July 25, 2025 • 23 mins
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Speaker 1 (00:00):
King Fesch, his wife, flat Fire, and her mother took
a knight out tonight. They all went to a movie.
Right now, at eleven thirty, they're just returning to the
apartment and discussing the picture.
Speaker 2 (00:10):
Didn't you enjoy the picture to night?
Speaker 3 (00:12):
Mama?
Speaker 4 (00:12):
Oh?
Speaker 3 (00:13):
Yes, Ter, it was just wonderful.
Speaker 2 (00:15):
How'd you like it?
Speaker 4 (00:16):
Joyce?
Speaker 1 (00:17):
Whoa? I went to sleep during the newsreel when that
French diplomat was begging Knight for money. I see that
fellow before. I think he's the same boy that used
to bother the Woodrow Wilson. I missed the whole teachers
at the program here those down like much to me?
What do you mean, Joels? Whoa? Look? Get at the
title The Moldy Rug with Joe Ferrett.
Speaker 5 (00:41):
Jeorge, that's the Moorlands Rouge with paulse for Rare.
Speaker 1 (00:45):
Oh yeah, yeah, yeah, that's right y. I woke up
a couple of times there, which one was Josey.
Speaker 5 (00:51):
That little man about four and a half.
Speaker 2 (00:52):
Feet tall with the beard.
Speaker 1 (00:54):
Oh that's who it was. Uh, I think that was
Mickey Rooney played his own father. Oh. I thought it
was a wonderful story.
Speaker 6 (01:02):
How a person that was ugly and unattractive, could still
find lung.
Speaker 1 (01:07):
Yeah, I don't bury it for lightning, mama. After all,
how often on the screen does they do a wife
story of George? What did you say? Oh? Nothing, nothing,
here's the apartment. Let me get the kid in here.
Speaker 2 (01:23):
Turn on to like George.
Speaker 1 (01:25):
Wait a minute, I hear something.
Speaker 2 (01:29):
Good.
Speaker 1 (01:30):
Hem's George. There's somebody in the bedroom.
Speaker 6 (01:32):
Oh, George, I bet it's a.
Speaker 1 (01:33):
Bike glut holy mackerel. Either that or some kind of
an animal. I'll get my shot gun out of the
hall closet here.
Speaker 4 (01:42):
Oh now, George, be catty.
Speaker 1 (01:43):
Yeah, here it is. It ain't got no shels in it,
but at least it'll scare him. Let's go you first,
Rumma be first. Yeah, strategy that turns on delighted They
empty gun? Door scared? Then your fingers or to paralyze
the boy. I'll open the door. I'm staying back else
I'll turn on the light. Now let me see you
(02:04):
in b on south fire. This is awful, This is tragedy.
Say what you mean, George. It's your brother Leroy and
here I is caught with an empty gun. My what
a lovely breakfast this is?
Speaker 7 (02:20):
Yeah, let us the more weecake, Leroy.
Speaker 1 (02:22):
Yes, son, let me give you some more bacon here,
and have some.
Speaker 5 (02:25):
More coffee and have some more food here, littrod, let
me give you some more ham.
Speaker 1 (02:30):
Alright, what about me? Shrip and eat your much?
Speaker 2 (02:33):
Come on, Mama, let's go in the kitchen and heat
some more rolls for Leroyd.
Speaker 1 (02:40):
M These are wonderful. Eg, brother in lawd dead. Oh
they is good.
Speaker 4 (02:45):
They's delicious.
Speaker 1 (02:46):
I'll be got have another one. There is good? Oh,
there is great? They easy that Leroy? You working on
their mans harder than the chicken. Did you don't progress
me the food? Does you? Oh? No, just keep shoving
it in there. Maybe you choke on it or something.
Oh josh, why'd you talk like that? Can't you say
anything nice to me? Yeah? When you leaving, goofy? All right,
(03:09):
I just passing through this tip. I'm leaving in the morning,
bright and early, bright and early. Well you may leave early,
but as far as you get on that party? Was
that whatever? Mind? Goofy? That mind? What do you want? Now?
Speaker 3 (03:22):
Would you post some maple syrup from me?
Speaker 1 (03:24):
Poll some player? Yeah? Yeah it's sad. Yeah, yeah, you
is put in law there.
Speaker 3 (03:32):
You shouldn't have done that pulling the maple syrup all over.
Speaker 1 (03:36):
Me like that. Yeah, well, live down a shield.
Speaker 4 (03:39):
This surname is Look here.
Speaker 1 (03:41):
I'm wearing your new simple jammers. Come on into large
hard and h You say your brother in law got
into town last night again? How long is he established
the beach head for this time? Well, he say, go
to the year a couple of days. But I ain't
taking no chances. I didn't give him a hit and
(04:03):
he wanted didn't. I thought it was over. Got down
the stairs this more. Uh you think that's a strong
enough hint. Yeah, I think he got a course to
him and the Duke was in it at the time. Yeah,
he's a mess. Everything he ever done in his life,
he's messed up. Any eyah. He had a great gimmick
this went her to beat the horse racers. He tried
(04:25):
it high Leer in Florida. He worked there in one
of the greatest disguises he said that anybody ever had
in the life. And then he got out there in
the middle of the track and wig wag information on
the horses to a concerted outside the track. But they
caught him. Know how they do that? Well, they think
it was funny when they see they from Mingo walking
(04:46):
around the interview with binoculars. Yeah. Uh, well, I guess
he's always messing up something. By the way, then he
get in trouble when he was working on uh for
the railroad two Yeah, they he sent him out with
the section gang. He was two dumb to do anything else.
So when the gang was working on the road, bed
day set him up the track to watch the train
(05:07):
and watch for trains. Huh what happened? Well, well, he
see the train coming. He was suppose the holiday as
you come. Uh, one day he fell asleep. Move up
there some time the holiday as he goes. He looked
around and there was no one left to fire it,
so he quit. Now, well, I guess all you're gonna
hope for is in the two days he gonna play jay.
(05:29):
He don't try to interfere and mess up nothing. You
really hate him, don't you? King fish? Uh, I'll say
I do.
Speaker 4 (05:36):
Uh.
Speaker 1 (05:36):
I'd kill a super good, but with my lucks, I
find that Mama would burn him in my best suit. Well,
the roan, it was nice you to come over and
see me. Yes, they I didn't need to know you
was in town. Shoot, so yea, yes, they.
Speaker 3 (05:51):
Was, I thought i'd drop over and tell you about
the wonderful plane I got the help scaphire and the
King Fish stopped him too from fighting all the time.
