Deadly Prey

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:08):
November two, nineteen eighty seven. You enter b Side Video Rentals,
still sweaty from pumping iron with the boys down at
Gold's gym.

Speaker 2 (00:19):
You can't help but flex your pecks as you peruse
the selection, your buys, your tries, all the muscles.

Speaker 3 (00:28):
Burn, and then you see the perfect human specimen. A helicopter,
big gun, go bang bang, jeans, shorts, teeth gritting.

Speaker 2 (00:40):
You crave testosterone. You don't need a frail victim.

Speaker 4 (00:45):
You need deadly pray.

Speaker 2 (01:16):
You welcome to be Sad Video Rentals.

Speaker 5 (01:18):
I'm Jeremy Briggs and I'm Jenny Langer.

Speaker 2 (01:21):
Jenny, what ears up?

Speaker 5 (01:24):
Oh? I'm in such a good mood today, you are?

Speaker 6 (01:27):
I am Genevieve's sent me a package with some of
the merchant it.

Speaker 5 (01:32):
Yeah.

Speaker 6 (01:33):
I got a notebook I've been writing down every time
I'm like mental illness. It's like my mental illness book,
mental Illness Unlocked.

Speaker 5 (01:42):
Oh, this is part of it, this is part of it.
I better write it down. So it was really helpful.

Speaker 7 (01:51):
It's ninety four degrees outside, guys, is that scary?

Speaker 2 (01:57):
I know? I walked out side yesterday and I'm like,
why is that one hundred degrees? This honest is not pleasant.
I don't like this.

Speaker 5 (02:05):
They want you to think it's global warming.

Speaker 2 (02:08):
Those bars are why.

Speaker 5 (02:10):
Yeah, we're all on the Truman Show. That's just turning
it up sunlight on.

Speaker 7 (02:17):
Yeah, we need to find the remote, like Genie to
find the remote to hurt.

Speaker 2 (02:22):
Car inside inside. Yeah, you're in for some news.

Speaker 5 (02:29):
Hey, you know what I love?

Speaker 2 (02:32):
Oh yeah, let's.

Speaker 4 (02:32):
Get to.

Speaker 2 (02:38):
Verse second and seven. The sad or So covering events.

Speaker 6 (02:48):
The California State Supreme Court has upheld the authority of
the police to use checkpoints to detect drunken drivers. But
it's really because they just want to smetter your breath.

Speaker 2 (03:01):
Yeah, pirates, all got our care?

Speaker 5 (03:04):
Yeah.

Speaker 7 (03:04):
A Chicago woman identified a twenty two month old boy
at a police station as the child she had traded
for fifty dollars.

Speaker 5 (03:11):
Worth of cocaine. The child was coded as saying where's
my cut, bitch?

Speaker 2 (03:18):
You know Chicago, as those twenty two month old boys
often do.

Speaker 5 (03:23):
Chicago's a rough town. Okay.

Speaker 2 (03:25):
Yeah. Texans will vote on Tuesday on whether or not
to give counties the option of legalizing betting on horse
races for the first time since nineteen thirty seven. Unfortunately,
Texas polls show that they'd be there'd be more support
if they were racing whores hor racing.

Speaker 5 (03:47):
I would win.

Speaker 2 (03:49):
I would win, Jay, I have a five minute bit
about you think horse race names are crazy, wait till
you're here race horror names. Jiggling Mama Joe drowns the corner,
but linking little linking nipples is pulling up right behind her.
Why and lit it? This fanny butt clapper flopping or
junk on the home stretch where it is a photo finish,

(04:11):
fanny butt clapper takes it by a nippole.

Speaker 5 (04:14):
Wow, there are some good ones in there. Leaky nipple
gave me a visual good.

Speaker 6 (04:22):
I was like, you know, like because they don't really
give you maternity leave in that business.

Speaker 5 (04:29):
It's like I don't mean the baby and go to work.
And sometimes it's leaky.

Speaker 2 (04:32):
Sometimes just the feeding schedule doesn't line up. It doesn't
line up, and you gotta run.

Speaker 5 (04:40):
Literally.

Speaker 6 (04:41):
Yes, for the first time in twelve years, Luciano Pavarotti
will give a recital at Carnegie Hall, boasting that after
losing eighty five pounds, he can now walk while he
sings Big Dale.

Speaker 5 (04:55):
I know of been triloquist. You can sing while drinking
a glass of water.

Speaker 2 (05:00):
That Papa Roti.

Speaker 6 (05:04):
New York City's health commissioner criticized state education officials yesterday
for approving an AIDS curriculum that doesn't advocate the use
of condoms, choosing instead to focus on a.

Speaker 8 (05:14):
Cheerleader like motivation. B A virgin b E A virgin.
No sex, it's a sin abstinence for the win. No
as as no eights.

Speaker 2 (05:29):
Two weeks since Nancy Reagan's surgery for breast cancer, more
women have been seeking mammograns me too. Ladies. Please send
those X ray booby picks over at beside Video Rentals
at pervmeil dot com.

Speaker 5 (05:43):
You just like them smashed. Do you like them smashed
like they're going on a sandwich? That's my favorite, Lady.

Speaker 2 (05:50):
Booby, get an X ray. I don't want to see
the flesh. I want to see X ray.

Speaker 5 (05:56):
But you get in there.

Speaker 2 (06:00):
What's squishing around? Rear Admiral John M. Poindexter testified today
that a former White House aide being tried for perjury
telephoned him at the White House and said he wanted
to Rear Admiral Pointdexter for a favor.

Speaker 5 (06:16):
I'm so glad that I have to say that you.

Speaker 2 (06:19):
Don't want to rear Admiral Poindexter. I'd rear him. I'd
rear him. Good. Have you seen him? He's very rearable.

Speaker 5 (06:27):
I want to top a lot of people, but not hid.

Speaker 6 (06:30):
The Senate passed a bill that requires dragon alcohol testing
of all transportation workers whose jobs have a safety impact,
and as an added precaution, they'll have to be sobering
up to urna in a moving piss cut oooh woo.

Speaker 7 (06:47):
It's kind of like road trips with my parents when
they'd passed the big gulp around.

Speaker 5 (06:52):
You know.

Speaker 6 (06:53):
A federal study blamed cigarette smoking for three hundred and
fifteen thousand deaths around the nation in nineteen eighty four,
losing a collective lifespan of three point six million years years.
That's not just one year, three point six million, Ye,
it's a lot of years. But me personally, I'd look
in the couch because it's I always find lot stuff
in there.

Speaker 2 (07:14):
You lose things in there all the time.

Speaker 5 (07:17):
All kinds of stuff you might find A lifespan might
find it in there. Have you tried.

Speaker 2 (07:25):
A worldwide Synod of bishops ended today without accepting an
American recommendation that ministry short of the priesthood be open
to women, saying women in the priesthood will have none
of that.

Speaker 5 (07:49):
It's talking when you like the joke but not the misogyny.

Speaker 2 (07:54):
You can't have both things. A pan American World Airways
jet laner came within fifty feet of hitting a d
C three cargo plane, telling the company, telling company officials
that they didn't see the cargo plane until they turned
on their landing lights. Pan AM representatives confirmed the pilot

(08:16):
was drunk. But damn it, he really nailed that moving
piss cup challenge. You gotta let him fly.

Speaker 6 (08:24):
You got Were you ever that kind of poor where
you had to do long road trips and then agp.

Speaker 5 (08:29):
And a cup?

Speaker 2 (08:30):
No, my parents stopped, Oh.

Speaker 5 (08:32):
They did, Oh wow, hey, just be stopping everywhere.

Speaker 2 (08:37):
No, No, they would like, come on, you'd stop on
the side of the road. Just be on the side
of the road. Just do it.

Speaker 5 (08:42):
You'll be as you're so You're so rich, you're so rich.

Speaker 2 (08:46):
Your parents pulled after the side of the road and
let you pee in the desert.

Speaker 5 (08:52):
Did you drank when you're pinky up too?

Speaker 2 (08:55):
Yeah, I'm out there pissing on lizards and you're like, oh,
to be in a bakeup.

Speaker 6 (09:02):
Yeah, in the back of the van and my brother
had to go to the front. Well, man, my sister
p in the back and we'd have to rotate. I'm like,
then somebody has to sit back here anyways.

Speaker 5 (09:13):
Jeremy, you read beautiful reviews. It's a beautiful movie that
I well, I.

Speaker 2 (09:19):
Will Jeremy reads review These are all from letterbo. Rob wrote,
we love a Walmart version of Rambo two and a
half stars. I didn't even tell you what we're watching.

(09:41):
We're watching Deadly Prey, so that's what I'm talking about.
These reviews are for Deadly Prey. Michelle Kissner said why
don't men wear tiny jean shorts anymore? Five stars?

Speaker 5 (09:54):
Thank you?

Speaker 2 (09:55):
Agreed. Chris One said the only thing that would have
made me laugh more would have been some adult beverages.
That's exactly what this movie needs. The acting is completely
garbage in the greatest variety. There's quite a few moments
where you think the film is just gonna bust into porn.

(10:16):
Yet they're like, hmm, okay, let's just go kill the
bad guys. One star.

Speaker 5 (10:22):
Oh my god.

Speaker 2 (10:24):
Helen wrote, probably the greatest score ever put on film,
high octane, absurdity. Five stars, and it's elv said his
muscles have muscles. Even the likes of Ramble would be
nervous to cross his path. And now I might be gay.

(10:45):
Five stars. His muscles do have muscles. That is the
truest wild.

Speaker 5 (10:56):
Yeah, they like pop out on top of popping out.

Speaker 2 (11:01):
It's pretty glorious.

Speaker 9 (11:03):
You think he's flexing and then he flexes and you
know what happened to the bottom part of those jeans.
Them He's like, they're like, oh cool jean shorts and he's.

Speaker 2 (11:16):
Like, what whats go? What the hell my pants?

Speaker 6 (11:28):
So here's what I love so much about this film.
Like I went and watched it at the new BEV
once with a bunch of people with a live audience,
and that was just the best way.

Speaker 5 (11:40):
To see it.

Speaker 2 (11:42):
It was so good. Do they still do those Oh yeah,
BEV does it? Di Vista now does it too? Yeah?

Speaker 5 (11:49):
Cool?

Speaker 7 (11:50):
Yeah.

Speaker 5 (11:50):
I would go and watch them and and people.

Speaker 6 (11:53):
I just love people dressing up in jorts. I love
people dressing up as the blow up doll sidekick woman.

Speaker 2 (12:02):
She's great.

Speaker 5 (12:03):
It's just so good. Like everything about this movie to me,
it's the only thing that I like about masculinity is
this movie. Is this movie?

Speaker 6 (12:16):
Like when I watched it, I was like, gosh, this
is why there's a patriarchy.

Speaker 5 (12:24):
This is the answer to patriarchy. This is it.

Speaker 2 (12:26):
So this film I had, This is my first watch.
I desperately wanted to see it because we had a
mutual friend who for years was telling me, you got
to watch the Other Prey and I was just like, okay,
but I just never got around to it. And then
when we started, when we announced a year ago that
we were going to do this show, He's like, oh,
are you gonna do this movie? And I'm like that
might be a little too mainstream. He's like, well, then

(12:47):
you got to do Deadly Prey and I was like, yes,
yes we will. And so we've just we will go
to find time to get to it. And boy was
I glad that we did this because I loved it
still left it's so much.

Speaker 7 (13:10):
It's like there are so many parts are like I'll
be sitting there watching and then I'm I have to
pause it because I'm uncontrollably laughing to.

Speaker 5 (13:19):
The point that I'm like I can't right now, but
I can't believe a human being right now.

Speaker 2 (13:25):
I will say one of the things when you're looking
through letterbox and the reviews, it's it's one of the
only movies that I've seen because usually you have like
kind of a big stack on like three stars, and
then next to it the two and a half and
the three and a half are all pretty high, and
then they kind of everybody's kind of around the same
area in their stars. There's obviously the outliers, but usually

(13:49):
it's a big, big group of people agreeing it's a
three star or whatever. This is the wildest reviews. It's
so like just all across the board from one to
five equal. Everybody's like, I don't know what to think
about it. It's the worst ever. It's amazing, it's okay,
it's yeah, there's no consensus because it's crazy.

Speaker 5 (14:12):
Yeah, because it's just insane.

Speaker 7 (14:14):
She calls it the male gaze, highlighting the word gay,
like it makes all men be like, I gay a little?

Speaker 2 (14:21):
What? I like this too much?

Speaker 5 (14:26):
Wait, he didn't play girl.

Speaker 2 (14:28):
He didn't play girl. I don't know how many times
I want to say I want to see it, but
he was. I told you I was. March of eighty
four centerfold and Playgirl. I couldn't get a hold of it.

Speaker 5 (14:41):
I tried, Oh see that game.

Speaker 2 (14:45):
Those male gays, I mean the.

Speaker 5 (14:49):
Male gay you know what I mean.

Speaker 2 (14:52):
In my mouth again?

Speaker 5 (14:53):
Yeah, I don't know. I like the murder, okay, but
he just takes a chicken kisses her gay. Yeah.

Speaker 7 (15:03):
So this is a very exciting time for me because
it's not very often that I like, like a straight
up action yeah thing like this, But I think the
way that it's done is so comedic.

Speaker 5 (15:21):
It's like, we'll.

Speaker 6 (15:23):
Get we'll get into it, but some of the kills
are just so comedic that you just know.

Speaker 5 (15:28):
I don't know who.

Speaker 7 (15:29):
It is that was in on it, but somebody was.
Somebody knew that this was gonna look hilarious.

Speaker 2 (15:35):
Well. So this is directed by David A. Pryor, who
we kind of touched on, but we didn't really touch
on the past. He did Sledgehammer, and we briefly discussed
that in the Blonde Death episode where that was the
first film that I think was credited as being recorded

(15:57):
on VHS. So I love David Pryor's like can do attitude,
Like I don't have resources at all and I'm just
gonna push through and I'm gonna make movie after movie
without anything. And that's really comes through in this. It's
like they don't have a lot to work with, I
mean except or all of the tanks in the helicopters.

(16:19):
I'm like, how did you score all this?

