September 6, 2025 • 26 mins
Adios Fatso is a Massachusetts-based DIY punk project injecting dark humor and sharp social commentary into short, explosive songs.
I sat down with Sir-Ken Celli from the group and chatted about their jam, "WTF", which was mixed by Andrew Berlin (Descendents, Rise Against) and mastered by Jason Livermore (NOFX, Lagwagon) at the legendary Blasting Room.
It's a super fun song with a SLAMMING ending that, though I respect the artists penchant for brevity, I would love to loop in for about 3 more minutes.
Be sure to show your support on Bancamp Friday and connect with them on IG to stay connected.
Keep up with Adios Fatso at:
https://adiosfatso.bandcamp.com/
https://www.instagram.com/adiosfatso/
Thank you for your continued support!
Brett Johnson
Host of B-Side Breakdown
https://www.patreon.com/c/bsidebreakdown
https://www.instagram.com/bsidebreakdown
https://linktr.ee/bsidebreakdown
#MissingYouForDays #jonhnyrook #ZacBoyd #RadGirlfriendRecords #bsidebreakdown #threecrowsclub #brettjamesjohnson #musicpodcast
I sat down with Sir-Ken Celli from the group and chatted about their jam, "WTF", which was mixed by Andrew Berlin (Descendents, Rise Against) and mastered by Jason Livermore (NOFX, Lagwagon) at the legendary Blasting Room.
It's a super fun song with a SLAMMING ending that, though I respect the artists penchant for brevity, I would love to loop in for about 3 more minutes.
Be sure to show your support on Bancamp Friday and connect with them on IG to stay connected.
Keep up with Adios Fatso at:
https://adiosfatso.bandcamp.com/
https://www.instagram.com/adiosfatso/
Thank you for your continued support!
Brett Johnson
Host of B-Side Breakdown
https://www.patreon.com/c/bsidebreakdown
https://www.instagram.com/bsidebreakdown
https://linktr.ee/bsidebreakdown
#MissingYouForDays #jonhnyrook #ZacBoyd #RadGirlfriendRecords #bsidebreakdown #threecrowsclub #brettjamesjohnson #musicpodcast
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Streetros Big Side Breakdown.
Speaker 2 (00:07):
Hey everyone, welcome to the B Side Breakdown. My name
is Brett Johnson and I'm your host. This is episode
thirty eight of a podcast where I talk with other artists, musicians,
and songwriters about a song they've written that is meaningful
to them that they want to get deep into the
y behind it. But first they need to give me
permission to play the song in its entirety so you
the listener can hear it and have some idea of
(00:28):
what we're talking about. Today, I'm gonna be talking to
a band called Audios Fatso about their song WTF.
Speaker 3 (00:34):
So let's get into it.
Speaker 2 (00:35):
Here is WTF by Audios Fatso.
Speaker 1 (00:43):
People say it el talk. They never want the walk
the talk? Where's that.
Speaker 4 (00:56):
STUPI the show puck saying much doing not? It's the
way you like to go, saying much doing n You
want see me.
Speaker 1 (01:15):
Under this track?
Speaker 5 (01:17):
Get that ship away from me. I'm operating Bush of Freeze,
always boying.
Speaker 1 (01:28):
That's the crowd when that off the clo What was
fun with?
Speaker 4 (01:37):
Excuses Parler Fief, you're the mother fucking kids?
Speaker 1 (01:43):
What fun?
Speaker 4 (01:46):
Saying much doing not?
Speaker 5 (01:49):
It's the way your like.
Speaker 3 (01:51):
To go saying much doing un you.
Speaker 1 (01:55):
Want see me.
Speaker 5 (01:58):
On this track, get that ship away from me a
great and bullshit free wind.
Speaker 1 (02:06):
The name.
Speaker 6 (02:08):
Game name, won't play game good.
Speaker 3 (02:12):
Things and they'll play you.
Speaker 2 (02:37):
All right, And that was w t F by audios
Fatso we're gonna take a quick break and come back
and talk to sir Ken about the song.
Speaker 3 (02:44):
So hang out and we'll be right back in a minute.
Speaker 6 (02:46):
Thanks.
Speaker 2 (02:47):
Hey again, it's bread from the B side Breakdown real quick.
If you're digging this podcast and want to hear episodes
without the ads, you can join our supporters here called
Down for the Cause over on Patreon.
Speaker 3 (02:58):
It's five bucks a month.
Speaker 2 (02:59):
You get all of the episodes ad free, you get
them in advance before they're published, and you.
Speaker 3 (03:03):
Help keep this whole labor of love alive.
Speaker 2 (03:05):
That's at patreon dot com slash B Side Breakdown. All right,
we'll be back in just a minute. All right, we
are back. Let's bring in sir Ken from Audio Spatso
to talk about the song WTF. Sir Ken, thank you
so much for taking some time today to talk with
me about the song.
Speaker 5 (03:24):
Absolutely bred. Thank you for having me.
Speaker 2 (03:26):
Yeah man, yeah, it's it was really fun to listen
to this and to digest it and get into it
because for me, I'll just say personally, like I felt
like it moved through like all these different feels in.
Speaker 3 (03:39):
Sort of not genres.
Speaker 2 (03:41):
I don't know how to say that, but there was
like different vibes within the context of the same feel
of the song, and they all hit me in a
really cool way, and I just really really dug it.
I love the lyrics, I love the chorus, I love
the ending is just slamming, and I wanted to go
on like five times as long as it is, I mean, frankly,
but it's it's such a great tune.
Speaker 3 (04:01):
And thank you so much for putting it out there.
I'd love to hear why did you.
Speaker 2 (04:06):
Want to come on to talk about this particular song
by Audios Fatso.
Speaker 5 (04:10):
Absolutely bred, Like I like what you just said about
the song because like, uh, like, in general, this band
is like a mixture of influences and it's not based
on genre. It's more based on like what feels good
when we write it. So you by you saying that,
I'm like, okay, cool, cool, he he understood like what
we were trying to achieve, So so that makes me happy, awesome,
(04:33):
So what was your question again? I'm sorry, No, just.
Speaker 2 (04:36):
That's all good. Why WTF? Why do you want to
talk about that song?
Speaker 5 (04:40):
Particularly WTF in particular it is a song that has
a lot of substance. Oh, like, oh, this is a
perfect opportunity to go onto a podcast with you bread
and thank you for having me and make sure we
can dissect it as much as we can and as
much as we want.
