August 19, 2025 • 23 mins
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Dive into the daily escapades of Sam Spade, the iconic private detective, in "Adventures of Sam Spade Daily." This podcast revives the thrilling atmosphere of mid-20th-century detective radio dramas with a modern twist. Tune in each day for new mysteries and sharp-witted adventures that capture the essence of the beloved character created by Dashiell Hammett. Whether you're a long-time fan or new to the genre, this daily podcast is your ticket to suspenseful storytelling.
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Episode Transcript
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Speaker 1 (00:01):
Listen now to the adventures of Sam Spade, starting Horrid
duff in the Convertible.
Speaker 2 (00:07):
Keeper Damn Sage Detective Agency.
Speaker 1 (00:19):
Sweetheart, Damn, I knew you'd have the charity to come
back and face it. Well I'm back. I mean, what's
your life's face?
Speaker 2 (00:26):
First, you didn't do something else?
Speaker 1 (00:27):
Di becrides?
Speaker 3 (00:28):
What besides running away with that woman in a stolen car?
Speaker 1 (00:32):
Mixed up heavy? The car was stolen from her? You
mean it was her own car? Well not exactly, IV.
You see, she stole it from somebody else, and then
somebody saw it from her and then I got it back.
Speaker 4 (00:41):
For it inque a car And be worth all that
trouble That wasn't so much the.
Speaker 5 (00:45):
Car if his party.
Speaker 1 (00:48):
Take it over. Sweetheart, on me right down to dictate
my report. Oh Sam, look at you.
Speaker 5 (01:08):
Don't you taken off one answer?
Speaker 1 (01:10):
And just what do you mean by that atmospherein Clawmark?
Speaker 6 (01:13):
Wrong again?
Speaker 1 (01:14):
Sweet aunt? She said yes, I said no, and she descrite.
Speaker 5 (01:17):
I knew she was that count them and it's to
walk in this office that Uncle Grason Green nail pop.
Speaker 6 (01:24):
Green nail, Well, cute colors. This one goes to homicide epin.
Speaker 5 (01:28):
Oh not another murdering what else?
Speaker 1 (01:32):
Two detective litendant Dundee from Samuel Stay with her license
number one and seventy five, Mine said subject the convertible caper.
Dear Dundee could have been a dull morning, be since
before lunchtime things began to brighten up.
Speaker 6 (01:46):
Her clothes looked like.
Speaker 1 (01:47):
Money unless they were wrapped around let's even better. She
eased herself into the chair I pushed up for her,
rattled about a thousand bucks with her charm bread. So
that means after she'd arranged her legs, moles and eyes.
Speaker 6 (01:58):
To our mutual satisfied as she allowed me to.
Speaker 1 (02:01):
Hear the sound of her beautiful voice.
Speaker 3 (02:04):
I do not know whether you will be interested in
my case or that, Missusten.
Speaker 6 (02:08):
What's your mind at rest?
Speaker 5 (02:10):
That's uh, it's fathers spinning? Who knows? But perhaps I
am merely a waste of time.
Speaker 6 (02:16):
My time is your time? Is you stay in the
stations to span.
Speaker 5 (02:19):
Oh you are very sinspoted, so very time. Yes, and
jump it. My automobile has been children?
Speaker 6 (02:27):
Where them from? Where?
Speaker 5 (02:28):
Last night? I said?
Speaker 7 (02:29):
Lived not?
Speaker 5 (02:30):
But I was taking in at the hotel sound Alfayette.
What I am saying? I p that you left the
parts out side with the keys in me.
Speaker 6 (02:36):
Are you a part of us of the place? No,
I suggest to do.
Speaker 1 (02:41):
No, oh, no oh, why not?
Speaker 5 (02:44):
Because I saw it from another? I see no, but
you do not yet know own each utilise. Find me
time and notified the one from him. I show it.
Then that one will know that I am in t
and that's back.
Speaker 8 (02:57):
Ah.
Speaker 5 (02:57):
She's gonna think if you do, then he will come
here and kill you. That is why I must recover
the car rapidly and read out the pole.
Speaker 6 (03:09):
You will becose be very pleasant, sustrata. But our cars
and not exactly in my line you wish to. Don't
think anybody would murder just to see his car?
Speaker 5 (03:19):
Oh, look for the card. No, already he tried to
kill me once twice, three times. So I take the
car and drive away rapidly, away somewhere he may say
that juanna where if he recide you wishes to murder me?
Why oh, he drinks It becomes a beef, he accuses
me of. Look look here on my shoulder, this scar
(03:40):
well already he cuts me with a knife.
Speaker 7 (03:43):
M uh huh.
Speaker 5 (03:45):
Now you have seen something that changes your mind about me.
You see that I am sieve.
Speaker 6 (03:50):
Why, mister Strada, I never had any doubts.
Speaker 5 (03:52):
Oh please, I am need that brain. You would call
me new chunky. Yes, you d me more than you
know yet say m any tardy kicking the pe mm okay,
what's this?
Speaker 7 (04:06):
Uh?
Speaker 5 (04:06):
Pig's name kigs is the only name. I will honor him.
Speaker 1 (04:09):
We peeg pig. Yeah?
Speaker 6 (04:12):
What makes it?
Speaker 4 (04:13):
Cars?
Speaker 5 (04:13):
H landa? You know the kind of car?
Speaker 6 (04:17):
Yeah, that's a foreign car.
Speaker 1 (04:18):
I seen if you were on as much as to
take back several thousand bucks.
Speaker 5 (04:23):
Huh. He steals everything pleases my darning. Please note I
don't I'm kids each peak we blue.
Speaker 6 (04:30):
Him huh, not anymore.
Speaker 1 (04:32):
That's the first thing A care for you changes the
paint shot any other? Uh, distinguishing marks, distinguishing yes, hus.
Speaker 3 (04:38):
You dakh each has a ideal, you don't say, uh.
Speaker 5 (04:43):
Huh and it has two wins your wifers.
Speaker 1 (04:45):
Uh uh well uh, I'll buzz around me, Terri. If
I find anything, I'll let you know.
Speaker 5 (04:52):
Uh might say yes, yes, that that be something else.
I have no money.
Speaker 6 (04:58):
Oh that's great, that's just great.
Speaker 5 (05:00):
Look I am sincy. If you take so you it
just worked very much. He deec little charm malone, blocking
and suck with diamonds. Worked very much. You will keep
it until I pay you. Huh, I think a trap.
Speaker 1 (05:21):
She thrust the charm bricele into my hand, fit me
on the ear, and the plodded. I put a band
aid on it, ram some cold water over my head,
caught myself a stoots like a bourbon, and examined the bracelet.
