Blonde Death

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
Wednesday, February twenty ninth, nineteen eighty four. You walk into
B Side Video and accidentally make eye contact with me.
The things get uncomfortable real fast. I didn't think anybody
could see over the counter.

Speaker 2 (00:22):
Oops.

Speaker 1 (00:23):
I wasn't wearing pants. You grab the first thing your
hands can reach. Its cover stands out because it's yellow,
A grainy sepia tone picture of a young lady crouching
in what might be a corner, or she's just next
to a door. Whoa, watch out, she's got a gun.

(00:44):
If there's one thing worse than death, it's blonde to death.

(01:17):
Welcome to be Sad video Rentals. I'm Jeremy Briggs.

Speaker 3 (01:19):
And I'm Jenny Wanger.

Speaker 1 (01:21):
What's going on?

Speaker 3 (01:23):
I'm just feeling real deep in my roots after this movie.

Speaker 1 (01:25):
Yeah, it got to you.

Speaker 3 (01:28):
It takes me back.

Speaker 1 (01:29):
Man. I didn't relate much. I like you, but I
got my I got an old fashion and jelly beans.
That's how classy I am.

Speaker 3 (01:40):
What a great combo. Like, just even thinking about that,
it's like such a jextaposition in your mouth right now.

Speaker 1 (01:47):
It's so great. I just want to be chomping while
we record audio. Yeah, that's good, right, she likes that
a lot. That's not gonna piss you off.

Speaker 3 (01:58):
And on her birthday episode.

Speaker 1 (02:00):
I'm like, oh, I guess what. I'm gonna make your
job difficult.

Speaker 3 (02:04):
Happy birthday?

Speaker 1 (02:06):
No, no, no, Yeah, So we we have a three
part finale. This is part one of our three part finale.

Speaker 3 (02:16):
Jenny, Yeah, I'm so excited. This is I knew like
going into this that we each got to pick our
movie without discussing it with each other, just like here
watch this, Yes, and jeez, did not disappoint.

Speaker 1 (02:31):
Out of all of them, mine is going to be
the one that disappoints. Everybody's like, really, that's what you chose.

Speaker 3 (02:35):
That's all the things you could have picked.

Speaker 1 (02:40):
There's reasons I picked you.

Speaker 3 (02:43):
No, you've had a good one. I'm excited for our picks.

Speaker 1 (02:46):
Indeed. So usually we just kind of pick a random
movie that we nobody knows. It's kind of like you've
seen this, I don't see it. That cover looks awesome,
let's do it. Yeah, but are these last three are different?
They mean something to us in whatever way that means. Yeah.
And the film that we watched day was Gee's and

(03:08):
it is her favorite shot on tape, Like with a
camcorder film.

Speaker 3 (03:14):
Yeah, which we're gonna bring that up later on the onset.

Speaker 1 (03:18):
Sorry, I'm sorry, yeah, but but I mean that has
that does have like just the vibe of the film.
So this is the third like film that I've seen
on that. I've seen Sledgehammer and I've watched Things three
times now.

Speaker 3 (03:35):
Yeah.

Speaker 1 (03:35):
Have you seen either of those two?

Speaker 3 (03:37):
No, I haven't seen those two, but there was one
that I was thinking of that's kind of shot like this.
I don't know if I remember. I'll bring it up later.

Speaker 1 (03:48):
Yeah, but this one definitely outshines those other two.

Speaker 3 (03:54):
Oh my god, I hate Things. Yeah, she hates it.

Speaker 1 (03:59):
I've seen it three times. I own it. I bought
it years ago, and I've watched it twice. And then
I were a religious watcher of Joe Bob Briggs the
Last Drive in, very religious watcher of that, and they
did Sledgehammer and Things. So I was like, I guess
I'm watching Things a third time.

Speaker 3 (04:17):
I have autism and when we first process something, we
process it very literal, and I was like, I hate things,
and I was like, I know, girl, I know I
hate things. To what things do you want to talk about?

Speaker 1 (04:28):
Why are you texting that to me.

Speaker 3 (04:29):
Right, I'm not busy. Let's just talk about it.

Speaker 1 (04:34):
All right? Should we get into the news.

Speaker 3 (04:37):
Oh yeah, we love the news.

Speaker 1 (04:39):
Oh y oh do you think so? Oh? We love
it so hard?

Speaker 4 (04:42):
Ooh Wednesday, February Wednesday Night, nineteen eighty four and fee,
sorry you're not.

Speaker 2 (04:50):
So Current events.

Speaker 1 (04:56):
Jerry Martin will join the Mets training camp at his
own expanse with no guarantee of a job, after serving
eighty one days in prison on cocaine charges. This begs
the question who lets you charge cocaine like I have
to use cash?

Speaker 3 (05:13):
I know.

Speaker 1 (05:14):
Some of the VIP five tombs said to be of
to be those of leading figures under Ramsey's the Second
who ruled Egypt three thousand years ago, have been found
and excavated fifteen miles south of Cairo and three miles
west of the Nile River. In unrelated news, deaths by
scare beatles have increased by fourteen thousand percent. Damn Mummy's curse.

Speaker 3 (05:41):
I ain't even gonna watch it a movie.

Speaker 1 (05:44):
I'm gonna do it.

Speaker 3 (05:45):
Yeah, I know about a curse. Yeah, I ain't taking
my chances if a movie has the word curse in it.

Speaker 1 (05:53):
Eh, I walked right by it. I said, Jesus Lord
help me.

Speaker 3 (05:59):
I'm sorry, miss reach out RG degree, I can't watch
it were Wolf movie you did. Congress has passed the
bill that would provide one hundred and fifty million in
grants for teaching foreign languages, with the goal of improving
American's ability to communicate with people in foreign countries. They'll
be learning phrases such as America's best, we're better than you,

(06:19):
and suck my American. But it's a great program. I
think it's gonna go.

Speaker 1 (06:23):
Really, I think I think you're right. I think it's
gonna go. Don't go.

Speaker 3 (06:27):
Everybody really likes America and thinks highly of us. Yeah,
something gotta get better from here. Michael Jackson won an
unprecedented eight Grammys, including Album and Record of the Year,
but was beaten twice by the police ballad Every Breath
You Take. They filmed the police beating him twice. It's
time to sue the city.

Speaker 1 (06:47):
See them. I hear a settlement.

Speaker 3 (06:50):
This can't stand.

Speaker 1 (06:51):
Yeah. Researchers at the Masters in Johnson Institute believe that
weather a person has homosexual fantasies or heterosexual ones cannot
be used as an indication of actual sexual preference. And
that is a study I have to remind my wife
of every time she looks at my search history.

Speaker 3 (07:15):
My search isery is like two girls kissing. I just
want to see him kiss I just.

Speaker 1 (07:20):
Want to see him. I don't want anything. I don't
want tongue. I want a little pack and I'm done.

Speaker 3 (07:29):
I'm done. That's good enough for me.

Speaker 1 (07:32):
A superior court judge in Woodbury, New Jersey, has cleared
the way for the eventual dismissal of a gun charge
against former heavyweight champion Joe Frasier, admitting that the guns
in questions were his biceps.

Speaker 3 (07:45):
Oh yeah, hell yeah. A federal appeals court today upheld
a lower court finding that the NFL had violated antitrust
laws by attempting to keep the Raiders from moving from
Oakland to Lost Angelis. The NFL responded saying, who's anti trust?
Isn't trust a good thing?

Speaker 1 (08:06):
Isn't it a good thing?

Speaker 3 (08:07):
Don't you like the.

Speaker 1 (08:10):
Don't you like it? You like it?

Speaker 2 (08:12):
Right?

Speaker 1 (08:12):
Like it? When you like it? When you can trust me?
Can't you don't you?

Speaker 3 (08:16):
Don't you shut up? I love what someone tells me
to shut at I love it. Michael very Schoko, thank
you for giving me sure that one will remain the
artistic director of the American Ballet Theater. I'm under the agreement.

(08:36):
He'll also be free to take on projects outside the company.
His first outside project will be a one man show
about his main ballet teacher.

Speaker 1 (08:45):
He was so main point your toes.

Speaker 3 (08:48):
You're gonna be sorry.

Speaker 5 (08:49):
Yeah, but you put razors in the in the shoes,
so it hurt them. Heard about that, I'll have to
watch the one man show. W ABC has just I
had to cancel its four thirty PM newscast I Witness
Extra after five months on the air, after it failed
to match the ratings of its predecessor, People's Court. In

(09:10):
an attempt to quadruple those ratings, they've begun developing a
new show, The People's Gallon, because there's four courts in
a gallon.

Speaker 1 (09:18):
Jenny wa People's Court. I'm sorry, Jay. A team of
American and European astronomers has chosen a bright, short period
comet named Kop for their spacecraft to intercept, claiming it

(09:38):
as their own, saying that's mine Cop. Not a good
time for Nazi jokes.

Speaker 3 (09:45):
No, I thought for sure when it was a short period,
I'd be like, finally.

Speaker 1 (09:51):
Minor fifteen days.

Speaker 3 (09:53):
Yeah, she's I've been waiting for a month.

Speaker 1 (09:56):
Well, if you texted that to me, I would have
put that instead of a n I would expand I
prefer a fifteen day period joke than a Nazi joke.
What kind of person do you think I am?

Speaker 3 (10:09):
Yeah, because I can make period jokes. You can't make
period jokes.

Speaker 1 (10:14):
I can do them periodically. Shot.

Speaker 3 (10:19):
Nineteen year old Rodney Cameron used a twenty two caliber
rifle to kill a six foot long African lizard. He
found it in a pond in his family's backyard. He
shot the lizard at four thirty five am. What time
did the lizard die? Answers are upside down on the
next page.

Speaker 1 (10:39):
Seven point thirty four.

Speaker 3 (10:41):
That's good look and a cleanup effort that has cost
New York City five million dollars so far. City and
state officials are debating who should pay to clear many
of the toxic waste sites in the five burroughs. The
debates will last an entire five rounds of Rochambo's long.

Speaker 1 (11:01):
That's a long debate. Roschiambo takes what ten seconds?

Speaker 3 (11:11):
That's it? That's what you wanted to end on.

Speaker 1 (11:17):
So I picked them, and then I'm like, oh, I
guess this is the last.

Speaker 3 (11:20):
Joke, Jenny. You can do one of our worst finale
jokes ever.

Speaker 1 (11:28):
Rochambau. Okay, fine, but what is it better to say
rock paper scissors It it's the same thing, Jenny.

Speaker 3 (11:42):
Listen, I'm not from Nevada.

Speaker 1 (11:44):
I fancy like you and those where you're not so
current events and fancy desert boys.

Speaker 3 (11:56):
Yeah yeah, they're they're trailers and.

Speaker 1 (11:59):
Go backwoods your desert. Yeah.

Speaker 3 (12:04):
This movie we watched this week is about.

Speaker 1 (12:07):
Me and about you and your life. Yeah.

Speaker 3 (12:11):
Wait, we basically watched my biography.

Speaker 1 (12:14):
Go ahead, Jenny, give it to us. What did we watch?

Speaker 3 (12:17):
We watched Blonde Death.

Speaker 1 (12:19):
Blonde Death a tape by John Dillinger. I love that
he wrote a tape like he just leaned in. Yeah,
He's like, look, I'm filming on what I'm filming.

Speaker 3 (12:29):
This is a home video.

Speaker 1 (12:30):
This is the home video, and it's gonna I'm just
gonna lean in all the way and say it's a tape.