Speaker 1 (05:59):
Well, he Alry, I wasn't in the fiater there if
I was you, Oh no, no.
Speaker 3 (06:03):
This is a wonderful idea, miss.
Speaker 1 (06:05):
Uh.
Speaker 3 (06:05):
When I was back home last summer, I come across
the old love letter that the Kingfish rich the stat
Fire before they was married.
Speaker 1 (06:11):
I gonna show it to him. Yeah, well it might work.
Uh eating a letter like this, man may I'm both realizing,
in spite of all the fighting, how much him you
didn't love each other. Yeah. I got to let her
right here in my pocket. I'm gonna show it to
him when they're in a good mood. Uh huh uh well,
uh le Roy, Uh, I just noticed in uh ain't
(06:34):
that the Kingfisher's grave flannel suit you were? And uh
where I put on this morning was raising and I
didn't wanna get my own clothes with. Yeah, well that
luck to me, Roy, just heard of any little trouble.
If I was you, i'd go home and put that
gray flannel suits the Kingfishers back in the closet. Yeah,
let him have his old grave fannel suit. He's blue
and fished me bitter. Anyway, I'm going down to clean.
(06:57):
You got anything to go?
Speaker 2 (06:58):
Well, let me go say in the closet, mama. Mm
here's this old gray flann with flu of George's.
Speaker 1 (07:04):
It can go. Well.
Speaker 2 (07:05):
Let me see there's anything in the pocket.
Speaker 5 (07:07):
First, let's see why here's a no, ain't no envelope?
Speaker 2 (07:13):
Who could he be writing to?
Speaker 1 (07:14):
Would it say?
Speaker 5 (07:16):
My dearest darling?
Speaker 1 (07:17):
It ain't to the milkman, My dearest darling, I love
you madly.
Speaker 5 (07:23):
You're so young and beautiful. I cannot live without you.
Sign je passionate sweetheart. Oh good heavens, Mama, George is
writing a love letter to some other room.
Speaker 1 (07:34):
I knew it.
Speaker 4 (07:34):
I knew it.
Speaker 1 (07:35):
You can't trust any of 'em.
Speaker 5 (07:37):
But Mama at George's aide.
Speaker 2 (07:39):
Why he's so hold and broke down? Yeah, this is something,
all right.
Speaker 4 (07:43):
It's like a read it in a joke yard starting
to speed.
Speaker 2 (07:47):
Oh Mama, what am I gonna do after all these years?
Speaker 5 (07:51):
George writing a love letter to another woman, and a
young girl too.
Speaker 2 (07:55):
Why would he get interested in a young girl? Well, daughters,
that's the way it is.
Speaker 4 (07:59):
Even you're in the old man's home.
Speaker 1 (08:01):
It's the boys without the.
Speaker 7 (08:02):
Teeth that get the baby food.
Speaker 3 (08:03):
Oh but one am I gonna old mama fare fire.
Speaker 4 (08:07):
You just have to fight fire with fire.
Speaker 6 (08:09):
Now, if he wants a young girl, you who is
gonna have to look and act just as young as
she is about mama, axactly.
Speaker 5 (08:16):
You're gonna address young, act young.
Speaker 4 (08:18):
And take an interest in young things.
Speaker 2 (08:21):
You're right, Mama.
Speaker 5 (08:22):
If he is looking for a young gal, I'm gonna
be a young gas got the spare daughter.
Speaker 6 (08:27):
We gonna go out and buy the clothes down now
those so that love little waysither he'll come in hand
the lad as. Ever then now I want bima, I'll
put it right in the gural draw with he's handkerchiefs.
Speaker 2 (08:36):
Come on, daughter.
Speaker 6 (08:38):
If kid thinks the grass is greener on the other
side of the fence, we'll teach him to stay home.
Speaker 4 (08:42):
Man, clip his own heades.
Speaker 1 (08:46):
Well. And uh sorry, uh, I guess that was no
use coming up here to my place where lunch after
or was it? Yeah, Leroy really cleaned out his ice box.
Yeah what a pig is. One time he was here
at a bull of Star Judge the ice box for custard. Yeah,
did it affect him? Well? For two days he was
keeping the stiff of up aer lip clean down to
his law bladder. Yeah. Well it's a nice day. Let's
(09:09):
walk down to Bean Ray, wake him to down and uh,
hey wait a minute, King Race, look out the front
window here, but an what is it? Then? Look there
come across the street that young gal. Oh you mean
the one with the sloppy joe sweater, the skirt and
the bobby sock. Yeah. I have seen a lot of
young gals, but that is the oldest young gal I
don't ever see. Yeah, look at them Bueleggs over there,
(09:33):
walking like Gary Cooper after a hard day in the saddle.
They didn't pass tihoon. Dude, didn't he go there? He
looks like she's got everything. Is Marilyn Monroe thrown away?
What a gooney looking bird? Yeah? She's uh, she's that
bird is a that bird is uh? I just know,
as I happened to be the Capa Strena, that that
(09:53):
gooney bird is coming home to Uh that is a
sapphire and she's coming this way. Yeah, that's all right,
and she's coming in here. What do you support? She's up,
it is up? Well, I don't know in there got it?
Open the door here and let that juveile the Lincoln.
You Wow, what is it?
Speaker 2 (10:12):
Don't you take me square?
Speaker 5 (10:14):
I'm as cool as im.
Speaker 2 (10:15):
You were crazy as a daisy.
Speaker 1 (10:17):
Wait a minute, yere, What is it all about? Why
you carrying on like this one?
Speaker 4 (10:21):
That trouble with you?
Speaker 2 (10:22):
George? You ain't real, George, get with it.
Speaker 5 (10:26):
Cat had probably.
Speaker 1 (10:27):
About Hey, do you ever see anything like this before? Well?
My grandma used the guy on this way when she
was hitting the vanilla extract. What is it? Uh? Why
do you get that crazy outfit? Man?
Speaker 2 (10:43):
This ain't crazy, it's gone.
Speaker 1 (10:47):
Oh it's so far done.
Speaker 5 (10:48):
Was never here.
Speaker 1 (10:51):
Excuse me for protruding, sappohire, but you look awful funny
in that outfit.
Speaker 2 (10:55):
Oh what you're talking about? This is what all us
girls is wearing sweater and skirts.
Speaker 5 (11:00):
And I'll tell you something else.
Speaker 2 (11:01):
It was real wonderful being able to slip into a
size twelve.
Speaker 1 (11:05):
Yeah. I noticed the new shoes say it's a fire.