Speaker 5 (16:22):
Yeah, it's just like a garbage bag.

Speaker 2 (16:27):
Hey, you got a there's likes and you're like, what
the hell? Yeah?

Speaker 5 (16:34):
And aren't they brothers?

Speaker 2 (16:35):
Yes? So the lead guys Ed Pryor is who plays
Mike Danton and he's their brothers and he's in a
lot of David's films.

Speaker 5 (16:45):
And it's like, if I were a filmmaker and that
were my brother, would.

Speaker 2 (16:47):
Be like my brother's playgirl. Dude. Of course I'm gonna.

Speaker 5 (16:52):
Use I'm using that he's got appeal.

Speaker 2 (16:58):
He's got major appeal. And by appeal, I mean.

Speaker 5 (17:02):
Muscle peel off his clothes off and show them.

Speaker 2 (17:08):
What's your favorite thing about working with your brother putting
him in jeans shorts? Yeah, okay, let's please get to
this opening shot. Oh my god, it is so beautiful.
I just wish that we'll talk about this later, but
like it's so grainy. The quality is really rough. It's

(17:32):
been through the Ringer. But this shot is just Mike
Danton our lead actor, walking on a landscape and silhouette
and he just pauses for a second and then throws
this machine gun up in the air and it's just
so glow.

Speaker 6 (17:52):
Yeah, what a way to start it, Like it's like man.

Speaker 2 (18:01):
And then like the title comes up deadly pretty. It's
just like, yeah, it's not like GID, it's just loved it,
love it. And then it's this credit scene I love
because it goes name someone loading a weapon, Name someone

(18:23):
loading weapons. There are fourteen weapons being ready. Yeah that's one.
That's so many weapons being holstered and ammoed up.

Speaker 5 (18:33):
And what I love about it is is they're not
doing it like super hard. It's like.

Speaker 2 (18:39):
It's like I need to put my knife into my sheet.

Speaker 5 (18:43):
Okay.

Speaker 6 (18:44):
It looks like they went into like a factory, like
like a breaks factory for an automobile place, and said, hey,
can I film me putting this gun together?

Speaker 2 (18:53):
Oh okay, okay, how do you do it like that? Yeah,
it's obviously people who are not very well experienced. They're
not actual mercenaries, oh okay, just spending training in the army.

Speaker 5 (19:08):
With their like beer gut hanging in the sharp too,
so the.

Speaker 2 (19:13):
So then we cut out of Finally, after what seems
forever of guns being loaded, we cut to a shoeless
guy running through the forest or the jungle, I don't
really know, all ripped up clothes. And what I love
about him is he's just like yelling. He's like, son
of a bashre gonna kill me. You're not you're giving
away your location?

Speaker 5 (19:35):
Yeah, yeah, they're you and you're.

Speaker 2 (19:38):
Just I'm here.

Speaker 5 (19:40):
He's very easy pray though. I'm like, did you get
him like at a grocery store?

Speaker 2 (19:45):
Like and he just keeps going.

Speaker 6 (19:50):
Oprahing, and you know, like this has been going on
for at least a minute, like you've been here because you're.

Speaker 5 (19:58):
Closing all ripped clo get just started.

Speaker 2 (20:03):
Yet later he says like, hopefully this one lasts more
than ten minutes, like Dale or Bright. You're like, yeah,
that took him ten minutes to get minute.

Speaker 5 (20:11):
That's a rip up. Yeah.

Speaker 2 (20:13):
And so he sits, he like tries to catch his breath,
and immediately there's a machine gun ye stabs into him.

Speaker 5 (20:22):
Yeah.

Speaker 2 (20:23):
What does he do? He grabs a rock and goes,
I'm gonna hit you.

Speaker 5 (20:31):
So obviously a foam rock.

Speaker 2 (20:34):
So he hits the guy, knocks him out and does
my favorite thing in action films is he leaves leaves
the gun.

Speaker 7 (20:41):
Yeah, I don't need that. There are more foam rocks
out here.

Speaker 2 (20:48):
The guy, they're gonna get all the foam rocks to
the brain.

Speaker 5 (20:51):
And these militia guys. He let that guy do that,
this hardcore militia guy. Okay, And so this.

Speaker 2 (20:59):
Is like really when you kind of come you first
see a little bit of like how disjointed this movie
can be because you have all these mercenaries like shooting
their machine guns, and then you cut away to the guy.
Like so they see the guy and they're firing away,
like four of them with machine guns, and it cuts
to the other guy and he's like, no, no bullets

(21:22):
flying around him.

Speaker 5 (21:23):
He's just no.

Speaker 2 (21:29):
So like you guys shot these on different days. Forgot
to throw in some stray bullets here and there.

Speaker 5 (21:38):
This cut is not working.

Speaker 2 (21:39):
This cuts something's off. It's not playing in my brain.
So they finally surround him and does some great things,
just like in Paganini Horror where they're like, no, don't.

Speaker 5 (21:53):
Please stop, I'm just doing right here.

Speaker 2 (21:57):
He stands there, don't girl, dude, pil.

Speaker 5 (22:05):
You see his reflection in the glasses.

Speaker 2 (22:08):
Yeah, they just are like, well, keep saying, don't kill me,
just so we can get this shot in the glasses.

Speaker 5 (22:13):
Yeah, so good, so good.

Speaker 2 (22:16):
And then they kill him, of course, shot in the heart.

Speaker 6 (22:19):
Yeah, boom dead. Oh that was so fun. We've learned
so much today. But then the guy's in trouble that
he got hit with a rock.

Speaker 5 (22:32):
Yes, is wrong with our main.

Speaker 2 (22:35):
Batty like guy who you see in the reflection the sunglasses,
who's always just very stoic. His name's Thornton. So he
goes over and the guy's like, ah, he surprised me.

Speaker 5 (22:48):
It won't happen again.

Speaker 2 (22:51):
You're right, it will.

Speaker 5 (22:57):
So good.

Speaker 7 (22:58):
And this is the guy who I said I would
imagine like if we did a parody of this, you
would play this guy.

Speaker 2 (23:03):
Yeah, Thornton. I got them muscles of Thornton.

Speaker 5 (23:06):
Thank you for that rack tank top. Well, of course
you could wear like a muscle suit. It's a parody.
If anybody wants to produce our parody.

Speaker 2 (23:20):
If we're going to take it very seriously.

Speaker 5 (23:23):
Yeah, so then we're in the militia tint.

Speaker 2 (23:26):
Yes, Colonel Hogan, Yeah, Hogan.

Speaker 7 (23:31):
Who looks like a Kendle that came to life to me,
like the way his base structure.

Speaker 5 (23:38):
Is, it's like a doll that came to life.

Speaker 2 (23:42):
He So he scares me, it scares you, well he should,
he's a scared man. And then we have I don't
know if I ever got her name. I just constantly
wrote her name as badass. Lady brings in a bunch
of Oh.

Speaker 6 (24:00):
Yeah, I mean she's like brawliss in the military for
some reason, just walking around with her tits swinging around.

Speaker 2 (24:10):
Yeah.

Speaker 5 (24:10):
Yeah, but it's like badass. Okay, she's like obviously his
flesh light.

Speaker 2 (24:20):
She's a badass. Shut up, don't you judge her, Jenny, No,
it's great doing her thing.

Speaker 5 (24:28):
As far as that position for a man in the
army goes. She's good at that.

Speaker 2 (24:36):
Good as far as flesh lights in the army, Yeah.

Speaker 5 (24:39):
She's a good flesh lights terrible good.

Speaker 2 (24:43):
God. So she brings in three new recruits and they're like,
why do you guys want to do this? Money? Ah? Yeah,
the money, yeah, money yeah, money. And then the other
guy's like, I'm doing it for the fun, and Hogan
is like, I like you this guy, this Jack Cooper
mm hmm.

Speaker 5 (25:04):
Yeah, he's bored.

Speaker 4 (25:06):
He's bored.

Speaker 5 (25:06):
We learned later he's been through some ship.

Speaker 2 (25:09):
Yeah.

Speaker 5 (25:09):
And when when you've been through some ship, you know,
you look, you look in weird places to get stimulation.

Speaker 2 (25:16):
And and then Hogan gives these guys a real like
this take the army. You ain't the real You ain't
the Marine Corps. This is my army. And when we train,
it's for real.

Speaker 5 (25:28):
Yeah.

Speaker 6 (25:28):
And so here's where like I'm just like, oh, so
you're training them to be highly like highly trained assassins,
like the best of the best. Yeah, and you just
went and got that guy.

Speaker 2 (25:43):
Also, like it does feel like this is their only training,
Like they don't they didn't really teach him how to shoot.
They're not doing target practice.

Speaker 5 (25:52):
They're not information Yeah.

Speaker 2 (25:54):
They're not climbing walls, rope walls and like crawl like
army crawling under none of that stuff. It's just go
kill that home, kill that guy.

Speaker 5 (26:05):
Yeah. We picked this guy up at the bank. Yeah,
fucking killing.

Speaker 2 (26:10):
Okay, we have machine guns, he has bare feet.

Speaker 5 (26:16):
Yeah, this is gonna be really easy. Great, I'm ready
for anything.

Speaker 2 (26:22):
And so then we have Thornton come back in and
talk to Hogan. As those guys leave, how'd the exercise go?
Not good? Runner took out one of our men. But
god damn girl, scouts, go find me another Runner A
mean woe he got it. I love all that, like

(26:45):
just tough guy dialogue.

Speaker 7 (26:48):
Yeah, it's so good, and you're so good at delivering it.

Speaker 2 (26:52):
Too, fishing for a compliment, you do really good. So
they go driving around to find a guy to kidnap.
Cut to you.

Speaker 6 (27:04):
First of all, they're they're looking at people, and it's
like a guy who seems fine walking his dog.

Speaker 2 (27:10):
No, no, no, he doesn't look like a mean one.

Speaker 6 (27:14):
So we see now who is coming across as like
the laziest.

Speaker 5 (27:19):
Man in history, this golden god of a man.

Speaker 7 (27:25):
Just laying in a water bed like a piece of
shit while his girlfriend's getting breakfast ready and doing the
coffee and doing everything.

Speaker 2 (27:34):
Come on, that is pillow fight.

Speaker 7 (27:36):
Time, at which this was like, I love these kind
of scenes and movies where it seems like this woman
has never been on camera in her life.

Speaker 6 (27:47):
She's just somebody who was pretty, and they're like, oh,
we'll get her to play the girlfriend.

Speaker 7 (27:52):
Ah hat, silly hat, I make coffee.

Speaker 5 (28:00):
So then she has to.

Speaker 6 (28:02):
Okay, so I got anything ready to just please take
out the trash, and she gets the trash, gets in
the trash, he's.

Speaker 2 (28:09):
Oh, he's wearing his brushed my.

Speaker 5 (28:12):
Teeth sleeping in jeorts in a water bed. Could you
think of something that feels more uncomfortable than that scenario?

Speaker 2 (28:21):
You know why he does that to prove that he's
a man. I don't need to be comfortable.

Speaker 6 (28:30):
I'm So he goes out with the thing with the
trash and he just looks like a fucking loser.

Speaker 5 (28:40):
And know like, this guy will be great.

Speaker 2 (28:42):
Well he has like because he's got this like sweater,
this loose sweater on him. Quick quick side question. Do
you think he's wearing underwear under those or is he
just right up against them?

Speaker 5 (28:54):
I think it's up against the shorts.

Speaker 2 (28:56):
That's comfy because he's a man.

Speaker 5 (28:59):
He's just man.

Speaker 2 (29:01):
Yeah.

Speaker 5 (29:02):
So they say, oh, hey, we're gonna ask you for
some directions. So he's like, oh, I'm just like this
nice guy. He's yelling the directions and then they suck
her punching.

Speaker 2 (29:12):
It's like a big metal.

Speaker 5 (29:16):
She knows, like a police baton or something.

Speaker 2 (29:18):
She's got like four in her closet.

Speaker 5 (29:24):
She only uses them. For sex stuff.

Speaker 2 (29:28):
Why did I agree with that? I don't know.

Speaker 6 (29:32):
Oh, she runs out and hangs on the fence way,
so we know she saw him get taken, Yes, but
she just slams into the fence and just hanging there.

Speaker 5 (29:41):
You know those chain link fences. I had it.

Speaker 2 (29:43):
Growing up until just ripped it down and built a
new one.

Speaker 7 (29:49):
It's like, if you've linked tomorrow mat, you're gonna be
on the ground on the other side.

Speaker 10 (29:56):
But but just just for right now, what's I just
want to know the first thing you would do if
he saw your husband get knocked out and pulled into
a van and drive off, what would you first do?

Speaker 2 (30:11):
Curl up and cry in a corner?

Speaker 5 (30:14):
Nine one one No, now doesn't work for this part
of the movie.

Speaker 2 (30:21):
We will get to that in about a half an hour.
So now we cut to Hogan's tent and he's getting
all berated by a businessman of some type.

Speaker 6 (30:37):
He looked like a man of black Like, I'm like,
this guy knows about UFOs ah.

Speaker 2 (30:41):
I want these ben ready for action. Now you have
one month. He's like a dicks tome.

Speaker 5 (30:48):
Yeah, because he said he needed three months. He said,
you got one, don't.

Speaker 2 (30:53):
You threaten me now, now the movie be good. Cut
to Danton, Jean cut off shorts, shirtless, shoeless, music kicks in,
just strink muscles.

Speaker 7 (31:14):
Yes, and some mullet boom run and then Danton just
looks at him, You're gonna die.

Speaker 2 (31:29):
And then they all fire their machine guns in the
air and he runs off. It is beginning. I love
this cutaway here to Hogan because he's drinking.

Speaker 5 (31:40):
Die.

Speaker 2 (31:40):
Yeah, you're gonna die. As he runs off, we cut away,
and I love this little shot because it's like super
focused on you know those root beer seltzers. It's just
like Hogan drinks root beer Seltzer. He's a man. Yeah,

(32:04):
they were.

Speaker 5 (32:04):
They were trying to get a sponsor.

Speaker 2 (32:06):
They tried.

Speaker 7 (32:10):
So now this is where we meet Sybil the the
side carry the side.

Speaker 2 (32:16):
She comes walking in.