Speaker 3 (12:36):
Yeah. I was thoroughly thrilled immediately the dialogue.

Speaker 1 (12:42):
Yeah, you know, I tried to listen to the copy
that we were listening to. I tried to listen to
or watch it with my headphones, and the sound in
it is so bad. Gee said that the vinegar syndrome
copy has much better sound. But like all the dialogue
was like in this here, and all the other stuff
was in this here, and I was just like, I can't.

Speaker 3 (13:03):
Function, can't do it.

Speaker 1 (13:05):
That's I immediately take it out. And I was like, Okay,
I can stand it on the computer, but in the headphones.

Speaker 3 (13:12):
Was it Yeah, whoa, I can't imagine that this was
built for that kind of technology.

Speaker 1 (13:18):
But immediately, like just this whole movie, I just have
to say it right up top, Is it just me?
Or did Tarantino get true romance out of this film?

Speaker 3 (13:30):
This has gotta be and you know this is true romance? Yeah.
And my favorite movie in the whole world any kind
of movie, is The Big Lebowski and True Romance. And
I always say they're both my favorite film and they're
just so different, right, you know, like The Big Lebowski
is my chill movie and True Romance is when I
want everything to happen, right, So this was like that

(13:54):
like homage, yeah, do that, but before.

Speaker 1 (13:58):
It, yeah, I mean it was to me. I was like, oh,
Tarantino watched this and took some notes on a couple
of cases. There was even a Jackie Brown thing where
I was like, that's Jackie Brown. Did you take notes,
Karen Gino, Definitely, he takes notes. He takes notes.

Speaker 3 (14:13):
The woman playing the step mom, we're gonna meet her.
I really freaking loved her. Oh, I'm I like she
loves Carol Burnette, but like she made her nasty, nasty Ooh.

Speaker 1 (14:27):
I wanted I want a nasty Carol Burnette.

Speaker 3 (14:29):
Nasty Carol Burnette.

Speaker 1 (14:32):
So we start off in a living room with a
big handheld tape recorder and the first thing we hear is, HI,
this is me. My name is Tammy Lynn Beaver dwarf,
Hell Beaver, Dwarf. Get right to it, Get right to it.
And she is recording her memoirs six weeks ago.

Speaker 3 (14:57):
Six weeks ago, I just love solved and stated.

Speaker 1 (15:01):
She's just like I'm speaking to my little little The
thing this, this handheld recorder is the size of her head.

Speaker 3 (15:12):
Yeah, and the thing I love so much. But first
of all, her hair is gorgeous, this feathered back hair
cut perfect. Yeah, it's so good. But I really love
how she is that thing in the South where it's
like I may be an idiot, but I know what

(15:34):
I got. I'm like a young, hot piece of trash.

Speaker 1 (15:39):
People like that, and you just immediate You were immediately
connected with her.

Speaker 3 (15:44):
Yeah, because like I had really intelligent siblings, okay, and
it was always well, but Jenny's got that little something special.

Speaker 1 (15:57):
I relate to that. Yeah, like my brother's are. They're
pretty smart dudes. And I'm like, oh, she got in
trouble one time because like my dad, he came out
to see who walked through the door, and I said,
don't worry, it's not this smart one. And then I
got a lecture.

Speaker 3 (16:18):
It's like, well, why do I feel this way?

Speaker 1 (16:24):
I got it from you.

Speaker 3 (16:27):
So she's telling the storys we're back in the car, yes,
and this was nearly six weeks ago, and she's arriving
in Orange County. She moved from a shitty little town
on the Mississippi Gulf coast.

Speaker 1 (16:38):
Yeah, dad's got a new job, and.

Speaker 3 (16:43):
She's secretly feeling like some sort of teenage tombomb tome bomb.

Speaker 1 (16:48):
Really that's her secret.

Speaker 3 (16:49):
Yeah, Like she is just horny to a level ten,
level ten Horny just ready the party, and I love
how she wasted time, like she's the one who talks back, right.
They tell her she's a demon bitch from hell and
she's like, hell.

Speaker 1 (17:07):
Yeah, I am.

Speaker 2 (17:10):
Like.

Speaker 1 (17:10):
So they're driving and then all of a sudden, we
see Disneyland. We see the matterhorn at Disneyland, and she's like, oh,
can we go to Donkey donkey Land donkey Land, which
I couldn't tell if it was donkey or donkey because.

Speaker 3 (17:23):
It changing sound like they were saying donkey.

Speaker 1 (17:27):
Land donkey Land.

Speaker 3 (17:29):
And I think that's kind of a play on Pinocchio
because they also bring up Pinocchio again.

Speaker 1 (17:34):
Well they oh, okay, yeah, I get it, ass whatever,
and she he's like, we'll go soon. Whatever you say, daddy,
I mean vern like she got in trouble for calling
him daddy. Yeah, what's that about? Yeah, you got to
go by her first name.

Speaker 3 (17:53):
Clarette has Clorette, Clarette whatever. She has had words about
that before, you know, And I love.

Speaker 1 (17:59):
A up to the house the new but we have
to say that the dialogue. So when she's talking into
her microphone and she introduces us to Clarette, she says
an evil scheme and bitch and the gazz of a
born again Christian.

Speaker 3 (18:12):
Hell yah, she's so good. The dialogue, Oh hell yeah.

Speaker 1 (18:18):
And so they pull up to the house and they
have a little interaction there. I just go ahead and
say what you're gonna say.

Speaker 3 (18:24):
As soon as they get out. The first thing is
Clorette has the bitch weggie from hell. She does this yanks.

Speaker 2 (18:33):
She did not care.

Speaker 1 (18:34):
This wasn't like the last film we watched where someone
was like, I need to pick it, but I won't.
This one was like, nope, this is coming out.

Speaker 3 (18:45):
And then she's immediately complaining about how shitty the house
is because.

Speaker 1 (18:49):
She's in this like jumpsuit, this yellow and pink flowery jumpsuit,
which is awesome. I love that number.

Speaker 3 (18:56):
Uh.

Speaker 1 (18:58):
And so they get out and she complains, she complains
about how small this house is, and then like the
phone just rings and he's like, I love the dad
when he does that, I think our phone is ringing. Yes,
he goes inside and for some reason when he enters,
we're at a Dutch angle. And if you don't know
at a Dutch angle, it's not you our audience, Jenny,

(19:21):
I know you know it's a tilted angle. Just to
give us an unease, and I'm like, why why do
we have a Dutch angle? At the moment, we go
into a house that's weird, but it's pretty obvious something's
wrong in this house.

Speaker 3 (19:34):
No rain, there ain't no Noraine here here. And then
Tammy lets have her two kitty cats.

Speaker 1 (19:42):
Yeah, she lets them free, and immediately she got she
has her live cats. And Clorette has a broken Siamese figurine.

Speaker 3 (19:54):
And Tammy yells in her face. I tell you to
let the movers handle that. That's what they get paid for.
They're the experts. Just screaming, and I love that about Tanny.

Speaker 1 (20:08):
I turned down my volume and he.

Speaker 3 (20:09):
Just screams things into everybody's face and it makes me
so happy.

Speaker 1 (20:13):
I love Clarette just blames her. She's like, I bet
you kicked it back in Missouri.

Speaker 3 (20:18):
And then she she hates cats, like what he's like,
si cat?

Speaker 1 (20:23):
I hate them?

Speaker 3 (20:24):
Why are you carrying around this precious cat?

Speaker 1 (20:28):
And also you have two cats, like you just married
into a two cat household.

Speaker 3 (20:33):
Maybe that's what happens to the cats.

Speaker 1 (20:35):
Oh so now we moved to outside for some weird reason.
Tammy's just got her chin on her fist.

Speaker 3 (20:46):
Right before we go out. There though a very important
thing to note about the dat's relationship with Clarette. He
goes over and stars massage and she's like, stop it.
You don't touch me. You don't touch me, okay man.
Tammy's sulk and.

Speaker 1 (20:59):
That's like, I don't even know if there's anything, any
reason why we have that shot.

Speaker 3 (21:04):
It's just so now she looks pretty, let's shoot it.

Speaker 1 (21:10):
I can't like we shot it. I might as well
put it in the film.

Speaker 3 (21:13):
Yeah, And then we're back in the living room and
it's and she's singing, Yes, Jesus left.

Speaker 1 (21:21):
We've got this. It's a very it's a low shot
up on her as she's like, and it's also a
Dutch angle and she's like putting up a tapestry on
the wall for some reason. And then she mentions the.

Speaker 3 (21:33):
Guy on the creepy song and then we yeah, and
that's when we meet Pat Goon.

Speaker 1 (21:38):
Pat Goon Pat Boon wanna be and you know, singer, shunger, actor,
religious motivational speaker.

Speaker 3 (21:46):
Yeah, oh, I love him. He's my favorite.

Speaker 1 (21:50):
Timmy comes walking in and bumps into her. She drops
his box of books. Clarette picks it up. And Jenny,
what book does she have?

Speaker 3 (22:01):
Mass girls do now you can too, Mask girls do?
What fuck at U c K. That's where she gets
her spanking.

Speaker 1 (22:16):
Yes, and then she just said the effort. She said
their work. Oh really, did you drop those panties? What?

Speaker 3 (22:23):
Yeah, she says, she's a cut now. She said the
sea word drop those ponties. Get your paints down.

Speaker 1 (22:33):
Yikes.

Speaker 3 (22:34):
So they pull up a special chair. Yeah, and Daddy
sits down on the chair and they lay her over Daddy.

Speaker 1 (22:41):
I love the spanking shots because like it's her butty
and it's the most unflattering shot of her button you
could possibly.

Speaker 3 (22:49):
Have, the broadside of the panties from the top angle.

Speaker 1 (22:53):
And when he smacks her, it's the gentlest little like
her butt barely even moves, and then it goes down
cuts to her face. Just watching TV.

Speaker 3 (23:04):
There's not even any of this. It's just there's not.

Speaker 1 (23:07):
Yeah, there's no impact.

Speaker 3 (23:11):
It's like that could have been sold a little better.

Speaker 1 (23:15):
Could have But why why.

Speaker 3 (23:20):
For the perperts, for the perp which the eighties movie
seemed to really like love indulging. So I just was like,
we didn't get any sad girl getting.

Speaker 1 (23:33):
Spaind oh did we We missed the whole part where
she goes in the bathroom and Clarette finds her diaphragm.

Speaker 3 (23:40):
Oh, yeah she does. She runs in there because this
is when she's getting chased around the house again.

Speaker 1 (23:45):
Around to find the diaphragm. And it just got in
a case. I fell in love. I'm stealing virgin. Get
your hands off me, you neo Nazi slop pig, and
you evil minded regnecked sow.

Speaker 3 (23:58):
I love these sense are so good. I got that
just entice. I fell in love, just.

Speaker 1 (24:05):
In case one day it's gonna happen. And oh and
after after she gets her spanking from Daddy Vern, she says, yeah,

(24:25):
I I could feel He's like, I don't remember exactly, Yeah,
but Elmer was at attention. Yeah, Elmer enjoyed that. Elmer
is his wiener. And his reaction to her blows my
mind because it's not like this weird like I don't
have a like it's I didn't get aroused, I don't

(24:47):
have a boner. It was you little spy that she
take when he's admitting that he has a boner to.

Speaker 3 (24:57):
Claire about my boner, you little spot, whose side are
you on?

Speaker 1 (25:03):
Oh? And while she's getting smacked clarette says whack her good,
one time for Jesus.

