In this sizzling episode of All On Front Street, Jaguar Wright and Wolfgang Amadeuz break down two viral moments that have the internet shook. First up: Halle Berry — once the queen of class, now caught in a shocking Instagram moment where a "panty slip" nearly exposed everything. Is this a cry for relevance? Exploitation? Or just another example of how Black women in Hollywood are constantly under the microscope, even after earning their crown? Then, we shift gears to the working-class firestorm — the iHop employee who went viral after dragging the entire restaurant on camera at the end of her shift. Spoiled milk, cold coffee, and no filter! Jaguar gives her flowers, and we talk about what it really means when the working class says “enough is enough.” Real talk. Raw emotion. And nothing off the record. This is All On Front Street.
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Episode Transcript
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Speaker 1 (00:00):
All on Front Street is where the truth takes center
stage and no topic gets toughed away. This is Unapologetic, Unfiltered,
a podcast that puts the real out front, where the
conversations that matter, stories they don't want told, and the
voices the mainstream tries to silence.
Speaker 2 (00:14):
From entertainers and authors to influencers, journalists and independent business owners,
no guess is off limits and no conversation is too raw.
If it's shaking culture, exposing industry games, or breaking generational curses,
it's going on Front Street. Expect both interviews, street wives, commentaries,
behind the scenes, revelations, and moments that'll make you laugh,
(00:35):
gas or rethink everything you thought you.
Speaker 3 (00:39):
Got, you thought welcome, you got Jaguar right in the building,
and you got the book game. I'm here, I'm just
the Cope Highlot. And this is a part two, episode
two where we put everything out there on Front Street. Now,
Jag you you were friends with Eric Bennet, I take it.
Speaker 4 (01:07):
Hmm. Yeah, that was a terrible That was all terrible.
It really was watching what happened to him, his reputation,
to his career. Yeah, it was nasty. It was very,
very very nasty, you know. It's it's funny because a
(01:35):
lot of men aren't perfect, a lot of men make
a lot of mistakes, a lot of men do a
lot of things. But you know, when we start allowing
women to destroy men's character for their own game, that's
(01:56):
when it's just too much. And that's just how I
felt about the whole Ally Berry Eric Bennet situation. Labeling
that man as a sex addict was totally out of control.
He wasn't. What he was was a feral black man
and he loved women, and he did and he ended
up with what was supposed to be America sweetheart, and
it turned out to be an American nightmare for him.
(02:21):
His assets were frozen, He wasn't even allowed to get
to his own money until he agreed to sign a
bunch of paperwork and do an interview labeling himself a
sex addict on American television, and then his money was
(02:41):
finally released. And a lot of people keep forgetting that
at that time, Holly Berry was heavily controlled by Hollywood,
what I would call the Hollywood oligarchs. Warren Batty was
her handler. And you know, it's so funny because all
(03:03):
the time that she spent around him. You never heard
his wife, Annette Benning ever once acknowledge her or her
you know, achievements in acting. And Annette Benning was always
a very pro woman, supportive actress figure, So I just
(03:23):
I always found it funny that she never really acknowledged
this woman at all. There are a lot of conversations
and it was pretty much common knowledge that during the
course of their marriage when she did Monsters Ball, the
sex scenes that happened between her and Billie Bob Thornton,
who was also married at the time to Angelina Julie
(03:48):
was Angie's second marriage before she you know, went and
became Branddelina with Brad Pitt or whatever you know it.
That marriage after that movie disintegrated. Like nobody even bothered
(04:09):
to pay attention to the fact that after Monster's Ball,
Angelina Julie was out. They didn't do a whole lot
of talking about it. But when you think about conversations
being had that that sex scene between her and Billy Boba,
that makes me feel good, and all of that stuff
(04:31):
that wasn't acting, that was real. There was real penetration.
It's been discussed for many years in the backdrop whether
or not people want to accept it or acknowledge it. Now,
I want people to think about what that must have
been like for Eric Benney to go down that red
carpet with your wife, to go into that theater filled
(04:54):
with a bunch of people, and then to watch what
you believe in your heart. People are saying in the backdrop,
it's a real sex scene with your wife. I'm sorry,
I don't know too many black men that wouldn't have
went out and slept with whoever they wanted to sleep
with after that, because it was humiliating.
Speaker 3 (05:16):
I mean, he got he got the ultimate pass.
Speaker 4 (05:21):
I'm as a man, what do you what to say? You?
Speaker 3 (05:26):
Uh nah, man, I'm I'm I'm I'm cool. I'm cool
on any of the uh disrespect because that's a form
of disrespect. And I just have a rule. I said,
just don't have me out here looking stupid. She had
Eric looking crazy and yeah, now you're telling me on
(05:47):
the back end, they made him, pr made him come
out and say what he said to pretty much had
you know, it's just to save her image for her
right now now America part at the time, right so,
right now we're looking at this tragic Mulatto, halle Berry
(06:10):
and her current broy boyfriend has been I would say,
you know, gonna exploiting her, horing her out. Uh, And
she's on Instagram and her and I guess a bikini.
You know she she she can do what she want
to do, not saying that she can't be in a bikini.
But we have never really seen Halle like that. She's
(06:31):
always been modest for the most part. She only did
one scene where in a movie where you saw her
her breast.
Speaker 4 (06:39):
No, no, you didn't see the boxing film that she
did on Netflix like a couple of years ago.
Speaker 3 (06:45):
She she she was naked too, and she was and.
Speaker 4 (06:50):
She was you know she she she she was having
sex with men, she was having sex with women. She
was bisexual. You didn't see that movie.
Speaker 3 (07:01):
I no, I did not.
Speaker 4 (07:03):
Hold on a second. Let me get the dats on that. Yeah, no,
that was all on. Yeah, she she did it on Netflix.
She actually I think she I believe she directed it
and produced that film. Wait a minute, let me pull
that up. Yeah. No, like she's been, she's been, you know,
(07:23):
getting a little edgy.
Speaker 3 (07:24):
And what do you mean why didn't why do you
think all? Why do you think now? Because I mean
she's been in the game. Since what was that one
movie she she was a dang on crackhead with Samuel Jackson.
I remember the early nineties, and then.
Speaker 4 (07:39):
You're talking about Jungle Fever. She wasn't Wasn't that.
Speaker 3 (07:44):
Like Joint?
Speaker 5 (07:44):
Yeah?
Speaker 3 (07:44):
Yeah, like Lee Joint. So now she's doing this? Why so?
Speaker 4 (07:49):
Why?
Speaker 3 (07:50):
Why is this woman all of a sudden on Instagram
panties dropping off, panties coming off.
Speaker 4 (07:55):
The name of the movie is Bruised. It came out
twenty twenty. Let's take a look at the overview.
Speaker 3 (08:03):
Let me play a little bit of audio.
Speaker 5 (08:04):
What she's saying here, beautiful is really an internal feeling.
Speaker 6 (08:09):
It has nothing thing to do really with our physical self.