Speaker 5 (32:18):
Yeah yeah again, booty shorts, now.

Speaker 2 (32:21):
Bra she's crushing.

Speaker 5 (32:25):
Yeah, yeah, it's it's amazing. She takes a sip of
the drink, right.

Speaker 2 (32:30):
Yeah, she takes his rule roop beer seltz her. Yeah,
because that's how they that, that's how they relate they.

Speaker 5 (32:38):
She tells him the exercise is underway.

Speaker 2 (32:40):
Colonel Good, maybe this will last more than ten minutes. Yeah,
you know what we can do in ten minutes. We
can rip a guy's clothes with mud.

Speaker 6 (32:54):
So now we see the milush in the woods. They're
splitting into different things. They're small coordination at all there,
just like recess where he said go go, and.

Speaker 2 (33:03):
They're just kind of like wandering around.

Speaker 5 (33:07):
Here.

Speaker 2 (33:07):
This first one is great because Danton's like, all right,
now it's go time. I'm gonna kill everyone. And his
first one he comes, he like sneaks out from the
bushes with a giant log like it's h this smacks

(33:28):
a guy. Nikeys falls down dead. He murdered you in
a giant log?

Speaker 5 (33:36):
Yeah, with a yeah, it's not even a tree branch tree.

Speaker 2 (33:44):
So he takes the knife and machine gun, even though
he doesn't really keep the machine gun all that much at.

Speaker 7 (33:50):
Least, why wouldn't you take all of it, like take
the knife, take everything he does?

Speaker 2 (33:58):
Sometimes he does, but we can we can say that
his preferred weapon is a knife.

Speaker 5 (34:04):
He's got a style. It will if it will, I
know this style.

Speaker 2 (34:14):
So they did continue searching, and another great kill right
up off the other one. He punches a guy, knocks
him out, picks him up sideways, and breaks his back
on that ship.

Speaker 7 (34:31):
Is so good to me. That's how much of a
bug you are. Bitch, there you go making sure it's
all broke.

Speaker 5 (34:45):
Waiting to fucking do this. I was laying in the
water bed dreaming about this.

Speaker 4 (34:51):
Yeh man.

Speaker 2 (34:56):
And now he's just like kill after kills, stabbing people
to hearts. Yeah, but now he like wraps himself in
like tree branches or oh.

Speaker 11 (35:06):
My god, I love it, just with like a like
a lanyard like Adam Adam in the Garden.

Speaker 2 (35:14):
And the Bible. You remember Adam and the Bible.

Speaker 5 (35:16):
You remember that guy, the first guy. He's like the
first guy.

Speaker 2 (35:23):
He's like the guy, the.

Speaker 5 (35:25):
Guy that we're all made out of.

Speaker 2 (35:29):
We all came out of him. So he kills off
his little grob. He gets the last one and he
starts interrogating him.

Speaker 5 (35:40):
Yeah, why are you doing this?

Speaker 7 (35:42):
So I call that was So I'm gonna ask you
some questions. Yeah, if you have the right answers, I
might let you live.

Speaker 2 (35:49):
He was just like, oh did he say if you
have the right answers?

Speaker 5 (35:52):
Yeah, do you understand?

Speaker 2 (35:54):
Okay? Because I thought he was just like, as long
as you answer, you'll live.

Speaker 5 (35:59):
Some you did, where are we.

Speaker 2 (36:03):
Seventy five miles south of Los Angeles.

Speaker 5 (36:05):
What the hell's going on here?

Speaker 2 (36:07):
Mercenary training? What mercenary training?

Speaker 5 (36:12):
And he's like, colonel, don't believe in games. He likes
to use the real thing.

Speaker 2 (36:17):
Who's the colonel?

Speaker 5 (36:20):
What's his dayel?

Speaker 2 (36:23):
And I love it. It's just like I know, O God, yeah,
of course, or we wouldn't have a film. We just
have a movie. This is a film.

Speaker 6 (36:37):
So I like the in the tent, the guys as
a colonel. They've got my weapons, kill him, kill.

Speaker 5 (36:45):
He is this where he finds the style. This is
where he finds.

Speaker 2 (36:49):
No no, no no. But before that, when he says, like
how long has this been going? How many people have died?
He's like, I don't know. I joined today. He's like
wrong answer, really.

Speaker 5 (37:00):
Yeah, it's like, oh, bad timing.

Speaker 2 (37:04):
Yeah, I just joined the day. Bad timing. And he's
got to like put every flex much like.

Speaker 6 (37:12):
They're absolutely fucking It's like he killed him with his dick.

Speaker 7 (37:17):
Oh, and they're like breathing each other's breath.

Speaker 5 (37:25):
It is not good.

Speaker 2 (37:26):
Yeah. So now it cuts to that part you were
saying where the guy's like, yeah, I couldn't even tell
what this guy said, I remead it like four times.

Speaker 5 (37:32):
He's like my weather, what he's scared? Damn, he's get
scared scared. And the last guy who upset this colonel
got fucking killed.

Speaker 2 (37:48):
Killing.

Speaker 5 (37:48):
I don't know how to tell you this, but he's
got our weapons.

Speaker 2 (37:53):
Because he tells Thornton to kill him, and Thornton's just
is like yeah and does this like super badass roundhouse
kick to the face and breaks then breaks the guy's neck.

Speaker 5 (38:04):
And I love how we stay right on his eyes.
Well they even pow him down all the way to
the ground to where it was.

Speaker 2 (38:16):
I want to see if we can get that glinting
in his eyes face. I want to see on bake it.
As an actor, have you ever been asked to make
your eyes fade? Yeah, yeah, behind it, the glint to disappear.

Speaker 7 (38:32):
Yeah, everything that you say goodbye to it for this take.

Speaker 6 (38:37):
And I gotta tell you, like, for the time and
for the budget, he did a great job.

Speaker 2 (38:42):
Great job. He did a great job.

Speaker 6 (38:45):
You know, like so many times you say I can
see them fucking breathing, they blink.

Speaker 2 (38:49):
It was committed. It was very committed.

Speaker 6 (38:51):
Yeah, because to not blink as they're like laying your
head down on the ground and all that, like that's
it's actually it is actually hard.

Speaker 2 (38:58):
Because you have you know, as a person, you have
free flexes. This flex is that automatically happened that you
have to fight.

Speaker 5 (39:06):
But not this guy who's like, this is my fucking moments.

Speaker 2 (39:08):
Like if I get dirt in my eyeball, I'm going
to look get dirt in my eyes.

Speaker 5 (39:12):
That's just where it is today.

Speaker 2 (39:14):
Oh I am sacrificing for.

Speaker 5 (39:16):
War man, this is my big moment.

Speaker 2 (39:19):
It's is gonna live on. Yeah, beyond me.

Speaker 5 (39:24):
George Lucas is gonna see this. I could be a star.

Speaker 2 (39:28):
And then he's gonna click it to the next station. Yeah,
I'd be like, oh, okay, oh I know what this is.

Speaker 6 (39:38):
So now we're back back at Michael's and his wife's house,
right wife, Yes, yeah, yeah, there's keyboard music, it's shooting,
looking in the window at her like she's being spied on.
She picks up the phone and you start and you're like, oh,
she's gonna finally call the police.

Speaker 7 (39:56):
Finally, Thank god, Daddy, he's coming.

Speaker 5 (40:01):
As soon as you get this message. Someone took Michael.

Speaker 2 (40:04):
I'm gonna wait for him to call me back. Before
I make any further.

Speaker 5 (40:07):
Yeah, yeah, he'll get the message.

Speaker 2 (40:10):
Yeah, he'll get back to me.

Speaker 5 (40:12):
Okay, and then we go back to the wood.

Speaker 6 (40:14):
Like this woman is useless, but her dialogue, I'm sorry,
Like some of her dialogue is my favorite because it.

Speaker 5 (40:24):
Reminds me so much like the Blonde Death dialogue.

Speaker 2 (40:27):
And like some of her deliveries are like, what.

Speaker 5 (40:32):
Did you just learn English today? That's so good? Daddy
dy daddy. SA took Michael Braddy's hurt. Well, well, they
beat people in bowman bands. You don't take him to
the zoo.

Speaker 2 (40:48):
The first twenty four hours are imperative.

Speaker 5 (40:51):
Yeah, yeah, there's like shows about it.

Speaker 2 (40:55):
There's all the genres of film, yeah, television. So back
to the hunt. They separate again because these idiots.

Speaker 5 (41:03):
He sneaks up on some honey, covers their mouth and then.

Speaker 2 (41:06):
Stabs him, stabs him. He's out there sharpening sticks. He sharpens.

Speaker 7 (41:11):
They're not even trying to yell. No, it's like you
don't even have to hold anybody else.

Speaker 5 (41:15):
They all see you and go.

Speaker 2 (41:17):
They're trained not to yell. They're trained to ignore the
pain as you die. And so he sharpens this stick
and then he runs out and just throws it like
a javelin, and there's like five guys. I love it.

Speaker 5 (41:35):
I love it so much. The guy he's he's just like,
I'll let me get this stick.

Speaker 6 (41:40):
Ready, boom kills somebody just like that, Let me get
a stick, all right, go on this way.

Speaker 5 (41:46):
Now that he's back against the bamboo.

Speaker 2 (41:53):
Yeah, he goes into his little bamboo hideout and they all,
all of them are trying to find him. They run by,
he grabs the last one, throws him on the ground.
You're dead, music sting stab. I like, I I don't
know exactly when in the film the first time I

(42:16):
watched it, because I watch it usually once for just enjoyment, yeah,
just like this, and then the next to just really
you know, break everything down. And the first time I
probably got halfway through, maybe around here, I just started going, like,
how many people have died? Yeah, how many on a screen? Murders?

Speaker 5 (42:37):
And there's a lot of them like this one. That
the one that's happening right as.

Speaker 6 (42:41):
We're speaking right now, where he just takes again and
throws him on the ground and then runs off like
that guy's dead, right through him.

Speaker 2 (42:47):
And that was that was one of the things that
I was like, because I did go through the second
time and do a death count, and I was like, okay,
well it's not I can't count this one, these two
or three, I'm not counting.

Speaker 5 (42:59):
Yeah, because some of them that like fall down and stuff.
And You're like, well, he could probably just go.

Speaker 2 (43:04):
Didn't you just shove a guy to his death? Did
he just shove him on the ground? Get it? Yeah?
I mean I know he's strong. I'm not doubting that.

Speaker 5 (43:13):
Not doubting it. We're not challenging you on that.

Speaker 2 (43:16):
But yeah, I'm not chaplenging you.

Speaker 5 (43:21):
Just you know I love you, just as you know.

Speaker 2 (43:24):
I'm not questioning your masculinity in any way.

Speaker 5 (43:29):
Now we come back to her with daddy.

Speaker 6 (43:32):
Daddy got the message right now, tell me exactly what happened.

Speaker 2 (43:36):
I love it because he just goes like, did you
call the police? Right?

Speaker 5 (43:41):
Hello?

Speaker 2 (43:42):
No, daddy, you know you're retired. I wanted to call
you first. Excuse me, hold on, Yes, I'm aware that
I'm retired. I'm a retired police officer.

Speaker 5 (43:53):
Police.

Speaker 6 (43:56):
You're like, I'm just gonna do this myself. I'm like
seventy years old. So but this guy is actually a
very famous tractor the Cameron Mitchell who actually served as
a bombardier.

Speaker 5 (44:11):
How do you say that bombardier in the US Army Force?

Speaker 6 (44:15):
Like he was like a real war hero and then
started acting and two hundred and forty four acting credits.

Speaker 2 (44:23):
And I guarantee you this was not one that he
put on his resume.

Speaker 6 (44:29):
No, I mean he has I had to marry a
millionaire with Marilyn Monroe, and he's like and deadly prey.

Speaker 2 (44:39):
This is one where he just kind of showed up.

Speaker 5 (44:42):
Death of a salesman, deadly prey. Oh you might have
heard of this one less ableis.

Speaker 2 (44:54):
I don't know if you saw this one. Deadly Prey.
I had a good monologue. In that monolog Yeah.

Speaker 5 (45:01):
I was gonna help my daughter out.

Speaker 6 (45:06):
So she describes the man that inducted her husband, and uh.

Speaker 5 (45:11):
I'll run it by the boys down at the station.
He's on the force for thirty years. I've got a
little polly. Do you just call the police to get
on the case.

Speaker 7 (45:21):
Usually you don't have to have pool to get them
to investigate a kid aching somebody.

Speaker 2 (45:26):
I wouldn't someone bash him over the head and shot
into things and then.

Speaker 6 (45:30):
The tires squealed, Yeah, they took off with him, and
I haven't seen them, like.

Speaker 2 (45:36):
You're tires unless you're in a race or you kidnapped someone.

Speaker 5 (45:40):
Yeah, so that he's been gone for more than a day.
So just call the police and they'll get on it.
I'm sure I got some pull, an.

Speaker 2 (45:52):
Awful lot of faith in the police.

Speaker 5 (45:55):
Please bringing back to me, daddy. I love you, Shaddy.

Speaker 2 (46:05):
And then he says, don't let anyone in here until
you hear from.

Speaker 5 (46:08):
Me, and the tone of the music changed.

Speaker 2 (46:10):
There changed.

Speaker 5 (46:12):
It went scary, foreboding.

Speaker 7 (46:16):
It was foreboding. It was like somebody's coming to get
you to honey. I'm a police officer. I know how
this works.

Speaker 5 (46:21):
Bye, lady, by yourself, bitch, you didn't even know.

Speaker 2 (46:27):
To call the cost I'm very well aware that you're
gonna be next. So you know what, why don't you last?
Why don't you latch that lock?

Speaker 5 (46:37):
You're gonna be good. I'll get it.

Speaker 2 (46:39):
Click it from unlocked to lock.

Speaker 5 (46:42):
Be careful, daddy.

Speaker 2 (46:44):
Back to the hunt, because that's this movie, and that's
all this movie is. So a few soldiers spot some
some dead bodies. Yeah, and then.

Speaker 5 (46:57):
His way Yeah.

Speaker 2 (47:00):
Immediately cut over to Hogan and his sexy military lady, Sybil, Sybil,
I will not call her that, I will call her
sexy military.

