August 20, 2025 • 24 mins
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! Dive into the daily escapades of Sam Spade, the iconic private detective, in "Adventures of Sam Spade Daily." This podcast revives the thrilling atmosphere of mid-20th-century detective radio dramas with a modern twist. Tune in each day for new mysteries and sharp-witted adventures that capture the essence of the beloved character created by Dashiell Hammett. Whether you're a long-time fan or new to the genre, this daily podcast is your ticket to suspenseful storytelling.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:12):
I'm looking off a run for something.
Speaker 2 (00:18):
You'll be wrong with My typewriters.
Speaker 1 (00:20):
Looks okay to me. Those old models stand up at
They don't make 'em like that nowadays.
Speaker 3 (00:25):
I said, hope they don't.
Speaker 2 (00:26):
Somebody shot it.
Speaker 1 (00:28):
That's QP again.
Speaker 2 (00:29):
No, the alphabet is all right, Sam.
Speaker 1 (00:31):
It's just the one key one missing.
Speaker 2 (00:33):
No, but it's Sam, just a one year Then look
at the the app and set.
Speaker 1 (00:39):
That makes sense. You won't need it for this one.
Speaker 2 (00:41):
Came I in, Oh, Sam, what's nice? Mark? I got
the answer right away.
Speaker 1 (00:46):
The answer the what? That's what you great?
Speaker 4 (00:47):
To Sam?
Speaker 2 (00:48):
There's a whole gastly ribbel it's qubo is the exact well.
Speaker 5 (00:52):
I was tired, of course you were.
Speaker 2 (00:54):
And besides I was right here where I can see it,
right out the window. Pick the neon sign, Sam over
the misses got store.
Speaker 6 (01:00):
See I say, shability, quality, purity.
Speaker 5 (01:04):
And a place.
Speaker 1 (01:07):
State.
Speaker 4 (01:08):
That's not what?
Speaker 3 (01:09):
Right?
Speaker 1 (01:09):
Yeah? I thought you were, But that isn't quite the answer.
Speaker 7 (01:12):
It wasn't.
Speaker 3 (01:12):
What is that?
Speaker 1 (01:13):
I through the Tective Lieutenant Dundee homicide detailed San Francisco
Police from S. Spade Rice NAH one three seven five
ninety six, subject the s QP paper and thenute she
walked into my office. I smelled trouble, but it also
smelled like fifty dollars an ounce. He was small and
(01:33):
through a met Her eyes were large, appealing and moist,
but her pitch was disappointed. And now I.
Speaker 2 (01:40):
Realized that what he really came to San Francisco for
was to be with her.
Speaker 3 (01:44):
This isn't the first time to stay.
Speaker 2 (01:46):
There have been others. I don't know who this woman is,
and I don't care. This time, I intend to do
something about it. They're registered at the Belvedere.
Speaker 5 (01:54):
Hotels, and I want you to go suggest the moment.
Speaker 1 (01:57):
Yes, I think I know what you're leading up to. Uh,
you want a detective to go with you and be
a witness so you'll have grounds for the barges that
in yees.
Speaker 2 (02:05):
I can't go on any longer with a man I
can't trust.
Speaker 1 (02:08):
Oh, yes, please, I do sympathize whether you're honest, I do,
but I can't take the job.
Speaker 2 (02:14):
That's why I put out my heart to you myself.
Speaker 1 (02:18):
Oh, our places, the clatter is that it happens every day.
It's just that I don't take the bors cases. But
I do know what Detective might help you. You'll be
much better off of me.
Speaker 2 (02:25):
But I'm sure i'd feel much better with you.
Speaker 1 (02:28):
Uh maybe after me a divorcement, he said.
Speaker 2 (02:30):
The Christian my friends told me to Alright, lad, I'll see.
Speaker 1 (02:33):
What I can do noboday hotel case. That's a uh
tiny store rhyme, Jody fell in, Sam state, who is you?
Speaker 5 (02:43):
Miss?
Speaker 1 (02:44):
The stage friend of mine? I'se detective of the bell
that there, but he likes to pick up an extra fine.
I don't fire tiny fire finey five Roger, Oh work
are tiny? I'll stop if you will.
Speaker 5 (02:58):
Oh, i'll time.
Speaker 1 (03:00):
Yeah, what's for you? Yeah? About a guest in your
registered peers Donalds, mister and missus.
Speaker 4 (03:06):
Oh yeah, yes, your clerk gave me the high sight
out here pears. Yeah, check them along, but registered for both,
Sam said. The wife be along later, but it's it's okay.
Finally got here.
Speaker 1 (03:16):
Yeah, no, his wife is in my office now. I
do you want to christ the party? Oh? Oh I
get it? Want the job?
Speaker 4 (03:24):
Well, Sam, I can't take it for a private seed's
against the households?
Speaker 3 (03:28):
You up?
Speaker 1 (03:28):
Oh do that?
Speaker 4 (03:29):
Oh wait wait wait wait Sam, I go off duty
and half an hour maybe I.
Speaker 7 (03:32):
Could do it.
Speaker 4 (03:33):
Incomun a toddle. Huh, cend 'em around that?
Speaker 5 (03:36):
Okay, Dony, well the will he help me to to stay?
Speaker 1 (03:39):
Yeah? Ask if the best for tiny s sucide, But
don't let that put you off. He's an alright guy.
Speaker 2 (03:44):
Oh thank you, mister Say you've been very kind of.
Speaker 1 (03:47):
Good luck.
Speaker 7 (03:50):
A man.
Speaker 1 (03:51):
What happened? Why did you go quickly for the same
raise me? And shouldn't a let her in in the
first place? I they it was a divorce job.
Speaker 2 (03:57):
Oh but damn you look so resigned. Oh, and being
the first of the monk, I thought you might take
it set I do, but you know best, Sam, But
it seems to me you might welcome a little change
now and then I know you feel it's underneath you.
But it's it's nice things here and it's me nine
and midnight alone.
Speaker 1 (04:14):
You could effie. There are two words for that kind
of work. What never mine?
Speaker 2 (04:29):
Damn sabe detectutate. Oh yes, the moment mister stover danks
over what is the world? I think he's crying?
Speaker 1 (04:39):
Yeah, okay, finy frown, Yeah, what I'm fining?
Speaker 4 (04:44):
Not danger sent over here with him? I I I
got 'em. I'll take time telling you get over here,
Room four eighteen. Come in aside the hunt in the
walk up?
Speaker 1 (04:51):
What happens?
Speaker 4 (04:52):
I cannot take you over the phone. Just get over here, Sam.
