Endgame

📼”Endgame - Bronx lotta finale”
📼 (1983, Dir.Joe D’Amato, Starring Laura Gemser, Al Cliver, George Eastman)
📼B-Siders:
📼Hosts: Jenny Wenger & Jeremy Briggs
📼Editor: Genevieve Marie
📼Written & Produced by: Jeremy Briggs, Jenny Wenger, & Genevieve Marie
📼 Music: Jeremy Briggs
_____
0:00 - Cover Art Cold Open
0:56 - INTRO Music/Credits
1:22 - Welcome 
4:00 - “Not-So-Current Events” 
9:19 - Review ”title”
4:17 - On Set Speculation 
1:10:33 - Movie MVPs 
1:11:55 - Remake, Reboot, Reimagining, Remaster, Sequel or Prequel? 
1:14:55 - Nostalgia of the Week 
1:17:57 - OUTRO/Credits
____
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Episode Transcript

Speaker 1 (00:05):
Saturday, November fifth, nineteen eighty three. For some reason, today
you're just a real grumpy guss. Some might call you
a great a moody booty, and you need something to
lift those cheeks, muscles, baby muscles, a spiky football helmet,
skin tight leather pants with a gold bladed codpiece, bladed

(00:30):
shin guards. Just because they're on the cover doesn't mean
they're in the film. You've never know in a movie
directed by Stephen Benson. Now, hold on a hot second,
I've got a real boner to pick with you. Now,
I thought this was a Jo Tomato film. What the
hell is going on? And what the hell is there?

Speaker 2 (00:51):
And day.

Speaker 1 (01:24):
Well going to be sad video rentals. I'm Jeremy Brigden's.

Speaker 3 (01:26):
And I'm Jenny Wanger.

Speaker 1 (01:28):
Jenny, what's going on?

Speaker 3 (01:30):
Hey? You were so good on that intro that I got,
Miss Rice. I'm like, oh shit, I'm the one who
runs these panels.

Speaker 1 (01:37):
I forgot to press buttons. Well, I like, I like
to think that somebody thinks I'm good. That's nice of
you to say.

Speaker 3 (01:43):
Yeah, it was really good, and I did. Like why
is it that the director is different in different things?
Is it kind of like the same thing, well, Zombie
Death House.

Speaker 1 (01:54):
Well matter. First of all, Joe Domato, there's a couple
of reasons why he did that. One is, he did
about two He directed almost two hundred films, and he
just was like, nobody's gonna believe that I'm directing all
of these films, so I have to make it appear
like these are different people, so they don't, like, say,
start talking weird about me. And then also it's to

(02:18):
trick Americans to think that it's a movie made in America.
He would always do very playing I guess they would
say Anglo American whatever that. I don't know. I watched
a documentary on him yesterday. Really, yeah, it's called Inferno Russo.

Speaker 3 (02:35):
Inferno Russo.

Speaker 1 (02:37):
Yeah, Joe Diamato and the Journey of Excess or something
like that. The Road to Access, Yeah.

Speaker 3 (02:44):
Casper City, like made Skinamax films.

Speaker 1 (02:47):
He made tons of things. I mean he did like
first he did like those emmanual films, ripping off the
French immanual films, and those did really well for him.
And then he got into some porn. He actually got
he did ten films and did jail time for making them.

Speaker 3 (03:06):
What the hell?

Speaker 1 (03:07):
So he got two months for every film. He maybe
made ten of them. So he was in jail for
twenty months for making pornography and then he was like
never again. But then later in his career he was
forced to it because he spent all his money making
movies and he's like, well, I don't, I can't. I'm
gonna lose my house, I'm gonna lose all these I
guess I'll just make porn again.

Speaker 3 (03:26):
So he went to jail for making pornographic films.

Speaker 1 (03:29):
In the seventies. Yeah, in Italy, that's so weird.

Speaker 3 (03:31):
Italy was like all about nudity though, Like, that's weird
to me.

Speaker 1 (03:36):
The erotica films were fine, but the pornography like crossed
some weird line that he got in trouble for it.

Speaker 3 (03:43):
Yeah, they're like, don't zoom in.

Speaker 1 (03:45):
You zoomed in too much.

Speaker 3 (03:47):
When you assume in you go to jail.

Speaker 1 (03:48):
I don't need to count the curly Q hairs achoriz.

Speaker 3 (03:53):
Oh my god, yuck. Well are you ready for some news?

Speaker 1 (03:59):
Oh? Saturday November fifth, nineteen eighty three and thee So
you're not so current event?

Speaker 3 (04:15):
Three men posing as plumbers stole five valuable paintings at
a closed art museum in Rosario. Authorities have asked for
help catching the thieves and have released photos of their
butt cracks. Nancy Reagan's press office said reporters covering the
First Lady's visit to a Japanese art exhibit in Tokyo
must wear clean socks with no holes. Though it wasn't

(04:36):
explicitly said, everyone knows she was speaking directly to the
reporters of the newspaper The Tennessee Trash Rag. My grandpa
was so natan, and she's righty.

Speaker 1 (04:49):
He had a lot of holes, like five holes in
every pairs.

Speaker 3 (04:51):
Hees, my grandpa, we have a lot of holes and
we put them to use.

Speaker 1 (04:55):
Don't say that. Don't say you have a lot of holes, Jenny,
good God. Then it'll be taken out of context. This
is the Internet. On Wednesday, Madison Square Garden hosted the
National Horse Show to and to simulate a Fox Hunt.
They filled the floor with dirt, fallen trees, fences, shrubbery,

(05:16):
and homeless people so the billionaires can shoot them. Oh, yeah,
that's a billionaires. Due. I don't know if you're aware.

