Dreamaniac

📼Dreamaniac
📼 (1986, Dir. David DeCoteau, Starring Thomas Bern, Ashlyn Gere, Sylvia Summers)
📼B-Siders:
📼Hosts: Jenny Wenger & Jeremy Briggs
📼Editor: Genevieve Marie
📼Written & Produced by: Jeremy Briggs, Jenny Wenger, & Genevieve Marie
📼 Music: Jeremy Briggs
_____ 
0:00 - Cover Art Cold Open
0:50 - INTRO Music/Credits
1:18 - Welcome 
2:42 - “Not-So-Current Events” 
8:28 - Review "Dreamaniac”
48:41 - On Set Speculation 
1:05:18 - Movie MVPs 
1:06:20 - Remake, Reboot, Reimagining, Remaster, Sequel or Prequel? 
1:11:11 - Nostalgia of the Week 
1:14:04 - OUTRO 
____
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Episode Transcript

Speaker 1 (00:05):
Wednesday, November twenty sixth, nineteen eighty six. You've got diarrhea,
so you grab the first tape you can find, ignoring
the concerned look of the other b side video rental customers.
They're all staring at you, squeezing your butt cheeks together
like a trash compactor. But you're not going to let

(00:27):
that ruin your night. The box in your hand displays
a couple in bed ready to get their smoochies on.
A psychobald lady with a weird mouth breaks through the
wall with well manicured nails and a knife.

Speaker 2 (00:44):
She is the dream Mania.

Speaker 1 (01:18):
Welcome to be Sad Video Rentals.

Speaker 3 (01:20):
I'm Jeremy Briggs and I'm Janney Wanger.

Speaker 1 (01:23):
Hi Jitty, what's going on with you?

Speaker 3 (01:25):
Hi Jeremy. This was the first one that I started
watching that had boobs, and my husband still walked out
and said, I'm gonna stick this one. He's like, I'm good.

Speaker 1 (01:39):
Well, I'll tell you this thing definitely needs to be uh,
get some sort of update, polish it up because there
was a it was a hard it was hard to
see some of that stuff. He was like, Yeah, why
are we onlike the most pixelated version, right? Now let's
upat this. Come on, clean up the footage for me.

Speaker 3 (01:57):
And I think he loses interest. Also, he doesn't know
anybody in the movie.

Speaker 1 (02:02):
Right, I don't know any of these people.

Speaker 3 (02:06):
I have no stories.

Speaker 1 (02:07):
Yeah, I can't interrupt your film with my tales.

Speaker 3 (02:12):
Yes, because wild tales. That really still the deal with me?

Speaker 1 (02:18):
Yeah, yeah, it was there. It was a doozy. It
was a doozy. Yeah, before we get the bald lady
on the cover.

Speaker 3 (02:27):
It was never a payoff, that's what we're finding lady.

Speaker 1 (02:29):
Yeah, there is no payoff. Ever, I was like, I
want a bald lady.

Speaker 3 (02:34):
I know that would have been nice. All right, okay, news,
so we do it.

Speaker 1 (02:40):
Let's get into the news.

Speaker 2 (02:43):
November twenty six, nineteen eighty.

Speaker 1 (02:48):
Six, and these are you're not so current events. ABC
has decided to cancel Breslin's People and The Dick Cavit Show,
announcing that it planned to get out of late night programming.
The network said, it's time we focus on our true calling.

(03:09):
ABC started the alphabet, It's time we finished it. It's
so stupid. In elementary school was closed indefinitely yesterday when
several children became sick after the building cleaned its rugs, or,
as Jenny calls them, floor two pays.

Speaker 3 (03:30):
Oh my god, you're telling my secrets. After enduring one
hundred and thirty nine days of rain, heat, and cold
in a parking lot to win a car by being
the last person to have a hand on it, the
last two consistents struck a deal to share the prize.
They shook on it and their hands immediately fell off.

Speaker 1 (03:49):
Why one hundred and thirty nine days? What is wrong
with you? You lost your job?

Speaker 3 (03:55):
I mean, it's just very stupid. I remember this happening.

Speaker 1 (03:59):
I remember those It was.

Speaker 3 (04:00):
It was a big deal when these things were going on.
People watched it like it was like a sporting event.
I'm like, these are just a bunch of losers.

Speaker 1 (04:08):
They don't.

Speaker 3 (04:10):
Negotiators for Toyota and sixteen American building Trade unions reached
an agreement to hire union workers to construct an eight
hundred million automobile assembly plant in Kentucky. Maybe I'm biased,
but I don't trust a ficus to assemble anything.

Speaker 1 (04:25):
No assembly plant, No thanks, idiot. I don't trust any
plant that wants to build something. It's not up to code.
Jose Conseco, who only batted two forty, hit thirty three
home runs, and drove home one hundred and seventeen runs.
Became the first member of the Oakland A's to win

(04:48):
Rookie of the Year. Even more impressive, his calves. They're huge.
They're like little baby cows calves. Oh my god, shut,
you're so dum June, a decoy deer in Central Tennessee,
has been used to catch and convict forty people of

(05:10):
roadside hunting, including one that tried to fake or kill
the fake deer with an M sixteen automatic rifle. When
asked why, the man promptly killed himself in a game
of Russian roulette. That's for the cenophiles. You remember that
movie The Deer Hunter? Do you remember it?

Speaker 3 (05:31):
I try to forget.

Speaker 1 (05:33):
I Chris traumatized by that film.

Speaker 3 (05:36):
I don't like it at all. The Food and Drag
Administration has rejected a petition to ban artificial sweeten or
nutra swite, dismissing a consumers group's concern that it might
trigger seizures or eye problems. What it definitely triggers is
my gag reflex.

Speaker 1 (05:52):
Dag reflex, at least mine. I don't know about you.

Speaker 3 (05:55):
I don't have one.

Speaker 1 (05:57):
I was popping Jenny College, Jenny, that was your nickname? Nutrisuite?

Speaker 3 (06:03):
Whatname? Lo's crazy weird. Austrian officials have begun sifting through
three hundred and seventy one claims to a random collection
of art objects confiscated by the Nazis during World War
II and stored in Austria. The most sought after piece
is Hitler's personal collection of butterhole photos.

Speaker 1 (06:24):
It was extensive.

Speaker 3 (06:25):
You'd love looking at butholes man. He was a real
butthole connoisseur, that Hitler crous.

Speaker 1 (06:35):
Hey, I just read what's on the paper.

Speaker 3 (06:37):
That's all I do here, man.

Speaker 1 (06:40):
The theft of five hundred pounds of marijuana from the
Miami Police Department compound has shaken and the beleaguered police
force and stunned the community. Police officer Mikey Nuts said, yeah,
totally vanished. Shut up, shut up, it just disappeared. Although

(07:02):
what happened like stoner rabbits. Maybe probably.

Speaker 3 (07:06):
My key Nuts.

Speaker 1 (07:08):
Five Soviet soldiers who deserted in Afghanistan were told they
could return home without penalty, but said they preferred to
stay in Canada. The soldier the Soviet soldiers said, hey, holds.
These is the lou Home eh hockey hockey maple syrup A.

Speaker 3 (07:27):
You gotta get to your agent and tell him you
got that up your sleeve.

Speaker 1 (07:31):
Can't you Russian Canadians.

Speaker 3 (07:34):
You gotta get out there. There is such a calling
for that. Convicted mobster Anthony Sealerno aka fat Tony Rude
and three associates were charged yesterday with a fraudulent s
gain to select Jackie Presser ahead of the Teamsters union.
And since I value my life and the lives of
my loved ones, I have no joke mafia. Good dudes,

(07:55):
Good dudes. And finally today the FCC dropped its rule
requiring Bell telephone companies to use separate companies to sell
telephone equipment, so they better pick it up.

Speaker 1 (08:07):
Better dropping that. You can't just drop it.

Speaker 3 (08:12):
That's irresponsible.

Speaker 1 (08:13):
It's responsible to raise you and those well you're not
so current events.

Speaker 3 (08:30):
Okay, So before we get into everything, please talk about
this director and his resume deensive.

Speaker 1 (08:37):
He's got over one hundred and eighty three credits and
growing just for director not to mention every other role
he's playing.

Speaker 3 (08:44):
And they're so eccentric, yeah, like notably, Go ahead, Okay,
So this is anymore non porn movie. Yeah, this is
his first non porn movie after movies like boys Just
Want to Have Sex and making it huge. I wish

(09:07):
I was friends with this guy. Man well, not to.

Speaker 1 (09:10):
Mention, he also did Sorority Babes in the Slamball Bowl Orama,
which is a big one, and creep Azoids and who
could forget a puppy dog adventure.

Speaker 3 (09:19):
Yeah, Bigfoot versus dB Cooper. And it's strange because there's
a lot of Christmas and Lifetime movies on his resume
with the porn and the Bigfoot and the suck.

