had come out
of his coat pocket.
Speaker 2 (07:25):
Gone it in again and watch it.
Speaker 1 (07:33):
It was a floor I had me and I didn't
want to get too close to until I passed that
lighted window. He made the roof just as I crossed
in front of it. The flashes from his revolver that
told me that. They also told me he had two
slugs left to throw at me. The only light up
there was a feeble glow from the skylight dead center.
I headed for the cover of Afflick chimney just to
the left of it. I had two things in nine.
(07:54):
The skylight was his most logical avenue of escape, and
I hope I could tease him, who empty his gun
at me. It didn't work. I stuck my head out.
No shots, but he did. Here's his gun. I should
have stud in Bumpa's health. The United States.
Speaker 4 (08:11):
Armed Forces Radio Service is presenting the Weekly Adventure of
dash O Hammett's famous private Detective Sam Spade, or.
Speaker 3 (08:37):
What did that rat do?
Speaker 2 (08:38):
Here the dog?
Speaker 3 (08:39):
Sam? Sam, speak to me?
Speaker 1 (08:42):
Send the stud of smell. I tell the governor. The
sheriff of Bumper's Hell is turning in.
Speaker 6 (08:47):
His and Honey, you've gotta put yourself together. Come on,
come on, these hilarious trumans will get us no place.
Speaker 2 (08:52):
Now, come on, Sam, Yeah, you're sure right? Come on?
Speaker 1 (08:55):
Now?
Speaker 2 (08:55):
Do you not rush thing?
Speaker 1 (08:56):
Honey?
Speaker 2 (08:56):
That was quite a clip he gave you.
Speaker 1 (08:59):
Yeah, where were you?
Speaker 6 (09:00):
I was combing my hair out of the window and
he was on the.
Speaker 1 (09:02):
Fire escape not four feet away. Not a very good shot,
is he?
Speaker 6 (09:05):
No, he isn't, old Sam.
Speaker 2 (09:06):
Look at your pull little head.
Speaker 1 (09:09):
You know, let me kiss it and make it well
hmmm wild, Yes, you know. It gets me a head
socially and on the john. What next them, Rosemary? I
am going to the top. Now my dander is up.
Let's have a moment of silence while I put through
a call to Lieutenant Thomas Dundee of homicide. It took
(09:30):
your boys less than an hour to locate Joe Donaghan
and haul him, and Lieutenant Rosemary's charges were not enough
to hold him on attempted murder and all I could
identify was the back of his neck. But you were
good enough to bag him anyway, So Rosemary and I
could relax. I went downstairs to bed and started chapter four. Ah,
Red Gillius didn't trust Curly Maller, the foreman of the
Crooked sh Yeah you mean gross Harry speaking Sam, This
(10:06):
is Dundee, Yeah right, What time is it? H ain't
tourney in the morning? Yeah? Oh yeah, it's daylight? Say
about that?
Speaker 2 (10:19):
Uh?
Speaker 1 (10:20):
What was his name?
Speaker 2 (10:21):
Uh?
Speaker 1 (10:22):
Donagan? Anyway, that fellow that we booked last night on
your say? So, well, what about that was a bad thing? Sam?
How come you better tell me man was alibi? Sam?
When bad happened? Well, a fellow name you had a
written down Hopson Warner. Hopson says Donagan was with him
at the time. Who else, says so Hobson's words good
(10:45):
enough for the commissioner ran for assembly once. Did you
know he also ran for Donagan's wife. You don't say, well,
that's a real puzzler, Sam. The human mind is unpredictable, Dundee.
Oh yeah, well, I hope you figure. While I was shaving,
(11:07):
I fought and thought. I wondered what Red Gillius would
have done. It's such a situation had cropped up and
Bumpa's health. A thin smile began to play around the
corners of my mouth as I climbed the stairs to
Rosemary's a pumpment. When I got there, I didn't like
what I saw. It was a note ended the door.
It said, Dear Sam, I haven't called to do another audition.
If anything crops up, You're gonna reach me at Graystrown
(11:28):
three four two nine, dues.
Speaker 8 (11:37):
The leader Wilkerson Talent Agency.
Speaker 1 (11:39):
I want to speak to Rosemary Fell.
Speaker 7 (11:43):
Hello, Yes, I'm still on the line.
Speaker 2 (11:46):
Who's calling?
Speaker 3 (11:47):
Please?
Speaker 1 (11:47):
As Sam A Spade.
Speaker 7 (11:49):
I'm sorry, mister Spade, Miss Phil come to the phone.
Speaker 1 (11:53):
I was in charge there.
Speaker 2 (11:54):
This is miss Wilkeson speaking.
Speaker 1 (11:57):
Yeah, well, why can't she come to the phone.
Speaker 7 (12:00):
She's in the middle of her audition.
Speaker 2 (12:02):
Is there any message?
Speaker 1 (12:04):
Heh yeah, yeah, tell her Donagan's heart and it's Hobson's choice. Yes,
mister Thamson, Yes, my name is Spade.
Speaker 2 (12:21):
Oh, yes, mister Spade, come in, Come in, come in.
Speaker 1 (12:24):
Why didn't you phonny at that alibi for Rosemary's husband,
mister Hobson, Uh, oh, because I.
Speaker 2 (12:28):
Knew he's not the man who fired those shots at her.
Speaker 1 (12:31):
Were you there?
Speaker 2 (12:32):
As a matter of fact, I was.
Speaker 1 (12:34):
If you like to hear about it, I would.
Speaker 7 (12:36):
Well, first i'd.
Speaker 2 (12:36):
Better tell you a little about myself. Of the past year,
I've been interested in politics.
Speaker 1 (12:41):
If I do say yes, yes, I know you ran
for assembly. Und of the point in the way, this
is the point.