Speaker 3 (04:55):
Oh that's great. No, that's great.
Speaker 2 (04:58):
So I'm looking at your band campaign age and I
love that you're saying that this song is inspired on
true events. Crab mentality is an unfortunate thing, which I get.
And clearly the last you know, the beginning of the
last phrase of lyrics, where it's like when gaslighting is
the name of the game, the game they will play
making good things seem bad and they'll blame you absolutely.
Speaker 3 (05:21):
So tell me about that. Where what inspired this?
Speaker 5 (05:24):
So that's all lyrics are are like based on true
events and like anything you read on the lyrics, and
it happened to me unfortunately, I was like I found
myself in a in the middle of a crab mentality
situation where like people that might see you first of all,
(05:46):
are you familiar with the crab mentality concept.
Speaker 3 (05:48):
Yes, I am.
Speaker 5 (05:49):
Okay cool cool coo cool, so.
Speaker 3 (05:51):
But sharett tell me, tell me what not everyone knows.
Speaker 5 (05:56):
So the symbol is a miss. If you put a
bunch of craps in a bucket and and they're trying
to get out. If one of them it's almost about
to get out, the only ones pull him down for
no reason at all, even though it's not it's not
gonna matter if they get out or not for the
ones that are staying. So so put that into like
a my my our lives. And I was in the
(06:19):
middle of, unfortunately, like a situation of crab mentality, where
like people just don't want to see you do better
than them, so they'll try to pull you down. They'll
try to convince you can't do this, or you suck
at this, or like they'll try to like like gaslot
you about it, and then at the end of the
(06:39):
they'll blame you. So that's where those lyrics got inspired
inspiration from. So that's that's that section. And I was
like I got to a point that I was just
like sick and tired of going through that over and
over because if that happens to you Once, you're like okay, cool,
like something that happened, But if it's repeatedly, you start
to find like pattern, it's like, okay, why is this
(07:01):
happening over and over and over. I try, I try
to try. I get gas lighted, I get guys lighted it.
So I was like one day I was like I
just woke up like, oh that's why, and then that
gave me the fuel to write the song.
Speaker 3 (07:13):
Got it? Got it? Well, I'm glad you did.
Speaker 2 (07:17):
So you're You're The band is kind of an enigma
because there's not a lot out there about you to
find out more like who's in it, where are you from?
Speaker 3 (07:27):
And do all that.
Speaker 2 (07:27):
So what I've gathered so far is that it's I
think a four or five piece band and you're all
from Salem, Massachusetts.
Speaker 3 (07:34):
Is that right?
Speaker 5 (07:36):
Almost?
Speaker 3 (07:37):
Okay?
Speaker 5 (07:38):
So we were a four piece until recently our guitar
player had to move. Well he didn't have to move,
but he got a job and he's going to be
in between Seattle and Massachusetts, so he didn't have time
for the band. So right now we're going as a
three piece. Okay, you're not from Salem, Massachusetts. We are
from actually like technically from Brookline Brighton, Austin, but we
(08:03):
at the end of the day we just say we're
from Boston because it just makes it for everyone.
Speaker 3 (08:08):
Yeah yeah, okay, got it. Cool. So how long has
the band been together?
Speaker 5 (08:12):
So the band has been together around a year and
a half, well, actually playing playing live almost a year,
less than a year, okay, yeah, yeah, yeah. We started
playing shows last maybe last August or September, so it
hasn't been even a year yet.
Speaker 3 (08:35):
No, that's cool.
Speaker 2 (08:35):
So tell me about how this song came about. I mean,
was it is this something that you know instrumentally you
all put together first and then you kind of had
that inspiration lyrically to to put those down or did
did the lyrics start first or tell me about that?
Speaker 5 (08:52):
Okay? Cool? So I had I had the premise of
the lyrics and it was something that was like, uh,
I couldn't get out of my head, like I'm going
to write a song that touches this topic. Okay. So
I was like, okay, let's put music to this idea.
I was very very influenced by the I've always been
(09:13):
but like at that time, this is like November twenty
twenty four and I was like, I sat down and
I was like, Okay, musically right now, I'm like I'm
in a Beatles like kick for some reason. So if
you listen to the song and you put aside the
(09:34):
the aesthetics of the punk side of things, very beatle
esque in terms of chords and like the chord progression
and whatnot. So musically that was an inspiration. The other
thing that motivated me to write the song was like,
I wanted to start twenty twenty five with a fresh
new tune because we had been promoting our full record
(09:58):
for the past six months, playing out in the six
months previously that just online. So I was like, I
just need to start twenty twenty five with a fresh
new tune. So it was no around November fifteenth of
twenty twenty four. The song came out really quick, and
by first week of December it was sent to mixing
(10:21):
and mastering. So the song was released on January thirty
first of twenty twenty five. So it was a really
quick process and everything came together like so organically. It
was like pretty much it was like a last minute thing.
Speaker 2 (10:34):
Almost got it, got it, and so I see that
not to dove too far back onto your note cap record.
But like again, you've been a band a year and
a half and you had a full length album that
you worked for sounds like the better part of at
least six months of twenty twenty four, and recorded this
new song and put this out in the beginning of
(10:55):
twenty twenty five. And it looks like your vinyl is
sold out of your old record.
Speaker 5 (10:59):
Is that right? Correct? That is correct? Yeah? Yeah, So
let me let me give you an anecdote for the
vinyl thing. So, so, like speaking about the Crawd mentality thing,
I'm about to put vinyl out. I get told don't
put vinyl out. No one's gonna buy it or you're
gonna sell it to You're wasting your money. No one
likes vinyl. And I'm like, wait a minute, No, everyone
(11:20):
likes vinyl. And right now it's like a like a
hot thing, like everyone's like looking for vinyl and stuff.
It's it's trendy and whatnot. It's and it's not because
I'm looking to be trendy. It's that I noticed that
there's a demand for vinyl. Sure, so I put out
a small batch of vinyl. I ordered it like with
my own money. By the time I got it, before
(11:41):
I I started to sell it at shows, I sold
out of them. So basically the moment I got vinyl,
I told like people and I want one. I want one.
I want one, and i'd even get a chance to
sell them, like at shows. I have one just for
a show that I like display at shows, just for
a show. But before I even tried, and that was like, see,
(12:04):
that's that's what I'm talking about, Like I get put down.