Speaker 3 (05:25):
I've never met no billionaire.

Speaker 1 (05:28):
Thank god.

Speaker 3 (05:29):
Yeah, we don't run on the sign circles.

Speaker 1 (05:32):
Yeah. The Washington Post end Charles G. Roboso, a close
friend of former President Nixon, have reached an out of
court settlement in mister Roboso's ten million dollar libel suit
against the paper after its headline Boso Roboso is a
redict heead.

Speaker 3 (05:53):
I like that one. The House Judiciary Committee reported a
bill that would change the Federal Court's rules for insanity
plea by placing the Burdom approof on the defendant, which
will lead to a lot more courtroom defecations.

Speaker 1 (06:08):
How else do you prove you're crazy?

Speaker 3 (06:10):
Okay, fine, that's the only way I know. A solid
gold loving cup where three hundred thousand given to Admiral
George Dewey in eighteen ninety nine, was stolen from a
Navy Memorial Museum display case with no alarm system. The
Navy said they knew who did it and planned to
dole out the worst punishment they could conjure, letting them

(06:33):
stew in their own guilt, saying they're not mad, they're
just disappointed.

Speaker 1 (06:39):
It's the worst. It is. It's just the worst. That's
what my wife says after every session. I'm not mad,
I'm just disappointed.

Speaker 3 (06:48):
The amount of times I cried myself to sleep over
my mom saying that, oh wait no, that was from
Daddy's belt.

Speaker 1 (06:53):
For the second time in fourteen months. In airborne war
is being waged against an infestation of fruit fly? Is
that could wreck Los Angeles County's two point five billion
dollar fresh fruit industry. I don't know. Maybe it's just me,
but I don't think we should be waging war against
flies just because they're a little fruity. Yeah.

Speaker 3 (07:13):
I mean, come on, I mean, come on, that's wrong.

Speaker 1 (07:16):
A year is it? It's wrong.

Speaker 3 (07:18):
It's wrong. Their flies, Oh yeah, the flies they got families.

Speaker 1 (07:24):
Yeah. The House of Representatives today decisively rejected an attempt
to force the Marines to pull out of Lebanon, saying
it's against God to pull out. We have babies in
this house, young man. No spill in that seed.

Speaker 3 (07:39):
You can't waste that precious seed.

Speaker 1 (07:41):
Yeah, Lebanon is pretty put it in there. They are.

Speaker 3 (07:45):
They're beautiful people. A nine ship Navy task Force bound
for the Caribbean was conducting exercises off the Virginia coast,
but ultimately felled at shedding their muffing top.

Speaker 1 (07:56):
It's so hard it's the hardest.

Speaker 3 (07:58):
The last six pounds are the worst. A California blood
product company with drew sixteen lots of blood clotting factors
due to concerns that it contained plasma that had AIDS link.
No word yet on aid Zelda.

Speaker 1 (08:15):
What you don't like a good Nintendo joke?

Speaker 3 (08:18):
I love a good Nintendo joke.

Speaker 1 (08:20):
Or let's put it, rephrase it, you don't like a
mediocre Nintendo joke?

Speaker 3 (08:25):
Well, the words made sense together.

Speaker 1 (08:27):
Yeah, yeah, it fit. A man who turned in a
shoe box stuff with seventeen thousand dollars on Halloween will
probably keep the money because the owner is likely to
be a drug dealer. And New York Loss clearly states
finders keepers, losers lose things, So screw them, scram your losers.
That's that's state law.

Speaker 3 (08:49):
And it is it is.

Speaker 1 (08:53):
And finally, Larry Flint, publisher of Hustler magazine, was arrested
today after defying a subpoena for the DeLorean drug trafficking case.
He's been accused of going over eighty eight moffs an hour.
Yeah we're not so good indeed, yo. So as we

(09:23):
were talking earlier, Joe Tomato, the director of this film
he had on IMDb, which they probably don't even have
all of them. He has fifty seven pseudonyms and some
of those have like four or five different variations.

Speaker 3 (09:38):
That's where they like backyard deals or something like.

Speaker 1 (09:43):
It's just how he was trying to do it to
Like I guess, he was manipulating probably money in order
to finance things, and then he would he found that
they was he would make more money if people didn't
know they were.

Speaker 3 (09:54):
He went into an investor's place one week dressed like
as himself and then he went in with like mustache
and a Disguy's like, hey, my name's George. I'm a
totally different guy.

Speaker 1 (10:04):
But he just shaves the mustache part, so it's like
a link and beard. Yeah, so this is a fun
little bit of info. They shot this film End Game
for three weeks. It took him three week weeks to
do this.

Speaker 3 (10:21):
Oh my god, back then, that's insane.

Speaker 1 (10:23):
It was very fast. And also speaking of his career,
he did Anthropophagus, which is was a well known film
of his, which is crazy. If you watch The Last
Driving with Joe Bob Briggs, he has a great episode
with Anthropophagus and has a lot of Joe Dematto Info. Anyways,

(10:44):
he also was a producer on Troll two.

Speaker 3 (10:47):
Oh my god, I love Troll too.

Speaker 1 (10:49):
Yeah, he was a producer on that one. I think
that was the first America like one that he actually
got shot in America.

Speaker 3 (10:56):
Yeah, I mean for me, like I grew up loving
this kind of cinema. But it was such a magical
moment the first time I saw them. I'm tightening my.