Speaker 1 (09:31):
He's a worker. He's a worker, is worker b He
worked with Roger Corman and Charles Bam. That's how he
got his start, and he just did not stop.

Speaker 3 (09:42):
Yeah, and the writer Helen Robinson and him made quite
a few pitches together pictous, yeah, Lady Avenger and Creepazoids.

Speaker 1 (09:53):
Yes, Creeperzoids. Classic. It's a classic classic.

Speaker 3 (09:58):
So you know, I thought, but oh, this is a
dream team here, Let's see what this is about.

Speaker 1 (10:05):
What did we watch? We haven't even said dream maniac?
Dream is it dream maniac or dreammaniac?

Speaker 3 (10:15):
Starts out dremaniac and then it separates, So.

Speaker 1 (10:18):
I'm like, Wizard Video presents the classic Wizard Video Classic.

Speaker 3 (10:24):
I love the opening song though, it was fucking shredding.

Speaker 1 (10:27):
What kills me about? Is it like shreds? And then
it just abruptly stopped and you're like, oh, what's happened?
Then like two seconds later it kicks back in at
full blast. It does four times. What's happening?

Speaker 3 (10:40):
Yeah, it's like the beat draft. Oh that was bay,
it was really good. So we get a cool creeper
pov of the house.

Speaker 1 (10:48):
Yeah, and like lots of indoor fog. Yeah. I don't
know what's up with the indoor fog.

Speaker 3 (10:56):
Yeah, I mean they were doing the best they could.

Speaker 1 (10:59):
And lots of purple lighting.

Speaker 3 (11:01):
So the thing that I really loved about this opener
other than it was total male nudity walking down the hallway,
is how strong his tandlines were. That it was like
a game I played by myself, like are thus underwear?
Is that I.

Speaker 1 (11:14):
Did the same exact I did the same exact thing.
I actually had Emily in the room with me and
I was like is he naked or is that underwear?
And it was like we had to cut to a
different shot before I was like, okay, I see that, Okay,
I see the cross, but yeah, that's a hairy butt.
I got it.

Speaker 3 (11:32):
And then he goes in the bathroom and there's like
this woman and they're playing in blood and then they
start making out.

Speaker 4 (11:38):
Yeah, just insane and she's like I'm like licking her
lips like insane way, not even remotely sexy.

Speaker 1 (11:48):
It was just and there's like blood splattered like everywhere,
murder blood splattered, yes, yeh, send it up.

Speaker 3 (12:01):
She's like, now she's paying in the ind so she's niked.
Titty lady. Blood lady starts taking out with him and
they're rubbing it on each other and then she scratches
him and there's a scream.

Speaker 1 (12:14):
Scream, Oh classic, wake up.

Speaker 3 (12:16):
Oh it was all a dr who someone was at
the door?

Speaker 1 (12:22):
Wait, who's at the door? Someone I didn't learn whose
name was for about forty five minutes.

Speaker 3 (12:28):
I just sat her in my notes, A's girlfriend. And
then I had back in and write.

Speaker 1 (12:32):
Pat Yep I had girlfriend for the lungs and everybody
was that way. It was like this person. It was
all related to Adam Adam's what Yeah.

Speaker 3 (12:44):
I wrote for Jamie. I wrote weird guy.

Speaker 1 (12:47):
Dork okay, and like Pat's sister, it was just girlfriend's sister, Adam, girlfriend.

Speaker 3 (12:53):
My friend's sister. Yep, girlfriend's sister.

Speaker 1 (12:56):
And there's a lot of people in this film who,
like you have to keep track of yeah, and like
the names are just so randomly thrown out and never consistent.
It's just always like what who is?

Speaker 3 (13:07):
I can't If you would have not told me the
main characters was, I would have just thought it was
Francis and Brad because everybody was very clear about Francis
and Brad. Right, this is Francis and Brad, and they're
like the Ross and Rachel in the script, demented rows
and Rachel.

Speaker 1 (13:23):
Well, they won't they they will, they will, they will.
She likes, but she so you just said Pat the girlfriend.
She comes to the door and he's like, she goes,
you look like shit. Immediately he's like, I just had
a nightmare. Well I've got a rempedy for nightmares.

Speaker 3 (13:43):
Yeah, I'm horny, because all the women in this story
are just the horniest.

Speaker 1 (13:49):
He immediately, yeah, Immediately we go from the bloody titty lady,
the naked d with the bloody titty lady to Bonetown,
USA with ask with asses.

Speaker 3 (14:01):
Out, like it was the weirdest sex I've ever seen
in my whole life.

Speaker 1 (14:06):
And not only so. There's a mattress on the floor.
This dude is really living the high life. Mattress on
the floor. And did you catch the mannequin head behind
them that was wearing sunglasses?

Speaker 5 (14:16):
Yes, on the floor, like hello, yeah, And it's just like,
this guy is the best you can do?

Speaker 3 (14:24):
Like she was pretty. I'm just like, what is going
on with you in your life that this is your option?

Speaker 1 (14:31):
So they're like it like zooms in on their making
out and then zooms out on a different shot with
them making out. Cool transition, Yeah, very cool.

Speaker 3 (14:41):
And I wrote down soft kisses creep me out unless
it's lesbians. I can't watch lesbians soft kiss all day,
but when anyone else does it, I'm like, oh my god,
you're disgusting.

Speaker 1 (14:57):
What about soft kissing with your hand?

Speaker 3 (15:01):
Grass, Like, you're really upsetting me. Now, that's the first
time when people used to do that? Oh, this is
how you can.

Speaker 1 (15:15):
Heavens, get that out of there.

Speaker 3 (15:16):
When's the last time you washed grss? Okay, so she
gives us.

Speaker 1 (15:21):
A little a little info on like, hey, remember my
sister's using this house. She'll give you two hundred dollars.
Gotta sucks.

Speaker 3 (15:32):
Yeah, and she's helping her sister get into some fucking sorority.

Speaker 1 (15:37):
There. It is helping his sister get into a sorority.
So she leaves and then he just we It reveals
that he's a songwriter and he's like writing songs, and
he picks up a guitar that is so far from
being tuned and he just strums it on and then
writes down lyrics.

Speaker 3 (15:55):
Yeah, I'm inspired, not even in a key like you see.
Oh God, I just did masterpiece.

Speaker 1 (16:06):
I don't know if you got that. He was watching
Godzilla on.

Speaker 3 (16:08):
T That's what I said to you.

Speaker 1 (16:10):
Just by the music, I'm like, that's got Zilla.

Speaker 3 (16:13):
Yeah yeah, I wrote that down too.

Speaker 1 (16:17):
You can't put that song in there.

Speaker 3 (16:18):
What I think is funny is he rushes up to
the room downstairs it looks totally night time, then upstairs
it looks like daytime. But with candles, I was like,
you really didn't hold on, like please, like I know
that's that's different.

Speaker 1 (16:34):
Now, right, And so he's gotta can't make an effort,
puts in a cassette tape, smokes a Doobie lays back
and does a weird incantation in bed for some reason.

Speaker 3 (16:44):
Yeah, and then a cat screeches.

Speaker 1 (16:46):
Cats, Well, here's a noise, and he he and he goes,
I'm going looney Tunes.

Speaker 3 (16:54):
Yeah, you've are you are, dude, you're like praying go somewhere.
You've lived for a while with that mannekin the head
laying around the sun. Class Like, you're already weird.

Speaker 1 (17:06):
So he goes up and investigates. He goes up in
the attic. Now I'm a little confused this whole exactly
what's happening here?

Speaker 3 (17:15):
Yeah, so the bride has a head ripped up. There's
a bride out there.

Speaker 1 (17:20):
Yeah, there's a dirty sexy lady in the attic with
a severed head.

Speaker 3 (17:23):
Yeah, And so he runs back around.

Speaker 1 (17:25):
This dirty sexy lady because it's not Lily or whatever
her name is. I don't know who it is.

Speaker 3 (17:31):
So by the end I kind of thought, this is
who he actually summoned and the lunatic that.

Speaker 1 (17:38):
Tie that up at the end, because that'll help, that'll
help my brain, because I was like, I hate every
justification you're giving me right now, and I do not
take it, but I'll buy your justification in this moment,
I'll buy yours, but not in the film. I was like,
I'm backing up.

Speaker 3 (17:54):
Okay, So we're bride lady screeching with a head runs downstairs.
A different lady in black lingerie starts like trying to
blow him.

Speaker 1 (18:04):
She's giving him the old nipple rubbin treatment.

Speaker 3 (18:07):
Like okay, so first of all I wrote down. She
exposes his nipples very weird, like she pulls it up
like he's got boobs, and she's like, oh, I'm like, girl,
we don't cot to a horror movie for the guys
to go, oh yeah, well maybe you do. I don't.
Maybe you love that nipple tease.

Speaker 1 (18:28):
I'll never tell Jenny.