Speaker 7 (04:55):
And hurry.
Speaker 5 (05:00):
Yeah, it's made Tiny, Sam over n Oh, I'm in
some sort of easing with it. He's lying in the
way of the door.
Speaker 1 (05:16):
The first thing I saw is I squeezed through the
narrow crack of the door. Was the brunette that had
visited my office that afternoon. She was handcuffed through a
chair and a gag had been stuffed into her mouth.
Tiny's frightened eyes shifted uneas laid from her to the
body on the floor. MM one, what kind of a
caper is this?
Speaker 7 (05:33):
See?
Speaker 1 (05:33):
You better tell me Tiny, what happened? Who handed out
to the chair? I did?
Speaker 6 (05:37):
I We broke in just like it says in the Brook,
only there was no dame here, just him.
Speaker 1 (05:42):
M He starts to.
Speaker 6 (05:43):
Jump the wife and I grab him. The next thing
I know, he's got my gun. I try a twisted
out of his hand. The next thing I know, Fang,
he's right where he's laying now when he's fed. Next
thing I know, the dame is grabbing for the phone
and screaming that I murdered him. That's when I decided
i'd better shut her up. For a wife of you
and me could compare notes on this straight.
Speaker 1 (06:02):
Well, first we better get some notes to compare. Mm
I listen, Pat, I'm gonna throw his gag out of
your mouth. But if you start screaming, it's going right
back here.
Speaker 6 (06:10):
Mmm mm h.
Speaker 3 (06:15):
M.
Speaker 2 (06:17):
Not let me out of these these handcut I.
Speaker 1 (06:20):
We'll get around to that now. First, I wanna put
you straight on something. I know the tiny hair when
under it's on the level, which is more than I
know about you. So if there are any angles in
this table besides the story you told in my office,
let's have him now before the cops get tall on.
Speaker 5 (06:34):
I lied to you.
Speaker 2 (06:35):
I never saw this man before in my life.
Speaker 1 (06:37):
Huh, shut up, tiny go on.
Speaker 2 (06:39):
I was hired by a man named Christopher.
Speaker 6 (06:41):
He advertised for a photographer.
Speaker 2 (06:43):
He said he specialized in photographed for legal evidence, and
this man Lombard's wife wanted, well, if she wanted a divorce.
Speaker 1 (06:49):
Mmm.
Speaker 2 (06:50):
I didn't wanna do it at first, but the pay
was good, and he said it was good experience for
newspaper work, which is what I wanna do, so I
took it.
Speaker 1 (06:57):
Why didn't you tell me that in my office?
Speaker 2 (06:59):
Those were he's in ruction. He said that's the way
they did it, and any detective would understand. Mm and
I was sure you did. When you wouldn't take the jar,
I would a.
Speaker 6 (07:08):
I don't get it, Sammy, she's some not or something
or she just dumb.
Speaker 2 (07:11):
I guess I'm just dumb.
Speaker 1 (07:12):
Oh, Connor, let's get some fact.
Speaker 2 (07:14):
Your name Patricia Vane, my friends call me Pat. That's
part of my story was true. I studied photography at Berkeley.
Speaker 1 (07:20):
Yeah. Yeah, Now this guy that hired you, well, he
is an office.
Speaker 2 (07:23):
In the Figelity building where over divorce lawyer is on
full name Calvin Christopher. It says on his office store
a public relations council. That's room eight forty two.
Speaker 6 (07:32):
In about you wanna swallow, miss yarn are your spade?
Speaker 1 (07:35):
Finny goes it on.
Speaker 7 (07:36):
I just say nothing.
Speaker 1 (07:37):
I check now, Uh, Patt, is this your story? You
and Fanny came in here to get a Lombard junctar.
Dinny grabbed him, there was a scuffle and a gun
went off.
Speaker 2 (07:46):
Yes, I just opened my purse to take my camera out.
Speaker 1 (07:48):
Where's the camera.
Speaker 2 (07:49):
I don't know in the excitement. Oh that looks like
it over there, over there by the phone.
Speaker 4 (07:57):
Be careful, there's some exposed film in it.
Speaker 2 (07:59):
It might have a clue.
Speaker 1 (08:00):
Who where did you shoot?
Speaker 5 (08:02):
Oh?
Speaker 2 (08:02):
Some fishing boats? And when I teach of mister Christopher himself,
I'm some acting shots of what just happened to here?
Do you think the police will confiscate my camera?
Speaker 1 (08:10):
No? I will. I saw it first, Hate Sam, Where
you go? I'm gonna do some fishing sim.
Speaker 4 (08:16):
You'll can't leave me holding the bag.
Speaker 6 (08:17):
You got me into this.
Speaker 1 (08:19):
You wanna get out, don't you? Yeah, okay, keep me
in the clear. You'll have somebody working for you. I
felt like a cab dunny, but there was nothing I
could tell you that they couldn't tell better as eyewitnesses.
So I left them there to face you and your
homicide boys alone. My first stop after leaving the Belvitere
(08:39):
was Ludkin's Lightning Photo Finishes, where I left Pat's camera
and film, and I muched across time of the Fidelity building.
It's sat on the door, sure enough, Room eight for two.
Calvin Christopher Public Relations count Well, sir, what can I
do for you you Uh Calvin Christopher, I am. I'd
(09:00):
like to ask you some questions detect you. You hired
a girl named the Pressure Vane to take some pictures
in the Balvedere Hotel. Right, Why no, I advertised for
a photographer, but so far no afflican. What do you
need a photographer for him as the Christopher? Well, that, sir,
with all due to respect, there's none of your business.
There's nothing illegal in advertising for a photographer, and if
I had an employed one, I would tell you. So
(09:22):
that's a straight answer. Then your story is that you
did not employ him as Vain and that you have
no knowledge of her. That is my story. The girl's
story is that she was here in this office and
even snapped the picture of it. That film is being
developed now, so I wanna stick with that statement.
Speaker 3 (09:36):
Uh.
Speaker 7 (09:36):
Look French, you do not have to be acquainted with
the person in order to have your picture taken.