Speaker 1 (11:05):
Belt, Daddy's belt. Yeah, let's get into it.

Speaker 3 (11:13):
Yes, So the opening was cool music.

Speaker 1 (11:16):
Cool music, and just an a bomb atom bomb.

Speaker 3 (11:20):
Yeah. I really enjoyed like that when I was a
kid in the eighties and my mom had her keyboard
out because she would play songs for church or whatever,
and I would just turn the synth on and just
party on that keyboard. That's what I feel like was
going on with this composer.

Speaker 1 (11:41):
Just went right in on the good.

Speaker 3 (11:45):
All right, let's put this one oncting think d acting.

Speaker 1 (11:49):
The music composed and conducted by Carlo Maria Cordio.

Speaker 3 (11:54):
One of his other aliases, The Goods. So now we're
in this hall of arches, right.

Speaker 1 (12:05):
Yes, hall of arches. We got a bunch of pussy
face boil people and rats.

Speaker 3 (12:11):
So this was disgusting.

Speaker 1 (12:12):
By the way, this just takes place in the year
twenty twenty five.

Speaker 3 (12:17):
Oh, next year's going to be rough. Oh that's next year.

Speaker 4 (12:20):
This year, girl.

Speaker 1 (12:24):
Lord.

Speaker 3 (12:24):
People just have to keep reminding me, and I'm like,
I just want to pretend this year's not happening.

Speaker 1 (12:29):
No, we're all going to get pussy face boils and
get eaten, right rats.

Speaker 3 (12:32):
So these rats are like crawling all over this disgusting
lepper body, and you think, oh, we got to get
this out of here because you think they're going to
remove the body for sanitary reasons. But then they start
fucking eating and kissing and licking on the body. Like
that's the last thing that I would do. I don't
care how dirt poor. I was living on the street, Like,
I'm not liking someone's boils.

Speaker 1 (12:57):
You and I have very different cakes, girl.

Speaker 5 (13:00):
Yeah.

Speaker 1 (13:01):
So his car pulls up, well, well this is happening,
and it's like decorated with like cardboard cardboard, pokey things
hanging out from it, and all these people start spilling
out and they've got these like knockoff Nazi uniforms. They
are the SS, which is the Security Services, the s S. Yeah,

(13:23):
not the uniform guys pretty clear.

Speaker 3 (13:26):
And then we find the lead actress from the Emmanuel movies.

Speaker 1 (13:30):
He dressed Laura Gemzer.

Speaker 3 (13:31):
Yep, she's playing Lilith Lilith, Yeah, and she's hiding but
she sees them shoot this leopard guy and they say,
just a pariah.

Speaker 1 (13:42):
Yeah, yeah, they're nothing. It's the mutants we need to
worry about. Yes, rh exposition much we gotta worry about.

Speaker 3 (13:53):
You keep but in the pocket. So now the newsman
is out and he's explaining endgame.

Speaker 1 (13:59):
Like it is, Yes, what end game is?

Speaker 3 (14:02):
Yeah, it's basically like a most dangerous game kind of
thing like where.

Speaker 1 (14:05):
Yeah, kind of a running man type thing. It's one
person against three people who are hunting him down, but
they all are supposed to have two weapons, and they
give this running man guy twelve hours. It's like twelve
hours and you have to avoid them or kill them
as long as you're alive.

Speaker 3 (14:24):
And they let you know Ron Channon has never surrendered.
He's the Ringing Champions seven times, and they're they're they're
really pushing these this dream Life Plus Yes, that enhances
your fibers and your sexual prowess.

Speaker 1 (14:39):
Sponsor of the show Life Plus.

Speaker 3 (14:42):
Well he does it in the garbage. This is the
first time he disrespects this drink. O.

Speaker 1 (14:48):
It's a meal replacement.

Speaker 3 (14:50):
Yeah, And they're talking about like this tablet. It's a
tablet that you put in and a physis like an
alka seltz or something. So it's like very much like
what I thought in was it wally where you can
just go and you just get the just the drink. Oh,
here's my nutrients. I'm done, Like we're all just discussing
fat people on a recliner eating a tablet.

Speaker 1 (15:13):
Oh, don't pretend that's not your life, your dream life.

Speaker 3 (15:16):
My dream life. I enjoy nachos, man, even though they're
vegan and they're not the nachos you enjoy. I still
like my version of not.

Speaker 1 (15:25):
Hey, I never shot upon your nachos. I mean I did. Mentally,
I mentally shut upon.

Speaker 3 (15:32):
I can feel when people have vegan hate brewing inside
of them.

Speaker 1 (15:37):
I was like, do I want to be at this restaurant?
No Jenny in town?

Speaker 3 (15:41):
Okay, we'll hang fine, Fine, I'll come here casheasy. Yeah.
So there's a line of helmeted, mask leather men and
they hold the line while people with all punk makeup
and stuff try to surpass them, which everybody looked really
freaking cool.

Speaker 1 (16:00):
Right, I love the love the yes they've all got
like because we see Shannon and he's got like ace
freely makeup or something.

Speaker 3 (16:09):
Like stars silver stars on his eyes, like he looks
like David Bowie, Like he looks so good.

Speaker 1 (16:15):
It's so good. And so his two weapons he has
a six shooter and a.

Speaker 3 (16:19):
Whip whip, a whip, and he is good, but that whip.

Speaker 1 (16:24):
He's good at the whip. Hot po boy.

Speaker 3 (16:29):
Yeah. And then the Hunters come out of their trailers
and it's feather Man Woody Aldric and he comes out
with a gun, gate Man, Trance, Gabe, mantrack.