Speaker 3 (18:31):
You don't have to. I don't have to.

Speaker 1 (18:37):
So she goes hands off, and what does she do.

Speaker 3 (18:41):
She goes down to blow him. But is this where
she bites it?

Speaker 1 (18:45):
Well, we do a small cutaway of like Adam's girlfriend
coming back into the place and she's sister with her.
They've got groceries. Then we cut back to the to
the actual blowing and then she just pretty quick just
by bike off.

Speaker 3 (19:02):
Yeah.

Speaker 1 (19:03):
Blood in the mouth, yeah, And it's like, what is happening?
Is this a dream. Is this real? Because they're in
the other room. Pat goes to go find him and everything.

Speaker 3 (19:14):
This was suspenseful. Okay. When Pat's on her way up,
I'm like, she's going to catch him getting blown by Maddie.
We're going to get a high amount of drama in
the first.

Speaker 1 (19:24):
Not only getting blown but bit dick off. Yeah, it's like, oh,
it didn't happen. Yeah, dick is intact. Yeah, Unfortunately I can't.
I don't have her name up here because I didn't
go as far back. But the sister Jody Jody, Yes.
So when Pat goes up to go look, she's like,

(19:45):
why does he look? She says something about within with
or that he doesn't leave, and she's like, with an
inferior decorator like this, who wouldn't an inferior decorator good
for you? Yeah, it's witty with syms for days.

Speaker 3 (20:03):
So is she the woman who has a taco tattoo
on her ass?

Speaker 1 (20:09):
I must have missed that.

Speaker 3 (20:12):
Sister's talking about the sorority and a taco tattoo on
your ass? And I was like, who did that? Like
what is going on here? And I wrote that down
and G wrote it down, so we both didn't write that, like,
why would you do that?

Speaker 1 (20:33):
No? Was this when she's decorating, when she's.

Speaker 3 (20:36):
No, when she's the sisters were talking in the kitchen.

Speaker 1 (20:40):
Okay, yeah I did not write that. I was too
I was too focused on inferior decorator.

Speaker 6 (20:46):
Yeah.

Speaker 3 (20:47):
No, it's when she goes up to catch him. Right now,
the sister talks about having a taco tattooed on her ass.
So weird. So now this is where we get to
meet my favorite.

Speaker 1 (20:59):
Character, of course, of course, yeah, Francis Francis first of all.

Speaker 3 (21:05):
Fas Sence listens the moment.

Speaker 1 (21:09):
That pink sweater. Heavenly, my god, is it amazing.

Speaker 3 (21:16):
As soon as the door open, I said, this is
the rich bitch and she paid it all.

Speaker 1 (21:21):
It's so good that there are some lines in there.
I'm like, I can't even believe that this is dialogue
right now. But Joy Jody's on the thing, like putting
up decorations, and she this is just like this most
stilted dialogue right here. She goes, do you like the music?
It's my favorite album, And it's like the music that's

(21:42):
playing is the worst knockoff Kenny G music. It's like
this is nobody's favorite album.

Speaker 3 (21:49):
Do you like it?

Speaker 1 (21:49):
It's my favorite album?

Speaker 3 (21:54):
Okay. And then this is where she jumps right into
talking about how she used to fuck Brad. Yes, yes,
so you know that scar on his knee. She's like, Oh,
you don't know it.

Speaker 1 (22:07):
Oh you don't know she knee. I thought she was
just saying there's a scar somewhere.

Speaker 3 (22:14):
Oh. I thought it was like on the inner thigher
I think.

Speaker 1 (22:18):
Inner thigh, I'll get. I would buy because it was
supposed to be the way I took it was. It
was an intimate yeah, intimately.

Speaker 3 (22:30):
So what I really love about this too is then
Pat gets to meet Francis right, nice out. I doubt it.
I've gone to private schools all my life and I'm
richish and I'm rich. That's right, you're Francis. I thought
I recognized those small tits.

Speaker 1 (22:51):
See for me, I like for me Pat, just I
just love Pat.

Speaker 3 (22:57):
She does. Pat has small tests too, right, but.

Speaker 1 (23:00):
Pat doesn't give a fuck. She's the punk rock girl
that everybody hates, and she's just like this ship.

Speaker 3 (23:09):
She's how to recognize those small tits. It was just
so good not to mention.

Speaker 1 (23:17):
I have to point out something before we get to
I don't know if she changes throughout her if she's
in it. But Pat's outfit I mentioned the Francis is
pink sweater, but Pat's like white dress with that bell
with the.

Speaker 3 (23:31):
Red and black as it was really good. It was interesting,
best best.

Speaker 1 (23:36):
I love it so much.

Speaker 3 (23:39):
And this is where Pat makes things very interesting. She
thinks her sister's a jerk, but she's still gonna help
her get into this sorority. And she's making hash brownies, yes,
like not telling people.

Speaker 1 (23:50):
Just making.

Speaker 3 (23:52):
And she knows where that punch bowl is. It's in
the attic. Why on the fuck do you know that
that punch bowl is up in the attic of a place, Like,
it's just stupid. How would you know that her boyfriend
house sits here. And first of all, he's got a
ship all over the wall all it's Can you imagine
if you were a house it had a house sitter
and you came back and he had all his fucking

(24:13):
posters up and this mannequin and bullshit, Like I'd be pissed.

Speaker 1 (24:18):
Excuse me, sir, unacceptable.

Speaker 3 (24:22):
Yeah, So when she goes to get the punch bowl,
she sees the dead cat.

Speaker 1 (24:25):
There's a dead cat in the antic. Do we know
why there's a dead cat in the attic or just
because he's probably doing Satan shit?

Speaker 3 (24:32):
Well, I mean I did hear the cat screech in
the beginning, oh right, catch which led him upstairs, and
then he saw the bride up there fucking shit up.
So she probably cat, I know, but you know she
probably the cat.

Speaker 1 (24:47):
You're putting two and three together.

Speaker 3 (24:49):
Don't don't love it.

Speaker 1 (24:51):
Don't don't love it. Don't don't love it. But at
least it wasn't a non screen cat kill.

Speaker 3 (24:57):
Yeah, there's all we an upside. Okay, okay, good tell
me Moart. So they're talking about the Brad bitch bullshit.

Speaker 1 (25:09):
France, a lot of Brad bitch bullshit.

Speaker 3 (25:11):
Calls Jody Betty Crocker.

Speaker 1 (25:13):
Oh, I have to point out so what it was.
It wasn't a scar. It was a mole. I just
got to mill it was a mole, and they keep
talking about it. She's like, oh, you don't know where
that is, And I'm just the only thing I could
think of is like, Brad, go get that checked out,
get it checked, get it checked. I'm concerned about what
we didn't even meet Brad and I was concerned about Brad,
like he's probably got some bad thing. Get it checked.

Speaker 3 (25:36):
Yeah, I mean it's Brad though it's not. Don't really care.

Speaker 1 (25:41):
But this was before Brad was even on screen, so
I was like, I'm concerned about Brad. But he used
to say Francis, so you kind of there's lots of
film people who date the terrible people and then they
leave because they realize they're bad. Yeah.

Speaker 3 (25:57):
So the girl there are these two row story girls
who show up at this time, and then the weird guy, yeah,
later find out his name is Jamie. Yeah, scares them,
tries to scare them and they fight. Oh, they're finding
is just.

Speaker 1 (26:12):
Where that guy meets Pat and he's like he walks in,
He's like, hey, are you Delta Kappa. She's like, are
you out of your mind? You asshole?

Speaker 3 (26:21):
And like yeah, exactly right after he scares them, he
meets Pat and says that She's like, yeah, I'm a
fucking story girl.

Speaker 1 (26:30):
Idiot, and she like yelled at him. I was like,
I wrote a note, Oh, Jenny's gonna love her.

Speaker 3 (26:35):
Yeah, she's great. I love her and Frances and I
love their cat fights. I love the back and forth
between them for no reason, Like why you have a
problem with her? She has not something to fucking do
with anything.

Speaker 1 (26:49):
Then we meet Foster.

Speaker 3 (26:51):
Yeah, all kinds I wrote all kinds of losers are
showing up.

Speaker 1 (26:55):
Yeah, Foster just gotta He's just like shoving hash brownies
into his mouth, like just it's very attractive, m h.
And they're like, hey, you hired a punk caterer. That's
my sister.

Speaker 3 (27:12):
And then Brad and Francis talk about women wearing cologne. Okay,
what kind of conversation is this.

Speaker 1 (27:19):
There's a lot of really weird conversations, but there's a
part when Brad gets in there and then he goes
over to Jodie and there's like this girl. I don't
even know which one this girl is, but she's like,
I think she's a hungry girl. Later right, no, she
maybe too many, but she goes young love. It makes

(27:40):
me want to puke. Hey watch this, and she like
walks over like she's gonna do something real conniving, and
she's like, hey, where's the phone. Oh wow, we don't
have a phone, and her big line is mondo bad planning.