Speaker 1 (09:41):
By it or hers. The case may be. I know that,
but if your picture shows in that film, I'll know
your line mind if I use your phone. Thanks oo
holifide dundee, uh dundee, Sam Spade, that's uh the girl
you're holding in the pierced death, Hotel Belvedere, and what
(10:03):
girl was heard? Piney Stover gave me the rumble he did,
didn't he? Not yet? Damn well, you're getting it now,
stiff in Room four eighteen gunshot. I'll meet you there,
and I did. I won't uh dwell on that part
of the gun and beer. You were cross with me,
(10:24):
and I didn't blame you. Pierce's body was still there,
and it was still dead. But there was no brunette,
no house stick, no gun and no bullet. Wo The
medic called it death, some natural cord part attack. But
the worst was yet to come. When I rushed down
to Ludkins to get those pictures, just to prove to
you that I wasn't completely out of my mind. There
were no fishing boats, no pickets, no mister Christopher, and
(10:48):
no struggle. Nothing but pictures of a complete set of
dental X rays. There was a date on him seven
fourteen forty eight, and some initials s q T the
United States Don Force's radio service, It's presenting the Weekly
Adventure of dashal Hammett, famous private detective Damned Spade. S
(11:21):
q t M seemed very familiar. Somehow, the society of
uh quail prevention mm mm to me after you and
your boys had cleared out, Dundee. I went back to
the room four eighteen. I wondered who had fired the
shot that both Piney and the brunette believed that killed
mister Speers. I didn't find out that. I did find
a thirty eight slug in the floor under the rug pat.
(11:43):
The fibrous material had been scuffed by somebody's foot to
hide the bullet hole. Piney had been reaching for the
phone as I left. According to the operator, that had
been no flash on her board in four eighteen. That
meant that whoever had stopped them had done so in
a matter of seconds. I didn't know whether it had
been done with a kiss at gun point or with
a blunt instrument. And I doubted anybody would knocked Piney
(12:04):
out because he was too heavy to carry down eight
twice the stairs. I checked Piney's room on the first floor.
It had been a rip the pieces by somebody who
obviously have been searching for something no bigger than say,
a role of film about there. I decided to go
and pay my respects to the light mister Pears.
Speaker 7 (12:29):
Good evening, sir, I am cons at death.
Speaker 1 (12:32):
You'll never remember me, do you?
Speaker 7 (12:34):
Was it in connection with the Columbian?
Speaker 1 (12:36):
Uh? No, we decided against it. Oh, which was your gear? Departit?
Pierce Donald Piers? Uh white afternoons? Check up at the
builder there?
Speaker 7 (12:45):
Oh year, he's still on the flat.
Speaker 1 (12:47):
I mean that. Uh he's not quite ready to view. Uh.
Speaker 7 (12:50):
Would you like to see the total tribut that's truly lovely?
Who may be arranged the Median Sea are truly lovely?
Trigut ball but thirty our heart see read with that
initials intertwine.
Speaker 1 (13:02):
DC from at the yes that doesn't as q perie no, sir.
Speaker 7 (13:07):
The middle initial is usually omitted, that is, if desired
in the thirty two fifty pickies.
Speaker 1 (13:12):
Of course, I'm certian by jove, I do.
Speaker 7 (13:14):
Remember you the detective mister Stade good heaven I would
play in regard to by mister t.
Speaker 1 (13:20):
I'm not sure on mister reference, but maybe you can help,
uh the tax price? Could you check and see if
for your hair is white? Surely?
Speaker 7 (13:27):
Oh dandel x space H needn't spend the time norrirs
no teeth A completely dentured sudject for a good ten years,
I would say, Oh, pardoner something madam, Oh, yeah, you'll
just wait U do you know mister Stade?
Speaker 3 (13:46):
Oh they told me it's the hotel. Very fortunate that
you hear.
Speaker 7 (13:49):
Say, well, I'll go and see how things are that stage.
Speaker 1 (13:53):
I'll see you later.
Speaker 3 (13:54):
These awful things the people must go through and death comes.
Speaker 1 (13:57):
No, it's not pleasant. You were married two years.
Speaker 3 (14:00):
You just married in prison. You know why you suppose
it shouldn't be a surprised You mean you both knew
what could happen at any time?
Speaker 1 (14:06):
Do you mean he had been set quite a while?
Speaker 3 (14:07):
Yes, call him the rate of puison, heart trouble man.
Speaker 1 (14:10):
And you agree that's what kill him?
Speaker 3 (14:11):
I agreed. Do you have any reason to think otherwise
than to see?
Speaker 1 (14:15):
Well, I think you know more about it than I do.
Speaker 3 (14:17):
A physical condition.
Speaker 1 (14:18):
Let's uh start with yours? How are your teeth?
Speaker 3 (14:20):
I don't understand.
Speaker 1 (14:21):
He's your X rays? What heaven? No?
Speaker 3 (14:24):
This is a man's mob. What did you get them?
What are they supposed to mean?
Speaker 1 (14:28):
I think they mean black man? Say you from the
thank of Princesville. The best identity clinching these initials s
QP could be Sandra or something fierce, say yours?
Speaker 3 (14:37):
No?
Speaker 1 (14:38):
So the initials s QP mean anything to the well.
Speaker 3 (14:41):
I mean, I thought, of course the prison.
Speaker 5 (14:43):
Oh why send Clinton prison?
Speaker 1 (14:45):
Sad quin. Oh, I've been stirred, but that's what you're
not married in present?
Speaker 3 (14:49):
Of course, I thought you news Donald was hit at prison,
gental laboratory. There're for eleven years.
Speaker 1 (15:01):
I sat down and gate at her. Oh. She went
on telling me how she'd been his assistant at the President,
how he'd had to quit because the president routine was
too tough for his heart condition, and how he'd fought
her a cerful farewell because he didn't have any prospects
and couldn't ask her to marry.
Speaker 3 (15:14):
But then practically the first day he arrived in campus
the schools, he wired me to come to her immediately.
He'd be married. Relative had died and left him twenty
thousand dollars and more was coming in. It wouldn't even
have to work anymore. He could retire, and that was wonderful,
because the really wasn't well enough to work. They're not
listening to me.
Speaker 1 (15:31):
What are you thinking about twenty thousand dollars from a relative? Uh?
Never explained it any better than that. Huh.
Speaker 3 (15:36):
No, man came the lawyer I guess was I suppose
he brought the money, because Donald took up to the
bank next morning.
Speaker 1 (15:43):
Where were you?
Speaker 3 (15:44):
Donald set me out of the room, but I was
afraid to go too far away. He was so excited
and he was expising the event Jina ping. I just
stayed outside in the hall, didn't see. I couldn't hear
anything he said. But then the door opened and the
man stood there and said done. I had no I
give you a kicker who was too bad. Some day
somebody got to say boot to you, and you'll drop dead.
Speaker 1 (16:05):
That's what I figured, missus Spears, I think your husband
was murdered. He was literally frightened at that m I
had almost all of it now, just the name and
a number were missing, and I thought I might have
them in my office under s q P. There was
a light showing in my hoard of office as I
(16:26):
came down the hall and went out. As I turned
the door, knock, looks.