I've been told that no, no, no no, and don't
do this, don't do that, and and and in reality
it's the total opposite. So that was that was like
a pleasant surprise from last year. Well actually was it
last year? Yeah? I think it was like yeah, last year.
Speaker 3 (12:21):
Got it? Got it? No, that's cool, And congratulations on
selling out of your.
Speaker 5 (12:25):
What's your standpoint on vinyl?
Speaker 3 (12:27):
Like you think I buy vinyl?
Speaker 2 (12:30):
Like for me, I I often So here's here's the realness.
The realness is I have a turntable and I really
get a chance to actually sit down and listen to it.
But I love to support independent artists, particularly on band
camp and all you listeners on band camp Fridays when
all the money goes to the band, and so I
(12:51):
go looking for bands that I know have a record
that they're selling on band camp, and I just start
listening for new bands that I like, and then I
find one and buy it. I buy it, I get it,
and I still just listen to their music, primarily through
the band camp app. But but I still played on
Vinyl whenever I get a chance. It's just I'm not
home often, you know, so it's it's one of those
(13:12):
I can't really get down to the record when i'm
if I'm gonna be driving four hours, I'd rather sit
and listen to it, you know, to get familiar with
the new artist. But for me, no, I love vinyl.
I've always loved vinyl. For me, that's how it came up.
It was it was pulling the I mean, there was
a process to it, like pulling out the record, looking
at the racket and the sleeve and seeing what's all
(13:32):
on there, and oh the pictures of the band, and
are their lyrics and what are the liner notes and
while you're listening to it.
Speaker 3 (13:37):
Like, to me, that was all super fun and I
love all that. So I still do that when I'm
I get a chance.
Speaker 2 (13:42):
But as a just a fan of that and wanting
to support artists the best way I can I buy
their vinyl.
Speaker 3 (13:48):
Encourage everybody else to do the same.
Speaker 5 (13:50):
Yeah, yeah, absolutely, bank on Fridays. I've been huge for
independent artists. So that's that's clutch. Now you're mentioning that,
So everyone listening, make sure you buy stuff on bankm
Fridays because like the artists like get the full uh
commission of what you paid for. H that said, Yeah,
that's what I'm saying. Like, I noticed that there's like
(14:11):
a high demand on vinyl. People are like I know,
people are like collectors and whatnot, and they're always looking
for new stuff to buy, and and that's said. I
was like, I thought it would be a good idea
to have our music on vinyl, and and it turned
out to be true. So so that was awesome. That
was super awesome and and at the same time that
validated like my standpoint where I was like, why am
(14:34):
I being like uh gaslighted into not doing stuff or
into into like thinking the opposite of what I'm thinking.
Speaker 2 (14:44):
You know, Sure, no, I hear you, And I'm glad
that you're you're following your gut and doing what makes
the most sense. So what tell me what what actual
instrumentation are you just vocals?
Speaker 3 (14:56):
Are your vocals guitar or vocals? Bass? What would you play?
Speaker 5 (14:59):
So so I played guitar and and I do vocals.
Also also I'm the main songwriter. Okay, for that tune,
I recorded all of the instruments except for drums.
Speaker 1 (15:13):
Uh.
Speaker 5 (15:13):
Those were recorded by a buddy of mine in Colorado.
He's the one who started the project with me. He's
not in the band, but he's the one who started
the product to me. He's the one who pushed me like, hey,
I like those songs, let's record them, put them out.
I think they're good songs and whatnot. So shout out
to Mark. He's my buddy Marco from Colorado. So he's
(15:36):
the one who pretty much like gave me that push.
He's the other side of the coin, the one side
like na, na, this side like yeah, yeah, that's great,
that's great, that's great. So so shout out to him like, uh,
he played a huge part, and like uh what like
what the band? Where the band is right now? All
the way?
Speaker 3 (15:54):
Got it?
Speaker 2 (15:55):
No, that's cool, And I'm glad that you've had that
writing partner wherever they are that you can work remotely
like that.
Speaker 5 (16:00):
I mean, yeah, it's more, it's more. It's more of that.
Like I said, like, is that guy that's always like
positive and like uh uh yeah that's great. Yeah that's good.
You can do better. Yeah, you're good, you're good, You're good.
Do it, do it, do it, do more, do more. Yeah,
someone's gonna like it because sometimes, like you as an artist,
you like self dub yourself and and if people are
(16:22):
like trying to like put fuel on you doubting yourself,
it's gonna go that route, you know. At the same time,
if you have a support system where people are always
like no, no, I think you're great. I think you're doing great.
I think your songs are good. This and that you
get like a little bit of a push or like
a I don't know, like I like to use that
as a fuel as well in a positive way. Yeah.
Speaker 3 (16:44):
No, I hear that completely. Well that's cool. Well cool man.
What else?
Speaker 2 (16:49):
Is there anything else about the song specifically you want
to talk about, like why the arrangement the way it
is or.
Speaker 3 (16:56):
How did that kind of come about?
Speaker 2 (16:57):
Because I mean, to me, it's like I hear like
I just gotta ask him, are you a fan of
bands like the Descendants or anything like that, because there
was a hint in there to me of some sort
of old style Descendant stuff and it didn't sound like that,
but it just hit me that way, which your Beatles reference.
Also for me, I kind of feel like old Descendants
has has some of that same song writing quality as well.
Speaker 3 (17:20):
So I was just wondering if you happen to be
a fan of that.
Speaker 5 (17:22):
Yeah, yeah, like and and and I'm glad you catched it,
because like it does have the Descendant's influence, but that
wasn't something conscious, while the Beatles aspect was something conscious
that I can like pull out, like point out to
the Descendants part of things, like, I can see why
you say that, and it's probably something there, but it
(17:44):
wasn't conscious at all found wise, and the aesthetics might
not be that evident, but but I can see some
Descendants in there. I don't feel like absolutely something about
the song. So all of our songs are super short.
From the No Cap album, this song is like two
minute long. This is like on the longer side of
(18:05):
songs from our catalog. Got so it's the first time
doing that two minute song. And the reason for that
is on the short format it songs, which is a
no cap album. A lot of people like the songs,
but a lot of people gave me like a like
a weird type of compliments like I love the song,
but they're too short, you know, or I was about
(18:28):
to get into it, but they ended too quickly. So
I was like, okay, that's fair. Everyone has a write
to their own opinion. I'm going to write a song
is a little longer. So for those that say that,
here you go like a treat for them, you know.