The dangles, she pointed out, was a white metal disc
with a monogram in diamonds two uh vertical bars with
a horizontal and on top. It was the Greek letter
(05:41):
pie or the initials ket depending on who it's sullen
it from whom I know it was at last worth
my feet.
Speaker 6 (05:48):
I dropped it into my pocket and went out. My
first stop was over on Mission.
Speaker 1 (05:53):
A sign on the building says, uh masterpiece auto painting
Joe Rembrandt proprietors A long time. No sing out, Joe,
I got something you want painted now, but I think
you may have painted something I want.
Speaker 7 (06:06):
Damn you know me. They drive them in the front,
We spray the paint on them and push them out
the back.
Speaker 5 (06:10):
No questions.
Speaker 6 (06:11):
Aren't that spy a turnover?
Speaker 1 (06:12):
Joe?
Speaker 7 (06:13):
Yeah, we're going big time got exclusive.
Speaker 5 (06:15):
Now for the sinner get work in the hill?
Speaker 6 (06:17):
Is that right?
Speaker 1 (06:17):
Yeah?
Speaker 7 (06:18):
What are you looking for?
Speaker 1 (06:18):
Sim or murder car sud beve. It's a custom job,
foreign car. The answers, here's what it looks like. Yeah,
coverd of them.
Speaker 7 (06:28):
Here come in this morning to colored job which two colors,
very yellow bodies, baby blue fenders. Yeah, put a car,
then put a snanzy heap heap huh yeah, tell it you.
Speaker 5 (06:40):
I want to know.
Speaker 1 (06:45):
It was Happy Herman. Heap was one of the biggest
used car thieves in the city. So I got off
the street jar in front of Happy Herman's. A lot
of splash of Canario yellow paint caught my eye. I
strolled down between the rows of cars and farmer.
Speaker 7 (07:01):
Yeah, Heat's the name, Happy Herm and heat every car
on his love is in pheasant mechanical condition.
Speaker 1 (07:07):
Take your joy and hard to choose Herman. There's so
many here.
Speaker 4 (07:09):
Yes, it takes a heap of heaps to make a
heap heap.
Speaker 1 (07:15):
Yeah, that yellow shop with the blue fenders.
Speaker 5 (07:19):
And oh yeah, but the motor in that car it
does need to work.
Speaker 1 (07:23):
Now over he doesn't run, Oh yes, rough, But over
there's farrow what I want.
Speaker 6 (07:28):
Let me try it.
Speaker 1 (07:31):
Soun's all right to name, oh yeah, but needs to
work in the transmission that they different.
Speaker 6 (07:36):
You mind if I'm driving around the blank.
Speaker 5 (07:38):
All the mechanics we are just about to work off.
Speaker 1 (07:39):
Besides it, I'm afraid this car is more than you
care to invest. Well, let me try it out anyway
here I'll leave in the post. I raced in my
pocket for H's charm bredge. He took one look at it,
pas expression change.
Speaker 6 (07:57):
Well, why didn't you say so? Departit is necessary. You
can call your driving as far as you like.
Speaker 1 (08:04):
Thank you, harm and heat. I took him in his word.
I put the magic price into my pocket. Draws back
to O'Farrell street park in front of the San Uefell Hotel,
slipped the doorman and pucked to wash it for me,
and went on into the lobby. The best clerks at
the Senorita Strata had checked out thirty minutes before, leaving
(08:27):
no address. I found the house stack in the bar
and asked him for a rundown. Yeah, I remember how
he sam very nice day and he called us signing yeah.
Two guys down went out when they came, even bags
in for worthing.
Speaker 6 (08:44):
You won't believe it. Tim.
Speaker 1 (08:45):
One of them was Tom Tom carry see doing in
San Francisco.
Speaker 6 (08:49):
He's one up the murder and I know, but.
Speaker 1 (08:51):
There must be plenty in at it if he's brought
him back across the border. He's staying in Yeah, Room
six thirteen. Me a favor any time, anything at all time,
as a car parked outside of the loadings on here
store at my hotel garage on me when you're upstairs
as far out of side as you can get it.
(09:12):
I went upstairs and wearing a buzzer at room six thirteen,
a door was opened by a little, dark complected man
with hard eyes and Indian features. There was a mean
looking a knife in his hand, but he put it
away at a nod from Tom Tom Kerry as to
find out how it was in town, not from meet you.
I don't know how much he told you, Sam, but
if he told you this much, he was eleven. It's
(09:32):
a million dollar cap it. And you know some of
the things they've done for.
Speaker 6 (09:36):
That, what's in it for me? But she tells you nothing.
She left his charm brace up in.
Speaker 1 (09:41):
Hot and now boss, I cut him down and given
that person.
Speaker 6 (09:46):
I watch it, Tom, don't cry me.
Speaker 1 (09:50):
I got something bigger than this, as you wouldn't be
here all right, saying what do you want? I wanna
hear you talk you cause you know i'd been done
exicarly I'm missing. I got a little business. And after
I said, running our times across the border of the stage,
since we'd cool them all little buddy wait in the
serial number, like Classic said.
Speaker 6 (10:08):
It sounds like a good business. You shouldn't be neglecting
of it. You met the Danes, She says, you want
to kill her. I was helping my child. I scared her.
I didn't mean anything. I thought I could carr Himo
sitting around. I'll let park go and make her shoulder.
Speaker 1 (10:21):
A little bit, And I was just a little bit.
I figured her room. I know there now if I
could see her for five minutes just to talk to us,
and I know it'd be okay. I can't help your
time time. I want to talk to her myself. That
since she hadn't got a penny, only that car she
figures on pedal, and that not me more. She already
told her some car thaves took it. See I had
made a prisis maybe broke from the strange country. I'd
(10:45):
look good for her again. Hight the thousand bucks and
most of so sudden times time, that's when you fear again,
give it that break. But back then it was a
present from me. And whatever you do, don't find that color. Okay,
time hunts of promise. I mean one thing I don't sane.
You said it was a million dollar caper. I meant
that she's made a million bucks to me, Sam the
(11:08):
girls time time of the car, Oh, I wish you
hadn't make that twisted and I really do. Now back
to the convertible caper to Night's Adventure with Sam Spade.
(11:34):
When Time Time Carry said a million dollar caper, he
meant just that he never risked the rap to less
than one hundred grand and the Dane that ever lived
was worth more to end than a Hopman coat.
Speaker 6 (11:43):
It nature wasn't a million dollar bank as the car was.
I didn't know what was in it when same time
it might.
Speaker 1 (11:49):
Be diamonds, dope, smuggled Chinese, or just playing money. So
I went back to the hotel garage Umber twelve. I
climbed the long curving ramp of the second floor and
found the Canario yellow of the hands, the convert a
whole crowded in behind four ranks of cars as the
rear of the building, in part of the working. Nothing
in the lugged drunk. Nothing of the states, some of
(12:09):
the upholstering and the door panels.