Speaker 3 (08:13):
Okay, I don't want to play too much because I'm
sure that's some copyright music. But overall, she has a
post here that says the best part of Mintopause, I
don't give a f not about opinions, not about playing
it cute. I move how I want, I wear what
I want, and do it for me. That's the freedom
(08:35):
no one tells you about till you're living it. Okay,
I'm not mad at that, but I mean, you've never learned.
Speaker 4 (08:43):
How to dance like her? Dance. This sucks like she's
doing that same move that she was doing in Bats Like.
It's just it's like what I saw that. I'm like, no,
not the bats dance like no and then the you know,
And she was dancing the same exact way in Bulworth
(09:05):
with Warren Baby, which was her first big crossover because
she literally went from like Baps to Bulworth and then
Hollywood major Motion pictures. Up until then, she was just
a pretty girl in black movies, the pretty girl in
black movies, Warren Baby a lot in her career. Yeah,
but no. The overview for the movie Bruise that came
(09:28):
out twenty twenty on Netflix, Jackie Justice a disgraced MMA
fighter who has failed at the one thing she's ever
been good at fighting. When six year old Manny, the
son she walked out on years ago, returns to her doorstep,
(09:50):
Jackie has to conquer her own demons. And yeah, she
went from being with a man and then she started
training with a female boxer and then she fell in
love with her, and then she broke her heart and
then it was it was it was, it was I
(10:11):
don't you know, I mean, I watched it. She did
a good job I'm not. I can't take anything away
from it. It says, directed by her nominations NAACP Image Award
for Outstanding Actress in the Motion Picture. Yeah, and that
(10:32):
was and the official release date was November seventeenth, twenty
twenty one, on Netflix. So okay, that was like the
last big project that she worked. But I noticed that
she was the older. She's gotten. She's tried to get
more racy, she's tried to get more obvious. And the
thing is is, if you're going through menopause, and if
(10:53):
you're fighting menopause, and if this is your way of,
you know, fighting against hot flashes, then you know, I
guess more power to you. But I still don't understand,
you know why now? Like it's just there's a why
(11:15):
now aspect to all of this. Her and Van have
been together for like five plus years, and honestly, for
the first few years of their relationship, nobody even knew
she was with Van Hunt, and most people didn't even
remember who Van Hunt was. I knew who Van Hunt was.
He was one of my label mats Over Inca Records
(11:37):
his first album. You know, I hated the way they
just kind of filed him off. You know, they got
him some good placements and some good movies and some
good commercials, and you know, and he got you know,
and then they just, you know, everyone forgot about Van
His song Seconds of Pleasure. Oh my god, it is
(11:59):
one of my favorites. As a matter of fact, I've
never played it for you. You have to play it
for you one day. I used to listen to it
all the time. Gutsye blues and just this beautiful melodic
tone and who girl, let's sweat you say and take
a phase? And have you been on your faith? And
(12:24):
the whole song is about honoring this beautiful woman and
honoring all of the little wonderful things, all the little
wonderful moments that you know, most people don't pay attention to,
and how he shrined them and turned them into like
he was always a hell of a poet, and he
just had such a cool, groovy, you know, vibe to him.
(12:46):
So for me to see someone who's been this obscure
and now all of a sudden, and let's not say
all of a sudden, because it was like a year
ago when they started talking about how she was broke
and didn't have no money, and they was coming down
on her and running down on her for child support
for all of these she had with all those other
men who took her kids from her.
Speaker 3 (13:08):
She's the only sister I know that had to pay
child support to white men. That's crazy.
Speaker 4 (13:14):
Well, I mean those are who she chose to have
her children with, and for whatever reason, whatever the settlements were,
the courts decided to side, you know, with the men
over her. But let's not pretend like all of the
black men that she was with before she went through
(13:35):
her mentor of white husbands. You know, she had issues
with Wesley Snipes for her hearing, she had issues with
David Justice. You know, she had issues. She's had issues
with men her whole life. This isn't anything new, which
(13:59):
is why when Eric and they decided he was going
to jump into the saving halle Berry game, I was
kind of surprised because of all that people have said,
because the truth is, what a lot of men have
had to say about her is that she's erratic. She's irrational,
and she pushes people too far. Like I remember when
(14:20):
she drove her car through those people's house. It was
right after Eric had broken up with her. Oh yeah,
like people, yes, very early two thousands, two thousand and one. Er,
I don't I'm trying to She she ran her car
(14:44):
into someone else's house. Eric Benney was sitting in Access
studio right there at seventh in Calihill, in the back
studios of Larry Gold. She was on the phone acting crazy,
going nuts, talking about, look at what you made me do.
This is what I did, you made me do this,
this is your fault. While she's sitting in the police station,
(15:07):
she's blaming him because he broke up with her because
she was just nuts. Wow, and he couldn't take it anymore,
so he broke up with her. She runs her car
into somebody's house. Then all of a sudden, here comes
the pr people and you have to be there for her,
you have to hold her together. And then they go
and they get married out of the country rather than
(15:28):
get married in California where it was community property. Gonna
tie him up and do all kinds of crazy stuff.
I believe they got married in Antigua. Wow, and she
used the Antiguan government to tie his money up and
do all kinds of stuff and drop. Yeah. It was terrible.
Speaker 3 (15:48):
Wow, it was terrible, A sad measure of endeavor. Indeed no.
Speaker 4 (15:55):
So I mean that's why when I heard she was
with Van, and I'm like, you know, Van, it's quirky
enough to maybe make that makes some sense and maybe
she can find some happiness. And at the end of
the day, I don't care who you are, what you are.
I think everyone deserves to be happy. I do. I
think everyone deserves to find some measure of happiness in
(16:16):
their life. And there is someone for everyone, you know.
Thank god she found a man that's supporting her. I
just find it funny that they didn't start, you know,
doing all of this social media publicity about their relationship
and and you know, doing advertisements on the low for
a you know, sex wax and lubricants and.
Speaker 3 (16:44):
Oh yeah, yeah, yeah that you know what it is like people.
Speaker 4 (16:47):
Are getting That's what they did on Mother's Day.
Speaker 3 (16:49):
It was I totally forgotten that's what that whole thing
was for. It was for some God dang on, lou.
So she's getting paid, that's that. Obviously, they're monetizing her menopause,
monetizing menopause.
Speaker 4 (17:06):
They're literally monetizing her menopause. So she child support.
Speaker 3 (17:11):
That sounds like a horror film. And you said the
social compared childs for Wow.
Speaker 4 (17:19):
Don't forget they weren't this public. They've never been this public.
Speaker 3 (17:24):
No, you're right, well, I always I always thought it
was weird. And and you know, we were discussing before
because I said, you know, in Hollywood or Hollyweird, you
do have couples, and that's what they do. They exploit,
they put their stuffs out there. I get that, but
you I don't see like Courtney b Vance and Angela
Bassett doing these types of stunts when when you when
(17:48):
you're an actress and you you go to this level.
The difference, the difference, what's the difference.
Speaker 4 (17:55):
Angela Bassett is an executive producer and getting paid money
for those nine one one shows. She's got the money
coming in.
Speaker 3 (18:05):
I get it.