Speaker 3 (27:59):
Yeah, jeez, how am I gonna What am I gonna do?
If my broker needs to call me.

Speaker 1 (28:04):
You really got her, you really got her? Watch this?

Speaker 3 (28:09):
Wow, goud y'all, you know what. I think she's the
one who goes up to the bathroom.

Speaker 1 (28:13):
Later she does go. She is the one. But then
I then she disappears in my brain. This is that one.
That's the last I remember her. She disappears.

Speaker 3 (28:21):
Well, she gets killed, but we'll get okay, okay, So
now the doorbell. It's Ace and he brings dick bite girl. Yes,
and she tells Adam, you invited me here.

Speaker 1 (28:35):
We got a ding. We got we got a ding
from g.

Speaker 3 (28:39):
That's Darlene and Ozark. I think, wow, seriously, holy shit.
She plays Darlene and Ozark, the one who gets killed
in the bathroom, the one who needs to call her broker.
Darlene is such a badass. That's awesome to know. Uh So, then,

(29:00):
and what happened to Adam? Well, he's in another shitty
mood and Pat's going to take him another beer.

Speaker 1 (29:07):
Yeah, I know, it's everything is just like it gets
kind of exhausting and at this point everything is just
gonna like everybody's boring at this party.

Speaker 3 (29:16):
Yeah, and Adam's like, oh, I was taking another nap.
What the hell is wrong with you?

Speaker 1 (29:21):
What the hell is runner? Dude? Get your checked out.

Speaker 3 (29:24):
You need to get your blood work done, buddy. They
go to the little girls room. This girl, the broker girl,
who is Darlene from Ozark. That's awesome, that's so awesome.
So she goes to do the house creeps her out. Yeah,
she's up there doing her makeup and then franc Francis
scares her yep, and she messes up her mascara. They

(29:45):
get into it a bit and then Frances disappears and
the lights kind of flicker and then yeah, boom, crazy
dig bite girl kills her, stabs her in the head.

Speaker 1 (29:57):
Is that before the guys do blow? Yes?

Speaker 3 (30:00):
Now, now they go downstairs and the guys are doing cocaine.
This is where the guy sends.

Speaker 1 (30:04):
It all blow everywhere.

Speaker 3 (30:10):
But then somehow they still have it.

Speaker 1 (30:13):
Yeah. And then there's a guy I don't remember which
person said it because it was off It was like
off screen, but he's like, geez, you really are a loser, Jeremy.

Speaker 3 (30:25):
I can really see you auditioning for this part.

Speaker 1 (30:29):
Geez, man, you really are what the loser? Or the
guy who says geez that guy.

Speaker 3 (30:34):
The guy who says, jeez man, you really are a loser.

Speaker 1 (30:38):
And so you you mentioned that, what is it Lily?
Lily came in with this biker guy who I don't
know if we ever learned his name. I just called
him douchebag, douchebag biker. So we go to this and
then there's so he's eating popcorn and Jane is licking

(30:59):
his nip.

Speaker 3 (31:01):
She is going to town. Okay, Well, the last thing
that I want to say, though, is for the cocaine thing. Yeah,
the guy who says, jeez man, he starts lighting up
the imaginary cocaine now because he blew it everywhere. That's
not how cocaine works. You can't just like pull it
all back in and fix it. Then he says, ladies first,

(31:23):
hands it to the girl, and she just gives it
to the guy who just called him a loser. What
is this etiquette? Like? He said ladies first, and the
guy's like, sure, I'll go first. He's like, you can
call me a lady all day as long as I
get to do the cocaine.

Speaker 1 (31:39):
I'm not that familiar with drug etiquette. You'll have to
learn me.

Speaker 3 (31:45):
Jeez man, you really are a loser.

Speaker 1 (31:48):
Jeez, man, you know who's a loser, Jodi because she
wants to play charades. Yeah, loser. Yeah, although that's probably
the most exciting thing that happens at the party other
than you, Yeah.

Speaker 3 (32:01):
Murder, other than murder and dick.

Speaker 1 (32:05):
Biting, imaginary dick biting.

Speaker 3 (32:09):
Yeah, Adam tails Pat All sorority girls look the same
to me. Hmm, this is gas lighting, this conversation he
has with her. Everybody throws this around a lot that
this is true gas lighting right here? What's wrong? Jan?
Didn't you have dinner? Says the guy that she's making
out with him, and she says, I'm so hungry, and

(32:30):
then he gives her the popcorn and says, chow chow.

Speaker 1 (32:35):
Yeah, he did ditches her.

Speaker 3 (32:39):
So how many teenage guys have a horny asque girl
on them.

Speaker 1 (32:43):
And they are just like, gosh, she's really bothering me,
not to mention, like, Jane is so horny. She just
wants anyone. She tries so many times and just gets
denied pretty much every time. And she's probably the hottest
one there.

Speaker 3 (33:00):
She's gorgeous. I was so confused, So Francis says to Brad,
I have to talk to you. I miss the old.

Speaker 1 (33:07):
Times, remember when we used to fight all the time.

Speaker 3 (33:12):
And he tells her you ruined everything, but he doesn't
hate her, and then they kiss and then he goes, no, no,
he just did. There's no no, he.

Speaker 1 (33:22):
Goes, she doesn't kiss him. It's a mutual kiss.

Speaker 3 (33:28):
Yeah.

Speaker 1 (33:28):
It's not like where somebody comes in and goes and
you go whoa, whoa, whoa, whoa, whoa. It's not that one.

Speaker 3 (33:33):
It's a oh my god, I just had my first
time that's ever happened to me. I booked a movie.
I just got back last week from shooting this movie.
And in the script it says they kiss passionately. So
all day I'm freaking out. I don't kiss, but do
this do it? And I have a crush on this

(33:55):
actor's wife, so I'm like, oh my gosh, I just
like I want to kiss your wife. I don't want
to kiss you. And so then it gets time to
do the scene and we run through it really quickly
and we do. It's pretty emotional because we're talking about
how we just lost a kid, like we had a miscarriage,
and then we're talking about if we want to adopt,

(34:17):
and he I say I don't care if it's adoption
or if I have the baby biologically. I just want
to have a baby. I want to be a mom.
So we do it to there, and the director says cut.
We don't even need the joke at the end because,
as the script says. He says, well, the adoption agency
is close, but we can try the old fashioned way
right now. They kiss passionately. Now, from the moment that

(34:38):
I read that, I thought, I do not want.

Speaker 1 (34:40):
To do that. I don't want to do it very bad.

Speaker 3 (34:43):
So we do it like that. Let's just do that way.
So then we do it. She goes, okay, we got that,
but let's do one more with the joke for safety.
So if we have it and I'm just sitting there
staring like I don't know, No, we got it, we
don't make the joke. So I'm not go okay, fuck it.
I'm just gonna do a really tight lit just a

(35:03):
little peck, it says passionately. But I'm not doing it passionately,
and we'll egg sit off before they see. So we
do the scene. It's emotional.

Speaker 1 (35:12):
We look.

Speaker 3 (35:13):
He says the joke about we could start trying the
old fashion way now I lean, I lean it he's
kind of leaning my way. I lean in a bit
to do the kiss. He goes and pulls back and
I've already done forward momentum. So I trip over his shoes.
We smash face like look, and it's the worst weirdest

(35:35):
thing that's ever happened to me. And there's like twenty
crew members standing there quietly watching us do this, and
I just like I was staring at the kitchen counter
that we kind of rolled on after I tripped over him,
and I look around and she goes one word for safety,
and I thought, are you're kidding me? This is the

(35:57):
worst day of my life. The last thing I want
to do is one more for his eighty. So I
go back and we do the scene, and I'm so disconnected.
I'm just flabbergasted how weird that went for me. Cau
So when it's time for the kiss, he says, oh,
we should try the vision. I said, oh, you're such

(36:17):
a man, and I slap him and I leave camera.
I'm like, I'm not doing anything else to embarrass myself today,
So I'm going to leave set and go back to
a base camp. And I'm just sitting in the van
kind of like processing, Like I know, I know a
lot of people have had this feeling before. I'm not
the first person to experience it, but I am the

(36:39):
first person to experience it at forty one in front
of a whole crew of people to process in front
of it. And then the second ad comes and she goes, hey,
you were so great in the scene and I go,
thank you. It got very weird there at the end.
She goes, oh, when you tried to kiss him? And
I go and that was in the script And she

(37:00):
goes was it. It's like yes, and I show her
my script. She goes, oh, I didn't know it was
in the script. I'm like, so all of you. I
was just trying to sneak a smitche in so mortified,
like I'm getting hot talking about it. It was the
worst thing that's ever happened to me on set, and

(37:21):
that says a lot.

Speaker 1 (37:25):
Anyways, So anyways, Brad and Francis do the.

Speaker 3 (37:31):
Do the nasty but it's like really nasty because like
he's just.