Speaker 6 (12:11):
Nothing anywhere.
Speaker 1 (12:12):
And I got tiny stover and the two of us
went over the second time. And it's a cold lead
chance not I know, it's not a pink tiny what's
different about this car?
Speaker 6 (12:23):
Solid?
Speaker 1 (12:23):
They're built and most good body of work.
Speaker 6 (12:26):
I don't know.
Speaker 1 (12:28):
Hey, here's sapping what there's a whole punched out of
the spender over here about the side of a corner.
Let me say that right here and curves end? See
well yeah yeah?
Speaker 6 (12:42):
What's that?
Speaker 1 (12:42):
You got sham bracing? Did you say this dangle on
the here was what was cut out of that fender?
Speaker 6 (12:47):
Let me see.
Speaker 1 (12:50):
The fits fits even the curve. What does it mean
saying the dangle on the price? What a solid platinum? Hey?
Speaker 6 (12:57):
Sam? You granted children defenders all? This a solid clock?
You got a pocket knife? Planet?
Speaker 1 (13:02):
Yeah?
Speaker 2 (13:02):
Yeah?
Speaker 4 (13:03):
Yeah?
Speaker 6 (13:04):
Nice?
Speaker 1 (13:07):
And it shines?
Speaker 6 (13:09):
Sam?
Speaker 4 (13:09):
Is this a hot gun?
Speaker 6 (13:15):
I didn't answer him.
Speaker 1 (13:16):
I didn't have to. He looked in the gray white
gleam of the bracelet charin of the square of paint.
I had straped out the fender and answered the question himself. Meets.
His compatible was confartible in more ways than one put
out the hottest car in San Francisco as of that moment.
If tried left the garage. I tried the phone Tom Town,
but he wasn't in. I had an uncomfortable feeling he
(13:36):
was out looking for me.
Speaker 8 (13:38):
He was.
Speaker 6 (13:38):
As I stepped out of the phone book, there was
a rush of air past my left ear.
Speaker 1 (13:44):
A knife second award left than an inch west of him.
Came out in a sweet and finding to see him
duck around the corner into an alley.
Speaker 2 (13:50):
I ran after him.
Speaker 6 (13:51):
I called him and stoo him up against the wall.
He let me go, Let me go.
Speaker 7 (13:55):
I cut your dog.
Speaker 6 (13:56):
I don't know about that cock cut? What do you
know about that cock? And I'm talking you.
Speaker 1 (14:01):
Get more of this.
Speaker 5 (14:03):
I don't know nothing. They don't tell me nothing.
Speaker 6 (14:05):
Why else, Meeta, I don't know Meet.
Speaker 1 (14:07):
You don't know nothing neither, Only Tom Tom and Tom
Tom and who else?
Speaker 5 (14:12):
I don't talk no more.
Speaker 6 (14:14):
They're cutting you in.
Speaker 5 (14:15):
I don't need no cuts the boss.
Speaker 6 (14:16):
He faces me.
Speaker 5 (14:17):
Good, forty passes.
Speaker 1 (14:19):
Sometimes more work from me, and I'll cut you in.
Speaker 5 (14:21):
I cut you to pieces.
Speaker 6 (14:22):
The boss treats me good. Yeah, you do all the
dirty work. There's any trouble, you'll take the wrap.
Speaker 5 (14:27):
What means draft.
Speaker 6 (14:28):
They put you in a little room and squirt gas
in you. You're fall dead. Gas comp Tom do this
he does. Indeed, Thank God, I thank you to see
the man so.
Speaker 5 (14:39):
None by your famous I think he would be very happy.
Speaker 1 (14:42):
To see you.
Speaker 6 (14:49):
Place Parker took me through.
Speaker 1 (14:50):
It was about as high on Russian hem as you
can get. The house was old based in brown Stone.
Speaker 6 (14:55):
I had a high iron fence. The gate was the
main h when I help left it.
Speaker 8 (15:02):
Go in.
Speaker 1 (15:02):
I Knowiccoco is no longer working. Whoa mister Speede come in?
Speaker 8 (15:09):
Call me?
Speaker 1 (15:10):
The gray haired gentleman who greeted me was wearing a
wing collar, a carnation, and a very distinguished there I
can hardly believe it, but he was definitely beyond the
shadow of adopt none other Van the one and only
happy Herman.
Speaker 6 (15:21):
Heat Where mister Speede, I see that your surprise. I'm overwhelmed.
Speaker 7 (15:30):
That lovely lovelace that is the grect name for my advocation,
I selected my first and sick of names, the ahh
you know my full name is Herman Heat Lovedlace.
Speaker 6 (15:40):
About that car, mister speed, Hey, yeah about that? I
must own that you outwitted me.
Speaker 7 (15:45):
I was not proud of my little device, the disc
on the child races, you know, when you showed.
Speaker 6 (15:50):
It to me.
Speaker 7 (15:50):
The my business establishment, I naturally thought to authorized to
tick the car.
Speaker 6 (15:55):
Yeah, naturally.
Speaker 7 (15:56):
However, I'm not averse to enterprise and a young man,
and I'm prepared.
Speaker 6 (16:00):
To pay for my blunder.
Speaker 1 (16:01):
You set a minion. I still couldn't acceptance the love lace.
Oh why I was hired to recover that car for
my client. It's not mine to sell it, certainly. I
don't care whose it is. All I know is if
my client's life is some dings and it has something
to do with.
Speaker 4 (16:14):
That car, it's yeah, excuse me, he is right, I
love possible, That's.
Speaker 6 (16:28):
All she said.
Speaker 1 (16:29):
And she stood there looking at me in that way
that made her not care who she was double crossing of.
Why then she turned to uh Glovelace alias Herman Heat,
How much.
Speaker 5 (16:39):
Did you know?
Speaker 1 (16:39):
At last?
Speaker 5 (16:40):
Everything I did agree to a term yeah, good, I
must have my bracelet back.
Speaker 6 (16:46):
Out, sid, Sure it's right here in my Oh.
Speaker 1 (16:50):
I reached my coat pocket for the charm brace that
should give me to keep, for it wasn't there. It
wasn't any of my pockets. I guess that it was
in one of Poco's pockets. Meets your watch, me fumbling,
her eyes blazing with anger.
Speaker 5 (17:02):
Oh you have lost it. You're helpless with happen?
Speaker 6 (17:05):
Thought it was the car you wanted.
Speaker 7 (17:06):
Please please, one thing at a time, I could guess
that we first gained possession of the car.
Speaker 5 (17:11):
Yes, lovel you're hiding first the car.