Speaker 4 (18:06):
If Holly Berry is ran down by her baby's daddy's
for not being able to pay her child support and
people were saying that, you know, things were drying up,
her things were not looking.
Speaker 3 (18:20):
No pun intended because of the mental falls.
Speaker 4 (18:27):
Welcome to the Sahara Desert of her career and her
personal life. Apparently, my point is all that all of
that Hollywood engagement, all of that Hollywood action she went on.
I just read you the film that she directed that
got notable mention and notice on Netflix, like all of this,
(18:52):
and they still where where are your Hollywood friends now?
Like all of the people that convinced you to do
the things that you did to Eric Bennet, all of
the time that you spent with Warren Baty. Where where
are your Hollywood people now?
Speaker 3 (19:09):
Yeah, know where to be found?
Speaker 4 (19:11):
Where are they now?
Speaker 7 (19:12):
When?
Speaker 4 (19:12):
When when you need it? When you need it? Why?
Why is nobody? Why is nobody giving you a series?
Why is nobody giving you the kind of cushy job
that they gave Angela Basst with Fox.
Speaker 3 (19:24):
Like, well, she's not in that inner circle anymore. That's
pretty much what it is, because you know, that's how
they move in Hollywood. They'll move you in and out
of that inner circle and you you you don't get
you don't get hooked up. I was talking to a
few actor actor friends, actress friends that I know, and
they yeah, it's like they're dope, but it's like they're
(19:44):
not going to get elevated because they're not doing They're
not going to the right parties. If you understand what
I'm saying something, you know.
Speaker 8 (19:50):
Not doing all the things or may or maybe you
are just your old news. There you go that party,
maybe you play it out, you know what I mean.
And it's it's sad when people see how disposable people's
lives are. But when it gets to the point where
you know you're approaching your sixties slowly but surely, you know,
(20:16):
Lena Horn would have never done this gorgeous She was
Dorothy Dandridge. I don't see her doing stuff like this.
Even Eartha kit became a little modest in her older years,
you know what I mean.
Speaker 4 (20:34):
Mog is ding. You know she had on tights, you know,
she had all the stockings and her you know, it's
like and it's funny because they both played Catwoman at
one point. Yeah, but I'm saying, you know, when it
(20:56):
gets to the point where you have to monetize your
menopause and monetize your relationship. And once again, this is
a woman who has never had a problem with making
her man sacrifice, you know, his divine masculine right to
be able to it's you know, Monster's Ball was a
(21:19):
big turning point in her career. That movie, that film,
it was what she I believe won an Oscar for.
She did she she did Dorothy Dandrid. She didn't get
an Oscar for that, but she did.
Speaker 3 (21:31):
In it ironic that they executed did he in that
film too?
Speaker 4 (21:34):
In that film? Yeah? Did? He was also a serial
killer or something in that movie. And you got executed
in that movie.
Speaker 7 (21:42):
And the poor little kid, the poor little the kid
who played her her son, he ended up doing he
didn't up dying or doing some prison time, yeah.
Speaker 4 (21:52):
In real life, like the Cursed around that film. But
I mean, I say all that to say her for
that to be the film that she won the Oscar, for,
for her to be a married woman, for her husband
to have to sit there and watch people all go
all over her while she's sitting there, you know it was.
(22:12):
I mean, honestly, when you look back at it now,
it all kind of feels like a humiliation ritual when
you really look back at it. And then you know,
after that, man, she started getting really big films. She
did Swordfish with Hugh what was it, Hugh Jackman, and
(22:34):
then they were also in the X Men films together
after that. But that was the first movie where she
bared her breasts and she went topless for the first
time for someone who fought so hard to keep her
modesty when she finally threw it out the door for
the Hollywood big Bucks. People are forgetting she was a
married woman at the time. And I'm telling you right now,
(22:59):
I knew the man that she was married to at
that time, and it was a very uncomfortable place for
him to be in. And here we are again, you know,
now her in vain and yes it's a lot more innocent.
It's not as a vulgar or overt but at fifty
five years old, and I want to ask you, as
(23:21):
a black man, would you be on board for that?
Speaker 3 (23:26):
Nah, I'm not. No, don't, don't. Don't ask me to
film nothing. If that's part of your branding thing, then
you know, we'll just have to part ways. I'm cool.
I don't, don't. I'm not with all that.
Speaker 4 (23:40):
Like it's I think it's kind of unfair because the
truth is she's been selling herself, her image, her body,
her likeness, her sexuality to the American public for years
and it's like, when does it stop? And I just
I think it's unfair. I think it's very, very, very unfair.
(24:01):
But more importantly than that, why are so many people
celebrating it like it's cool.
Speaker 3 (24:06):
Right. Well, on on that note, with this situation, that's
a sad measure of endeavor. Indeed, now let me switch
a little bit before we get out of here. When
last time you've been an ie hop.
Speaker 4 (24:24):
It's been quite some time? Why on an.
Speaker 3 (24:29):
Ay, there's a there's a sister who is going viral
because she put I hop on front street. Check this out?
Speaker 9 (24:44):
Oh everything everything, bitch, get a rest? Oh god, shit
me twice? What I work here?
Speaker 6 (25:06):
I'll see how ain't doing in that kitchen?
Speaker 9 (25:08):
Melt big spire, chocolate milk, this spire talking every using comping.
Now you just came from a fucking funeral and you
ask for some coffee and then dance came whistles the coffee.
Speaker 6 (25:21):
What the fuck you? This don't happen. That shit's gonna
be depressing. You wanna drip that coffee? Go home?
Speaker 9 (25:27):
Now?
Speaker 6 (25:27):
You said in the press, what because our fucking service
shit and.
Speaker 9 (25:31):
Coffee, because our man is just telling us how can
waste compey.
Speaker 6 (25:35):
You ain't supposed to do that?
Speaker 3 (25:36):
Broke that. Look, that's just part one. She's spitting. She
like these drinking some coffee from a funeral and they
gonna tell you, they tell us not to waste it,
we gotta say that that is nasty. All right. Look,
I think this is another one.
Speaker 6 (25:52):
Holdol sticking people.
Speaker 9 (25:54):
Don't give them talk about it because that dope. If
we are doing over tables, now, don't give a fi's
about you. If we gotta argue on the tables when
it's about the people, you ain't gonna argue on no tables.
You ain't gonna argue on the tables when it's about
the people. When it's about the people, you don'na argue
over tables. You are you who gonna get this table there?
(26:16):
Now we'll get the next money. Now, get out here,
get out here and let your deal today suck nug.
Speaker 6 (26:24):
I'm just bumped up. I'm thinking a ship hole. I'm
just fucking clean. Pitch.
Speaker 9 (26:29):
I give everybody free coffee free why school now.
Speaker 6 (26:35):
Don't get a fuck about tom.
Speaker 3 (26:39):
Of free fool right.
Speaker 6 (26:39):
Now, get out this pitch on board. I don't give
a fox. Get out of this like you want some
free wool right now? Say you jup mother looking at me?
Speaker 3 (26:51):
Oh boy, what do you what do you think?
Speaker 4 (27:00):
See that's so unfair because that's such a jaguar, right moment.