Speaker 1 (37:37):
Come, yeah, he just ate last stage seconds he's a
bull rider, which is just so weird.

Speaker 3 (37:49):
It's the weirdest sex. And then they it's like Why
are you trying to get this guy back?

Speaker 1 (37:55):
Why? Just because because she doesn't want Jody again?

Speaker 3 (38:00):
No rejection.

Speaker 1 (38:01):
Yeah.

Speaker 3 (38:02):
So then Adam comes downstairs with Lily yes like hand
and arn arm like oh yeah, like she's his date.
It's like, what the fuck are you doing?

Speaker 7 (38:11):
And Pat's sitting there like hi, hello, yeah, I'm Lily,
and and she says I thought you said all storty
girls look alike, and she runs off and then Adam
goes out after her.

Speaker 3 (38:25):
Yeah, and just for me, like, I think at this
point Pat should be done, she.

Speaker 1 (38:31):
Should be done. This guy is first of all, you
should be done. The fact that his mattress is on
the floor and he's got mannequin and heads that watch you,
and like he's he's filthy, he's a disgusting man.

Speaker 3 (38:46):
Yeah, he's gross.

Speaker 1 (38:47):
But he writes heavy metal lyrics.

Speaker 3 (38:49):
Yeah. Oh it's so cool punk rock. He's so heavy metal.

Speaker 1 (38:53):
Yeah.

Speaker 3 (38:54):
I Meanwhile, Brad and Francis fuck again another around, Yeah,
still discipled and terrible.

Speaker 1 (39:02):
Then so Pat I believe catches them, right, Pat and
Jody and then they get drunk and eat hash brownies. Yeah,
talk about worms, yeah, worms and tequila and how they
should put it and diet soda.

Speaker 3 (39:15):
Yeah, And it's like these two sisters who are great gals,
and both of their guys are with weird women. I mean,
I like Francis for what she is, but she is
not Pat.

Speaker 1 (39:26):
She is not Pat. And then we get Lily. We
see Lily doing some more things that.

Speaker 3 (39:33):
She's gonna kill a weird guy on the I thought
it was.

Speaker 1 (39:38):
I don't know where this is. It feels like it's
in a weird like attict thaying, yeah.

Speaker 3 (39:43):
That's what G wrote in the attic, like, yeah, it's.

Speaker 1 (39:46):
Because there's all the electricity. There's all the electricity up there. Yeah.
When later when we got to look for the fuses. Yeah.

Speaker 3 (39:53):
But I love the way she like takes all his
clothes off and he's just standing there in his tidy whities.

Speaker 1 (39:58):
Yeah. No, that that's is so awesome because it's underneath
It's like the shot is right underneath his package, just
like looking up at him. So it's just this like
hero shot of his package. It's so funny with like
purple lighting and fog around again, there is a fog
mission going.

Speaker 3 (40:19):
And what I thought was great for me, of course,
is Lily takes her top off and her nipples are
sitting on top of her boustie. Yeah, I thought, oh,
so sorry, you got our nipples out. Then the next
shot there in, there in that was a mistake. No, no, no,
we didn't see it showed up.

Speaker 1 (40:39):
Yeah, it's fine, it's fun. It's fine, just a sh ahead, okay.
And then the so I did get my timeline wrong
a little bit. So so that whole thing happens with
the banana hammock man. Did you get yes, she ties

(41:00):
him up. This is when Pat and Jody walk in
on Brad and Francis on their round two round two
and Jody is super drunk right here, and she pukes
all over friends. It's like all over it, and you cut,
She says, you fucking gun. I was like, oh damn,

(41:23):
I did not expect that. It went for it.

Speaker 3 (41:28):
It was so good. You can't but I love it.
She says, you make me sick.

Speaker 1 (41:36):
Nice nice projectile.

Speaker 3 (41:40):
Oh so good.

Speaker 1 (41:41):
And then we get Lilya tro cuting the biker man.
And that's the classic. That's the dog. That's the tidy
whitey dong shot that's so shaken. Yeah, the shaky dong.
Who doesn't love a shaky.

Speaker 3 (41:59):
Dong yup, and then and then the two are making out.
It's hungry girl, she's gonna.

Speaker 1 (42:06):
Get her and Jane Foster and Jane she's gonna get it. Yeah,
all over the place. That's pretty much what we're excited for.

Speaker 3 (42:15):
So now this is where the unlikely coupling happens, where
Jamie and Pat are running around together. The weird dorky
guy and Pat are running around trying to fix the
fuse box. It's not down here because the power went out.
When she looks, stuted that guy is there an attic? Okay,
she knows there's an attic. They go to the attic,
Adam sees a Sukibas feeding on the loser like she's got.

Speaker 1 (42:36):
He's like sucking, sucking on his neck like a vampire.

Speaker 3 (42:40):
He's like, hell yeah, Pat, Pat's like this is what
you're into? Like what the hell?

Speaker 1 (42:47):
Yeah? Well, he like totally makes out with her blood filled,
like she's got blood all in your mouth and they
just start making out with all the blood. I was like,
I don't care for.

Speaker 3 (42:56):
This, no, no, And then the horny girl almost got it.
But then he needs food and he needs to pee.
He eats food and he needs to pee. He lets
her know, like, I can't do this yet.

Speaker 1 (43:11):
Yeah, he reads food out of him. He eats food
out of a bowl, and then she gets horny and
it's like whipped cream because that whipped cream.

Speaker 3 (43:20):
Yep, birds one stone.

Speaker 1 (43:22):
But like, have you ever gotten full off of whipped cream?

Speaker 3 (43:26):
Just a tummy ache, just a tummy ache, a whole
whipped cream. So, but then she starts spraying him and
licking him up and going for it. And then he says, wait,
I need a drink for this.

Speaker 1 (43:36):
Yeah, because she starts like playing with his belly button.

Speaker 3 (43:40):
You need a drink. I'm the one sucking down cream,
and I'm gonna go down here. I need if any
of the one of us needs an excuse to get
a drink, it would be And I'm just getting litly right.

Speaker 1 (43:49):
I just kept writing down. I was like, what is every.

Speaker 3 (43:55):
She must smell? She must be so stinky. But they
probably were having that cologne conversation earlier to throw because
in her it's just ampf something girls need to wear klowm.

Speaker 1 (44:10):
So Foster gets up because he's like, I need a drink,
and he can't find a cup. So he just goes
to the bowl and starts drinking out of the punch
bowl like yeah, and you know what, Lily does not
like this. Lily does not like this, so she stabs
him in the back of his head.

Speaker 3 (44:28):
He has to die.

Speaker 1 (44:29):
Yeah, you peg? Then did we get knife through the
mouth on that shot?

Speaker 3 (44:37):
I feel like knife through it as he's in the
punch bowl.

Speaker 1 (44:42):
He was in the punch bowl, but then she pulls
him out. I couldn't see because yeah, it was. They
need to remaster this thing. I mean, you know it
might not no, but somebody needs to give it some
sort of love.

Speaker 3 (44:54):
No, they don't need it. We're giving it the amount
of love that it disarms.

Speaker 1 (44:59):
I just want to see everything, let me put it
that way.

Speaker 3 (45:02):
Yeah, and then she kills poor Blondie. Blondie never gets laid.

Speaker 1 (45:07):
No, she gets a fire poker through the heart.

Speaker 3 (45:10):
That sucks.

Speaker 1 (45:12):
She's on the prowl at this point.

Speaker 3 (45:14):
Then Jamie's like, hello, a boy home. Hey, nice party, huh.
He sees them together, doesn't realize they're dead because it's.

Speaker 1 (45:20):
Well so dark. He even talks to Lily about it.
He just sees her like doing like wiping off the
blood on the poker, and he's just like, hey, what's
going on, Okay, cool, cool party, and then he goes
he goes in the room because Pat nice, Pat, We've.

Speaker 3 (45:41):
Been friends so long that when my bar he are
just continuing on like I didn't mean to do it
into the mic, but I'm here now. That guy's wife
is never going to make out with me.

Speaker 1 (45:53):
Jamie, you say his name is Jamie. He goes up
and he finds he finds uh, Pat and Jody in
the room, and he's like, hey, there's something happ strange
happening here, and Pat just goes mellow out. Yeah, great,
mellow out. Seriously, can't find anybody. He says, I can't
find anybody, but he just saw the two dead people

(46:14):
on the ground. He just thought they were drunk.

Speaker 3 (46:16):
Yeah, hook them up. And at the same time this
is having Francis and Brad are arguing and then they
decide they're birds of a feather. I'm just like, how
disgusted must you booth with yourself to say that you'll
like either of them. They're just like really terrible people,
like you're at your girlfriend's party fucking this woman.

Speaker 1 (46:38):
And so Adam Adam goes like, oh, I gotta go
check the lights. You kids stay here, which was so weird.
You kids stay here. I'm like, you are the same age.

