October 14, 2024 • 70 mins
Jeremy & Jenny Discuss ”Bloodstone” (1989, Dir. Dwight H. Little, starring Rajinikanth) Hosts: Jenny Wenger & Jeremy Briggs Editor: Genevieve Marie Produced by: Jenny Wenger, Jeremy Briggs, & Genevieve Marie _____
Follow us: YT/IG/FB/TT: @BSideVideoRentals Twitta : @BSideVideoPod bsidevideorentals.com
- 0:00 - Cold Open
- 0:57 - Open Credits
- 1:24 - Welcome
- 4:04 - “Not-So-Current Events”
- 11:13 - Review “Bloodstone”
- 50:35 - On Set Speculation
- 1:00:00 - Movie MVPs
- 1:00:34 - Remake Reboot Reimagining, Remaster or Sequel?
- 1:05:53 - Nostalgia of the Week
- 1:08:27 - credits
Follow us: YT/IG/FB/TT: @BSideVideoRentals Twitta : @BSideVideoPod bsidevideorentals.com
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
Wednesday, April nineteenth, nineteen eighty nine. You rive at b
Side Video Rentals with adventure in your heart. You spy
a title from across the room. Its cover calls out
your name. A woman clings to a sexy jungle Safari
(00:30):
boy holding a machine gun or some other type of guy.
I have no idea. There's a switchblade guy, a bengled
tiger explosions horses, and for some goddamn reason, there's a
cobra shooting lasers out of its eyes directly into the
(00:52):
blood Stone. Hello, welcome to be Sad Video Reynolds. This
(01:28):
is Jeremy Breeds.
Speaker 2 (01:30):
And Jenny Wager. Yay, girl, I missed you when I
was in Vegas with my mom.
Speaker 1 (01:38):
Oh that's the worst thing. Yeah, it's the worst thing
when you have you're forced to hang out with family.
Speaker 2 (01:46):
Yeah, but we were in your home state of Nevada.
Speaker 1 (01:52):
Oh did you get corrected while you were there? No?
Speaker 2 (01:55):
I dared not say it, just like happy to be here.
But she wanted to stay at Circus Circus, And I
felt like such a bitch because I was like, I'm
not staying at Circus Circus, Like literally, I didn't do
that when I was very poor, and I shall not
be doing that now.
Speaker 1 (02:13):
But I love going the Circus Circus. When I was
a kid.
Speaker 2 (02:16):
Yeah, I used to go there in my early twenties,
drunk off my ass and ride the rides.
Speaker 1 (02:24):
Okay, I was like teenager and most Yeah, because they
had a great arcade, that is true.
Speaker 2 (02:33):
There were water rides indoors, and I was like, this
should be a problem.
Speaker 1 (02:37):
Reno's Circus Circus was not that an arcade and the
occasional flying Treppees show that was about it for our
circus circus. Yeah.
Speaker 2 (02:49):
Well it spelled like mildew when I was there, and
it was like where you knew. These were the parents
who couldn't get a babysitter, so they had to bring
their kids too, and they just still were just hammer
than the kids are. They're like, it's fine, they're in
like a gate thing. So yeah, So I switched her
to Paris, Paris, and I think she took it upon
(03:10):
herself to act like every elevator ride was her moment
to perform.
Speaker 1 (03:14):
Isn't it, Pelly, Pelly.
Speaker 2 (03:16):
It's Pelly. I think I said Paris twice because I
was traumatized by Circus Circus. It's just Pelly. She shut
She goes, hey, do you guys really have Barney song
Amy's Getting in the water. Everybody's just like, what are
(03:38):
you talking about this?
Speaker 1 (03:40):
I don't I don't know that song you.
Speaker 2 (03:42):
To Amy's Getting in the wood. But everybody's just like,
please shut up, ma'am. You're so weird? Which is so?
Is the movie watched this week?
Speaker 1 (03:54):
Oh yeah, but before we get into the movie, is
it time for the news?
Speaker 2 (04:00):
Oh? Yeah, yeah it is.
Speaker 1 (04:09):
Ooh Wednesday, April nineteen, nineteen eighty nine. Aves. Oh, you're
not so current events? I hope, I screamed into the microphone.
Speaker 2 (04:23):
Enough.
Speaker 1 (04:25):
Groupo Neatzsche from Columbia stepped into the New York salsa
circuit on Monday night at the Salsa Meats jazz series,
saying they wish they wore shoes because it was squishy
in their toes. How about you, Jenny, You ever dipped
your toes in the salsa scene?
Speaker 2 (04:42):
Well, that's how I paid my rent in my twenties.
Oh it was before only fans.
Speaker 1 (04:51):
You had to do it in the bag of a
wet t shirt cloth.
Speaker 2 (04:53):
Yeah, bitch had to find a way. They were like,
it's for the students at the art schools, and I
was like, what, whatever you say, dude, thanks for the check.
If he filmed it, yeah, it's like, why is your
dick hard? Sorry?
Speaker 1 (05:11):
Oh god art.
Speaker 2 (05:13):
Right, Yeah, this is for students. Primetime network television viewership
has declined again for the sixth consecutive year. Network executives
are blaming the writer strike, cable television, and most of all,
they blame their parents.
Speaker 1 (05:29):
It's not my fault, Jenny, it's my parents.
Speaker 2 (05:35):
Oh, we know how I feel about that. One. Thieves thieves.
I've returned one of three Vince Ango paintings stolen from
the Kroller Muller National Museum in December in the hope
of getting a two point five million ransom. Police recovered
the painting unharmed, from the trunk of a parked car
without paying the ransom, begging the question, can we really
(05:55):
trust the police?
Speaker 1 (05:56):
Can you? You're not gonna play your pay your ransom bills?
Come on, I don't trust that. Evander Holyfield has signed
a two fight deal with Showtime out of frustration with
his attempts to get a title shot against champion Mike Tyson.
Don King, Tyson's advisor is said to want easier paydays
before turning attention to Hollyfield, which is ridiculous. I mean,
(06:19):
I always go skittles over payday. Who buys a pay day?
Speaker 2 (06:23):
Gross? Gross people?
Speaker 1 (06:24):
I mean it's grandfather buys a payday.
Speaker 2 (06:27):
It's not real paynut butter. And it's not even the
good fake peanut butter.
Speaker 1 (06:31):
They're not real pay nuts.
Speaker 2 (06:35):
They were really they were like Chalky.
Speaker 1 (06:38):
Just five years after the Wheelchair Division was officially accepted
as part of the Boston Marathon, five competitors surpassed the
world best performance. So it appears the Wheelchair Division is
up on its feet.
Speaker 2 (06:54):
Jeremy, you just got his canceled. What canty day?
Speaker 1 (06:57):
What if I said the Wheelchair Division was a fit
up and running canceled? God damn it.
Speaker 2 (07:03):
A sheriff's office in Fort lauderdal has manufactured more than
twenty thousand worth of their own crack to use in
undercover operations to arrest street buyers. Some members of the
community are outraged, accusing the sheriff's department of taking jobs
away from the locals. You can't make crack, that's my job.
Speaker 1 (07:22):
You're taking their gabs. Policemen, you're a hand one. You're
doing Yeah, doubling up.
Speaker 2 (07:28):
I make crack. I made crack, and I'm a foot
porn star. Get out of my stuff.
Speaker 1 (07:35):
You can't take that. You ain't qualified.
Speaker 2 (07:38):
The Minnesota Supreme Court has ruled that warning labels on
cigarette packs do not give tobacco companies blanket immunity from
lawsuits by victims of one cancer and other smoking related illnesses.
It's more like Afghan immunity, where you can stick your
fingers to the.
Speaker 1 (07:54):
Banket Afghan blankets.
Speaker 2 (07:56):
I used to love those, they say, used to miss tablecloths.
You remember that when we were kids that threw one
of those blankets.
Speaker 1 (08:03):
An Afghan blanket for a tablecloth.
Speaker 2 (08:05):
Well maybe that was just in the South. Like we
got cigarette burns on the other wad.
Speaker 1 (08:11):
We only use fine lace and all tables. Michael Perlist,
a thirty six year old magazine executive, has been named
Hugh Hefner's successor as Playboy Magazine's publisher, stating he only
publishes it for the articles.
Speaker 2 (08:29):
Yeah, sure you do perm Yeah you're perv you're dirty.
Speaker 1 (08:35):
The Fruit and Drug Administration ended its special investigations of
fruit from chili. The inspection turned up no evidence of
poisoning after two grapes were found to have traces of
cyanide in them. So it appears you never got my
gift basket, did you.
Speaker 2 (08:51):
Jenny, You son of a bitch. A new study of
over six thousand union members found one out of every
four believe that they had retired to early, stating that
their Social Security checks just weren't enough to sustain their
heavy coke addictions. It's not so, we're still having the
same problems.
Speaker 1 (09:12):
We're still the same problem.
Speaker 2 (09:16):
New York designers scored well among retailers after last week's
fall Ready to Wear shows, and Isaac ms Rahi's Scottish
Tartans Tartans Trust Tartans collection certified his status or a
rising star the big loser of the night. The flesh
suits design enemy's collection.
Speaker 1 (09:36):
Fleshuts are more of a they don't scream.
Speaker 2 (09:38):
Autumn, that's a winter's collection.
Speaker 1 (09:42):
Bush administration officials are discussing several new proposals for modifying
the United States positions in the Strategic Arms talk my
extra set of strategic arms. They'd be on my hips,
so you pick things without bending over. The tensions are
high in this small New England town. A pair of
newcomers moved in and filed a lawsuit against the town
(10:04):
century old clock for waking them in the middle of
the night. The city says the clock is so old
the laws don't apply. It's been grandfather clocked in.
Speaker 2 (10:16):
That's a good one.
Speaker 1 (10:18):
See, I wish it flowed better, but there's no better.
But here I put those two duds of jokes, so
you could really send it home with this, this solid
gold joke. Jenny, you know.
Speaker 2 (10:30):
How I soar on the wings of a good joke.
You see how's a huge influence in popularizing French wines
in the US. Died on Monday at the age of
eighty eight. His last worst children were I'll give you
something to French wine about. Fuck off, my.
Speaker 1 (10:49):
Finest hour in comedy writing.
Speaker 2 (10:55):
We're all just so proud, and that was you're not
so curd of.
Speaker 1 (11:13):
So, Jenny, what did we watch?
Speaker 2 (11:16):
Well, it was the adventurous movie Bloodstone.
Speaker 1 (11:21):
Ah, I wish I watched the right movie. I'm kidding,
I right, I did. That was sincere, like, oh Jesus.
Speaker 2 (11:34):
Are what are we going to speak about?
Speaker 1 (11:38):
Bloodstone? From Omega Entertainment.
Speaker 2 (11:41):
It is thirty eight percent on the Popcorn score. Oh
that's not actually bad good for them. I think it's
kind of rude when you have that high of a
thing and it's like the popcorn is tipped over in
for it. It's like when the popcorn is about half full.
It's not like that in there saying.
Speaker 1 (12:00):
Hey, thirty not bad.
Speaker 2 (12:04):
No, especially for this kind of film. The Jewel it
was beautiful. I'm ahead of myself, but I was just
like it looked like candy. I was every time I thought,
I'm gonna just it looks like a.
Speaker 1 (12:19):
Ring pop, not candies, like those gummy bears that are like, yes,
it's like one of those, but a ring pop, yeah,
foot tall ring pop.
Speaker 2 (12:29):
When somebody like was trying to figure out if it's
realing on and I was like, fucking shit, just use
your eyes.
Speaker 1 (12:36):
So the film is Bloodstone starring Red Jinnikan. He was
a huge star in Tamil Cinemon.
Speaker 2 (12:45):
Oh my god, I love him.
Speaker 1 (12:48):
Yeah, he's He's apparently a big star in India.
Speaker 2 (12:51):
He should be for a long time. I'm glad at
least one country's getting it right.
Speaker 1 (12:58):
Brett Steinley, who played Sandy McVeigh. Yes, and did you
have fun fact about him? I was just going through
his IMDb like I was like, oh, he played this.
He did this four times. He played John F. Kennedy
four times, more than any other actor he did.
Speaker 2 (13:17):
He was very charismatic in The.
Speaker 1 (13:20):
Watchman, Transformers, Dark of the Moon, Parkland, and Kill the Dictator.
So he's just really good at playing dead. No A R.
Nichols who she played Stephanie mcvah.
Speaker 2 (13:45):
She brought you.
Speaker 1 (13:46):
Oh okay.
Speaker 2 (13:48):
I enjoyed her a lot. She was such like a
rude county bitch.
Speaker 1 (13:55):
Both of those were adjectives.
Speaker 2 (13:58):
Yes, she was doing all of the most stuff. It
was so good.
Speaker 1 (14:03):
She apparently she's in a film with Bronson pin Show
called Hot Resort, so we'll have to check that.
Speaker 2 (14:09):
We'll have to check that out.
Speaker 1 (14:12):
And then they we had Charlie Brill in Brown Face.
Speaker 2 (14:19):
Oh my god, is that the detective Inspector Ramshiyah, Oh
my god. He was a big fan of Pink Panther.
Speaker 1 (14:26):
Indeed he was. It's like his biggest claim to fame
is he He was in the first season of the
original Star Trek in probably the biggest episode of Star Trek,
which is the Trouble with Tribles. He was he was
a kling on in that and he got the job
because he was friends with Leonard Memoy got the audition,
(14:51):
not the job, the audition. Well, I mean he after
he did that, he went on to do laughing. So
he had actually a long career as a as like
a a character actor.
Speaker 2 (15:02):
Wow. But you know there's Hope Russ yet Jeremy.
Speaker 1 (15:08):
And the director is Dwight Little. He directed Halloween four.
That's dope marked for death murder at sixteen hundred, but
most importantly free willing.
Speaker 2 (15:20):
To the God Aliah, love me some free Willy Gross
I didn't act on it.
Speaker 1 (15:32):
So the film opens up in the year twelve twenty one.
The princess has died.
Speaker 2 (15:39):
Yeah, so they're having a parade.
Speaker 1 (15:41):
You're having a parade and I did what. I don't
part of this here. That just confuses the hell out
of me. They have a guy walking up with the
giant like scimitar sword, right, and it's made of glas glass.
Speaker 2 (15:55):
Yeah, what, why.
Speaker 1 (15:58):
What the hell would glass sword?
Speaker 2 (16:01):
That would do a horrible idea.
Speaker 1 (16:05):
He'd get one swing.
Speaker 2 (16:07):
I'm sure that they had other things to make swords
out of in the nineteen.
Speaker 1 (16:11):
Hundred, sure, but that's just one to be like to India.
We don't know what they have access to.
Speaker 2 (16:19):
Oh, I got the most American thing. We could say, Yeah,
the world country.
Speaker 1 (16:25):
What am I gonna do? Go over there and do research?
Speaker 2 (16:29):
I don't have a pass port.
Speaker 1 (16:34):
You gotta even go get a picture. It's a big thing.
Speaker 2 (16:38):
I want to go anywhere when I'm here in America.
The best one.
Speaker 1 (16:41):
It's the best woolen. So there's some ritual there where
they touch this scimitar to the zero and I don't
know what the I could not fathom what that was
all about? No, did you?
Speaker 2 (16:59):
Did you say?
Speaker 1 (17:00):
What was happening? They were cursing it?
Speaker 2 (17:01):
Is that what it was like if anybody tried to
take it from India, it would be cursed. And so
that that's later on mentioned too when he says, do
you have that? Don't don't fuck with that? Yeah, but
sews like anybody who has that misfortune.