Speaker 3 (25:09):
Yeah, yeah, oh my god, just wild. So them. We're
in the bedroom that night and she's watching street car
named Desire or something. What was it she was watching.

Speaker 1 (25:22):
I don't know if she was watching.

Speaker 3 (25:23):
Oh it was a James Dan.

Speaker 1 (25:26):
Oh yeah, it was a James d mo.

Speaker 3 (25:28):
Yeah, and she's watching James Dan.

Speaker 1 (25:32):
Finally a giant.

Speaker 2 (25:34):
Oh.

Speaker 3 (25:35):
This is when she says this, finally I made a
famous run to the kitchen where dad jumps out of
a robe and gets on his knees and tries to
kiss my butt.

Speaker 1 (25:44):
Well, what happens in that whole thing?

Speaker 2 (25:46):
Is she?

Speaker 1 (25:46):
So she has this like, I'm famished. I run to
the kitchen and he comes in there and this scene,
very uncomfortable scene because he's obviously drunk. He's in a
woman's robe. It's just the cut is so tight in
certain areas that he can barely like move, and he

(26:06):
admits some things in here where.

Speaker 3 (26:08):
He's Tammy Telson. Maybe the stuff we did when I
was younger wasn't okay.

Speaker 1 (26:13):
What's wrong with el homie? What's wrong with dressing up
in you? Scarlet?

Speaker 2 (26:19):
Ol Era?

Speaker 1 (26:20):
ALFI with my baby girl, what's wrong with cutting a
donkey's head off at your birthday party when it got
a boner?

Speaker 6 (26:28):
Like, whoa, whoa, back up?

Speaker 1 (26:31):
You did what on the front lawne? You killed it.
You chopped a donkey's head off at a birthday party
in front of all And we're just gonna we're just
gonna move right past that.

Speaker 3 (26:42):
Yeah, and now he's going to Saudi Arabia.

Speaker 1 (26:45):
He's got a new job in Saudi Arabia.

Speaker 3 (26:47):
Apparently, what the hell does this man do? Like, how
is he like in the business world? This is the
most unhinged, insane person.

Speaker 1 (27:01):
And so then next morning, uh, Claudette what is her name, Clorette,
not Claudette. Clorette takes takes Verne to the airport.

Speaker 3 (27:12):
And so Tanny's and she's just dancing in her panties
and a T shirt to the anger Simoen's you stupid assholes,
that's the song.

Speaker 1 (27:21):
That's the song row right. She's pissed, She's like, how
could you? What's wrong?

Speaker 3 (27:29):
What the hell are you?

Speaker 1 (27:30):
Damn? What's wrong with dancing around in your panties? So
she threatens to send her to a nine week Christian camp.

Speaker 3 (27:42):
Yeah, but she also wants to give her a lie.

Speaker 1 (27:45):
Soal and it's a Clorox cinema and I had to
rewatch it because I was like, wait a minute, what
Clorox cinema.

Speaker 3 (27:53):
That's blache, that's blach. You can't put that in her asshole.

Speaker 1 (27:58):
No, but I've I mean, I have leashed my asshole
multiple times with.

Speaker 3 (28:02):
An inn a mother.

Speaker 1 (28:05):
People. You took me see that's a problem, Jenny. I
say things and you just immediately believe me that's a problem.

Speaker 3 (28:13):
Yeah, it's autism.

Speaker 1 (28:15):
Sure, blame all your problems on that.

Speaker 3 (28:19):
Well, that is my brain function. I'm like, wait, what,
hold on, wait, what has been a lot of my life.
Now here's where I really really really love this. Tammy
runs away to get away from Yeah, and she runs
to high school that's closed down for summer, and there's

(28:40):
this woman in an eyepatch that runs over to her stretching,
and this is the rapist lesbian I have ever seen
on film.

Speaker 1 (28:49):
Immediately, it's like, oh, hey, how you doing there? Can
I eat you out? Like she might as well?

Speaker 3 (28:55):
Yeah, how that's that muff a buff? I was like, eh,
And so this is just an adult cruising the high
school for chicks like, yeah, what the hell.

Speaker 1 (29:07):
Tammy does let us know that. When she's wandering the
high school, She's like, which made me feel bad, reminded
me of being a dropout.

Speaker 3 (29:15):
I don't have no business being here this establishment.

Speaker 1 (29:19):
Okay, I'm sorry, Tammy. This is where people learn, and
I've been done learning for a while.

Speaker 3 (29:26):
So Gwenn invites Tammy to go back to her place,
and Timmy's like, okay, share, why not?

Speaker 1 (29:30):
I need a friend.

Speaker 3 (29:31):
So they go back to her place and this woman
is trying her best to get in them pans so hard.

Speaker 1 (29:37):
Yeah, She's like, well, maybe you could just stay here.
She tries to convince her to stay over the night
because your parents are violent. Just stay with me, and
she's like, well, where am I going to sleep? We
can sleep on top of each other. You mean like
bunk beds. That sounds like fun m m. So she
seems to get up go to the door, and the

(29:58):
door won't open, and she says, oh, well, I guess
you better walk back over here and toss that pretty
little muff on my face.

Speaker 3 (30:08):
What And I was just like, huh, yeah. I like
the Tammy's reactions to her, like constantly talking about sitting
on her face. It's just always like what what Okay,
Well it was just locked. Okay. She's like me and

(30:30):
Clarette do this all the time. She's gonna be worried
about me. I'm like, Claratte is not worried about you.
She hopes you're dead.

Speaker 1 (30:36):
She hopes we'll find out very soon. Y if that's true,
Cammy go tome to find a note.

Speaker 3 (30:45):
That's like letting her know that Claratte is going to
like a religious weekend camp. And she won me back
till Sunday night, but she left her some tang in
the fridge. Sunday night, I got the whole weekend.

Speaker 1 (30:58):
My favorite line in the note that she has is
ask Jesus to forgive you because I cannot.

Speaker 3 (31:07):
Such a bitch.

Speaker 1 (31:08):
Then why are you a Christian? Yeah? Isn't that the
whole point? No?

Speaker 3 (31:13):
Not in the South, not for the most part. Look there,
I read.

Speaker 1 (31:17):
A different book apparently.

Speaker 3 (31:19):
Yeah, I always give a blanket thing. There are good
people in the South, it's just the stereotypical ones are
definitely the loud ones.

Speaker 1 (31:28):
So she realizes that she's got the whole weekend, she
like jumps up, I'm free.

Speaker 3 (31:34):
Yeah, before her dead mom died. She had diet pills.
So Tammy's in the bathroom taking a bunch of her
mom's diet pills ob her to not be as hungry
or whatever. She wolves down those, and then she asked
Ghen to take her to the beach. It's like this
woman who barely got out of her damn house before.

Speaker 1 (31:51):
She calls to go to the beach. She uh, she's
dancing once again. And I had to point out this
scene because the name of the song that she's dancing
to at this moment is called They Saved Hitler's Cop.

Speaker 3 (32:09):
They go to the beach and she's drunk. Her She says,
i'd got your mind beer. Maybe you should slow down,
and she's like, you know, fuck off, dude, I'm partying.
I'm letting loose. She's looking around everybody, and it's very
obvious that everybody is gay.

Speaker 1 (32:22):
Yeah, very obvious, but it's.

Speaker 3 (32:24):
Not obvious to her because she's so horny. So she
starts trying to cause a scene and talking and gay,
guess what could you get away from us?

Speaker 1 (32:31):
You stop?

Speaker 3 (32:32):
You're bothering us? And she's like, what the heck is
everybody here gay? Yeah?

Speaker 1 (32:37):
Yeah, we're at the gay beach. Didn't you read the
sign It says gay beach. Yeah.

Speaker 3 (32:41):
I like what she says. Everybody's looking at us, and
I'm looking at them. I like what I see.

Speaker 1 (32:46):
I like what I see. Girl.

Speaker 3 (32:49):
Nobody wants you here besides when I goin, when I
go in, So, uh, Tammy's gonna take your home.

Speaker 1 (32:57):
She's already nine beers in. Did we mention that she
was Nay, you're not beer.

Speaker 3 (33:03):
Maybe you just slowed down, and she's I just.

Speaker 1 (33:06):
Want to be chomping whole we record. I'm just now
listening to you like typical.

Speaker 3 (33:14):
Oh god, please yeah, just you keep going. I'll sit
here quietly, God damn it, and think about Hitler's penis
being saved.

Speaker 1 (33:23):
I was too focused on that, wasn't I fretty and
much That's I have to remind you of that, that
that research that we mentioned earlier.

Speaker 3 (33:38):
Yeah, yeah, So Tammy invites her in because she's like,
she gotta invite me in. Now she has puked all
over the side of this woman's car, and you can
sit like chunks, and this woman is still horny as
can be.

Speaker 1 (33:52):
She's working her frown horny.

Speaker 3 (33:56):
So she she says she's gonna go take a shower,
and when's like, you may come with you.

Speaker 1 (34:01):
I was given off desperate. Oh that's why she told
her to brush her teeth.

Speaker 3 (34:05):
Uh huh, Okay, She's like, give a puke mouth.

Speaker 1 (34:08):
Clear for business, Yeah, for landing.

Speaker 3 (34:15):
And she's talking to herself. I just need one special guy.

Speaker 2 (34:19):
Yeah.

Speaker 3 (34:20):
Yeah, she's just making wishes. And then the guy pops
out and we meet link. We meet Link, but he's
looking for Noringe.

Speaker 1 (34:31):
He's looking for noring yeah, which sometimes sounds like they've
got confused, and said Maureene.

Speaker 3 (34:37):
It's like, is it Nourene or Maureen.

Speaker 1 (34:39):
We need to get some consistency because I'm getting confused.

Speaker 3 (34:42):
I don't remember what we said. Should we look back, No,
we ain't got time for that. Just say whatever you think.

Speaker 1 (34:46):
If you remember, you remember, it's okay. And and I
love right in this part. This is the first time
I noticed, because it's the second time in the script
that it's used, or in the film that it's used.
He calls her a gidget, and I use it like
four different people use the term gidget.

Speaker 3 (35:02):
Yeah right, I'm like, what the hell does this mean?

Speaker 1 (35:06):
But everyone's using it about her. Yeah, And so he's like,
you got to get rid of her. He's got the
gun to her head.

Speaker 3 (35:14):
She's like, when I have horrible diary, I'm squirting all
over here.

Speaker 1 (35:18):
I've got the runs and it's all over the well. Distasteful.
It is distasteful.

Speaker 3 (35:24):
It is just taste. So that's the perfect word. Yeah.
And then they let her know that she needs to
leave and she'll call her tomorrow.

Speaker 1 (35:33):
Yeah.

Speaker 3 (35:34):
And then they go into the negotiation of whether or
not Link can rape her.

Speaker 1 (35:38):
No, I'm underage, they'll throw you.

Speaker 3 (35:41):
Well, here's why I can't. Let me tell you why
I can rape you.

Speaker 1 (35:44):
And you give me a counterpoint, point, counterpoint, let's go okay.

Speaker 3 (35:47):
And I think he's this is a little foreshadowing. He says, oh,
I had a chum like that and the joint.

Speaker 1 (35:53):
Yeah, because because he accuses her of hooking up with Gwen,
and she's like, it's not like that, she's a chum.
Oh I had a chum like that in the joint.

Speaker 3 (36:03):
Yeah, yeah, foreshadow foreskin foreshadowing.

Speaker 1 (36:10):
I'll let that go.