Speaker 5 (47:08):
Sexy military lady with no brawn. Good let him hang girl.

Speaker 7 (47:14):
She was she was hot, but because of what a
bit she acts like in the future, I'm mad at her.

Speaker 2 (47:20):
I'm mad at her. She does some things that I
find Okay, it makes me question your integrity.

Speaker 7 (47:31):
Yeah, So here's how we find them, just standing up
making out in the middle.

Speaker 2 (47:35):
Of the tent. He tries he tries to just drop
that shirt and gets interrupted trying to undress her. They're dead.
The runner kill them, and then what do we do
back to the hunt. Yeah, Hogan this time has joined

(47:58):
the crew. He's like, I want this son of a
bitch dead.

Speaker 5 (48:02):
This guy's a pro.

Speaker 2 (48:04):
They run off and I love it because they have
this little scene there and he's like, I want to
dead and they all scattered, and then we move up
and then we go about five.

Speaker 5 (48:15):
You can't you can't hear.

Speaker 7 (48:19):
Like, if I'm standing here, I can.

Speaker 6 (48:21):
See the top of the palms outside.

Speaker 2 (48:24):
I see his feet.

Speaker 5 (48:26):
He's right there, you idiot, his foot is.

Speaker 7 (48:29):
You're the best of the best, You're the mother best
of the best of you can't see his damn foot.

Speaker 2 (48:36):
He's not even covered by shrubbery or branches or anything.
He's just on like a bear brand.

Speaker 5 (48:51):
And this is the.

Speaker 2 (48:51):
Part where they find more dead bodies. And this is
what you kept running to talk about.

Speaker 6 (48:56):
I want you to stay a long because I know
you're gonna say this so good.

Speaker 2 (49:00):
He just looks at me and goes, I know this style.
It's my style, Danton, Mike Danton, It's gotta be And
he got and then like Thornton's like, yeah, that was
the name on the mailbox. Why you know? Yeah, I
know him.

Speaker 1 (49:19):
I dreamed him.

Speaker 2 (49:24):
And then we get to the first time, I believe,
the first time of many that Danton gets snuck up on.

Speaker 5 (49:31):
Yes, he is the best of.

Speaker 2 (49:34):
The best, but you could sneak up on this guy
anytime you want. His ears don't work.

Speaker 5 (49:41):
I can kill seventy five people in ten minutes.

Speaker 2 (49:46):
Oh j what.

Speaker 5 (49:49):
I stepped in.

Speaker 2 (49:50):
Like three twigs? You didn't hear me. Yeah, So it's
a three on one fight. Yeah, Danton starts busting some heads.

Speaker 6 (50:02):
Yeah, and then he gets is this so where he
figures out he knows the guy, the last guy, the
one head to head?

Speaker 12 (50:11):
What I love is Wait, I just recognize you.

Speaker 5 (50:16):
You saved my life. We were friends in the military,
like you are.

Speaker 2 (50:22):
Your face is eight inches away from each other, knife
like oh, and then he says your name Cooper. Holy shit, Cooper.
He didn't you saved my life, Dude, I haven't seen
it since you took a bullet for me saving my life.

Speaker 5 (50:39):
You mean more than any other human being in this
world to me. I can't believe that you're here, and
you've been here for a day and I haven't noticed.
It's you that I'm chasing, you fucking idiot.

Speaker 2 (50:55):
What are you doing here? You know? After the army,
I just need to do something.

Speaker 5 (51:00):
Hell, I ain't even been good at pomping gas.

Speaker 2 (51:04):
And then he just is like, find other word, Jack
and slaps him unconscious. Find other work, Jack.

Speaker 5 (51:12):
Okay, night night, night night. Won't be so nice. It's
just like insane to me, Like that moment is just
so wild to me.

Speaker 2 (51:24):
Oh so again, he just runs. He sees a pond, pond,
and then cut to them, the group of the people
passing by the same pond, and you could see him
in the water.

Speaker 5 (51:38):
Yep, he's right there.

Speaker 2 (51:40):
He's right there.

Speaker 7 (51:41):
World class mercenaries his hair is the color of the
fucking sun.

Speaker 2 (51:50):
The guy's like, well, I gotta go watch my face
in this pond over here.

Speaker 5 (51:54):
Oh no, you surprised me.

Speaker 2 (51:57):
Figure that looked like a pale body of the surface
is actually a human.

Speaker 5 (52:02):
This is so good.

Speaker 2 (52:04):
He just tosses them in and drowns him. And then
we have the old hiding under a pile of leaves
with a machine and means.

Speaker 5 (52:12):
So much to me. This shot, like the first time
I saw this.

Speaker 2 (52:17):
When he comes up, his face is glorious. When he
pops out of those leaves.

Speaker 5 (52:26):
You just know those muscles, every one of them is
under those leaves tents.

Speaker 2 (52:31):
He's just waiting and they're like action, I can't grit
these teeth any harder.

Speaker 5 (52:46):
That's just one of my favorite moments of the whole thing.

Speaker 7 (52:48):
I like, I'm seriously trying to keep from crying right
now because I.

Speaker 2 (52:54):
And but this is another part that I just find
so enjoyable. Like just a what just it was right
after that that kill, one of the guys in the
group goes, we're not hunting him, he's hunting up. He's scared.
This dude is just scared. Srton just is like, you're
scared boom, scared cat.

Speaker 5 (53:16):
We don't need that kind of negativity in our lives.

Speaker 2 (53:20):
You're dead. You said he's hunting us. I disagree. You're dead.
Bang So now now the mill.

Speaker 6 (53:30):
Another blonde mullet guy appears with Michael Well again because
he's looking around.

Speaker 2 (53:37):
He's he like looks everywhere. He checks all his surroundings
and turns around and gets it. It's like you were
just looking then.

Speaker 5 (53:46):
You're just looking that way. How did this guy gets you?
So he butts him with the gun. Now you're gonna die?

Speaker 2 (53:56):
Chep Oh yeah, he like he rips his shoulder out
of socket and try just hey, hey, that's gross. Don't
be gross.

Speaker 5 (54:05):
Don't dislocate bones like that's yucky. Stab a guy, yeah,
I'm on a leaf. Stab him and slip them.

Speaker 2 (54:13):
Log them, log them in the face till they're dead.

Speaker 5 (54:17):
Have some style.

Speaker 2 (54:20):
Style, there's style. That's what Hogan was just like, oh ship,
he beat this guy with a log. That's my style,
my style, I like, I invented that.

Speaker 7 (54:30):
What what part of any of this is giving you style?

Speaker 2 (54:35):
You mean, sneak up behind him and stab him in
the chest, that's your style? Like style, sneak attacky, sneaky pope,
pope with a knife.

Speaker 7 (54:45):
Okay, I would call this trying to survive the style, Okay, whatever.

Speaker 2 (54:52):
I could tell this guy's we're an oband.

Speaker 5 (54:56):
Yeah, so uh oh wait, we're not there. No, Now
what happens to this guy?

Speaker 2 (55:02):
He pops his shoulder out and then Danton's like hurt
on the ground, grabs a stick, shoves it into the
guy's chest and the guy dies on him like blood,
this thick red blood just just like going out of
that guy's mouth all over jah, in his face. It's disgusting.
And then pushes him off and the blood's not there.

Speaker 5 (55:23):
Yeah, well I wiped it off. It's fine.

Speaker 2 (55:27):
Yeah, he definitely didn't wipe it off. But it's not.

Speaker 7 (55:30):
But we know what's important for this movie exactly the look.

Speaker 5 (55:35):
Yeah, the look.

Speaker 7 (55:36):
So three guys with guns made up Hogan, tank top man,
Lieutenant Thornton and one other guy talking about it.

Speaker 6 (55:46):
Any sign of him, yo, just bodies.

Speaker 2 (55:52):
Yeah, it's almost set.

Speaker 5 (55:56):
Said, he's trying to draw a sand.

Speaker 2 (55:58):
Deeper deeper, so when it gets dark, let me go
after him. Yeah, Thorn wants a piece of that man.

Speaker 5 (56:06):
Don't chance it. I don't want to lose any more. Man,
let's move it out.

Speaker 6 (56:10):
Yes, so what I hold on to make sure I'm
at the right place here because.

Speaker 5 (56:16):
They say, oh yeah, so he fixes his shoulder on
the rock.

Speaker 2 (56:25):
Muscles. I could have used a little bit more intense
of a sound effect on that one. Yeah, I would
have liked that.

Speaker 5 (56:32):
Okay. So yeah, the breaking of it was so disgusting
that you expect to pay offer when it gets put
back in order. No, we don't get that.

Speaker 2 (56:42):
No, so then we we realized that the mercenaries are
gonna set up camp and uh, sexy military lady Sybil,
I'll give her a little dignity. We can't do that.
Can't let him go. He's gonna get out there. And
he's like, he won't do that. And I love her response.

(57:04):
She just goes, all.

Speaker 5 (57:05):
Right, okay, if you don't care around, I can care.
I only care for you, you know.

Speaker 2 (57:12):
So now this is where Danton goes a.

Speaker 5 (57:15):
Walk and waiting in the water, trying to.

Speaker 2 (57:17):
Recover, waiting in the water holding.

Speaker 7 (57:20):
His arm, eating sticks and buts her it's a live worm.

Speaker 5 (57:26):
I love how he catches the rat.

Speaker 6 (57:30):
You just see a shot of a rat and he's saying, yeah,
you're like, you did not catch that.

Speaker 5 (57:36):
Rat like that pops like.

Speaker 2 (57:41):
Pass, I am the best of the best.

Speaker 7 (57:47):
And then the next shot he's just doing the ratbab
over the fire and I'm just in.

Speaker 5 (57:50):
There, like but like how he spots the everything.

Speaker 7 (57:56):
Is everything in this movie is believable until he tries
to make me think that that's how he caught that rat.

Speaker 2 (58:03):
But I also love how he sees the rat because
he's so focused on eating every morsel of this worm.
And then he goes it's this like a can see
that movement and go, oh shit.

Speaker 6 (58:19):
Grown men that are two hundred pounds can sneak up
on you that this rat over here.

Speaker 5 (58:26):
Oh I hear you, bitch.

Speaker 2 (58:28):
Oh I hear you. I heard you coming a mile away.

Speaker 7 (58:33):
What I love about it is she said he's gonna
need that rat strength.

Speaker 5 (58:37):
Yeah, I hate those muscles.

Speaker 2 (58:40):
We have kind of like a back and forth. We
just see Jamie the wife sitting alone at home dad
while he cooks his rat on a stick.

Speaker 5 (58:52):
She's at a fireplace. He's at a fire.

Speaker 2 (58:54):
Yeah, it's great. Bless here the artist. Yes, now we're
in a mercenary camp. Hogan is in a great position
because he's leaning on a tree, drinking his beer.

Speaker 12 (59:10):
And Sybil's like, I wonder what's going through his mind? Really, no,
I know what's going through his mind. He went through
our men like they were just toy soldiers.

Speaker 2 (59:28):
Compared to him. They're not even that good, not yet yet.
And then we have this this whole backstory that Hogan
just spits out. Yeah, and he loves again. This is
another movie where they discover the word bastards one day. Yeah,

(59:50):
and they just unleash the.

Speaker 5 (59:54):
Bastards. But you know what, all of this story, all
of this, it's all worth it because he is proof
that my methods work.

Speaker 2 (01:00:04):
Methods work. He's the greatest. And what I wouldn't give
to have twenty Mike Danton's.

Speaker 6 (01:00:11):
My walking pa from the militaryum measly six hundred bucks
a month.

Speaker 2 (01:00:15):
Those bastards, what.

Speaker 5 (01:00:16):
We went through. Bastards, bastards, stupid bastards.

Speaker 2 (01:00:23):
And she's like, well, you can train all the other
He's like, first I want to talk to him.

Speaker 5 (01:00:27):
Ye, go get me a beer. Okay, I take my
titties to get you out there. And then Mike appears.

Speaker 2 (01:00:39):
Yeah, just like she walks away and it's just a
hand over the mouth from behind the tree. You're playing
a game you can't win. It's over. Get your men
out of here. You made me the best. Well I
still am, I still am.

Speaker 5 (01:00:57):
I love it.

Speaker 2 (01:01:00):
Music sting, and he does it in such a way
that he just is like.

Speaker 5 (01:01:10):
That is so weird. It felt like improv and not
the good kind.

Speaker 6 (01:01:17):
So now Michael's asleep out in the woods and who hillbillies,
wake him up?

Speaker 5 (01:01:22):
Come on, get out of here. Wake up now, boy.
Now hold on, don't you go jumping up all half cock.
Just lower the knife.

Speaker 6 (01:01:29):
And put it down real slow, like now they're out here,
probably hunting, right.

Speaker 2 (01:01:36):
Yeah, they got their shotguns. I love that they're got
these southern accents, the appellation. Maybe I don't know, but
they're thick. And there's seventy five miles south of south of.

Speaker 7 (01:01:51):
These guys have never left, Yes, this is how they
talk in San Diego.

Speaker 2 (01:01:59):
These guys have never left their home.

Speaker 5 (01:02:03):
This doesn't feel like Carl's bad to me, like what.

Speaker 2 (01:02:07):
That boy's been eating. Rest dam city, folks.

Speaker 5 (01:02:12):
You are a city fault. If you live that close
to LA what are you?

Speaker 2 (01:02:18):
It's hard to get out of the city. It's not
you're going to go the other way, not south.

Speaker 6 (01:02:26):
So if they have been killing and hunting people on
these on this property for this long, this is the
first time you just run into somebody.

Speaker 7 (01:02:36):
Everything about these guys is stupid.

Speaker 5 (01:02:40):
So Michael's running through the woods.

Speaker 2 (01:02:44):
Mercenaries come running, and they come across the Hillbillies.

Speaker 5 (01:02:48):
Yeah, and this is not good good news.

Speaker 2 (01:02:51):
Where is he? I am saying, But do you want
to say that way ten minutes ago? Babe?

Speaker 5 (01:03:00):
Okay, it doesn't matter. We're going to kill both of
you no matter what.