Speaker 3 (16:33):
Like where you were?
Speaker 1 (16:34):
I got a gun that you patty?
Speaker 2 (16:37):
Oh what you saying?
Speaker 4 (16:39):
You were so longer?
Speaker 1 (16:39):
I put you never u Ah, Hey, hey don't do that. Hey,
come on, honey, don't give up like that now? Yeah, oh,
like this what happened?
Speaker 2 (16:52):
Hum so daring my ankle, I think I broke it.
I jumped out of the car.
Speaker 1 (16:57):
Let's see, and it's just a spring, I mean rest
of his gun.
Speaker 4 (17:01):
We were in the back.
Speaker 2 (17:02):
He slowed down on the rest. There was something stuffed
in my mouth. I couldn't make a sound. What's funny, man?
Speaker 1 (17:09):
Sorry baby, if you've seen that, have spent the entire
day bound and gag. I'm sorry, gone, huh After.
Speaker 2 (17:13):
You left us in that awful hotel room, he came
in and he was furious. Wanted to know why we
had spoiled everything while letting the gun go off, even
though mister Stover explained that it was only at together. Yeah,
and then he started laughing. He said he was only
fooling and he would take charge. So mister Stover left
and and then mister Christopher held a gun on me
and took me down the hall to another room. He
(17:34):
pushed me in there, and then he tied me to
a chair and put the gag in me.
Speaker 1 (17:39):
I'm sorry, I'm sorry, honey. Uh So he he lets
you cool off in there until it got dark and
nothing late, and I said, uh, get you downstairs and
in the car. Without attracting too much attention. You uh
say he was heading over the bridge to Oakland High.
Speaker 2 (17:52):
Yuh why are you shouting?
Speaker 1 (17:54):
So I I guess I'm just excited, and I was
a lot of a fat store. It was something I'd
just seen the shadow of a man against the frosty
glass of my office door. I went on talking, I
hope loud enough for him to hear every word. I said, Uh, Pat,
I don't know how to tell you this is gonna
make you feel bad, but uh, sooner or lady, I'll
have to know about it. This guy named Calvin Christopher
(18:16):
that isn't his right name, And in just a minute,
I think I'll have that too. He gave you a
phony pitch about a photography assignment to help somebody get
a divorce, But what he had in mind from the
beginning was to use you as a murder weapon, me
a murder on you and whichever detective happened to go
there with you. You see, Pierce was a black maner.
He'd bene a dentist at sam Clinton. And who did
he run into one day here in San Francisco but
(18:36):
an escaped con whose teeth he had worked on and
of whom by a happy chance, he had a complete
set of dental X rays. This Cohn bought the X
rays from him for twenty grand. He's still at large
and thinks he's safe now that Pearce is dead. But
what he doesn't though, is that Piers took snapshots of
the X rays before he turned the originals over. The
cameras got switched, and I have the X rays right here.
(19:00):
Look Adham, sweetheart, what do you eat? Catch down?
Speaker 3 (19:01):
Light?
Speaker 5 (19:02):
Clatten?
Speaker 1 (19:07):
He came in shooting. I kicked the lamp out and
answered him. There were all shots in the dark, but
mine came closer to get adding profile against the light.
My third shot was the lucky one that knocked a
gun out of his hand, just like in the Western.
But I was too tired to feel proud. Snap on
that light, patter and push the phone over here with you? Uh,
stand over away from that door. Christopher. By the way,
(19:30):
what is that name? You don't bother to smile?
Speaker 3 (19:36):
Oversight?
Speaker 1 (19:38):
Uh, Lieutenant Dundee kits the chip. Lieutenant down name Dundee.
Uh come over to my office and pick up Victor
Graziani thirty nine Caucasian san Quentin Lifer broke out July
fourteenth this year. Uh, you owe me eleven dollars for
damage done to my office. No, you're in end of
(20:08):
s Q page.
Speaker 2 (20:09):
Excuse jam sage ejacub agency. Oh yes, just then if
you tell you did teach a change stood.
Speaker 1 (20:18):
Then Hello fime siny sime Ooh honey, no, tiny hair,
Can I call you back?
Speaker 3 (20:25):
Uh?
Speaker 4 (20:25):
Oh a time an angel went princes? What happened to me?
I got a cool sound? What were those initials against?
Speaker 1 (20:32):
S QP a't si SQB?
Speaker 4 (20:35):
I'm here now?
Speaker 1 (20:36):
Where seymore?
Speaker 4 (20:37):
Kelly's pool room?
Speaker 1 (20:39):
See more Kelly's pool room? Gal? What piney? Don't even
you realize that Kelly isn't spelled with a Q. Just
when sim Kelly is without a que on off Sam?
Speaker 4 (20:51):
I think you must be wrong. He's chalking up now,
his shots coming up.
Speaker 1 (20:54):
Good night, tiny a fire finy. I'd like to go
around again with you, but this air time cost plenty,
as you'll know if you ever get your own radio show, which,
if you did, would be sponsored by the makers of
se Stupid till.
Speaker 4 (21:07):
Hey, Sam, your sugar seenis Seymour just made a free
courtion shot with a handcuff on your sultar seenis Sam?
Speaker 1 (21:15):
Good night? Honestly, tiny, anything that he said, just go
type that up Swett and have it back at exactly
pretty four seconds.
Speaker 4 (21:31):
What did I'm confused about?
Speaker 2 (21:33):
Who was getting divorced? Then you shouldn't accept.
Speaker 1 (21:36):
Divorce cases, Effie. It was not a divorce case. Do
you actually mean we require the usual partial recap until we.
Speaker 2 (21:45):
The general X ray would have killn that wooden day?
Speaker 1 (21:49):
Effie, you're not happy here? What you have known to
talk properly to? Have you ever thought about?
Speaker 3 (21:54):
Uh?
Speaker 1 (21:54):
Maybe?
Speaker 3 (21:55):
Uh?
Speaker 1 (21:55):
Tiny stoven? Oh see a lonely man? If he all
is he things? Free force the pool rooms for the version, sweetheart,
you could take them away from all that snooker. I
could fixture it up for you with tiny, sweetheart, there's
anyone of that told you a lovely.
Speaker 2 (22:16):
You know what a messed up?
Speaker 1 (22:19):
I know? My m well say I'll uh lets you
say out another week.
Speaker 5 (22:31):
Christ dance, thanks forget.
Speaker 1 (22:35):
It, good night, good night, sweetheart. The Adventurers of Sam Spade,
I Shall have its famous Private Detectives, are produced and
directed by William Spear. Sam Spade is played by Howard Dove.