Speaker 7 (17:21):
Ah, Yes, this is the car at last, a princess
and vulgar Raymond, but still a princess. No royal coach
carrying a kind of a coronation of a hill that's
riches home.
Speaker 5 (17:31):
Talk too much.
Speaker 6 (17:33):
We'll take your place at the wheel, meacher.
Speaker 1 (17:35):
We shall drive out of here at work splendid future.
Speaker 6 (17:40):
After you, mister spade on our mister hate after you.
Speaker 7 (17:46):
Ironic, isn't it that, of all, my very gingerous I've
never learned to drive a car.
Speaker 5 (17:50):
That buckle vehicle.
Speaker 6 (17:52):
Seemed kind of shaky.
Speaker 8 (17:53):
Me.
Speaker 1 (17:53):
Sure you're sure you can handle a car down the ramp.
Speaker 7 (17:55):
And very good driver, Sure don't put on your break
to the man coming up the ramps, he was dead
before I got to him, so I leaned off from
my saw the bracelet lying beside his hand.
Speaker 6 (18:15):
I picked it up and walked back to the car.
Speaker 1 (18:18):
Nature and herman Heap Lovelace were sitting in stony silence,
glaring at each other.
Speaker 5 (18:23):
Is he dead?
Speaker 1 (18:24):
Yeah?
Speaker 5 (18:24):
What's on him?
Speaker 6 (18:26):
I didn't?
Speaker 5 (18:26):
What love life gone? Frisky musty?
Speaker 6 (18:29):
It's very distasteful to me. Come mister spay you fool?
Speaker 1 (18:33):
We tossed if he take you?
Speaker 5 (18:34):
Gone very where? Fifteen saying get we leave him here?
Speaker 1 (18:40):
What's not?
Speaker 5 (18:40):
Say? Something wrong?
Speaker 1 (18:42):
Oh?
Speaker 6 (18:42):
Nothing at all?
Speaker 1 (18:45):
Come back here?
Speaker 6 (18:46):
An outreak. I didn't.
Speaker 5 (19:02):
Plead corpo chick got a sorry, sure.
Speaker 1 (19:06):
Hey, I.
Speaker 6 (19:11):
Then either.
Speaker 7 (19:14):
I.
Speaker 5 (19:16):
I saw you pick up the bracelet.
Speaker 6 (19:18):
I meant that you should share it with me.
Speaker 5 (19:20):
That's why I gave you the bracelet in the first place.
Speaker 1 (19:23):
I liked You couldn't have been because you were safe
as long as time. Time didn't know where the bracelet was,
and you had to kill somebody.
Speaker 6 (19:29):
For it would be me.
Speaker 5 (19:30):
Please carryther?
Speaker 4 (19:31):
What does it happen?
Speaker 7 (19:32):
Now?
Speaker 5 (19:32):
We are together. We have the child, we have the bracelet.
Speaker 6 (19:36):
And they he he said, that's what boys me.
Speaker 5 (19:39):
Oh, surely you do not think I meant to kid here?
Speaker 6 (19:42):
Of course not.
Speaker 1 (19:42):
I should put you slept. You step in the gas
by accident.
Speaker 5 (19:45):
Yeah, yes, not with you.
Speaker 6 (19:47):
It wasn't six feet on. It's not with me.
Speaker 5 (19:50):
But with the police.
Speaker 6 (19:52):
My story.
Speaker 1 (19:52):
I won't help you. I don't know not.
Speaker 5 (19:54):
Uh huh.
Speaker 3 (19:55):
Then I tell you everything I was with Come Come
for a year. I hated him, three hundred and sixty
five days.
Speaker 5 (20:03):
I tried to run.
Speaker 3 (20:03):
Away always that taco came out and brought me back.
Speaker 5 (20:07):
Then then your love lace came with the car.
Speaker 3 (20:10):
Then your Lovelace had much money, but he could not
take it from the country, so he bossed sole platinum.
Speaker 5 (20:16):
Some he received from refugees.
Speaker 3 (20:18):
So I sent their fortunes abroad in that forum. But
there was no safeway to get it across the border.
Speaker 1 (20:24):
So for a cut time time I had the platinum
made and offenders and whirled it out of the car.
Speaker 6 (20:28):
Why was the precelets so important?
Speaker 3 (20:30):
It was too dangerous for Lovelace to bargain directly. Some
time was to get the money for the platinum and
give the little piece of defender as the token. Lovelace
would know who to give the car to when.
Speaker 5 (20:41):
They showed it to him.
Speaker 6 (20:42):
That's why I let me drive the car up a lot.
Speaker 4 (20:44):
Huh huh.
Speaker 5 (20:45):
I don't care, darling, even if you tried this busy.
Now we understand each other. No, you are tough to.
Speaker 3 (20:52):
Offer than some dumb I think, well, why now we
have everything for our sell you and me.
Speaker 8 (20:58):
What do we care for the uh?
Speaker 1 (21:01):
You make a good pitch, sweetheart. You look beautiful while
you're making it. But I don't like you're driving.
Speaker 6 (21:07):
What do you mean pull over? I'm driving the seat
back of the city. No, I said pull over.
Speaker 5 (21:13):
I won't let you do it. I don't care what happened.
Speaker 6 (21:15):
Make it easy. You want to kill us both good?
Speaker 1 (21:17):
I will us both.
Speaker 5 (21:18):
We die together or we leave together? Yes or no?
You're not answer me?
Speaker 1 (21:21):
Answer is no, I know you whiskey. I mean what
like they? The fog thinned out, so we rounded a
fend in the road. There was a point, I added
the share three hundred pluckt roped to the seat. She
jerked the car away from the pavement and stared straight
at it. I grabbed the wheel and pushed it.
Speaker 6 (21:39):
The car skid it on gravel and slid sidewayst toward
the cliff. I got the door over and tried to
yank her out with me. She held on and kicked
me until I rolled free.
Speaker 1 (22:06):
See didn't look very beautiful when I saw it for
the last time, And the flashy convertible was a pilot junk,
very expensive junk, but junk.
Speaker 6 (22:14):
All the same.
Speaker 1 (22:16):
I understand the federal man have confiscated the platinum and
they're holding love lives for questioning. I doubt if they'll crack.
Nobody can embarrass a used concess period and the report.
Speaker 5 (22:27):
And you really like this wherecket we're in?
Speaker 1 (22:30):
I hate it for the why.
Speaker 5 (22:33):
I don't let ever go in there any other wrap.
Speaker 1 (22:38):
It's a promise, sweet heart, why I'll never know?
Speaker 6 (22:41):
I mean, good night, get a nicety.