Speaker 7 (27:04):
That's why I said, what is this woman's cash app?
Speaker 3 (27:07):
I want to she's a hero. Well, I'm not mad
at her. I'm not mad at her.
Speaker 4 (27:13):
This is the thing, And I don't think people understand,
Like people see that, they see these moments and they're like,
oh my god, look us she's crazy. Oh my god,
look up, she's nuts. Oh my god, look at her,
look at her, look at her. But how much crap
was going on in that restaurant before she came to
(27:33):
that breaking point?
Speaker 3 (27:36):
Yeah, because it.
Speaker 4 (27:37):
Sounds like they've been sitting there selling bad food to
the public for quite some time.
Speaker 3 (27:45):
Yeah, Like in.
Speaker 4 (27:47):
All of that that you heard, you know, did anybody
pay attention to the fact that she said, I'm the
only one that make sure that the people that I
serve get good food, get clean food. They're not drinking
old stuff that they're not getting, you know, expired milk.
(28:08):
That that's wild. It's wild that it's gotten that bad
in the food game, that this is what they're selling
to people.
Speaker 3 (28:17):
The funny thing is is you were just talking about
that late last year, earlier this year, about these restaurants,
these places, because you know, you know about purveyors, you
know about all that, and you were just saying, yeah,
it's best that you know, we eat in and you know,
not not go to these restaurants. Remember we went to
(28:38):
the one and they serve some some very bad shrimp
and it was like, oh man, it was rotten.
Speaker 4 (28:45):
And I was sitting there trying to convince myself that
I was tripping. But when we got it on the plate,
and it's when you look at the food supply, when
you look at the price of food, all of it,
you know, it's just gotten to the point now where
people have they have zero real expectation for decency anymore.
(29:12):
It's like it's just it's survival of the fittest out there.
And that's why I said to you, you know, like
really really really got to start eating at home and
even going to you know, going to the grocery store.
You gotta be careful.
Speaker 3 (29:32):
I would. I would I would to just grow in
your own food or go into farmers' markets to be honest, like,
at this point, you gotta get we gotta get back.
We used to do that, like you know, I grew
up in Compton and we had our own chickens. We
had like we used to do that but you know,
my my folks were from the South, So yeah, like,
(29:53):
and now everybody go to the store.
Speaker 4 (29:55):
Man, that's the thing. If everybody goes to the store,
and if ever everybody is eating us at the store,
and then that means whoever is putting the food in
the store is selecting what's going into your body, selecting
what your feeding and your family. That's what's happening. All
become so reliant on the system. And the thing is
(30:18):
is after this sister had this moment and put her
job on the line because you already know they're going
to fire her. Yeah, you already know she fired.
Speaker 3 (30:29):
She started airing out the white girls. I should have
played that part.
Speaker 4 (30:32):
Go ahead, Well maybe we can end with that, but
let's do it. Go ahead, but you know, you know
she was definitely fired. The question is how many people
saw that her that and still went back there and
ate anyway, Like, you know, I'll never forget. I was
we were spending some time with a friend and the
kid and we were talking about, you know, you had
(30:54):
gotten some chicken and the chicken was bad, and they
was like, I'm hungry, I'll eat it anyway. Like we
got into that point in our society where we really
don't care about what we're putting in our mouths anymore.
You know, my grandmother always used to say, never get
used to eating by strange hands. You know, the easiest
(31:16):
way to take a human being down, it's to poison
them exactly.
Speaker 3 (31:22):
And our elders back, they come about thousands of years ago,
what they say, let your let your food beat our medicine.
On that note, yeah, let's go out with her crashing
out shout out to her. I'm mad at her.
Speaker 4 (31:34):
She she crashing out her jagging out. No, because I
mean everything that she was saying, she was doing it
for the people. I won't call it a crash out.
I'll call it a death in the jag out because
right now, I remember when I walked away from Victoria's Secrets,
when I realized exactly how racist that company was back
in the nineties, and they was calling us jungle bunnies,
(31:56):
and they was getting mad at me for giving app
implications to other black girls who came who were surprised
to see a black girl working in the store, and
they were sitting there doing all kinds of racial stuff,
and I ain't gonna lie. I just started taking off
all the senses on everybody that was a person of
color and said, it's National Jungle Bunny Day on behalf
(32:20):
of Victoria's secrets.
Speaker 3 (32:22):
Wow.
Speaker 4 (32:23):
And then I looked at them and I was like,
what y'all want to I was like, that's all right,
after my last check coming, I'm gone. I didn't flip
out in the store, but yeah, I removed like fifty
sixty different senses. It was like, back, get the batching cannies,
it's National Jungle Bunny Day. And see, they couldn't say
(32:43):
anything because I had already heard them saying it. I
had witnessed them saying it, and someone else that was
working in the storeroom witnessed it. So that's why I
was like, mm hmm, jungle bunny, Okay, get the person
of color gets the one discount today, and of course
the charges. And they didn't do anything because the truth
(33:06):
is I could assume them and it would have a
lot worse and they didn't want the pr so instead
I made sure a bunch of beautiful black and brown
women got to get all of the wonderful silk scarves
and and and silk gowns and yeah, yeah, how you Wow.
Speaker 3 (33:31):
She didn't crash out she jagged out the jag out
on I hop all right, we're gonna go out with
this and yeah again, thank y'all. This is the all
on Front Street podcast right with Jaguar Right. And well
you know, I'm just yeah, I'm just behind the scene.
I'm I'm I'm. I'm gonna bring in some other people
(33:54):
so that you could talk with as well once we
move forward with this. But if you want to, you know,
get any any more content of jag don't don't don't,
don't forget. There's the Jaggar Right uncensored and you just
go to djagguaright dot com because anything and everything that
is Jaguar right will be there. All right, here we are,
we're going out with this. Uh this not a crash
(34:16):
out of Jaggar.
Speaker 9 (34:16):
Why is fat thinking people gonna give a fuck about it?
Because that got you put U pall that ship out
and get some new coffee.
Speaker 6 (34:25):
That ship out right?
Speaker 3 (34:27):
But then what I fuck with me?
Speaker 6 (34:28):
Because this bitch, she's such a fucking snitch. Don't tift
that bitch broke she don't watch after another at.
Speaker 9 (34:33):
Her table, her table sake, Like twenty to thirty minutes
could be served bro.
Speaker 6 (34:38):
Don't tift that bitch. Bro not be safe for having
to get to our tables.
Speaker 5 (34:42):
Bronk, Oh you a fuck.
Speaker 6 (35:17):
So fresh coffee? Coffee?
Speaker 3 (35:22):
Oh will?
Speaker 4 (35:25):
She got sick and tied to Selvia second time.
Speaker 3 (35:29):
She said, Yeah, I bet your husband cheting on you.
Speaker 4 (35:33):
Sure did, Sure did.
Speaker 3 (35:35):
Yeah.
Speaker 4 (35:35):
That was a jag out. That was a classic jag out.
Speaker 3 (35:38):
That was great.
Speaker 4 (35:40):
Fuck you, fuck you you cool?