Speaker 3 (36:16):
So you know how bad it has to be if
you held it.

Speaker 1 (36:20):
Or perhaps I had nothing there and I pretended like
I had something wrong.

Speaker 3 (36:24):
That's what it is. Emily, that's all that it was.
So she runs out to the yard, gets away. Man
have a soft spot right in the middle.

Speaker 1 (36:35):
And this shot, this shot is just straight out of
Texas chains I didn't even look. I was like, oh,
that's Texas. Oh she already wrote it down Texas chainsaw.

Speaker 3 (36:46):
Where they pick her up in the legs, she.

Speaker 1 (36:48):
Runs out and grab them legs, kicking and walking backwards
in great shot.

Speaker 3 (36:56):
If you're going Rabbage, maybe you just get it over with.

Speaker 1 (37:00):
I love it because he goes. He goes like, ah,
you've been reading too many of those lonely broad paperbacks.

Speaker 3 (37:07):
Yeah, And she has.

Speaker 1 (37:09):
It's a great like you got something in your eye.

Speaker 3 (37:13):
Yeah I do. I'm having a rough time. And everybody
who like is a germaphobe was going to be so
mad at the way I was dealing with it because
I stuck my finger in there and pushed up.

Speaker 1 (37:22):
I love that you're so concerned about the germophobes out there.
I like that. I like that.

Speaker 3 (37:27):
I know I'm married to one. Oh, like, of all
the people to end up with a germophobe, it's.

Speaker 1 (37:34):
The one who had a picture on his wall, her wall.
Never mind, we'll leave that one go, Jenny of me
as a poopy, I was gonna let it go.

Speaker 3 (37:44):
I had to tell toilet it was one of my
favorite art pieces, an artistry that of me. I was amused.
It's amusing. Okay, set your ass down on the butterfly chair.

Speaker 2 (38:02):
I have.

Speaker 1 (38:02):
I have both newscasts typed out because the especially the
first one is just too good for me. I like,
he's trying to talk to her about he, you know,
just they're his situation and on the news they're talking
about him, and I'm miss gonna go ahead and read

(38:23):
the whole thing.

Speaker 3 (38:23):
And they should show a beautiful headshot of him.

Speaker 1 (38:26):
Yeah, it's his edge.

Speaker 3 (38:28):
It's not a smugshot, it's his acting headshot.

Speaker 1 (38:32):
So the newscast, as he turns it on, says he
escaped ten days ago from fulsome prison in northern California
after disemboweling the warden's wife and stealing her clothes. Now,
this man is a sociopath, but he is extremely virile
and can be very charming. Reportedly, he is extremely good
in bed. So if you happen to be a teenage girl, especially,

(38:54):
do not be taken in.

Speaker 3 (38:57):
They keep saying, like the weirdest shit on the it's
so good.

Speaker 1 (39:01):
So in the background. But because like I mentioned to
you before, uh, the dialogue and all that stuff is
in separate ears. I just put one headphone in and
I could hear everything that the TV was saying, and
it wasn't covered up by all the other noise of him.
To the two of them talking, I was like, Oh,
I can actually hear it.

Speaker 3 (39:21):
Oh wow, that's great, I can actually do this home stenographer.
She says, you're gonna die in the California State gas Chamber.

Speaker 1 (39:30):
Are you hungry? Yeah?

Speaker 3 (39:33):
We need to eat.

Speaker 1 (39:34):
Yeah, you want to take me to Sizzler? Yeah?

Speaker 3 (39:37):
Like I love Like, how what a smart ass she is.

Speaker 1 (39:44):
No, but I'll get me. I'll give you ice cream
Like that ain't gonna help anybody. No, have you ever
had ice cream on an empty stomach?

Speaker 3 (39:52):
Yes?

Speaker 1 (39:54):
It screws you up.

Speaker 3 (39:55):
Itcws me up. Well, of course, I mean I was
doing this back when I didn't know. I was like
coast intolerance, and I vomited every time. It was either
vomit or have a worse time later.

Speaker 1 (40:06):
Yeah, I'm always hold up in the never mind, we
don't never know that's mine.

Speaker 3 (40:10):
So they're watching Bonnie and Clyde, and it's kind of
that's foreshadowing too, like they're going to become very Bonnie
and Clyde. Yeah, what are you in for?

Speaker 1 (40:21):
Yes, murdered a bunch of rinch scum.

Speaker 3 (40:23):
Bags, says he killed a bunch of guys on a
yacht with an UZI.

Speaker 1 (40:27):
Yeah, nineteen in all, a real bunch of pukes.

Speaker 3 (40:30):
You know, it was a pedophile ring. He started to say, Yeah,
why'd you go to jail?

Speaker 1 (40:35):
They were friends of the Reagans, which you know what,
there you go, you go.

Speaker 3 (40:40):
She says, well, my father said cheap of police, and
my mom is in the women's gun.

Speaker 1 (40:44):
Club and I love so much that how much research
he did while she was out for the day. He's like, okay,
so your dad is in Saudi Arabia because they found
a note on the wall. Oh what's in this bag? Oh?
These are pills, they're Tylan all. How do I know
they're actually cyanide pills? Yeah? And not Tyler? How does
he know that? I don't know? And then he discovers

(41:07):
that the tang has cyanide in it. Yeah, because it
smells like almonds.

Speaker 3 (41:12):
Or something, Yeah, burnt almonds.

Speaker 1 (41:15):
And but he just like when he got there, he's like,
I got my research. Yeah, I know your whole life story.

Speaker 3 (41:23):
He was suggesting that she was the Thailand all killer, right,
and Burne and I are the only ones who would
drink it around here. So she was letting him know
that her and her dad drink it and she never
would touch it, so she made it just special for hers.
That was a nice thing she did for me.

Speaker 1 (41:39):
Yeah, she's a good person. I mean sure, ye. She
beats me and emotionally abuses me if yeah, that's weird.
Stuff happened with my dad.

Speaker 3 (41:50):
Yeah, and just says, They're like, this is gross, but
I hate her, so keep doing it to her.

Speaker 1 (41:55):
It's okay.

Speaker 3 (41:57):
So he says, there's enough to wipe out Jonestown.

Speaker 1 (41:59):
Here ten times over, ten times over, ten times over.

Speaker 3 (42:03):
That's the thing that this will happen later. Saw Really,
that's just one jug.

Speaker 1 (42:10):
That's just one jug because all you need is a
tiny little shot because there's so much ad in it.

Speaker 3 (42:17):
Okay. And then they find a note from Clarette's boyfriend.

Speaker 1 (42:21):
Yes, in the same bag.

Speaker 3 (42:23):
The gospel swinger guy.

Speaker 1 (42:25):
That's not enough information for you, Well, here you go. Yeah,
his name is Bert Killjoy.

Speaker 3 (42:31):
He's a pastor from the Port bdet his church. Everyone
just thought he was isexual, but that's what they thought.

Speaker 1 (42:39):
He So she's pretty affected and he's like, well, maybe
you'll be more grateful when I'm clean. So he goes
to take a shower. Yeap, oh, but what she says
one line or in the note. When she's reading the note,
she says, it's vital that we make it look like
a random poisoning. Yeah, it's is Cini poisoning, poisoning.

Speaker 3 (43:05):
They're just like, yeah, it's in the toxicology report.

Speaker 2 (43:09):
Yeah.

Speaker 1 (43:09):
I feel like, oh, it's just a random poisoning. You mean.

Speaker 3 (43:13):
So he tells her, I'm the most exciting things, rubs
her nipple. He don't get to touch me like that.
Well he did. He's going to the shower.

Speaker 2 (43:23):
He did.

Speaker 1 (43:23):
Now I'm gonna take a shower. Maybe you'll be okay
with this when I I'm not sweaty. And he's singing Timmy, Dammy, Tammy,
Tammy's in love.

Speaker 3 (43:35):
I hate that sound. I hide shout out ras trying
to buy her hands free. She buys him hands free.
She goes, she gets the gun and she asks her
she goes shoot him naked.

Speaker 1 (43:49):
She's gonna shoot him naked. We get a little peku
pika bush, pinka bush, a little pika bush, and she likes.

Speaker 3 (43:55):
What she sees because she does. I just I just kiss.

Speaker 1 (44:01):
I just want you to kiss me.

Speaker 3 (44:05):
Oh baby, oh baby. And then they started kissing. It's
so weird play speaking told me it's my first time.

Speaker 1 (44:14):
I'm nervous too.

Speaker 3 (44:16):
And then they have again, like when she was getting
spanked and just said that all this. Yeah, they have
sex like those.

Speaker 1 (44:22):
Some hot some hot knocking right here. You having a
good time.

Speaker 3 (44:28):
Yeah, just list some opportunity to steal as a fish,
a dead fish in the bed, which.

Speaker 1 (44:36):
I find are the most fun moments. Ge said that
that's how gay directors see heterosexuality. Yeah, yeah, just this
is what they do.

Speaker 3 (44:46):
I think they do something like this.

Speaker 1 (44:48):
So we cut to outside. Uh, Clarette shows up with
Bert Killjoy and they're outside. It's morning time, so they're
doing it the more morning sex and uh then they
walk in to find the tang.

Speaker 3 (45:07):
And let me tell you something. This girl has puked
and she has not brushed her tooth since she vomited
all over that car. Oh you're right, Tave that morning.

Speaker 1 (45:16):
Now she's relatable to me.

Speaker 3 (45:20):
So they come in and what I love is well
she dars the tang.

Speaker 1 (45:25):
That little bitch she didn't drink it.

Speaker 3 (45:28):
What a waste. And then they get all horny in
the kitchen and that guy's gonna mang clarette in the kitchen.

Speaker 1 (45:37):
Stop it. I'm not a tree trunk because she's she's
she's like a foot taller than him. And then we
cut back to the bedroom and we see that the
Tammy and Link are kind of trying to figure out
what to do, and she's like, I want to come
with you. You sure you want to come with me?
And her line I love it's yes, I'm to this

(46:00):
suburban mediocrity.

Speaker 3 (46:02):
You've been here for one day.

Speaker 1 (46:05):
I'm tired of suburban.

Speaker 3 (46:08):
If you move from Missouri to Orange Colly, you're like,
this is cool at least for a month.

Speaker 1 (46:15):
At least this is boring and shit, they've decided to go,
but Link is not wearing pants, Nope, and he left
his pants in the bathroom, so you's got to go
get those pants. And on his way to get his pants, butt.

Speaker 3 (46:33):
Shot, yep, butt shot, and he goes in there with
Chlorette and she he goes just getting my pants she goes,
what you're not kill Joey. So she's screaming, there's a
man in here. Chaos happens.

Speaker 1 (46:51):
You get your Clint Eastwood specials. So he goes out,
grabs his gun and he has kind of a face
off with Link. Link just blows him away.

Speaker 3 (46:59):
But they're gonna speak Clarette because they want to do
like the Scooby Doo mask moment when her dad gets
home like yeah yeah, and she tells, Clarette, you't got
clean this messt. I guess she had to clean up
the mess and they had to get the body to
the garage and she she said, I'll put the blanket
at room so she don't have to look at him.
So she's still got a heart Tamy.

Speaker 1 (47:22):
So what happens here is Link looks out the window.
So there's chaos happening. This has been what five ten
minutes since they showed up. Yeah, the maybe a minute
after the gun shot, maybe a minute. Link looks out
the window. The cops are.

Speaker 3 (47:39):
Here, and she's like I got this, Tammy. Tammy's like, please,
this is my forte.