Speaker 1 (16:40):
Man Track, who knows, but he's a karate guy. He's
he's like our professional kung fu karate guy.

Speaker 3 (16:49):
And the only thing I called him the whole movie
was silver boots.

Speaker 1 (16:52):
Silver.

Speaker 3 (16:54):
Cool, silver.

Speaker 1 (16:55):
Yes, he was all in silver his whole outfit.

Speaker 3 (16:57):
Yes, he was cool, and he had a gun as well.
And then Kurt Karnak Georgia Eastman.

Speaker 1 (17:04):
Yeah, he's one of Joe Tomato's standards. In Anthropophagus, he
was like the main villain in that, so he uses
him over and over, just like Laura Gamser. Yeah, his
stable of actors.

Speaker 3 (17:17):
Yeah, so he like got to bring in a couple
of favors and this guy was one of his favors.
And they mentioned that this guy is from the same
town as our hero.

Speaker 1 (17:26):
Yes, he knew each other. Yeah, they have history.

Speaker 3 (17:33):
Yeah, and he's like, he's the most famous guy for
my town. I want to be the most famous guy
for my town. For killing the most famous guy.

Speaker 1 (17:39):
I don't want to be second most famous. But good
is that?

Speaker 3 (17:42):
Yeah, it's like that tragic story, like Selena gets killed
by the person who's like the leader of her fan club.
It's like they want to prove something by killing somebody
who means something to people. I've never understood you to
bring that up. I know it's very sad. I bring
it up at least once a day. It's something that
really haunts me because I'm like, wait, you act like

(18:03):
you like me. Are you gonna kill me a minute?

Speaker 1 (18:05):
I don't trust you.

Speaker 3 (18:07):
Anybody who acts like they desperately love you has thought
about murdering you. Casper, Oh God, I sleep with one
eye open.

Speaker 1 (18:17):
We cut to this military meeting, right, and then we
see all these like professional generals and admirals or whatever,
and they're like, we hate mutants, and that's basically all
we get about this conversation. Yeah, well you hate them,
let's kill them. We're we'll send out our security service,
the s S.

Speaker 3 (18:36):
And right before that we went into them.

Speaker 1 (18:40):
Though.

Speaker 3 (18:40):
I want to mention that this guy from his childhood
stares into his eyes and all the thing he says.

Speaker 1 (18:45):
Is I'm going to kill you. I want to kill you.

Speaker 3 (18:52):
And he's like, OK, good to see you. Tell your
mom I said, hi, all right, we used to.

Speaker 1 (19:00):
Play POGs in your backyard. What's happening?

Speaker 3 (19:04):
Why are you being weird now?

Speaker 5 (19:08):
All right?

Speaker 3 (19:08):
So the Nazi guys, they're all watching the game, and
the Nazi guys fill the street, so it's like they're
monitoring the streets while the game's going on.

Speaker 1 (19:19):
Right, they're kind of security or whatever that is.

Speaker 3 (19:22):
And then and then we see hot Lilith getting chased
by a bunch of uggos.

Speaker 1 (19:30):
Is chased.

Speaker 3 (19:32):
And they all want to rape her. Everybody like that's
just the thing. Like, if you're a beautiful woman in
the eighties Apoly film, everybody wants to rape you. That
is your number one thing.

Speaker 1 (19:46):
You watch out you have that constance on you.

Speaker 3 (19:50):
They're like, we don't care that she's a mutant while
we rape her. We're scared of her being a mutant
after we rape her, then we kill her. But for sure,
we need to rape her first.

Speaker 1 (20:00):
So she's wonder around getting attacked puss Oh, she's almost
attacked by some puss face people.

Speaker 3 (20:06):
Yeah, they're disgusting. And then she runs into Shammon.

Speaker 1 (20:10):
Yes, and he's like, he's like, scam huhgos, come on,
we have nothing, just let us fuck her. He's like, no, please,
we promised. They're on boils on her genitals. I don't
trust that. I don't trust it.

Speaker 3 (20:28):
Well, that's the pleasure for her.

Speaker 1 (20:30):
Yeah, it's rib it's fd shut up.

Speaker 3 (20:35):
So she tells him they sent me and they want
to speak to you. It's like anytime someone says they,
I'm like, I don't trust trust. Yeah, you need to
come in with a better verbiage than that.

Speaker 1 (20:47):
She's like, but they're they're non binary. I don't know
what I'm.

Speaker 3 (20:50):
Supposed to yeah, and she tells it like, you're an idiot.

Speaker 1 (20:55):
I'm an idiot. An idiot.

Speaker 3 (20:58):
So she says, it isn't a game, it's a serious
job and the pay is really good and then he
just walks away from her, like I can't deal with
you right now. People are trying to kill honey.

Speaker 1 (21:06):
I'm in the middle of an endgame.

Speaker 3 (21:09):
And he says, thanks for the confidence.

Speaker 1 (21:11):
I'll see you around, yes, right, because she's like, if
you're alive, Yeah, he's still alive.

Speaker 3 (21:18):
Yeah, hey girl, we could really use you if you
survive at all.

Speaker 1 (21:21):
Yeah. I like how she's given him Crab and it's
like seven time champions.

Speaker 3 (21:26):
Yeah, like, bitch, have you seen my work.

Speaker 1 (21:28):
Just because Karnak is on the crew. He's already beaten
Karnak once.

Speaker 3 (21:32):
Yeah, that was mentioned, and he's trying to come around again.

Speaker 1 (21:34):
Come on, come on, Karnack.