Speaker 2 (01:03:05):
Tell me. Don't tell me either way, you're getting a bullet.

Speaker 7 (01:03:07):
Yeah, you saw how easy it was when you just
kill this guy because he hesitated because he was like,
I don't like you're stuttering. Yeah, they killed somebody for
saying they were scared earlier. You're done your toast.

Speaker 2 (01:03:22):
So now they're going through the.

Speaker 6 (01:03:25):
Best of the bed like his new golden child and
his old golden child are going head to head.

Speaker 2 (01:03:30):
Now, well not quite yet. He does drop. He does
watch them from a distance, and he drops rocks and
murders three of them with oh yeah, and.

Speaker 5 (01:03:40):
Doesn't even touch.

Speaker 2 (01:03:41):
Them the rock. Okay, him as an actor in that part,
speculation set speculation. He's just like, what do I do?
It didn't hit me? Do I just see you're dead? Okay,

(01:04:05):
I pretended death like he did a couple of takes.
He's like, but it's not hitting me. Just at den anyway,
we only have two you see that sun. It's like
we're running out of day. Like, I don't care if
it hits you, no doubt if it doesn't.

Speaker 5 (01:04:20):
He's the ultimate calenision. He can kill you in his eyes.

Speaker 2 (01:04:23):
But it was like two feet away from me.

Speaker 5 (01:04:26):
There's weird. No, it's gonna we're fixing postide.

Speaker 2 (01:04:31):
We'll make it and Nanity, it'll look great, it'll look great.

Speaker 5 (01:04:35):
And then he sees it. They did not face it. Honey,
guess what I do.

Speaker 2 (01:04:39):
I'm supposed to put all my faith in my director.

Speaker 5 (01:04:43):
Yeah, and he's like bringing his Oh here's my death scene.
Why didn't nothing touched you? Why did you? Well? It
was supposed to me fixed and post Well.

Speaker 2 (01:04:56):
When I when I launched forward, there was a spike
that I went through.

Speaker 5 (01:05:01):
Yes, you didn't see it. Yeah, it was a specialty
shot that they didn't put in.

Speaker 2 (01:05:07):
Yeah. Yeah, especially it didn't the bloodshot didn't work.

Speaker 5 (01:05:12):
Yeah, but I'm still a movie star.

Speaker 2 (01:05:14):
Okay, the movie yard. Yeah, I put it as I
put it as dead guy number thirty nine, Yeah, and.

Speaker 6 (01:05:22):
Number forty and number yeah sixty, please me a few
times for You're like, I loved how you died when
you didn't get hit by anything.

Speaker 2 (01:05:29):
So I'm gonna get you killed three more times.

Speaker 6 (01:05:31):
Yeah, we're gonna make sure you get at least one
of these contacts.

Speaker 5 (01:05:37):
Now at the top of the hill. Great shot two,
great shot, beautiful fort.

Speaker 2 (01:05:42):
And walking up behind him, very very western, spaghetti western
esque shot.

Speaker 5 (01:05:47):
It feels like, what what we've been waiting for?

Speaker 2 (01:05:50):
Yeah, here and guess what Danton gets.

Speaker 5 (01:05:56):
His handed to now for me, I just like, let
me get cast for watching your listen. He's been through
a lot. He's only eating rats.

Speaker 6 (01:06:07):
He's only even eating rats, Like if they were coming
at their best, both of them at their best, he
wouldn't be able to eat those muscles that he's living
on worms and rats and sleeping outside giving.

Speaker 2 (01:06:19):
Him every excuse. Yeah outside, Thornton stopped outside, but he
had a sleeping.

Speaker 6 (01:06:26):
Bag dislocated shoulder that he popped back in the gear.

Speaker 7 (01:06:31):
He's been through a lot flash, Yeah, come on, he
could take that guy.

Speaker 2 (01:06:41):
So now Danton is tied to a chair. I want
him alive, yes, because he was about to kill him,
he was about to kill him.

Speaker 5 (01:06:48):
No, I want him alive.

Speaker 2 (01:06:49):
I want to talk to him.

Speaker 5 (01:06:52):
Yeah, we got some things to go up for.

Speaker 2 (01:06:56):
So Dan's tied to the chair in his tent and
Hogan's tent and in discibls, just smacking them, being a bitch,
smacking them.

Speaker 5 (01:07:06):
I smack you, you have no hands, right, smack.

Speaker 2 (01:07:11):
Got your women doing your fighting for you?

Speaker 7 (01:07:14):
Then was talking to you missed her. She's like, really
worried about respect right now, But you ain't wearing a bra.

Speaker 2 (01:07:21):
Hey, you know what, sometimes you don't need to wear
a bra. You know what, that's her choice. You back
off a bra.

Speaker 6 (01:07:27):
I'm going into a camp with one hundred and seventy
five gross men.

Speaker 7 (01:07:33):
I think it's the day to where my daisy Dick's
and a great tank tof with no bra.

Speaker 2 (01:07:37):
It's hot outside. She gotta let that sweat out.

Speaker 5 (01:07:42):
Ever, it's like victim blaming. It's how she was dressed.

Speaker 2 (01:07:46):
No, but I love it because he's like, you got you,
got your women doing your fighting for you. Then again
she's not much of a lady. And then she just
like fuck you.

Speaker 5 (01:07:59):
Yeah, the way the delivery of fuck you, I said her.

Speaker 7 (01:08:03):
Her delivery is so interesting, Like she has an earbud
in and someone told her say say this.

Speaker 2 (01:08:10):
Fuck you out fuck fuck yeah, oh Sybil fuck oh yeah.

Speaker 5 (01:08:19):
But it's like she was like listening and like, oh,
what was I supposed to say? Oh?

Speaker 2 (01:08:24):
Was it? Fuck? Was that the lie?

Speaker 7 (01:08:28):
It was?

Speaker 2 (01:08:29):
It was like one of those moments where it was
just a typo on the on the script.

Speaker 7 (01:08:32):
Yeah, and she just does She's like Ron Burgundy, you
and are not far apart, they're just one one over.

Speaker 5 (01:08:39):
Yeah.

Speaker 7 (01:08:42):
That's why this is why I keep saying bad things
about her. She reminds you of me. I guess, like
that's something I would do.

Speaker 2 (01:08:50):
Okay, So Hogan offers danting a job. Yeah, I want
you to join me. Well you got a funny way
of asking.

Speaker 5 (01:08:59):
Yeah, they were just following orders out there. Well how many?
How many are you killed out here like this?

Speaker 2 (01:09:06):
He's not okay with it.

Speaker 5 (01:09:08):
No, He's like this is fucked up.

Speaker 7 (01:09:10):
Yeah, like I can kill all of you, but like
you've just been taking like regular ass people.

Speaker 2 (01:09:15):
Does it matter? Like this is how I trained him.
He's like, well, you trained me differently. You don't need
to do that. And he's like, this is what I love.
He goes, but you were different. You were one in
a thousand, in a in a thousand.

Speaker 5 (01:09:27):
Thousand, like this guy's one in a thousand thousands. You
get out. You need to get on the dating app.

Speaker 2 (01:09:33):
On a million means you're special, not one in a thousand.

Speaker 7 (01:09:37):
No honey, no honey, Like go to dating apps and
tell the women right now, Oh, this guy's like one
in a thousand.

Speaker 5 (01:09:44):
The bitch, I have been out there, you say, like
two of those in your life.

Speaker 7 (01:09:51):
This golden god of a man that looks like he
man stepped out, like, now that's he man.

Speaker 5 (01:09:59):
There's one he man. That's him, and I like the
g G at this moment, said oh cute couple alert.

Speaker 2 (01:10:13):
How does a man go from being the highest decorated
officer to some goddamn blood sucking mercenary that was their army?
This is mine blood, money is all green lap His
dialogue this like so good, it's you owned, you owe me,

(01:10:34):
I sent time in war, I owe you nothing. He's
sitting then Hogan just goes join me.

Speaker 5 (01:10:40):
Damn it, no way, it's fun. We used to be friends,
aren't you took your fucking bracelet off that friends, I
weave that bracelet for you.

Speaker 6 (01:10:56):
Okay, bitch, I picked your favorite fucking colors because I
know you the shit out of it.

Speaker 7 (01:11:05):
So he says he's gonna give him a little time
to rethink the situation, like.

Speaker 5 (01:11:10):
Tied up, we're gonna figure this out.

Speaker 2 (01:11:15):
Now, we cut to Jamie's dad. Does he have a name?

Speaker 6 (01:11:18):
Oh?

Speaker 5 (01:11:20):
I want to tell you because I just like done.
And she noticed it too. I paused it where his
nipples were out so far in that chair. I was like,
what the hell is going on with his nipples?

Speaker 2 (01:11:34):
Now we have to watch it a third time. Yes,
And they.

Speaker 6 (01:11:39):
Were like if if a pencil a number two pencil
eraser went out two inches.

Speaker 5 (01:11:48):
So it looked like they were all two inches.

Speaker 2 (01:11:52):
This isn't two inches. I know a lot of guys
try to tell you this is two inches.

Speaker 5 (01:11:58):
Okay.

Speaker 6 (01:12:04):
They were so long and hard it was like a
different scene from the front when they were like this,
it wasn't like that. But as soon as you went
over to the side and look back at him, they
were like, gleaming.

Speaker 5 (01:12:18):
You gotta go check it out. It's pretty well. This
spread out to where I paused that and g wrote
it down too.

Speaker 2 (01:12:27):
They were just like icing them down before the scene.
They're like, no, trust me, try something ice. It looks
the ice on set. You always ice.

Speaker 5 (01:12:35):
Put a beam of light directly on those nipples.

Speaker 6 (01:12:41):
Now this is a continued day maybe, like I don't
I don't know how much time has passed here. But
the dude gets out of a Susuki Samurai that's kind
of pulled over to the side, and Jamie's it's her
dad right.

Speaker 2 (01:12:54):
Well he won. He wanders into the field with a shotgun.
So Jamie's dad grabs a shotgun and wanders off into
the field before we head back into Thornton entering into
to beat up Danton in the tent and Jack Cooper watches.
It's kind of one of those scenes where we go
back and forth things. Then yeah, then we do see

(01:13:15):
dad sneak around the military taking around. Yeah, the dad
he finds it.

Speaker 6 (01:13:20):
Yeah, so he's there and he's poking around. So he
did not call for backup.

Speaker 2 (01:13:24):
Nope, why would he do that. He's retired.

Speaker 5 (01:13:27):
And then he gets here and he sees how big
of a fucking operation it is. I'll just go check
it out.

Speaker 2 (01:13:34):
I'll sneak around.

Speaker 4 (01:13:35):
All of.

Speaker 5 (01:13:38):
It should go well for me.

Speaker 7 (01:13:40):
You can hear somebody's beating Michael. Yeah, that's it.

Speaker 5 (01:13:47):
He actually likes it.

Speaker 2 (01:13:48):
Okay, Hey, and so mister business guy comes walking in, right,
did you have something else before that?

Speaker 5 (01:13:58):
No? No, no, you see that this friend Jack Jack
is watching figuring out like he isn't like this. Yeah,
I don't want that guy in my life. I got
him tied up. That's not fair. That's not fair, Like
what part of those has been? Fucking fair? Body?

Speaker 2 (01:14:14):
And so mister business guy goes to see uh Hogan.
And for the only reason that he goes to see
Hogan is so that Jamie's dad can hear. They gave
us this exact scene at the beginning of the film
with mister businessman talking to Hogan. I need them in

(01:14:35):
a one. It was like, you're playing the same.

Speaker 5 (01:14:37):
Scene just I Haven, Why are you here early?

Speaker 2 (01:14:41):
You told me that yesterday? Yeah, I get it, get
half of my.

Speaker 11 (01:14:45):
Ass, crack a few heads and take a few bones.

Speaker 2 (01:14:52):
Yeah, daddy does that's business?

Speaker 5 (01:14:55):
Yeah, say the killing for overseas, but definitely get.

Speaker 2 (01:14:58):
Rid of this guy.

Speaker 5 (01:14:59):
But Danton, first, don't kill him, and then and then
we'll sit the kill him, but definitely kill this guy.

Speaker 2 (01:15:08):
Yeah, definitely kill this guy. So now Sybil comes in
and throws water on Danton's face and what does he
those twine bindesh.

Speaker 5 (01:15:27):
That yeah, bitch, yeah, she gets down.

Speaker 2 (01:15:34):
That's harsh.

Speaker 5 (01:15:36):
Well she wasn't tied up, was she.

Speaker 2 (01:15:38):
You don't need to use that language. Come on.

Speaker 5 (01:15:43):
I'm like, I'll hit a bit if she hit me first.
It's like she hit him a lot of times.

Speaker 2 (01:15:51):
I'm fine with the violence against women. I don't like
the disrespect.

Speaker 5 (01:15:56):
The name college. Yeah.

Speaker 7 (01:16:00):
So right now though, he goes out and he's six
the cream Maid in someone's pants and blows.

Speaker 2 (01:16:05):
Up their decks, the great one. He's like, I got you, No,
you don't, crutch screw.

Speaker 7 (01:16:14):
I love Mincastle where we were watching it together, and
he goes, dude, he.

Speaker 5 (01:16:17):
Just put that in his pants, Like yeah, do you
like that?

Speaker 2 (01:16:24):
What's that doing for you at the moment?

Speaker 6 (01:16:32):
So that guy blows up there there's crazy and Hogan'
says Danton again.

Speaker 5 (01:16:38):
He loves saying his name. So he runs out to
the chaos. Everyone is jumping in the military trucks. They're
all going after him. People are getting helicopters.

Speaker 2 (01:16:47):
Oh, Yeah, it's on. Everybody's jumping in their tank. Yeah,
he starts shooting the tank at him. One of the
guys in a tank and he shoots at the shoes
explodes in right next to him, and he's like, hell no,
I'm gonna go through a grenade in that tank.

Speaker 7 (01:17:05):
Yep, And so he does the takedown of the helicopter. Though,
is what like this is how it looks expensive as fuck?
The sole scene is so expensive, and I feel like
everything had to be a one taker. Yeah, you one
take to make this happen, make it work. But I

(01:17:26):
love him like running through an open field, open that
way to hide, and they're all shooting at him. No
one hits him.