Speaker 1 (17:19):
Yeah. But if Sean truly believed that, why were the
actions he took later in the film.
Speaker 2 (17:23):
I know, Yeah, there wasn't a lot of continuity with him.
Speaker 1 (17:30):
So India today.
Speaker 2 (17:32):
Today, very modern.
Speaker 1 (17:37):
We meet Sandy and Stephanie who work in textiles.
Speaker 2 (17:41):
Yep, and I immediately whenever they meet the.
Speaker 1 (17:45):
Friend who's very friend quotes.
Speaker 2 (17:48):
Yeah, he's clinging to a bag and he sits down
in front of them, and he's.
Speaker 1 (17:52):
Very nervous, sketchy. They like sprayed him down with sweat
before he got on the screen, and.
Speaker 2 (17:57):
He's in a seer sucker suit, which always equals to
douchebag to me.
Speaker 1 (18:04):
I thought he was actually pretty endurable and durable endurable.
Speaker 2 (18:08):
Yeah, he was good. I liked him. I liked him.
Speaker 1 (18:11):
Paul Laurie is his character's nake.
Speaker 2 (18:14):
Yeah, he was a lovable loser.
Speaker 1 (18:16):
Jack Keller is his name.
Speaker 2 (18:17):
Oh cool. The mcvay's the rich couple.
Speaker 3 (18:22):
Who cool.
Speaker 2 (18:24):
I gave a shade. I'll never look at it again.
I'm kidding. I did like him. So the mcvays are
this couple who are on their honeymoon. He is a
retired cop.
Speaker 1 (18:37):
He's retired. He's in textiles.
Speaker 2 (18:39):
Yeah, he works in textiles. So they're sitting with this
guy and there he's reading the paper and he reads
something about the bloodstone being stolen.
Speaker 1 (18:48):
But what I love is that the font on the newspaper,
it could not possibly be bigger. It is so comically large. Yes,
he takes up the whole page. Bloodstone has been stolen.
Speaker 2 (19:04):
And they said, how did you read that to the theater?
Speaker 1 (19:07):
Get so quick? Hey, I don't know.
Speaker 2 (19:12):
So the thing face starts making fun of the amateur
who stole it. He said, the Titanic was built by professionals,
Noah was an amateur. I love that line. Those one
of my favorite lines of the whole movie. What I
also love about this conversation the introduction of these characters
(19:33):
in this character is out of nowhere. He's like a
favorite sexual position, you know, how.
Speaker 1 (19:42):
Come we always talk about our jobs and not our
sexual orientation, Like, what how about you?
Speaker 2 (19:49):
And he's like, huh, but are you trying to fuck me?
Speaker 1 (19:54):
What's going on?
Speaker 2 (19:56):
Are your honeymoon? That is so bas are you know?
It should be an ice breaker?
Speaker 1 (20:03):
Hey you gay or no? We have kind of a
we have to meet kind of an ensemble at this point, right,
we kind of switched or we go straight to the
fountain scene.
Speaker 2 (20:13):
I think it was the fountain scene because I just
I wrote here, just random ass tits in a hot tub,
and the guy just stood there staring.
Speaker 1 (20:23):
Not only are there random tits, it's like it's obvious.
It's that it's a fountain, but they're using it as
a swimming pool like it's two feet deep. There's there
was no sense of saying like this was the use
for swimming, but they're pretending it's all we got and
(20:43):
we needed.
Speaker 2 (20:44):
A we need this shot of these tits. Okay, just
emerge from the two foot fountain.
Speaker 1 (20:50):
But there's like eight women swimming in this two foot fountain.
Speaker 2 (20:54):
It's ridic I love it, but there's only one that
just to stopless.
Speaker 1 (20:59):
Yeah, and a completely unnecessary cutaway to her. It was
just like because she probably wasn't there on the day,
and the director is like, how come the kits didn't
show up?
Speaker 2 (21:10):
And then so then they just get a lead a
big hard nipple sticking out.
Speaker 1 (21:15):
Hi.
Speaker 2 (21:18):
It was so great and it's it's like, hey, excuse me,
time to go to your meeting. Oh okay, I was
just watching the tits on the fountain.
Speaker 1 (21:26):
And that's where we meet van Hoven for the first time. Yes,
the Dutch, not big van Hoven played by Christopher Name,
who is so big when he comes in.
Speaker 2 (21:36):
Yeah, I like him too. He's not your average bad guy,
like he seems like a like a postal worker or
you know, like.
Speaker 1 (21:46):
Everything that he does, it's just like it's like he's
so evil, but it's like that.
Speaker 2 (21:50):
No, he's not.
Speaker 1 (21:51):
Like his whole thing is just like stealing jewelry and
that's it.
Speaker 2 (21:57):
Yeah, and like fun women around And.
Speaker 1 (22:02):
So after we have that little scene and we probably
cut back and forth with the train, then we meet
Cham Sabu laid by Regina Kant and he we have
this older couple.
Speaker 2 (22:17):
Right Yeah, And for me when this starts, I'm like,
this is so weird. What what is the point of this?
Then you find out the point of this.
Speaker 1 (22:26):
Well, right, because they're like we need to be there immediately.
That classic trope of like get us there on time
car chase. It's like hidden people on stretchers.
Speaker 2 (22:37):
People died, not care, Yeah, falling.
Speaker 1 (22:40):
From got you on time? You owe me the hundred hundred.
Speaker 2 (22:44):
Whatever rubies at Rubels or rubies it's you.
Speaker 1 (22:48):
Owe a hundreds.
Speaker 2 (22:51):
Yeah, canceled. No, But yeah, he was really cool and
I liked all of his Like you just.
Speaker 1 (23:00):
Kind of immediately you're like this taxi driver's what is
going on with this taxi driver?
Speaker 2 (23:05):
Yeah? And he just takes into his mouth. Yeah, he's
one held the.
Speaker 1 (23:13):
Mouth slack slapping into my mouth.
Speaker 2 (23:19):
But you have the coolest hair, just feathered back like
a dream.
Speaker 1 (23:24):
Yeah. Then we meet Inspector Ramesh.
Speaker 2 (23:28):
Yes, who is doing brown face.
Speaker 1 (23:31):
Is doing brown face. He's one hundred thousand percent doing
his version of Inspector Cluso like that. He's not even
remote hiding. Yeah, not at all. Like even towards the
end of the movie, he's he steals still so bit like, yeah,
straight the globe, the spinning globe. I was like, you can't.
(23:52):
I know this isn't homage, but you can't. It's like
that's a famous one.
Speaker 2 (23:57):
Yeah, it was insane. He's just a nightmare.
Speaker 1 (24:02):
The problem with that is he's actually pretty good at
what he's doing. His pratfalls are pretty good, his delivery,
his timing are pretty good. Except he's playing a complete
moron in brown Face. Two big actors in India like
to their face in India. Not only is he doing
(24:24):
that accent.
Speaker 2 (24:29):
You wow, why did you choose this?
Speaker 1 (24:33):
No, stupp, it's not stopping. We're all uncomfortable. So it's
like all the stuff that he did really well, just
flesh down the toilet because you're like, I'm so uncomfortable
with what you're doing. Yeah, and I can't imagine being
watching the film in the eighties, going like he's nailing it.
Speaker 2 (24:53):
Right after the old people ride, there's that whole pitsion
carrier thing. What I let the pigeons shit on their face?
Speaker 1 (25:02):
Oh? Because he inspector rumesh, He's like, I want trust
these blah blah blah, cancel, but he's like, I only
trust pigeons, and that goes up. That wasn't my pigeon.
Speaker 2 (25:19):
And then it shits on his face again. Shots on
that guy's face and shits on his face. Oh my god,
I can't even imagine, like sitting there and thinking. But
here's the thing. It made me laugh.
Speaker 1 (25:32):
He got you a laugh exactly.
Speaker 2 (25:34):
I'm like, how could they think that was something you
should do? And then I'm here laughing about it.
Speaker 1 (25:41):
They get off the train and Paul Laurie, he's like,
convinces this couple, Sandy and Stephanie, to like, oh, carry
your stuff for you because he's super nervous. He knows
people are after him, so he hides the bloodstone, which.
Speaker 2 (25:54):
Tennis bag he had.
Speaker 1 (25:57):
You didn't really it felt like they were trying to
hide it but not I don't know. Yeah, so he
hides it in her tennis bag and then runs away
and gets caught by Inspector Ramesh and who is their
taxi driver, none other than Shan Sabu. Sabu.
Speaker 2 (26:14):
Yeah, he was so good and then he clumsily when
he gets into their hotel, he clumsily gets their.
Speaker 1 (26:21):
Bags, rode their bags.
Speaker 2 (26:23):
Of course, the jewel falls in his tire, foreshadowing that
he's going to need that tire later.
Speaker 1 (26:29):
Yeah, saying that he is well prepared for a flat tire.
And then Sandy says, immediately murder her. If all people
are from India, are this nice? I'm going to like
it here. And what happens immediately after that, Sham runs
people off the road. Yeah, because they're like following him
(26:56):
and he's like, oh, you guys want to do this,
runs him off the road, car explosion murders them.
Speaker 2 (27:02):
Yeah, but I also like this. She's saying, he's so
nice when he took their bags out and he's just
throwing them on the frount like you're fucking done. He real,
he's so nice. That's a lady in the eighties. So
he didn't punch me.
Speaker 1 (27:15):
During this whole traveling thing. When they leave the train station,
there's several different groups. There's the police, officers, and then
there's these random hooligans who everybody's got eyes on all
the different moving parts. So some people are like, okay,
so we know Paul Lurid dashed it with these people
or whatever, so they're being followed and I love that.
(27:37):
Like immediately when Sandy and Stephanie are in the in
their hotel room, they just get right to it.
Speaker 2 (27:43):
It's time to get down and these.
Speaker 1 (27:44):
And these people are gonna sneak into their thing. When
these when they're hunking up in the bathtub.
Speaker 2 (27:49):
And just like, for one, they're not at all interested
in listening. It's like they're just first.
Speaker 1 (27:55):
Of all, they entered knock something over and Sandy.
Speaker 2 (28:01):
Is he's eating her out underwater, which, by the way,
who can do that?
Speaker 1 (28:09):
Don't And he pops up and he's like, what was
that you were under? Hear that underwater? Myers don't work
like that. Yeah, telling you. Sandy is a great ex
police officer, and she's like, never mind what that was
because she could care less. She's like going back there.
(28:32):
So these guys are like sneaking through the place and
they're being like Stephanie's being wow, yeah it is. It
could not be more obvious what is going on?
Speaker 2 (28:46):
But she was performing like it was prom.
Speaker 1 (28:50):
But then these guys are like they seriously say, I
mean it's in a d R. But they go like, hey,
what's going on in there?
Speaker 2 (28:58):
I've never heard sex.
Speaker 1 (28:59):
The door opened and outcomes Sandy in jeans, no top.
Speaker 2 (29:04):
No, that was dry, bad ass.
Speaker 1 (29:08):
And but dry. Yeah, he kicks both of their asses.
Speaker 2 (29:14):
Yeah, in those jeans, wet jeans. He kicks both of
their asses.
Speaker 1 (29:18):
It's like, oh, I thought he.
Speaker 2 (29:19):
Was dry, but he got But this is the thing.
He just got out of the tough and yanked on jeans.
That what a baller move, Like I'm gonna kick your
ass in tight ass jort ash jeans.
Speaker 1 (29:32):
Oh boy, did I enjoy that one.
Speaker 2 (29:34):
The last thing I want to say about I happen
to know here says that is the hardest kick I
have ever seen, shirtless, wet in jeans, and he says,
I'll let room service deal with it. He does, like,
what a badass, motherfucker, I just come and destroy hotel rooms.
(29:55):
They'll deal with it. You could tell he was a cop.
Speaker 1 (30:00):
So they're coming after them a second time, this time
in the night market. Yeah, and he says the line oh,
we've got trouble. And then Stephanie's like, well, so does
every couple, but we'll get through it. We got real trouble.
Speaker 2 (30:18):
And then the watermelon showdown starts.
Speaker 1 (30:20):
The Watermelon Showdown, It's just what it was like it
was on set. Wait, wait, we've got a sword and watermelons.
Speaker 2 (30:28):
Gotta do it, got.
Speaker 1 (30:29):
It, guys, we got to toss some watermelons.
Speaker 2 (30:31):
And this is where Sandy's ongoing bathroom joke starts.
Speaker 1 (30:36):
I love that you picked.
Speaker 2 (30:37):
Up on.
Speaker 1 (30:40):
Because they were driving me bonkers, because that's where I
want to do my onset speculation.
Speaker 2 (30:51):
Did she think they didn't hear her? Well, obviously they
didn't get that. I should say it again.
Speaker 1 (30:57):
No, to me, that was all like every ongoing bathroom
joke there were, every one of them was a br
So this was after they shot the entire film.
Speaker 2 (31:08):
And they're like, there's something there.
Speaker 1 (31:11):
And Jesus, could you imagine just like showing up and
being like, oh wait, when did we shot the entire film?
And now all of a sudden, I have ibs? What
has happened?
Speaker 2 (31:22):
I really need to go to the bathroom.
Speaker 4 (31:25):
I need seriously, I gotta go seriously, where is a bathroom.
Speaker 1 (31:31):
Even the last line in the film, in the movie,
don't mean to get too excited, but is that a bathroom?
Speaker 2 (31:38):
Like did you not haven't taken a ship?
Speaker 1 (31:42):
Or do you really just have to go to the
bathroom all the time? What is it? Because if that's
the case, I feel like I have different feelings about
the scene before when they're doing it in the bathtub.
Speaker 2 (31:54):
Yeah, it's like it's dangerous down there, sand.
Speaker 1 (31:58):
Beat, that's why say, And he does it in the bathtub.
Speaker 2 (32:03):
This sturdy bitch is shitting all day.
Speaker 1 (32:07):
It's the only time. This is something I can do.
Speaker 2 (32:11):
Oh my god, I did not plan on going to cry.
Oh he was the best. I was just like, what
does she just keep bringing this up?
Speaker 1 (32:25):
Just go to the bathroom, girl, And then I love
like he he like pulls her aside and he's like,
all distract him. You run like why are you splitting up?
That makes no right?
Speaker 2 (32:37):
Why? And then he jumps over that wagon and they
shoot it. It's just full of different colors of powder.
I was like, is this a cartoon? It like blew
up a blue powder and then a red powder, Like
what is happening?
Speaker 1 (32:48):
India is very colorful.
Speaker 2 (32:50):
Very colorful. They put a little bit of that Bullywood
spin on it.
Speaker 1 (32:54):
Yeah.
Speaker 2 (32:54):
So now the two guys have stuff. They take her
off after they not him out so weakly.
Speaker 1 (33:03):
Well they hit him in the back of the head
with a club or something.
Speaker 2 (33:05):
Yeah, but it was like it and he's like.
Speaker 1 (33:09):
Because he like walks up to the group, give me
back my wife.
Speaker 2 (33:13):
I even wrote very borat my life.
Speaker 1 (33:18):
Gave my life and this pretty jays.
Speaker 2 (33:24):
Yeah it does. I think I see who got inspired.
Speaker 1 (33:27):
I love how she runs away. She when she runs
away before she gets captured, she's just like, where's the
bathroom and looking like back and forth, like that's all
she cares about. He's like, run for your life. We're
gonna die.
Speaker 2 (33:42):
And now the driver is with the gang. They're working together.
Speaker 1 (33:46):
Yes, the people that capture him are different people, because
Sean says, you're lucky my people got you first.