(22:58):
Thereen tuttle is that The Adventures of Sam Spade Private
(23:43):
Detective is the presentation of the United States Armed Forces
Radio Service, the voice of information and education.
I'm looking off a run for something.
Speaker 2 (00:18):
You'll be wrong with My typewriters.
Speaker 1 (00:20):
Looks okay to me. Those old models stand up at
They don't make 'em like that nowadays.
Speaker 3 (00:25):
I said, hope they don't.
Speaker 2 (00:26):
Somebody shot it.
Speaker 1 (00:28):
That's QP again.
Speaker 2 (00:29):
No, the alphabet is all right, Sam.
Speaker 1 (00:31):
It's just the one key one missing.
Speaker 2 (00:33):
No, but it's Sam, just a one year Then look
at the the app and set.
Speaker 1 (00:39):
That makes sense. You won't need it for this one.
Speaker 2 (00:41):
Came I in, Oh, Sam, what's nice? Mark? I got
the answer right away.
Speaker 1 (00:46):
The answer the what? That's what you great?
Speaker 4 (00:47):
To Sam?
Speaker 2 (00:48):
There's a whole gastly ribbel it's qubo is the exact well.
Speaker 5 (00:52):
I was tired, of course you were.
Speaker 2 (00:54):
And besides I was right here where I can see it,
right out the window. Pick the neon sign, Sam over
the misses got store.
Speaker 6 (01:00):
See I say, shability, quality, purity.
Speaker 5 (01:04):
And a place.
Speaker 1 (01:07):
State.
Speaker 4 (01:08):
That's not what?
Speaker 3 (01:09):
Right?
Speaker 1 (01:09):
Yeah? I thought you were, But that isn't quite the answer.
Speaker 7 (01:12):
It wasn't.
Speaker 3 (01:12):
What is that?
Speaker 1 (01:13):
I through the Tective Lieutenant Dundee homicide detailed San Francisco
Police from S. Spade Rice NAH one three seven five
ninety six, subject the s QP paper and thenute she
walked into my office. I smelled trouble, but it also
smelled like fifty dollars an ounce. He was small and
(01:33):
through a met Her eyes were large, appealing and moist,
but her pitch was disappointed. And now I.
Speaker 2 (01:40):
Realized that what he really came to San Francisco for
was to be with her.
Speaker 3 (01:44):
This isn't the first time to stay.
Speaker 2 (01:46):
There have been others. I don't know who this woman is,
and I don't care. This time, I intend to do
something about it. They're registered at the Belvedere.
Speaker 5 (01:54):
Hotels, and I want you to go suggest the moment.
Speaker 1 (01:57):
Yes, I think I know what you're leading up to. Uh,
you want a detective to go with you and be
a witness so you'll have grounds for the barges that
in yees.
Speaker 2 (02:05):
I can't go on any longer with a man I
can't trust.
Speaker 1 (02:08):
Oh, yes, please, I do sympathize whether you're honest, I do,
but I can't take the job.
Speaker 2 (02:14):
That's why I put out my heart to you myself.
Speaker 1 (02:18):
Oh, our places, the clatter is that it happens every day.
It's just that I don't take the bors cases. But
I do know what Detective might help you. You'll be
much better off of me.
Speaker 2 (02:25):
But I'm sure i'd feel much better with you.
Speaker 1 (02:28):
Uh maybe after me a divorcement, he said.
Speaker 2 (02:30):
The Christian my friends told me to Alright, lad, I'll see.
Speaker 1 (02:33):
What I can do noboday hotel case. That's a uh
tiny store rhyme, Jody fell in, Sam state, who is you?
Speaker 5 (02:43):
Miss?
Speaker 1 (02:44):
The stage friend of mine? I'se detective of the bell
that there, but he likes to pick up an extra fine.
I don't fire tiny fire finey five Roger, Oh work
are tiny? I'll stop if you will.
Speaker 5 (02:58):
Oh, i'll time.
Speaker 1 (03:00):
Yeah, what's for you? Yeah? About a guest in your
registered peers Donalds, mister and missus.
Speaker 4 (03:06):
Oh yeah, yes, your clerk gave me the high sight
out here pears. Yeah, check them along, but registered for both,
Sam said. The wife be along later, but it's it's okay.
Finally got here.
Speaker 1 (03:16):
Yeah, no, his wife is in my office now. I
do you want to christ the party? Oh? Oh I
get it? Want the job?
Speaker 4 (03:24):
Well, Sam, I can't take it for a private seed's
against the households?
Speaker 3 (03:28):
You up?
Speaker 1 (03:28):
Oh do that?
Speaker 4 (03:29):
Oh wait wait wait wait Sam, I go off duty
and half an hour maybe I.
Speaker 7 (03:32):
Could do it.
Speaker 4 (03:33):
Incomun a toddle. Huh, cend 'em around that?
Speaker 5 (03:36):
Okay, Dony, well the will he help me to to stay?
Speaker 1 (03:39):
Yeah? Ask if the best for tiny s sucide, But
don't let that put you off. He's an alright guy.
Speaker 2 (03:44):
Oh thank you, mister Say you've been very kind of.
Speaker 1 (03:47):
Good luck.
Speaker 7 (03:50):
A man.
Speaker 1 (03:51):
What happened? Why did you go quickly for the same
raise me? And shouldn't a let her in in the
first place? I they it was a divorce job.
Speaker 2 (03:57):
Oh but damn you look so resigned. Oh, and being
the first of the monk, I thought you might take
it set I do, but you know best, Sam, But
it seems to me you might welcome a little change
now and then I know you feel it's underneath you.
But it's it's nice things here and it's me nine
and midnight alone.
Speaker 1 (04:14):
You could effie. There are two words for that kind
of work. What never mine?
Speaker 2 (04:29):
Damn sabe detectutate. Oh yes, the moment mister stover danks
over what is the world? I think he's crying?
Speaker 1 (04:39):
Yeah, okay, finy frown, Yeah, what I'm fining?
Speaker 4 (04:44):
Not danger sent over here with him? I I I
got 'em. I'll take time telling you get over here,
Room four eighteen. Come in aside the hunt in the
walk up?
Speaker 1 (04:51):
What happens?
Speaker 4 (04:52):
I cannot take you over the phone. Just get over here, Sam.
Speaker 7 (04:55):
And hurry.
Speaker 5 (05:00):
Yeah, it's made Tiny, Sam over n Oh, I'm in
some sort of easing with it. He's lying in the
way of the door.