Ain't you done something to your hair? Yeah? I noticed
that too. It's different. I ain't got that we mop
effect no more, York.
Speaker 5 (11:17):
This is a new poodle cut all the slick kicks
his feature.
Speaker 1 (11:20):
Oh yeah, is this lick kicks featuring the ball spot
in the back too? Yeah, that might be a poodle cut,
but I think you've got a little Mexican hairers in there.
Speaker 2 (11:29):
Well, I gotta be taken off.
Speaker 6 (11:30):
If I stand around here with you too, drinny cats,
I'm gonna flip sing you later.
Speaker 1 (11:34):
Yeah, but wear them in the Alfi coumbo.
Speaker 6 (11:36):
Find your coffee fire to chick them.
Speaker 2 (11:38):
Gumbo you around me, half big barn on.
Speaker 1 (11:42):
Them they off o the machaerel in the What do
you think of that? Well, I don't know, but it
was about the same stage of the game that comes
to Grandmars and fitted her for that letter house coach
with the buckles in the back. M Yeah, I don't
know what it is. End of it. Some reasons you're
trying to act young? Yeah, say how old is Sappi anyway? Well,
(12:04):
if she's forty in it once, you're gonna be forty one. Well,
if it take us long to get forty one, as
it didn't get forty, I'd say about nine years. And now,
well that's don't look good to me, boy, Half eyes
of the dangerous age he's about at the time when
them old gals get tired of their husband's and start
looking for some young fella. Not wait a minute, and
(12:25):
you don't have to be interested in somebody else. She
might have got all fixed up like that to please me,
to please you. Luck can't fish when you're put on
an expensive funeral. You ain't trying to impress the court. Well,
got me upset, and let's go down into the beanery
here and get ourselves a bite. I always think better
on the full stomach. Yeah. Wait, in my door, eye
(12:47):
was broken? You got any money? Nor? But wait a minute,
and the way I can get something right in the
house here little secret place. Stapa always keeps him change
in the bureau drawer. Here sit for forty cents. Yea,
she always keep uh yea, uh read a minute, what
the man? What is this note? She got your head
(13:08):
in the dressers out here? My dearest darling, I love
you madly. You are so young and beautiful, old way mackerel.
Any of the reasons he dressed up so young is
to impress another man. Yeah, boy, look bad, read the
rest of 'em. You are so young and beautiful. I
cannot live without you signs your passionate sweet art. Any
(13:31):
that you think Sapphire my own wife going out with
another boyfriend? Uh? From the way he writes that, don't
life sound like she's going out with no enemy? So,
King Fish, you will figure that. Uh from that line
to sap Fire got a boyfriend that she been writing
love letters too? Huh yeah, and there are sure of it.
(13:52):
There's another man in the life. Uh. This ain't a
very nice thing for her to do to you, King Fish. Oh,
and then if the man's home is his cat, so
I think she has been been playing ring around the
moat with another ivenue. Yeah, Kingfish, Oh, I'll tell you something. Well,
Hi Calhoun, how your boy who he been waiting for you?
(14:12):
But it took you so long? I had to stop
by the coat house to make bail for my sister.
Your sister huh.
Speaker 4 (14:18):
Yeah, I'm a sister of prudence.
Speaker 1 (14:19):
She worked down at the ball shoe.
Speaker 4 (14:21):
You know, she didn't want to do that dance with
them two great big osage Feller fans.
Speaker 1 (14:25):
Oh, and they arrested her. What kind of defense you
gonna put a are gonna.
Speaker 4 (14:29):
Pete Nicholas firm? How does she know that this with
the molten seating fastages.
Speaker 1 (14:35):
Well, glad you got your Calton. I need you invite.
My wife is getting love let us from another man.
And not only that, she's dressing young and carrying on
like a young schoolgirl. Real at the same old story.
Speaker 4 (14:47):
Huh the woman been taking you for granted.
Speaker 1 (14:49):
Kingfe Yeah, I guess so whatever that line, Well at
my age, how hell could you take me? How what
can the kingfish do to bring sapphire to her? Sent you?
Speaker 7 (15:00):
You the old dog in a major routine, Kingfish, tellaphire,
don't want you now?
Speaker 1 (15:05):
Called nobody else? Won't you? But if she funks not
on the girl was interested in you, she soon changed
her story. Yeah that's a great idea. Uh yeah, let
us see me with another woman? Yeah, boy a minute, dog,
don't that bring up another problem? Why are you gonna
get a woman a little greaty to be seen with you? Well,
then there you got a lot of gals. Couldn't you
kind of least lend me one for the evening? Oh yeah, yeah, yeah,
(15:28):
I think I know the galery the doer too, loulul Fontaine.
Oh yeah, she's intelligent too, she's the head boner down
for Tula fish plant. Oh that's great. And I can
be seen with this Lula Fontaine at the night club tonight. Yeah, yeah, yeah.
Speaker 4 (15:45):
And the place to go is it is the Golden Deal.
That's where all the time businessmen take the girlfriend.
Speaker 1 (15:51):
Don't They went at the head of sister. Yeah, and
to make sure staphire those eyes dare and you can
call up the sky's your boys and make one of
them unanimous spool calls. Yeah, yeah, oh boy, women showing
frickle anthe caloun always has been. While look at Napoleon
and Josephine one night doing the walls. Napoleon having to
(16:12):
return from a.
Speaker 4 (16:13):
Battle earlier, and he found his wife Josephine entertaining another
man in the living room. Yeah, and this boyfriend was
a real love boy.
Speaker 7 (16:23):
He was drinking mpin out of josephine slipper, and Napoleon
looked at them wine stained slippers, and then he looked
his wife in the eye and would fine in his voice,
he hurt them famous French words, just swee levan juda
in then a liberty, a fraternity, ain't le bron They found.
Speaker 1 (16:41):
The last hurt at me who won't pay for them
shoes hell out Hello, this is anonymous person the way.
He ain't got no idea who's is where. If you
go down to the Golden Veiled night Club tonight, you
will see something you should not have seen. That's the
(17:02):
Golden Veil.
Speaker 2 (17:03):
Golden Veil.
Speaker 1 (17:04):
Yeah, you will see your husband Potato staytan with a
young tomato, repeat, young tomato. That is all Roger over,
that's who was it.
Speaker 2 (17:15):
I don't know, Mama.
Speaker 5 (17:16):
Somebody said George is gonna be but a young girl
at the Golden Veil nightclub. Mama, that's why he didn't
come home tonight.
Speaker 4 (17:23):
Boo. I bet it's the same young hussands that ridding
them love little.