Speaker 2 (33:54):
Yes, And he's got a switch.
Speaker 1 (34:00):
And he's like this cab driver.
Speaker 2 (34:03):
Yeah, and then he says everyone in India is related.
It's like, what, I don't think that's correct. This is
my cousin and this is my uncle.
Speaker 1 (34:14):
So what you're saying is you're on the wrong side
of the law. Allows on the wrong side of me.
Speaker 2 (34:21):
Yeah, And this is where I think a big pivotal
moment happens, because he pulls up to a guy and
tells him he talks to a guy on the street,
gives him money, and he says, the streets never lie.
Speaker 1 (34:34):
By time on the street all the time. I'll be lying.
Speaker 2 (34:37):
Yeah, because this comes up again later, but they take
the lady out and he's covered in lipstick.
Speaker 1 (34:45):
The guy he tells Ramash, he's like, this is where
I'm gonna be. I'm gonna go get a hooker and
I'm gonna be at this place at this time. Criminals.
Before that that even happens, he gets out the first
time with Inspector Ramesh and he's like, Okay, I gotta
go get the bloodstone now. So he goes to Sandy
(35:07):
and Stephanie's hotel room while they're dealing with their being
chased moment, and he grabs her tennis stuff and he's
getting off, he's getting you.
Speaker 5 (35:18):
He's leaving, he's getting away, and of course Inspector Romesh
shows up and he's like, I got you.
Speaker 1 (35:30):
You didn't think I would. You didn't think of that,
stupid blah blah blah, and he opens up the tennis
gear and he's like, what kind of man steals a
woman's balls?
Speaker 2 (35:40):
Oh my god, that's one of the film. Of course,
you love that one. That one was insane and he
stuck on it so hard to.
Speaker 1 (35:53):
He almost did the freaking thing again. Bro. So he
does that. Then after they let him go the second time,
he said, this is where I'll be, and so he
does go get a hooker, and Sham and Sandy kind
of they discussed their whole thing and then they go
out and they're like, well, we got to talk to
him figure out what's going on because Seam does not
(36:13):
tell Sandy that he has the bloodstone, that he found
the bloodstone he's in that scene when he meets up.
He's like, you're missing anything. He's like, yeah, my wife.
And so they come up with this whole plan. They
go to try to find Paul Laurie figure out what's
going on. Of course, while they're there, the hooligans show
(36:34):
up again. What are they? This is what I love?
There when they try to get away because they hear
the bad guys and then they go hang on the
fire escape and then Paul Laurie gets up. Yeah he's
dangling on top of them. I loved that shot. I
just wish they followed it through a little more because
it was it had such potential for Yeah, it was
(36:56):
like some physical comedy things. But they're like, no, leave
that to Charlie Brill.
Speaker 2 (37:00):
Yeah, that was a miss moment.
Speaker 1 (37:04):
And so they're escaping and of course Inspector Ramesh sees
them and he's like, I gotta go after them, and
so he starts his car. It's not working. He gets
down to tires flat, starts hitting his car. The horn
goes off. It's this insane. This is like the the Yeah,
he like lifts up the hood to try to get
(37:25):
the horn to stop. It won't stop. So what does
he do? He shoots the engine. Like this is where
you're like, if you weren't already such a caricature and
a non realistic type of a person. And that's the
difference between Clouseau and what he's doing is just like
they're so big and just not at all believable in
(37:47):
any way, and where you're just like, oh god, he
didn't know. It feels like he's trying so hard for
the joke.
Speaker 2 (37:58):
Yeah, it's it's bad for me. It just gives me stress.
Once I does something like shoots an engine shoots.
Speaker 1 (38:06):
Right, you just go that is so stupid. I mean,
you had a hard enough time with the break in
his own TV, let alone pulling a gun out in
the shop.
Speaker 2 (38:13):
Yeah, this ship stresses me out.
Speaker 1 (38:16):
You're like, oh god, how what second of how much
does it take to repair that?
Speaker 2 (38:20):
What in the bed stiller are you doing right now?
Speaker 1 (38:24):
That's gonna take years to work that off. Like that
was the moment where I realized, like, oh, the director
and I had to look it up because Dwight Little
he he didn't that just like his only comedy, It
is only comedy. He does action movies, and it's so
obvious that he just doesn't. He didn't understand comedy and
(38:48):
every everything in it is just a misfire on the jokes,
not every and there are some jokes that do hit,
but it just feels like it just didn't.
Speaker 2 (38:59):
Work and actually a different genre, buddy, Yeah, I.
Speaker 1 (39:02):
Mean he only he started like you know, he did
Halloween four and you didn't do a lot of horror.
But action kind of became his thing, and he's I
think all the action stuff really worked. It's just the.
Speaker 2 (39:16):
Jokes, the jokes were so far off that.
Speaker 1 (39:20):
It made everything feel odd.
Speaker 2 (39:22):
Yeah, but there were moments that I really enjoyed. There
are like the one I'm about talking about where they're
together and it's the weirdest fight ever. Oh yeah, Okay,
the door comes the guys there. He just punches the guy.
Speaker 1 (39:40):
And that's what I'm talking about, where it's just like
on extent, we're like, wait a minute, what if you
just this delivery gives you something, take it, close the door,
open it, punch him. He'll smile at you, and then
you close the door again, like.
Speaker 2 (39:58):
It makes mo. I was just like, be angry, punch him,
and then they get in a fight.
Speaker 1 (40:08):
I love the fight because it's like they get like
the whole delivery thing that's all dealing with Van Hovean
being like, I've got your wife, give me the bloodstone
and he's like I don't have a bloodstone, and Sean's
like I got it. He's like, you should have, a bitch.
We have like a minute long fight. And so they're fighting.
They've launched themselves into the bathroom. You just for like
(40:32):
twenty seconds.
Speaker 2 (40:32):
You're destroying everything.
Speaker 1 (40:35):
And then right before they leave, the toilet flushes. These
were like, what, it's so stupid.
Speaker 2 (40:47):
Somebody got a swirly bitch.
Speaker 1 (40:51):
Nobody got a swirling nobody was wet. If they were wet,
I would have been like, got him. No, they took.
Speaker 2 (40:56):
A bathroom break. Somebody just needs to go and and.
Speaker 1 (41:00):
So then they stop. They're tired because you know, a
minute of fighting is exhausted, exhausting, and they're like, I
don't trust you. I don't trust you either. What a
perfect relationship.
Speaker 2 (41:10):
And then we see her Stephanie in a beautiful pink house.
This touched me in who's obsessed with having pretty women
around lives in a pink house.
Speaker 1 (41:20):
It's not a house girl. It is the biggest goddamn
palace to palace.
Speaker 2 (41:27):
But he doesn't touch her, mistreated to the women, he
just wants to have dinner parties and let them swim
and let them sasmouth him.
Speaker 1 (41:35):
I hope you're comfortable, which this makes the question did
she not use the bathroom there?
Speaker 3 (41:40):
Yeah?
Speaker 2 (41:41):
This guy's basically dressing you with somebody. You do whatever
you want.
Speaker 1 (41:45):
And all she used to say is like, I don't
think I'm impressed. I grew up in a house like this.
Speaker 2 (41:50):
Like what, No, you didn't bitch. We don't have palaces
like that in America. But she just to be a
bitch for the sake of being a bitch, and that's
why I like her. And then she gets the lowdown
from the butch guy. Is what it says. I don't
know what that means from the butcher guy. Oh no,
(42:10):
it might be bitch guy. Yeah, very different stuff. A
butcher a bitch are very very different. Okay, she gets
the lowdown from the bitch guy.
Speaker 1 (42:25):
But you can be a butchy bitch, which is you know.
Speaker 2 (42:28):
You can't be Then the gang loves the taxi driver guy.
They jump out. Everybody's getting weapons, but they saying a word.
Speaker 1 (42:42):
Wait he sneaks out to do this. He's like here,
everybody grab a sword. And then then he comes back
and you're.
Speaker 2 (42:47):
Like, yeah, what was that? But I just like it.
Everybody's just kind of just getting horrible weapons and walking
away like nobody's getting what's gonna happen? And she's like, ah, cool,
give me, give me.
Speaker 1 (43:00):
Out. And they're like sleeping next to each other in chairs,
like Sean is in a like a sit up chair
and then Sandy's in like a very uncomfortable wooden bench
and he's sleeping there. It's like you have a bed here,
this is your hotel room. And his neck is cranked
up on that wooden thing like he's he's got his
(43:20):
head up on this wooden.
Speaker 2 (43:22):
Arm like what And I wrote, just like a man
sleeps like a baby in the most awkward position while
his wife is missing.
Speaker 1 (43:32):
Sucking thud. He's like, finally I get a knife of
peace and.
Speaker 2 (43:38):
Quiet, and Steph is saying, I'm not impressed. Go underwater
and ate my pussy again. So now it's like Batman
montage of them getting ready to go to the palace.
Speaker 1 (43:51):
Let's do this, And this is where it finally picks
up a little bit of steam in what I thought
we would get, which was an adventure film. Like I
thought coming into it, we're getting, you know, an adventure film,
something along the lines of which he was ripping off
like Jewel of the Nile, Romancing Stone, things of that nature,
(44:12):
just like a journey through jungle or different types of terrain.
Speaker 2 (44:16):
And we think he shoots a snake.
Speaker 1 (44:18):
He not only does he shoot a snake, it's like
a falling snake. The snake barely it's just like falling me,
like you shot a falling. Oh god, I falling? What
did a pa just throw me? He just dropped me
(44:39):
from a ladder? What the hell's happening?
Speaker 2 (44:41):
I'm not so When he shot that snake, I was
just like, there's just no point to do that. You're
such a bitch, especially.
Speaker 1 (44:48):
Because Sean goes he was not poisonous. He's harmless, right,
that's a harmless snake.
Speaker 2 (44:55):
Shut You just shot it in the face for no reason.
Speaker 1 (44:58):
How else are you gonna skeet shoot in India? You
shoot flooding snakes.
Speaker 2 (45:03):
I'm like, an you idiot. And then it shows brown
face detective on a horse.
Speaker 4 (45:08):
Yes, outrageous, outrageous, which was, but it was outrageous, cant
that was his delivery.
Speaker 2 (45:20):
That was so good.
Speaker 1 (45:22):
You just show pretending like I wasn't taking a shower
going there's it is out.
Speaker 2 (45:30):
That Yeah, O my god, you really nailed it in
a horrible way. So now this is another scene that
was so stressful for me, and I bet their stunts
devils were like, you want us to fucking do what?
Speaker 1 (45:43):
The biggest basket, the wicker basket that they flowed down
the river, baskets safe that.
Speaker 2 (45:52):
Was huge, huge, horrible ways like.
Speaker 1 (45:56):
Circular thing that they're not controlling at all. They're just
like flopping around.
Speaker 2 (46:02):
Can you see it filling up with water? And those
poor stun bubbles just have those horrible wigs on and
they're like, oh my god, they said they would take
care of our families if anything happened.
Speaker 1 (46:16):
He's why they shut it in India.
Speaker 2 (46:20):
So bad. And then it shows them like in a
calmer part, like getting all dry, the wickers all dry,
just getting out. Okay, that was really rough, but we survived.
Speaker 1 (46:31):
And then they get to the park where they like
they're like, okay, I see the guy that's gonna take
this bloodstone off my hand. And the bridge, the rope bridge,
and so he starts to cross and something goes weird
and everybody's like they're surrounded. Also Sean does this, He
like pulls his gun out and does this like world
(46:52):
because everything he has to do is yes, he's there,
are surrounded. There's nothing they could do. Then there's like
a little tussle and Sean goes after Sandy and he's like,
I gotta go after him. I gotta get on that bridge.
So he starts crossing the bridge, and this part I
(47:12):
thoroughly enjoyed. I wish we stayed on it because they
did a double burn of this bridge on both sides
within the middle. Boy did I I like that shot.
I thought it was fantastic. It was great, and the
jump off of the bridge.
Speaker 2 (47:25):
Fantastic, perfect dive.
Speaker 1 (47:27):
I wish we had a little bit. I wish they
milked it just a little bit more.
Speaker 2 (47:31):
He you deserve to have a bigger moment there.
Speaker 1 (47:34):
Yeah, I think so.
Speaker 2 (47:36):
Because he's jumping into those waters. So they just were
in that with their basket and they're insane and it's
like he's gonna die.
Speaker 1 (47:44):
But guess what, he didn't die.
Speaker 2 (47:47):
He didn't die.
Speaker 1 (47:48):
He didn't die. So Sandy's came off and for some
weird reason, this group of people that just ambushed them,
like there's a guy d Yeah, the dance was holding
it up and they've got their like guns.
Speaker 2 (48:03):
Oh we got it. Like this isn't going to benefit
us at all. We're getting this to someone.
Speaker 1 (48:08):
And you can tell none of them were enthusiastic to
do this dance.
Speaker 2 (48:12):
They're just that they were told to do it. Now, Okay, this.
Speaker 1 (48:15):
Is really stupid. They're gonna ambush us, do it.
Speaker 2 (48:18):
We won't give you lunch. He survives, of course, because
he's a bad switherfucker. Of course he rejoined Sandy and
they take on all these dudes. They beat the ship
out of all of them. Their two left standing, and
they throw one off the cliff immediately, like we only
need one for information.
Speaker 1 (48:35):
Like the cliff is really fifteen feet into water.
Speaker 2 (48:40):
Yeah, they just watched him survive it, so but they
tell him. And when he gave them the information of
the secret way to get in the palace, they're like,
he said, you said he would let me go. We'll
let you go, all right, ha ha. But then they
show him like swimming away.
Speaker 1 (48:59):
Yeah, Like he's like, oh no, I'm all what this
is what I hate the most?
Speaker 2 (49:07):
Yeah? Oh my head. And then they ride elephants, and
of course I was pissed when they showed the detective
writing a baby elephant. It's like that baby elephant is
not getting paid enough.
Speaker 1 (49:18):
But does he get paid in peanuts?
Speaker 2 (49:21):
Well, maybe he is getting paid enough. Elephants really like them.
Speaker 1 (49:24):
They love peanuts. My research by watching Dumbo.
Speaker 2 (49:29):
That movie is so sad, so sad. Now, my big
note on the top of this page is Seauan has
the coolest sneakers, like, I.
Speaker 1 (49:38):
Love that he notices sneakers.
Speaker 2 (49:41):
He wears like cool Vans.
Speaker 1 (49:45):
Cool. So they go into the cave, right, Yes, there
was this cave to like sneak in. And they get
to the point where they're about to go up, and
it's like they start to go up and they see
a Bengled tiger. Yeah, and they immediately shut it and
they're like, what did we do? But before they even
say what do we do, there's a voice off scream
(50:06):
that goes like Van Overn wants the Bengal tiger and
the foyer or something like that, and it immediately leaves.
So you're like, oh are they You didn't even get
to finish your thought, like how are they going to
get around this bangel tiger? They just solved the problem. Yeah,
I induce us to a Bengel tiger to not like
(50:28):
use it another time. They just walk it through the
palace and no one looks at it. I don't know,
if you watch, nobody turned their face.
Speaker 2 (50:44):
They said if you look at the tiger, on said,
it will kill you.
Speaker 1 (50:48):
We'll attack you.
Speaker 2 (50:49):
No. Oh, geezeez, there's another snake. He doesn't shoot the
steak this time, though, thank God.
Speaker 1 (50:59):
But it is Cobra, and Sean just goes go.
Speaker 2 (51:02):
Away, go away, go away, Cobra.