Speaker 3 (21:36):
So now the SSS patrolling again. And then we get
the soup kitchen or something our first fight, right yeah,
where everybody's sleepy.

Speaker 1 (21:45):
Oh yeah yeah. Yeah.

Speaker 3 (21:46):
What I love is Genevieve calls him Chuds.

Speaker 1 (21:51):
Cannibal is a humanoid underground dwellers. She does. There are
a constant Chud references.

Speaker 3 (21:57):
Yes, I love it. She's just like a hole full
of sleepy Chuds and rats and there's one bookworm in there.
Like everybody's like sleeping, and there's one bookworm and what
I love is Rea. Yeah, and I love the way
that this bookworm screams when they come in.

Speaker 1 (22:20):
I should turn your mic down.

Speaker 3 (22:22):
Sorry, I'm sorry. I tried to go back and do
it soft, but it was the So that's the thing
I love so much because in B horror movies. So
I would go in for B horror movie auditions and
they make you scream, and I know how to like

(22:43):
actually scream, right, I know how to scream, So let's
hear it really yeah, So no, let's not. So you
sit there in the lobby room and the amount of
times that you hear girls go in there and you
you know that they did it ride at home that
they go. I love the first time screaming in an

(23:06):
audition or on camera setting scream.

Speaker 1 (23:09):
I loved the waiting room, like I did an audition
yesterday and like every it was this thing where they
just kept telling you, yeah, like I want you like
really up the ant like it. So everybody's just screaming
at the top of their lungs and there's just like
a group of us hanging out with Everybody's like You're like,
there's no way that's what they want. That's insane. What's happening.

Speaker 3 (23:31):
You've taken the note and you have been away with.

Speaker 1 (23:34):
It, so you do your first because you're like, that's
definitely not what they want. And they're like, can you
really just scream it? Like really, Oh that's my note,
you just scream it this time?

Speaker 3 (23:45):
I just love it. Anyways, so they mow them down.
They startling all of these chuds and rats.

Speaker 1 (23:57):
The world doesn't need uggos.

Speaker 3 (23:59):
No, you gotta get out of here, and then quick hide.
The contestants are coming this way, says two.

Speaker 1 (24:04):
Lipper guys, because our first fight is about to happen.

Speaker 3 (24:08):
We have feather Man.

Speaker 1 (24:10):
Yeah. I called him feather leather.

Speaker 3 (24:13):
Feather leather, feather lever because he has leather and and
it's basically a shootout.

Speaker 1 (24:21):
They're just like then they get out of bullets and
then I don't know what happens here, but Shannon pulls
out a third weapon. I don't think he's supposed to have.
I think he's a cheat.

Speaker 3 (24:34):
Well, they did say you're allowed to have one firearm
and two choice weapons.

Speaker 1 (24:38):
Oh was that what it was? I thought it was
two weapons total.

Speaker 3 (24:40):
Ye, you get one firearm and two choice weapons. So
you can't have like two guns, you only get one firearm.

Speaker 1 (24:47):
I thought it was too total. Yeah, okay, I send
my Cheatermark.

Speaker 3 (24:53):
But what I love is Shannon's like this over hair
that was like me play hide and seek with my
family growing up. He has the I'm bored, just fucking
find me.

Speaker 1 (25:07):
So it's like he's got a knife versus a stick.
It's like a stick with a spiky ring hook. It's weird, yeah,
the thing that this guy has. But but Shannon dodges
like this as the guy jumps, and then he does
this weird like stab back but like it was like
a backstab to his back.

Speaker 3 (25:28):
Yeah. I have a feeling that it was like a
broke skin. Yeah, it was supposed to be really badass,
and he just went, Oh god, I didn't have enough
for him to get that. No, we're good, we got it.
We have three weeks to shoot this whole thing.

Speaker 1 (25:43):
Can I just move on better angle, I need to
move This is one setup. We're not making this a
two setup. And so I don't know if you noticed
in this scene he does not have his whip strapped
on his belt. He starts running like directly after that,

(26:04):
he starts running and his whip is.

Speaker 3 (26:08):
I don't like this police all of a sudden, it
doesn't make sense to me.

Speaker 1 (26:15):
I don't care how crazy you go. But if that continuity,
if that whip is not in continuity, I'll have none
of it.

Speaker 3 (26:25):
So three guys in white talk camera zoom in. Another
one says he better win. I got a lot riding
on this, a month's salary.

Speaker 1 (26:32):
While they're fighting, so he's so he's still running, right,
he's still running with his whip out, and then karate
guy comes flying out silver boots.

Speaker 3 (26:43):
Yeah.

Speaker 1 (26:44):
I love this fight so much because it's so stupid.

Speaker 3 (26:46):
Yeah, this one's really good.

Speaker 1 (26:48):
It's like he knocks him over and then he kicks
him either in the ribs or the face twelve times. Yeah,
it's like kick roll, kick roll. It happens twelve times.

Speaker 3 (27:02):
Cleaning the floor with him as if he has no
power at all.

Speaker 1 (27:05):
It's just like, maybe mix it up other than like
a ribcage kick. Yeah, oh, kick him in the face.
And then Shannon fakes being unconscious, turns trips the guy,
and then he kicks him seven.

Speaker 3 (27:19):
Same things, does the exact same thing. It's like, I'll
just do what that guy.

Speaker 1 (27:23):
There's a total of nineteen ground kicks in this like
two minutes section.

Speaker 3 (27:29):
But the way he finishes him, his finished move is
so funny.