Speaker 2 (12:46):
My wife's a professional woman, and her own career keeps
her a busy a good deal at the time. Well
like the movie magazine say a clash your careers and
so on. That's how I happened to take up with Roseman.
I didn't know she was married, and of course when
I found out, I dropped her like a hot potato.
And then she started backmailing me. Did you do about that?
Speaker 1 (13:07):
I still don't.
Speaker 2 (13:08):
Well, I think I can convince.
Speaker 1 (13:09):
You I had Well.
Speaker 2 (13:11):
I received a series of fitting phone calls, wrote me,
and I finally decided to go to Donegan and tell
him the whole story. Oh he was as mad as
a wetthead right hand. Well, he said he'd stop her,
and I believed he was the right man to do it. Well,
last night he bore me. He said he'd had a
little little caucus meeting with her and assured me I'd
had no more trouble. But no, sooner had I hung
(13:33):
up that phone when she called again, making another outrly.
Speaker 1 (13:36):
Just the man.
Speaker 2 (13:37):
I decided, learning there to take things into my own hands.
So happened to I'm a crack shot, and I knew
that I could come close enough to fight me without
actually hurting her.
Speaker 1 (13:46):
You were laboring under a false imprice.
Speaker 2 (13:48):
Oh oh yes, yes, well you believe me now up
to a point.
Speaker 1 (13:52):
Well, pray, That's all I have for you is to say, well, uh,
I have something for you.
Speaker 2 (13:57):
Oh what's that?
Speaker 1 (13:58):
What cap here? You see this? Bros? And my head? Well,
all in the game. You know cliche. I'll hold it,
hold it, I only life. Still, I'll get it.
Speaker 2 (14:11):
Yeah, this is Rosemary again.
Speaker 1 (14:12):
Let's I want to talk to you, cheap ward healer.
Speaker 6 (14:15):
You don't have that door for me tonight. I will
have no other recourse but to sneer your fat, of course,
all over the front page. And I am just the
individual to do that. You may think you are a
wolf and cheaps clothing, but in my opinion you are
nothing but to work.
Speaker 7 (14:28):
Buy you rap and wrap.
Speaker 1 (14:31):
Hey hey, Rosemary, hello nuts.
Speaker 2 (14:36):
Wait a minute, Steve, Well, what did she say?
Speaker 1 (14:38):
You're gonna wait it in a my report along with
the bill for my services.
Speaker 2 (14:48):
He No, I'm sourcised man.
Speaker 1 (14:52):
You do that today?
Speaker 2 (14:54):
I there?
Speaker 1 (14:56):
Likewise I will get into it. I could be uh
in the meantime as Rosemary Fowl still here?
Speaker 2 (15:03):
Did you have an apartment today?
Speaker 4 (15:04):
Oh?
Speaker 1 (15:04):
Yes, honey, I called this morning.
Speaker 7 (15:07):
Then you must be mistaken.
Speaker 4 (15:09):
The office didn't note until noon today.
Speaker 1 (15:12):
Yeah?
Speaker 2 (15:13):
Right?
Speaker 1 (15:13):
Could I talk to miss Wilkinson get in here just now.
Speaker 7 (15:16):
He never gets intel one, not until one. She's a
kq W cutting a transcription.
Speaker 1 (15:20):
Fine new show goal of the.
Speaker 7 (15:21):
Girls and Gate. Oh hold no, I mean Gala's a girl.
Speaker 1 (15:25):
Go, don't you mean Gayla the golden girt?
Speaker 7 (15:28):
Gila is a gold you said it? Anyway, she isn't here.
Speaker 5 (15:33):
Good morning, Murgie.
Speaker 3 (15:34):
And he called for me?
Speaker 7 (15:36):
Oh yes, miss well because and your husband. Oh looks
And I was telling you German, you weren't here, obviously,
I am.
Speaker 1 (15:43):
Did you have an appointment? I had talked to you
on the phone this morning, spade, Oh Rosemary's friend?
Speaker 7 (15:49):
What you might uh should be out at the moment.
What a distressing business that was last night? Rosemary turs
mean you saved her life?
Speaker 1 (15:56):
Well that's a slight exaggeration. In fact, the whole thing
was a mistake.
Speaker 7 (16:00):
Oh really I understood that. Oh here she is, Rosemary,
here's your friend them. I ever glad to see you.
Speaker 1 (16:07):
Yeah, what's the matter plenty?
Speaker 3 (16:08):
Oh well, thanks.
Speaker 7 (16:10):
Loads, miss Wilkinson. I hope the recording is better on
this one. I'm sure it is, Rosemary. We'll call you
when the client makes up his mouth.
Speaker 6 (16:16):
Well, thanks again, contemn, goodbye.
Speaker 1 (16:19):
Say goodbye Sam.
Speaker 6 (16:22):
What is this new development that appears to be griping you?
Speaker 1 (16:25):
Why didn't you tell me you were shaking Hobson down?
Uh huh?
Speaker 6 (16:28):
And who has been feeding you this pile of gross Falford.
Speaker 1 (16:31):
Like Rosemary, you may be an actress, but with me,
your audition is over and you did not get the part.
Speaker 6 (16:35):
And just what are your future intentions in regards to me?
Speaker 1 (16:39):
None whatsoever. I'm sorry, I haven't met you, and I'm
going back to bumpus Hell. I went back to the
office with my chair in a comfortable possession. Open the
February number of Shriff, add a lot of page one
one two. The Trail and bumpus Hell, Chapter five stampede.
It was disappointing. There was a lot of stuff about
(17:00):
bawling cattle and dust clouds and flowing curly standing on
top of a buke, not liking what they saw. When
somebody else stampeded, Red Killers was riding ahead of the
cattle and his horse stepped into a chuck hole and
its framed his ankle. D of the horse. I didn't
save which but Red was lying prostrate on the path
of the avalanche of passing horns, not liking what he saw.