Speaker 2 (17:27):
Let's go, yes, Mama, flash maam, that's right, daughter.
Speaker 6 (17:30):
You'll take your n Roland, I'll take the flat iron.
And if this is true, I'm gonna earn some fancy fleeting.
Speaker 1 (17:36):
That's sick head of here. Well, miss Fontane. But it
was nice and you meet me here at the Golden Ville.
I don't mention it, honey. It's a pleasure to do
it for your love. A boy. Uh, that's Lulu. The
name is mister stevens Now. Uh. Let's figure out what
we can do. And my wife gets you.
Speaker 5 (17:56):
Here to make a jealous Well, I can drought us
no luck to you like there, or I could snuggle
up to your real clothes like there.
Speaker 1 (18:05):
Uh yeah, excuse me, mis fontane, but I think you
over snuggled on that last snuggle. What do you mean
right now, I'm be getting to smug like the can
of sardin right now he has bull sitting on the
same chair.
Speaker 5 (18:21):
Oh excuse me?
Speaker 1 (18:23):
Do you have any suggestions hot shop? Well, I uh
you see, uh uh oh kind of hot, didn't you hear?
I've read a little rough do on this romantic stuff.
The last time I was up, when the gal was
at a temperance picnic, it was all too busy attacking
demon room to you didn't have any kind of stuff
(18:43):
like that. You Well, I could hold your hands, then
I could sort of particul me under the chin, and
then I could sort of run my fingers through your hands.
But I wouldn't care too much on that last one
of our with you.
Speaker 2 (18:56):
Oh, I've got it.
Speaker 1 (18:57):
When your wife gets here, I'll have my arm around yes,
and I'll be rubbing yell on the back of the
neck nine n dog like dear. Yeah, Well, I know,
uh I don't want your I don't tell uh you know, uh, what's.
Speaker 2 (19:14):
The matter, mister Stevens.
Speaker 1 (19:16):
Well attacking demon room was never like this. Look uh,
I tell you what. Uh. When my wife gets here,
I'll holler Sapphire. Now when you hear the word Souphire,
you throw your arm around man and say, honey, Bun,
I love you alright. When you holler south Fhire, say
who's this Sara coming over to the table here, Holy Macael,
that's my brother in law. Leroy, Oh what a break.
(19:38):
This will get back to south Fire faster than the
south him seeing me sitting here with a beautiful girl
like you. Wait a minute, I bet it has the
business yat hire, goofer wanna breast my soul if it
ain't the king Bee, well, goof, I guess you cut
me with the goods. You don't cot me here with
a beautiful young girl, and unfortunate for me, I know
you're gonna get right back and tell south Fire. So
(19:59):
don't be s brother in law. Dear, for you to
be out with a guy like this could only be
two things. He's a business or she lost out on
a quiz program and had to take the consequences now
very much, Jelie right. And on top of that, why
would I tell sci Fire I'm trying to bring you
two together.
Speaker 3 (20:15):
I even brung a whole love letter with me from
Georgia that you rich the sap five years ago.
Speaker 1 (20:19):
No, no, no, now we is talotating. We is uh
uh you say you brung? Uh? What about the love letter? Yeah,
it was signed your passionate sweetheart.
Speaker 3 (20:29):
I don't know what happened to the thing.
Speaker 1 (20:31):
I must have lost it. Uh. But Lee Roy, Yeah,
I see you.
Speaker 3 (20:34):
Around, Kingfish.
Speaker 1 (20:35):
I got to leave with my friends. Now, Holy Michael,
I done got jealous over my own love letter?
Speaker 5 (20:41):
What's the matter here?
Speaker 1 (20:42):
Don't ask no questions? Lulu and I look here, we
gotta get out of here. Slide around the table. That
hurry up. Excuse me, ladiow, I'm joint Stephen Fire. Is
that I lounch you?
Speaker 4 (20:51):
Uh?
Speaker 1 (20:51):
Lulu, Let go on me, Let go on me. This
is my wife, says the south Fire.
Speaker 7 (20:54):
How anybody I lunch you so Jeohne Stephens.
Speaker 4 (20:56):
This is a hundred that's been writing you the love letter.
Speaker 1 (20:59):
Look, south Fire, Mama, I can't explain it nothing. Take that.
Oh no, not you, young brother. No, no, not yarn, Mama,
please help help now, I ain't evenna. Look, everybody stopped
shutting down here when you are my head, or till
they can come the beat, and I took in the
rest us.
Speaker 2 (21:15):
George, we found this love letter, and then we caught
you with that Hossey.
Speaker 5 (21:19):
We got the goods on you.
Speaker 2 (21:20):
Yeah, you can't use a lot of this.
Speaker 1 (21:22):
Oh look, that's why I waited for Leroy here to
get home. Though he could explain it. I say it
to him, Leroy, Yes, fire, Mama, I'm Fred.
Speaker 3 (21:30):
George ain't to blame this time.
Speaker 1 (21:32):
This is all my fault.
Speaker 5 (21:33):
YU call le lord.
Speaker 1 (21:35):
Yeah.
Speaker 3 (21:35):
I found his love letter back at home, Sapphire. George,
then rich you this letter before you were married. I
brung it up here cause I thought that if you
both read the.
Speaker 1 (21:45):
Letter, you might be able to recapture the love you
once had for each other.
Speaker 5 (21:49):
Oh, dear me, George, let me see that letter again.
Speaker 2 (21:53):
My dearest job, I love you madly.
Speaker 5 (21:57):
You're so young and beautiful.
Speaker 2 (21:59):
I can't do it without you.
Speaker 5 (22:01):
Sign your passionate sweetheart.
Speaker 2 (22:04):
Oh George, you know if this love letter twenty two
years ago to me, it was your proposal.
Speaker 1 (22:09):
Though, uh yeah, and when I found it, I thought
some fella was writing to you, I miss Judge Johnny George.
Speaker 5 (22:18):
And I thought some young girl read it to you.
Speaker 2 (22:20):
Oh I'm awfully sorry, my.
Speaker 1 (22:22):
J Yeah, you know I think we better leave George
and save for our Lord.
Speaker 3 (22:27):
Yeah, I think so too, my m, come on.
Speaker 1 (22:29):
H m. Didn't even recognize my old writings coldsake, everything
else is changed a lot in twenty two.
Speaker 2 (22:39):
Years, George, that letter jutted something to me. Don't it
make you realize something too?
Speaker 1 (22:46):
Yes, a dude, make me realize something very very important, really, George. Yes,
I'd never writ that food letter. I wouldn't be in
the mess I've been in for the last twenty two years.