Speaker 8 (22:59):
The Adventures of Sam Spade, Nashall Hammett's famous private detective
was written for radio by Bob Tomum and Gil Dowd,
with musical direction by Lud Glutkin. Dam Spade is played
by Howard dutt Breen Tuttle is Effie.
Speaker 6 (23:15):
The night's program was directed by Elliot Lewis
Listen now to the adventures of Sam Spade, starting Horrid
duff in the Convertible.
Speaker 2 (00:07):
Keeper Damn Sage Detective Agency.
Speaker 1 (00:19):
Sweetheart, Damn, I knew you'd have the charity to come
back and face it. Well I'm back. I mean, what's
your life's face?
Speaker 2 (00:26):
First, you didn't do something else?
Speaker 1 (00:27):
Di becrides?
Speaker 3 (00:28):
What besides running away with that woman in a stolen car?
Speaker 1 (00:32):
Mixed up heavy? The car was stolen from her? You
mean it was her own car? Well not exactly, IV.
You see, she stole it from somebody else, and then
somebody saw it from her and then I got it back.
Speaker 4 (00:41):
For it inque a car And be worth all that
trouble That wasn't so much the.
Speaker 5 (00:45):
Car if his party.
Speaker 1 (00:48):
Take it over. Sweetheart, on me right down to dictate
my report. Oh Sam, look at you.
Speaker 5 (01:08):
Don't you taken off one answer?
Speaker 1 (01:10):
And just what do you mean by that atmospherein Clawmark?
Speaker 6 (01:13):
Wrong again?
Speaker 1 (01:14):
Sweet aunt? She said yes, I said no, and she descrite.
Speaker 5 (01:17):
I knew she was that count them and it's to
walk in this office that Uncle Grason Green nail pop.
Speaker 6 (01:24):
Green nail, Well, cute colors. This one goes to homicide epin.
Speaker 5 (01:28):
Oh not another murdering what else?
Speaker 1 (01:32):
Two detective litendant Dundee from Samuel Stay with her license
number one and seventy five, Mine said subject the convertible caper.
Dear Dundee could have been a dull morning, be since
before lunchtime things began to brighten up.
Speaker 6 (01:46):
Her clothes looked like.
Speaker 1 (01:47):
Money unless they were wrapped around let's even better. She
eased herself into the chair I pushed up for her,
rattled about a thousand bucks with her charm bread. So
that means after she'd arranged her legs, moles and eyes.
Speaker 6 (01:58):
To our mutual satisfied as she allowed me to.
Speaker 1 (02:01):
Hear the sound of her beautiful voice.
Speaker 3 (02:04):
I do not know whether you will be interested in
my case or that, Missusten.
Speaker 6 (02:08):
What's your mind at rest?
Speaker 5 (02:10):
That's uh, it's fathers spinning? Who knows? But perhaps I
am merely a waste of time.
Speaker 6 (02:16):
My time is your time? Is you stay in the
stations to span.
Speaker 5 (02:19):
Oh you are very sinspoted, so very time. Yes, and
jump it. My automobile has been children?
Speaker 6 (02:27):
Where them from? Where?
Speaker 5 (02:28):
Last night? I said?
Speaker 7 (02:29):
Lived not?
Speaker 5 (02:30):
But I was taking in at the hotel sound Alfayette.
What I am saying? I p that you left the
parts out side with the keys in me.
Speaker 6 (02:36):
Are you a part of us of the place? No,
I suggest to do.
Speaker 1 (02:41):
No, oh, no oh, why not?
Speaker 5 (02:44):
Because I saw it from another? I see no, but
you do not yet know own each utilise. Find me
time and notified the one from him. I show it.
Then that one will know that I am in t
and that's back.
Speaker 8 (02:57):
Ah.
Speaker 5 (02:57):
She's gonna think if you do, then he will come
here and kill you. That is why I must recover
the car rapidly and read out the pole.
Speaker 6 (03:09):
You will becose be very pleasant, sustrata. But our cars
and not exactly in my line you wish to. Don't
think anybody would murder just to see his car?
Speaker 5 (03:19):
Oh, look for the card. No, already he tried to
kill me once twice, three times. So I take the
car and drive away rapidly, away somewhere he may say
that juanna where if he recide you wishes to murder me?
Why oh, he drinks It becomes a beef, he accuses
me of. Look look here on my shoulder, this scar
(03:40):
well already he cuts me with a knife.
Speaker 7 (03:43):
M uh huh.
Speaker 5 (03:45):
Now you have seen something that changes your mind about me.
You see that I am sieve.
Speaker 6 (03:50):
Why, mister Strada, I never had any doubts.
Speaker 5 (03:52):
Oh please, I am need that brain. You would call
me new chunky. Yes, you d me more than you
know yet say m any tardy kicking the pe mm okay,
what's this?
Speaker 7 (04:06):
Uh?
Speaker 5 (04:06):
Pig's name kigs is the only name. I will honor him.
Speaker 1 (04:09):
We peeg pig. Yeah?
Speaker 6 (04:12):
What makes it?
Speaker 4 (04:13):
Cars?
Speaker 5 (04:13):
H landa? You know the kind of car?
Speaker 6 (04:17):
Yeah, that's a foreign car.
Speaker 1 (04:18):
I seen if you were on as much as to
take back several thousand bucks.
Speaker 5 (04:23):
Huh. He steals everything pleases my darning. Please note I
don't I'm kids each peak we blue.
Speaker 6 (04:30):
Him huh, not anymore.
Speaker 1 (04:32):
That's the first thing A care for you changes the
paint shot any other? Uh, distinguishing marks, distinguishing yes, hus.
Speaker 3 (04:38):
You dakh each has a ideal, you don't say, uh.
Speaker 5 (04:43):
Huh and it has two wins your wifers.
Speaker 1 (04:45):
Uh uh well uh, I'll buzz around me, Terri. If
I find anything, I'll let you know.
Speaker 5 (04:52):
Uh might say yes, yes, that that be something else.
I have no money.
Speaker 6 (04:58):
Oh that's great, that's just great.
Speaker 5 (05:00):
Look I am sincy. If you take so you it
just worked very much. He deec little charm malone, blocking
and suck with diamonds. Worked very much. You will keep
it until I pay you. Huh, I think a trap.
Speaker 1 (05:21):
She thrust the charm bricele into my hand, fit me
on the ear, and the plodded. I put a band
aid on it, ram some cold water over my head,
caught myself a stoots like a bourbon, and examined the bracelet.
The dangles, she pointed out, was a white metal disc
with a monogram in diamonds two uh vertical bars with
a horizontal and on top. It was the Greek letter
(05:41):
pie or the initials ket depending on who it's sullen
it from whom I know it was at last worth
my feet.
Speaker 6 (05:48):
I dropped it into my pocket and went out. My
first stop was over on Mission.