Speaker 1 (47:45):
And she opens the door and it's nighttime. Is nighttime?
I'm like, wait a minute, five minutes ago, and we
had a consistent five minutes.

Speaker 3 (47:59):
Yeah, it was daytime.

Speaker 1 (48:00):
Ye was mourning you.

Speaker 3 (48:01):
Now it's outside time that she tearsn't They say that
we heard we got reports of a gunshot. I heard
that too. I don't know what that was. Well, what's
the blood on your leg? Oh? I was putting on
my cotexs when you came here.

Speaker 1 (48:16):
I love that. Yeah, well it looks like it came
from that region.

Speaker 3 (48:21):
These guys, they're just like out of their minds. It's
so funny because I wish that it weren't like a
very true cliche that like a young girl knocks every
middle aged man off his game, especially men who work
in service, like cops, you, the ones in you. It's

(48:41):
so weird because I went through it because I was
wonder one on the boulevard when I was like nineteen twenty,
and I was always like, what the hey, why are
you acting stupid around me? They always just acted stupid. Right,
there's something they can smell a young woman, and they're like, man, ah,
not many people have got to get there yet. Let

(49:06):
me get in that line.

Speaker 1 (49:08):
Oh my god, oh my god, let me get in line.

Speaker 3 (49:13):
So they lock cloratte in the garage and they start
making out in front of her, and she said, whatch
you fuck me in? FRIENDO.

Speaker 1 (49:20):
Well, before that happens, she's blaming Bruce. It wasn't my fault,
it wasn't my fight. It was all Bruce's idea. He
hypnotizes me with those childs manson eyes.

Speaker 3 (49:31):
Oh yeah, that's so dreamy. It's so funny. So then
they go in the house, I have sex and they're
having pillow talk the next morning.

Speaker 1 (49:41):
Yeah.

Speaker 3 (49:42):
And then they go out and they open the garage
and she's gonna take clarette breakfast. She makes her breakfast
has a little tang in it makes her drink the tang.
She goes, it ain't it's a fresh tang. Don't act stupid.
I was just playing with you. Oh it's really fun.

Speaker 1 (49:55):
Yeah.

Speaker 2 (49:57):
Yeah.

Speaker 1 (49:58):
She gets so mad at her at this point and
like goes as strangler. Yeah, and Link's like, calm down.

Speaker 3 (50:05):
Come down out, I'm gonna go guess another car.

Speaker 1 (50:10):
Yeah.

Speaker 3 (50:10):
But she's like, this is so embarrassing. I'm just gonna
say it. I think I'm in love with you.

Speaker 1 (50:20):
He sure. The last girl that said to me he
got her head knocked off when she stood up on
the top of a roller coaster.

Speaker 3 (50:26):
What what a very weird thing to happen, and what
a weird thing to bring up right now?

Speaker 1 (50:35):
Why don't we just why don't we do it right here,
right in front of her while she clarette And then
his response to that is like, you're a kick, you
know that?

Speaker 3 (50:45):
And yeah, And then the phone's ringing again, so it's like,
let go in, and it's Vernon. He's drunk daddy, and
he wants to talk about what happened to mom. So
he basically admits that he was just playing around with
mom and are killed.

Speaker 1 (51:00):
Yeah, she was, And he's like, hey, look a bird
just flew into that wood chipper and she looks in
and then falls in because she's drunk. I feel bad.
I feel like it's my fault.

Speaker 3 (51:11):
And you think, yeah, that sounds pretty much like, yeah,
you did that.

Speaker 1 (51:17):
So all of a sudden link comes back with the
car that he promised very quickly got a car.

Speaker 3 (51:23):
And he's covered in blood over and she doesn't have
that many questions about him.

Speaker 1 (51:29):
No, he's just like, oh, this I took it from
this guy and his son. Bit that's a lot of
blood from a bite it's a lot of a lot
of blood. I think the story you just told does
not add up.

Speaker 3 (51:43):
No, it doesn't. But he got her flowers.

Speaker 1 (51:44):
So I love that because she goes, wow, these are beautiful.
Where did you find them? Don't ask? Like he picked
him on the neighbors, Like, don't ask.

Speaker 3 (51:58):
Yeah, you don't want to know what I'd this.

Speaker 1 (52:01):
Like, he did this big romantic gesture by getting these
flowers that he grabbed next door. They were like the
three flowers.

Speaker 3 (52:10):
So they go they go in and there's like weird
sex music playing. She's like, oh, this is my favorite.

Speaker 1 (52:15):
Song, favorite song.

Speaker 3 (52:17):
So you were listening to the the Angry Samoans, Now
this is your favorite.

Speaker 1 (52:22):
I'm dancing to.

Speaker 3 (52:24):
Do add up sis. So then they do a montage
and then make it out and driving and fucking and yeah.

Speaker 1 (52:34):
And she's she's got the you know, it is back
to her kind of commentary that she's recording that we
saw at the beginning. She says, by the fourth day,
Bert was starting to stink pretty bad, but we turned
the disposing of his body into a fun packed afternoon.

Speaker 3 (52:50):
Yeah, So she was them like dumping his body in
the woods and they're like hiking and having a good time.
Let's let's make out here. Yeah, So then we're back
to the real They make out in front of Clarette again.

Speaker 1 (53:02):
A great shot though, because on this shot they have
the two of them and then you can see Clarette
between the two of them like this, and then it
slowly zooms into her face as she's watching them make out,
and she's like, I think even Clarette can see how
much we love each other.

Speaker 3 (53:20):
She looks so disgusted, so disgusting she was, And they're
going they're doing it wrong.

Speaker 1 (53:27):
Yeah, that ain't right, that's against nature. She makes the
face I make when I eat pea soup.

Speaker 3 (53:37):
Oh my god, I love peace soup.

Speaker 1 (53:39):
Do you love peace soup? I do not.

Speaker 3 (53:41):
I do. It's one of my favorites. I love it.

Speaker 1 (53:44):
I do not.

Speaker 3 (53:45):
So then she talks about her her mama's death was
kind of her daddy's fault. Yeah, she's coming to terms
with that.

Speaker 1 (53:52):
Yeah, she's giving up the idea that she had earlier
of revealing all to her dad or burn like daddy.

Speaker 3 (54:04):
Now we go to the beach and the Cameters spinning
around the making out on the beach. Yeah, they had
a plan and they were like, I know, what we're
gonna do with this shot.

Speaker 1 (54:12):
Yeah, we're just gonna spin around and make out.

Speaker 3 (54:15):
Well, I always be together, won't we.

Speaker 1 (54:19):
If I think for a minute that that's not gonna
be true, I'm gonna walk right into that ocean and
never come back.

Speaker 3 (54:25):
Yeah, if not in this world.

Speaker 1 (54:26):
Then the next they start looking at all of the
beach houses back there. You know, John Wayne lives over there,
that house right there that belongs to peck Packing. What
a puke?

Speaker 2 (54:40):
Yeah?

Speaker 3 (54:40):
How come nobody?

Speaker 2 (54:42):
Go ahead?

Speaker 3 (54:42):
How come nobody ever kills someone like him? I kill
the good people.

Speaker 1 (54:46):
They die young.

Speaker 3 (54:47):
Jim Morrison, Yeah, how comes somebody don't kill him? That's
for shot. There's a lot of that in this.

Speaker 1 (54:58):
No, he he knows what he's doing.

Speaker 3 (55:02):
Yeah, he does. This is this is entertainment right here.
So then we're back at the house later that day
and they're hosing up their feet outside and they make
out and Gwen calls to her Gwen's there.

Speaker 1 (55:12):
Yeah, calls her a gidget.

Speaker 3 (55:14):
Of course, I was concerned about you. You told me
about your stepmom, And the stepmom's just beaying on the door,
what's that we got rats?

Speaker 1 (55:24):
We got rats?

Speaker 3 (55:27):
And it's like she just goes, oh, you need to
call an exterminator. It's like, you know, that's not a
fucking rat.

Speaker 1 (55:31):
Yeah, knock knock bang, knock knock, knock bang, that's a
big rat.

Speaker 3 (55:38):
But she's like, I can't be concerned with that because
I need help with my ex husband husband.

Speaker 1 (55:43):
Huh yeah. And then she's like trying to get invited in.
Why don't you invite me in for coffee and sit
on my face?

Speaker 3 (55:56):
She's so weird.

Speaker 1 (55:57):
Quinn calm down.

Speaker 3 (56:00):
Yeah, She's like, okay, i'll help you. I'll pick up
a six she leaves.

Speaker 1 (56:06):
Yeah.

Speaker 3 (56:07):
So they're in the house later the day and Link
wants to know what's the matter.

Speaker 1 (56:11):
With Oh because there was a there was a shot
in there. This was important because she's asking for help.
And this is another similar shot to the one I
just mentioned, where it's Gwen's face in Tammy's face and
they're talking and she's trying to convince her to do
this thing for me, and then between their faces out
pops Link and he's like no, no, like just so big, Yeah,

(56:37):
I'll do it, throws up his hands it's so big,
and then it cuts to what's.

Speaker 2 (56:46):
Wrong with you?

Speaker 3 (56:47):
She's my friend?

Speaker 1 (56:49):
Girl?

Speaker 3 (56:49):
And she's not your friend. You know, you know three
people in this whole town, and she's one of them.

Speaker 1 (56:55):
And they're all they're all great people.

Speaker 3 (56:57):
She's a rapist.

Speaker 1 (56:59):
But like he's like, I don't like you hanging out
with her or whatever, and she's like, well, I don't
like being told what I can and can't do.

Speaker 3 (57:05):
Yeah, I get well, he says I have something she'll
never have.

Speaker 1 (57:09):
Yeah, what's that? Two eyes.

Speaker 4 (57:14):
So good.

Speaker 3 (57:17):
That Mavie lasts so much. So now link's pointing. This
is later in the day and he's pointing gun drunk
at the TV. You know, he's seeming a little.

Speaker 1 (57:28):
He's been drinking.

Speaker 3 (57:29):
He's out of it.

Speaker 1 (57:30):
He's out of it and he's got again. We keep
everything on the TV is Patgon, So this is like
a movie Patgon did or whatever. And he's like pointing
his guy's like I hate you Petgoon. Yeah you're demn yeah.

Speaker 3 (57:43):
And then he notices that the back door is opened.
Oh no ooh, and that's foreshadowing. So it's his friend Troy,
and he sneaks up on him and the.

Speaker 1 (58:00):
Surprise Troy doesn't even know it's him. Troy comes up
and he's like, I want to blow to god damn
head off. They turn around a buddy.

Speaker 3 (58:07):
My little brother, Link calls Troy little brother like three
times yeah, like he really wants to hit at home,
that this is his little brother basically.

Speaker 1 (58:16):
But the line that he says here like his uh,
holy cow, I can't believe it's you moment. His line
is well, fuck my butt with a cold steel boot,
and in response, Troy says, well, whip one out and
I will. Wow.

Speaker 3 (58:37):
Wow, those are choices that were made.

Speaker 1 (58:40):
Like I did not catch that on the first watch. Afterwards,
I was like, wait, what did you just say?

Speaker 3 (58:46):
Yeah, because I mean some of the style is just
so unbelievable. You have to and it happens lightning.

Speaker 1 (58:51):
Fast, lightning fast.

Speaker 3 (58:52):
Weird. Wait in the world, what did I miss? So
then I start arguing over Tammy's pussy and then they're
talking about who's gay.