King Fesch, his wife, flat Fire, and her mother took
a knight out tonight. They all went to a movie.
Right now, at eleven thirty, they're just returning to the
apartment and discussing the picture.
Speaker 2 (00:10):
Didn't you enjoy the picture to night?
Speaker 3 (00:12):
Mama?
Speaker 4 (00:12):
Oh?
Speaker 3 (00:13):
Yes, Ter, it was just wonderful.
Speaker 2 (00:15):
How'd you like it?
Speaker 4 (00:16):
Joyce?
Speaker 1 (00:17):
Whoa? I went to sleep during the newsreel when that
French diplomat was begging Knight for money. I see that
fellow before. I think he's the same boy that used
to bother the Woodrow Wilson. I missed the whole teachers
at the program here those down like much to me?
What do you mean, Joels? Whoa? Look? Get at the
title The Moldy Rug with Joe Ferrett.
Speaker 5 (00:41):
Jeorge, that's the Moorlands Rouge with paulse for Rare.
Speaker 1 (00:45):
Oh yeah, yeah, yeah, that's right y. I woke up
a couple of times there, which one was Josey.
Speaker 5 (00:51):
That little man about four and a half.
Speaker 2 (00:52):
Feet tall with the beard.
Speaker 1 (00:54):
Oh that's who it was. Uh, I think that was
Mickey Rooney played his own father. Oh. I thought it
was a wonderful story.
Speaker 6 (01:02):
How a person that was ugly and unattractive, could still
find lung.
Speaker 1 (01:07):
Yeah, I don't bury it for lightning, mama. After all,
how often on the screen does they do a wife
story of George? What did you say? Oh? Nothing, nothing,
here's the apartment. Let me get the kid in here.
Speaker 2 (01:23):
Turn on to like George.
Speaker 1 (01:25):
Wait a minute, I hear something.
Speaker 2 (01:29):
Good.
Speaker 1 (01:30):
Hem's George. There's somebody in the bedroom.
Speaker 6 (01:32):
Oh, George, I bet it's a.
Speaker 1 (01:33):
Bike glut holy mackerel. Either that or some kind of
an animal. I'll get my shot gun out of the
hall closet here.
Speaker 4 (01:42):
Oh now, George, be catty.
Speaker 1 (01:43):
Yeah, here it is. It ain't got no shels in it,
but at least it'll scare him. Let's go you first,
Rumma be first. Yeah, strategy that turns on delighted They
empty gun? Door scared? Then your fingers or to paralyze
the boy. I'll open the door. I'm staying back else
I'll turn on the light. Now let me see you
(02:04):
in b on south fire. This is awful, This is tragedy.
Say what you mean, George. It's your brother Leroy and
here I is caught with an empty gun. My what
a lovely breakfast this is?
Speaker 7 (02:20):
Yeah, let us the more weecake, Leroy.
Speaker 1 (02:22):
Yes, son, let me give you some more bacon here,
and have some.
Speaker 5 (02:25):
More coffee and have some more food here, littrod, let
me give you some more ham.
Speaker 1 (02:30):
Alright, what about me? Shrip and eat your much?
Speaker 2 (02:33):
Come on, Mama, let's go in the kitchen and heat
some more rolls for Leroyd.
Speaker 1 (02:40):
M These are wonderful. Eg, brother in lawd dead. Oh
they is good.
Speaker 4 (02:45):
They's delicious.
Speaker 1 (02:46):
I'll be got have another one. There is good? Oh,
there is great? They easy that Leroy? You working on
their mans harder than the chicken. Did you don't progress
me the food? Does you? Oh? No, just keep shoving
it in there. Maybe you choke on it or something.
Oh josh, why'd you talk like that? Can't you say
anything nice to me? Yeah? When you leaving, goofy? All right,
(03:09):
I just passing through this tip. I'm leaving in the morning,
bright and early, bright and early. Well you may leave early,
but as far as you get on that party? Was
that whatever? Mind? Goofy? That mind? What do you want? Now?
Speaker 3 (03:22):
Would you post some maple syrup from me?
Speaker 1 (03:24):
Poll some player? Yeah? Yeah it's sad. Yeah, yeah, you
is put in law there.
Speaker 3 (03:32):
You shouldn't have done that pulling the maple syrup all over.
Speaker 1 (03:36):
Me like that. Yeah, well, live down a shield.
Speaker 4 (03:39):
This surname is Look here.
Speaker 1 (03:41):
I'm wearing your new simple jammers. Come on into large
hard and h You say your brother in law got
into town last night again? How long is he established
the beach head for this time? Well, he say, go
to the year a couple of days. But I ain't
taking no chances. I didn't give him a hit and
(04:03):
he wanted didn't. I thought it was over. Got down
the stairs this more. Uh you think that's a strong
enough hint. Yeah, I think he got a course to
him and the Duke was in it at the time. Yeah,
he's a mess. Everything he ever done in his life,
he's messed up. Any eyah. He had a great gimmick
this went her to beat the horse racers. He tried
(04:25):
it high Leer in Florida. He worked there in one
of the greatest disguises he said that anybody ever had
in the life. And then he got out there in
the middle of the track and wig wag information on
the horses to a concerted outside the track. But they
caught him. Know how they do that? Well, they think
it was funny when they see they from Mingo walking
(04:46):
around the interview with binoculars. Yeah. Uh, well, I guess
he's always messing up something. By the way, then he
get in trouble when he was working on uh for
the railroad two Yeah, they he sent him out with
the section gang. He was two dumb to do anything else.
So when the gang was working on the road, bed
day set him up the track to watch the train
(05:07):
and watch for trains. Huh what happened? Well, well, he
see the train coming. He was suppose the holiday as
you come. Uh, one day he fell asleep. Move up
there some time the holiday as he goes. He looked
around and there was no one left to fire it,
so he quit. Now, well, I guess all you're gonna
hope for is in the two days he gonna play jay.
(05:29):
He don't try to interfere and mess up nothing. You
really hate him, don't you? King fish? Uh, I'll say
I do.
Speaker 4 (05:36):
Uh.
Speaker 1 (05:36):
I'd kill a super good, but with my lucks, I
find that Mama would burn him in my best suit. Well,
the roan, it was nice you to come over and
see me. Yes, they I didn't need to know you
was in town. Shoot, so yea, yes, they.
Speaker 3 (05:51):
Was, I thought i'd drop over and tell you about
the wonderful plane I got the help scaphire and the
King Fish stopped him too from fighting all the time.