Speaker 3 (35:42):
Fuck you.
Speaker 4 (35:44):
Look I ain't mad. I ain't mad. It's we've just
gotten to a point in time in society where we
really don't have much value for human life, for each other,
for our families, for our lives. Like we just got
into a point and sometimes people
Speaker 3 (36:01):
Snap, yeah, wain't nothing wrong with it, all right, we
out niece,
All on Front Street is where the truth takes center
stage and no topic gets toughed away. This is Unapologetic, Unfiltered,
a podcast that puts the real out front, where the
conversations that matter, stories they don't want told, and the
voices the mainstream tries to silence.
Speaker 2 (00:14):
From entertainers and authors to influencers, journalists and independent business owners,
no guess is off limits and no conversation is too raw.
If it's shaking culture, exposing industry games, or breaking generational curses,
it's going on Front Street. Expect both interviews, street wives, commentaries,
behind the scenes, revelations, and moments that'll make you laugh,
(00:35):
gas or rethink everything you thought you.
Speaker 3 (00:39):
Got, you thought welcome, you got Jaguar right in the building,
and you got the book game. I'm here, I'm just
the Cope Highlot. And this is a part two, episode
two where we put everything out there on Front Street. Now,
Jag you you were friends with Eric Bennet, I take it.
Speaker 4 (01:07):
Hmm. Yeah, that was a terrible That was all terrible.
It really was watching what happened to him, his reputation,
to his career. Yeah, it was nasty. It was very,
very very nasty, you know. It's it's funny because a
(01:35):
lot of men aren't perfect, a lot of men make
a lot of mistakes, a lot of men do a
lot of things. But you know, when we start allowing
women to destroy men's character for their own game, that's
(01:56):
when it's just too much. And that's just how I
felt about the whole Ally Berry Eric Bennet situation. Labeling
that man as a sex addict was totally out of control.
He wasn't. What he was was a feral black man
and he loved women, and he did and he ended
up with what was supposed to be America sweetheart, and
it turned out to be an American nightmare for him.
(02:21):
His assets were frozen, He wasn't even allowed to get
to his own money until he agreed to sign a
bunch of paperwork and do an interview labeling himself a
sex addict on American television, and then his money was
(02:41):
finally released. And a lot of people keep forgetting that
at that time, Holly Berry was heavily controlled by Hollywood,
what I would call the Hollywood oligarchs. Warren Batty was
her handler. And you know, it's so funny because all
(03:03):
the time that she spent around him. You never heard
his wife, Annette Benning ever once acknowledge her or her
you know, achievements in acting. And Annette Benning was always
a very pro woman, supportive actress figure, So I just
(03:23):
I always found it funny that she never really acknowledged
this woman at all. There are a lot of conversations
and it was pretty much common knowledge that during the
course of their marriage when she did Monsters Ball, the
sex scenes that happened between her and Billie Bob Thornton,
who was also married at the time to Angelina Julie
(03:48):
was Angie's second marriage before she you know, went and
became Branddelina with Brad Pitt or whatever you know it.
That marriage after that movie disintegrated. Like nobody even bothered
(04:09):
to pay attention to the fact that after Monster's Ball,
Angelina Julie was out. They didn't do a whole lot
of talking about it. But when you think about conversations
being had that that sex scene between her and Billy Boba,
that makes me feel good, and all of that stuff
(04:31):
that wasn't acting, that was real. There was real penetration.
It's been discussed for many years in the backdrop whether
or not people want to accept it or acknowledge it. Now,
I want people to think about what that must have
been like for Eric Benney to go down that red
carpet with your wife, to go into that theater filled
(04:54):
with a bunch of people, and then to watch what
you believe in your heart. People are saying in the backdrop,
it's a real sex scene with your wife. I'm sorry,
I don't know too many black men that wouldn't have
went out and slept with whoever they wanted to sleep
with after that, because it was humiliating.
Speaker 3 (05:16):
I mean, he got he got the ultimate pass.
Speaker 4 (05:21):
I'm as a man, what do you what to say? You?
Speaker 3 (05:26):
Uh nah, man, I'm I'm I'm I'm cool. I'm cool
on any of the uh disrespect because that's a form
of disrespect. And I just have a rule. I said,
just don't have me out here looking stupid. She had
Eric looking crazy and yeah, now you're telling me on
(05:47):
the back end, they made him, pr made him come
out and say what he said to pretty much had
you know, it's just to save her image for her
right now now America part at the time, right so,
right now we're looking at this tragic Mulatto, halle Berry
(06:10):
and her current broy boyfriend has been I would say,
you know, gonna exploiting her, horing her out. Uh, And
she's on Instagram and her and I guess a bikini.
You know she she she can do what she want
to do, not saying that she can't be in a bikini.
But we have never really seen Halle like that. She's
(06:31):
always been modest for the most part. She only did
one scene where in a movie where you saw her
her breast.
Speaker 4 (06:39):
No, no, you didn't see the boxing film that she
did on Netflix like a couple of years ago.
Speaker 3 (06:45):
She she she was naked too, and she was and.
Speaker 4 (06:50):
She was you know she she she she was having
sex with men, she was having sex with women. She
was bisexual. You didn't see that movie.
Speaker 3 (07:01):
I no, I did not.
Speaker 4 (07:03):
Hold on a second. Let me get the dats on that. Yeah, no,
that was all on. Yeah, she she did it on Netflix.
She actually I think she I believe she directed it
and produced that film. Wait a minute, let me pull
that up. Yeah. No, like she's been, she's been, you know,
(07:23):
getting a little edgy.
Speaker 3 (07:24):
And what do you mean why didn't why do you
think all? Why do you think now? Because I mean
she's been in the game. Since what was that one
movie she she was a dang on crackhead with Samuel Jackson.
I remember the early nineties, and then.
Speaker 4 (07:39):
You're talking about Jungle Fever. She wasn't Wasn't that.
Speaker 3 (07:44):
Like Joint?
Speaker 5 (07:44):
Yeah?
Speaker 3 (07:44):
Yeah, like Lee Joint. So now she's doing this? Why so?
Speaker 4 (07:49):
Why?
Speaker 3 (07:50):
Why is this woman all of a sudden on Instagram
panties dropping off, panties coming off.
Speaker 4 (07:55):
The name of the movie is Bruised. It came out
twenty twenty. Let's take a look at the overview.
Speaker 3 (08:03):
Let me play a little bit of audio.
Speaker 5 (08:04):
What she's saying here, beautiful is really an internal feeling.
Speaker 6 (08:09):
It has nothing thing to do really with our physical self.
Speaker 3 (08:13):
Okay, I don't want to play too much because I'm
sure that's some copyright music. But overall, she has a
post here that says the best part of Mintopause, I
don't give a f not about opinions, not about playing
it cute. I move how I want, I wear what
I want, and do it for me. That's the freedom
(08:35):
no one tells you about till you're living it. Okay,
I'm not mad at that, but I mean, you've never learned.
Speaker 4 (08:43):
How to dance like her? Dance. This sucks like she's
doing that same move that she was doing in Bats Like.