Speaker 1 (59:03):
Yeah, no, that was yeah, because we kind of have
like a back and forth here between Tammy and Gwen
and Lincoln Troy. We go back and forth, so Lincoln
Troy are having their conversation. We cut back to Tammy
and Gwen and they show up at her ex husband's house.

Speaker 3 (59:24):
She's just sitting on the floor, chilling, drinking beer, watching TV.
She comes in Bates's ass and rips one of his
eyes out with her bare hands. It's like, what what is.

Speaker 1 (59:44):
She like, rips his eye out? And I love the
ex husband because he's like, oh no, oh gets ripped
out and then he's just like ah ah.

Speaker 3 (59:54):
She puts in other garbage just supposed to.

Speaker 1 (59:55):
Yeah, and he's like no, I and then he used
to back down and drinks his wise.

Speaker 3 (01:00:01):
Yeah, And Tammy's like, are you all right? Well, what
the hell do you think? Like, I just I'm making
I'm making the best out of this situation.

Speaker 1 (01:00:09):
I guess they just need to sit down and recover.

Speaker 3 (01:00:12):
It's gonna WATCHDD with the I God, this is the.

Speaker 1 (01:00:15):
Yeah, her ex husband. This is the only time we
see him. And he's the only one that has a
picture up on IMDb. He has a fairly long list
of acting credits, producers credits. Apparently he uh helped produce
it was a producer of some sort in vaccene, Yeah,
which is awesome. I loved that one. Yeah it was great.

(01:00:36):
But yeah, he's he's the only one that really had
that went on to have a bit more.

Speaker 3 (01:00:41):
I mean Tammy, yeah, because I saw the Circle. He
was in this, he was in Circle. And he also
did an episode of Wendy Mclinton Kobe's show The Goldbergs.

Speaker 1 (01:00:50):
And d Lydwes had a career.

Speaker 3 (01:00:53):
Anyways, now to Lincoln Troy.

Speaker 1 (01:00:56):
Yeah, now back to Lincoln Troy, and.

Speaker 6 (01:01:00):
Troy is.

Speaker 3 (01:01:04):
Trying to entice him. He takes his shirt off and
he's like, listen, that was fulsome. This is Orange County.

Speaker 1 (01:01:10):
Yeah you know what that was up north. This is
down south.

Speaker 3 (01:01:14):
What come on, let's fight, you know the rules of
Lizard takes it up the ass.

Speaker 1 (01:01:18):
Yeah, he's like throwing chips at him, and then he
finally does it. He finally gets a reaction out of
him when he grabs a beer and sprays it and
he's like, well you little bull. And then they start wrestling,
rough housing like boys do.

Speaker 3 (01:01:31):
Yeah, like boys do.

Speaker 1 (01:01:34):
Like boys do. Cut back to the car.

Speaker 3 (01:01:37):
Oh go no I It is a cut back to
the car and they're having their conversation about how she's
Jack she is I'm so happy that I ripped out
of out.

Speaker 1 (01:01:47):
Call it biblical justice, call it what you will.

Speaker 6 (01:01:50):
I for an eye, yup.

Speaker 3 (01:01:52):
And then they're back and now it's another Dutch angle
and Troy has Link pinned on the bike, and this
was just like, of all the things to make you
uncomfortable in this movie. He's starting to like pull the belt.
I'm not loosen up this belt. Yeah, and let me
get something that will lure you up. Oh, here we go.
This will get you all wet.

Speaker 1 (01:02:10):
And what is it. It's motor oil. He's gonna use
motor oil as lube to rape his buddies.

Speaker 3 (01:02:21):
But business has it feel to be on the bottom.

Speaker 1 (01:02:28):
And then in while Gwen and Tammy.

Speaker 3 (01:02:32):
Horrified, this is my buddy.

Speaker 1 (01:02:35):
Yeah. Oh before that, Gwen, Gwen was like, you don't.
You can't get out of this one. We're doing it.
I'm not taking no for an answer. He yikes. No,
he's ready, She's ready. And then so that's when.

Speaker 3 (01:02:47):
They're not putting me off any longer.

Speaker 2 (01:02:49):
Yeah.

Speaker 1 (01:02:50):
They go in and witness it, and Link's like, no, no,
we're just horsing around. He's my best buddy. Oh my god,
your best buddy who's trying to rapier bummy.

Speaker 3 (01:03:01):
And then Gwen's chasing Tammy like okay, well this is
the perfect time for me to cash in on you.

Speaker 1 (01:03:07):
Yeah. Gwen's just like how dare you. Now, I'm gonna
start because she's already jacked up.

Speaker 3 (01:03:12):
She's ready, and she pulls out some hedge clippers castrate them.

Speaker 1 (01:03:18):
Where you keep it? She's like, I keep hedge clippers
on me at all times for castration purposes.

Speaker 3 (01:03:24):
Yeah, I mean that was just It's just a wild scene.

Speaker 1 (01:03:26):
And Tammy runs out and Link chases her. Gwenn and
and Troy are like wrestling with each other, and he
just like backhands Gwen.

Speaker 3 (01:03:36):
And she yes, that's what it is. She's the one
who falls off a little slash.

Speaker 1 (01:03:42):
She takes the car, Tammy takes the Yeah, Tammy takes
the car out, and then Troy and Link hop in.
I think Gwen's car off and I love the when
they're going to go after her, He's like, I tried

(01:04:03):
to tell you man. He's like, yeah, I get it now.
He's like I get the why I love her. And
I'm like what she walked in and was like how
dare you? And ran away and he's like I get it. Yeah.

Speaker 3 (01:04:17):
She made a really lasting first impression on me when
she said what is going on? Yeah, so now this
is the other news report. We flashed back to Gwen
waking up in the gattle.

Speaker 1 (01:04:27):
Right here hardened criminals link Rod Cutter and Troy Brady
his cellmate. Both of them are real scum who escaped
from the Fulsome prison last week. Both men are armed
and extremely dangerous. And if you have any information of
their whereabouts of these criminals, please call this anonymous hotline
number I Squill. Simply dial EZ Squeal and a policeman

(01:04:51):
will be waiting to answer your call. If you happen
to be a lesbian, it doesn't matter, we would like
to hear from you. Please call.

Speaker 3 (01:04:58):
When they said if you happened to be a lesb
and she's grabbing the phone, okay, yeah, oh sure I
can call.

Speaker 1 (01:05:05):
I'm so used to being excluded from these types of activities,
but now I've got free license to join in. So good.

Speaker 3 (01:05:17):
So wins on the phone to the police to rat
and then she takes a tail and all guess what
he was right, she dies poisoning.

Speaker 1 (01:05:29):
While she's talking to the police, She's like, oh, here's
the address, it's nine ones three.

Speaker 3 (01:05:36):
It all yeah, so good. And so now all of
a sudden, Tannis of the beach, wearing a pink jacket
and guest jeans.

Speaker 1 (01:05:46):
I have to guess what type of jeans Jenny, Jenny.

Speaker 3 (01:05:53):
You saw that that iconic triangle on her butt. Yeah, which,
by the way, as like as poor as that. She
talked and stuff. She didn't have guest jeans, but they
were talking about her dad having money.

Speaker 1 (01:06:07):
I'm just like, what is happening.

Speaker 3 (01:06:09):
There's no food in the house.

Speaker 1 (01:06:11):
There's no furniture in the.

Speaker 3 (01:06:12):
House, has no education.

Speaker 1 (01:06:15):
You have a buddy, you have like a camping chair
as your furniture.

Speaker 3 (01:06:21):
And she's wearing designer jeans. Cool, got it. So the
dope boys find her and she's about to eat a bullet.
I just love this. They knock it and she accidentally
shoots the.

Speaker 1 (01:06:34):
Man realize doesn't realize that the gun goes off in
her hand. Knock it and it goes off. She has
no idea, none of them. Did it hits the ground,
A loud gunshot went two feet from your ear. Nothing
you did not. Ana came and stop me, and he's like, yeah,

(01:07:00):
he could be a menaja twat.

Speaker 3 (01:07:02):
Yeah, And they're having a menaja twat.

Speaker 1 (01:07:03):
And she is a joke.

Speaker 3 (01:07:05):
I think geez silent the French one. So they're sitting
you're having this heartfelt We're gonna be a family moment.
While that man is dead on the beach and people
are just walking around them. Nobody gives a shit.

Speaker 1 (01:07:19):
Nobody years. This is not coming back.

Speaker 3 (01:07:22):
It's another Rebecca Tammy's place. And Burne is returning home. Yes,
he's talking to his Cabby about some shit about he
pissed at a mosque.

Speaker 1 (01:07:31):
Yeah, he's like, he's good thing, you're lucky that they
didn't catch your dick off. And he's like, oh, I
know to know it was I thought it was a
wall that I was pissing on, not a mosque. Yeah.

Speaker 3 (01:07:42):
It's like, so he's just been over there being absolute
trash and Saudi Arabia the trash, and he's lucky he
even made it home. So daddy's home. He's got a suitcases.
He finds some mess everywhere, and he hears the banging
from the garage. Yes, he goes and opens the garage
and clarette is tied up.

Speaker 1 (01:08:01):
Yeah.

Speaker 3 (01:08:01):
They're going back and forth about what happened.

Speaker 1 (01:08:04):
You have to trust me, doesn't matter what they say.
I'm telling you the truth.

Speaker 2 (01:08:08):
Yeah.

Speaker 1 (01:08:08):
Oh no, here they come.

Speaker 3 (01:08:10):
Yeah, so they park, they back up and just right
at the garage to where carbon monoxide is going into
the garage.

Speaker 1 (01:08:19):
The car is blocking it from being opened, and the
tailpipe is pumping in all the carbon dioxide.

Speaker 3 (01:08:26):
Yeah. So Daddy and Clorette are fighting to breathe and
they're trying to get loose and they can't.

Speaker 1 (01:08:32):
So they open up their hood. They think something's wrong
with the car.

Speaker 3 (01:08:35):
And Troy turns the music up as loud as it'll go.

Speaker 1 (01:08:38):
This is my favorite song. Because every song is your
favorite song, This is my favorite song. And this song
is called for again from the Angershonmoments. My old man's
a fat, so this one's called.

Speaker 3 (01:08:54):
So they go in the kitchen and Gwen's dead on
the poor She's like, man, he's right about the town
of Now.

Speaker 1 (01:08:59):
Yeah, I'm kind of sad about this.

Speaker 3 (01:09:01):
Yeah, I guess you're right. This makes me a little
bit sad. I know she was pushy and she turned
out to be a psychopath, but I still liked her.
Tammy then says, I need to go tinkle. Yeah, she
didn't dwell on it too long.

Speaker 1 (01:09:18):
This is unfortunate.

Speaker 3 (01:09:19):
Oh well, so they're going to take go into the
garage and that's where they discover that Dad and Clarretta
in their desks. Whoopsie dad's dad.

Speaker 1 (01:09:28):
But she doesn't really, you know, she's.

Speaker 3 (01:09:31):
She doesn't know what He hasn't day back for a week. Yeah,
that was her first reaction. He wasn't doing back for
a week.

Speaker 1 (01:09:39):
I bet you he's pissing on mosques again. My goddamn dead.

Speaker 3 (01:09:43):
So now Link needs to go out to run an
errand this is the perfect time for him, the need
to go do something.

Speaker 1 (01:09:49):
Does I think pick some up in CBS.

Speaker 3 (01:09:53):
Yeah, So Tammy and Troy are bonding now.

Speaker 1 (01:09:56):
Yeah, and they're starting that.