Speaker 1 (27:33):
Yeah, it's great.

Speaker 3 (27:34):
Yeah, just chops his neck. Yeah, gotcha, gotcha.

Speaker 1 (27:40):
And then bang he goes to grab his gun. Gunshot.
We are immediately in our third and final confrontation in
this endgame, which we're, you know, twenty minutes into this film.

Speaker 3 (27:54):
I know that this is going to be like a
twelve hour ordeal, and I'm like, oh, this is not
going to be about what they set up. They said
all those times setting this up, and it's like, no,
it's time, honey, No, no, we're on speed here. We
do pornographic films. You got to get to it.

Speaker 1 (28:09):
It's all about the money.

Speaker 3 (28:11):
So while he's doing the last fight, Lilith is still
there and she's waiting, and she starts telepathically communicating with him.

Speaker 1 (28:19):
Again. I know I called him a cheeter earlier, but
this is cheating.

Speaker 3 (28:24):
This is cheater. She says, You've got yourself in a trap.
There's no there's no other way out.

Speaker 1 (28:30):
Yep.

Speaker 3 (28:30):
So then they start timing it. He's going to hide,
to jump down on him, and she's gonna tell him.

Speaker 1 (28:35):
Well, she's watching this whole thing.

Speaker 3 (28:37):
Yeah, yeah, tell him exactly when to go.

Speaker 1 (28:39):
She's his eyes. Yeah, she's his eyes in this moment.

Speaker 3 (28:43):
So she tells him when now. And then two seconds
later he whips the gun. Why we get to see
him with that gun. He whips the gun from krd's
hand and they fight.

Speaker 1 (28:51):
We get to see him whip that gun. Yeah, quit
whip the gun.

Speaker 3 (28:56):
I loved it and I love the sound effect with
it too.

Speaker 5 (29:00):
Power.

Speaker 1 (29:02):
That was power.

Speaker 3 (29:03):
So the camera crewis are there and they're directing the
kill Shaw at the TV reporter in game Champion Shannon
has spared this man's life, so he gets.

Speaker 1 (29:10):
The y he gets it, doesn't kill Karnack.

Speaker 3 (29:12):
Doesn't kill him. He's like, look, we grew up together.

Speaker 1 (29:15):
Yeah. Look man, I don't want to have to go
back home and explain to your old mammy.

Speaker 3 (29:20):
Yeah yeah, and then so he So, now Ron Shannon
is having an interview and they pull out what that
sponsored fucking tablet drinks Life Plus and then I can't drink.

Speaker 1 (29:36):
Yeah, it's like, let's all watch as he enjoys a
glass of Life Plus.

Speaker 3 (29:41):
So then he hears little with his in trouble telepathically.

Speaker 1 (29:44):
You drink it.

Speaker 3 (29:47):
Shon hell, He's like, yeah, drink it. And the guy's like,
what the.

Speaker 1 (29:53):
He what the heck?

Speaker 3 (29:55):
I don't drink the ship. Here's my contract. Yeah. So
the SS guys tells Shannon like, you can't give us orders,
and he's telling him just let her go, you know.

Speaker 1 (30:08):
Yeah.

Speaker 3 (30:10):
So then he kills them and he says like something
that's very Pirates of the Caribbean and basically, dead men
tell no tells, but yeah, dead men don't.

Speaker 1 (30:18):
Talk, and you know what, that's true. That's true.

Speaker 3 (30:24):
It's very true. And his end move is again.

Speaker 1 (30:28):
The I'm a professional.

Speaker 3 (30:36):
So in the shop. So they were back in the
military war room and they're arguing about.

Speaker 1 (30:40):
A kid, some kid, and I love that. They just like,
we keep cutting to them and they just go like
one thing and then we'll go back to the action.
We just need to make sure that you know, the
military is in on this.

Speaker 3 (30:52):
Yeah, they're in on this, guys. It'll make sense later, yea.
So then we go back to the arch Hall City
thing where there's dead by everywhere, and Shannon finds a
father and a son still alive. Well well well well
well yeah, and then Lila tells him they kill us
like dogs as soon as they find us.

Speaker 1 (31:13):
Yeah.

Speaker 3 (31:14):
So then we're in Shannon's trailer.

Speaker 1 (31:17):
Yeah, and there's this weird thing in this Like I
could not stop focusing on this. In the in the
back of the trailer, there's this I don't know what
it is because it's so far back there, but it
looks like someone dressed in like a gimp outfit. It's
just it has to be something that's stuck in there,

(31:38):
like a mannequin or something, but it looks like somebody
in it, like a leather gimp outfit. I couldn't stop
looking at it, you know.

Speaker 3 (31:47):
I do remember like seeing like a mannequin thing.

Speaker 1 (31:50):
It's like way in the background, but it's like in
the center of the screen. I'm like, my eyes are
not going off that because I want to see it move.

Speaker 3 (31:57):
What's going on here? I love that, Like, Oh, let's
set dressing in here. Just make it look like a
cool warrior's place.

Speaker 1 (32:03):
Yeah, how about this? How about this little gimp outfit
that I got. It's set design, trust me, I didn't
bring it from home.

Speaker 3 (32:13):
Okay, So there's a neurosurgeon who wants to help.

Speaker 1 (32:16):
Which I didn't even realize he was a neurosurgeon. Until
I read GE's notes, I was like, oh, I thought
I was just like random, professor, thanks professor.

Speaker 3 (32:25):
Yeah, but he he's like, lead them out of the city.
You gotta do this, you got to go forward. So
lil It says, It says to him, talk money to it.