Speaker 1 (05:59):
Well, he Alry, I wasn't in the fiater there if
I was you, Oh no, no.
Speaker 3 (06:03):
This is a wonderful idea, miss.
Speaker 1 (06:05):
Uh.
Speaker 3 (06:05):
When I was back home last summer, I come across
the old love letter that the Kingfish rich the stat
Fire before they was married.
Speaker 1 (06:11):
I gonna show it to him. Yeah, well it might work.
Uh eating a letter like this, man may I'm both realizing,
in spite of all the fighting, how much him you
didn't love each other. Yeah. I got to let her
right here in my pocket. I'm gonna show it to
him when they're in a good mood. Uh huh uh well,
uh le Roy, Uh, I just noticed in uh ain't
(06:34):
that the Kingfisher's grave flannel suit you were? And uh
where I put on this morning was raising and I
didn't wanna get my own clothes with. Yeah, well that
luck to me, Roy, just heard of any little trouble.
If I was you, i'd go home and put that
gray flannel suits the Kingfishers back in the closet. Yeah,
let him have his old grave fannel suit. He's blue
and fished me bitter. Anyway, I'm going down to clean.
(06:57):
You got anything to go?
Speaker 2 (06:58):
Well, let me go say in the closet, mama. Mm
here's this old gray flann with flu of George's.
Speaker 1 (07:04):
It can go. Well.
Speaker 2 (07:05):
Let me see there's anything in the pocket.
Speaker 5 (07:07):
First, let's see why here's a no, ain't no envelope?
Speaker 2 (07:13):
Who could he be writing to?
Speaker 1 (07:14):
Would it say?
Speaker 5 (07:16):
My dearest darling?
Speaker 1 (07:17):
It ain't to the milkman, My dearest darling, I love
you madly.
Speaker 5 (07:23):
You're so young and beautiful. I cannot live without you.
Sign je passionate sweetheart. Oh good heavens, Mama, George is
writing a love letter to some other room.
Speaker 1 (07:34):
I knew it.
Speaker 4 (07:34):
I knew it.
Speaker 1 (07:35):
You can't trust any of 'em.
Speaker 5 (07:37):
But Mama at George's aide.
Speaker 2 (07:39):
Why he's so hold and broke down? Yeah, this is something,
all right.
Speaker 4 (07:43):
It's like a read it in a joke yard starting
to speed.
Speaker 2 (07:47):
Oh Mama, what am I gonna do after all these years?
Speaker 5 (07:51):
George writing a love letter to another woman, and a
young girl too.
Speaker 2 (07:55):
Why would he get interested in a young girl? Well, daughters,
that's the way it is.
Speaker 4 (07:59):
Even you're in the old man's home.
Speaker 1 (08:01):
It's the boys without the.
Speaker 7 (08:02):
Teeth that get the baby food.
Speaker 3 (08:03):
Oh but one am I gonna old mama fare fire.
Speaker 4 (08:07):
You just have to fight fire with fire.
Speaker 6 (08:09):
Now, if he wants a young girl, you who is
gonna have to look and act just as young as
she is about mama, axactly.
Speaker 5 (08:16):
You're gonna address young, act young.
Speaker 4 (08:18):
And take an interest in young things.
Speaker 2 (08:21):
You're right, Mama.
Speaker 5 (08:22):
If he is looking for a young gal, I'm gonna
be a young gas got the spare daughter.
Speaker 6 (08:27):
We gonna go out and buy the clothes down now
those so that love little waysither he'll come in hand
the lad as. Ever then now I want bima, I'll
put it right in the gural draw with he's handkerchiefs.
Speaker 2 (08:36):
Come on, daughter.
Speaker 6 (08:38):
If kid thinks the grass is greener on the other
side of the fence, we'll teach him to stay home.
Speaker 4 (08:42):
Man, clip his own heades.
Speaker 1 (08:46):
Well. And uh sorry, uh, I guess that was no
use coming up here to my place where lunch after
or was it? Yeah, Leroy really cleaned out his ice box.
Yeah what a pig is. One time he was here
at a bull of Star Judge the ice box for custard. Yeah,
did it affect him? Well? For two days he was
keeping the stiff of up aer lip clean down to
his law bladder. Yeah. Well it's a nice day. Let's
(09:09):
walk down to Bean Ray, wake him to down and uh,
hey wait a minute, King Race, look out the front
window here, but an what is it? Then? Look there
come across the street that young gal. Oh you mean
the one with the sloppy joe sweater, the skirt and
the bobby sock. Yeah. I have seen a lot of
young gals, but that is the oldest young gal I
don't ever see. Yeah, look at them Bueleggs over there,
(09:33):
walking like Gary Cooper after a hard day in the saddle.
They didn't pass tihoon. Dude, didn't he go there? He
looks like she's got everything. Is Marilyn Monroe thrown away?
What a gooney looking bird? Yeah? She's uh, she's that
bird is a that bird is uh? I just know,
as I happened to be the Capa Strena, that that
(09:53):
gooney bird is coming home to Uh that is a
sapphire and she's coming this way. Yeah, that's all right,
and she's coming in here. What do you support? She's up,
it is up? Well, I don't know in there got it?
Open the door here and let that juveile the Lincoln.
You Wow, what is it?
Speaker 2 (10:12):
Don't you take me square?
Speaker 5 (10:14):
I'm as cool as im.
Speaker 2 (10:15):
You were crazy as a daisy.
Speaker 1 (10:17):
Wait a minute, yere, What is it all about? Why
you carrying on like this one?
Speaker 4 (10:21):
That trouble with you?
Speaker 2 (10:22):
George? You ain't real, George, get with it.
Speaker 5 (10:26):
Cat had probably.
Speaker 1 (10:27):
About Hey, do you ever see anything like this before? Well?
My grandma used the guy on this way when she
was hitting the vanilla extract. What is it? Uh? Why
do you get that crazy outfit? Man?
Speaker 2 (10:43):
This ain't crazy, it's gone.
Speaker 1 (10:47):
Oh it's so far done.
Speaker 5 (10:48):
Was never here.
Speaker 1 (10:51):
Excuse me for protruding, sappohire, but you look awful funny
in that outfit.
Speaker 2 (10:55):
Oh what you're talking about? This is what all us
girls is wearing sweater and skirts.
Speaker 5 (11:00):
And I'll tell you something else.
Speaker 2 (11:01):
It was real wonderful being able to slip into a
size twelve.
Speaker 1 (11:05):
Yeah. I noticed the new shoes say it's a fire.
Ain't you done something to your hair? Yeah? I noticed
that too. It's different. I ain't got that we mop
effect no more, York.