Hold in a minute, let's see you on page one
(17:22):
one three. I learned to be a private. Hello.
Speaker 2 (17:28):
This is howson come out here right away.
Speaker 1 (17:29):
Something terrible as happening such as.
Speaker 2 (17:31):
Rosemary's here, and I think she staid.
Speaker 1 (17:40):
Yes in here speed.
Speaker 2 (17:42):
Oh I don't know how she got him. Oh, yes,
I do remember. I must have left the door unlocked
where we would Why. I just stepped out to get
some cigarettes.
Speaker 1 (17:49):
Do you approve it? Why?
Speaker 2 (17:51):
Oh?
Speaker 1 (17:51):
Afraid not.
Speaker 2 (17:52):
I got halfway and found I didn't have any money
and came back.
Speaker 1 (17:55):
You came back, walked through this room, went in a bedroom.
I didn't see the body until you started back.
Speaker 2 (17:59):
Yes, the lights off, I stumbled over it.
Speaker 1 (18:02):
This is the gun.
Speaker 2 (18:03):
Yes, she did it with my own gun.
Speaker 1 (18:05):
Oh.
Speaker 2 (18:06):
I never dreamed her love for me would drive her
a self destruction. Of course, now it's clear what really
lay behind her, poor clumsy ever to blackmail me. It
was a desperate move to get me back. Oh. I'll
never forgive myself of driving that poor girl to this.
Speaker 1 (18:18):
Sorry about pad Hobson. This isn't suicide murder? Oh?
Speaker 2 (18:23):
Great, heavens, what were.
Speaker 1 (18:25):
Billy to say? Milena?
Speaker 2 (18:26):
Yes, my wife, Elena Wilkeson a professional name. You know
I was explained to you before the Oh that's my wife. Now,
well do I tell her?
Speaker 1 (18:36):
Never mind? I'll get it. Hello, this is Rosemary for
the last time.
Speaker 6 (18:41):
I'm just calling to tell you that you.
Speaker 7 (18:42):
Have stall around too long.
Speaker 2 (18:44):
I have talked to your wife and told.
Speaker 6 (18:45):
Her the whole sordid pitch. Why she wants you back
I will never know, but I saw you cheap, and
you weren't worth a thing poor. I am a girl
who does not like to do things halfway. But you
were just too late.
Speaker 3 (18:56):
Goodbye, you fathead.
Speaker 1 (18:59):
Yeah, Rose mean, I guess we were all too late.
I called you Dundee, and then, like the rat, I
am made off of your prior suspect before you and
your boys from homicide arrived. We arrived at the Blina
Wilkinson Talid Agency just as the boss was shutting up
shop for the day. She had the recordings under her arm.
(19:20):
All right, Balina, I'll take those.
Speaker 8 (19:23):
WNA.
Speaker 1 (19:24):
Mister Spears un locked the door, Blida, we're going back in.
Speaker 2 (19:28):
You better.
Speaker 6 (19:30):
Well, all right, but.
Speaker 1 (19:33):
Inside, both of you, what do you play these records?
Speaker 2 (19:37):
The recording studio is just through there. But you can
spare yourself the trouble.
Speaker 8 (19:41):
I admit I tricked Rosemary into recording those blackmail speeches
and then played them back over the phone to Warner,
trying to hold onto my husband is a crime, then
I'm a criminalist.
Speaker 1 (19:54):
Can stop that? You gotta get busy. I phoned a
Dobson Howses and you were still lad Dundee. You said
it was an opening shotcase against Hobson and the Low Room.
At once I kissed my license good bye. But when
I told you my byo baba biatholically in genius scheme,
you said yes, you'd be glad to because it was
a sure way of getting rid of me once and
(20:14):
for all. It took us nearly two hours to get
things ready in the latest recording studio. We took the
parts of Rosemary's so called audition records that we thought
would set the occasion and dubbed them onto a single side.
We played it back once and I phoned you at headquarters.
Almicide Spade, Dundee, everything's ready here. Did you pick up Donagan? Oh? Yeah, yeah,
(20:41):
dying in hold on? Okay, believe start the record when
I give you the n yes, I didn't say yeah,
this is Rosemary.
Speaker 6 (20:51):
I forgive you for everything, but there are some things
I cannot forget you. I have meant a lot to
each other, but after what you have done to me.
Speaker 2 (20:58):
It is time you go through the nose.
Speaker 5 (21:01):
You wouldn't.
Speaker 2 (21:02):
I didn't like me.
Speaker 6 (21:04):
It is time you pay through the nose.
Speaker 3 (21:05):
You read.
Speaker 6 (21:06):
I am a girl who does not like to do
things half.
Speaker 2 (21:11):
Your voice would not a lot.
Speaker 1 (21:13):
Okay, you know she's still on the line.
Speaker 3 (21:18):
I want to talk to her.
Speaker 1 (21:21):
Take Sam, Yeah, Dundee, Congratulations, that was a brilliant piece
of work. Hey, Sam, still on the line. I'll be
all right, Dunnee. I just planted temporarily saying again, will
you pound.
Speaker 5 (21:36):
Yeah, as I was saying congratulations and a brilliant piece
of work. Well, but I have never in all my
years on the force heard her such a wild, insane,
illegal and ethical gener the right crawl method of starting
your completion.
Speaker 1 (21:49):
Thank you, Dundee. I feel better already.
Speaker 2 (21:58):
And the report the same le happened, Effy.
Speaker 1 (22:02):
I thought I had made that abundantly clear.
Speaker 3 (22:04):
No.