Speaker 1 (51:07):
Cobra, very dangerous, go away.
Speaker 2 (51:09):
This match will shoot you in the damn face. You
need to keep going.
Speaker 1 (51:14):
I respect for you.
Speaker 2 (51:15):
Go away, and then McVeigh slides down, all cool. They
kill those two dudes, crazy loud. He slides down the
banister like it, why slide down.
Speaker 1 (51:25):
Like he was a twelve year olds.
Speaker 2 (51:27):
This lumber party.
Speaker 1 (51:29):
That's the joke. It was like, that's what I'm talking
about the jokes of this film. Like it's just like,
why did you do that? You might as well just
like when you got down off the banister, you should
have grabbed it like you were pulling away Reggie, Like
you should have done that. Why not?
Speaker 2 (51:43):
Super loud like you're sneaking to the bowls. You kill
him so loud, and then we all know that Matt
gives you a wedgie, bitch, We all know you got it.
I like the dutch man what's his name.
Speaker 1 (51:58):
Uh, Ludwig Vaughang.
Speaker 2 (52:01):
He says, your husband wouldn't play games with me, would he?
And it's like, oh, you're gonna tell he wasn't play
games with him?
Speaker 1 (52:09):
Love loves games.
Speaker 2 (52:12):
He loves it. He was so hard.
Speaker 1 (52:15):
So they could do a part where they're like, Okay,
we're gonna we're gonna zip line across, so I'm gonna
throw a grappling hook. And I need help with this
joke because I don't understand this Irish thing. I do not.
Speaker 2 (52:30):
I have no idea. My ancestors were Irish.
Speaker 1 (52:34):
Let it to my DM, he says, Sean goes, be careful,
don't worry. My ancestors were Irish, Like were Irish people
known for being careful.
Speaker 2 (52:45):
No, like, I know what has happened there. There's drunks
who do crazy as ship and potatoes.
Speaker 1 (52:53):
I mean, there's like is it a is it a bomb? Thing?
Because you could say maybe the IRA bombing stuff that
was a thing, but that's not being careful, and you
have to be careful to make a bomb. I guess
I don't never done that ever in my life, and
I wouldn't I wanted to. Is that long enough?
Speaker 2 (53:13):
Zach Vincy, I'm scared to even talk about it. They're listening.
Speaker 1 (53:19):
Cut that out. I hope someone's listening. We got five listeners.
It's just a government.
Speaker 2 (53:28):
Yeah, And so I wrote down to ask you about that. Yeah,
I was.
Speaker 1 (53:33):
I'm glad we're both on the same page of that,
because I was like, what the hell, somebody and tell
me what this means.
Speaker 2 (53:39):
My ancestors are Irish, and I have no idea what
that means. There are things about my people that I
don't understand.
Speaker 1 (53:46):
I'm only three percent.
Speaker 2 (53:49):
Yeah, I mean mine is like he'll Billy Irish, like,
we've been over here a long time.
Speaker 1 (53:54):
Way too long.
Speaker 2 (53:55):
If you wait too long, get out, get out. But
my dad's was German, so it's like always like, uh,
people say, oh, what's your here? It is.
Speaker 1 (54:07):
I will not tell you.
Speaker 2 (54:09):
We don't have to talk about that. My mom used
to say that there was Cherokee in our.
Speaker 1 (54:14):
Bloods, but we all know she would lie.
Speaker 2 (54:17):
Yeah. Absolutely, I did my DNA and it's like, no, bitch,
not even point zero one percent Cherokee, bitch, No.
Speaker 1 (54:28):
Really, I belong here.
Speaker 2 (54:30):
I'm not just all the shitty ones. Anyways, So back
to the dinner party, he.
Speaker 1 (54:37):
Tries to slide down, he gets stuck, and of course
they see him and they're captured immediately, because why have
any more adventure? Let's cut the adventure out of this
adventure film.
Speaker 2 (54:51):
Well, thank God that they cut that short because Steph
was not impressed with the fireworks.
Speaker 1 (54:56):
No, think about I've been to Disneyland.
Speaker 2 (55:03):
Yeah, fireworks are kind of the same everywhere.
Speaker 1 (55:07):
I don't know if you've been out of idiot.
Speaker 2 (55:10):
This isn't the only place with them, dummy. Yeah, And
I don't know if anyone else noticed them, but I
am a little nipple obsessed her nipples in that outfit.
We're sorry watch z z. From the front, it looked
fine and normal. I mean, not that it doesn't look fine,
(55:31):
but she turned to the side and it was like
Madonna cone boobs.
Speaker 1 (55:37):
So if you don't know, in films they keep sets
really cold.
Speaker 2 (55:42):
Yeah, and she was like, there's one reason.
Speaker 1 (55:44):
They do it. They say, it's to keep you everyone awake. Girl,
That ain't it.
Speaker 2 (55:49):
No, they want them big pointy nipples, so do I
Thank God? Yes? So then then they find out it's
a fake diamond.
Speaker 1 (56:01):
Fake, fake blood stump, fake it's made out of glass.
Speaker 2 (56:08):
It's just out but it shatters and then it leads
to a cool sword fight.
Speaker 1 (56:13):
Does So what I love is like we have a
sword fight, we have horses, we have explosions punching all
kinds of am and what does Sham do steal's jewelry?
Speaker 2 (56:28):
Yeah, well, I was just bringing this to you to
show you an example of what's inside. It just immediately
cuts to the round table of textile people.
Speaker 1 (56:44):
Well after like we have the whole thing with Inspector
Sham coming in, going like cleaning up the mats, after
the big taking the credit, taking the credit, doing all that. Yes,
and we do cut to boardroom of textiles textile people,
and I love, like, why are you giving us anything
with the textile stuff, because you gave us no textile
(57:06):
information whatsoever. No, just like it's textile and everything said
is like the.
Speaker 2 (57:11):
Vegas Yeah, I'm a businessman.
Speaker 1 (57:15):
Yeah, what do you do?
Speaker 2 (57:17):
I do business business.
Speaker 1 (57:21):
I write checks and I signed them.
Speaker 2 (57:25):
Wow, that sounds important.
Speaker 1 (57:27):
I have employees.
Speaker 2 (57:30):
Yeah, And then it was the callback to that foreshadowed thing.
The streets know everything while he's in the business meeting. Yes, right,
So then he remembers, hold on, hold on, I think
I need to go tie up some loose ends.
Speaker 1 (57:47):
Figure it out. Let me travel back to India.
Speaker 2 (57:52):
Where Sean is just very casually sitting on the field.
I've just been sitting here all week.
Speaker 1 (58:04):
Oh you found me.
Speaker 2 (58:06):
Why he's just sit out in the grass holding something
that's like worth seven billion dollars.
Speaker 1 (58:12):
And then the most ridiculous of course, Inspector Rachelle comes
back in, Oh, I'm gonna take it from you because
you can't have that, blah blah blah. But there's a reward,
and it's just the most like yeah, anti clib like,
why even have this?
Speaker 2 (58:28):
Does you can't?
Speaker 1 (58:35):
Did you have something to say before I say the
last line of the film again.
Speaker 2 (58:38):
No, Well, they said they're gonna split it three ways,
and he's trying to argue it and they're like, no,
we're splitting it three ways. So I'm like, you're bringing
up three ways a lot. I think somebody's got to
crush on seam. And then he throws his sick in
his mouth.
Speaker 1 (58:55):
Sean pops in his mouth again. He's gotta show that
off like four or five times in the movie. He's like,
look at the trick that I learned. I learned this
like for this movie, and I'm gonna just hit down hard.
Yeah the last line of the film. Guys, I want
to get this exactly right, and I'm not going to
(59:19):
because I didn't write it down.
Speaker 2 (59:20):
It's something I think I see a bathroom down there.
Speaker 1 (59:23):
I don't mean to get too excited, but is that
a bathroom over there? Because there was a random building
they were walking to, and it's such an adr bad like,
I don't understand why we did.
Speaker 2 (59:35):
Why do you want to be that bit her character?
She was this high class?
Speaker 1 (59:41):
Okay about your character? You gotta go potty all the time.
You very you're not impressed by anything.
Speaker 2 (59:49):
You're race rich, but you have to shit all the time.
You're obsessed with it.
Speaker 1 (59:55):
You have one obsession, it's going potty.
Speaker 2 (59:59):
Would be oh man, So the.
Speaker 1 (01:00:01):
Movie MVP for who who do you got for? You?
Speaker 2 (01:00:04):
Definitely Sean for me?
Speaker 1 (01:00:06):
Yeah, Regina Kant, Yeah, yeah, I hope I'm pronouncing that correctly.
Speaker 2 (01:00:10):
But his facial expressions only would be enough for me
to have enjoyed the film.
Speaker 1 (01:00:16):
Yeah, because he does bring a star power to it
that nobody else does. I mean, there's some good character
actor work in there. Yeah, but he definitely has a
charisma about him that shines a little brighter than everyone else. Remake, reboot, reimagine,
remaster or a sequel? You want to go first?
Speaker 2 (01:00:47):
I want a sequel.
Speaker 1 (01:00:49):
You want a sequel? I do Okay, see for me,
I want to remake. But can we hear your sequel?
Do you have any thoughts on it?
Speaker 2 (01:00:57):
Or you just yeah? I want to see what happens
and they get the money. I want to see how
these characters spend the money, the seven mil. It's another
like buddy cop kind of thing. It's like maybe somebody's
at it again. And and Sean's like Sandy, let me McVay.
Speaker 1 (01:01:29):
We didn't talk about that.
Speaker 2 (01:01:30):
Yeah, he was really particular about how you say.
Speaker 1 (01:01:32):
His name, William Shakespeare. Fuck you, David Mammont. That was
a pretty good line.
Speaker 2 (01:01:42):
We were good. They were showing their intellect. Yeah, there's
more to them, did we see?
Speaker 1 (01:01:52):
No.
Speaker 2 (01:01:52):
I want to see a buddy uh comedy with those two,
an action buddy comedy. Maybe maybe Steph gets taken again.
Look at how many times Liam Nisson's Nissan's starter got taken.
Speaker 1 (01:02:08):
Made a career. Yeah, he's made a career of getting taken.
Speaker 2 (01:02:12):
Steph is gonna get See this is the thing the
Dutch guy never got over. Steph was the only one
that put him in his way.
Speaker 1 (01:02:19):
Got impressed. Yeah, there's one person I never impressed.
Speaker 2 (01:02:26):
And proposal.
Speaker 1 (01:02:30):
I'll give you a million dollars and she's like, I
got like fifteen million money. I'm not impressed by a million. Okay,
I'll give you this tiger.
Speaker 2 (01:02:42):
Yeah, I didn't give a ship, did you did I
look at it the first time? No, I won't look
at it. I don't care. So I want I want
to see that story play out, like maybe him and
Sean fall in love and her and dutch Man fall
in love and at the end they're just like all
on a double date, like you know what, Look, it
really worked out for everybody. I'm not mad. I'm not
(01:03:03):
mad either.
Speaker 1 (01:03:05):
So that's my sequel, fantastic and then they just all
hook up at the end. That's what you want in.
Speaker 2 (01:03:11):
That two foot fountain tube.
Speaker 1 (01:03:15):
I go with remake on this one because I want
more of a buddy comedy out of this. But like
and also I want that true adventure because I felt
a little misled on the adventure part of it, because
like it, we had such a small journey and this
should be like a journey through whatever terrain you're going
(01:03:39):
to beat through it, whether it's jungle of the desert, whatever.
Speaker 2 (01:03:44):
I feel like they ran out of budget sometimes, like
they would have a great set up and they're like, okay,
that's all we can shoot of that note. But that's
literally like most of the film, it's all.
Speaker 1 (01:03:53):
Happened in like you know, hotel rooms or the palace
or just the big city, and we've very just a
little stuff that we got of the you know, outdoorsiness
of it. I was like, okay, cool, it was odd
because they're in a wicker basket, but like I wanted
more of that zone. And also the bloodstone should have
(01:04:14):
been a bigger than it is, you know, it should
have had some even.
Speaker 2 (01:04:18):
If it's less plastic.
Speaker 1 (01:04:20):
Yeah, let's and even if it has some kind of
mystical quality instead of just being a piece of jewelry
and Van Hoven just being a guy who's like I
want jewelry like that all he was. He was not
an impressive bad guy. There was nothing sinister about I
want to at least something like try to get this
jewel because it has magical mystical powers, give me that
(01:04:41):
adventure disbelief thing.
Speaker 2 (01:04:44):
It belongs in India. That's why I damn it.
Speaker 1 (01:04:47):
Yeah. And also Stephanie needs to be more active.
Speaker 2 (01:04:50):
Yeah, needed to be more active, like she she could
have gone to the bathroom maybe she's had a lot
more in her.
Speaker 1 (01:04:57):
One thing she could think about when you go to
when you need a party, that's all you can think about.
Speaker 2 (01:05:04):
They're not wrong, Oh my god.
Speaker 1 (01:05:06):
Also more snakes and more tigers. That's like, yeah, but
that's what I want more of. A buddy comedy adventure.
Speaker 2 (01:05:13):
That hits the things that I want more of.
Speaker 1 (01:05:15):
And I think we just need more films like that
because we used to in the eighties. They had a
bunch of those adventure things and we gotta get them now.
And then they had won the Lost City or something
like that a couple of years ago. That wasn't bad.
Speaker 2 (01:05:29):
This adventureish adventurish adventure.
Speaker 1 (01:05:33):
Give you a giche.
Speaker 2 (01:05:35):
Neverda Nevada?
Speaker 1 (01:05:39):
You bad?
Speaker 2 (01:05:42):
Okay, Look, if you ever want to see me get
twisted up, just watch Not So carn Events. I forge't
have a raid. What's that? What's the music starts for that?
Speaker 1 (01:06:02):
And this week's special guest for the Nostalgia of the
Week is Tina Powers, candy cigarette enthusiasts.
Speaker 2 (01:06:12):
Well, hey, y'all, thank you for having me on your
little program. I'm so glad to be talking about candy cigarettes.
They were such a big part of my upbringing. You know,
my mama, she had a cigarette attached to her fingers
at all times, and when she didn't, she had the
user fingers for something she put in here an all
tight lip. She got ashes in my pigtails. Okay, I'm
(01:06:36):
ONMNA smoke for everything. And when I asked Santa Claus
for something, he brought it because I was a good
little girl. I was. I minded my business. I had
a smart mouth, but I was okay. I went to
church sometimes and he would bring me candy cigarettes every
year for church. Okay. Me and Santa Claus had a
good relationship. Now I'll tell you what. They started trying
(01:06:57):
to demonize these We were trying to say that kids
who use these candy cigarettes's gonna grow up to be
the future smokers of America. That's a bunch of bullshit.
Let me tell you something right now. I don't smoke, okay,
except pot and cracks, opium. Yeah, am pine needles when
(01:07:23):
I'm super desperate, okay, but not cigarettes. Hell yeah, I
tell you hell ya to candy cigarettes. I watched the
damn movie y'all talking about a movie Bloodstone Lord, Well,
fuck the cattle. Get that one. You'll be jumping up
these curtains all night. Right here, kings, y'all have a
(01:07:45):
good rest of your program. I'm gonna cut it back
to you. So that was another fun and that was
an adventure.
Speaker 1 (01:08:02):
Yeah.
Speaker 2 (01:08:03):
I enjoyed it.
Speaker 1 (01:08:04):
Yeah, I mean enjoyed definite parts of it. There was
some uncomfortable things in the film, and yeah, I feel
like we should have figured all that stuff out by
the eighties, but we didn't.