Speaker 2 (01:17:32):
Nobody hits him.

Speaker 5 (01:17:37):
Of a helicopter. Now I'm getting He turns around and well, fired.

Speaker 2 (01:17:43):
That, and then he puts he has one of those
grenade launcher attachments or something. Boom three, Dad exploded in
the helicopter. Yeah, and then he goes and does another
one of those grenade launcher things, kills another two guys
on the running around. Then yeah, then he he gets

(01:18:06):
knocked over by another grenade. Somebody throws a grenade, He
gets knocked over, He gets shot didn't get shot. Yeah,
now he shot.

Speaker 5 (01:18:22):
We're very upset.

Speaker 2 (01:18:23):
Now, very upset.

Speaker 5 (01:18:26):
I didn't want to see him get shot.

Speaker 2 (01:18:31):
And this is another one, like he's running away, he
hops out of the ground because there's this They chase
him and then he all of a sudden has this
like heidi hole. Yeah, jumps out, raised down five dudes.

Speaker 5 (01:18:47):
Yeah he set this up later or something.

Speaker 2 (01:18:49):
Yeah, well he set this up for later.

Speaker 5 (01:18:51):
Yeah, I've been setting these things off. I just know
where to go and get the perfect time.

Speaker 2 (01:18:56):
What am I going to do? Eat another worm or
dig trench? Yeah?

Speaker 5 (01:19:02):
So after all of this killing, this is where he
meets up with Jack. When we find out Jack cut
his ropes for him.

Speaker 2 (01:19:10):
I know, but I like how he did it because
he's just like, hey, you cut my ropes back of
the tent.

Speaker 5 (01:19:18):
You say, my ass and na.

Speaker 2 (01:19:20):
Figure that makes us even Next time it might be different.

Speaker 5 (01:19:25):
You might You're right.

Speaker 2 (01:19:29):
And then so Cooper grabs the machine gun of the
guy that he killed to save him. Yeah.

Speaker 6 (01:19:39):
Jack, Jack is like, it's very confusing whose side he's on.

Speaker 2 (01:19:43):
Yeah, and he and Thornton is starting to get a
little suspicious of Cooper, of Jack and Cooper. Yeah, but
then Hogan's like, oh, Thornton says something really like, you know,
I know where this guy lives.

Speaker 5 (01:19:59):
Shit, jet jet chat, we know who's getting taken.

Speaker 2 (01:20:05):
Yeah. So at this point we cut to Daddy.

Speaker 5 (01:20:10):
Gotdy Daddy and he's.

Speaker 2 (01:20:12):
Got his he's got a little trap set up. And
the businessman stops and he's got him at gunpoint, and
Daddy does a monel.

Speaker 5 (01:20:21):
Oh yeah, is he't laying on the ground?

Speaker 2 (01:20:25):
Oh? Is that?

Speaker 6 (01:20:27):
I thought he was like laying on the ground to
trick somebody. Yeah, he just lays on the ground.

Speaker 5 (01:20:31):
Oh, what's going on, dude?

Speaker 2 (01:20:33):
You know we're down there.

Speaker 5 (01:20:37):
What's happening doing a wellness check?

Speaker 7 (01:20:41):
Who am I a little man who's spent twenty seven
years as a cop? Well, big men like you sitting
there fancy pitting houses. We got a little resentiment.

Speaker 2 (01:20:51):
Yeah, today the nobody's that made you rich are gonna
winde you son of a bitch?

Speaker 6 (01:20:59):
Yeah, yeah, just bringing I'm a former police officer. I
just just killed somebody. I could have taken him in.

Speaker 2 (01:21:07):
Could have.

Speaker 5 (01:21:08):
But you know what, today, way cooler.

Speaker 2 (01:21:12):
Nobody's winning today.

Speaker 5 (01:21:14):
I just gets it if I can kill somebody, you know, all.

Speaker 2 (01:21:17):
Those rich people controlling everything. I just killed one. Yeah.

Speaker 6 (01:21:21):
So then we see the door knob of course opening
and we see Jamie and you know she's getting taken.

Speaker 2 (01:21:27):
You know she's getting taken.

Speaker 5 (01:21:29):
You know, you know this is happening.

Speaker 6 (01:21:32):
So he the fucking tank top guy, brings her in
and throws her to the colonel.

Speaker 5 (01:21:37):
Yeah, and his first thing he wants to do, I'm
gonna need to rape you.

Speaker 2 (01:21:43):
You know what. I'm gonna need to rape you.

Speaker 5 (01:21:47):
I have to. It's kind of something like, I have
to do this. I just gotta rape you. Yeah, at
least he.

Speaker 2 (01:22:00):
Could take a shower first. Before you know.

Speaker 7 (01:22:02):
He and I were once friends, good friends. But he's
made me angry, and she's letting out. You write me
he'll kill you. He's like maybe maybe, but I'm.

Speaker 5 (01:22:13):
Gonna do I'm gonna hurt him, worse hurt me. Yeah,
I just gotta baby. So then Daddy's daddy's out hunting too. Daddy, Daddy, halt,
are you a friend or an enemy?

Speaker 2 (01:22:31):
This one? I love, I'm a friend, You're a liar.

Speaker 5 (01:22:40):
He confirms the chit that kill and then checks the pocket.

Speaker 7 (01:22:44):
Nobody's confirming these kills. There's another guy there, somebody and
ran off confirmed.

Speaker 2 (01:22:50):
Kill like don't look in his pocket for change or
like a rubber band.

Speaker 5 (01:22:56):
Or daddy wasted this time. Now there's a gun in
this space.

Speaker 7 (01:23:00):
Is a gun in his face, and then they tell
her God to press it for you, and it's his daughter, Daddy, Daddy, What.

Speaker 5 (01:23:07):
Have they done, Jamie and Hogan's laughing.

Speaker 2 (01:23:13):
Oh, it's totally laughing. He's like, I did I did that.

Speaker 13 (01:23:20):
And he Dad lunches out of his shts.

Speaker 2 (01:23:23):
Him in the belly. Daddy dead, just that quick, just
that quick.

Speaker 5 (01:23:28):
I'm gonna be my daughter. No, you're gonna just.

Speaker 2 (01:23:31):
You're gonna die immediately from one gun shot to the belly.
It's gonna take you out in five seconds.

Speaker 14 (01:23:41):
You know.

Speaker 2 (01:23:41):
They say, gut shots kill you immediately. No, no dying
with an.

Speaker 5 (01:23:50):
Hour and a dead body off of my desk.

Speaker 2 (01:23:54):
Another great landscape shot, silhouette shot of Danton wandering around
the fog. It's fantastic.

Speaker 5 (01:24:01):
This is one of the most beautiful shots of the
whole thing. It's great, so pretty, that's beautiful.

Speaker 2 (01:24:06):
And then he wanders home.

Speaker 5 (01:24:08):
So he gets there and Sylvia is waiting at the dining.

Speaker 2 (01:24:13):
Room at his house. He goes home.

Speaker 5 (01:24:15):
Yeah, and immediately.

Speaker 7 (01:24:17):
The for reason, I'm like, we did not have the
technology for him to know the exact moment.

Speaker 5 (01:24:21):
Then he walked in.

Speaker 2 (01:24:22):
He's just sitting He's sitting there and he's calling every
thirty seconds. Is he there yet? Yeah? Is he there yet?
He's called four hundred times. I'll call you when I
see him coming up the driveway, I'll hang up you
wait thirty seconds?

Speaker 5 (01:24:39):
Yeah, yeah, okay, I know.

Speaker 2 (01:24:42):
You want to make this dramatic, Hogan. Hey.

Speaker 6 (01:24:44):
So he tells him when he gets sit through to him, like,
I got your wife, Sibyl's going to take you to
where I am.

Speaker 2 (01:24:49):
What do you want? You know what I want? I
want you.

Speaker 5 (01:24:53):
It'll be over real. Sin to da Dad Dad, And.

Speaker 2 (01:24:58):
He tells him Sybil's going to lead bring him.

Speaker 5 (01:25:01):
What's gonna take somewhere. But guess what civil doing ship doing?
I guess? He says fuck you and kills ho.

Speaker 2 (01:25:08):
Back, although he should have said fuck fuck you smack
bang bang.

Speaker 5 (01:25:16):
So now he's it's time for him to become John Wick.

Speaker 7 (01:25:20):
Pulling out his ship prep for war, puts some really
cool makeup.

Speaker 2 (01:25:27):
He grabbed. He grabs a bundle of dynamite like a
premium dynamite bomb, like, clean your machete.

Speaker 5 (01:25:39):
I'm getting Oh my god, stuff. No, he's gonna get
some of my tetanus.

Speaker 2 (01:25:43):
If you don't die from you will you will adventure
from tetness unless you get a shot, then you will.

Speaker 5 (01:25:53):
So now we're in the woods in a misty morning.

Speaker 2 (01:25:56):
Yes, yeah, back there, all weapon up. Now with shoes on,
Now with pants on. He starts sending up booby traps.
Them titty traps? Can you call them titty traps?

Speaker 5 (01:26:09):
I think so because Booby's titties there. So I like that.

Speaker 7 (01:26:14):
Jack sneaks up on him and he says, looks ike're
playing one head of a surprise party.

Speaker 2 (01:26:20):
This is where I immediately just wrote is he the best?
Is he really the best? Is he?

Speaker 5 (01:26:25):
Actually?

Speaker 2 (01:26:27):
He's snuck up on him three times?

Speaker 5 (01:26:29):
Yeah?

Speaker 7 (01:26:30):
Yeah, he says, I like being on the winning side.
It's a lot healthier. Come on, let's kick some ass.

Speaker 5 (01:26:36):
It's a lot.

Speaker 2 (01:26:37):
Healthier to be on the winning side.

Speaker 5 (01:26:40):
Well, the winning site has been eating.

Speaker 2 (01:26:42):
Rats and probably have some sort.

Speaker 6 (01:26:46):
Of disease, dislocated shoulder, he's working through a lot of pain.

Speaker 5 (01:26:50):
His wife has been raped.

Speaker 15 (01:26:52):
This is the healthy Yeah, okay, healthy is the word
we're using the other word is they are definitely more
are unstable mentally, but I don't think healthy would.

Speaker 5 (01:27:03):
Come to mind for any of these motherfuckers.

Speaker 2 (01:27:06):
And then we did a little hand clasp the two
of them, the little Carl Weather's Arnold Swarzenegger handclap. Yeah,
welding bustles. And this was released five months after Predator.
And I'm willing to say that it's rased no that
this was written and directed and released in like in

(01:27:26):
that five months after they saw Preditors. Were like, me and.

Speaker 5 (01:27:32):
Casper have this? I said, back then.

Speaker 2 (01:27:38):
Who was made in two months? This movie was was written,
filmed and released in two months.

Speaker 6 (01:27:45):
Yeah, well, any independent film that I do now isn't
released in two months.

Speaker 5 (01:27:52):
It takes two years, just like how would they?

Speaker 6 (01:27:57):
Because he said, oh they got back from this, and
I said, burst my fucking bubble.

Speaker 5 (01:28:03):
I think it was just in.

Speaker 2 (01:28:06):
Consciousness and it was.

Speaker 5 (01:28:10):
In the humanity.

Speaker 2 (01:28:11):
Yeah, one.

Speaker 5 (01:28:16):
We knew we needed muscle hands grabbing.

Speaker 2 (01:28:19):
It was just like when you're when you're a macho man,
all you can think about is just need a clasp
of Bruce hend.

Speaker 5 (01:28:26):
Yeah, I just need it.

Speaker 7 (01:28:28):
There's a yearning inside the us all it's not when.

Speaker 5 (01:28:32):
A mama knows a feed your baby.

Speaker 2 (01:28:34):
Yeah. See, we go back to the tent with Hegan
and sign yet And I love this one because he says,
I just have to point this out because it's almost immediate.
But he says, double the guard on Danton's wife, tell
him to stay alert. We'll get to that. Cooper and
Danton are sneaking through the camp. Danton, of course, is

(01:28:58):
knuck up on again. Yep, double knife scar. Yeah. I
love how everyone just dies. It's like I got stabbed
by a three inch knife and I'm dead. I'm just
fall over dead.

Speaker 5 (01:29:13):
My human body is three inches deep.

Speaker 2 (01:29:16):
It went through me. That affected everything else. Oh yeah.
So he goes up to another one. We see Cooper
high five another guy and starts smoking with him.

Speaker 5 (01:29:29):
Yeah, we need some SIGs.

Speaker 2 (01:29:31):
Getting kills that guy and Jamie takes care of or
he takes care of the other. So these two guys,
they're Jamie's guard guards. Yeah, there's two of them, and
they doubled the guard, their double guard. So they had
one guard. When you have one person guarding it and

(01:29:51):
you go double the guard.

Speaker 5 (01:29:53):
Okay, two of us fucking guys will stand here.

Speaker 2 (01:29:55):
He seems a little weird, like if they were like
four maybe like double the guard.

Speaker 5 (01:29:59):
Okay, so we want just like get another guy, get.

Speaker 2 (01:30:02):
Another guy on it. Yeah, no, double, it will already
have a double double.

Speaker 5 (01:30:10):
So to boss, you heard me, that's what you're not
auto the Master.

Speaker 2 (01:30:15):
Oh, I think you're bad at taking directions.

Speaker 7 (01:30:18):
Now we need two more because I killed you.

Speaker 2 (01:30:22):
They come in and get Den's wife and uh Cooper
takes one of the guys that they knocked out and
he wrests him down. He grabs a hand grenade, pulls
the pin, wraps it in a hat, and then puts
the guy's head down, using it as a pillow. Yeah,
because he's passed out. And then he like prances off.

(01:30:45):
That's so so proud of himself.

Speaker 5 (01:30:50):
He's not gonna see it coming, like me with anything, and.

Speaker 2 (01:30:55):
Like so, so they bring Jamie out and they hide
Danton hides her behind a tank and hands her a
machine gun. And the way she takes it and looks
at him like, I this thing is like two thirds of.

Speaker 7 (01:31:11):
My body's do you think I am?

Speaker 2 (01:31:18):
It's so big with her you see her holding it,
it's so disproportionate to her.