Speaker 1 (05:53):
A sign on the building says, uh masterpiece auto painting
Joe Rembrandt proprietors A long time. No sing out, Joe,
I got something you want painted now, but I think
you may have painted something I want.
Speaker 7 (06:06):
Damn you know me. They drive them in the front,
We spray the paint on them and push them out
the back.
Speaker 5 (06:10):
No questions.
Speaker 6 (06:11):
Aren't that spy a turnover?
Speaker 1 (06:12):
Joe?
Speaker 7 (06:13):
Yeah, we're going big time got exclusive.
Speaker 5 (06:15):
Now for the sinner get work in the hill?
Speaker 6 (06:17):
Is that right?
Speaker 1 (06:17):
Yeah?
Speaker 7 (06:18):
What are you looking for?
Speaker 1 (06:18):
Sim or murder car sud beve. It's a custom job,
foreign car. The answers, here's what it looks like. Yeah,
coverd of them.
Speaker 7 (06:28):
Here come in this morning to colored job which two colors,
very yellow bodies, baby blue fenders. Yeah, put a car,
then put a snanzy heap heap huh yeah, tell it you.
Speaker 5 (06:40):
I want to know.
Speaker 1 (06:45):
It was Happy Herman. Heap was one of the biggest
used car thieves in the city. So I got off
the street jar in front of Happy Herman's. A lot
of splash of Canario yellow paint caught my eye. I
strolled down between the rows of cars and farmer.
Speaker 7 (07:01):
Yeah, Heat's the name, Happy Herm and heat every car
on his love is in pheasant mechanical condition.
Speaker 1 (07:07):
Take your joy and hard to choose Herman. There's so
many here.
Speaker 4 (07:09):
Yes, it takes a heap of heaps to make a
heap heap.
Speaker 1 (07:15):
Yeah, that yellow shop with the blue fenders.
Speaker 5 (07:19):
And oh yeah, but the motor in that car it
does need to work.
Speaker 1 (07:23):
Now over he doesn't run, Oh yes, rough, But over
there's farrow what I want.
Speaker 6 (07:28):
Let me try it.
Speaker 1 (07:31):
Soun's all right to name, oh yeah, but needs to
work in the transmission that they different.
Speaker 6 (07:36):
You mind if I'm driving around the blank.
Speaker 5 (07:38):
All the mechanics we are just about to work off.
Speaker 1 (07:39):
Besides it, I'm afraid this car is more than you
care to invest. Well, let me try it out anyway
here I'll leave in the post. I raced in my
pocket for H's charm bredge. He took one look at it,
pas expression change.
Speaker 6 (07:57):
Well, why didn't you say so? Departit is necessary. You
can call your driving as far as you like.
Speaker 1 (08:04):
Thank you, harm and heat. I took him in his word.
I put the magic price into my pocket. Draws back
to O'Farrell street park in front of the San Uefell Hotel,
slipped the doorman and pucked to wash it for me,
and went on into the lobby. The best clerks at
the Senorita Strata had checked out thirty minutes before, leaving
(08:27):
no address. I found the house stack in the bar
and asked him for a rundown. Yeah, I remember how
he sam very nice day and he called us signing yeah.
Two guys down went out when they came, even bags
in for worthing.
Speaker 6 (08:44):
You won't believe it. Tim.
Speaker 1 (08:45):
One of them was Tom Tom carry see doing in
San Francisco.
Speaker 6 (08:49):
He's one up the murder and I know, but.
Speaker 1 (08:51):
There must be plenty in at it if he's brought
him back across the border. He's staying in Yeah, Room
six thirteen. Me a favor any time, anything at all time,
as a car parked outside of the loadings on here
store at my hotel garage on me when you're upstairs
as far out of side as you can get it.
(09:12):
I went upstairs and wearing a buzzer at room six thirteen,
a door was opened by a little, dark complected man
with hard eyes and Indian features. There was a mean
looking a knife in his hand, but he put it
away at a nod from Tom Tom Kerry as to
find out how it was in town, not from meet you.
I don't know how much he told you, Sam, but
if he told you this much, he was eleven. It's
(09:32):
a million dollar cap it. And you know some of
the things they've done for.
Speaker 6 (09:36):
That, what's in it for me? But she tells you nothing.
She left his charm brace up in.
Speaker 1 (09:41):
Hot and now boss, I cut him down and given
that person.
Speaker 6 (09:46):
I watch it, Tom, don't cry me.
Speaker 1 (09:50):
I got something bigger than this, as you wouldn't be
here all right, saying what do you want? I wanna
hear you talk you cause you know i'd been done
exicarly I'm missing. I got a little business. And after
I said, running our times across the border of the stage,
since we'd cool them all little buddy wait in the
serial number, like Classic said.
Speaker 6 (10:08):
It sounds like a good business. You shouldn't be neglecting
of it. You met the Danes, She says, you want
to kill her. I was helping my child. I scared her.
I didn't mean anything. I thought I could carr Himo
sitting around. I'll let park go and make her shoulder.
Speaker 1 (10:21):
A little bit, And I was just a little bit.
I figured her room. I know there now if I
could see her for five minutes just to talk to us,
and I know it'd be okay. I can't help your
time time. I want to talk to her myself. That
since she hadn't got a penny, only that car she
figures on pedal, and that not me more. She already
told her some car thaves took it. See I had
made a prisis maybe broke from the strange country. I'd
(10:45):
look good for her again. Hight the thousand bucks and
most of so sudden times time, that's when you fear again,
give it that break. But back then it was a
present from me. And whatever you do, don't find that color. Okay,
time hunts of promise. I mean one thing I don't sane.
You said it was a million dollar caper. I meant
that she's made a million bucks to me, Sam the
(11:08):
girls time time of the car, Oh, I wish you
hadn't make that twisted and I really do. Now back
to the convertible caper to Night's Adventure with Sam Spade.
(11:34):
When Time Time Carry said a million dollar caper, he
meant just that he never risked the rap to less
than one hundred grand and the Dane that ever lived
was worth more to end than a Hopman coat.
Speaker 6 (11:43):
It nature wasn't a million dollar bank as the car was.
I didn't know what was in it when same time
it might.
Speaker 1 (11:49):
Be diamonds, dope, smuggled Chinese, or just playing money. So
I went back to the hotel garage Umber twelve. I
climbed the long curving ramp of the second floor and
found the Canario yellow of the hands, the convert a
whole crowded in behind four ranks of cars as the
rear of the building, in part of the working. Nothing
in the lugged drunk. Nothing of the states, some of
(12:09):
the upholstering and the door panels.
Speaker 6 (12:11):
Nothing anywhere.