Speaker 2 (01:08:15):
There are some of those things that some people still
haven't figured out.
Speaker 1 (01:08:18):
Yeah, they still haven't figured it out. But you know
what all we can do is be uncomfortable. Yay.
Speaker 2 (01:08:25):
And on that, I'm Jenny Wager, I'm Jeremy Briggs.
Speaker 3 (01:08:35):
Said, y'aller paces a ship.
Speaker 1 (01:09:59):
Yah,
Wednesday, April nineteenth, nineteen eighty nine. You rive at b
Side Video Rentals with adventure in your heart. You spy
a title from across the room. Its cover calls out
your name. A woman clings to a sexy jungle Safari
(00:30):
boy holding a machine gun or some other type of guy.
I have no idea. There's a switchblade guy, a bengled
tiger explosions horses, and for some goddamn reason, there's a
cobra shooting lasers out of its eyes directly into the
(00:52):
blood Stone. Hello, welcome to be Sad Video Reynolds. This
(01:28):
is Jeremy Breeds.
Speaker 2 (01:30):
And Jenny Wager. Yay, girl, I missed you when I
was in Vegas with my mom.
Speaker 1 (01:38):
Oh that's the worst thing. Yeah, it's the worst thing
when you have you're forced to hang out with family.
Speaker 2 (01:46):
Yeah, but we were in your home state of Nevada.
Speaker 1 (01:52):
Oh did you get corrected while you were there? No?
Speaker 2 (01:55):
I dared not say it, just like happy to be here.
But she wanted to stay at Circus Circus, And I
felt like such a bitch because I was like, I'm
not staying at Circus Circus, Like literally, I didn't do
that when I was very poor, and I shall not
be doing that now.
Speaker 1 (02:13):
But I love going the Circus Circus. When I was
a kid.
Speaker 2 (02:16):
Yeah, I used to go there in my early twenties,
drunk off my ass and ride the rides.
Speaker 1 (02:24):
Okay, I was like teenager and most Yeah, because they
had a great arcade, that is true.
Speaker 2 (02:33):
There were water rides indoors, and I was like, this
should be a problem.
Speaker 1 (02:37):
Reno's Circus Circus was not that an arcade and the
occasional flying Treppees show that was about it for our
circus circus. Yeah.
Speaker 2 (02:49):
Well it spelled like mildew when I was there, and
it was like where you knew. These were the parents
who couldn't get a babysitter, so they had to bring
their kids too, and they just still were just hammer
than the kids are. They're like, it's fine, they're in
like a gate thing. So yeah, So I switched her
to Paris, Paris, and I think she took it upon
(03:10):
herself to act like every elevator ride was her moment
to perform.
Speaker 1 (03:14):
Isn't it, Pelly, Pelly.
Speaker 2 (03:16):
It's Pelly. I think I said Paris twice because I
was traumatized by Circus Circus. It's just Pelly. She shut
She goes, hey, do you guys really have Barney song
Amy's Getting in the water. Everybody's just like, what are
(03:38):
you talking about this?
Speaker 1 (03:40):
I don't I don't know that song you.
Speaker 2 (03:42):
To Amy's Getting in the wood. But everybody's just like,
please shut up, ma'am. You're so weird? Which is so?
Is the movie watched this week?
Speaker 1 (03:54):
Oh yeah, but before we get into the movie, is
it time for the news?
Speaker 2 (04:00):
Oh? Yeah, yeah it is.
Speaker 1 (04:09):
Ooh Wednesday, April nineteen, nineteen eighty nine. Aves. Oh, you're
not so current events? I hope, I screamed into the microphone.
Speaker 2 (04:23):
Enough.
Speaker 1 (04:25):
Groupo Neatzsche from Columbia stepped into the New York salsa
circuit on Monday night at the Salsa Meats jazz series,
saying they wish they wore shoes because it was squishy
in their toes. How about you, Jenny, You ever dipped
your toes in the salsa scene?
Speaker 2 (04:42):
Well, that's how I paid my rent in my twenties.
Oh it was before only fans.
Speaker 1 (04:51):
You had to do it in the bag of a
wet t shirt cloth.
Speaker 2 (04:53):
Yeah, bitch had to find a way. They were like,
it's for the students at the art schools, and I
was like, what, whatever you say, dude, thanks for the check.
If he filmed it, yeah, it's like, why is your
dick hard? Sorry?
Speaker 1 (05:11):
Oh god art.
Speaker 2 (05:13):
Right, Yeah, this is for students. Primetime network television viewership
has declined again for the sixth consecutive year. Network executives
are blaming the writer strike, cable television, and most of all,
they blame their parents.
Speaker 1 (05:29):
It's not my fault, Jenny, it's my parents.
Speaker 2 (05:35):
Oh, we know how I feel about that. One. Thieves thieves.
I've returned one of three Vince Ango paintings stolen from
the Kroller Muller National Museum in December in the hope
of getting a two point five million ransom. Police recovered
the painting unharmed, from the trunk of a parked car
without paying the ransom, begging the question, can we really
(05:55):
trust the police?
Speaker 1 (05:56):
Can you? You're not gonna play your pay your ransom bills?
Come on, I don't trust that. Evander Holyfield has signed
a two fight deal with Showtime out of frustration with
his attempts to get a title shot against champion Mike Tyson.
Don King, Tyson's advisor is said to want easier paydays
before turning attention to Hollyfield, which is ridiculous. I mean,
(06:19):
I always go skittles over payday. Who buys a pay day?
Speaker 2 (06:23):
Gross? Gross people?
Speaker 1 (06:24):
I mean it's grandfather buys a payday.
Speaker 2 (06:27):
It's not real paynut butter. And it's not even the
good fake peanut butter.
Speaker 1 (06:31):
They're not real pay nuts.
Speaker 2 (06:35):
They were really they were like Chalky.
Speaker 1 (06:38):
Just five years after the Wheelchair Division was officially accepted
as part of the Boston Marathon, five competitors surpassed the
world best performance. So it appears the Wheelchair Division is
up on its feet.
Speaker 2 (06:54):
Jeremy, you just got his canceled. What canty day?
Speaker 1 (06:57):
What if I said the Wheelchair Division was a fit
up and running canceled? God damn it.
Speaker 2 (07:03):
A sheriff's office in Fort lauderdal has manufactured more than
twenty thousand worth of their own crack to use in
undercover operations to arrest street buyers. Some members of the
community are outraged, accusing the sheriff's department of taking jobs
away from the locals. You can't make crack, that's my job.
Speaker 1 (07:22):
You're taking their gabs. Policemen, you're a hand one. You're
doing Yeah, doubling up.
Speaker 2 (07:28):
I make crack. I made crack, and I'm a foot
porn star. Get out of my stuff.
Speaker 1 (07:35):
You can't take that. You ain't qualified.
Speaker 2 (07:38):
The Minnesota Supreme Court has ruled that warning labels on
cigarette packs do not give tobacco companies blanket immunity from
lawsuits by victims of one cancer and other smoking related illnesses.
It's more like Afghan immunity, where you can stick your
fingers to the.
Speaker 1 (07:54):
Banket Afghan blankets.
Speaker 2 (07:56):
I used to love those, they say, used to miss tablecloths.
You remember that when we were kids that threw one
of those blankets.
Speaker 1 (08:03):
An Afghan blanket for a tablecloth.
Speaker 2 (08:05):
Well maybe that was just in the South. Like we
got cigarette burns on the other wad.
Speaker 1 (08:11):
We only use fine lace and all tables. Michael Perlist,
a thirty six year old magazine executive, has been named
Hugh Hefner's successor as Playboy Magazine's publisher, stating he only
publishes it for the articles.
Speaker 2 (08:29):
Yeah, sure you do perm Yeah you're perv you're dirty.
Speaker 1 (08:35):
The Fruit and Drug Administration ended its special investigations of
fruit from chili. The inspection turned up no evidence of
poisoning after two grapes were found to have traces of
cyanide in them. So it appears you never got my
gift basket, did you.
Speaker 2 (08:51):
Jenny, You son of a bitch. A new study of
over six thousand union members found one out of every
four believe that they had retired to early, stating that
their Social Security checks just weren't enough to sustain their
heavy coke addictions. It's not so, we're still having the
same problems.
Speaker 1 (09:12):
We're still the same problem.
Speaker 2 (09:16):
New York designers scored well among retailers after last week's
fall Ready to Wear shows, and Isaac ms Rahi's Scottish
Tartans Tartans Trust Tartans collection certified his status or a
rising star the big loser of the night. The flesh
suits design enemy's collection.
Speaker 1 (09:36):
Fleshuts are more of a they don't scream.
Speaker 2 (09:38):
Autumn, that's a winter's collection.
Speaker 1 (09:42):
Bush administration officials are discussing several new proposals for modifying
the United States positions in the Strategic Arms talk my
extra set of strategic arms. They'd be on my hips,
so you pick things without bending over. The tensions are
high in this small New England town. A pair of
newcomers moved in and filed a lawsuit against the town
(10:04):
century old clock for waking them in the middle of
the night. The city says the clock is so old
the laws don't apply. It's been grandfather clocked in.
Speaker 2 (10:16):
That's a good one.
Speaker 1 (10:18):
See, I wish it flowed better, but there's no better.
But here I put those two duds of jokes, so
you could really send it home with this, this solid
gold joke. Jenny, you know.
Speaker 2 (10:30):
How I soar on the wings of a good joke.
You see how's a huge influence in popularizing French wines
in the US. Died on Monday at the age of
eighty eight. His last worst children were I'll give you
something to French wine about. Fuck off, my.
Speaker 1 (10:49):
Finest hour in comedy writing.
Speaker 2 (10:55):
We're all just so proud, and that was you're not
so curd of.
Speaker 1 (11:13):
So, Jenny, what did we watch?
Speaker 2 (11:16):
Well, it was the adventurous movie Bloodstone.
Speaker 1 (11:21):
Ah, I wish I watched the right movie. I'm kidding,
I right, I did. That was sincere, like, oh Jesus.
Speaker 2 (11:34):
Are what are we going to speak about?
Speaker 1 (11:38):
Bloodstone? From Omega Entertainment.
Speaker 2 (11:41):
It is thirty eight percent on the Popcorn score. Oh
that's not actually bad good for them. I think it's
kind of rude when you have that high of a
thing and it's like the popcorn is tipped over in
for it. It's like when the popcorn is about half full.
It's not like that in there saying.
Speaker 1 (12:00):
Hey, thirty not bad.
Speaker 2 (12:04):
No, especially for this kind of film. The Jewel it
was beautiful. I'm ahead of myself, but I was just
like it looked like candy. I was every time I thought,
I'm gonna just it looks like a.
Speaker 1 (12:19):
Ring pop, not candies, like those gummy bears that are like, yes,
it's like one of those, but a ring pop, yeah,
foot tall ring pop.
Speaker 2 (12:29):
When somebody like was trying to figure out if it's
realing on and I was like, fucking shit, just use
your eyes.
Speaker 1 (12:36):
So the film is Bloodstone starring Red Jinnikan. He was
a huge star in Tamil Cinemon.
Speaker 2 (12:45):
Oh my god, I love him.
Speaker 1 (12:48):
Yeah, he's He's apparently a big star in India.
Speaker 2 (12:51):
He should be for a long time. I'm glad at
least one country's getting it right.
Speaker 1 (12:58):
Brett Steinley, who played Sandy McVeigh. Yes, and did you
have fun fact about him? I was just going through
his IMDb like I was like, oh, he played this.
He did this four times. He played John F. Kennedy
four times, more than any other actor he did.
Speaker 2 (13:17):
He was very charismatic in The.
Speaker 1 (13:20):
Watchman, Transformers, Dark of the Moon, Parkland, and Kill the Dictator.
So he's just really good at playing dead. No A R.
Nichols who she played Stephanie mcvah.
Speaker 2 (13:45):
She brought you.
Speaker 1 (13:46):
Oh okay.
Speaker 2 (13:48):
I enjoyed her a lot. She was such like a
rude county bitch.
Speaker 1 (13:55):
Both of those were adjectives.
Speaker 2 (13:58):
Yes, she was doing all of the most stuff. It
was so good.
Speaker 1 (14:03):
She apparently she's in a film with Bronson pin Show
called Hot Resort, so we'll have to check that.
Speaker 2 (14:09):
We'll have to check that out.
Speaker 1 (14:12):
And then they we had Charlie Brill in Brown Face.
Speaker 2 (14:19):
Oh my god, is that the detective Inspector Ramshiyah, Oh
my god. He was a big fan of Pink Panther.
Speaker 1 (14:26):
Indeed he was. It's like his biggest claim to fame
is he He was in the first season of the
original Star Trek in probably the biggest episode of Star Trek,
which is the Trouble with Tribles. He was he was
a kling on in that and he got the job
because he was friends with Leonard Memoy got the audition,
(14:51):
not the job, the audition. Well, I mean he after
he did that, he went on to do laughing. So
he had actually a long career as a as like
a a character actor.
Speaker 2 (15:02):
Wow. But you know there's Hope Russ yet Jeremy.
Speaker 1 (15:08):
And the director is Dwight Little. He directed Halloween four.
That's dope marked for death murder at sixteen hundred, but
most importantly free willing.
Speaker 2 (15:20):
To the God Aliah, love me some free Willy Gross
I didn't act on it.
Speaker 1 (15:32):
So the film opens up in the year twelve twenty one.
The princess has died.
Speaker 2 (15:39):
Yeah, so they're having a parade.
Speaker 1 (15:41):
You're having a parade and I did what. I don't
part of this here. That just confuses the hell out
of me. They have a guy walking up with the
giant like scimitar sword, right, and it's made of glas glass.
Speaker 2 (15:55):
Yeah, what, why.
Speaker 1 (15:58):
What the hell would glass sword?
Speaker 2 (16:01):
That would do a horrible idea.
Speaker 1 (16:05):
He'd get one swing.
Speaker 2 (16:07):
I'm sure that they had other things to make swords
out of in the nineteen.
Speaker 1 (16:11):
Hundred, sure, but that's just one to be like to India.
We don't know what they have access to.
Speaker 2 (16:19):
Oh, I got the most American thing. We could say, Yeah,
the world country.
Speaker 1 (16:25):
What am I gonna do? Go over there and do research?
Speaker 2 (16:29):
I don't have a pass port.
Speaker 1 (16:34):
You gotta even go get a picture. It's a big thing.
Speaker 2 (16:38):
I want to go anywhere when I'm here in America.
The best one.
Speaker 1 (16:41):
It's the best woolen. So there's some ritual there where
they touch this scimitar to the zero and I don't
know what the I could not fathom what that was
all about? No, did you?
Speaker 2 (16:59):
Did you say?
Speaker 1 (17:00):
What was happening? They were cursing it?
Speaker 2 (17:01):
Is that what it was like if anybody tried to
take it from India, it would be cursed. And so
that that's later on mentioned too when he says, do
you have that? Don't don't fuck with that? Yeah, but
sews like anybody who has that misfortune.
Speaker 1 (17:19):
Yeah. But if Sean truly believed that, why were the
actions he took later in the film.
Speaker 2 (17:23):
I know, Yeah, there wasn't a lot of continuity with him.
Speaker 1 (17:30):
So India today.
Speaker 2 (17:32):
Today, very modern.
Speaker 1 (17:37):
We meet Sandy and Stephanie who work in textiles.
Speaker 2 (17:41):
Yep, and I immediately whenever they meet the.
Speaker 1 (17:45):
Friend who's very friend quotes.