It's just it's like what I saw that. I'm like, no,
not the bats dance like no and then the you know,
And she was dancing the same exact way in Bulworth
(09:05):
with Warren Baby, which was her first big crossover because
she literally went from like Baps to Bulworth and then
Hollywood major Motion pictures. Up until then, she was just
a pretty girl in black movies, the pretty girl in
black movies, Warren Baby a lot in her career. Yeah,
but no. The overview for the movie Bruise that came
(09:28):
out twenty twenty on Netflix, Jackie Justice a disgraced MMA
fighter who has failed at the one thing she's ever
been good at fighting. When six year old Manny, the
son she walked out on years ago, returns to her doorstep,
(09:50):
Jackie has to conquer her own demons. And yeah, she
went from being with a man and then she started
training with a female boxer and then she fell in
love with her, and then she broke her heart and
then it was it was it was, it was I
(10:11):
don't you know, I mean, I watched it. She did
a good job I'm not. I can't take anything away
from it. It says, directed by her nominations NAACP Image Award
for Outstanding Actress in the Motion Picture. Yeah, and that
(10:32):
was and the official release date was November seventeenth, twenty
twenty one, on Netflix. So okay, that was like the
last big project that she worked. But I noticed that
she was the older. She's gotten. She's tried to get
more racy, she's tried to get more obvious. And the
thing is is, if you're going through menopause, and if
(10:53):
you're fighting menopause, and if this is your way of,
you know, fighting against hot flashes, then you know, I
guess more power to you. But I still don't understand,
you know why now? Like it's just there's a why
(11:15):
now aspect to all of this. Her and Van have
been together for like five plus years, and honestly, for
the first few years of their relationship, nobody even knew
she was with Van Hunt, and most people didn't even
remember who Van Hunt was. I knew who Van Hunt was.
He was one of my label mats Over Inca Records
(11:37):
his first album. You know, I hated the way they
just kind of filed him off. You know, they got
him some good placements and some good movies and some
good commercials, and you know, and he got you know,
and then they just, you know, everyone forgot about Van
His song Seconds of Pleasure. Oh my god, it is
(11:59):
one of my favorites. As a matter of fact, I've
never played it for you. You have to play it
for you one day. I used to listen to it
all the time. Gutsye blues and just this beautiful melodic
tone and who girl, let's sweat you say and take
a phase? And have you been on your faith? And
(12:24):
the whole song is about honoring this beautiful woman and
honoring all of the little wonderful things, all the little
wonderful moments that you know, most people don't pay attention to,
and how he shrined them and turned them into like
he was always a hell of a poet, and he
just had such a cool, groovy, you know, vibe to him.
(12:46):
So for me to see someone who's been this obscure
and now all of a sudden, and let's not say
all of a sudden, because it was like a year
ago when they started talking about how she was broke
and didn't have no money, and they was coming down
on her and running down on her for child support
for all of these she had with all those other
men who took her kids from her.
Speaker 3 (13:08):
She's the only sister I know that had to pay
child support to white men. That's crazy.
Speaker 4 (13:14):
Well, I mean those are who she chose to have
her children with, and for whatever reason, whatever the settlements were,
the courts decided to side, you know, with the men
over her. But let's not pretend like all of the
black men that she was with before she went through
(13:35):
her mentor of white husbands. You know, she had issues
with Wesley Snipes for her hearing, she had issues with
David Justice. You know, she had issues. She's had issues
with men her whole life. This isn't anything new, which
(13:59):
is why when Eric and they decided he was going
to jump into the saving halle Berry game, I was
kind of surprised because of all that people have said,
because the truth is, what a lot of men have
had to say about her is that she's erratic. She's irrational,
and she pushes people too far. Like I remember when
(14:20):
she drove her car through those people's house. It was
right after Eric had broken up with her. Oh yeah,
like people, yes, very early two thousands, two thousand and one. Er,
I don't I'm trying to She she ran her car
(14:44):
into someone else's house. Eric Benney was sitting in Access
studio right there at seventh in Calihill, in the back
studios of Larry Gold. She was on the phone acting crazy,
going nuts, talking about, look at what you made me do.
This is what I did, you made me do this,
this is your fault. While she's sitting in the police station,
(15:07):
she's blaming him because he broke up with her because
she was just nuts. Wow, and he couldn't take it anymore,
so he broke up with her. She runs her car
into somebody's house. Then all of a sudden, here comes
the pr people and you have to be there for her,
you have to hold her together. And then they go
and they get married out of the country rather than
(15:28):
get married in California where it was community property. Gonna
tie him up and do all kinds of crazy stuff.
I believe they got married in Antigua. Wow, and she
used the Antiguan government to tie his money up and
do all kinds of stuff and drop. Yeah. It was terrible.
Speaker 3 (15:48):
Wow, it was terrible, A sad measure of endeavor. Indeed no.
Speaker 4 (15:55):
So I mean that's why when I heard she was
with Van, and I'm like, you know, Van, it's quirky
enough to maybe make that makes some sense and maybe
she can find some happiness. And at the end of
the day, I don't care who you are, what you are.
I think everyone deserves to be happy. I do. I
think everyone deserves to find some measure of happiness in
(16:16):
their life. And there is someone for everyone, you know.
Thank god she found a man that's supporting her. I
just find it funny that they didn't start, you know,
doing all of this social media publicity about their relationship
and and you know, doing advertisements on the low for
a you know, sex wax and lubricants and.
Speaker 3 (16:44):
Oh yeah, yeah, yeah that you know what it is like people.
Speaker 4 (16:47):
Are getting That's what they did on Mother's Day.
Speaker 3 (16:49):
It was I totally forgotten that's what that whole thing
was for. It was for some God dang on, lou.
So she's getting paid, that's that. Obviously, they're monetizing her menopause,
monetizing menopause.
Speaker 4 (17:06):
They're literally monetizing her menopause. So she child support.
Speaker 3 (17:11):
That sounds like a horror film. And you said the
social compared childs for Wow.
Speaker 4 (17:19):
Don't forget they weren't this public. They've never been this public.
Speaker 3 (17:24):
No, you're right, well, I always I always thought it
was weird. And and you know, we were discussing before
because I said, you know, in Hollywood or Hollyweird, you
do have couples, and that's what they do. They exploit,
they put their stuffs out there. I get that, but
you I don't see like Courtney b Vance and Angela
Bassett doing these types of stunts when when you when
(17:48):
you're an actress and you you go to this level.
The difference, the difference, what's the difference.
Speaker 4 (17:55):
Angela Bassett is an executive producer and getting paid money
for those nine one one shows. She's got the money
coming in.
Speaker 3 (18:05):
I get it.
Speaker 4 (18:06):
If Holly Berry is ran down by her baby's daddy's
for not being able to pay her child support and
people were saying that, you know, things were drying up,
her things were not looking.
Speaker 3 (18:20):
No pun intended because of the mental falls.
Speaker 4 (18:27):
Welcome to the Sahara Desert of her career and her
personal life. Apparently, my point is all that all of
that Hollywood engagement, all of that Hollywood action she went on.