Speaker 5 (11:17):
This is a new poodle cut all the slick kicks
his feature.
Speaker 1 (11:20):
Oh yeah, is this lick kicks featuring the ball spot
in the back too? Yeah, that might be a poodle cut,
but I think you've got a little Mexican hairers in there.
Speaker 2 (11:29):
Well, I gotta be taken off.
Speaker 6 (11:30):
If I stand around here with you too, drinny cats,
I'm gonna flip sing you later.
Speaker 1 (11:34):
Yeah, but wear them in the Alfi coumbo.
Speaker 6 (11:36):
Find your coffee fire to chick them.
Speaker 2 (11:38):
Gumbo you around me, half big barn on.
Speaker 1 (11:42):
Them they off o the machaerel in the What do
you think of that? Well, I don't know, but it
was about the same stage of the game that comes
to Grandmars and fitted her for that letter house coach
with the buckles in the back. M Yeah, I don't
know what it is. End of it. Some reasons you're
trying to act young? Yeah, say how old is Sappi anyway? Well,
(12:04):
if she's forty in it once, you're gonna be forty one. Well,
if it take us long to get forty one, as
it didn't get forty, I'd say about nine years. And now,
well that's don't look good to me, boy, Half eyes
of the dangerous age he's about at the time when
them old gals get tired of their husband's and start
looking for some young fella. Not wait a minute, and
(12:25):
you don't have to be interested in somebody else. She
might have got all fixed up like that to please me,
to please you. Luck can't fish when you're put on
an expensive funeral. You ain't trying to impress the court. Well,
got me upset, and let's go down into the beanery
here and get ourselves a bite. I always think better
on the full stomach. Yeah. Wait, in my door, eye
(12:47):
was broken? You got any money? Nor? But wait a minute,
and the way I can get something right in the
house here little secret place. Stapa always keeps him change
in the bureau drawer. Here sit for forty cents. Yea,
she always keep uh yea, uh read a minute, what
the man? What is this note? She got your head
(13:08):
in the dressers out here? My dearest darling, I love
you madly. You are so young and beautiful, old way mackerel.
Any of the reasons he dressed up so young is
to impress another man. Yeah, boy, look bad, read the
rest of 'em. You are so young and beautiful. I
cannot live without you signs your passionate sweet art. Any
(13:31):
that you think Sapphire my own wife going out with
another boyfriend? Uh? From the way he writes that, don't
life sound like she's going out with no enemy? So,
King Fish, you will figure that. Uh from that line
to sap Fire got a boyfriend that she been writing
love letters too? Huh yeah, and there are sure of it.
(13:52):
There's another man in the life. Uh. This ain't a
very nice thing for her to do to you, King Fish. Oh,
and then if the man's home is his cat, so
I think she has been been playing ring around the
moat with another ivenue. Yeah, Kingfish, Oh, I'll tell you something. Well,
Hi Calhoun, how your boy who he been waiting for you?
(14:12):
But it took you so long? I had to stop
by the coat house to make bail for my sister.
Your sister huh.
Speaker 4 (14:18):
Yeah, I'm a sister of prudence.
Speaker 1 (14:19):
She worked down at the ball shoe.
Speaker 4 (14:21):
You know, she didn't want to do that dance with
them two great big osage Feller fans.
Speaker 1 (14:25):
Oh, and they arrested her. What kind of defense you
gonna put a are gonna.
Speaker 4 (14:29):
Pete Nicholas firm? How does she know that this with
the molten seating fastages.
Speaker 1 (14:35):
Well, glad you got your Calton. I need you invite.
My wife is getting love let us from another man.
And not only that, she's dressing young and carrying on
like a young schoolgirl. Real at the same old story.
Speaker 4 (14:47):
Huh the woman been taking you for granted.
Speaker 1 (14:49):
Kingfe Yeah, I guess so whatever that line, Well at
my age, how hell could you take me? How what
can the kingfish do to bring sapphire to her? Sent you?
Speaker 7 (15:00):
You the old dog in a major routine, Kingfish, tellaphire,
don't want you now?
Speaker 1 (15:05):
Called nobody else? Won't you? But if she funks not
on the girl was interested in you, she soon changed
her story. Yeah that's a great idea. Uh yeah, let
us see me with another woman? Yeah, boy a minute, dog,
don't that bring up another problem? Why are you gonna
get a woman a little greaty to be seen with you? Well,
then there you got a lot of gals. Couldn't you
kind of least lend me one for the evening? Oh yeah, yeah, yeah,
(15:28):
I think I know the galery the doer too, loulul Fontaine.
Oh yeah, she's intelligent too, she's the head boner down
for Tula fish plant. Oh that's great. And I can
be seen with this Lula Fontaine at the night club tonight. Yeah, yeah, yeah.
Speaker 4 (15:45):
And the place to go is it is the Golden Deal.
That's where all the time businessmen take the girlfriend.
Speaker 1 (15:51):
Don't They went at the head of sister. Yeah, and
to make sure staphire those eyes dare and you can
call up the sky's your boys and make one of
them unanimous spool calls. Yeah, yeah, oh boy, women showing
frickle anthe caloun always has been. While look at Napoleon
and Josephine one night doing the walls. Napoleon having to
(16:12):
return from a.
Speaker 4 (16:13):
Battle earlier, and he found his wife Josephine entertaining another
man in the living room. Yeah, and this boyfriend was
a real love boy.
Speaker 7 (16:23):
He was drinking mpin out of josephine slipper, and Napoleon
looked at them wine stained slippers, and then he looked
his wife in the eye and would fine in his voice,
he hurt them famous French words, just swee levan juda
in then a liberty, a fraternity, ain't le bron They found.
Speaker 1 (16:41):
The last hurt at me who won't pay for them
shoes hell out Hello, this is anonymous person the way.
He ain't got no idea who's is where. If you
go down to the Golden Veiled night Club tonight, you
will see something you should not have seen. That's the
(17:02):
Golden Veil.
Speaker 2 (17:03):
Golden Veil.
Speaker 1 (17:04):
Yeah, you will see your husband Potato staytan with a
young tomato, repeat, young tomato. That is all Roger over,
that's who was it.
Speaker 2 (17:15):
I don't know, Mama.
Speaker 5 (17:16):
Somebody said George is gonna be but a young girl
at the Golden Veil nightclub. Mama, that's why he didn't
come home tonight.
Speaker 4 (17:23):
Boo. I bet it's the same young hussands that ridding
them love little.