Speaker 3 (46:51):
You're the same age, and you're sex with that one.

Speaker 1 (46:54):
That's your girlfriend? Hey kid?

Speaker 3 (46:58):
Yeah, And they leaves them with Jamie.

Speaker 1 (47:01):
Yeah, and Jamie looks at them and what does he say? Hey,
you don't play a game of old maid.

Speaker 3 (47:10):
He's so strange. He's a strange person. So then we
cut back to Francis and Brad, and Francis is like, oh,
I'm going to go fix my face, and Brad tells
her it will take more than ten minutes to fix
your face. Try ten years. This guy is a pre ejaculator.

(47:32):
He talks to you like this, he's dating someone, like,
what are you doing right now?

Speaker 1 (47:37):
What are you doing? So he goes and then he
wanders off into the kitchen. Right wait, he's Lily.

Speaker 3 (47:45):
Here, Yeah, Sothley party, Adam, it has to stop. Yeah,
aren't you having a good time? Do you want me
to go back? Just tell me to go back?

Speaker 1 (47:57):
Yeah? You you summoned me, right? Is this where she's
like you sum you want me to go away? Yeah?

Speaker 3 (48:02):
And then she wicks him and feeds him.

Speaker 1 (48:04):
Yeah, And so now Brad enters, like sees Lily in
the kitchen.

Speaker 3 (48:15):
And after Pat leaves her sister with Jamie.

Speaker 1 (48:18):
Oh okay, yes, so Brad. Brad goes to see Lily
and she starts like flirting on him, just like, what's
the matter, I'm not your type? Maybe positive, that's my type.

Speaker 3 (48:30):
I'm pre med, which is like the most disgusting thing
he's said, and then goes so very far away and.

Speaker 1 (48:38):
Now Brad makes out with Lily and this is where
I want my on set speculation.

Speaker 3 (48:49):
Give it.

Speaker 1 (48:51):
So you were just talking about one of those situations
having to do that on set, not this, because this
is the weirdest makeout scene I've ever seen. Weirdess they
like touch the top of their two left flop la
the top and bottom just the very front of their
left are open, and then they just flick their tongues

(49:13):
back and forth with each other. They're like, oh, take
turns out in out just for the camera. It's so
weird how they're doing list Like, how was this set up?
Was this the director? And he's like, I have a vision.

Speaker 3 (49:29):
Yeah, I'm an artist.

Speaker 1 (49:31):
I'm an artist and I've seen a lot of makeout
scenes and none of them do.

Speaker 3 (49:35):
It for me. This is what I need I need,
baby bird, I need, I.

Speaker 1 (49:42):
Need it to look like your tongues are little worms
going into each other's mouths. Yeah. I was completely disgusting
because it was framed just like I know that they
wanted Adam to walk in. So Adam walks in and
he's like staring at them. It's like you can only
you could practically see them through the mouth of the look.

(50:05):
It's like it's an artistic, messed up weird. Yeah, it's bizarre.
I hated it for sure, like hated it bad. I'm
sure it was a very safe set to be on.
That's what it felt like.

Speaker 3 (50:17):
Yeah, I mean everybody signed out to do this with
somebody that they know does porn fair enough, so a
lot of them probably could have been porn actors.

Speaker 1 (50:25):
Who well, we'll talk about a certain one. We'll talk
about a certain one who who was but uh, that'll
be at the end for me where I want to
talk about it. I'll contend. So ian Lily just goes
down on Brad now because everybody's going down on everybody,
and she finally we have an actual dick bite, not

(50:45):
an imaginary one. We get a weener off here, and
Adam loves it and loves it.

Speaker 3 (50:52):
And this, oh, this is where Pats was.

Speaker 1 (50:54):
This is where Pat walks in where Adam and sees
what he's loving watch, which is Brad getting his wiener
bit off. You like, oh fuck, we gotta get out
of it here.

Speaker 3 (51:07):
And then this is the weirdest part for me is
then she runs.

Speaker 1 (51:11):
This is the weirdest part.

Speaker 3 (51:13):
Like Francis and Pat just get into this weird cat
fight and fight and choke each other and it's like
the quickest choke out I've ever.

Speaker 1 (51:22):
Seen, quickest choke out. And Pat, I do not believe
that she can do this. I don't get not even
for riches smacks her against the wall and she's on,
I'm like, I don't buy it.

Speaker 3 (51:34):
Yeah, and she's like, I'm mad to fuck Adam too,
you know, because your sisters are jealous. Okay, Okay, you
want to funk about a bunch of losers.

Speaker 1 (51:45):
Okay, So now is this when Adam out. Adam sneaks
up on her friends. This is dancing by herself at
the party.

Speaker 3 (51:54):
Yeah right, good. Jody wakes up with Janie reading the
two rible poetry in Adam's book. Yes, she has a headache,
Jamie says, hair of the dog and she calls him
a dork for that, which I don't get.

Speaker 1 (52:10):
Yeah, why are you calling him a dork?

Speaker 3 (52:12):
Heat?

Speaker 1 (52:12):
There's so many other things you said nothing when he
wanted to play old old mate.

Speaker 3 (52:17):
Yeah, but now he's trying to help you to get
rid of your headache and you're like, you're fucking dark.

Speaker 1 (52:23):
He was trying to get me drunk again.

Speaker 3 (52:26):
Yeah. So then she's going off to try to find
something for to cure her headache or whatever, and he
puts on headphones to listen to music, so we can't
hear what's going on.

Speaker 1 (52:36):
Great, and I have to say that Francis so Adam
sneaks up on Francis when she's like, where is everybody,
and he goes, I got rid of him so you
and I could be alone.

Speaker 3 (52:48):
Yeah, oh really, what do you do?

Speaker 1 (52:49):
I write lyrics for heavy metal. I don't know about
heavy metal. I'm into Lionel Richie. I just needed to
point out she likes write Lionel Richie.

Speaker 3 (52:57):
Of course she does.

Speaker 1 (53:00):
In a pink sweater like that coarse girl loved lying.
We get it.

Speaker 3 (53:07):
The writing was on the wall with her. Yep, so
female demons who prey on man.

Speaker 1 (53:14):
While they're asleep. Are those the lyrics?

Speaker 3 (53:17):
Well, this is where he finds out. Like Jamie is
looking through all of his ship and he's like, oh shitty,
summoned a female demon? What's going on here? Right?

Speaker 1 (53:28):
This is where he does that.

Speaker 3 (53:30):
And then Adam is hanging out with Francis and just
for another reason, just cuts her fucking neck.

Speaker 1 (53:35):
Just cuts her neck. But right before that scene, right
before it, the electrocuted biker guy comes back to.

Speaker 3 (53:46):
Life for some Oh yeah, Jody looks for a drink.
It's dark so she doesn't see the bloodiest. Miss Francis
takes off her sweater, kisses Adam. Blowjob guy is a zombie.
He chokes Pat.

Speaker 1 (54:02):
There's like four blowjobs.

Speaker 3 (54:03):
I know. That's when I wrote down for him. Yeah, hey,
biker blowjob man.

Speaker 1 (54:08):
Biker blowjob man.

Speaker 3 (54:09):
So she pushes him and stabs him. It's like for me,
so Pat, take on. You can see on this electroccuted
biker zombie guy. But yeah, storty girl, Francine, chokey Francis
choked you out in two seconds.

Speaker 1 (54:25):
Yeah, she jams a ski pole through his eyeball and
he's just like spitting up gallons of blood.

Speaker 3 (54:33):
Yeah, Wade has fun and then Jamie lets her back
into the room and he's trying to explain to her
what's going on with all of this that he's discovered
from the writing. And then the sisters leave and they
separate like idiots, like like why would you do this?
You never do this, it's so dumb. And then Jody

(54:59):
hold on.

Speaker 1 (55:00):
Adam tells exactly hold on because our notes are so scattered.

Speaker 3 (55:06):
It was so so right here. Adam is telling the sucurists,
I don't want to kill Pat. I don't want to
kill her, and she's like giving him. I can't, I
can't do it. Yeah, So then Jody, Jody ends up
with Adam the sister yes, because they separated, so yeah,

(55:29):
he finds her, finds her and they're drinking together and
he's manipulating her.

Speaker 1 (55:35):
That's my party, you want to play it, sister, tricky sister,
which they hide in like the air duct of a
of a closet, Like it's so weird, like what a
weird cross space inside of that closet.

Speaker 3 (55:51):
I know, it's just spasific.

Speaker 1 (55:52):
Then when she panics and goes to find them and
they're gone her and she's gone. She leaves and Jody's
she's gonna be mad mad at me? Yeah, me too.

Speaker 3 (56:07):
Yeah, And this isn't a prank. This is like, this
is not five, Like a prank did not happen. You're
just an idiot. And then the dork guy Janey with
a candle outside, the candle blows out. He gets in
the car, and what happens rope around the Oh yep,
and Pat's looking for Jody, still.