Speaker 2 (18:42):
No, and I hear that. I think for me, you know,
that harkens back to what I said right at the beginning.
It's like, no, for me, it's not saying that the
song is too short. I'm not telling you that. I'm
saying you know what, Really, I just wanted that part
to go on longer, which is another way of saying it.
I just felt like, oh, that vibe that is going
on there at the very end is so great when
(19:04):
it's in halftime, but then it kicks into the straight
time and it just rolls through the end. It's like
I just wanted that to continue because it just felt
amazing and it sounds amazing, like I just all the
way around, great work.
Speaker 5 (19:15):
Thank you, thank you. Yeah, bred like I've gone that
comment a few times. Ah, and half of the people
that have said that is like, whoa, that's a good
thing because now I want more. I'll listen to it again,
oh for sure, which is a good thing for us
because of the type of songs we'll be right. At
the same time, it's a huge compliment, meaning like I wanted.
Speaker 3 (19:33):
It to enjoy it more, you know, yep, yep, yep.
Speaker 5 (19:36):
So so I'll take that as a compliment absolutely, man, yeah.
Speaker 3 (19:39):
Please do right on, man, Well let's do this.
Speaker 2 (19:42):
Let's take a quick break, let's come back, and we're
gonna find out what sir Ken and the band are
up to next.
Speaker 3 (19:47):
And we'll go from there. Is that cool? Sure, let's
go awesome?
Speaker 2 (19:50):
All right, We'll be right back hang tight, all right,
and we are back with sir Ken from Audios. Fatso,
sir Ken, thank you so much again and for taking
the time to you have with me about this love
the song WTF and look forward to hearing some upcoming
music that you got.
Speaker 3 (20:07):
I think you were saying.
Speaker 2 (20:08):
That, uh that you have some other other new singles
or things coming out and tell me about those.
Speaker 5 (20:13):
Yeah, we have two new singles coming out shortly, probably
in the in the next couple of weeks. One is
called go Pro Not Again. It talks about like when
you go out with your girlfriend, you're ready to go
and always something something happens. It's a far more update.
The SD card is not compatible, I don't know whatever.
So I talked about that. And then the other song,
(20:35):
a short song. It's called Sick of Social Media, inspired
on the on the recurrent like feeling of like I
want to drop off of Facebook. I'm sick of Facebook.
I don't want to be there. But then when it
gets time to like I feel like I feel like
you're wasting your time on Facebook, but you just can't
like leave it because it's part of like you. If
(20:56):
you're in a band specifically specifically, you need to be
like on top of your Facebook game and promoting and
seeing what other bands are doing. So anyhow, So new
two singles coming out, so Prone Out Again and Sick
of Social Media?
Speaker 3 (21:09):
When are they coming out? Like, what's the target dates
for those?
Speaker 5 (21:12):
I think it's like, I think it's six weeks from now.
Speaker 3 (21:14):
I don't know what this is.
Speaker 5 (21:15):
I don't know when the episode is going to be
coming out, but let's say I think early September.
Speaker 2 (21:22):
All right, sounds good, good, good, good awesome. And then
so you know, we were talking about the NOCAP record a
minute ago, and I saw when I was thumbing around
on your band campsite that you got a YouTube channel
as well, So you have videos for those songs, is
that right?
Speaker 5 (21:39):
Yeah, So whoever's listening check out our YouTube audios. Fat
So we have a couple, not a couple, a bunch
of official music videos for all the songs from the
No Caap album, music video for WTF, and we're gonna
have music videos for the new singles coming out as well.
Speaker 2 (21:57):
No, that's great, awesome, and then what, so, what's going
on with you in terms of live performance?
Speaker 3 (22:02):
I think you said you just played a show.
Speaker 5 (22:04):
We played a show yesterday, and we played a show
last week in Salem. We have a show booked for
next month and it's going to be August in Salem
as well. But we are focusing mostly on on the
release of the singles because we have to put the
work into like having music videos for those singles as well.
(22:26):
So that's taking our time right now, but as soon
as those are out, we're going to be hitting the
road like crazy.
Speaker 2 (22:32):
Oh that's great, man, Well, I hope, I hope if
you make it down to the southeast, you make it
to Atlanta or make it to Orlando, So it's all
be awesome. Bring some people out and come see it.
That'd be awesome, yes, sir. And what's the best way
for people to stay stay up on what you're doing?
Is it following on band camp? Is it Instagram?
Speaker 3 (22:48):
Specifically? You mentioned Facebook or YouTube? Like how should people?
Speaker 5 (22:52):
Yeah, I think Instagram is the best way to go
right now or we're most active, but also like I
will like to invite people to check us out on
TikTok YouTube as well, cool band camp as well on Friday,
on band camp Fridays.
Speaker 3 (23:07):
As well, right right, right? Got it?
Speaker 2 (23:09):
So I'll make sure I post the links to your Instagram,
face or band camp for sure, and then hopefully between
those and TikTok they can get to everything else.
Speaker 6 (23:22):
That you got.
Speaker 3 (23:22):
Absolutely awesome man.
Speaker 2 (23:24):
Well, hey, you know, it's been great catch up with you, sir,
Ken and I would love to hear about the new
singles as they come out, so please keep me in
mind for those because I'd love to have you guys
back on and if you want to chat about anything
else you got coming out, but it's yeah, I really
appreciate you taking the time to come and talk about
what's WTF and yeah, and I hope everybody digs it.
Speaker 5 (23:45):
Thank you Red for having me, Thank you for the invitation,
and I'll keep you in the loop and everyone listening
hit us up on Instagram.
Speaker 3 (23:54):
Guys awesome. Thanks Ken.
Speaker 1 (23:57):
Trows Side Breakdown.
Speaker 2 (24:28):
All right, and that wraps up another episode of the
B Side Breakdown. I want to thank sir Ken from
audio Spatso for coming along to talk about the song WTF.
In the background, you're hearing a track called Wild Dying
from Shoulden and if you dig what you hear, please
go back and listen to the previous episode because that's
what it was all about. Please subscribe to this podcast
wherever you get your podcast, and if you want to
(24:49):
further show your support, please make your way over to
patreon dot com slash B Side Breakdown and sign up
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Speaker 3 (24:56):
It's five bucks a month.