Speaker 5 (01:31:23):
Yeah, it's insane.

Speaker 2 (01:31:26):
Yeah.

Speaker 5 (01:31:26):
And then I like watching the three of them run
down the hill together. Oh the grow.

Speaker 7 (01:31:31):
Oh and then the tent blows up.

Speaker 2 (01:31:37):
Yes, the guy wakes up. Yeah, I huh and we
are ye was that?

Speaker 7 (01:31:44):
Oh?

Speaker 2 (01:31:44):
Yeah, that was my calling card, Like that's his bit.
He does this grenade pillowcase bit.

Speaker 5 (01:31:55):
It's my thing, this is my thing. It's knocked somebody out,
put on this sleep of a grenade. So now they're
in the hiding nest in the woods.

Speaker 2 (01:32:04):
And then I think, like they kiss Jamie, Jamie and
Danton not nu.

Speaker 7 (01:32:08):
Yeah, and he tells her don't move, stay here and
doesn't give her a fucking weapon.

Speaker 2 (01:32:13):
But it's like, say, yeah, shot is so dark, like
I wrote, they kiss, I think because I could hardly
see anything.

Speaker 5 (01:32:21):
Yeah, please come back to me, Come to me. Okay,
I just watched my dad die. Daddy, Daddy, please you
come back to me.

Speaker 2 (01:32:37):
And of course they start chasing after him. They start
chasing after him, and Hogan, like the brilliant leader he is,
says split up. Yeah, right, Like that's what's been happening
this entire time, these last two days that you're fighting him.
He's the guys split up, murder all of you, split up,

(01:32:58):
murder all of you. And so this is where we
kind of have It's not really a montage, but it
might as well be a montage of booby trap deaths. Yeah. Yeah,
it's just.

Speaker 5 (01:33:09):
People, branches going through people.

Speaker 2 (01:33:14):
There's a great one in the throat that is fantastic.
Somebody gets brought up with those little foot traps into
a tree and then swung into.

Speaker 6 (01:33:25):
Wis I like that one man and he like yell whispers,
it's a great delivery.

Speaker 5 (01:33:32):
Jesus, Jesus.

Speaker 2 (01:33:36):
One guy steps on a trap, but he grabs the
spike before it gets and then he looks down or
he looks on it and there's a pin on it,
and he looks in the side grenade and then immediately
we have like three more grenade tripwires and just eat
one after another.

Speaker 6 (01:33:58):
Yeah, and yeah, it's this is just a lot of death, death, death.

Speaker 5 (01:34:02):
And then in the middle of all the death, there's
this gorgeous backlit shot of his feathered hair.

Speaker 2 (01:34:09):
I have cool fog jungle shot with Thornton wielding a
big ass gun around.

Speaker 5 (01:34:14):
Oh it was so good. I was like, that should
have been a fucking poster. That was so good. I
love that shot. Yeah, and then more explosions.

Speaker 2 (01:34:28):
This is like chaosity and then we get He's like running.

Speaker 5 (01:34:31):
I love one guy who gets shot in the back.
I wrote, what a fucking queen like shot Like I
dies like that. I'm like, I've only seen him die once.

Speaker 6 (01:34:48):
Either that or he died so many other reas like
you have to die very different.

Speaker 5 (01:34:53):
Dis do like a very different that's.

Speaker 2 (01:34:56):
The guy who got hit.

Speaker 5 (01:35:00):
He's like, I'm gonna make this one really stand out.

Speaker 2 (01:35:03):
You know what, Nobody believed that other one. They're gonna
believe this. I'm coming hard with this one. I know
I just said I'm coming hard. But don't take it
that way.

Speaker 5 (01:35:14):
Don't take I mean, maybe you can, Okay.

Speaker 13 (01:35:21):
I am so Cooper Danton's like spraying machine gun and
he goes by, and he hides behind a tree, and
all of a sudden, you're a.

Speaker 2 (01:35:33):
He turns around and.

Speaker 5 (01:35:33):
It's Cooper, Hey, hey, you were you were a rocket.

Speaker 2 (01:35:37):
Luncher, the rocket launcher. Because of course, of course, I
just had to get more rocket launchers and muscles in there. Yeah,
five is dead with the rocket launcher kill.

Speaker 5 (01:35:50):
Is this where they go? He's got us panned down.
It's like He's had you fucking pinned down the whole time,
like are you confused? Like like literally he's killed everyone.

Speaker 2 (01:36:02):
So Thornton that shot when we had him the beautiful
shot in the fog, he was like calculating. He was
kind of going, okay, okay, I got this. And what
does he find? Jamie? Pulls her around, pulls her out.

Speaker 5 (01:36:20):
She is caught.

Speaker 2 (01:36:22):
Oh Stoke. He's like, I bring He brings Jamie. That
was gonna.

Speaker 5 (01:36:31):
Die Danton, Danton, I got your.

Speaker 2 (01:36:37):
Wife, Danton. It's all over and it's so he's trying
to He's in this clearing and he's just yelling, you
better come out. You got ten seconds and you just
we get a couple of shots of Danton like he's
just lost. He doesn't know where he was. He's like,
what's that coming from?

Speaker 5 (01:36:56):
He just from he can't find were a rat he
had on it, And it's like he takes.

Speaker 2 (01:37:07):
So long that Cooper's like, well shit, he's gonna kill her.
I have to I have to do something because Danton
I don't know where he went.

Speaker 5 (01:37:16):
So then this part, I really it's weird. I didn't
like this part, did not like this part.

Speaker 2 (01:37:22):
I love it Thornton.

Speaker 5 (01:37:24):
Thornton kills Jack.

Speaker 2 (01:37:28):
Thordan kills Jack. Well, so so Jack Hogan has he's
kind of using Jamie as cover and Jack is just like,
I'm gonna I don't care. I got I know what
I'm doing with a weapon, and he shoots him in
the shoulder, drops him. He tries to get Jamie out,
and this is where.

Speaker 5 (01:37:45):
You're talking about, Yeah, I don't like this part.

Speaker 2 (01:37:48):
Yeah, but I do love this part because the way
he Hogan calls him a trader and then Thornton just
looks at him with his machine gun and he goes,
you fucked up.

Speaker 7 (01:38:02):
Jesus is so what a horrible death for this guy
who we were like, Oh, he's gonna have like redemption.

Speaker 5 (01:38:09):
No, you just fucking die.

Speaker 2 (01:38:11):
No.

Speaker 5 (01:38:11):
And then Casper pointed out to me, he said, I
like that. You the first thing that you said oh
about is that and not the raping or the dad
being killed.

Speaker 6 (01:38:22):
This guy who signed up to kill people for fun
because he was bored.

Speaker 7 (01:38:27):
You're like, oh, I didn't want him to die. He's like,
what god fucking psychoe did I'm married? Oh you didn't
like connect with this guy.

Speaker 2 (01:38:37):
I thought we were supposed to connect with you.

Speaker 5 (01:38:40):
I feel like we connected with it.

Speaker 2 (01:38:42):
But he did the bro hand clasp like they did
the muscles. That part that didn't resonate with you.

Speaker 11 (01:38:48):
Oh okay, I guess I have a fucking Luna taic.
So now Janie's running through the woods.

Speaker 2 (01:39:00):
Yep. Yeah, and Thornton does what Thornton.

Speaker 7 (01:39:03):
Does, but Mike watches, Jay watches his friend die. Yeah, Jamie,
Jamie's running through the woods. And while she's running through
the woods, he's staying with his buddy while he dies.

Speaker 2 (01:39:16):
Yes, he comes in and he has that little moment.

Speaker 5 (01:39:19):
Yeah, he wants to see the lights go out. He's
going to be there for him.

Speaker 2 (01:39:25):
Yeah, And so catches up to her.

Speaker 7 (01:39:28):
Though it's witch and she just screams one of my
favorite screams.

Speaker 2 (01:39:33):
And finally Danton has he can nose directions. Yes, he's like, oh,
there's a sound. He just couldn't find things are first
and now he's like, oh that direction, I gotta run.
I hear danger. I hear Jamie's in danger. So he
runs and he sees sort and shoot Jamie dead.

Speaker 5 (01:39:55):
Yeah. And the second time I was upset.

Speaker 2 (01:40:03):
You don't have time to be upset with death because
Jamie it's pretty like WHOA didn't expect that? It is
a It is a moment where you're like, I didn't
expect her to get blown away, but you are immediately
I'm gonna take your arm that I just chopped off

(01:40:25):
with my machete, and I'm going to murder you.

Speaker 5 (01:40:29):
With your arm, and then I'm going to scalp you.

Speaker 2 (01:40:34):
But when he runs, when he runs with the machete,
he's like, get Bullets are being sprayed at.

Speaker 5 (01:40:40):
Him five feet away, missing its.

Speaker 2 (01:40:45):
Beats you with your own arm. He scalps him.

Speaker 6 (01:40:49):
Yeah fine, yeah, oh my god, so wild, so Hogan,
who's shot?

Speaker 5 (01:40:55):
And he's stumbling around and then scalp he comes.

Speaker 2 (01:41:03):
Yep, that's what's left to your best manned.

Speaker 5 (01:41:07):
Go ahead, get it over with. Please kill me.

Speaker 2 (01:41:12):
Take your shoes off.

Speaker 5 (01:41:14):
Take your shirt off? What take it off before I
cut you out from under it.

Speaker 2 (01:41:20):
Yeah? No, you can't do this. This is just the best.
I love it so much. No, and he runs off,
just like how they made him run off earlier in
the film. No, and Dnton just flexes everything, every single

(01:41:47):
muscle in his body, just rampling as macho as could
possibly be, screaming to the heavens and then it just
freezes frings on that just just beautiful.

Speaker 5 (01:42:03):
Oh good.

Speaker 2 (01:42:03):
And then the calmest, like slowest song.

Speaker 7 (01:42:07):
Strange caud from his screen to this Rot Stewart ballad.

Speaker 5 (01:42:11):
It's like a ballad. You'll hear it on Delilah.

Speaker 7 (01:42:17):
Delilah's like this is dedicated to John from your wife Nancy.

Speaker 2 (01:42:22):
I'll never say by Steve mcclin talk.

Speaker 6 (01:42:28):
It's is so good, such a good choice, My god,
it was.

Speaker 2 (01:42:33):
It brought so much joy to me. I can't even
explain it. It might be my like my favorite thing
we've done so far. It just it just brought me
so much joy.

Speaker 5 (01:42:45):
It's a lot of joy. It's a lot of joy.

Speaker 6 (01:42:48):
And even like the way you process it, you get
to find treats within that.

Speaker 5 (01:42:52):
You know, it's just so good.

Speaker 2 (01:42:54):
Yeah, it's definitely one that I can see like that.
I didn't get to fully experience it because I watched
it a lot. I watched it twice alone.

Speaker 5 (01:43:02):
Oh ship. Yeah, it's a group it's a group activity.

Speaker 2 (01:43:05):
I have to bring some people over. I have to
just introduce them to this world.

Speaker 5 (01:43:11):
And yeah, it's a muss. It's a must share.

Speaker 7 (01:43:15):
It's so good, so let me ask you this right now,
are we ready to do movie MVP?

Speaker 2 (01:43:24):
I'm ready for it the moment you've been waiting for
your movie. His muscles, Oh my god, he's muscles. Muscles,
I have I have an honorary mention. Yes, which are

(01:43:48):
the gene shorts? You gotta give a shout out to
those shorts. Muscle, his muscle, His thighs were just bulging
out of those things again, all leading to those glorious muscles.

Speaker 5 (01:44:04):
Muscles. Yeah, so good.

Speaker 6 (01:44:07):
Yeah, there are a lot of things that were great
about this, but nothing comes close to those muscles.

Speaker 5 (01:44:11):
Without those muscles, I was kind of.

Speaker 2 (01:44:13):
Like going, what did It took me a while because
I honestly it was going like what do I say?
Like do I talk about like the props department, because
like their props were like great, Like how.

Speaker 5 (01:44:25):
Did you get eight cakes?

Speaker 2 (01:44:27):
Like I'm very or the pyrotechnics because there were some
great pyrotechnics. And then at the end of.

Speaker 5 (01:44:33):
The time, the seventeen did great.

Speaker 2 (01:44:34):
Yeah, and I liked the music. The music wasn't spectacular,
but it was pretty fun.

Speaker 5 (01:44:40):
That was good. There was the metal, it was great.

Speaker 2 (01:44:44):
Yeah. At the end of the day, I was just
like what those washed muscles?

Speaker 5 (01:44:50):
Nothing those muscles. So I mean, this one's tricky.

Speaker 16 (01:44:56):
Remake, reboots, reimagine, remaster, sequel or prequel.

Speaker 2 (01:45:06):
Or didn't they already well, just to start this off,
they did, actually did make a sequel in twenty thirteen,
the Prior brothers got together. David Pryor unfortunately passed away
in twenty fifteen. They made this in twenty thirteen, but

(01:45:27):
in that apparently I almost watched it yesterday. Just it's
called Deadly er prey, yeah, or is it deadly or deadly? Oh? Shoot,
I didn't write it down.

Speaker 6 (01:45:37):
I know Dead Lisa is a dead reality show, but
it might be that too.

Speaker 5 (01:45:41):
But I think it might be that too.

Speaker 2 (01:45:43):
But apparently Colonel Hogan is still alive in this one. Yeah,
so he didn't end up killing him at the end.
He sent him to prison.

Speaker 5 (01:45:54):
Oh okay, but what Josh and with him?

Speaker 2 (01:45:56):
Yeah? But what what would you say? Where would you
take this?

Speaker 6 (01:46:01):
The thing about it is is for me, like whatever,
guys with those kind of muscles, it's so rare for
them to be able to deliver this kind of performance.

Speaker 5 (01:46:14):
You know, they're very like there's the Arnold, there's the Stallone.
But it's just lightning in a bottle.

Speaker 6 (01:46:22):
Yeah, you find a guy like this who can do
the action scenes in a way that's entertaining, the lines
in a way it's entertaining, and there are moments where
he's believable in organic. Yeah, it's like I think he
covers so many bases that it would be really hard
to replace him.