Speaker 1 (22:05):
In order to discredit her husband's paramore, Blia gave her
a come on about an audition. I had to play
the part of a blackmailer, reading lines from the script
which she Belita had prepared, and thereupon proceeded the place
said records over the telephone, well knowing that her husband
would erroneously believe Rosemary to be a blackmailer in fact,
and would drop her like a hot spode. No, Sam, No,
I don't mean, don't interrupt. It was my inspiration, Hi, Sam,
(22:28):
spaith use Belita's Phoebe's device for a higher person.
Speaker 7 (22:34):
I'm at the Western story betrayal in Bumpus Creek.
Speaker 1 (22:37):
It is not crick hevy.
Speaker 7 (22:39):
You can't say, h oh, yes you can.
Speaker 1 (22:42):
Bumpus Hell is the post office designation of a hamlet
right here in California.
Speaker 6 (22:49):
Anyway, what happened?
Speaker 7 (22:50):
Did Red Gillis ever find his set?
Speaker 1 (22:52):
I didn't quite finish.
Speaker 3 (22:53):
I go type that up and I shall, Sam, what's
the matter?
Speaker 8 (23:03):
You don't look at all?
Speaker 1 (23:04):
Work can't be it didn't happen. It's a misprint, that's
what it is. Maybe the writer was tired story. That's
what you think we did?
Speaker 8 (23:11):
Regular find brother?
Speaker 1 (23:13):
I won't tell.
Speaker 6 (23:13):
I'm not I don't be Chad.
Speaker 1 (23:15):
Oh well, all right, remember the sheriff he shot on
page one? It turned out to be the new school mark. Oh,
get off, good nights.
Speaker 4 (23:28):
This is the United States Armed Forces Radio Service, the
voice of Information and Education.
The Adventures up Sam Spade detected eight filler in so
Detective Lieutenant Donnie Arnside detailed San Francisco at plays from
Samuel's fade Lies as I'm want to, said a boy
(00:21):
nine six subject the Betrayal and bumpus Hell. Red Gillis
was a raw bone pope from the border country. He
was a stranger the pumpers hell, but he was no
stranger to crumble. He jogged his Pinto down the narrow
main street, not liking what he saw, and rained up
in front of the Sheriff's office. He dismounted and slapped
the trail dust off his levies, and he hits up
(00:41):
his gun belt and ambled inside it. He looked at
the heavy shouldered blue gild man behind the desk, and
he didn't like what he saw. Neither did the sheriff.
Rants blag it. State your business now, I can do
it better than that. State your business and get out,
he smiled. Red smiled thinly and drawled it. I'm looking
for my brother, and what be your name outside of Red?
Speaker 2 (01:01):
Here?
Speaker 1 (01:01):
I can do that better, man, And what be your
name outside of Red? Red Gillis's hand slid throw one
of the sixth shield this assilently as the sun coming
up over the butty gillis. He snid red gillis from
the tontoe room. That's pretty good. The Sheriff's muscles tightened
like steel springs and pulled them erect. Ain't no ton
o' ramer welcome hereabouts in Bumpa's Hell? He cursed. That
(01:22):
was real good, and then the slap of four hands
on leather was followed by the simultaneous row of four
six guns. Hey, wait a minute, the shoff in there?
Speaker 3 (01:32):
Who was it?
Speaker 1 (01:33):
The Sheriff's sister way next door, right on the most
exciting part way now see here.
Speaker 2 (01:40):
I won't take no furniture. It wouldn't be neighbor you.
Speaker 1 (01:42):
What is it, missus Kelsey?
Speaker 4 (01:43):
You mind?
Speaker 5 (01:43):
Come along?
Speaker 6 (01:44):
What are you up to here anyway?
Speaker 2 (01:46):
Me?
Speaker 1 (01:46):
Oh nothing, I'm just relaxing with an apple and a
good book.
Speaker 6 (01:49):
That's see, no apple, and the only reading matter I
see is some Western crash trash.
Speaker 2 (01:54):
Now come on, there's trouble on third fell.
Speaker 1 (01:56):
Well, there's trouble in Bumpa's Hell.
Speaker 6 (01:57):
Don't you as squire at me?
Speaker 2 (01:59):
I'm no duty and I know your duty.
Speaker 7 (02:02):
Come on more?
Speaker 1 (02:03):
Okay, look, oh, my ear, and that Durnde saw help
me is how it started. Effie had just read a
book called Hot to Relax, and I said there the
Western stories were relaxing. And that's how I happened to
be at home at ten pm writing herd and a
copy of Sheriff and Outlaw Rip Roaring Adventures of the
Old West. But bumpas hell, hath no fury Like my neighbor,
(02:26):
missus Kelsey, I left Red Gillis and the Sheriff face
to face and vice versa, eyes flashing and guns ablaze,
and followed her meekly up to the third floor. Sorry,
been at it for three hours a half in the room,
(02:47):
lest nurse cop. You speak to him, speak to them,
you see that right?
Speaker 3 (02:51):
No care under my times for me?
Speaker 1 (02:53):
Oh well, why didn't you call it cop, did you?
Speaker 2 (02:58):
Yeah?
Speaker 1 (02:58):
Yeah, you showed it to me. Put your way back
and I'll see what I can do. Yeah, yeah, put
it back, Hey.
Speaker 2 (03:06):
Open up, not go back with you if he was
the last man.
Speaker 6 (03:13):
Off afore for to seek the assistance of a couple
of classes, Do.
Speaker 3 (03:23):
Not try anything clancy behind my back. You have got
clob from now on you and knee is strictly on
the kool bed.
Speaker 6 (03:28):
Well give on principle.
Speaker 7 (03:33):
Hey wait a minute, Hey, wait a minute.
Speaker 5 (03:35):
Don't I remember you from someplace?
Speaker 1 (03:36):
No, I'm only being neighborly. Why did you beat up?
I'm kind nice missus Kelsey.
Speaker 2 (03:41):
That here's a gross falsehood.