Speaker 1 (56:28):
With a match because it's still dark, and so she's like,
I'll use this tiny match to wander this entire house.

Speaker 3 (56:36):
Until it burns, and then we get a rematch.

Speaker 1 (56:40):
Yeah, because dead Francis comes back to life. Yeah, and
Pat chokes her out this time slip throat. Yeah, she
is a victor, thank god.

Speaker 3 (56:53):
I was like this, this can't be on her record.

Speaker 1 (56:56):
Like she should the first time. And you really, this
is when you're really get her, when she starts becoming
a badass. That's when her little white outfit and belt
really shines where she's really just like standing up with
looking like a badass everywhere. Yeah, crushing it.

Speaker 3 (57:13):
And then Jody's hanging off ad him. I was really
worried about you.

Speaker 1 (57:17):
Because she sees all his terrors.

Speaker 3 (57:18):
Wait, this is where they're smoking dope.

Speaker 1 (57:20):
Yeah, and she sees all his tarot cards and everything,
and she's like, you know, this stuff is really interesting.
Bewitch is my all time favorite TV show.

Speaker 3 (57:29):
Wow, go Jody, Josy is so cool, Jody, You're more
edgy than we thought. Yeah, and then she kind of
starts to like get freaked out, like she reads some
of his shit and she's like oh, and she's like
trying to like tiptoe to the door. He spots the
bloody knife in the room, goes over and holds the
knife up to.

Speaker 1 (57:48):
Jody, thretting in her it. Shit goes down, and now
Lily tries to choke. Pat scratches a little face, scratches
her like dish.

Speaker 3 (57:59):
She's like got And it's a really horny surprise. I said,
like this was like an this was like very horny. Together.
I was like, I'm here for this. How horny this feels.

Speaker 1 (58:15):
And this is another one of those scenes where like
I feel like Pat like overpowers her and she goes
down and now all of a sudden, it's like she's
convinced that she killed her. Yeah, it was it was
such a mile. I'm like Wow, you think he killed
her with that? What just happened? Like that's pretty much

(58:35):
what Francis did to you. And you're like, yeah, you've
heard someone like how did you? How do you think
you killed her?

Speaker 3 (58:43):
So but she heres, oh wait, no, no, no, we
got past that. Okay. So he says it's not that easy.

Speaker 1 (58:49):
Yeah you can't.

Speaker 3 (58:50):
Just then he starts like crying insane and ripping posters
from the door. He's like going through it. Yeah, this
really upset. So who got stabbed? Why is there blood everywhere?
Like you thought the sister got stabbed? But then she's okay,
he seems okay. Whose blood is all over the middle
of that?

Speaker 1 (59:11):
And not yet she's still so she gets her the
blood off of her throughout.

Speaker 3 (59:17):
It sister and him, no Jody, because after she chokes
out Lily, she hears her sister Jody scream in the
room with Adam, and she goes in and Jody's on
the ground like she's been stabbed.

Speaker 1 (59:32):
Right, Oh, he stabbed himself. He stabbed himself. But he's
like fine, yeah, he like cut himself down like this
because he was going to kill her, and then he
fo he fought and he decided to stab himself, but
he didn't finish the job, so that's why they're both bloody.
But why she's on the ground pretending to be dead,
I don't know.

Speaker 3 (59:52):
It's just such a weird thing going on.

Speaker 1 (59:54):
Yeah, there's a lot of moments where you're like you
have to kind of hold like I have to pause
this to figure out what the hell is going on.

Speaker 3 (01:00:03):
Yeah, and then Pat says they have to kill her,
and she remembers what Jane said that you have to
cut the head offers off, and then they start this
ritual with the candles and reading this stuff, and I
just want to know how the fuck did they know
to do all that? How did they figure this out?

Speaker 1 (01:00:21):
But now, but Adam, he starts after all this, he starts, Oh,
he starts hunting them down again because they like run
away and he can no longer fight it.

Speaker 3 (01:00:33):
Yeah, but I love it taking over him.

Speaker 1 (01:00:35):
He goes into like the garage or something, and we
cut to him like three or four times, just spitting
blood on the wall, and then they cut away and
then they cut back and he spits more. It's like
they're just like, give him a cup of blood and
we'll we'll piece that together.

Speaker 3 (01:00:54):
And post, and meanwhile the girls find it like a drill.

Speaker 1 (01:00:57):
Bit, yes, ass drill bet yeah, a long ass one. Yeah.

Speaker 3 (01:01:04):
And so they're hiding in the bedroom where Francis and
Brad fucked. But Adam finds them in there and they
he's got the weirdest laugh.

Speaker 1 (01:01:11):
Yeah, he's got the weirdest left. He goes like he
just walks and he's like, I'm like, what is happening?
He's coming grows, No, not like that, he's coming through
the door. What is wrong with you?

Speaker 3 (01:01:26):
Percah, It's really grows. It's an upsetting Yeah, they get
the hand woman.

Speaker 1 (01:01:32):
Oh that's when he laughs, is after the handword that he.

Speaker 3 (01:01:35):
Started to the handwom. Yeah, he loves it.

Speaker 1 (01:01:38):
And then this part rules I don't.

Speaker 3 (01:01:42):
Think it turns into the garage with the knife and.

Speaker 1 (01:01:45):
Then she attacks him with a second time with the drill. Yeah.
I've never seen a drill decapitation. I know that's a
fun one. It's just like we're gonna just how many
holes do you have to put in? Like? Is that
how drills work? You could just cut someone's head on?
Was they That seems like it would take a lot
longer than it did.

Speaker 3 (01:02:05):
But uh, this is practical effects.

Speaker 1 (01:02:09):
This is a highlight.

Speaker 3 (01:02:10):
Yeah, and that Pat says, I sent Jamie out here
there a long time ago. They separate like idiots again again, and.

Speaker 1 (01:02:19):
There's also this fun like after the head spilling thing.
So she cuts the boot off and she's got you
can see in the scene where that happens, and you
can see the amount of blood that splats on her,
on her face, on her dress. Yeah, we cut to
them busting through the door. Immediately she is like drenched,

(01:02:41):
like her whole front side is like they just threw
a bucket on her. It was like, that is not
what happened in that No, no, they missed the part
where she tripped and fell in the blood. That's what
she looked like, just jumped a bucket on her. Yeah.

Speaker 3 (01:02:59):
Yeah, And of course as soon as they separate, the
succubist finds Jody. Jody screams, so Pat turns back to
find her with the succubists and the cycubist is about
to stab her sister. Jody. Yes, now this is where
the preppy guy busts through the front door.

Speaker 1 (01:03:18):
Yeah, but when he's the dead, he's the dead one.

Speaker 3 (01:03:22):
No, this is the preppy guy who's like, has she
been scaring you?

Speaker 2 (01:03:27):
Oh?

Speaker 1 (01:03:27):
Yes, This is the part pissed me off so much
because they're like, we're gonna go kill her, right, but Lily,
hold on, Wait, well I'm sure I hope she wasn't
too much trouble.

Speaker 3 (01:03:38):
Yeah, yeah, she didn't cost too much trouble. I'm sorry,
give me the knife, Lilly. And she's just like a
psych patient, Yeah, gets out sometimes and they have to
chase her down, murders a.

Speaker 1 (01:03:50):
Bunch of people. Yet, Yeah, she definitely acted like talking
to Adam, you summoned me, I Like, she's basically telling
you she's a succubist. Yeah.

Speaker 3 (01:04:03):
Okay, So then we cut to this is him on
the phone pitching this as a story novel that he
wrote in a weekend.

Speaker 1 (01:04:12):
Yeah, so none of it was real.

Speaker 3 (01:04:15):
It was all just a novelization, and he's thrown around
titles possibly the Soccubists. I don't know, maybe that's a
little lame.

Speaker 1 (01:04:21):
That was definitely the title of the film. Yes, they
had to change it.

Speaker 3 (01:04:27):
Yeah. And then there's a knock on the door and
it's the Bride from the original summoning the Bridest.

Speaker 1 (01:04:35):
So that's why you think that she's the dream maniac.

Speaker 3 (01:04:39):
Yeah, because then sh and the blood splatters all over
the succubus. Yeah, texts on the script or whatever the.

Speaker 1 (01:04:45):
I wish they had more than one text splatter on that,
but they just, yeah, they had to deal with what
they had, and that that's stream aniac, that's stream maniac.

Speaker 3 (01:04:56):
So that's why I do think she's the one he
summoned and the other girl kind of was just like
lurking around hearing what was happening.

Speaker 1 (01:05:04):
When you said that, I was like, okay, I give you.
I'll buy what you're selling. I didn't buy it when
I was watching the film because I.

Speaker 3 (01:05:12):
Was like, I didn't pay it off properly. But that's
just like the thing that would make the most sense
to me.