I just read you the film that she directed that
got notable mention and notice on Netflix, like all of this,
(18:52):
and they still where where are your Hollywood friends now?
Like all of the people that convinced you to do
the things that you did to Eric Bennet, all of
the time that you spent with Warren Baty. Where where
are your Hollywood people now?
Speaker 3 (19:09):
Yeah, know where to be found?
Speaker 4 (19:11):
Where are they now?
Speaker 7 (19:12):
When?
Speaker 4 (19:12):
When when you need it? When you need it? Why?
Why is nobody? Why is nobody giving you a series?
Why is nobody giving you the kind of cushy job
that they gave Angela Basst with Fox.
Speaker 3 (19:24):
Like, well, she's not in that inner circle anymore. That's
pretty much what it is, because you know, that's how
they move in Hollywood. They'll move you in and out
of that inner circle and you you you don't get
you don't get hooked up. I was talking to a
few actor actor friends, actress friends that I know, and
they yeah, it's like they're dope, but it's like they're
(19:44):
not going to get elevated because they're not doing They're
not going to the right parties. If you understand what
I'm saying something, you know.
Speaker 8 (19:50):
Not doing all the things or may or maybe you
are just your old news. There you go that party,
maybe you play it out, you know what I mean.
And it's it's sad when people see how disposable people's
lives are. But when it gets to the point where
you know you're approaching your sixties slowly but surely, you know,
(20:16):
Lena Horn would have never done this gorgeous She was
Dorothy Dandridge. I don't see her doing stuff like this.
Even Eartha kit became a little modest in her older years,
you know what I mean.
Speaker 4 (20:34):
Mog is ding. You know she had on tights, you know,
she had all the stockings and her you know, it's
like and it's funny because they both played Catwoman at
one point. Yeah, but I'm saying, you know, when it
(20:56):
gets to the point where you have to monetize your
menopause and monetize your relationship. And once again, this is
a woman who has never had a problem with making
her man sacrifice, you know, his divine masculine right to
be able to it's you know, Monster's Ball was a
(21:19):
big turning point in her career. That movie, that film,
it was what she I believe won an Oscar for.
She did she she did Dorothy Dandrid. She didn't get
an Oscar for that, but she did.
Speaker 3 (21:31):
In it ironic that they executed did he in that
film too?
Speaker 4 (21:34):
In that film? Yeah? Did? He was also a serial
killer or something in that movie. And you got executed
in that movie.
Speaker 7 (21:42):
And the poor little kid, the poor little the kid
who played her her son, he ended up doing he
didn't up dying or doing some prison time, yeah.
Speaker 4 (21:52):
In real life, like the Cursed around that film. But
I mean, I say all that to say her for
that to be the film that she won the Oscar, for,
for her to be a married woman, for her husband
to have to sit there and watch people all go
all over her while she's sitting there, you know it was.
(22:12):
I mean, honestly, when you look back at it now,
it all kind of feels like a humiliation ritual when
you really look back at it. And then you know,
after that, man, she started getting really big films. She
did Swordfish with Hugh what was it, Hugh Jackman, and
(22:34):
then they were also in the X Men films together
after that. But that was the first movie where she
bared her breasts and she went topless for the first
time for someone who fought so hard to keep her
modesty when she finally threw it out the door for
the Hollywood big Bucks. People are forgetting she was a
married woman at the time. And I'm telling you right now,
(22:59):
I knew the man that she was married to at
that time, and it was a very uncomfortable place for
him to be in. And here we are again, you know,
now her in vain and yes it's a lot more innocent.
It's not as a vulgar or overt but at fifty
five years old, and I want to ask you, as
(23:21):
a black man, would you be on board for that?
Speaker 3 (23:26):
Nah, I'm not. No, don't, don't. Don't ask me to
film nothing. If that's part of your branding thing, then
you know, we'll just have to part ways. I'm cool.
I don't, don't. I'm not with all that.
Speaker 4 (23:40):
Like it's I think it's kind of unfair because the
truth is she's been selling herself, her image, her body,
her likeness, her sexuality to the American public for years
and it's like, when does it stop? And I just
I think it's unfair. I think it's very, very, very unfair.
(24:01):
But more importantly than that, why are so many people
celebrating it like it's cool.
Speaker 3 (24:06):
Right. Well, on on that note, with this situation, that's
a sad measure of endeavor. Indeed, now let me switch
a little bit before we get out of here. When
last time you've been an ie hop.
Speaker 4 (24:24):
It's been quite some time? Why on an.
Speaker 3 (24:29):
Ay, there's a there's a sister who is going viral
because she put I hop on front street. Check this out?
Speaker 9 (24:44):
Oh everything everything, bitch, get a rest? Oh god, shit
me twice? What I work here?
Speaker 6 (25:06):
I'll see how ain't doing in that kitchen?
Speaker 9 (25:08):
Melt big spire, chocolate milk, this spire talking every using comping.
Now you just came from a fucking funeral and you
ask for some coffee and then dance came whistles the coffee.
Speaker 6 (25:21):
What the fuck you? This don't happen. That shit's gonna
be depressing. You wanna drip that coffee? Go home?
Speaker 9 (25:27):
Now?
Speaker 6 (25:27):
You said in the press, what because our fucking service
shit and.
Speaker 9 (25:31):
Coffee, because our man is just telling us how can
waste compey.
Speaker 6 (25:35):
You ain't supposed to do that?
Speaker 3 (25:36):
Broke that. Look, that's just part one. She's spitting. She
like these drinking some coffee from a funeral and they
gonna tell you, they tell us not to waste it,
we gotta say that that is nasty. All right. Look,
I think this is another one.
Speaker 6 (25:52):
Holdol sticking people.
Speaker 9 (25:54):
Don't give them talk about it because that dope. If
we are doing over tables, now, don't give a fi's
about you. If we gotta argue on the tables when
it's about the people, you ain't gonna argue on no tables.
You ain't gonna argue on the tables when it's about
the people. When it's about the people, you don'na argue
over tables. You are you who gonna get this table there?
(26:16):
Now we'll get the next money. Now, get out here,
get out here and let your deal today suck nug.
Speaker 6 (26:24):
I'm just bumped up. I'm thinking a ship hole. I'm
just fucking clean. Pitch.
Speaker 9 (26:29):
I give everybody free coffee free why school now.
Speaker 6 (26:35):
Don't get a fuck about tom.
Speaker 3 (26:39):
Of free fool right.
Speaker 6 (26:39):
Now, get out this pitch on board. I don't give
a fox. Get out of this like you want some
free wool right now? Say you jup mother looking at me?
Speaker 3 (26:51):
Oh boy, what do you what do you think?
Speaker 4 (27:00):
See that's so unfair because that's such a jaguar, right moment.
Speaker 7 (27:04):
That's why I said, what is this woman's cash app?
Speaker 3 (27:07):
I want to she's a hero. Well, I'm not mad
at her. I'm not mad at her.
Speaker 4 (27:13):
This is the thing, And I don't think people understand,
Like people see that, they see these moments and they're like,
oh my god, look us she's crazy. Oh my god,
look up, she's nuts. Oh my god, look at her,
look at her, look at her. But how much crap
was going on in that restaurant before she came to
(27:33):
that breaking point?