Speaker 6 (03:43):
I did not lay a hand on the old wag?
Was that odious finger Joe Donigan who was just left?
And you can tell him as from me, but I
am extremely unimpressed with his cheap threats to rub me out,
and that I intend to continue on seeing mister Hobson
or any up theer John's which I care to.
Speaker 1 (03:58):
It's pretty good thing. Well you better tell him at yourself.
I don't imagine I'll be seeing it.
Speaker 6 (04:02):
You won't wait a minute. Who are you anyway?
Speaker 1 (04:05):
Just another tenant? I live downstairs? Oh now I recall
whom you are?
Speaker 6 (04:11):
You are that Shamus which lives on the second floor.
Speaker 1 (04:14):
Shamus we call it in the radio.
Speaker 6 (04:15):
Would you care to come in and discuss a certain matter?
Speaker 1 (04:19):
Well? Thanks, another time, I got to get back to
pump as hell.
Speaker 6 (04:22):
Ever she is that a cool heels for a few
moments is an urgent matter which I would like to
hash over right now and without further delay, may I
invite you in for a straight slug.
Speaker 1 (04:33):
Well, okay, but just one in the glass.
Speaker 6 (04:35):
Let's make yourself ye.
Speaker 1 (04:38):
Say, when just up with the lipstick mark?
Speaker 6 (04:42):
Yeah you are too now to make a long story
shortness to said, my name is Rosemary Cell which remains
my stage name notwithstanding a circumstance.
Speaker 7 (04:50):
But I am legally married to that barnacle which.
Speaker 6 (04:52):
Is just us at this joint now, being as you
are in the detective business, kindly permitted to singis honey? Sorry,
I'm not a type of job out of my troubles
just to pass the time of day.
Speaker 1 (05:02):
I'm sure I am an actress. I knew that.
Speaker 6 (05:05):
And although I'm low in funds due to being between
jobs right now, on account of that notothead making a
scene in the last joint at which I worked, just
to show you how the breaks fall, mister Fade, the
Lada Wilkerson who just happens to be about the biggest
talent agent in this city. If you have the time,
(05:26):
I'm phone me on the telephone and arranged auditions. She
also advanced me the sum of one hundred clams, which
I will pay you to put the bee on that
dog Joe Donoghan the rat?
Speaker 1 (05:37):
Now which is he? What do you mean put the
bee on?
Speaker 6 (05:39):
Listen, Sam, That s grifter has got a record as
long as my arm, and what I have got on
him is longer than his arm. In short, I should
like him thrown into the can so that I can
feel safe.
Speaker 7 (05:50):
To sing on him.
Speaker 1 (05:51):
All. Look, Rosemary, so you had a fight with Joe.
You're sare you want him to pay? You want to
pay him off? Now why don't you just wait until
morning and see how you feel?
Speaker 6 (05:58):
Like I'm listening to that knuckle dust the remains at large,
I will be feeling no pain, now, I know that
from my flamboyant manner, you'd never guess it.
Speaker 7 (06:07):
But that is only the actress amazing.
Speaker 6 (06:09):
In actuality that please intends to do me in.
Speaker 1 (06:12):
Oh now, com Rose, well you disagree? Well now, really, Rosemary,
a big.
Speaker 6 (06:16):
Pain in ash Murray drinking my paw that back of
a bottle.
Speaker 2 (06:22):
Back of the bottle.
Speaker 1 (06:23):
Well, I'll be going now only trying to be namely well.
Back to Bumper's health. Rance Flagget the smoking coat, still
gripping his hairy fists, suddenly pitched forward like a fallen
Joshua free at Red Gilliss's feet. Red leaned over with
(06:44):
a thin smile playing at the corners of his mouth,
not liking what he saw, and lifted the badge off
of Bladget's cow hide vest and pended on his own
bumpus Hell had a little share whom.
Speaker 3 (06:56):
Hey hey.
Speaker 1 (07:00):
Then I heard it. It sounded like a man sneaking
up a fire escape. I went over to the window,
rare was it? And looked up. I didn't like what
I saw. An overcoated figure reached the third floor landing
and stood silhouette it against the lighted window of Rosemary's apartment.
He was about the height and weight of that rap
Joe Donoghan. By the time I rolled out the window
(07:22):
under the fire escape, his right hand had come out
of his coat pocket.
Speaker 2 (07:25):
Gone it in again and watch it.
Speaker 1 (07:33):
It was a floor I had me and I didn't
want to get too close to until I passed that
lighted window. He made the roof just as I crossed
in front of it. The flashes from his revolver that
told me that. They also told me he had two
slugs left to throw at me. The only light up
there was a feeble glow from the skylight dead center.
I headed for the cover of Afflick chimney just to
the left of it. I had two things in nine.
(07:54):
The skylight was his most logical avenue of escape, and
I hope I could tease him, who empty his gun
at me. It didn't work. I stuck my head out.
No shots, but he did. Here's his gun. I should
have stud in Bumpa's health. The United States.
Speaker 4 (08:11):
Armed Forces Radio Service is presenting the Weekly Adventure of
dash O Hammett's famous private Detective Sam Spade, or.
Speaker 3 (08:37):
What did that rat do?
Speaker 2 (08:38):
Here the dog?
Speaker 3 (08:39):
Sam? Sam, speak to me?
Speaker 1 (08:42):
Send the stud of smell. I tell the governor. The
sheriff of Bumper's Hell is turning in.
Speaker 6 (08:47):
His and Honey, you've gotta put yourself together. Come on,
come on, these hilarious trumans will get us no place.
Speaker 2 (08:52):
Now, come on, Sam, Yeah, you're sure right? Come on?
Speaker 1 (08:55):
Now?
Speaker 2 (08:55):
Do you not rush thing?
Speaker 1 (08:56):
Honey?