Speaker 1 (32:35):
Yeah, he doesn't speak anything but money.

Speaker 3 (32:39):
He's a real money whore. So we planned to be
there two days from now, in December twenty fifth. Yes,
that's Christmas.

Speaker 1 (32:49):
Yeah, but you know what I wish they would have
said when need be to Christmas Day and then looked
at the camera.

Speaker 3 (32:56):
Yeah, but it's like, oh, so you're telling us in
twenty twenty, I've were not going to celebrate Christmas anymore.

Speaker 1 (33:02):
Well, well we'll find out.

Speaker 3 (33:05):
Bit just be loving capitalism, like we ain't given up
our capitalism. So now we're at a target range. The
military interrupts Kurt's Targetarnack.

Speaker 1 (33:16):
Kurt Karnack is just going crazy on it.

Speaker 3 (33:21):
Yeah, and he lets him know that Shannon has disappeared
with this woman.

Speaker 1 (33:26):
Who he pretty much drops the ball the bomb on.
Karnak is like, hey, yeah, she's telepathic. You were cheated.

Speaker 3 (33:35):
Yeah, and I'm surprised that Shannon spared you. He's never
done that before. Kurt cocks a gun in his face.
You don't you fucking talk about it. I'm still really
sore about this.

Speaker 1 (33:48):
Yeah, I'm very sore.

Speaker 3 (33:50):
And then I rate right here another great cut because
where when it cut from the trailer just to him
at the gun range, it's just right here. It's just
like super abrupt and strange, right cuts, and now we're
on something else. Yes, that's the way the editing kind
of went. Like you were saying about the military guy,

(34:11):
He's like, we're here for now. Okay, now we're right here.
Now it's this it's just really.

Speaker 1 (34:17):
Abrupt, and now we're doing the classic getting the crew together,
and we got we got Shannon going to a karate club.
He meets ipatch guy.

Speaker 3 (34:27):
Which this is absurd, Like they're like, you know, this
is this guy but he won't battle anybody.

Speaker 1 (34:34):
And they're like, well, well, yeah, who's the karate as
His name's Ninja, but what is he's attacked?

Speaker 3 (34:40):
Okay, yeah, hey you attack it attacks him and he
murders him, just some guy at the gym he works
out at.

Speaker 1 (34:47):
He's dead. It's like, what the hell, I patch you
killing your student, like, what the l type of dojo is?
What business are you running?

Speaker 3 (34:55):
Why did you do that to that kid? And I
was like, yeah, I definitely need that guy on my crew.

Speaker 1 (35:02):
Trust me, all of these people are amateurs. Well let
me sacrifice this amateur.

Speaker 3 (35:08):
I mean, it was just so insane like, and it
was such a quick thing to happen. It's like, wow,
that's really racist. Oh my god, they just murdered that guy.

Speaker 1 (35:16):
It's really racist. They're calling the one Asian guy inna
Ninja ninja.

Speaker 3 (35:20):
So it's like, what do you want. I need some
men two pounds of gold per head when the mission
is complete, and it's like, that's give two pounds of gold. Yeah,
it's like you're gonna be wanted for murder. You just
murdered someone, and I'm sure you're in a deadly.

Speaker 1 (35:35):
In this world. Not in this world. It's not that bad.
So then we cut to him searching for another one
and he goes, I love this little this whole setup
because he's driving this weird car. Yeah, I'm half destroyed
building town and there's like sexy sacks a few phones
he's playing. I was like, what is happening. It's like

(35:57):
I'm like in a mood.

Speaker 3 (35:58):
Now somebody's about to have fucked.

Speaker 1 (36:01):
And like he starts walking down and this music still playing,
and then a barrel rolls like it's a tumbleweed, which
is awesome.

Speaker 3 (36:08):
Yeah, so great, and he's just smoking a sig just
like vibing.

Speaker 1 (36:13):
Really cool behind him. Yeah, and like, no, look whips
the dude right in the face.

Speaker 3 (36:20):
He liked, Yeah, power, I do a.

Speaker 1 (36:24):
Back whip right to your face.

Speaker 3 (36:29):
Who gives a fuck?

Speaker 1 (36:30):
Nothing?

Speaker 4 (36:30):
Not me?

Speaker 3 (36:31):
And then this guy's voice is so insane. She's get
a shot up a pitch, noting nobody comes into my CHND.
I was like, this is gonna be Jeremy's favorite. This
guy is so Jeremy sh with us.

Speaker 1 (36:48):
He was there for two minutes and he's gone, I'm like, no, no,
show up a pitch. You better come over. I'm looking
for collback. Nobody talks to anybody with me. I made
jag and he's this big, chubby dude with yeah.

Speaker 3 (37:05):
And then the ninja shoots his gun right out of
his hand.

Speaker 1 (37:09):
Yeah.

Speaker 3 (37:09):
Oh, and then he offers the guy a job right
in front of Squeaky.

Speaker 1 (37:15):
Boss and Kovec's wearing this big Viking outfit.

Speaker 3 (37:19):
Their risk's high, but so is the report. I want
an answer now, Yeah, And it's like okay, well, okay,
it's better than listen to this guy scream at you
all day. So now we go to a bar, yeah.

Speaker 1 (37:34):
Which to me it seemed like it was more of
a pinball club, like pinball everywhere playing pinball, Like, this
isn't a bar, this is a pinball club.

Speaker 3 (37:46):
So then they're talking about the guy at the bar neck, well,
how's his reflexes? I don't know, you people are unhinged.