Speaker 3 (27:36):
Yeah, because it.
Speaker 4 (27:37):
Sounds like they've been sitting there selling bad food to
the public for quite some time.
Speaker 3 (27:45):
Yeah, Like in.
Speaker 4 (27:47):
All of that that you heard, you know, did anybody
pay attention to the fact that she said, I'm the
only one that make sure that the people that I
serve get good food, get clean food. They're not drinking
old stuff that they're not getting, you know, expired milk.
(28:08):
That that's wild. It's wild that it's gotten that bad
in the food game, that this is what they're selling
to people.
Speaker 3 (28:17):
The funny thing is is you were just talking about
that late last year, earlier this year, about these restaurants,
these places, because you know, you know about purveyors, you
know about all that, and you were just saying, yeah,
it's best that you know, we eat in and you know,
not not go to these restaurants. Remember we went to
(28:38):
the one and they serve some some very bad shrimp
and it was like, oh man, it was rotten.
Speaker 4 (28:45):
And I was sitting there trying to convince myself that
I was tripping. But when we got it on the plate,
and it's when you look at the food supply, when
you look at the price of food, all of it,
you know, it's just gotten to the point now where
people have they have zero real expectation for decency anymore.
(29:12):
It's like it's just it's survival of the fittest out there.
And that's why I said to you, you know, like
really really really got to start eating at home and
even going to you know, going to the grocery store.
You gotta be careful.
Speaker 3 (29:32):
I would. I would I would to just grow in
your own food or go into farmers' markets to be honest, like,
at this point, you gotta get we gotta get back.
We used to do that, like you know, I grew
up in Compton and we had our own chickens. We
had like we used to do that but you know,
my my folks were from the South, So yeah, like,
(29:53):
and now everybody go to the store.
Speaker 4 (29:55):
Man, that's the thing. If everybody goes to the store,
and if ever everybody is eating us at the store,
and then that means whoever is putting the food in
the store is selecting what's going into your body, selecting
what your feeding and your family. That's what's happening. All
become so reliant on the system. And the thing is
(30:18):
is after this sister had this moment and put her
job on the line because you already know they're going
to fire her. Yeah, you already know she fired.
Speaker 3 (30:29):
She started airing out the white girls. I should have
played that part.
Speaker 4 (30:32):
Go ahead, Well maybe we can end with that, but
let's do it. Go ahead, but you know, you know
she was definitely fired. The question is how many people
saw that her that and still went back there and
ate anyway, Like, you know, I'll never forget. I was
we were spending some time with a friend and the
kid and we were talking about, you know, you had
(30:54):
gotten some chicken and the chicken was bad, and they
was like, I'm hungry, I'll eat it anyway. Like we
got into that point in our society where we really
don't care about what we're putting in our mouths anymore.
You know, my grandmother always used to say, never get
used to eating by strange hands. You know, the easiest
(31:16):
way to take a human being down, it's to poison
them exactly.
Speaker 3 (31:22):
And our elders back, they come about thousands of years ago,
what they say, let your let your food beat our medicine.
On that note, yeah, let's go out with her crashing
out shout out to her. I'm mad at her.
Speaker 4 (31:34):
She she crashing out her jagging out. No, because I
mean everything that she was saying, she was doing it
for the people. I won't call it a crash out.
I'll call it a death in the jag out because
right now, I remember when I walked away from Victoria's Secrets,
when I realized exactly how racist that company was back
in the nineties, and they was calling us jungle bunnies,
(31:56):
and they was getting mad at me for giving app
implications to other black girls who came who were surprised
to see a black girl working in the store, and
they were sitting there doing all kinds of racial stuff,
and I ain't gonna lie. I just started taking off
all the senses on everybody that was a person of
color and said, it's National Jungle Bunny Day on behalf
(32:20):
of Victoria's secrets.
Speaker 3 (32:22):
Wow.
Speaker 4 (32:23):
And then I looked at them and I was like,
what y'all want to I was like, that's all right,
after my last check coming, I'm gone. I didn't flip
out in the store, but yeah, I removed like fifty
sixty different senses. It was like, back, get the batching cannies,
it's National Jungle Bunny Day. And see, they couldn't say
(32:43):
anything because I had already heard them saying it. I
had witnessed them saying it, and someone else that was
working in the storeroom witnessed it. So that's why I
was like, mm hmm, jungle bunny, Okay, get the person
of color gets the one discount today, and of course
the charges. And they didn't do anything because the truth
(33:06):
is I could assume them and it would have a
lot worse and they didn't want the pr so instead
I made sure a bunch of beautiful black and brown
women got to get all of the wonderful silk scarves
and and and silk gowns and yeah, yeah, how you Wow.
Speaker 3 (33:31):
She didn't crash out she jagged out the jag out
on I hop all right, we're gonna go out with
this and yeah again, thank y'all. This is the all
on Front Street podcast right with Jaguar Right. And well
you know, I'm just yeah, I'm just behind the scene.
I'm I'm I'm. I'm gonna bring in some other people
(33:54):
so that you could talk with as well once we
move forward with this. But if you want to, you know,
get any any more content of jag don't don't don't,
don't forget. There's the Jaggar Right uncensored and you just
go to djagguaright dot com because anything and everything that
is Jaguar right will be there. All right, here we are,
we're going out with this. Uh this not a crash
(34:16):
out of Jaggar.
Speaker 9 (34:16):
Why is fat thinking people gonna give a fuck about it?
Because that got you put U pall that ship out
and get some new coffee.
Speaker 6 (34:25):
That ship out right?
Speaker 3 (34:27):
But then what I fuck with me?
Speaker 6 (34:28):
Because this bitch, she's such a fucking snitch. Don't tift
that bitch broke she don't watch after another at.
Speaker 9 (34:33):
Her table, her table sake, Like twenty to thirty minutes
could be served bro.
Speaker 6 (34:38):
Don't tift that bitch. Bro not be safe for having
to get to our tables.
Speaker 5 (34:42):
Bronk, Oh you a fuck.
Speaker 6 (35:17):
So fresh coffee? Coffee?
Speaker 3 (35:22):
Oh will?
Speaker 4 (35:25):
She got sick and tied to Selvia second time.
Speaker 3 (35:29):
She said, Yeah, I bet your husband cheting on you.
Speaker 4 (35:33):
Sure did, Sure did.
Speaker 3 (35:35):
Yeah.
Speaker 4 (35:35):
That was a jag out. That was a classic jag out.
Speaker 3 (35:38):
That was great.
Speaker 4 (35:40):
Fuck you, fuck you you cool?
Speaker 3 (35:42):
Fuck you.
Speaker 4 (35:44):
Look I ain't mad. I ain't mad. It's we've just
gotten to a point in time in society where we
really don't have much value for human life, for each other,
for our families, for our lives. Like we just got
into a point and sometimes people
Speaker 3 (36:01):
Snap, yeah, wain't nothing wrong with it, all right, we
out niece,
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