Speaker 1 (05:16):
The first thing I saw is I squeezed through the
narrow crack of the door. Was the brunette that had
visited my office that afternoon. She was handcuffed through a
chair and a gag had been stuffed into her mouth.
Tiny's frightened eyes shifted uneas laid from her to the
body on the floor. MM one, what kind of a
caper is this?
Speaker 7 (05:33):
See?
Speaker 1 (05:33):
You better tell me Tiny, what happened? Who handed out
to the chair? I did?
Speaker 6 (05:37):
I We broke in just like it says in the Brook,
only there was no dame here, just him.
Speaker 1 (05:42):
M He starts to.
Speaker 6 (05:43):
Jump the wife and I grab him. The next thing
I know, he's got my gun. I try a twisted
out of his hand. The next thing I know, Fang,
he's right where he's laying now when he's fed. Next
thing I know, the dame is grabbing for the phone
and screaming that I murdered him. That's when I decided
i'd better shut her up. For a wife of you
and me could compare notes on this straight.
Speaker 1 (06:02):
Well, first we better get some notes to compare. Mm
I listen, Pat, I'm gonna throw his gag out of
your mouth. But if you start screaming, it's going right
back here.
Speaker 6 (06:10):
Mmm mm h.
Speaker 3 (06:15):
M.
Speaker 2 (06:17):
Not let me out of these these handcut I.
Speaker 1 (06:20):
We'll get around to that now. First, I wanna put
you straight on something. I know the tiny hair when
under it's on the level, which is more than I
know about you. So if there are any angles in
this table besides the story you told in my office,
let's have him now before the cops get tall on.
Speaker 5 (06:34):
I lied to you.
Speaker 2 (06:35):
I never saw this man before in my life.
Speaker 1 (06:37):
Huh, shut up, tiny go on.
Speaker 2 (06:39):
I was hired by a man named Christopher.
Speaker 6 (06:41):
He advertised for a photographer.
Speaker 2 (06:43):
He said he specialized in photographed for legal evidence, and
this man Lombard's wife wanted, well, if she wanted a divorce.
Speaker 1 (06:49):
Mmm.
Speaker 2 (06:50):
I didn't wanna do it at first, but the pay
was good, and he said it was good experience for
newspaper work, which is what I wanna do, so I
took it.
Speaker 1 (06:57):
Why didn't you tell me that in my office?
Speaker 2 (06:59):
Those were he's in ruction. He said that's the way
they did it, and any detective would understand. Mm and
I was sure you did. When you wouldn't take the jar,
I would a.
Speaker 6 (07:08):
I don't get it, Sammy, she's some not or something
or she just dumb.
Speaker 2 (07:11):
I guess I'm just dumb.
Speaker 1 (07:12):
Oh, Connor, let's get some fact.
Speaker 2 (07:14):
Your name Patricia Vane, my friends call me Pat. That's
part of my story was true. I studied photography at Berkeley.
Speaker 1 (07:20):
Yeah. Yeah, Now this guy that hired you, well, he
is an office.
Speaker 2 (07:23):
In the Figelity building where over divorce lawyer is on
full name Calvin Christopher. It says on his office store
a public relations council. That's room eight forty two.
Speaker 6 (07:32):
In about you wanna swallow, miss yarn are your spade?
Speaker 1 (07:35):
Finny goes it on.
Speaker 7 (07:36):
I just say nothing.
Speaker 1 (07:37):
I check now, Uh, Patt, is this your story? You
and Fanny came in here to get a Lombard junctar.
Dinny grabbed him, there was a scuffle and a gun
went off.
Speaker 2 (07:46):
Yes, I just opened my purse to take my camera out.
Speaker 1 (07:48):
Where's the camera.
Speaker 2 (07:49):
I don't know in the excitement. Oh that looks like
it over there, over there by the phone.
Speaker 4 (07:57):
Be careful, there's some exposed film in it.
Speaker 2 (07:59):
It might have a clue.
Speaker 1 (08:00):
Who where did you shoot?
Speaker 5 (08:02):
Oh?
Speaker 2 (08:02):
Some fishing boats? And when I teach of mister Christopher himself,
I'm some acting shots of what just happened to here?
Do you think the police will confiscate my camera?
Speaker 1 (08:10):
No? I will. I saw it first, Hate Sam, Where
you go? I'm gonna do some fishing sim.
Speaker 4 (08:16):
You'll can't leave me holding the bag.
Speaker 6 (08:17):
You got me into this.
Speaker 1 (08:19):
You wanna get out, don't you? Yeah, okay, keep me
in the clear. You'll have somebody working for you. I
felt like a cab dunny, but there was nothing I
could tell you that they couldn't tell better as eyewitnesses.
So I left them there to face you and your
homicide boys alone. My first stop after leaving the Belvitere
(08:39):
was Ludkin's Lightning Photo Finishes, where I left Pat's camera
and film, and I muched across time of the Fidelity building.
It's sat on the door, sure enough, Room eight for two.
Calvin Christopher Public Relations count Well, sir, what can I
do for you you Uh Calvin Christopher, I am. I'd
(09:00):
like to ask you some questions detect you. You hired
a girl named the Pressure Vane to take some pictures
in the Balvedere Hotel. Right, Why no, I advertised for
a photographer, but so far no afflican. What do you
need a photographer for him as the Christopher? Well, that, sir,
with all due to respect, there's none of your business.
There's nothing illegal in advertising for a photographer, and if
I had an employed one, I would tell you. So
(09:22):
that's a straight answer. Then your story is that you
did not employ him as Vain and that you have
no knowledge of her. That is my story. The girl's
story is that she was here in this office and
even snapped the picture of it. That film is being
developed now, so I wanna stick with that statement.
Speaker 3 (09:36):
Uh.
Speaker 7 (09:36):
Look French, you do not have to be acquainted with
the person in order to have your picture taken.
Speaker 1 (09:41):
By it or hers. The case may be. I know that,
but if your picture shows in that film, I'll know
your line mind if I use your phone. Thanks oo
holifide dundee, uh dundee, Sam Spade, that's uh the girl
you're holding in the pierced death, Hotel Belvedere, and what
(10:03):
girl was heard? Piney Stover gave me the rumble he did,
didn't he? Not yet? Damn well, you're getting it now,
stiff in Room four eighteen gunshot. I'll meet you there,
and I did. I won't uh dwell on that part
of the gun and beer. You were cross with me,
(10:24):
and I didn't blame you. Pierce's body was still there,
and it was still dead. But there was no brunette,
no house stick, no gun and no bullet. Wo The
medic called it death, some natural cord part attack. But
the worst was yet to come. When I rushed down
to Ludkins to get those pictures, just to prove to
you that I wasn't completely out of my mind. There
were no fishing boats, no pickets, no mister Christopher, and
(10:48):
no struggle. Nothing but pictures of a complete set of
dental X rays. There was a date on him seven
fourteen forty eight, and some initials s q T the
United States Don Force's radio service, It's presenting the Weekly
Adventure of dashal Hammett, famous private detective Damned Spade. S
(11:21):
q t M seemed very familiar. Somehow, the society of
uh quail prevention mm mm to me after you and
your boys had cleared out, Dundee. I went back to
the room four eighteen. I wondered who had fired the
shot that both Piney and the brunette believed that killed
mister Speers. I didn't find out that. I did find
a thirty eight slug in the floor under the rug pat.