Speaker 2 (24:57):
It gives you ad free episodes, advanced episodes, or the
published and mentioned of being supported on the on air
or on the episode. So please show your support when
you can and keep this laborer love going. I want
to thank Adam Coolong and carry Bosel for helping me
put together the jingle you hear at the beginning.
Speaker 3 (25:12):
And the end of this episode.
Speaker 2 (25:14):
Up next, I have Johnny Rook's track Missing You for Days.
I'm gonna give you a taste of that at the
end of this Again, thank you so much for your
continued support. Stay safe out there and we'll catch up
on the next one.
Speaker 6 (25:24):
Thanks.
Speaker 3 (25:39):
Something else.
Speaker 1 (25:42):
Say these stakes in you Jack Jackson.
Speaker 5 (25:50):
Soon jo week is something that.
Speaker 1 (26:01):
Also I sure don't think Sister
Speaker 5 (26:13):
Says see so must said
Streetros Big Side Breakdown.
Speaker 2 (00:07):
Hey everyone, welcome to the B Side Breakdown. My name
is Brett Johnson and I'm your host. This is episode
thirty eight of a podcast where I talk with other artists, musicians,
and songwriters about a song they've written that is meaningful
to them that they want to get deep into the
y behind it. But first they need to give me
permission to play the song in its entirety so you
the listener can hear it and have some idea of
(00:28):
what we're talking about. Today, I'm gonna be talking to
a band called Audios Fatso about their song WTF.
Speaker 3 (00:34):
So let's get into it.
Speaker 2 (00:35):
Here is WTF by Audios Fatso.
Speaker 1 (00:43):
People say it el talk. They never want the walk
the talk? Where's that.
Speaker 4 (00:56):
STUPI the show puck saying much doing not? It's the
way you like to go, saying much doing n You
want see me.
Speaker 1 (01:15):
Under this track?
Speaker 5 (01:17):
Get that ship away from me. I'm operating Bush of Freeze,
always boying.
Speaker 1 (01:28):
That's the crowd when that off the clo What was
fun with?
Speaker 4 (01:37):
Excuses Parler Fief, you're the mother fucking kids?
Speaker 1 (01:43):
What fun?
Speaker 4 (01:46):
Saying much doing not?
Speaker 5 (01:49):
It's the way your like.
Speaker 3 (01:51):
To go saying much doing un you.
Speaker 1 (01:55):
Want see me.
Speaker 5 (01:58):
On this track, get that ship away from me a
great and bullshit free wind.
Speaker 1 (02:06):
The name.
Speaker 6 (02:08):
Game name, won't play game good.
Speaker 3 (02:12):
Things and they'll play you.
Speaker 2 (02:37):
All right, And that was w t F by audios
Fatso we're gonna take a quick break and come back
and talk to sir Ken about the song.
Speaker 3 (02:44):
So hang out and we'll be right back in a minute.
Speaker 6 (02:46):
Thanks.
Speaker 2 (02:47):
Hey again, it's bread from the B side Breakdown real quick.
If you're digging this podcast and want to hear episodes
without the ads, you can join our supporters here called
Down for the Cause over on Patreon.
Speaker 3 (02:58):
It's five bucks a month.
Speaker 2 (02:59):
You get all of the episodes ad free, you get
them in advance before they're published, and you.
Speaker 3 (03:03):
Help keep this whole labor of love alive.
Speaker 2 (03:05):
That's at patreon dot com slash B Side Breakdown. All right,
we'll be back in just a minute. All right, we
are back. Let's bring in sir Ken from Audio Spatso
to talk about the song WTF. Sir Ken, thank you
so much for taking some time today to talk with
me about the song.
Speaker 5 (03:24):
Absolutely bred. Thank you for having me.
Speaker 2 (03:26):
Yeah man, yeah, it's it was really fun to listen
to this and to digest it and get into it
because for me, I'll just say personally, like I felt
like it moved through like all these different feels in.
Speaker 3 (03:39):
Sort of not genres.
Speaker 2 (03:41):
I don't know how to say that, but there was
like different vibes within the context of the same feel
of the song, and they all hit me in a
really cool way, and I just really really dug it.
I love the lyrics, I love the chorus, I love
the ending is just slamming, and I wanted to go
on like five times as long as it is, I mean, frankly,
but it's it's such a great tune.
Speaker 3 (04:01):
And thank you so much for putting it out there.
I'd love to hear why did you.
Speaker 2 (04:06):
Want to come on to talk about this particular song
by Audios Fatso.
Speaker 5 (04:10):
Absolutely bred, Like I like what you just said about
the song because like, uh, like, in general, this band
is like a mixture of influences and it's not based
on genre. It's more based on like what feels good
when we write it. So you by you saying that,
I'm like, okay, cool, cool, he he understood like what
we were trying to achieve, So so that makes me happy, awesome,
(04:33):
So what was your question again? I'm sorry, No, just.
Speaker 2 (04:36):
That's all good. Why WTF? Why do you want to
talk about that song?
Speaker 5 (04:40):
Particularly WTF in particular it is a song that has
a lot of substance. Oh, like, oh, this is a
perfect opportunity to go onto a podcast with you bread
and thank you for having me and make sure we
can dissect it as much as we can and as
much as we want.
Speaker 3 (04:55):
Oh that's great. No, that's great.
Speaker 2 (04:58):
So I'm looking at your band campaign age and I
love that you're saying that this song is inspired on
true events. Crab mentality is an unfortunate thing, which I get.
And clearly the last you know, the beginning of the
last phrase of lyrics, where it's like when gaslighting is
the name of the game, the game they will play
making good things seem bad and they'll blame you absolutely.
Speaker 3 (05:21):
So tell me about that. Where what inspired this?
Speaker 5 (05:24):
So that's all lyrics are are like based on true
events and like anything you read on the lyrics, and
it happened to me unfortunately, I was like I found
myself in a in the middle of a crab mentality
situation where like people that might see you first of all,
(05:46):
are you familiar with the crab mentality concept.
Speaker 3 (05:48):
Yes, I am.
Speaker 5 (05:49):
Okay cool cool coo cool, so.
Speaker 3 (05:51):
But sharett tell me, tell me what not everyone knows.