Speaker 2 (17:27):
Let's go, yes, Mama, flash maam, that's right, daughter.
Speaker 6 (17:30):
You'll take your n Roland, I'll take the flat iron.
And if this is true, I'm gonna earn some fancy fleeting.
Speaker 1 (17:36):
That's sick head of here. Well, miss Fontane. But it
was nice and you meet me here at the Golden Ville.
I don't mention it, honey. It's a pleasure to do
it for your love. A boy. Uh, that's Lulu. The
name is mister stevens Now. Uh. Let's figure out what
we can do. And my wife gets you.
Speaker 5 (17:56):
Here to make a jealous Well, I can drought us
no luck to you like there, or I could snuggle
up to your real clothes like there.
Speaker 1 (18:05):
Uh yeah, excuse me, mis fontane, but I think you
over snuggled on that last snuggle. What do you mean
right now, I'm be getting to smug like the can
of sardin right now he has bull sitting on the
same chair.
Speaker 5 (18:21):
Oh excuse me?
Speaker 1 (18:23):
Do you have any suggestions hot shop? Well, I uh
you see, uh uh oh kind of hot, didn't you hear?
I've read a little rough do on this romantic stuff.
The last time I was up, when the gal was
at a temperance picnic, it was all too busy attacking
demon room to you didn't have any kind of stuff
(18:43):
like that. You Well, I could hold your hands, then
I could sort of particul me under the chin, and
then I could sort of run my fingers through your hands.
But I wouldn't care too much on that last one
of our with you.
Speaker 2 (18:56):
Oh, I've got it.
Speaker 1 (18:57):
When your wife gets here, I'll have my arm around yes,
and I'll be rubbing yell on the back of the
neck nine n dog like dear. Yeah, Well, I know,
uh I don't want your I don't tell uh you know, uh, what's.
Speaker 2 (19:14):
The matter, mister Stevens.
Speaker 1 (19:16):
Well attacking demon room was never like this. Look uh,
I tell you what. Uh. When my wife gets here,
I'll holler Sapphire. Now when you hear the word Souphire,
you throw your arm around man and say, honey, Bun,
I love you alright. When you holler south Fhire, say
who's this Sara coming over to the table here, Holy Macael,
that's my brother in law. Leroy, Oh what a break.
(19:38):
This will get back to south Fire faster than the
south him seeing me sitting here with a beautiful girl
like you. Wait a minute, I bet it has the
business yat hire, goofer wanna breast my soul if it
ain't the king Bee, well, goof, I guess you cut
me with the goods. You don't cot me here with
a beautiful young girl, and unfortunate for me, I know
you're gonna get right back and tell south Fire. So
(19:59):
don't be s brother in law. Dear, for you to
be out with a guy like this could only be
two things. He's a business or she lost out on
a quiz program and had to take the consequences now
very much, Jelie right. And on top of that, why
would I tell sci Fire I'm trying to bring you
two together.
Speaker 3 (20:15):
I even brung a whole love letter with me from
Georgia that you rich the sap five years ago.
Speaker 1 (20:19):
No, no, no, now we is talotating. We is uh
uh you say you brung? Uh? What about the love letter? Yeah,
it was signed your passionate sweetheart.
Speaker 3 (20:29):
I don't know what happened to the thing.
Speaker 1 (20:31):
I must have lost it. Uh. But Lee Roy, Yeah,
I see you.
Speaker 3 (20:34):
Around, Kingfish.
Speaker 1 (20:35):
I got to leave with my friends. Now, Holy Michael,
I done got jealous over my own love letter?
Speaker 5 (20:41):
What's the matter here?
Speaker 1 (20:42):
Don't ask no questions? Lulu and I look here, we
gotta get out of here. Slide around the table. That
hurry up. Excuse me, ladiow, I'm joint Stephen Fire. Is
that I lounch you?
Speaker 4 (20:51):
Uh?
Speaker 1 (20:51):
Lulu, Let go on me, Let go on me. This
is my wife, says the south Fire.
Speaker 7 (20:54):
How anybody I lunch you so Jeohne Stephens.
Speaker 4 (20:56):
This is a hundred that's been writing you the love letter.
Speaker 1 (20:59):
Look, south Fire, Mama, I can't explain it nothing. Take that.
Oh no, not you, young brother. No, no, not yarn, Mama,
please help help now, I ain't evenna. Look, everybody stopped
shutting down here when you are my head, or till
they can come the beat, and I took in the
rest us.
Speaker 2 (21:15):
George, we found this love letter, and then we caught
you with that Hossey.
Speaker 5 (21:19):
We got the goods on you.
Speaker 2 (21:20):
Yeah, you can't use a lot of this.
Speaker 1 (21:22):
Oh look, that's why I waited for Leroy here to
get home. Though he could explain it. I say it
to him, Leroy, Yes, fire, Mama, I'm Fred.
Speaker 3 (21:30):
George ain't to blame this time.
Speaker 1 (21:32):
This is all my fault.
Speaker 5 (21:33):
YU call le lord.
Speaker 1 (21:35):
Yeah.
Speaker 3 (21:35):
I found his love letter back at home, Sapphire. George,
then rich you this letter before you were married. I
brung it up here cause I thought that if you
both read the.
Speaker 1 (21:45):
Letter, you might be able to recapture the love you
once had for each other.
Speaker 5 (21:49):
Oh, dear me, George, let me see that letter again.
Speaker 2 (21:53):
My dearest job, I love you madly.
Speaker 5 (21:57):
You're so young and beautiful.
Speaker 2 (21:59):
I can't do it without you.
Speaker 5 (22:01):
Sign your passionate sweetheart.
Speaker 2 (22:04):
Oh George, you know if this love letter twenty two
years ago to me, it was your proposal.
Speaker 1 (22:09):
Though, uh yeah, and when I found it, I thought
some fella was writing to you, I miss Judge Johnny George.
Speaker 5 (22:18):
And I thought some young girl read it to you.
Speaker 2 (22:20):
Oh I'm awfully sorry, my.
Speaker 1 (22:22):
J Yeah, you know I think we better leave George
and save for our Lord.
Speaker 3 (22:27):
Yeah, I think so too, my m, come on.
Speaker 1 (22:29):
H m. Didn't even recognize my old writings coldsake, everything
else is changed a lot in twenty two.
Speaker 2 (22:39):
Years, George, that letter jutted something to me. Don't it
make you realize something too?
Speaker 1 (22:46):
Yes, a dude, make me realize something very very important, really, George. Yes,
I'd never writ that food letter. I wouldn't be in
the mess I've been in for the last twenty two years.
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