Speaker 2 (17:48):
Yeah, he's clinging to a bag and he sits down
in front of them, and he's.
Speaker 1 (17:52):
Very nervous, sketchy. They like sprayed him down with sweat
before he got on the screen, and.
Speaker 2 (17:57):
He's in a seer sucker suit, which always equals to
douchebag to me.
Speaker 1 (18:04):
I thought he was actually pretty endurable and durable endurable.
Speaker 2 (18:08):
Yeah, he was good. I liked him. I liked him.
Speaker 1 (18:11):
Paul Laurie is his character's nake.
Speaker 2 (18:14):
Yeah, he was a lovable loser.
Speaker 1 (18:16):
Jack Keller is his name.
Speaker 2 (18:17):
Oh cool. The mcvay's the rich couple.
Speaker 3 (18:22):
Who cool.
Speaker 2 (18:24):
I gave a shade. I'll never look at it again.
I'm kidding. I did like him. So the mcvays are
this couple who are on their honeymoon. He is a
retired cop.
Speaker 1 (18:37):
He's retired. He's in textiles.
Speaker 2 (18:39):
Yeah, he works in textiles. So they're sitting with this
guy and there he's reading the paper and he reads
something about the bloodstone being stolen.
Speaker 1 (18:48):
But what I love is that the font on the newspaper,
it could not possibly be bigger. It is so comically large. Yes,
he takes up the whole page. Bloodstone has been stolen.
Speaker 2 (19:04):
And they said, how did you read that to the theater?
Speaker 1 (19:07):
Get so quick? Hey, I don't know.
Speaker 2 (19:12):
So the thing face starts making fun of the amateur
who stole it. He said, the Titanic was built by professionals,
Noah was an amateur. I love that line. Those one
of my favorite lines of the whole movie. What I
also love about this conversation the introduction of these characters
(19:33):
in this character is out of nowhere. He's like a
favorite sexual position, you know, how.
Speaker 1 (19:42):
Come we always talk about our jobs and not our
sexual orientation, Like, what how about you?
Speaker 2 (19:49):
And he's like, huh, but are you trying to fuck me?
Speaker 1 (19:54):
What's going on?
Speaker 2 (19:56):
Are your honeymoon? That is so bas are you know?
It should be an ice breaker?
Speaker 1 (20:03):
Hey you gay or no? We have kind of a
we have to meet kind of an ensemble at this point, right,
we kind of switched or we go straight to the
fountain scene.
Speaker 2 (20:13):
I think it was the fountain scene because I just
I wrote here, just random ass tits in a hot tub,
and the guy just stood there staring.
Speaker 1 (20:23):
Not only are there random tits, it's like it's obvious.
It's that it's a fountain, but they're using it as
a swimming pool like it's two feet deep. There's there
was no sense of saying like this was the use
for swimming, but they're pretending it's all we got and
(20:43):
we needed.
Speaker 2 (20:44):
A we need this shot of these tits. Okay, just
emerge from the two foot fountain.
Speaker 1 (20:50):
But there's like eight women swimming in this two foot fountain.
Speaker 2 (20:54):
It's ridic I love it, but there's only one that
just to stopless.
Speaker 1 (20:59):
Yeah, and a completely unnecessary cutaway to her. It was
just like because she probably wasn't there on the day,
and the director is like, how come the kits didn't
show up?
Speaker 2 (21:10):
And then so then they just get a lead a
big hard nipple sticking out.
Speaker 1 (21:15):
Hi.
Speaker 2 (21:18):
It was so great and it's it's like, hey, excuse me,
time to go to your meeting. Oh okay, I was
just watching the tits on the fountain.
Speaker 1 (21:26):
And that's where we meet van Hoven for the first time. Yes,
the Dutch, not big van Hoven played by Christopher Name,
who is so big when he comes in.
Speaker 2 (21:36):
Yeah, I like him too. He's not your average bad guy,
like he seems like a like a postal worker or
you know, like.
Speaker 1 (21:46):
Everything that he does, it's just like it's like he's
so evil, but it's like that.
Speaker 2 (21:50):
No, he's not.
Speaker 1 (21:51):
Like his whole thing is just like stealing jewelry and
that's it.
Speaker 2 (21:57):
Yeah, and like fun women around And.
Speaker 1 (22:02):
So after we have that little scene and we probably
cut back and forth with the train, then we meet
Cham Sabu laid by Regina Kant and he we have
this older couple.
Speaker 2 (22:17):
Right Yeah, And for me when this starts, I'm like,
this is so weird. What what is the point of this?
Then you find out the point of this.
Speaker 1 (22:26):
Well, right, because they're like we need to be there immediately.
That classic trope of like get us there on time
car chase. It's like hidden people on stretchers.
Speaker 2 (22:37):
People died, not care, Yeah, falling.
Speaker 1 (22:40):
From got you on time? You owe me the hundred hundred.
Speaker 2 (22:44):
Whatever rubies at Rubels or rubies it's you.
Speaker 1 (22:48):
Owe a hundreds.
Speaker 2 (22:51):
Yeah, canceled. No, But yeah, he was really cool and
I liked all of his Like you just.
Speaker 1 (23:00):
Kind of immediately you're like this taxi driver's what is
going on with this taxi driver?
Speaker 2 (23:05):
Yeah? And he just takes into his mouth. Yeah, he's
one held the.
Speaker 1 (23:13):
Mouth slack slapping into my mouth.
Speaker 2 (23:19):
But you have the coolest hair, just feathered back like
a dream.
Speaker 1 (23:24):
Yeah. Then we meet Inspector Ramesh.
Speaker 2 (23:28):
Yes, who is doing brown face.
Speaker 1 (23:31):
Is doing brown face. He's one hundred thousand percent doing
his version of Inspector Cluso like that. He's not even
remote hiding. Yeah, not at all. Like even towards the
end of the movie, he's he steals still so bit like, yeah,
straight the globe, the spinning globe. I was like, you can't.
(23:52):
I know this isn't homage, but you can't. It's like
that's a famous one.
Speaker 2 (23:57):
Yeah, it was insane. He's just a nightmare.
Speaker 1 (24:02):
The problem with that is he's actually pretty good at
what he's doing. His pratfalls are pretty good, his delivery,
his timing are pretty good. Except he's playing a complete
moron in brown Face. Two big actors in India like
to their face in India. Not only is he doing
(24:24):
that accent.
Speaker 2 (24:29):
You wow, why did you choose this?
Speaker 1 (24:33):
No, stupp, it's not stopping. We're all uncomfortable. So it's
like all the stuff that he did really well, just
flesh down the toilet because you're like, I'm so uncomfortable
with what you're doing. Yeah, and I can't imagine being
watching the film in the eighties, going like he's nailing it.
Speaker 2 (24:53):
Right after the old people ride, there's that whole pitsion
carrier thing. What I let the pigeons shit on their face?
Speaker 1 (25:02):
Oh? Because he inspector rumesh, He's like, I want trust
these blah blah blah, cancel, but he's like, I only
trust pigeons, and that goes up. That wasn't my pigeon.
Speaker 2 (25:19):
And then it shits on his face again. Shots on
that guy's face and shits on his face. Oh my god,
I can't even imagine, like sitting there and thinking. But
here's the thing. It made me laugh.
Speaker 1 (25:32):
He got you a laugh exactly.
Speaker 2 (25:34):
I'm like, how could they think that was something you
should do? And then I'm here laughing about it.
Speaker 1 (25:41):
They get off the train and Paul Laurie, he's like,
convinces this couple, Sandy and Stephanie, to like, oh, carry
your stuff for you because he's super nervous. He knows
people are after him, so he hides the bloodstone, which.
Speaker 2 (25:54):
Tennis bag he had.
Speaker 1 (25:57):
You didn't really it felt like they were trying to
hide it but not I don't know. Yeah, so he
hides it in her tennis bag and then runs away
and gets caught by Inspector Ramesh and who is their
taxi driver, none other than Shan Sabu. Sabu.
Speaker 2 (26:14):
Yeah, he was so good and then he clumsily when
he gets into their hotel, he clumsily gets their.
Speaker 1 (26:21):
Bags, rode their bags.
Speaker 2 (26:23):
Of course, the jewel falls in his tire, foreshadowing that
he's going to need that tire later.
Speaker 1 (26:29):
Yeah, saying that he is well prepared for a flat tire.
And then Sandy says, immediately murder her. If all people
are from India, are this nice? I'm going to like
it here. And what happens immediately after that, Sham runs
people off the road. Yeah, because they're like following him
(26:56):
and he's like, oh, you guys want to do this,
runs him off the road, car explosion murders them.
Speaker 2 (27:02):
Yeah, but I also like this. She's saying, he's so
nice when he took their bags out and he's just
throwing them on the frount like you're fucking done. He real,
he's so nice. That's a lady in the eighties. So
he didn't punch me.
Speaker 1 (27:15):
During this whole traveling thing. When they leave the train station,
there's several different groups. There's the police, officers, and then
there's these random hooligans who everybody's got eyes on all
the different moving parts. So some people are like, okay,
so we know Paul Lurid dashed it with these people
or whatever, so they're being followed and I love that.
(27:37):
Like immediately when Sandy and Stephanie are in the in
their hotel room, they just get right to it.
Speaker 2 (27:43):
It's time to get down and these.
Speaker 1 (27:44):
And these people are gonna sneak into their thing. When
these when they're hunking up in the bathtub.
Speaker 2 (27:49):
And just like, for one, they're not at all interested
in listening. It's like they're just first.
Speaker 1 (27:55):
Of all, they entered knock something over and Sandy.
Speaker 2 (28:01):
Is he's eating her out underwater, which, by the way,
who can do that?
Speaker 1 (28:09):
Don't And he pops up and he's like, what was
that you were under? Hear that underwater? Myers don't work
like that. Yeah, telling you. Sandy is a great ex
police officer, and she's like, never mind what that was
because she could care less. She's like going back there.
(28:32):
So these guys are like sneaking through the place and
they're being like Stephanie's being wow, yeah it is. It
could not be more obvious what is going on?
Speaker 2 (28:46):
But she was performing like it was prom.
Speaker 1 (28:50):
But then these guys are like they seriously say, I
mean it's in a d R. But they go like, hey,
what's going on in there?
Speaker 2 (28:58):
I've never heard sex.
Speaker 1 (28:59):
The door opened and outcomes Sandy in jeans, no top.
Speaker 2 (29:04):
No, that was dry, bad ass.
Speaker 1 (29:08):
And but dry. Yeah, he kicks both of their asses.
Speaker 2 (29:14):
Yeah, in those jeans, wet jeans. He kicks both of
their asses.
Speaker 1 (29:18):
It's like, oh, I thought he.
Speaker 2 (29:19):
Was dry, but he got But this is the thing.
He just got out of the tough and yanked on jeans.
That what a baller move, Like I'm gonna kick your
ass in tight ass jort ash jeans.
Speaker 1 (29:32):
Oh boy, did I enjoy that one.
Speaker 2 (29:34):
The last thing I want to say about I happen
to know here says that is the hardest kick I
have ever seen, shirtless, wet in jeans, and he says,
I'll let room service deal with it. He does, like,
what a badass, motherfucker, I just come and destroy hotel rooms.
(29:55):
They'll deal with it. You could tell he was a cop.
Speaker 1 (30:00):
So they're coming after them a second time, this time
in the night market. Yeah, and he says the line oh,
we've got trouble. And then Stephanie's like, well, so does
every couple, but we'll get through it. We got real trouble.
Speaker 2 (30:18):
And then the watermelon showdown starts.
Speaker 1 (30:20):
The Watermelon Showdown, It's just what it was like it
was on set. Wait, wait, we've got a sword and watermelons.
Speaker 2 (30:28):
Gotta do it, got.
Speaker 1 (30:29):
It, guys, we got to toss some watermelons.
Speaker 2 (30:31):
And this is where Sandy's ongoing bathroom joke starts.
Speaker 1 (30:36):
I love that you picked.
Speaker 2 (30:37):
Up on.
Speaker 1 (30:40):
Because they were driving me bonkers, because that's where I
want to do my onset speculation.
Speaker 2 (30:51):
Did she think they didn't hear her? Well, obviously they
didn't get that. I should say it again.
Speaker 1 (30:57):
No, to me, that was all like every ongoing bathroom
joke there were, every one of them was a br
So this was after they shot the entire film.
Speaker 2 (31:08):
And they're like, there's something there.
Speaker 1 (31:11):
And Jesus, could you imagine just like showing up and
being like, oh wait, when did we shot the entire film?
And now all of a sudden, I have ibs? What
has happened?
Speaker 2 (31:22):
I really need to go to the bathroom.
Speaker 4 (31:25):
I need seriously, I gotta go seriously, where is a bathroom.
Speaker 1 (31:31):
Even the last line in the film, in the movie,
don't mean to get too excited, but is that a bathroom?
Speaker 2 (31:38):
Like did you not haven't taken a ship?
Speaker 1 (31:42):
Or do you really just have to go to the
bathroom all the time? What is it? Because if that's
the case, I feel like I have different feelings about
the scene before when they're doing it in the bathtub.
Speaker 2 (31:54):
Yeah, it's like it's dangerous down there, sand.
Speaker 1 (31:58):
Beat, that's why say, And he does it in the bathtub.
Speaker 2 (32:03):
This sturdy bitch is shitting all day.
Speaker 1 (32:07):
It's the only time. This is something I can do.
Speaker 2 (32:11):
Oh my god, I did not plan on going to cry.
Oh he was the best. I was just like, what
does she just keep bringing this up?
Speaker 1 (32:25):
Just go to the bathroom, girl, And then I love
like he he like pulls her aside and he's like,
all distract him. You run like why are you splitting up?
That makes no right?
Speaker 2 (32:37):
Why? And then he jumps over that wagon and they
shoot it. It's just full of different colors of powder.
I was like, is this a cartoon? It like blew
up a blue powder and then a red powder, Like
what is happening?
Speaker 1 (32:48):
India is very colorful.
Speaker 2 (32:50):
Very colorful. They put a little bit of that Bullywood
spin on it.
Speaker 1 (32:54):
Yeah.
Speaker 2 (32:54):
So now the two guys have stuff. They take her
off after they not him out so weakly.
Speaker 1 (33:03):
Well they hit him in the back of the head
with a club or something.
Speaker 2 (33:05):
Yeah, but it was like it and he's like.
Speaker 1 (33:09):
Because he like walks up to the group, give me
back my wife.
Speaker 2 (33:13):
I even wrote very borat my life.
Speaker 1 (33:18):
Gave my life and this pretty jays.
Speaker 2 (33:24):
Yeah it does. I think I see who got inspired.
Speaker 1 (33:27):
I love how she runs away. She when she runs
away before she gets captured, she's just like, where's the
bathroom and looking like back and forth, like that's all
she cares about. He's like, run for your life. We're
gonna die.
Speaker 2 (33:42):
And now the driver is with the gang. They're working together.
Speaker 1 (33:46):
Yes, the people that capture him are different people, because
Sean says, you're lucky my people got you first.
Speaker 2 (33:54):
Yes, And he's got a switch.
Speaker 1 (34:00):
And he's like this cab driver.
Speaker 2 (34:03):
Yeah, and then he says everyone in India is related.
It's like, what, I don't think that's correct. This is
my cousin and this is my uncle.
Speaker 1 (34:14):
So what you're saying is you're on the wrong side
of the law. Allows on the wrong side of me.