Speaker 5 (05:56):
So the symbol is a miss. If you put a
bunch of craps in a bucket and and they're trying
to get out. If one of them it's almost about
to get out, the only ones pull him down for
no reason at all, even though it's not it's not
gonna matter if they get out or not for the
ones that are staying. So so put that into like
a my my our lives. And I was in the
(06:19):
middle of, unfortunately, like a situation of crab mentality, where
like people just don't want to see you do better
than them, so they'll try to pull you down. They'll
try to convince you can't do this, or you suck
at this, or like they'll try to like like gaslot
you about it, and then at the end of the
(06:39):
they'll blame you. So that's where those lyrics got inspired
inspiration from. So that's that's that section. And I was
like I got to a point that I was just
like sick and tired of going through that over and
over because if that happens to you Once, you're like okay, cool,
like something that happened, But if it's repeatedly, you start
to find like pattern, it's like, okay, why is this
(07:01):
happening over and over and over. I try, I try
to try. I get gas lighted, I get guys lighted it.
So I was like one day I was like I
just woke up like, oh that's why, and then that
gave me the fuel to write the song.
Speaker 3 (07:13):
Got it? Got it? Well, I'm glad you did.
Speaker 2 (07:17):
So you're You're The band is kind of an enigma
because there's not a lot out there about you to
find out more like who's in it, where are you from?
Speaker 3 (07:27):
And do all that.
Speaker 2 (07:27):
So what I've gathered so far is that it's I
think a four or five piece band and you're all
from Salem, Massachusetts.
Speaker 3 (07:34):
Is that right?
Speaker 5 (07:36):
Almost?
Speaker 3 (07:37):
Okay?
Speaker 5 (07:38):
So we were a four piece until recently our guitar
player had to move. Well he didn't have to move,
but he got a job and he's going to be
in between Seattle and Massachusetts, so he didn't have time
for the band. So right now we're going as a
three piece. Okay, you're not from Salem, Massachusetts. We are
from actually like technically from Brookline Brighton, Austin, but we
(08:03):
at the end of the day we just say we're
from Boston because it just makes it for everyone.
Speaker 3 (08:08):
Yeah yeah, okay, got it. Cool. So how long has
the band been together?
Speaker 5 (08:12):
So the band has been together around a year and
a half, well, actually playing playing live almost a year,
less than a year, okay, yeah, yeah, yeah. We started
playing shows last maybe last August or September, so it
hasn't been even a year yet.
Speaker 3 (08:35):
No, that's cool.
Speaker 2 (08:35):
So tell me about how this song came about. I mean,
was it is this something that you know instrumentally you
all put together first and then you kind of had
that inspiration lyrically to to put those down or did
did the lyrics start first or tell me about that?
Speaker 5 (08:52):
Okay? Cool? So I had I had the premise of
the lyrics and it was something that was like, uh,
I couldn't get out of my head, like I'm going
to write a song that touches this topic. Okay. So
I was like, okay, let's put music to this idea.
I was very very influenced by the I've always been
(09:13):
but like at that time, this is like November twenty
twenty four and I was like, I sat down and
I was like, Okay, musically right now, I'm like I'm
in a Beatles like kick for some reason. So if
you listen to the song and you put aside the
(09:34):
the aesthetics of the punk side of things, very beatle
esque in terms of chords and like the chord progression
and whatnot. So musically that was an inspiration. The other
thing that motivated me to write the song was like,
I wanted to start twenty twenty five with a fresh
new tune because we had been promoting our full record
(09:58):
for the past six months, playing out in the six
months previously that just online. So I was like, I
just need to start twenty twenty five with a fresh
new tune. So it was no around November fifteenth of
twenty twenty four. The song came out really quick, and
by first week of December it was sent to mixing
(10:21):
and mastering. So the song was released on January thirty
first of twenty twenty five. So it was a really
quick process and everything came together like so organically. It
was like pretty much it was like a last minute thing.
Speaker 2 (10:34):
Almost got it, got it, and so I see that
not to dove too far back onto your note cap record.
But like again, you've been a band a year and
a half and you had a full length album that
you worked for sounds like the better part of at
least six months of twenty twenty four, and recorded this
new song and put this out in the beginning of
(10:55):
twenty twenty five. And it looks like your vinyl is
sold out of your old record.
Speaker 5 (10:59):
Is that right? Correct? That is correct? Yeah? Yeah, So
let me let me give you an anecdote for the
vinyl thing. So, so, like speaking about the Crawd mentality thing,
I'm about to put vinyl out. I get told don't
put vinyl out. No one's gonna buy it or you're
gonna sell it to You're wasting your money. No one
likes vinyl. And I'm like, wait a minute, No, everyone
(11:20):
likes vinyl. And right now it's like a like a
hot thing, like everyone's like looking for vinyl and stuff.
It's it's trendy and whatnot. It's and it's not because
I'm looking to be trendy. It's that I noticed that
there's a demand for vinyl. Sure, so I put out
a small batch of vinyl. I ordered it like with
my own money. By the time I got it, before
(11:41):
I I started to sell it at shows, I sold
out of them. So basically the moment I got vinyl,
I told like people and I want one. I want one.
I want one, and i'd even get a chance to
sell them, like at shows. I have one just for
a show that I like display at shows, just for
a show. But before I even tried, and that was like, see,
(12:04):
that's that's what I'm talking about, Like I get put down.
I've been told that no, no, no no, and don't
do this, don't do that, and and and in reality
it's the total opposite. So that was that was like
a pleasant surprise from last year. Well actually was it
last year? Yeah? I think it was like yeah, last year.
Speaker 3 (12:21):
Got it? Got it? No, that's cool, And congratulations on
selling out of your.
Speaker 5 (12:25):
What's your standpoint on vinyl?
Speaker 3 (12:27):
Like you think I buy vinyl?
Speaker 2 (12:30):
Like for me, I I often So here's here's the realness.
The realness is I have a turntable and I really
get a chance to actually sit down and listen to it.
But I love to support independent artists, particularly on band
camp and all you listeners on band camp Fridays when
all the money goes to the band, and so I
(12:51):
go looking for bands that I know have a record
that they're selling on band camp, and I just start
listening for new bands that I like, and then I
find one and buy it. I buy it, I get it,
and I still just listen to their music, primarily through
the band camp app. But but I still played on
Vinyl whenever I get a chance. It's just I'm not
home often, you know, so it's it's one of those
(13:12):
I can't really get down to the record when i'm
if I'm gonna be driving four hours, I'd rather sit
and listen to it, you know, to get familiar with
the new artist. But for me, no, I love vinyl.