(11:43):
The fibrous material had been scuffed by somebody's foot to
hide the bullet hole. Piney had been reaching for the
phone as I left. According to the operator, that had
been no flash on her board in four eighteen. That
meant that whoever had stopped them had done so in
a matter of seconds. I didn't know whether it had
been done with a kiss at gun point or with
a blunt instrument. And I doubted anybody would knocked Piney
(12:04):
out because he was too heavy to carry down eight
twice the stairs. I checked Piney's room on the first floor.
It had been a rip the pieces by somebody who
obviously have been searching for something no bigger than say,
a role of film about there. I decided to go
and pay my respects to the light mister Pears.
Speaker 7 (12:29):
Good evening, sir, I am cons at death.
Speaker 1 (12:32):
You'll never remember me, do you?
Speaker 7 (12:34):
Was it in connection with the Columbian?
Speaker 1 (12:36):
Uh? No, we decided against it. Oh, which was your gear? Departit?
Pierce Donald Piers? Uh white afternoons? Check up at the
builder there?
Speaker 7 (12:45):
Oh year, he's still on the flat.
Speaker 1 (12:47):
I mean that. Uh he's not quite ready to view. Uh.
Speaker 7 (12:50):
Would you like to see the total tribut that's truly lovely?
Who may be arranged the Median Sea are truly lovely?
Trigut ball but thirty our heart see read with that
initials intertwine.
Speaker 1 (13:02):
DC from at the yes that doesn't as q perie no, sir.
Speaker 7 (13:07):
The middle initial is usually omitted, that is, if desired
in the thirty two fifty pickies.
Speaker 1 (13:12):
Of course, I'm certian by jove, I do.
Speaker 7 (13:14):
Remember you the detective mister Stade good heaven I would
play in regard to by mister t.
Speaker 1 (13:20):
I'm not sure on mister reference, but maybe you can help,
uh the tax price? Could you check and see if
for your hair is white? Surely?
Speaker 7 (13:27):
Oh dandel x space H needn't spend the time norrirs
no teeth A completely dentured sudject for a good ten years,
I would say, Oh, pardoner something madam, Oh, yeah, you'll
just wait U do you know mister Stade?
Speaker 3 (13:46):
Oh they told me it's the hotel. Very fortunate that
you hear.
Speaker 7 (13:49):
Say, well, I'll go and see how things are that stage.
Speaker 1 (13:53):
I'll see you later.
Speaker 3 (13:54):
These awful things the people must go through and death comes.
Speaker 1 (13:57):
No, it's not pleasant. You were married two years.
Speaker 3 (14:00):
You just married in prison. You know why you suppose
it shouldn't be a surprised You mean you both knew
what could happen at any time?
Speaker 1 (14:06):
Do you mean he had been set quite a while?
Speaker 3 (14:07):
Yes, call him the rate of puison, heart trouble man.
Speaker 1 (14:10):
And you agree that's what kill him?
Speaker 3 (14:11):
I agreed. Do you have any reason to think otherwise
than to see?
Speaker 1 (14:15):
Well, I think you know more about it than I do.
Speaker 3 (14:17):
A physical condition.
Speaker 1 (14:18):
Let's uh start with yours? How are your teeth?
Speaker 3 (14:20):
I don't understand.
Speaker 1 (14:21):
He's your X rays? What heaven? No?
Speaker 3 (14:24):
This is a man's mob. What did you get them?
What are they supposed to mean?
Speaker 1 (14:28):
I think they mean black man? Say you from the
thank of Princesville. The best identity clinching these initials s
QP could be Sandra or something fierce, say yours?
Speaker 3 (14:37):
No?
Speaker 1 (14:38):
So the initials s QP mean anything to the well.
Speaker 3 (14:41):
I mean, I thought, of course the prison.
Speaker 5 (14:43):
Oh why send Clinton prison?
Speaker 1 (14:45):
Sad quin. Oh, I've been stirred, but that's what you're
not married in present?
Speaker 3 (14:49):
Of course, I thought you news Donald was hit at prison,
gental laboratory. There're for eleven years.
Speaker 1 (15:01):
I sat down and gate at her. Oh. She went
on telling me how she'd been his assistant at the President,
how he'd had to quit because the president routine was
too tough for his heart condition, and how he'd fought
her a cerful farewell because he didn't have any prospects
and couldn't ask her to marry.
Speaker 3 (15:14):
But then practically the first day he arrived in campus
the schools, he wired me to come to her immediately.
He'd be married. Relative had died and left him twenty
thousand dollars and more was coming in. It wouldn't even
have to work anymore. He could retire, and that was wonderful,
because the really wasn't well enough to work. They're not
listening to me.
Speaker 1 (15:31):
What are you thinking about twenty thousand dollars from a relative? Uh?
Never explained it any better than that. Huh.
Speaker 3 (15:36):
No, man came the lawyer I guess was I suppose
he brought the money, because Donald took up to the
bank next morning.
Speaker 1 (15:43):
Where were you?
Speaker 3 (15:44):
Donald set me out of the room, but I was
afraid to go too far away. He was so excited
and he was expising the event Jina ping. I just
stayed outside in the hall, didn't see. I couldn't hear
anything he said. But then the door opened and the
man stood there and said done. I had no I
give you a kicker who was too bad. Some day
somebody got to say boot to you, and you'll drop dead.
Speaker 1 (16:05):
That's what I figured, missus Spears, I think your husband
was murdered. He was literally frightened at that m I
had almost all of it now, just the name and
a number were missing, and I thought I might have
them in my office under s q P. There was
a light showing in my hoard of office as I
(16:26):
came down the hall and went out. As I turned
the door, knock, looks.
Speaker 3 (16:33):
Like where you were?
Speaker 1 (16:34):
I got a gun that you patty?
Speaker 2 (16:37):
Oh what you saying?