Speaker 1 (12:12):
And I got tiny stover and the two of us
went over the second time. And it's a cold lead
chance not I know, it's not a pink tiny what's
different about this car?
Speaker 6 (12:23):
Solid?
Speaker 1 (12:23):
They're built and most good body of work.
Speaker 6 (12:26):
I don't know.
Speaker 1 (12:28):
Hey, here's sapping what there's a whole punched out of
the spender over here about the side of a corner.
Let me say that right here and curves end? See
well yeah yeah?
Speaker 6 (12:42):
What's that?
Speaker 1 (12:42):
You got sham bracing? Did you say this dangle on
the here was what was cut out of that fender?
Speaker 6 (12:47):
Let me see.
Speaker 1 (12:50):
The fits fits even the curve. What does it mean
saying the dangle on the price? What a solid platinum? Hey?
Speaker 6 (12:57):
Sam? You granted children defenders all? This a solid clock?
You got a pocket knife? Planet?
Speaker 1 (13:02):
Yeah?
Speaker 2 (13:02):
Yeah?
Speaker 4 (13:03):
Yeah?
Speaker 6 (13:04):
Nice?
Speaker 1 (13:07):
And it shines?
Speaker 6 (13:09):
Sam?
Speaker 4 (13:09):
Is this a hot gun?
Speaker 6 (13:15):
I didn't answer him.
Speaker 1 (13:16):
I didn't have to. He looked in the gray white
gleam of the bracelet charin of the square of paint.
I had straped out the fender and answered the question himself. Meets.
His compatible was confartible in more ways than one put
out the hottest car in San Francisco as of that moment.
If tried left the garage. I tried the phone Tom Town,
but he wasn't in. I had an uncomfortable feeling he
(13:36):
was out looking for me.
Speaker 8 (13:38):
He was.
Speaker 6 (13:38):
As I stepped out of the phone book, there was
a rush of air past my left ear.
Speaker 1 (13:44):
A knife second award left than an inch west of him.
Came out in a sweet and finding to see him
duck around the corner into an alley.
Speaker 2 (13:50):
I ran after him.
Speaker 6 (13:51):
I called him and stoo him up against the wall.
He let me go, Let me go.
Speaker 7 (13:55):
I cut your dog.
Speaker 6 (13:56):
I don't know about that cock cut? What do you
know about that cock? And I'm talking you.
Speaker 1 (14:01):
Get more of this.
Speaker 5 (14:03):
I don't know nothing. They don't tell me nothing.
Speaker 6 (14:05):
Why else, Meeta, I don't know Meet.
Speaker 1 (14:07):
You don't know nothing neither, Only Tom Tom and Tom
Tom and who else?
Speaker 5 (14:12):
I don't talk no more.
Speaker 6 (14:14):
They're cutting you in.
Speaker 5 (14:15):
I don't need no cuts the boss.
Speaker 6 (14:16):
He faces me.
Speaker 5 (14:17):
Good, forty passes.
Speaker 1 (14:19):
Sometimes more work from me, and I'll cut you in.
Speaker 5 (14:21):
I cut you to pieces.
Speaker 6 (14:22):
The boss treats me good. Yeah, you do all the
dirty work. There's any trouble, you'll take the wrap.
Speaker 5 (14:27):
What means draft.
Speaker 6 (14:28):
They put you in a little room and squirt gas
in you. You're fall dead. Gas comp Tom do this
he does. Indeed, Thank God, I thank you to see
the man so.
Speaker 5 (14:39):
None by your famous I think he would be very happy.
Speaker 1 (14:42):
To see you.
Speaker 6 (14:49):
Place Parker took me through.
Speaker 1 (14:50):
It was about as high on Russian hem as you
can get. The house was old based in brown Stone.
Speaker 6 (14:55):
I had a high iron fence. The gate was the
main h when I help left it.
Speaker 8 (15:02):
Go in.
Speaker 1 (15:02):
I Knowiccoco is no longer working. Whoa mister Speede come in?
Speaker 8 (15:09):
Call me?
Speaker 1 (15:10):
The gray haired gentleman who greeted me was wearing a
wing collar, a carnation, and a very distinguished there I
can hardly believe it, but he was definitely beyond the
shadow of adopt none other Van the one and only
happy Herman.
Speaker 6 (15:21):
Heat Where mister Speede, I see that your surprise. I'm overwhelmed.
Speaker 7 (15:30):
That lovely lovelace that is the grect name for my advocation,
I selected my first and sick of names, the ahh
you know my full name is Herman Heat Lovedlace.
Speaker 6 (15:40):
About that car, mister speed, Hey, yeah about that? I
must own that you outwitted me.
Speaker 7 (15:45):
I was not proud of my little device, the disc
on the child races, you know, when you showed.
Speaker 6 (15:50):
It to me.
Speaker 7 (15:50):
The my business establishment, I naturally thought to authorized to
tick the car.
Speaker 6 (15:55):
Yeah, naturally.
Speaker 7 (15:56):
However, I'm not averse to enterprise and a young man,
and I'm prepared.
Speaker 6 (16:00):
To pay for my blunder.
Speaker 1 (16:01):
You set a minion. I still couldn't acceptance the love lace.
Oh why I was hired to recover that car for
my client. It's not mine to sell it, certainly. I
don't care whose it is. All I know is if
my client's life is some dings and it has something
to do with.
Speaker 4 (16:14):
That car, it's yeah, excuse me, he is right, I
love possible, That's.
Speaker 6 (16:28):
All she said.
Speaker 1 (16:29):
And she stood there looking at me in that way
that made her not care who she was double crossing of.
Why then she turned to uh Glovelace alias Herman Heat,
How much.
Speaker 5 (16:39):
Did you know?
Speaker 1 (16:39):
At last?
Speaker 5 (16:40):
Everything I did agree to a term yeah, good, I
must have my bracelet back.
Speaker 6 (16:46):
Out, sid, Sure it's right here in my Oh.
Speaker 1 (16:50):
I reached my coat pocket for the charm brace that
should give me to keep, for it wasn't there. It
wasn't any of my pockets. I guess that it was
in one of Poco's pockets. Meets your watch, me fumbling,
her eyes blazing with anger.
Speaker 5 (17:02):
Oh you have lost it. You're helpless with happen?
Speaker 6 (17:05):
Thought it was the car you wanted.
Speaker 7 (17:06):
Please please, one thing at a time, I could guess
that we first gained possession of the car.
Speaker 5 (17:11):
Yes, lovel you're hiding first the car.
Speaker 7 (17:21):
Ah, Yes, this is the car at last, a princess
and vulgar Raymond, but still a princess. No royal coach
carrying a kind of a coronation of a hill that's
riches home.
Speaker 5 (17:31):
Talk too much.