I've always loved vinyl. For me, that's how it came up.
It was it was pulling the I mean, there was
a process to it, like pulling out the record, looking
at the racket and the sleeve and seeing what's all
(13:32):
on there, and oh the pictures of the band, and
are their lyrics and what are the liner notes and
while you're listening to it.
Speaker 3 (13:37):
Like, to me, that was all super fun and I
love all that. So I still do that when I'm
I get a chance.
Speaker 2 (13:42):
But as a just a fan of that and wanting
to support artists the best way I can I buy
their vinyl.
Speaker 3 (13:48):
Encourage everybody else to do the same.
Speaker 5 (13:50):
Yeah, yeah, absolutely, bank on Fridays. I've been huge for
independent artists. So that's that's clutch. Now you're mentioning that,
So everyone listening, make sure you buy stuff on bankm
Fridays because like the artists like get the full uh
commission of what you paid for. H that said, Yeah,
that's what I'm saying. Like, I noticed that there's like
(14:11):
a high demand on vinyl. People are like I know,
people are like collectors and whatnot, and they're always looking
for new stuff to buy, and and that's said. I
was like, I thought it would be a good idea
to have our music on vinyl, and and it turned
out to be true. So so that was awesome. That
was super awesome and and at the same time that
validated like my standpoint where I was like, why am
(14:34):
I being like uh gaslighted into not doing stuff or
into into like thinking the opposite of what I'm thinking.
Speaker 2 (14:44):
You know, Sure, no, I hear you, And I'm glad
that you're you're following your gut and doing what makes
the most sense. So what tell me what what actual
instrumentation are you just vocals?
Speaker 3 (14:56):
Are your vocals guitar or vocals? Bass? What would you play?
Speaker 5 (14:59):
So so I played guitar and and I do vocals.
Also also I'm the main songwriter. Okay, for that tune,
I recorded all of the instruments except for drums.
Speaker 1 (15:13):
Uh.
Speaker 5 (15:13):
Those were recorded by a buddy of mine in Colorado.
He's the one who started the project with me. He's
not in the band, but he's the one who started
the product to me. He's the one who pushed me like, hey,
I like those songs, let's record them, put them out.
I think they're good songs and whatnot. So shout out
to Mark. He's my buddy Marco from Colorado. So he's
(15:36):
the one who pretty much like gave me that push.
He's the other side of the coin, the one side
like na, na, this side like yeah, yeah, that's great,
that's great, that's great. So so shout out to him like, uh,
he played a huge part, and like uh what like
what the band? Where the band is right now? All
the way?
Speaker 3 (15:54):
Got it?
Speaker 2 (15:55):
No, that's cool, And I'm glad that you've had that
writing partner wherever they are that you can work remotely
like that.
Speaker 5 (16:00):
I mean, yeah, it's more, it's more. It's more of that.
Like I said, like, is that guy that's always like
positive and like uh uh yeah that's great. Yeah that's good.
You can do better. Yeah, you're good, you're good, You're good.
Do it, do it, do it, do more, do more. Yeah,
someone's gonna like it because sometimes, like you as an artist,
you like self dub yourself and and if people are
(16:22):
like trying to like put fuel on you doubting yourself,
it's gonna go that route, you know. At the same time,
if you have a support system where people are always
like no, no, I think you're great. I think you're doing great.
I think your songs are good. This and that you
get like a little bit of a push or like
a I don't know, like I like to use that
as a fuel as well in a positive way. Yeah.
Speaker 3 (16:44):
No, I hear that completely. Well that's cool. Well cool man.
What else?
Speaker 2 (16:49):
Is there anything else about the song specifically you want
to talk about, like why the arrangement the way it
is or.
Speaker 3 (16:56):
How did that kind of come about?
Speaker 2 (16:57):
Because I mean, to me, it's like I hear like
I just gotta ask him, are you a fan of
bands like the Descendants or anything like that, because there
was a hint in there to me of some sort
of old style Descendant stuff and it didn't sound like that,
but it just hit me that way, which your Beatles reference.
Also for me, I kind of feel like old Descendants
has has some of that same song writing quality as well.
Speaker 3 (17:20):
So I was just wondering if you happen to be
a fan of that.
Speaker 5 (17:22):
Yeah, yeah, like and and and I'm glad you catched it,
because like it does have the Descendant's influence, but that
wasn't something conscious, while the Beatles aspect was something conscious
that I can like pull out, like point out to
the Descendants part of things, like, I can see why
you say that, and it's probably something there, but it
(17:44):
wasn't conscious at all found wise, and the aesthetics might
not be that evident, but but I can see some
Descendants in there. I don't feel like absolutely something about
the song. So all of our songs are super short.
From the No Cap album, this song is like two
minute long. This is like on the longer side of
(18:05):
songs from our catalog. Got so it's the first time
doing that two minute song. And the reason for that
is on the short format it songs, which is a
no cap album. A lot of people like the songs,
but a lot of people gave me like a like
a weird type of compliments like I love the song,
but they're too short, you know, or I was about
(18:28):
to get into it, but they ended too quickly. So
I was like, okay, that's fair. Everyone has a write
to their own opinion. I'm going to write a song
is a little longer. So for those that say that,
here you go like a treat for them, you know.
Speaker 2 (18:42):
No, and I hear that. I think for me, you know,
that harkens back to what I said right at the beginning.
It's like, no, for me, it's not saying that the
song is too short. I'm not telling you that. I'm
saying you know what, Really, I just wanted that part
to go on longer, which is another way of saying it.
I just felt like, oh, that vibe that is going
on there at the very end is so great when
(19:04):
it's in halftime, but then it kicks into the straight
time and it just rolls through the end. It's like
I just wanted that to continue because it just felt
amazing and it sounds amazing, like I just all the
way around, great work.
Speaker 5 (19:15):
Thank you, thank you. Yeah, bred like I've gone that
comment a few times. Ah, and half of the people
that have said that is like, whoa, that's a good
thing because now I want more. I'll listen to it again,
oh for sure, which is a good thing for us
because of the type of songs we'll be right. At
the same time, it's a huge compliment, meaning like I wanted.