Speaker 4 (16:39):
You were so longer?
Speaker 1 (16:39):
I put you never u Ah, Hey, hey don't do that. Hey,
come on, honey, don't give up like that now? Yeah, oh,
like this what happened?
Speaker 2 (16:52):
Hum so daring my ankle, I think I broke it.
I jumped out of the car.
Speaker 1 (16:57):
Let's see, and it's just a spring, I mean rest
of his gun.
Speaker 4 (17:01):
We were in the back.
Speaker 2 (17:02):
He slowed down on the rest. There was something stuffed
in my mouth. I couldn't make a sound. What's funny, man?
Speaker 1 (17:09):
Sorry baby, if you've seen that, have spent the entire
day bound and gag. I'm sorry, gone, huh After.
Speaker 2 (17:13):
You left us in that awful hotel room, he came
in and he was furious. Wanted to know why we
had spoiled everything while letting the gun go off, even
though mister Stover explained that it was only at together. Yeah,
and then he started laughing. He said he was only
fooling and he would take charge. So mister Stover left
and and then mister Christopher held a gun on me
and took me down the hall to another room. He
(17:34):
pushed me in there, and then he tied me to
a chair and put the gag in me.
Speaker 1 (17:39):
I'm sorry, I'm sorry, honey. Uh So he he lets
you cool off in there until it got dark and
nothing late, and I said, uh, get you downstairs and
in the car. Without attracting too much attention. You uh
say he was heading over the bridge to Oakland High.
Speaker 2 (17:52):
Yuh why are you shouting?
Speaker 1 (17:54):
So I I guess I'm just excited, and I was
a lot of a fat store. It was something I'd
just seen the shadow of a man against the frosty
glass of my office door. I went on talking, I
hope loud enough for him to hear every word. I said, Uh, Pat,
I don't know how to tell you this is gonna
make you feel bad, but uh, sooner or lady, I'll
have to know about it. This guy named Calvin Christopher
(18:16):
that isn't his right name, And in just a minute,
I think I'll have that too. He gave you a
phony pitch about a photography assignment to help somebody get
a divorce, But what he had in mind from the
beginning was to use you as a murder weapon, me
a murder on you and whichever detective happened to go
there with you. You see, Pierce was a black maner.
He'd bene a dentist at sam Clinton. And who did
he run into one day here in San Francisco but
(18:36):
an escaped con whose teeth he had worked on and
of whom by a happy chance, he had a complete
set of dental X rays. This Cohn bought the X
rays from him for twenty grand. He's still at large
and thinks he's safe now that Pearce is dead. But
what he doesn't though, is that Piers took snapshots of
the X rays before he turned the originals over. The
cameras got switched, and I have the X rays right here.
(19:00):
Look Adham, sweetheart, what do you eat? Catch down?
Speaker 3 (19:01):
Light?
Speaker 5 (19:02):
Clatten?
Speaker 1 (19:07):
He came in shooting. I kicked the lamp out and
answered him. There were all shots in the dark, but
mine came closer to get adding profile against the light.
My third shot was the lucky one that knocked a
gun out of his hand, just like in the Western.
But I was too tired to feel proud. Snap on
that light, patter and push the phone over here with you? Uh,
stand over away from that door. Christopher. By the way,
(19:30):
what is that name? You don't bother to smile?
Speaker 3 (19:36):
Oversight?
Speaker 1 (19:38):
Uh, Lieutenant Dundee kits the chip. Lieutenant down name Dundee.
Uh come over to my office and pick up Victor
Graziani thirty nine Caucasian san Quentin Lifer broke out July
fourteenth this year. Uh, you owe me eleven dollars for
damage done to my office. No, you're in end of
(20:08):
s Q page.
Speaker 2 (20:09):
Excuse jam sage ejacub agency. Oh yes, just then if
you tell you did teach a change stood.
Speaker 1 (20:18):
Then Hello fime siny sime Ooh honey, no, tiny hair,
Can I call you back?
Speaker 3 (20:25):
Uh?
Speaker 4 (20:25):
Oh a time an angel went princes? What happened to me?
I got a cool sound? What were those initials against?
Speaker 1 (20:32):
S QP a't si SQB?
Speaker 4 (20:35):
I'm here now?
Speaker 1 (20:36):
Where seymore?
Speaker 4 (20:37):
Kelly's pool room?
Speaker 1 (20:39):
See more Kelly's pool room? Gal? What piney? Don't even
you realize that Kelly isn't spelled with a Q. Just
when sim Kelly is without a que on off Sam?
Speaker 4 (20:51):
I think you must be wrong. He's chalking up now,
his shots coming up.
Speaker 1 (20:54):
Good night, tiny a fire finy. I'd like to go
around again with you, but this air time cost plenty,
as you'll know if you ever get your own radio show, which,
if you did, would be sponsored by the makers of
se Stupid till.
Speaker 4 (21:07):
Hey, Sam, your sugar seenis Seymour just made a free
courtion shot with a handcuff on your sultar seenis Sam?
Speaker 1 (21:15):
Good night? Honestly, tiny, anything that he said, just go
type that up Swett and have it back at exactly
pretty four seconds.
Speaker 4 (21:31):
What did I'm confused about?
Speaker 2 (21:33):
Who was getting divorced? Then you shouldn't accept.
Speaker 1 (21:36):
Divorce cases, Effie. It was not a divorce case. Do
you actually mean we require the usual partial recap until we.
Speaker 2 (21:45):
The general X ray would have killn that wooden day?
Speaker 1 (21:49):
Effie, you're not happy here? What you have known to
talk properly to? Have you ever thought about?
Speaker 3 (21:54):
Uh?
Speaker 1 (21:54):
Maybe?
Speaker 3 (21:55):
Uh?
Speaker 1 (21:55):
Tiny stoven? Oh see a lonely man? If he all
is he things? Free force the pool rooms for the version, sweetheart,
you could take them away from all that snooker. I
could fixture it up for you with tiny, sweetheart, there's
anyone of that told you a lovely.
Speaker 2 (22:16):
You know what a messed up?
Speaker 1 (22:19):
I know? My m well say I'll uh lets you
say out another week.
Speaker 5 (22:31):
Christ dance, thanks forget.
Speaker 1 (22:35):
It, good night, good night, sweetheart. The Adventurers of Sam Spade,
I Shall have its famous Private Detectives, are produced and
directed by William Spear. Sam Spade is played by Howard Dove.
(22:58):
Thereen tuttle is that The Adventures of Sam Spade Private
(23:43):
Detective is the presentation of the United States Armed Forces
Radio Service, the voice of information and education.
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