Speaker 2 (34:21):
Yeah, And this is where I think a big pivotal
moment happens, because he pulls up to a guy and
tells him he talks to a guy on the street,
gives him money, and he says, the streets never lie.
Speaker 1 (34:34):
By time on the street all the time. I'll be lying.
Speaker 2 (34:37):
Yeah, because this comes up again later, but they take
the lady out and he's covered in lipstick.
Speaker 1 (34:45):
The guy he tells Ramash, he's like, this is where
I'm gonna be. I'm gonna go get a hooker and
I'm gonna be at this place at this time. Criminals.
Before that that even happens, he gets out the first
time with Inspector Ramesh and he's like, Okay, I gotta
go get the bloodstone now. So he goes to Sandy
(35:07):
and Stephanie's hotel room while they're dealing with their being
chased moment, and he grabs her tennis stuff and he's
getting off, he's getting you.
Speaker 5 (35:18):
He's leaving, he's getting away, and of course Inspector Romesh
shows up and he's like, I got you.
Speaker 1 (35:30):
You didn't think I would. You didn't think of that,
stupid blah blah blah, and he opens up the tennis
gear and he's like, what kind of man steals a
woman's balls?
Speaker 2 (35:40):
Oh my god, that's one of the film. Of course,
you love that one. That one was insane and he
stuck on it so hard to.
Speaker 1 (35:53):
He almost did the freaking thing again. Bro. So he
does that. Then after they let him go the second time,
he said, this is where I'll be, and so he
does go get a hooker, and Sham and Sandy kind
of they discussed their whole thing and then they go
out and they're like, well, we got to talk to
him figure out what's going on because Seam does not
(36:13):
tell Sandy that he has the bloodstone, that he found
the bloodstone he's in that scene when he meets up.
He's like, you're missing anything. He's like, yeah, my wife.
And so they come up with this whole plan. They
go to try to find Paul Laurie figure out what's
going on. Of course, while they're there, the hooligans show
(36:34):
up again. What are they? This is what I love?
There when they try to get away because they hear
the bad guys and then they go hang on the
fire escape and then Paul Laurie gets up. Yeah he's
dangling on top of them. I loved that shot. I
just wish they followed it through a little more because
it was it had such potential for Yeah, it was
(36:56):
like some physical comedy things. But they're like, no, leave
that to Charlie Brill.
Speaker 2 (37:00):
Yeah, that was a miss moment.
Speaker 1 (37:04):
And so they're escaping and of course Inspector Ramesh sees
them and he's like, I gotta go after them, and
so he starts his car. It's not working. He gets
down to tires flat, starts hitting his car. The horn
goes off. It's this insane. This is like the the Yeah,
he like lifts up the hood to try to get
(37:25):
the horn to stop. It won't stop. So what does
he do? He shoots the engine. Like this is where
you're like, if you weren't already such a caricature and
a non realistic type of a person. And that's the
difference between Clouseau and what he's doing is just like
they're so big and just not at all believable in
(37:47):
any way, and where you're just like, oh god, he
didn't know. It feels like he's trying so hard for
the joke.
Speaker 2 (37:58):
Yeah, it's it's bad for me. It just gives me stress.
Once I does something like shoots an engine shoots.
Speaker 1 (38:06):
Right, you just go that is so stupid. I mean,
you had a hard enough time with the break in
his own TV, let alone pulling a gun out in
the shop.
Speaker 2 (38:13):
Yeah, this ship stresses me out.
Speaker 1 (38:16):
You're like, oh god, how what second of how much
does it take to repair that?
Speaker 2 (38:20):
What in the bed stiller are you doing right now?
Speaker 1 (38:24):
That's gonna take years to work that off. Like that
was the moment where I realized, like, oh, the director
and I had to look it up because Dwight Little
he he didn't that just like his only comedy, It
is only comedy. He does action movies, and it's so
obvious that he just doesn't. He didn't understand comedy and
(38:48):
every everything in it is just a misfire on the jokes,
not every and there are some jokes that do hit,
but it just feels like it just didn't.
Speaker 2 (38:59):
Work and actually a different genre, buddy, Yeah, I.
Speaker 1 (39:02):
Mean he only he started like you know, he did
Halloween four and you didn't do a lot of horror.
But action kind of became his thing, and he's I
think all the action stuff really worked. It's just the.
Speaker 2 (39:16):
Jokes, the jokes were so far off that.
Speaker 1 (39:20):
It made everything feel odd.
Speaker 2 (39:22):
Yeah, but there were moments that I really enjoyed. There
are like the one I'm about talking about where they're
together and it's the weirdest fight ever. Oh yeah, Okay,
the door comes the guys there. He just punches the guy.
Speaker 1 (39:40):
And that's what I'm talking about, where it's just like
on extent, we're like, wait a minute, what if you
just this delivery gives you something, take it, close the door,
open it, punch him. He'll smile at you, and then
you close the door again, like.
Speaker 2 (39:58):
It makes mo. I was just like, be angry, punch him,
and then they get in a fight.
Speaker 1 (40:08):
I love the fight because it's like they get like
the whole delivery thing that's all dealing with Van Hovean
being like, I've got your wife, give me the bloodstone
and he's like I don't have a bloodstone, and Sean's
like I got it. He's like, you should have, a bitch.
We have like a minute long fight. And so they're fighting.
They've launched themselves into the bathroom. You just for like
(40:32):
twenty seconds.
Speaker 2 (40:32):
You're destroying everything.
Speaker 1 (40:35):
And then right before they leave, the toilet flushes. These
were like, what, it's so stupid.
Speaker 2 (40:47):
Somebody got a swirly bitch.
Speaker 1 (40:51):
Nobody got a swirling nobody was wet. If they were wet,
I would have been like, got him. No, they took.
Speaker 2 (40:56):
A bathroom break. Somebody just needs to go and and.
Speaker 1 (41:00):
So then they stop. They're tired because you know, a
minute of fighting is exhausted, exhausting, and they're like, I
don't trust you. I don't trust you either. What a
perfect relationship.
Speaker 2 (41:10):
And then we see her Stephanie in a beautiful pink house.
This touched me in who's obsessed with having pretty women
around lives in a pink house.
Speaker 1 (41:20):
It's not a house girl. It is the biggest goddamn
palace to palace.
Speaker 2 (41:27):
But he doesn't touch her, mistreated to the women, he
just wants to have dinner parties and let them swim
and let them sasmouth him.
Speaker 1 (41:35):
I hope you're comfortable, which this makes the question did
she not use the bathroom there?
Speaker 3 (41:40):
Yeah?
Speaker 2 (41:41):
This guy's basically dressing you with somebody. You do whatever
you want.
Speaker 1 (41:45):
And all she used to say is like, I don't
think I'm impressed. I grew up in a house like this.
Speaker 2 (41:50):
Like what, No, you didn't bitch. We don't have palaces
like that in America. But she just to be a
bitch for the sake of being a bitch, and that's
why I like her. And then she gets the lowdown
from the butch guy. Is what it says. I don't
know what that means from the butcher guy. Oh no,
(42:10):
it might be bitch guy. Yeah, very different stuff. A
butcher a bitch are very very different. Okay, she gets
the lowdown from the bitch guy.
Speaker 1 (42:25):
But you can be a butchy bitch, which is you know.
Speaker 2 (42:28):
You can't be Then the gang loves the taxi driver guy.
They jump out. Everybody's getting weapons, but they saying a word.
Speaker 1 (42:42):
Wait he sneaks out to do this. He's like here,
everybody grab a sword. And then then he comes back
and you're.
Speaker 2 (42:47):
Like, yeah, what was that? But I just like it.
Everybody's just kind of just getting horrible weapons and walking
away like nobody's getting what's gonna happen? And she's like, ah, cool,
give me, give me.
Speaker 1 (43:00):
Out. And they're like sleeping next to each other in chairs,
like Sean is in a like a sit up chair
and then Sandy's in like a very uncomfortable wooden bench
and he's sleeping there. It's like you have a bed here,
this is your hotel room. And his neck is cranked
up on that wooden thing like he's he's got his
(43:20):
head up on this wooden.
Speaker 2 (43:22):
Arm like what And I wrote, just like a man
sleeps like a baby in the most awkward position while
his wife is missing.
Speaker 1 (43:32):
Sucking thud. He's like, finally I get a knife of
peace and.
Speaker 2 (43:38):
Quiet, and Steph is saying, I'm not impressed. Go underwater
and ate my pussy again. So now it's like Batman
montage of them getting ready to go to the palace.
Speaker 1 (43:51):
Let's do this, And this is where it finally picks
up a little bit of steam in what I thought
we would get, which was an adventure film. Like I
thought coming into it, we're getting, you know, an adventure film,
something along the lines of which he was ripping off
like Jewel of the Nile, Romancing Stone, things of that nature,
(44:12):
just like a journey through jungle or different types of terrain.
Speaker 2 (44:16):
And we think he shoots a snake.
Speaker 1 (44:18):
He not only does he shoot a snake, it's like
a falling snake. The snake barely it's just like falling me,
like you shot a falling. Oh god, I falling? What
did a pa just throw me? He just dropped me
(44:39):
from a ladder? What the hell's happening?
Speaker 2 (44:41):
I'm not so When he shot that snake, I was
just like, there's just no point to do that. You're
such a bitch, especially.
Speaker 1 (44:48):
Because Sean goes he was not poisonous. He's harmless, right,
that's a harmless snake.
Speaker 2 (44:55):
Shut You just shot it in the face for no reason.
Speaker 1 (44:58):
How else are you gonna skeet shoot in India? You
shoot flooding snakes.
Speaker 2 (45:03):
I'm like, an you idiot. And then it shows brown
face detective on a horse.
Speaker 4 (45:08):
Yes, outrageous, outrageous, which was, but it was outrageous, cant
that was his delivery.
Speaker 2 (45:20):
That was so good.
Speaker 1 (45:22):
You just show pretending like I wasn't taking a shower
going there's it is out.
Speaker 2 (45:30):
That Yeah, O my god, you really nailed it in
a horrible way. So now this is another scene that
was so stressful for me, and I bet their stunts
devils were like, you want us to fucking do what?
Speaker 1 (45:43):
The biggest basket, the wicker basket that they flowed down
the river, baskets safe that.
Speaker 2 (45:52):
Was huge, huge, horrible ways like.
Speaker 1 (45:56):
Circular thing that they're not controlling at all. They're just
like flopping around.
Speaker 2 (46:02):
Can you see it filling up with water? And those
poor stun bubbles just have those horrible wigs on and
they're like, oh my god, they said they would take
care of our families if anything happened.
Speaker 1 (46:16):
He's why they shut it in India.
Speaker 2 (46:20):
So bad. And then it shows them like in a
calmer part, like getting all dry, the wickers all dry,
just getting out. Okay, that was really rough, but we survived.
Speaker 1 (46:31):
And then they get to the park where they like
they're like, okay, I see the guy that's gonna take
this bloodstone off my hand. And the bridge, the rope bridge,
and so he starts to cross and something goes weird
and everybody's like they're surrounded. Also Sean does this, He
like pulls his gun out and does this like world
(46:52):
because everything he has to do is yes, he's there,
are surrounded. There's nothing they could do. Then there's like
a little tussle and Sean goes after Sandy and he's like,
I gotta go after him. I gotta get on that bridge.
So he starts crossing the bridge, and this part I
(47:12):
thoroughly enjoyed. I wish we stayed on it because they
did a double burn of this bridge on both sides
within the middle. Boy did I I like that shot.
I thought it was fantastic. It was great, and the
jump off of the bridge.
Speaker 2 (47:25):
Fantastic, perfect dive.
Speaker 1 (47:27):
I wish we had a little bit. I wish they
milked it just a little bit more.
Speaker 2 (47:31):
He you deserve to have a bigger moment there.
Speaker 1 (47:34):
Yeah, I think so.
Speaker 2 (47:36):
Because he's jumping into those waters. So they just were
in that with their basket and they're insane and it's
like he's gonna die.
Speaker 1 (47:44):
But guess what, he didn't die.
Speaker 2 (47:47):
He didn't die.
Speaker 1 (47:48):
He didn't die. So Sandy's came off and for some
weird reason, this group of people that just ambushed them,
like there's a guy d Yeah, the dance was holding
it up and they've got their like guns.
Speaker 2 (48:03):
Oh we got it. Like this isn't going to benefit
us at all. We're getting this to someone.
Speaker 1 (48:08):
And you can tell none of them were enthusiastic to
do this dance.
Speaker 2 (48:12):
They're just that they were told to do it. Now, Okay, this.
Speaker 1 (48:15):
Is really stupid. They're gonna ambush us, do it.
Speaker 2 (48:18):
We won't give you lunch. He survives, of course, because
he's a bad switherfucker. Of course he rejoined Sandy and
they take on all these dudes. They beat the ship
out of all of them. Their two left standing, and
they throw one off the cliff immediately, like we only
need one for information.
Speaker 1 (48:35):
Like the cliff is really fifteen feet into water.
Speaker 2 (48:40):
Yeah, they just watched him survive it, so but they
tell him. And when he gave them the information of
the secret way to get in the palace, they're like,
he said, you said he would let me go. We'll
let you go, all right, ha ha. But then they
show him like swimming away.
Speaker 1 (48:59):
Yeah, Like he's like, oh no, I'm all what this
is what I hate the most?
Speaker 2 (49:07):
Yeah? Oh my head. And then they ride elephants, and
of course I was pissed when they showed the detective
writing a baby elephant. It's like that baby elephant is
not getting paid enough.
Speaker 1 (49:18):
But does he get paid in peanuts?
Speaker 2 (49:21):
Well, maybe he is getting paid enough. Elephants really like them.
Speaker 1 (49:24):
They love peanuts. My research by watching Dumbo.
Speaker 2 (49:29):
That movie is so sad, so sad. Now, my big
note on the top of this page is Seauan has
the coolest sneakers, like, I.
Speaker 1 (49:38):
Love that he notices sneakers.
Speaker 2 (49:41):
He wears like cool Vans.
Speaker 1 (49:45):
Cool. So they go into the cave, right, Yes, there
was this cave to like sneak in. And they get
to the point where they're about to go up, and
it's like they start to go up and they see
a Bengled tiger. Yeah, and they immediately shut it and
they're like, what did we do? But before they even
say what do we do, there's a voice off scream
(50:06):
that goes like Van Overn wants the Bengal tiger and
the foyer or something like that, and it immediately leaves.
So you're like, oh are they You didn't even get
to finish your thought, like how are they going to
get around this bangel tiger? They just solved the problem. Yeah,
I induce us to a Bengel tiger to not like
(50:28):
use it another time. They just walk it through the
palace and no one looks at it. I don't know,
if you watch, nobody turned their face.
Speaker 2 (50:44):
They said if you look at the tiger, on said,
it will kill you.
Speaker 1 (50:48):
We'll attack you.
Speaker 2 (50:49):
No. Oh, geezeez, there's another snake. He doesn't shoot the
steak this time, though, thank God.
Speaker 1 (50:59):
But it is Cobra, and Sean just goes go.
Speaker 2 (51:02):
Away, go away, go away, Cobra.
Speaker 1 (51:07):
Cobra, very dangerous, go away.
Speaker 2 (51:09):
This match will shoot you in the damn face. You
need to keep going.
Speaker 1 (51:14):
I respect for you.
Speaker 2 (51:15):
Go away, and then McVeigh slides down, all cool. They
kill those two dudes, crazy loud. He slides down the
banister like it, why slide down.
Speaker 1 (51:25):
Like he was a twelve year olds.
Speaker 2 (51:27):
This lumber party.