Speaker 1 (01:05:18):
Yeah, so, uh, we got MVPs movie MVPs. What I
know who mine is? Immediately it's Pat Yeah, played by
Ashlyn Gear who was also in Creepyzoids, an Evil Laugh
and Willard that rat movie with Crispin Glover. Yeah, but

(01:05:41):
she also it looks like she did a ton of
adult films as well. But for me, she's the by
farthest standout in that in that one with a special
mention of that dress and little red belt in that
long necklace.

Speaker 3 (01:05:58):
Yeah, my MVP was the practical effects team.

Speaker 1 (01:06:01):
Yeah for the head that had real bit head chop.

Speaker 3 (01:06:07):
Yeah, and even like the stuff going through the hands
and stuff like I mean on a super low budget film,
that shit's hard to do and yeah, believable And to me,
that was the thing that seemed the best out of
all of the departments that.

Speaker 1 (01:06:23):
Takes us to remake, reboot, reimagine, remaster, squel.

Speaker 3 (01:06:32):
Sequel, really just throw it in the trash.

Speaker 1 (01:06:44):
See, I gotta go with I guess reimagining because you
really you didn't. You threw a lot of things out there.
And I liked that they were trying to be inspired
by Nightmare on Elm Street, but it almost feels like
that inspiration was after the fact, where they're like, well,

(01:07:07):
that movie just made it big. Here, let's add just
a tagline that makes it like it's a dream. Thing
had nothing to do with dreams. There was no dream maniac.

Speaker 3 (01:07:15):
It's just and he even looked a little older or
like time had passed when they shot that piece, right.

Speaker 1 (01:07:23):
So I don't know, I think you would need to
like just full reimagining and really lean into the bald
headed dream.

Speaker 3 (01:07:32):
Poster payoff.

Speaker 1 (01:07:33):
Yeah, the poster payoff, because I'm fine with that kind
of a poster pay I would have liked that more, yeah,
sadly than what we ended up with.

Speaker 3 (01:07:43):
Yeah, this is the first one that I was kind
of you know, like, I know, making a film is hard.
I know, yeah, I know how grueling it can be.
But I did feel like a lot of balls were dropped.

Speaker 1 (01:07:57):
Yeah, and not enough ball dropped on screen exactly.

Speaker 3 (01:08:03):
We had that one shaky shaky. Yeah, like that kind
of stuff is fun, but it's not the whole movie.

Speaker 1 (01:08:11):
Yeah, yeah, it was a little bit.

Speaker 3 (01:08:12):
You know, I.

Speaker 1 (01:08:14):
You already said it. They're impossible. Movies are impossible. They're
really tired.

Speaker 3 (01:08:18):
So yeah, you know, anybody who hasn't done it doesn't
even began to understand how hard it is to get
one done, get it put on any platform. Yeah, you know,
the stuff that goes into the post work, you know,
I mean it's a lot. So like, I congratulate them
they made a movie.

Speaker 1 (01:08:36):
It was it was his first venture into feature feature world,
and so you know his I think his next one
was Creepzoid in that one, which is great.

Speaker 3 (01:08:49):
Uh.

Speaker 1 (01:08:49):
Sority Babes of Slime Bubble Rama, which were two like
hallmark pieces. Those are not Hallmark, but you know what
I mean.

Speaker 3 (01:08:57):
Yeah, yeah, like that it showed that he was growing. Yeah, right,
like there was growth and he he actually does have
a point of view and he found it, you know.
And this was like the first stab and it wasn't
really a hit, but you know, there were elements there
that make for a good one. Like if I were

(01:09:18):
still a stoner, like I used to be a stoner,
if I were still a stoner, I'd probably watch this and.

Speaker 1 (01:09:22):
Be like, yeah, hell yeah, dude. That's why, like I
honestly like remaster for me isn't necessarily out of the question,
because I just felt like the copies that we were
forced to watch were just so poor. Yeah, it was
just hard to see things that it really needs to be,
you know, because there were a lot of shots that

(01:09:43):
were really thought out. There were really were a lot
of shottally. You're like, I can see that the prep
that you did in this, even that just opening shot
of the naked dude walking through that Yeah, great, No,
it's like I want to be able to see the
work that you put in. You're so right, because like
there was a lot of work that it just I
couldn't tell the effort that was being put in because

(01:10:05):
of the quality of the copy that we had. It
just was super lorez.

Speaker 3 (01:10:09):
And that makes a lot of sense because like even
the scene when the sister Jodi goes down to the
kitchen to get a drink, it like zoomed down and
it's supposed to be like this bloody mess, and you.

Speaker 1 (01:10:19):
Can tell by the music and you can tell by
the Yeah, there are certain things where you're like, what
was I supposed to see there? You know, because everything
just just almost blurry.

Speaker 3 (01:10:29):
Yeah. Yeah, but you know what, I enjoyed myself. I
had some moments where I laughed. The dialogue was actually.

Speaker 1 (01:10:40):
There was a lot of fun dialogue that I did enjoy.
I mean I quoted a few.

Speaker 3 (01:10:45):
Yeah, they were really good. It was some good stuff.
So so now.

Speaker 1 (01:10:51):
What g would like to point out that on the
bonus side of things, nobody was raped.

Speaker 3 (01:11:00):
No rapings, everyone by their own choice. So now let's
we have a guess that's going to come in. It
is time for our job the weed.

Speaker 1 (01:11:24):
For this week's Nostalgia of the Week and actual sucubus.

Speaker 6 (01:11:31):
Wow, what a lovely introduction. You know you were talking
about this nostalgia, right, nostalgia. I am nostalgic for a
time when there was effort in finding the dipshits, when
I used to go to a pool hall and I
would have to watch a few games see who the
creeps were. As the alcohol started to kick in and

(01:11:54):
they started to show their true selves. Now thanks to
Joe Rogan, that's who they come in as.

Speaker 5 (01:12:03):
Just darkness and the evilness and the selfishness and the
toxic masculinity as you call it. Now, that's what they
lead with. The only thing working harder than me at
an RNC is the grinder. App really happy to be
a second runner up. And ladies, if you want to
tip on how to keep your man interested in you sexually,

(01:12:24):
it's very simple.

Speaker 3 (01:12:26):
Do the weird stuff.

Speaker 6 (01:12:28):
They want the weird stuff. I mean, I'm millennia old,
i have loose skin. But if I have red lipstick,
my tits out and I'm willing to do the weirdest
thing they've seen on the internet. I'm number one, I'm
that top choice. So it's very simple, red lipstick, tits out,

(01:12:48):
do the weird stuff. You know what, I'm tired it's
tiring being a succubist. I work for the devil and
he's kind of getting a bad rap these days.

Speaker 3 (01:13:05):
But just they say they don't like the devil, but
then every move.

Speaker 6 (01:13:09):
They make supports that he's the best friend. So it's
a very confusing time. It's very manipulative, and I miss
when just the demons were the ones doing that. Now
everyone's trying to take my shit. These are hard times
we're living in.

Speaker 3 (01:13:29):
I started an only fans.

Speaker 6 (01:13:36):
Yeah, it's it's reached a different a different level of
bad and hopeless, even for a demon.

Speaker 3 (01:13:50):
I just keep they keep saying, Oh, the rapture is coming,
the raptor is coming. Well, when is the raps are
going to come all over my chest? I'm ready back
to you.

Speaker 1 (01:14:12):
Oh all right, that'll do it this weeet.

Speaker 3 (01:14:16):
Thank you, hell yah. Yeah. For B side, I am
Jenny Winger and.

Speaker 1 (01:14:22):
I'm Jeremy Briggs. We'll see you next time, or we'll
be heard next heard next time.

Speaker 3 (01:14:31):
I don't know.

Speaker 1 (01:15:48):
Yes, put that in your pipe and smoke it. I
could not find a credited composer in this one, though
I love. There's nothing on IMDb, there's nothing in the
credits of the film. They have like a musical executive
or something.

Speaker 3 (01:16:06):
But well, Helen Helen Robinson actually wrote.

Speaker 1 (01:16:09):
Some of the songs, right, Oh, I couldn't find Yeah,
I think G.

Speaker 3 (01:16:14):
Money found that she was credited written by Helen. Yeah,
opening music by Helen. Yeah, so she was kind of
the rocker edge behind this.

Speaker 1 (01:16:25):
Well, good for her. Yeah, she's the true dream maniac.

Speaker 3 (01:16:31):
I don't know that it's inspired by me. I used
to bite dix. It was my thing.

Speaker 1 (01:16:41):
No, G says it was just written by the movie
was just written.

Speaker 3 (01:16:45):
By Oh oh oh, that's what it is. Okay, So
it said opening music badass written by hell So it
was okay. So that's still a mystery. Was Helen shreds helenus?
I guess Helen doesn't, but I still stand by this
is based on her true life story of biting dicks.

Speaker 1 (01:17:05):
I want to use that as an alias, Helen Shreds. Yeah.
I love it.