Speaker 6 (17:33):
We'll take your place at the wheel, meacher.
Speaker 1 (17:35):
We shall drive out of here at work splendid future.
Speaker 6 (17:40):
After you, mister spade on our mister hate after you.
Speaker 7 (17:46):
Ironic, isn't it that, of all, my very gingerous I've
never learned to drive a car.
Speaker 5 (17:50):
That buckle vehicle.
Speaker 6 (17:52):
Seemed kind of shaky.
Speaker 8 (17:53):
Me.
Speaker 1 (17:53):
Sure you're sure you can handle a car down the ramp.
Speaker 7 (17:55):
And very good driver, Sure don't put on your break
to the man coming up the ramps, he was dead
before I got to him, so I leaned off from
my saw the bracelet lying beside his hand.
Speaker 6 (18:15):
I picked it up and walked back to the car.
Speaker 1 (18:18):
Nature and herman Heap Lovelace were sitting in stony silence,
glaring at each other.
Speaker 5 (18:23):
Is he dead?
Speaker 1 (18:24):
Yeah?
Speaker 5 (18:24):
What's on him?
Speaker 6 (18:26):
I didn't?
Speaker 5 (18:26):
What love life gone? Frisky musty?
Speaker 6 (18:29):
It's very distasteful to me. Come mister spay you fool?
Speaker 1 (18:33):
We tossed if he take you?
Speaker 5 (18:34):
Gone very where? Fifteen saying get we leave him here?
Speaker 1 (18:40):
What's not?
Speaker 5 (18:40):
Say? Something wrong?
Speaker 1 (18:42):
Oh?
Speaker 6 (18:42):
Nothing at all?
Speaker 1 (18:45):
Come back here?
Speaker 6 (18:46):
An outreak. I didn't.
Speaker 5 (19:02):
Plead corpo chick got a sorry, sure.
Speaker 1 (19:06):
Hey, I.
Speaker 6 (19:11):
Then either.
Speaker 7 (19:14):
I.
Speaker 5 (19:16):
I saw you pick up the bracelet.
Speaker 6 (19:18):
I meant that you should share it with me.
Speaker 5 (19:20):
That's why I gave you the bracelet in the first place.
Speaker 1 (19:23):
I liked You couldn't have been because you were safe
as long as time. Time didn't know where the bracelet was,
and you had to kill somebody.
Speaker 6 (19:29):
For it would be me.
Speaker 5 (19:30):
Please carryther?
Speaker 4 (19:31):
What does it happen?
Speaker 7 (19:32):
Now?
Speaker 5 (19:32):
We are together. We have the child, we have the bracelet.
Speaker 6 (19:36):
And they he he said, that's what boys me.
Speaker 5 (19:39):
Oh, surely you do not think I meant to kid here?
Speaker 6 (19:42):
Of course not.
Speaker 1 (19:42):
I should put you slept. You step in the gas
by accident.
Speaker 5 (19:45):
Yeah, yes, not with you.
Speaker 6 (19:47):
It wasn't six feet on. It's not with me.
Speaker 5 (19:50):
But with the police.
Speaker 6 (19:52):
My story.
Speaker 1 (19:52):
I won't help you. I don't know not.
Speaker 5 (19:54):
Uh huh.
Speaker 3 (19:55):
Then I tell you everything I was with Come Come
for a year. I hated him, three hundred and sixty
five days.
Speaker 5 (20:03):
I tried to run.
Speaker 3 (20:03):
Away always that taco came out and brought me back.
Speaker 5 (20:07):
Then then your love lace came with the car.
Speaker 3 (20:10):
Then your Lovelace had much money, but he could not
take it from the country, so he bossed sole platinum.
Speaker 5 (20:16):
Some he received from refugees.
Speaker 3 (20:18):
So I sent their fortunes abroad in that forum. But
there was no safeway to get it across the border.
Speaker 1 (20:24):
So for a cut time time I had the platinum
made and offenders and whirled it out of the car.
Speaker 6 (20:28):
Why was the precelets so important?
Speaker 3 (20:30):
It was too dangerous for Lovelace to bargain directly. Some
time was to get the money for the platinum and
give the little piece of defender as the token. Lovelace
would know who to give the car to when.
Speaker 5 (20:41):
They showed it to him.
Speaker 6 (20:42):
That's why I let me drive the car up a lot.
Speaker 4 (20:44):
Huh huh.
Speaker 5 (20:45):
I don't care, darling, even if you tried this busy.
Now we understand each other. No, you are tough to.
Speaker 3 (20:52):
Offer than some dumb I think, well, why now we
have everything for our sell you and me.
Speaker 8 (20:58):
What do we care for the uh?
Speaker 1 (21:01):
You make a good pitch, sweetheart. You look beautiful while
you're making it. But I don't like you're driving.
Speaker 6 (21:07):
What do you mean pull over? I'm driving the seat
back of the city. No, I said pull over.
Speaker 5 (21:13):
I won't let you do it. I don't care what happened.
Speaker 6 (21:15):
Make it easy. You want to kill us both good?
Speaker 1 (21:17):
I will us both.
Speaker 5 (21:18):
We die together or we leave together? Yes or no?
You're not answer me?
Speaker 1 (21:21):
Answer is no, I know you whiskey. I mean what
like they? The fog thinned out, so we rounded a
fend in the road. There was a point, I added
the share three hundred pluckt roped to the seat. She
jerked the car away from the pavement and stared straight
at it. I grabbed the wheel and pushed it.
Speaker 6 (21:39):
The car skid it on gravel and slid sidewayst toward
the cliff. I got the door over and tried to
yank her out with me. She held on and kicked
me until I rolled free.
Speaker 1 (22:06):
See didn't look very beautiful when I saw it for
the last time, And the flashy convertible was a pilot junk,
very expensive junk, but junk.
Speaker 6 (22:14):
All the same.
Speaker 1 (22:16):
I understand the federal man have confiscated the platinum and
they're holding love lives for questioning. I doubt if they'll crack.
Nobody can embarrass a used concess period and the report.
Speaker 5 (22:27):
And you really like this wherecket we're in?
Speaker 1 (22:30):
I hate it for the why.
Speaker 5 (22:33):
I don't let ever go in there any other wrap.
Speaker 1 (22:38):
It's a promise, sweet heart, why I'll never know?
Speaker 6 (22:41):
I mean, good night, get a nicety.
Speaker 8 (22:59):
The Adventures of Sam Spade, Nashall Hammett's famous private detective
was written for radio by Bob Tomum and Gil Dowd,
with musical direction by Lud Glutkin. Dam Spade is played
by Howard dutt Breen Tuttle is Effie.
Speaker 6 (23:15):
The night's program was directed by Elliot Lewis
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