Speaker 1 (51:29):
That's the joke. It was like, that's what I'm talking
about the jokes of this film. Like it's just like,
why did you do that? You might as well just
like when you got down off the banister, you should
have grabbed it like you were pulling away Reggie, Like
you should have done that. Why not?
Speaker 2 (51:43):
Super loud like you're sneaking to the bowls. You kill
him so loud, and then we all know that Matt
gives you a wedgie, bitch, We all know you got it.
I like the dutch man what's his name.
Speaker 1 (51:58):
Uh, Ludwig Vaughang.
Speaker 2 (52:01):
He says, your husband wouldn't play games with me, would he?
And it's like, oh, you're gonna tell he wasn't play
games with him?
Speaker 1 (52:09):
Love loves games.
Speaker 2 (52:12):
He loves it. He was so hard.
Speaker 1 (52:15):
So they could do a part where they're like, Okay,
we're gonna we're gonna zip line across, so I'm gonna
throw a grappling hook. And I need help with this
joke because I don't understand this Irish thing. I do not.
Speaker 2 (52:30):
I have no idea. My ancestors were Irish.
Speaker 1 (52:34):
Let it to my DM, he says, Sean goes, be careful,
don't worry. My ancestors were Irish, Like were Irish people
known for being careful.
Speaker 2 (52:45):
No, like, I know what has happened there. There's drunks
who do crazy as ship and potatoes.
Speaker 1 (52:53):
I mean, there's like is it a is it a bomb? Thing?
Because you could say maybe the IRA bombing stuff that
was a thing, but that's not being careful, and you
have to be careful to make a bomb. I guess
I don't never done that ever in my life, and
I wouldn't I wanted to. Is that long enough?
Speaker 2 (53:13):
Zach Vincy, I'm scared to even talk about it. They're listening.
Speaker 1 (53:19):
Cut that out. I hope someone's listening. We got five listeners.
It's just a government.
Speaker 2 (53:28):
Yeah, And so I wrote down to ask you about that. Yeah,
I was.
Speaker 1 (53:33):
I'm glad we're both on the same page of that,
because I was like, what the hell, somebody and tell
me what this means.
Speaker 2 (53:39):
My ancestors are Irish, and I have no idea what
that means. There are things about my people that I
don't understand.
Speaker 1 (53:46):
I'm only three percent.
Speaker 2 (53:49):
Yeah, I mean mine is like he'll Billy Irish, like,
we've been over here a long time.
Speaker 1 (53:54):
Way too long.
Speaker 2 (53:55):
If you wait too long, get out, get out. But
my dad's was German, so it's like always like, uh,
people say, oh, what's your here? It is.
Speaker 1 (54:07):
I will not tell you.
Speaker 2 (54:09):
We don't have to talk about that. My mom used
to say that there was Cherokee in our.
Speaker 1 (54:14):
Bloods, but we all know she would lie.
Speaker 2 (54:17):
Yeah. Absolutely, I did my DNA and it's like, no, bitch,
not even point zero one percent Cherokee, bitch, No.
Speaker 1 (54:28):
Really, I belong here.
Speaker 2 (54:30):
I'm not just all the shitty ones. Anyways, So back
to the dinner party, he.
Speaker 1 (54:37):
Tries to slide down, he gets stuck, and of course
they see him and they're captured immediately, because why have
any more adventure? Let's cut the adventure out of this
adventure film.
Speaker 2 (54:51):
Well, thank God that they cut that short because Steph
was not impressed with the fireworks.
Speaker 1 (54:56):
No, think about I've been to Disneyland.
Speaker 2 (55:03):
Yeah, fireworks are kind of the same everywhere.
Speaker 1 (55:07):
I don't know if you've been out of idiot.
Speaker 2 (55:10):
This isn't the only place with them, dummy. Yeah, And
I don't know if anyone else noticed them, but I
am a little nipple obsessed her nipples in that outfit.
We're sorry watch z z. From the front, it looked
fine and normal. I mean, not that it doesn't look fine,
(55:31):
but she turned to the side and it was like
Madonna cone boobs.
Speaker 1 (55:37):
So if you don't know, in films they keep sets
really cold.
Speaker 2 (55:42):
Yeah, and she was like, there's one reason.
Speaker 1 (55:44):
They do it. They say, it's to keep you everyone awake. Girl,
That ain't it.
Speaker 2 (55:49):
No, they want them big pointy nipples, so do I
Thank God? Yes? So then then they find out it's
a fake diamond.
Speaker 1 (56:01):
Fake, fake blood stump, fake it's made out of glass.
Speaker 2 (56:08):
It's just out but it shatters and then it leads
to a cool sword fight.
Speaker 1 (56:13):
Does So what I love is like we have a
sword fight, we have horses, we have explosions punching all
kinds of am and what does Sham do steal's jewelry?
Speaker 2 (56:28):
Yeah, well, I was just bringing this to you to
show you an example of what's inside. It just immediately
cuts to the round table of textile people.
Speaker 1 (56:44):
Well after like we have the whole thing with Inspector
Sham coming in, going like cleaning up the mats, after
the big taking the credit, taking the credit, doing all that. Yes,
and we do cut to boardroom of textiles textile people,
and I love, like, why are you giving us anything
with the textile stuff, because you gave us no textile
(57:06):
information whatsoever. No, just like it's textile and everything said
is like the.
Speaker 2 (57:11):
Vegas Yeah, I'm a businessman.
Speaker 1 (57:15):
Yeah, what do you do?
Speaker 2 (57:17):
I do business business.
Speaker 1 (57:21):
I write checks and I signed them.
Speaker 2 (57:25):
Wow, that sounds important.
Speaker 1 (57:27):
I have employees.
Speaker 2 (57:30):
Yeah, And then it was the callback to that foreshadowed thing.
The streets know everything while he's in the business meeting. Yes, right,
So then he remembers, hold on, hold on, I think
I need to go tie up some loose ends.
Speaker 1 (57:47):
Figure it out. Let me travel back to India.
Speaker 2 (57:52):
Where Sean is just very casually sitting on the field.
I've just been sitting here all week.
Speaker 1 (58:04):
Oh you found me.
Speaker 2 (58:06):
Why he's just sit out in the grass holding something
that's like worth seven billion dollars.
Speaker 1 (58:12):
And then the most ridiculous of course, Inspector Rachelle comes
back in, Oh, I'm gonna take it from you because
you can't have that, blah blah blah. But there's a reward,
and it's just the most like yeah, anti clib like,
why even have this?
Speaker 2 (58:28):
Does you can't?
Speaker 1 (58:35):
Did you have something to say before I say the
last line of the film again.
Speaker 2 (58:38):
No, Well, they said they're gonna split it three ways,
and he's trying to argue it and they're like, no,
we're splitting it three ways. So I'm like, you're bringing
up three ways a lot. I think somebody's got to
crush on seam. And then he throws his sick in
his mouth.
Speaker 1 (58:55):
Sean pops in his mouth again. He's gotta show that
off like four or five times in the movie. He's like,
look at the trick that I learned. I learned this
like for this movie, and I'm gonna just hit down hard.
Yeah the last line of the film. Guys, I want
to get this exactly right, and I'm not going to
(59:19):
because I didn't write it down.
Speaker 2 (59:20):
It's something I think I see a bathroom down there.
Speaker 1 (59:23):
I don't mean to get too excited, but is that
a bathroom over there? Because there was a random building
they were walking to, and it's such an adr bad like,
I don't understand why we did.
Speaker 2 (59:35):
Why do you want to be that bit her character?
She was this high class?
Speaker 1 (59:41):
Okay about your character? You gotta go potty all the time.
You very you're not impressed by anything.
Speaker 2 (59:49):
You're race rich, but you have to shit all the time.
You're obsessed with it.
Speaker 1 (59:55):
You have one obsession, it's going potty.
Speaker 2 (59:59):
Would be oh man, So the.
Speaker 1 (01:00:01):
Movie MVP for who who do you got for? You?
Speaker 2 (01:00:04):
Definitely Sean for me?
Speaker 1 (01:00:06):
Yeah, Regina Kant, Yeah, yeah, I hope I'm pronouncing that correctly.
Speaker 2 (01:00:10):
But his facial expressions only would be enough for me
to have enjoyed the film.
Speaker 1 (01:00:16):
Yeah, because he does bring a star power to it
that nobody else does. I mean, there's some good character
actor work in there. Yeah, but he definitely has a
charisma about him that shines a little brighter than everyone else. Remake, reboot, reimagine,
remaster or a sequel? You want to go first?
Speaker 2 (01:00:47):
I want a sequel.
Speaker 1 (01:00:49):
You want a sequel? I do Okay, see for me,
I want to remake. But can we hear your sequel?
Do you have any thoughts on it?
Speaker 2 (01:00:57):
Or you just yeah? I want to see what happens
and they get the money. I want to see how
these characters spend the money, the seven mil. It's another
like buddy cop kind of thing. It's like maybe somebody's
at it again. And and Sean's like Sandy, let me McVay.
Speaker 1 (01:01:29):
We didn't talk about that.
Speaker 2 (01:01:30):
Yeah, he was really particular about how you say.
Speaker 1 (01:01:32):
His name, William Shakespeare. Fuck you, David Mammont. That was
a pretty good line.
Speaker 2 (01:01:42):
We were good. They were showing their intellect. Yeah, there's
more to them, did we see?
Speaker 1 (01:01:52):
No.
Speaker 2 (01:01:52):
I want to see a buddy uh comedy with those two,
an action buddy comedy. Maybe maybe Steph gets taken again.
Look at how many times Liam Nisson's Nissan's starter got taken.
Speaker 1 (01:02:08):
Made a career. Yeah, he's made a career of getting taken.
Speaker 2 (01:02:12):
Steph is gonna get See this is the thing the
Dutch guy never got over. Steph was the only one
that put him in his way.
Speaker 1 (01:02:19):
Got impressed. Yeah, there's one person I never impressed.
Speaker 2 (01:02:26):
And proposal.
Speaker 1 (01:02:30):
I'll give you a million dollars and she's like, I
got like fifteen million money. I'm not impressed by a million. Okay,
I'll give you this tiger.
Speaker 2 (01:02:42):
Yeah, I didn't give a ship, did you did I
look at it the first time? No, I won't look
at it. I don't care. So I want I want
to see that story play out, like maybe him and
Sean fall in love and her and dutch Man fall
in love and at the end they're just like all
on a double date, like you know what, Look, it
really worked out for everybody. I'm not mad. I'm not
(01:03:03):
mad either.
Speaker 1 (01:03:05):
So that's my sequel, fantastic and then they just all
hook up at the end. That's what you want in.
Speaker 2 (01:03:11):
That two foot fountain tube.
Speaker 1 (01:03:15):
I go with remake on this one because I want
more of a buddy comedy out of this. But like
and also I want that true adventure because I felt
a little misled on the adventure part of it, because
like it, we had such a small journey and this
should be like a journey through whatever terrain you're going
(01:03:39):
to beat through it, whether it's jungle of the desert, whatever.
Speaker 2 (01:03:44):
I feel like they ran out of budget sometimes, like
they would have a great set up and they're like, okay,
that's all we can shoot of that note. But that's
literally like most of the film, it's all.
Speaker 1 (01:03:53):
Happened in like you know, hotel rooms or the palace
or just the big city, and we've very just a
little stuff that we got of the you know, outdoorsiness
of it. I was like, okay, cool, it was odd
because they're in a wicker basket, but like I wanted
more of that zone. And also the bloodstone should have
(01:04:14):
been a bigger than it is, you know, it should
have had some even.
Speaker 2 (01:04:18):
If it's less plastic.
Speaker 1 (01:04:20):
Yeah, let's and even if it has some kind of
mystical quality instead of just being a piece of jewelry
and Van Hoven just being a guy who's like I
want jewelry like that all he was. He was not
an impressive bad guy. There was nothing sinister about I
want to at least something like try to get this
jewel because it has magical mystical powers, give me that
(01:04:41):
adventure disbelief thing.
Speaker 2 (01:04:44):
It belongs in India. That's why I damn it.
Speaker 1 (01:04:47):
Yeah. And also Stephanie needs to be more active.
Speaker 2 (01:04:50):
Yeah, needed to be more active, like she she could
have gone to the bathroom maybe she's had a lot
more in her.
Speaker 1 (01:04:57):
One thing she could think about when you go to
when you need a party, that's all you can think about.
Speaker 2 (01:05:04):
They're not wrong, Oh my god.
Speaker 1 (01:05:06):
Also more snakes and more tigers. That's like, yeah, but
that's what I want more of. A buddy comedy adventure.
Speaker 2 (01:05:13):
That hits the things that I want more of.
Speaker 1 (01:05:15):
And I think we just need more films like that
because we used to in the eighties. They had a
bunch of those adventure things and we gotta get them now.
And then they had won the Lost City or something
like that a couple of years ago. That wasn't bad.
Speaker 2 (01:05:29):
This adventureish adventurish adventure.
Speaker 1 (01:05:33):
Give you a giche.
Speaker 2 (01:05:35):
Neverda Nevada?
Speaker 1 (01:05:39):
You bad?
Speaker 2 (01:05:42):
Okay, Look, if you ever want to see me get
twisted up, just watch Not So carn Events. I forge't
have a raid. What's that? What's the music starts for that?
Speaker 1 (01:06:02):
And this week's special guest for the Nostalgia of the
Week is Tina Powers, candy cigarette enthusiasts.
Speaker 2 (01:06:12):
Well, hey, y'all, thank you for having me on your
little program. I'm so glad to be talking about candy cigarettes.
They were such a big part of my upbringing. You know,
my mama, she had a cigarette attached to her fingers
at all times, and when she didn't, she had the
user fingers for something she put in here an all
tight lip. She got ashes in my pigtails. Okay, I'm
(01:06:36):
ONMNA smoke for everything. And when I asked Santa Claus
for something, he brought it because I was a good
little girl. I was. I minded my business. I had
a smart mouth, but I was okay. I went to
church sometimes and he would bring me candy cigarettes every
year for church. Okay. Me and Santa Claus had a
good relationship. Now I'll tell you what. They started trying
(01:06:57):
to demonize these We were trying to say that kids
who use these candy cigarettes's gonna grow up to be
the future smokers of America. That's a bunch of bullshit.
Let me tell you something right now. I don't smoke, okay,
except pot and cracks, opium. Yeah, am pine needles when
(01:07:23):
I'm super desperate, okay, but not cigarettes. Hell yeah, I
tell you hell ya to candy cigarettes. I watched the
damn movie y'all talking about a movie Bloodstone Lord, Well,
fuck the cattle. Get that one. You'll be jumping up
these curtains all night. Right here, kings, y'all have a
(01:07:45):
good rest of your program. I'm gonna cut it back
to you. So that was another fun and that was
an adventure.
Speaker 1 (01:08:02):
Yeah.
Speaker 2 (01:08:03):
I enjoyed it.
Speaker 1 (01:08:04):
Yeah, I mean enjoyed definite parts of it. There was
some uncomfortable things in the film, and yeah, I feel
like we should have figured all that stuff out by
the eighties, but we didn't.
Speaker 2 (01:08:15):
There are some of those things that some people still
haven't figured out.
Speaker 1 (01:08:18):
Yeah, they still haven't figured it out. But you know
what all we can do is be uncomfortable. Yay.
Speaker 2 (01:08:25):
And on that, I'm Jenny Wager, I'm Jeremy Briggs.
Speaker 3 (01:08:35):
Said, y'aller paces a ship.
Speaker 1 (01:09:59):
Yah,
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