Speaker 3 (01:09:58):
She's like, oh, I know, I'm seeing he I get it. Yeah,
and then TV news again, TV News.

Speaker 1 (01:10:06):
I didn't write this whole thing down because it didn't.

Speaker 3 (01:10:08):
Like Okay, so the guy that Tammy shot on the
beach was Pat good. They shot him, so they were
talking about Pat Goon's dead.

Speaker 1 (01:10:15):
They still don't realize that they're the ones that did
such a thing like that.

Speaker 3 (01:10:21):
Who ever did it's laughing right now.

Speaker 1 (01:10:23):
I'm sure the Detroit's like, it's just like when I
killed my parents. He's like, yeah, you should saw he
killed the whole pta. He's like, well I did that
by design. I was gonna plead insanity.

Speaker 3 (01:10:36):
So here's what I love. They're trying to convince her
to do robbery, and they said, listen, I mean I
wrote a dunk someone to get this right. Troy and
I have been putting her heads together. Yeah, I know
you thought I was asleep. That made me cry, the
kind of thing where you laughed so much or tears
in your yaws.

Speaker 1 (01:10:56):
I cannot continue.

Speaker 3 (01:11:02):
So now they're planning this robbery. When they're they're talking
about they're fantasizing about their life in Mexico after they
do the robbery, so like they have plants.

Speaker 1 (01:11:12):
This robbery that they're that's a bruin. They decide they
want to rob Donkey Land.

Speaker 3 (01:11:22):
Donkey Land don and they're all sexed up on an
amphetaminet up on amphetamine. She says. Another's strange flashes of
paranoia anxiety from doing crimes is something should go wrong.

(01:11:44):
We should at least we're gonna die together.

Speaker 1 (01:11:47):
Nobody's gonna die.

Speaker 3 (01:11:49):
I'm trying to feel like I've taken some bad acid
or something. You've never taken acid.

Speaker 1 (01:11:55):
You've never taken any good acid. Read about it, bit
you haven't read shit.

Speaker 3 (01:12:03):
So here's my own sense making. So they building this
with his little camquarder.

Speaker 1 (01:12:13):
Right, yes, well little, I mean we're talking what eighty
four is when it came out, So eighty three eighty four,
they're this thing is not as little as you think
it is.

Speaker 3 (01:12:22):
No, it's big, and so they're going to Disneyland with this.

Speaker 1 (01:12:27):
Yes, this was absolutely stolen footage in the in Disneyland. Yeah,
you see them walking down Main Street like hanging out
or in the hub area.

Speaker 3 (01:12:39):
So they had to just pretend like they were real,
that these were their real names and they were these
real people while they were walking down there, and just
film it like it's a home movie. Yeah, of them
looking for a guy in one of the office buildings
to kill him, talking about things he did to a
Pinocchio y.

Speaker 1 (01:12:58):
Yeah, so like I mean, I mean they had to
have just pretended to you know, we're just a family.
We've got this. This is a home video thing. This
isn't professional, Like, I don't know how the sound are
obviously was rough, so I don't know how much preparation
they had to do sound wise. It's not like they
had a boom operator. No, it was probably just the

(01:13:21):
director with a camera.

Speaker 3 (01:13:23):
Yeah, I mean to do this go over here, Yeah,
this one is fascinating to me because, like anybody knows,
like Disneyland is the hardest place in the world to
get the right to shoot it, right. So for me,
it's like, you know, this movie didn't go anywhere, right,
how far can you go with something like this? Right,

(01:13:45):
Like it's just gonna be what it is. We're just
doing this really for us, Yeah, I mean, just you.

Speaker 1 (01:13:52):
Know, knowing anything about filming, it's like the rights and
the like all the things you have to do. I
don't know like the legality of all of that, Like
how much trouble can you get into? Like I just
feel like i'd be too scared. I mean, I don't
get the shit.

Speaker 3 (01:14:09):
Suit out of you, suit you And they're saying dialogue
like this in there. This place is a kitsch monstrosity,
a demented cacaphony, cacophony, cacophony of castrated drek. Look at
all these mindless nikrum vers I.

Speaker 1 (01:14:27):
Hear, dakrum. I don't know what I said.

Speaker 2 (01:14:30):
I had to.

Speaker 1 (01:14:31):
I was like trying to look up whatever word. I'm like,
I don't I can't figure out what you're trying to say.

Speaker 3 (01:14:36):
No, But the only thing that I think is the
realest thing anyone said in this whole movie is in
this moment, she goes, I'm scared.

Speaker 1 (01:14:45):
That was like, guys, somebody's coming to talk to us.

Speaker 3 (01:14:50):
Like, don't get paranoid now, baby, Joy, are you ready
just a second, I gotta go take a dump.

Speaker 1 (01:14:57):
Take a dump. And so he takes off and she
he's like telling Link that she's really nervous and everything. Yeah,
and then they're like, oh, well, we better go, and
then all of a sudden, Troy comes back and there
and she says, you took the world's fastest dump.

Speaker 3 (01:15:11):
The world's fastest. Now they're in the business halls, which
you can tell was filmed somewhere else. Of course I
don't really.

Speaker 1 (01:15:20):
Have this kind of the little business well you don't
know what's back behind, you know, backstage, as they would.

Speaker 3 (01:15:25):
Say, yeah, probably not this.

Speaker 1 (01:15:30):
But they like, would I loved the way this little
off this.

Speaker 3 (01:15:34):
Building in Anaheim somewhere.

Speaker 1 (01:15:36):
Yeah, and uh so they're going they bust through a
door flesh yeah, and nobody's there.

Speaker 3 (01:15:43):
Nobody's there. Then they go down another hall and there's
a sky bathroom pants down, pants down, but he's got
his business bag in there with him.

Speaker 1 (01:15:54):
And which is like he was just peeing, like he
dropped his pants to his ankles and she was staying,
which is you know.

Speaker 3 (01:16:03):
Normal, Yeah, fine, what whatever you do, dude, this is
very strange. You're in here with your business bag. Weird.
So they get his bag or whatever, they're gonna go
and then he kills yeah, and then they're shoot him.

(01:16:24):
So he killed this man at Disneyland.

Speaker 1 (01:16:27):
At Disneyland, immediately escape, go to the parking lot. And
this is this is another thing, like this is Jackie Brown.
This is a scene out of Jackie Brown. They got
the money and they can't find their car in a
giant parking lot. And that's why I was like, so
of a bitch, that's two Like this feels like a

(01:16:48):
true romance, like you stole it, stole you took the
idea of like the basics of it and made it
your own. And then this little scene you were like,
I'm gonna take that scene and put it in Jackie
Brown because made me laugh.

Speaker 3 (01:17:01):
So but what I love is they can't find and
can't find She's like, it's right there, and now turn around,
it's right there.

Speaker 1 (01:17:07):
Oh okay, it's like two cars over.

Speaker 3 (01:17:09):
Oh yeah, I saw that I was testing you. I'm
getting So now they they're going back to Tammy's house
and she did not want to go back there.

Speaker 1 (01:17:22):
No, she was She's just so pissed.

Speaker 3 (01:17:24):
She They're like, how much should we get? Thousands? Thousands,
and he holds up like one of them is like
a sack of ones that looks like and the other
one is like hundreds, so yeah, great, but it's like.

Speaker 1 (01:17:37):
It's one hundred on top.

Speaker 3 (01:17:39):
Yeah. So she's pissed. Her going back to the house.
So I thought we were done here.

Speaker 1 (01:17:44):
Yeah, and he's all, wasn't playing on plugging a guy.

Speaker 3 (01:17:48):
So now the three of them are in bed at
the house and she says, now I know what sensuality
settled about.

Speaker 2 (01:17:58):
And she.

Speaker 3 (01:18:00):
So Troy gets up to take a whiz, and Link
puts on the news and Tammy wants a cigarette and
she's like, where's the tang?

Speaker 1 (01:18:06):
I'm thirsty some tang?

Speaker 3 (01:18:09):
So, oh, you want to do the news one?

Speaker 1 (01:18:13):
I don't have that one.

Speaker 3 (01:18:14):
Just another normal day at America's favorite theme park. Oh
my god, I think I know what happened with the tang.

Speaker 1 (01:18:21):
Oh no, dead bodies everywhere town Jonestown. And then this
guy's just explaining. He's telling us what happened. It had
to be someone who was familiar with the park. They
fed it into all the soda fountains and it just
went out to everyone. I mean, I haven't cried this

(01:18:42):
hard since ET.

Speaker 3 (01:18:44):
A little line. I haven't cried this hard since ET.
That's such a line. So now the culture outside.

Speaker 1 (01:18:51):
Troy, if you haven't caught on, that was Troy that
did that. He worked, Troy. He put it when he
went and took the world's fastest that was so quick.
He killed that many people that fast.

Speaker 3 (01:19:02):
Sorry, that's not how it works. That's not how soda
found machines work. So the couture outside and they're calling
Tammy a filthy blonde slut. Yeah on the megapark he
felt a blond slut.

Speaker 1 (01:19:14):
Prove them wrong, Jenny, prove them wrong.

Speaker 3 (01:19:17):
So they calling out the window they're going to escape
and then escape and then one of.

Speaker 1 (01:19:21):
The police are He says escape though, yeah.

Speaker 3 (01:19:23):
He does, and so I all right. So he says, Troy,
this is your father. Now we all learned earlier. Yeah,
he killed his father, Joy, he killed his parents.

Speaker 1 (01:19:33):
It's a trick.

Speaker 3 (01:19:34):
So like no, this it's a trick. It's a trick.
You killed your brands. Well, I don't know, maybe they
weren't dead.

Speaker 1 (01:19:39):
Mother always dressed you up like Nancy Sinatra Circle nineteen
seventy six and stubbed out her cigarettes on you. Well,
who would know that kind of information other than his
real father.

Speaker 3 (01:19:54):
I mean, what a weird thing to say.

Speaker 1 (01:19:56):
Is we just want to give you a hug.

Speaker 3 (01:19:59):
They love you, they want to hug you. So he's like,
I need a hug.

Speaker 1 (01:20:02):
I need a hug. That's something they've never gave.

Speaker 3 (01:20:05):
You, never gave me that. I wont it. So he's
going after it. I want to be a little boy again,
and I want to go home.

Speaker 1 (01:20:12):
Okay, Yeah, he runs out there and gets shot.

Speaker 3 (01:20:17):
One of my favorite things in eighties movies is when
people get shot a lot of times at once.

Speaker 1 (01:20:23):
And I love all the blood on him that without
any bullet wounds. It's just yeah, blood thrown on him.

Speaker 3 (01:20:29):
Yeah great. And then he so Link crawls over to him,
rolls him over, and he guess you were right. It
was a trick. So then Tammy and Link go and
they hot Warrio Carr. But they forget the freaking money.

Speaker 1 (01:20:45):
They forget it because they have all the chaos, they
forgot it.

Speaker 3 (01:20:49):
So now they're back to her recording the confession. They're
at a house in La.

Speaker 1 (01:20:52):
Yeah, so this is cut back to, you know, the
beginning where she's got her little confessional thing. This is
in the future. It's been a couple of weeks now
since that happened.

Speaker 3 (01:21:04):
Yeah, they're they're hiding out in a Vietnam Vett's place.
Who tried to fight them with a flamethrowers and they
missed Troy.

Speaker 1 (01:21:14):
They miss him dearly. He was good in the sack.

Speaker 3 (01:21:17):
She looks out the window though, because Link had gone
to get something of the grocery store and now he's
running back.