Speaker 2 (01:46:38):
Yeah. I mean I can think of one person, but
I'm not going to talk about I'll tell you about
it later.

Speaker 6 (01:46:44):
He's like, I have a crash from the gem for me.

Speaker 2 (01:46:50):
This is one A remaster. So they do have a
Blu ray that was remastered from Beta SP, but it
wasn't source from the HD masters. And that's what really
this needs. It needs a full once over because some

(01:47:11):
of those shots are freaking beautiful, but it's so greeny
and dark and it really needs some love. It needs
to be treated.

Speaker 5 (01:47:24):
I need to see that K but like even just
that opening.

Speaker 2 (01:47:27):
Shot or all those shots in the fog, it's like
those deserve to be upgraded, treated in the best four
K box set. Yeah, fancy artwork. Everything it needs a
it needs like a real treatment, because damn it, I
would do it. I would buy it.

Speaker 17 (01:47:48):
Yeah.

Speaker 2 (01:47:49):
Yeah, fifty sixty dollars bu set of it with beautiful
artwork and behind the man, I just make it cresp
so I can see the shots the way they were
meant to be. Scene. Yeah, because it's beautiful.

Speaker 5 (01:48:03):
Well, I have some Zodia expeculations.

Speaker 3 (01:48:07):
Zodia expeculations with Jenny.

Speaker 2 (01:48:18):
I'm so excited for your speculation.

Speaker 6 (01:48:22):
So Ted Pryor in real life is a Leo and
that's all that he can be.

Speaker 5 (01:48:30):
That is it.

Speaker 2 (01:48:31):
I love my leos more than anything in this world.
I love them. My wife is a Leoh growing up.
Latch onto them so hard.

Speaker 5 (01:48:44):
They are like God to me.

Speaker 7 (01:48:47):
They are literally like God to me, Like and there
are so many signs, but not fire signs. We're the
ones who go because so many signs. Different people will
be like, oh, Leo's are just too much for me,
and I'm like, that's because you just can't him.

Speaker 5 (01:49:01):
Like I love a Leoh, I love a lioness or
a lion.

Speaker 15 (01:49:06):
I love them that just enterpretom and they're like chest first,
like what the beg is at.

Speaker 6 (01:49:13):
They have the confidence, they're they're like powerful. There's like
a power to a Leo. I love leos.

Speaker 5 (01:49:21):
It's definitely a Leo.

Speaker 6 (01:49:22):
Now I think Hogan is a Scorpio, dark and brooding.
I think he's a Scorpio. I think Jamie gives me
libra vibes.

Speaker 5 (01:49:33):
Because most people would. I think a lot of them are.

Speaker 6 (01:49:42):
Kind of Paris Hilton. Like her persona. No, I don't
know what she's actually like, but like her persona, I'm.

Speaker 5 (01:49:51):
Beautiful and I like to have my pretty things. And
I you know, I get along with everybody. You know,
like I get along with everybody, And.

Speaker 6 (01:50:00):
A lot of libras are about balanced, so they're like
not too angry.

Speaker 5 (01:50:03):
So you see her in her pillow fight, it's like,
wake up, you're late for your job again.

Speaker 2 (01:50:08):
You're being a luser.

Speaker 5 (01:50:09):
I don't care. I hate you breakfast Like, it's fine.
I'm not gonna be on you know what.

Speaker 2 (01:50:13):
You're not really a good partner.

Speaker 14 (01:50:15):
But.

Speaker 5 (01:50:18):
Yeah, you have good qualities.

Speaker 2 (01:50:20):
I realized that I'm I'm the one that has to
deal with all your trauma.

Speaker 5 (01:50:23):
Yeah, and I'm fine.

Speaker 2 (01:50:25):
I don't care from the war.

Speaker 5 (01:50:27):
I can balance it. I'm a libra.

Speaker 7 (01:50:30):
And I think Jamie's dad is probably an aries like you, because.

Speaker 6 (01:50:35):
He's like, oh, I don't need to call him there.
I just I'm just going to go handle it.

Speaker 2 (01:50:39):
I don't want to talk to anybody. Do you mean
I have to call them on the phone. I'm not
doing that. I will take care of paperwork. I will
take care of it.

Speaker 5 (01:50:46):
Let me just go over there.

Speaker 7 (01:50:52):
And me and Johanna Beeve are very much on the
same page with it.

Speaker 6 (01:50:55):
Like Sylvia, she likes to hit men. She's a pick
me and panty shorts. She doesn't mind being with a
narcissistic man who rapes other women. You know, So, without
trashing anyone's sign, here are some real life women that
came to mind. Elaine Maxwell, she is a Capricorn, Melania
is a Taurus, Hillary Clinton is a Scorpio, Georgina Chapman

(01:51:20):
is an aries, and Nicki Minaj is a Sagittarius.

Speaker 5 (01:51:24):
You can do with that.

Speaker 14 (01:51:25):
Information what you like, what this means, you know, Like
she didn't want to point to anyone in particular being
as Sylvia. So she's like, here's some women who are
with men who did bad things, and they're like, I'm
kind of already in I've committed to this choice.

Speaker 2 (01:51:48):
So you know, I thought you were about to go
hard on Capricorns. I was like, oh man, I might
have to have a conversation with my mommy.

Speaker 6 (01:51:56):
No no, no, no, no no no, it's just and
let me tell you there there, look there's a Sagittarius
on the list too, Like, yep, it could be.

Speaker 7 (01:52:07):
It could be a bunch of different things, you know,
because the psychology behind a woman who just goes, I
don't want to go back out to the dating pool.
So if he's gonna rape her, I'm just gonna look
over here, you know, like it's like, what.

Speaker 6 (01:52:22):
That's not Zodiac, that's something else, that's other trauma.

Speaker 7 (01:52:31):
Yeah, but she but we both agree that we think
Jack is a Pisces, you know.

Speaker 5 (01:52:39):
For me, like he he is the character that reminds
me of the most of g because it's like a fuck,
my friend's here, Okay, well I won't kill you. We're good.

Speaker 2 (01:52:52):
For me.

Speaker 7 (01:52:52):
But her people have like secrets, betrayal and karma vibes.

Speaker 6 (01:52:56):
So yeah, I mean I could see that. But for me,
it's just like he is. He does like when he's
pushed Tigets always say ah, fuck, okay, I gotta do
the right thing. But he doesn't mind being psycho with
people outside of his circle.

Speaker 2 (01:53:10):
See for me. When you start talking about signs, I go, like,
you talk about a fire sign, I know them very well.
Any other sign I don't like? Okay, I don't know.
I have friends that are outside fires. Not many. Most
of my people I associate with are all fire signed.
But there are a couple of it aren't.

Speaker 7 (01:53:32):
The other two that I think run with fire signed
energy really well.

Speaker 6 (01:53:37):
Pisces usually does. Libres usually are okay with us. We're
a little much for them.

Speaker 2 (01:53:42):
But my dad and my grandma were libras.

Speaker 6 (01:53:45):
Yeah, they can handle us like, they don't mind going, hey,
you're getting all my nerves going to another room. You know,
they know how to handle us, and you're like okay
and you bounce into another room.

Speaker 5 (01:53:56):
Scorpios get along.

Speaker 6 (01:53:57):
Pretty well with us too, usually, you know, like and
Geminis are our sister sign a sagittariusist. So like, sometimes
I'll meet a gem and I'll be like, are you Sagittarius?

Speaker 5 (01:54:08):
No, I'm a Gemini.

Speaker 2 (01:54:09):
I'm like, okay, Well that's why do you have a
lot of Gemini friends? Yeah?

Speaker 5 (01:54:13):
Yeah?

Speaker 2 (01:54:14):
Do I trust them?

Speaker 5 (01:54:16):
Would I kill them if I had?

Speaker 17 (01:54:18):
You?

Speaker 5 (01:54:18):
Sure?

Speaker 14 (01:54:21):
Oh?

Speaker 2 (01:54:22):
Man, I think we have a guest, don't we?

Speaker 5 (01:54:23):
We have a guest. Yeah, let's welcome.

Speaker 2 (01:54:25):
Then, and on this week's Nostalgia of the Week, please
welcome former Hide and Seek champion Debbie Johnson.

Speaker 5 (01:54:48):
And the crowd goes wild.

Speaker 7 (01:54:52):
Thanks for having me. I don't have a lot of
stuff going on these days. Most of my friends are dead.
We were heavy drug users, and I'm kind of man's standing.
I'm a survivor. Let me tell you this story about me.
Oh first, this is the.

Speaker 5 (01:55:06):
Nostalgia thing, right.

Speaker 7 (01:55:08):
The nostalgia for me is imagination masturbation, right when you
used your mind. Nowadays everything's on the screen, and everybody's
on the porn hubs and the youtubes and the only fans.

Speaker 5 (01:55:20):
That's a new thing.

Speaker 7 (01:55:21):
And one of my buddies, before she passed, her grandson
had brought over like a visual like a pair of
goggles where it immersed you in the situation. That's just
too intense for me. I grew up on the JC
Pitty Catalog. It came out every month, and.

Speaker 2 (01:55:36):
So did I.

Speaker 7 (01:55:39):
Yeah, some of that was pretty racing for a trisexual
like me. There were tons of good pages that got
me going, you know, because there was the ladies with
the boobies with no nipples, and then there was the
underwear ads of the guys with the big lumps. So
one day I was going down to the mailbox to
get my j C. Pennies catalog, and I was in
a really frisky mood and I got swiped up by

(01:56:01):
some weirdos in a van and they took me out
into this weird forest and dumped me out blindfolded. And
then I got out and I was just wearing like
a parrot my ripped up pants. They ripped my jean
bottoms off for some fucking reason, and I had to
run through the jungle and like make the most of
my situation. They didn't know I was a hide and
Seek champion when they snatched me. I just looked like,

(01:56:23):
you know, an unrelenting nineteen year old girl just out
having a good time.

Speaker 5 (01:56:29):
But I survived. Not only did I survive, I thrived
out there.

Speaker 6 (01:56:33):
I was living off of the plants, and I think
I probably you know, there was no calendar or anything.

Speaker 5 (01:56:38):
I think I made it at least a month. And
then this golden god of a man came running through
the forest with ripping.

Speaker 7 (01:56:47):
Thighs, beautiful golden hair, and for the first time since
I got snatched.

Speaker 5 (01:56:55):
That day, I got a lady bonner the size of Texas.

Speaker 7 (01:56:59):
I haven't large glitteris, so it was peeking, and I
was like, I just got to do it. So I
went to town and I just saw him running, laying
traps everywhere, popping.

Speaker 5 (01:57:13):
Out of leaves. He was gorgeous.

Speaker 7 (01:57:16):
And then everything got real quiet for a while, and
I thought, maybe this is my time to get the
fuck out of here.

Speaker 17 (01:57:22):
Man.

Speaker 7 (01:57:23):
So I got out and there was just dead bodies everywhere,
weird styles of dead bodies every way you can imagine them.

Speaker 5 (01:57:31):
But I got out of there, and.

Speaker 7 (01:57:33):
I searched the internet high and low for that beautiful man,
and I never seen another one like him. I almost
think that he was an angel, a sexy angel that
came down from heaven had saved me from that situation.
And I have not had actual intercourse with a human
being since that night because everything's up here and me

(01:57:57):
and him we rendezvous every night. So say goodbye to
the screens and hello to your imagination, because look at
me out last and everybody, and you can't even imagine
how much LSD I did back to you.

Speaker 5 (01:58:24):
I don't alle I'm horny right now that aroused me.
There was something really.

Speaker 2 (01:58:32):
Great about nothing great.

Speaker 5 (01:58:34):
Yeah, we have top five, right, we do have.

Speaker 2 (01:58:40):
A top five. These are your top five deaths in
Deadly Prey.

Speaker 5 (01:58:57):
Oh, number five that I hide in a leaf pile
and go ah kill.

Speaker 2 (01:59:04):
Number four, the using a giant log as a baseball bat, murder.

Speaker 6 (01:59:10):
Number three, the old using a hand grenade as a
pillow trick.

Speaker 2 (01:59:15):
Number two crotch grenade, And.

Speaker 5 (01:59:20):
The number one kill in Deadly Prey.

Speaker 7 (01:59:24):
It's number one, Thornton being beaten to death with his
own severed arm.

Speaker 2 (01:59:32):
I mean, those are things when you when you like
I remember like writing things in scripts that I did
a few years back, and like, what if you beat
them to death with the severed arm and you think
that you're you just I cracked it. This is gonna
be brilliant. And then this year's Naked Gun with Lea Neiesen.
He rips off arms and beats a guy with his arms.

(01:59:53):
But I don't know who I know before that was
Deadly Pray.

Speaker 5 (01:59:56):
I'm just saying it's inspired a lot.

Speaker 2 (01:59:58):
It's inspiring. This rom is inspiring.

Speaker 5 (02:00:02):
Other than the right.

Speaker 2 (02:00:03):
Other than that, I'm not I'm not saying that that's acceptable.
I am not condoning that behavior.

Speaker 5 (02:00:11):
Show me a movie that does have one thing. Let's
kind of bad, okay.

Speaker 2 (02:00:17):
But look, it's just a mirror.

Speaker 5 (02:00:19):
Films are mirrors of sure, Okay, Okay. So that was
fucking great.

Speaker 2 (02:00:26):
Yeh, I I love it. I don't I will curate
my guests of people that I think will enjoy the
film and tell everyone else to go away. Yeah, but
dam is it. It was fun. I really enjoyed it.

Speaker 5 (02:00:45):
I'm so glad.

Speaker 2 (02:00:52):
All right, besiders, Well I'm Jimmy Wanga, I'm Jeremy Briggs.
Take her easy, don't take hard.

Speaker 1 (02:01:29):
One time.

Speaker 17 (02:02:00):
Thank you for joining us at B Side Video Rentals.
Hosted by Jenny Wanger and Jeremy Briggs. Written and produced
by Jeremy Briggs, Jenny Wanger and Genevieve Marie. Edited by
Genevieve Marie, music by Jeremy Briggs. Follow us on YouTube
and all the socials at B Side Video Rentals. Please

(02:02:21):
remember to like, share, and subscribe.

Speaker 11 (02:02:24):
Ye

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