Speaker 2 (08:56):
That was quite a clip he gave you.
Speaker 1 (08:59):
Yeah, where were you?
Speaker 6 (09:00):
I was combing my hair out of the window and
he was on the.
Speaker 1 (09:02):
Fire escape not four feet away. Not a very good shot,
is he?
Speaker 6 (09:05):
No, he isn't, old Sam.
Speaker 2 (09:06):
Look at your pull little head.
Speaker 1 (09:09):
You know, let me kiss it and make it well
hmmm wild, Yes, you know. It gets me a head
socially and on the john. What next them, Rosemary? I
am going to the top. Now my dander is up.
Let's have a moment of silence while I put through
a call to Lieutenant Thomas Dundee of homicide. It took
(09:30):
your boys less than an hour to locate Joe Donaghan
and haul him, and Lieutenant Rosemary's charges were not enough
to hold him on attempted murder and all I could
identify was the back of his neck. But you were
good enough to bag him anyway, So Rosemary and I
could relax. I went downstairs to bed and started chapter four. Ah,
Red Gillius didn't trust Curly Maller, the foreman of the
Crooked sh Yeah you mean gross Harry speaking Sam, This
(10:06):
is Dundee, Yeah right, What time is it? H ain't
tourney in the morning? Yeah? Oh yeah, it's daylight? Say
about that?
Speaker 2 (10:19):
Uh?
Speaker 1 (10:20):
What was his name?
Speaker 2 (10:21):
Uh?
Speaker 1 (10:22):
Donagan? Anyway, that fellow that we booked last night on
your say? So, well, what about that was a bad thing? Sam?
How come you better tell me man was alibi? Sam?
When bad happened? Well, a fellow name you had a
written down Hopson Warner. Hopson says Donagan was with him
at the time. Who else, says so Hobson's words good
(10:45):
enough for the commissioner ran for assembly once. Did you
know he also ran for Donagan's wife. You don't say, well,
that's a real puzzler, Sam. The human mind is unpredictable, Dundee.
Oh yeah, well, I hope you figure. While I was shaving,
(11:07):
I fought and thought. I wondered what Red Gillius would
have done. It's such a situation had cropped up and
Bumpa's health. A thin smile began to play around the
corners of my mouth as I climbed the stairs to
Rosemary's a pumpment. When I got there, I didn't like
what I saw. It was a note ended the door.
It said, Dear Sam, I haven't called to do another audition.
If anything crops up, You're gonna reach me at Graystrown
(11:28):
three four two nine, dues.
Speaker 8 (11:37):
The leader Wilkerson Talent Agency.
Speaker 1 (11:39):
I want to speak to Rosemary Fell.
Speaker 7 (11:43):
Hello, Yes, I'm still on the line.
Speaker 2 (11:46):
Who's calling?
Speaker 3 (11:47):
Please?
Speaker 1 (11:47):
As Sam A Spade.
Speaker 7 (11:49):
I'm sorry, mister Spade, Miss Phil come to the phone.
Speaker 1 (11:53):
I was in charge there.
Speaker 2 (11:54):
This is miss Wilkeson speaking.
Speaker 1 (11:57):
Yeah, well, why can't she come to the phone.
Speaker 7 (12:00):
She's in the middle of her audition.
Speaker 2 (12:02):
Is there any message?
Speaker 1 (12:04):
Heh yeah, yeah, tell her Donagan's heart and it's Hobson's choice. Yes,
mister Thamson, Yes, my name is Spade.
Speaker 2 (12:21):
Oh, yes, mister Spade, come in, Come in, come in.
Speaker 1 (12:24):
Why didn't you phonny at that alibi for Rosemary's husband,
mister Hobson, Uh, oh, because I.
Speaker 2 (12:28):
Knew he's not the man who fired those shots at her.
Speaker 1 (12:31):
Were you there?
Speaker 2 (12:32):
As a matter of fact, I was.
Speaker 1 (12:34):
If you like to hear about it, I would.
Speaker 7 (12:36):
Well, first i'd.
Speaker 2 (12:36):
Better tell you a little about myself. Of the past year,
I've been interested in politics.
Speaker 1 (12:41):
If I do say yes, yes, I know you ran
for assembly. Und of the point in the way, this
is the point.
Speaker 2 (12:46):
My wife's a professional woman, and her own career keeps
her a busy a good deal at the time. Well
like the movie magazine say a clash your careers and
so on. That's how I happened to take up with Roseman.
I didn't know she was married, and of course when
I found out, I dropped her like a hot potato.
And then she started backmailing me. Did you do about that?
Speaker 1 (13:07):
I still don't.
Speaker 2 (13:08):
Well, I think I can convince.
Speaker 1 (13:09):
You I had Well.
Speaker 2 (13:11):
I received a series of fitting phone calls, wrote me,
and I finally decided to go to Donegan and tell
him the whole story. Oh he was as mad as
a wetthead right hand. Well, he said he'd stop her,
and I believed he was the right man to do it. Well,
last night he bore me. He said he'd had a
little little caucus meeting with her and assured me I'd
had no more trouble. But no, sooner had I hung
(13:33):
up that phone when she called again, making another outrly.
Speaker 1 (13:36):
Just the man.
Speaker 2 (13:37):
I decided, learning there to take things into my own hands.
So happened to I'm a crack shot, and I knew
that I could come close enough to fight me without
actually hurting her.
Speaker 1 (13:46):
You were laboring under a false imprice.
Speaker 2 (13:48):
Oh oh yes, yes, well you believe me now up
to a point.
Speaker 1 (13:52):
Well, pray, That's all I have for you is to say, well, uh,
I have something for you.
Speaker 2 (13:57):
Oh what's that?
Speaker 1 (13:58):
What cap here? You see this? Bros? And my head? Well,
all in the game. You know cliche. I'll hold it,
hold it, I only life. Still, I'll get it.