Speaker 3 (19:33):
It to enjoy it more, you know, yep, yep, yep.
Speaker 5 (19:36):
So so I'll take that as a compliment absolutely, man, yeah.
Speaker 3 (19:39):
Please do right on, man, Well let's do this.
Speaker 2 (19:42):
Let's take a quick break, let's come back, and we're
gonna find out what sir Ken and the band are
up to next.
Speaker 3 (19:47):
And we'll go from there. Is that cool? Sure, let's
go awesome?
Speaker 2 (19:50):
All right, We'll be right back hang tight, all right,
and we are back with sir Ken from Audios. Fatso,
sir Ken, thank you so much again and for taking
the time to you have with me about this love
the song WTF and look forward to hearing some upcoming
music that you got.
Speaker 3 (20:07):
I think you were saying.
Speaker 2 (20:08):
That, uh that you have some other other new singles
or things coming out and tell me about those.
Speaker 5 (20:13):
Yeah, we have two new singles coming out shortly, probably
in the in the next couple of weeks. One is
called go Pro Not Again. It talks about like when
you go out with your girlfriend, you're ready to go
and always something something happens. It's a far more update.
The SD card is not compatible, I don't know whatever.
So I talked about that. And then the other song,
(20:35):
a short song. It's called Sick of Social Media, inspired
on the on the recurrent like feeling of like I
want to drop off of Facebook. I'm sick of Facebook.
I don't want to be there. But then when it
gets time to like I feel like I feel like
you're wasting your time on Facebook, but you just can't
like leave it because it's part of like you. If
(20:56):
you're in a band specifically specifically, you need to be
like on top of your Facebook game and promoting and
seeing what other bands are doing. So anyhow, So new
two singles coming out, so Prone Out Again and Sick
of Social Media?
Speaker 3 (21:09):
When are they coming out? Like, what's the target dates
for those?
Speaker 5 (21:12):
I think it's like, I think it's six weeks from now.
Speaker 3 (21:14):
I don't know what this is.
Speaker 5 (21:15):
I don't know when the episode is going to be
coming out, but let's say I think early September.
Speaker 2 (21:22):
All right, sounds good, good, good, good awesome. And then
so you know, we were talking about the NOCAP record a
minute ago, and I saw when I was thumbing around
on your band campsite that you got a YouTube channel
as well, So you have videos for those songs, is
that right?
Speaker 5 (21:39):
Yeah, So whoever's listening check out our YouTube audios. Fat
So we have a couple, not a couple, a bunch
of official music videos for all the songs from the
No Caap album, music video for WTF, and we're gonna
have music videos for the new singles coming out as well.
Speaker 2 (21:57):
No, that's great, awesome, and then what, so, what's going
on with you in terms of live performance?
Speaker 3 (22:02):
I think you said you just played a show.
Speaker 5 (22:04):
We played a show yesterday, and we played a show
last week in Salem. We have a show booked for
next month and it's going to be August in Salem
as well. But we are focusing mostly on on the
release of the singles because we have to put the
work into like having music videos for those singles as well.
(22:26):
So that's taking our time right now, but as soon
as those are out, we're going to be hitting the
road like crazy.
Speaker 2 (22:32):
Oh that's great, man, Well, I hope, I hope if
you make it down to the southeast, you make it
to Atlanta or make it to Orlando, So it's all
be awesome. Bring some people out and come see it.
That'd be awesome, yes, sir. And what's the best way
for people to stay stay up on what you're doing?
Is it following on band camp? Is it Instagram?
Speaker 3 (22:48):
Specifically? You mentioned Facebook or YouTube? Like how should people?
Speaker 5 (22:52):
Yeah, I think Instagram is the best way to go
right now or we're most active, but also like I
will like to invite people to check us out on
TikTok YouTube as well, cool band camp as well on Friday,
on band camp Fridays.
Speaker 3 (23:07):
As well, right right, right? Got it?
Speaker 2 (23:09):
So I'll make sure I post the links to your Instagram,
face or band camp for sure, and then hopefully between
those and TikTok they can get to everything else.
Speaker 6 (23:22):
That you got.
Speaker 3 (23:22):
Absolutely awesome man.
Speaker 2 (23:24):
Well, hey, you know, it's been great catch up with you, sir,
Ken and I would love to hear about the new
singles as they come out, so please keep me in
mind for those because I'd love to have you guys
back on and if you want to chat about anything
else you got coming out, but it's yeah, I really
appreciate you taking the time to come and talk about
what's WTF and yeah, and I hope everybody digs it.
Speaker 5 (23:45):
Thank you Red for having me, Thank you for the invitation,
and I'll keep you in the loop and everyone listening
hit us up on Instagram.
Speaker 3 (23:54):
Guys awesome. Thanks Ken.
Speaker 1 (23:57):
Trows Side Breakdown.
Speaker 2 (24:28):
All right, and that wraps up another episode of the
B Side Breakdown. I want to thank sir Ken from
audio Spatso for coming along to talk about the song WTF.
In the background, you're hearing a track called Wild Dying
from Shoulden and if you dig what you hear, please
go back and listen to the previous episode because that's
what it was all about. Please subscribe to this podcast
wherever you get your podcast, and if you want to
(24:49):
further show your support, please make your way over to
patreon dot com slash B Side Breakdown and sign up
for the Down for the Cause tire.
Speaker 3 (24:56):
It's five bucks a month.
Speaker 2 (24:57):
It gives you ad free episodes, advanced episodes, or the
published and mentioned of being supported on the on air
or on the episode. So please show your support when
you can and keep this laborer love going. I want
to thank Adam Coolong and carry Bosel for helping me
put together the jingle you hear at the beginning.
Speaker 3 (25:12):
And the end of this episode.
Speaker 2 (25:14):
Up next, I have Johnny Rook's track Missing You for Days.
I'm gonna give you a taste of that at the
end of this Again, thank you so much for your
continued support. Stay safe out there and we'll catch up
on the next one.
Speaker 6 (25:24):
Thanks.
Speaker 3 (25:39):
Something else.
Speaker 1 (25:42):
Say these stakes in you Jack Jackson.
Speaker 5 (25:50):
Soon jo week is something that.
Speaker 1 (26:01):
Also I sure don't think Sister
Speaker 5 (26:13):
Says see so must said
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