Speaker 1 (01:21:22):
He's running back. Something happened because they somebody said, you
killed my niece.

Speaker 3 (01:21:28):
At donkey Land. Donkey Land, the checker made me. At Lucky's.
There was a swat team out front, and here comes
two plain clothesmen.

Speaker 1 (01:21:37):
The two coming after their the house.

Speaker 3 (01:21:42):
So we started the cool Sacks music.

Speaker 1 (01:21:45):
This is it, babe, were gonna We're gonna go out together.

Speaker 3 (01:21:48):
Yeah, so they're gonna take some poison pills together and
go out like Romeo and Juliet.

Speaker 1 (01:21:52):
Oh Julia.

Speaker 3 (01:21:55):
So the two men just leave Jesus pamphlets on their door.

Speaker 1 (01:21:58):
Yeah, watch Tower magazine, couple of Jehovah's witnesses, and so now.

Speaker 3 (01:22:02):
They're just dead in bed. They went out doing what
they love.

Speaker 1 (01:22:07):
But you know what, they listened to her favorite song,
the Sexy Sacs Snacks.

Speaker 3 (01:22:15):
So G's MVP is the director, James Robert Baker and
Sarah Lee Wade as Tam got.

Speaker 1 (01:22:21):
A double, She got a double, and you have a
movie MVP as well.

Speaker 3 (01:22:27):
Well, I gotta tell you, like I really love Tammy too,
Like she's gotta be really it for me. But my
number one is the dialogue.

Speaker 1 (01:22:35):
Yeah, I mean for me it's it's James Robert Baker
the director, but more for the writing, the writing, writing
the script. You know, do I have my issues? Sure,
I can complain, and I could point out things where
I was like, well, as your writer, our characters, all

(01:22:57):
the characters say the same words. How many people say gidget? Yeah,
but but it's so much fun, Like the dialogue is
so fast and so witty and very fun.

Speaker 3 (01:23:11):
And Jay mentioned it's a lot like a John Waters film,
which I love. Like, who's not a divine fan?

Speaker 1 (01:23:16):
Right?

Speaker 3 (01:23:18):
Divine slow good? Yeah, And she said it's very like,
it's a good look at the queer experience.

Speaker 1 (01:23:27):
I do like to see that. She did point out,
and this is the second time I'm saying it, but
she did point out that the Bleeding Skull Vinegar syndrome
version that they have has better audio, which I would
like to experience, a better audio, because that was the
one thing that really I frustrated with. I'm frustrated with
because audio is the one thing I have a real

(01:23:48):
hard time. I think most people do have a hard time.

Speaker 3 (01:23:50):
It takes me out.

Speaker 1 (01:23:51):
You know, the visuals you can I think most people
forgive pretty easily.

Speaker 3 (01:23:57):
Yeah.

Speaker 1 (01:23:58):
Yeah, So it's that time for.

Speaker 4 (01:24:05):
Remake, Boom reimagining, remaster, prequel, sequel.

Speaker 1 (01:24:18):
You want to go first? You want me to do it?
Remaster remaster for you? Any reason why? I just want
to leave it at that look.

Speaker 3 (01:24:26):
I The thing for me is like I like the dialogue,
I like the acting, I like the locations, I like
all the characters. I just would rather like the clearer,
clearer pictures and better audio. Like all of that to
be cleaned up, and then I'm I'm good, I don't

(01:24:47):
touch it.

Speaker 1 (01:24:48):
It's one's gonna this one's gonna get me in hot water,
can't wait, Gee, don't don't yell at me. I'm gonna
say remake. And I know that you're gonna say a blasphemy.
But the reason and I say remake is because I
don't think a large group of people can appreciate that

(01:25:11):
they immediately push off. So if you do something like that,
you might be able to get eyes backwards, you know
what I mean.

Speaker 3 (01:25:20):
Yes, that you don't care about.

Speaker 1 (01:25:24):
I get that. I totally get that. And this movie
is not going to be for everyone at all, but
that that's my only thing, is that there are a
lot of people who are just immediately put off by
watching a movie of you know, a camcorder unfortunately, But
I'm just saying I think that would help get eyes

(01:25:45):
back Yeah, if you just leave it as is and remaster.
I don't know if that audio how easily that means.

Speaker 3 (01:25:53):
But the stone cold weirdos of the queer and the
art community spanked as a child.

Speaker 1 (01:26:02):
And I get that, And that's that I had, and
that's the only reason I was like, I have to
justify this because like, I don't know what on any
of those other than remastered, just to tighten up all
of those little things. What would that actually get you
an audience? I don't know, but you're right, those aren't

(01:26:25):
necessarily eyes you want.

Speaker 3 (01:26:28):
For this specific thing. Like you know, it's this interesting
thing of like we're doing this and we just are
being honest about things that we gravitate towards and right,
you know, we're just being honest about it. But like
I do know majority of the people in my life
would not watch this film. Way that is so cool.

Speaker 1 (01:26:48):
I know I know a couple people who would be
like to me, I don't know why I haven't seen this.
This feels like my old roommate would have introduced me
to this. This feels like one hundred percent something he
would have only in my early twenties because that's what
we did. We watched movies like this all the time.
So and they were like, y'all do you haven't seen
it all? Dude? So this just feels like one of

(01:27:12):
those you've.

Speaker 3 (01:27:12):
Spoke about the room a couple of times that it
feels very like the way that that was probably made
like on the fly, and oh yeah, I.

Speaker 1 (01:27:20):
Mean there's and that's one thing you really have to
give them props for, is you know, this is no Budge.
This is no budget at all. Yeah. These are people
who are just going out there and are committed to
just make.

Speaker 3 (01:27:33):
Telling this story.

Speaker 1 (01:27:35):
Yeah, just making art and like and I love it
for that. And it's like, I don't have any resources,
I have nothing. I have this little camera and we're
just gonna do everything we can to put a piece
of art into the world. And it's sad that, you know,
he didn't really go on to make anything else. He
just he kind of moved to novels, which it said,

(01:27:59):
uh have to like read what it says here. It
says he did predominantly gay themed transgressional fiction.

Speaker 3 (01:28:08):
Cool looking at up transgressional.

Speaker 1 (01:28:14):
Did I just back out?

Speaker 3 (01:28:16):
He killed hisself?

Speaker 1 (01:28:17):
She said, Am I out?

Speaker 3 (01:28:20):
No, you're here? He killed himself?

Speaker 1 (01:28:22):
Oh he did? Yeah, I just my loaded. My screen
is all, oh there, I am. My scream went black
because I had to go look at for what you said.
I just loved it. It was like transgressional fiction.

Speaker 3 (01:28:37):
Yeah, so good.

Speaker 1 (01:28:38):
Yeah, it's it's just unfortunate.

Speaker 3 (01:28:41):
Well R I p him. I hate them. You know
a lot of my favorite viewpoints are people who are
very tortured. M So we have we have a guest waiting.

Speaker 1 (01:28:54):
Oh is it that time? And for this week's Nostalgia
of the Week, please welcome street brawling Champion Mona the

(01:29:14):
Milk Mama.

Speaker 3 (01:29:16):
Well hey there, yeah, I am the street brawn champion
out there. I used to fight on Old Maynorwel Highway
at the old Hammers Building and I busted a few
jaws with a few chairs. You know what I'm saying.
And let me tell you, this is all dairy. This
is all dairy. I am the only one of my
family who really listened up when they were telling you

(01:29:38):
that milk creates strong bones. Okay, I sucked to that. Okay,
but I do eat French rice because I'm still American. Okay,
you know, but this right here milkshakes, This is cheese.
This is a glass of milk. This right here's my milk.

Speaker 1 (01:29:56):
Right here.

Speaker 3 (01:29:57):
I put a little bit of greens in it. I
don't actually eat vegetables. But let me tell you. Nineteen
eighty six men in my family went out on our
family vacation. Okay, we went out to California A. We
were gonna check out Holly Weird and a couple of
other tourist destinations like Donkey Land. Okay, we go out
there to Donkey Land, and they are trying their best

(01:30:18):
to just get one of them family Savor sodas and
get me to drink the soda. And I said, no,
we gotta find me milk. I don't do the soda.
They make fun of me all damn day, Okay, And
then we get there and they're drinking on their sodas
and I'm drinking on my milk and everybody drops fucking dead.
Dead is shit like that in a heartbeat, And I'm

(01:30:40):
looking around and we're trying to figure out what's going on.
Guess what's going on. Some sex craze psychos poison the
soda distribution center and eighty five percent of the park
was dead in a minute. I'll tell you that, me
and the other people who love milk, who were drinking
milkshakes and doing the Lord's work out there, and then

(01:31:04):
some hippies who only drank water. They're trying to save
the planet or something. We were the only ones laughing.
Let me tell you something. We couldn't get a reporter
to interview us. They wanted to just tell you it
was one hundred percent fatalities. We're still out here seeing strong.
Let me tell you. That's what I fight for.

Speaker 1 (01:31:23):
I fight for my.

Speaker 3 (01:31:23):
Family that I lost that day. And if I would
have been oh lord, if I would have been better
and brought more people over to the dairy side, we
wouldn't be having this problem. So I'm out here speaking
to any podcast or any news outlet that's gonna let
me bring back the nostalgia for milk.

Speaker 2 (01:31:43):
Guys.

Speaker 3 (01:31:44):
They're trying to villainize that right now. They're out here
saying people's lacktose, intolerant. This is a made up thing,
like the gluten thing. It's made up. Okay, have your
nostalgia for a nice cart and the milk with a
pretty happy cat on.

Speaker 1 (01:32:01):
They like it.

Speaker 3 (01:32:02):
They like with your titties are swollen with milk. They
like them to get drained. Somebody's gotta do this. Come on,
let's bring it back, guys, Come on, come on, let's
bring it back.

Speaker 6 (01:32:14):
T Wow, wow wow.

Speaker 1 (01:32:33):
That was our that was our first finale movie. Thank
you g for the recommendation. That's definitely not something I
would have immediately picked.

Speaker 3 (01:32:46):
And I loved it. It was so good.

Speaker 1 (01:32:47):
I loved I love that. I love that we we
we get to uh be honest and be like, here,
here's something. Please don't I hate this. I love it.

Speaker 3 (01:32:59):
Like it's like it's not for everybody, but it's very
like I think everybody should see a film like this,
at least one.

Speaker 1 (01:33:04):
Oh for sure, for sure. I just I love that
we're at the point now where we're not necessarily on
the same I know that you've seen the other film,
which I was like, well, if you've already seen the
film that I'm putting out, I don't know if I
should do it, and you're like, no, we're doing it.

Speaker 3 (01:33:20):
We're doing it.

Speaker 1 (01:33:22):
But there's like two hundred movies I could pick.

Speaker 3 (01:33:25):
I know, but like it's the one you feel the
most gravitated towards.

Speaker 1 (01:33:28):
It's the one I just want to wan to talk
about because yes, and uh so, yeah, this is Gee.
At the end of her thing, she said, it's a
perfect film. That's her note right here.

Speaker 3 (01:33:42):
Happy birthday, GHI.

Speaker 1 (01:33:46):
That'll do us. I'm Jeremy Briggs.

Speaker 3 (01:33:50):
And I'm Enny Wager for a Billy.

Speaker 2 (01:33:53):
Fid Videota.

Speaker 1 (01:35:29):
That's the name of the song.

Speaker 3 (01:35:33):
Oh God, please, yeah, just you keep going. I'll sit
here quietly

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