Speaker 2 (14:11):
Yeah, this is Rosemary again.
Speaker 1 (14:12):
Let's I want to talk to you, cheap ward healer.
Speaker 6 (14:15):
You don't have that door for me tonight. I will
have no other recourse but to sneer your fat, of course,
all over the front page. And I am just the
individual to do that. You may think you are a
wolf and cheaps clothing, but in my opinion you are
nothing but to work.
Speaker 7 (14:28):
Buy you rap and wrap.
Speaker 1 (14:31):
Hey hey, Rosemary, hello nuts.
Speaker 2 (14:36):
Wait a minute, Steve, Well, what did she say?
Speaker 1 (14:38):
You're gonna wait it in a my report along with
the bill for my services.
Speaker 2 (14:48):
He No, I'm sourcised man.
Speaker 1 (14:52):
You do that today?
Speaker 2 (14:54):
I there?
Speaker 1 (14:56):
Likewise I will get into it. I could be uh
in the meantime as Rosemary Fowl still here?
Speaker 2 (15:03):
Did you have an apartment today?
Speaker 4 (15:04):
Oh?
Speaker 1 (15:04):
Yes, honey, I called this morning.
Speaker 7 (15:07):
Then you must be mistaken.
Speaker 4 (15:09):
The office didn't note until noon today.
Speaker 1 (15:12):
Yeah?
Speaker 2 (15:13):
Right?
Speaker 1 (15:13):
Could I talk to miss Wilkinson get in here just now.
Speaker 7 (15:16):
He never gets intel one, not until one. She's a
kq W cutting a transcription.
Speaker 1 (15:20):
Fine new show goal of the.
Speaker 7 (15:21):
Girls and Gate. Oh hold no, I mean Gala's a girl.
Speaker 1 (15:25):
Go, don't you mean Gayla the golden girt?
Speaker 7 (15:28):
Gila is a gold you said it? Anyway, she isn't here.
Speaker 5 (15:33):
Good morning, Murgie.
Speaker 3 (15:34):
And he called for me?
Speaker 7 (15:36):
Oh yes, miss well because and your husband. Oh looks
And I was telling you German, you weren't here, obviously,
I am.
Speaker 1 (15:43):
Did you have an appointment? I had talked to you
on the phone this morning, spade, Oh Rosemary's friend?
Speaker 7 (15:49):
What you might uh should be out at the moment.
What a distressing business that was last night? Rosemary turs
mean you saved her life?
Speaker 1 (15:56):
Well that's a slight exaggeration. In fact, the whole thing
was a mistake.
Speaker 7 (16:00):
Oh really I understood that. Oh here she is, Rosemary,
here's your friend them. I ever glad to see you.
Speaker 1 (16:07):
Yeah, what's the matter plenty?
Speaker 3 (16:08):
Oh well, thanks.
Speaker 7 (16:10):
Loads, miss Wilkinson. I hope the recording is better on
this one. I'm sure it is, Rosemary. We'll call you
when the client makes up his mouth.
Speaker 6 (16:16):
Well, thanks again, contemn, goodbye.
Speaker 1 (16:19):
Say goodbye Sam.
Speaker 6 (16:22):
What is this new development that appears to be griping you?
Speaker 1 (16:25):
Why didn't you tell me you were shaking Hobson down?
Uh huh?
Speaker 6 (16:28):
And who has been feeding you this pile of gross Falford.
Speaker 1 (16:31):
Like Rosemary, you may be an actress, but with me,
your audition is over and you did not get the part.
Speaker 6 (16:35):
And just what are your future intentions in regards to me?
Speaker 1 (16:39):
None whatsoever. I'm sorry, I haven't met you, and I'm
going back to bumpus Hell. I went back to the
office with my chair in a comfortable possession. Open the
February number of Shriff, add a lot of page one
one two. The Trail and bumpus Hell, Chapter five stampede.
It was disappointing. There was a lot of stuff about
(17:00):
bawling cattle and dust clouds and flowing curly standing on
top of a buke, not liking what they saw. When
somebody else stampeded, Red Killers was riding ahead of the
cattle and his horse stepped into a chuck hole and
its framed his ankle. D of the horse. I didn't
save which but Red was lying prostrate on the path
of the avalanche of passing horns, not liking what he saw.
Hold in a minute, let's see you on page one
(17:22):
one three. I learned to be a private. Hello.
Speaker 2 (17:28):
This is howson come out here right away.
Speaker 1 (17:29):
Something terrible as happening such as.
Speaker 2 (17:31):
Rosemary's here, and I think she staid.
Speaker 1 (17:40):
Yes in here speed.
Speaker 2 (17:42):
Oh I don't know how she got him. Oh, yes,
I do remember. I must have left the door unlocked
where we would Why. I just stepped out to get
some cigarettes.
Speaker 1 (17:49):
Do you approve it? Why?
Speaker 2 (17:51):
Oh?
Speaker 1 (17:51):
Afraid not.
Speaker 2 (17:52):
I got halfway and found I didn't have any money
and came back.
Speaker 1 (17:55):
You came back, walked through this room, went in a bedroom.
I didn't see the body until you started back.
Speaker 2 (17:59):
Yes, the lights off, I stumbled over it.
Speaker 1 (18:02):
This is the gun.
Speaker 2 (18:03):
Yes, she did it with my own gun.
Speaker 1 (18:05):
Oh.
Speaker 2 (18:06):
I never dreamed her love for me would drive her
a self destruction. Of course, now it's clear what really
lay behind her, poor clumsy ever to blackmail me. It
was a desperate move to get me back. Oh. I'll
never forgive myself of driving that poor girl to this.
Speaker 1 (18:18):
Sorry about pad Hobson. This isn't suicide murder? Oh?
Speaker 2 (18:23):
Great, heavens, what were.
Speaker 1 (18:25):
Billy to say? Milena?
Speaker 2 (18:26):
Yes, my wife, Elena Wilkeson a professional name. You know
I was explained to you before the Oh that's my wife. Now,
well do I tell her?
Speaker 1 (18:36):
Never mind? I'll get it. Hello, this is Rosemary for
the last time.
Speaker 6 (18:41):
I'm just calling to tell you that you.
Speaker 7 (18:42):
Have stall around too long.
Speaker 2 (18:44):
I have talked to your wife and told.
Speaker 6 (18:45):
Her the whole sordid pitch. Why she wants you back
I will never know, but I saw you cheap, and
you weren't worth a thing poor. I am a girl
who does not like to do things halfway. But you
were just too late.
Speaker 3 (18:56):
Goodbye, you fathead.
Speaker 1 (18:59):
Yeah, Rose mean, I guess we were all too late.
I called you Dundee, and then, like the rat, I
am made off of your prior suspect before you and
your boys from homicide arrived. We arrived at the Blina
Wilkinson Talid Agency just as the boss was shutting up
shop for the day. She had the recordings under her arm.
(19:20):
All right, Balina, I'll take those.
Speaker 8 (19:23):
WNA.
Speaker 1 (19:24):
Mister Spears un locked the door, Blida, we're going back in.
Speaker 2 (19:28):
You better.
Speaker 6 (19:30):
Well, all right, but.
Speaker 1 (19:33):
Inside, both of you, what do you play these records?
Speaker 2 (19:37):
The recording studio is just through there. But you can
spare yourself the trouble.
Speaker 8 (19:41):
I admit I tricked Rosemary into recording those blackmail speeches
and then played them back over the phone to Warner,
trying to hold onto my husband is a crime, then
I'm a criminalist.
Speaker 1 (19:54):
Can stop that? You gotta get busy. I phoned a
Dobson Howses and you were still lad Dundee. You said
it was an opening shotcase against Hobson and the Low Room.
At once I kissed my license good bye. But when
I told you my byo baba biatholically in genius scheme,
you said yes, you'd be glad to because it was
a sure way of getting rid of me once and
(20:14):
for all. It took us nearly two hours to get
things ready in the latest recording studio. We took the
parts of Rosemary's so called audition records that we thought
would set the occasion and dubbed them onto a single side.
We played it back once and I phoned you at headquarters.
Almicide Spade, Dundee, everything's ready here. Did you pick up Donagan? Oh? Yeah, yeah,
(20:41):
dying in hold on? Okay, believe start the record when
I give you the n yes, I didn't say yeah,
this is Rosemary.
Speaker 6 (20:51):
I forgive you for everything, but there are some things
I cannot forget you. I have meant a lot to
each other, but after what you have done to me.
Speaker 2 (20:58):
It is time you go through the nose.
Speaker 5 (21:01):
You wouldn't.
Speaker 2 (21:02):
I didn't like me.
Speaker 6 (21:04):
It is time you pay through the nose.
Speaker 3 (21:05):
You read.
Speaker 6 (21:06):
I am a girl who does not like to do
things half.
Speaker 2 (21:11):
Your voice would not a lot.
Speaker 1 (21:13):
Okay, you know she's still on the line.
Speaker 3 (21:18):
I want to talk to her.
Speaker 1 (21:21):
Take Sam, Yeah, Dundee, Congratulations, that was a brilliant piece
of work. Hey, Sam, still on the line. I'll be
all right, Dunnee. I just planted temporarily saying again, will
you pound.
Speaker 5 (21:36):
Yeah, as I was saying congratulations and a brilliant piece
of work. Well, but I have never in all my
years on the force heard her such a wild, insane,
illegal and ethical gener the right crawl method of starting
your completion.
Speaker 1 (21:49):
Thank you, Dundee. I feel better already.
Speaker 2 (21:58):
And the report the same le happened, Effy.
Speaker 1 (22:02):
I thought I had made that abundantly clear.
Speaker 3 (22:04):
No.
Speaker 1 (22:05):
In order to discredit her husband's paramore, Blia gave her
a come on about an audition. I had to play
the part of a blackmailer, reading lines from the script
which she Belita had prepared, and thereupon proceeded the place
said records over the telephone, well knowing that her husband
would erroneously believe Rosemary to be a blackmailer in fact,
and would drop her like a hot spode. No, Sam, No,
I don't mean, don't interrupt. It was my inspiration, Hi, Sam,
(22:28):
spaith use Belita's Phoebe's device for a higher person.
Speaker 7 (22:34):
I'm at the Western story betrayal in Bumpus Creek.
Speaker 1 (22:37):
It is not crick hevy.
Speaker 7 (22:39):
You can't say, h oh, yes you can.
Speaker 1 (22:42):
Bumpus Hell is the post office designation of a hamlet
right here in California.
Speaker 6 (22:49):
Anyway, what happened?
Speaker 7 (22:50):
Did Red Gillis ever find his set?
Speaker 1 (22:52):
I didn't quite finish.
Speaker 3 (22:53):
I go type that up and I shall, Sam, what's
the matter?
Speaker 8 (23:03):
You don't look at all?
Speaker 1 (23:04):
Work can't be it didn't happen. It's a misprint, that's
what it is. Maybe the writer was tired story. That's
what you think we did?
Speaker 8 (23:11):
Regular find brother?
Speaker 1 (23:13):
I won't tell.
Speaker 6 (23:13):
I'm not I don't be Chad.
Speaker 1 (23:15):
Oh well, all right, remember the sheriff he shot on
page one? It turned out to be the new school mark. Oh,
get off, good nights.
Speaker 4 (23:28):
This is the United States Armed Forces Radio Service, the
voice of Information and Education.
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