Speaker 1 (37:55):
I like that they because I never heard his name.
It's kaJama and I never heard it Kajahwa.

Speaker 3 (38:02):
That was Kajawa.

Speaker 1 (38:03):
Oh see. I heard him say hey, pajama, Like why
is he saying hey, pajama?

Speaker 5 (38:11):
Yeah?

Speaker 3 (38:12):
So he catches it and throws it right back at them.

Speaker 1 (38:15):
Hits the table on the table BELLI am plufled.

Speaker 3 (38:21):
Pajama.

Speaker 1 (38:22):
Pajama? Good? What pajama?

Speaker 5 (38:27):
Yeah.

Speaker 3 (38:28):
And the thing that I love that Genevieve noticed about
this that I was like, oh, yeah, is he's standing
by a man who's completely in gold face, sipping a
beer and he just completely doesn't notice that there's a
knife attack going on.

Speaker 1 (38:42):
Just I love that, because like there are times when
like if you're doing background or anything and direct don't
really nobody really they don't tell you hardly anything. Like
sometimes they'll be like, okay, so it's okay to know
this would naturally get your attention, and other times they

(39:03):
just don't say anything. So you're in the background going
like I would look right, are they gonna get mad
if I actually have a reaction?

Speaker 3 (39:10):
Yeah, Like somebody's butt is out and you're supposed to
be like, hey, yeah.

Speaker 1 (39:14):
How are you like you're not going to steer that butt?

Speaker 3 (39:18):
Hey there's a butt.

Speaker 1 (39:20):
Every time there's a butt out, I want to know
how Harriet is.

Speaker 3 (39:26):
Yeah, I need to assess that.

Speaker 1 (39:28):
That's number one on my priority.

Speaker 3 (39:32):
Okay. So then the military man meets Shannon in secret
to try to negotiate the girl You're too famous suit.
They literally have cameras everywhere, by the way, like that's
why I'm like, why is this going to work out?
Like literally, like you see this control room where they're
watching the whole city. What are you going to do?

Speaker 1 (39:49):
Get out of the city?

Speaker 3 (39:51):
He goes, and he tells a girl like no one
can know you're telepathic, Like you got to keep it
under wraps, and then KOVACX pops out and all the
chuds pop out. I guess keep saying chuds.

Speaker 1 (40:04):
I can't hear the word chud pops out and not
go into dark places.

Speaker 3 (40:08):
Exactly me too, trust me. And then Shannon says follow me,
and then skeletons covered in cobwebs in the alley hall
as dozens of people sneak around through the alleys with eyepatch, Ninja, Shannon, Kovacs,
and now Stark is driving the van.

Speaker 1 (40:26):
They're all together in the Yeah, yeah, yep. Our team
is assembled and on the road. In they're transporting these
mutants in a big van. Starks driving this van. We've
got motorcycles, buggies and a van. M on the road.
They see a broken down car and they stop. Mutants murdered.

(40:52):
Kovaks runs out and just spits on them, kind of bigoty.

Speaker 3 (40:56):
Yeah, I mean that was really fucked up.

Speaker 1 (41:00):
Yeah, because they look like their animal hybrids, their fish,
their monkey face. He hates he hates.

Speaker 3 (41:08):
Them like he's the KKK of the future.

Speaker 1 (41:12):
The neuroscientist guy. He's like, it's involution retracing its footsteps
out of evolution, going backwards.

Speaker 3 (41:19):
This is when we used to live in the water.

Speaker 1 (41:21):
Yeah. And then Kovax just picks up the car by
himself and moves it. He's just like, okay, whatever. And
then what I love is Shannon asks this guy who
I will just completely call the professor because that's how
I look at him. Yeah, he asked the professors like, hey,
do you know how to use a gun? He's like yes,
but the others don't. And then he just gives this

(41:42):
long explanation. It's distant. It's distant and attached for us,
but for telepaths it's like dying them there, it's like
they're dying. If they hurt someone, they're dying. And they'll
never kill, not even in Celtic. But it's it's like, dude,
I asked for the time, not how to build a watch.

Speaker 3 (41:56):
Yeah, like you're just running your fucking mouth to do it.
Come on, dude, we got shut on the EDGECA look
at me.

Speaker 1 (42:03):
I'm so freaking smart. I have to just give Arabbish information.

Speaker 3 (42:08):
Yeah that being from the South, Like, that's the way
it felt the first year I moved to La I'm like,
everybody's given me a fucking lecture.

Speaker 1 (42:17):
Let me explain to you something little girl.

Speaker 3 (42:21):
Yeah, So they run into this little village. It seems
like it's abandoned. They't think should we go around it? No,
we'd be wasting too much time. Gotta go go up here.

Speaker 1 (42:32):
I will say that as much as I enjoyed the
movie up to this point, this is when the movie
picks up and I'm like fully just like, oh, I'm
I'm so into this.

Speaker 3 (42:44):
Yeah, this was good.

Speaker 1 (42:46):
They go into this city and you get even more
spaghetti western type vibes mixed with this like weird film
noir music going on, and Ninja's got a big ass
sword attached to was back. Also, Yeah, and this guy
in a hooded black robe comes out and it's obvious
that he's blind blind, and then all of a sudden,

(43:08):
like forty other people in black robes start like spilling out.

Speaker 3 (43:13):
They are servants of the Lord. Yeah, Like anytime someone
says they're servants of the Lord.

Speaker 1 (43:19):
I'm like I turn around and walk away. You need to.

Speaker 3 (43:23):
Remove yourself from this situation. This goes nowhere good.

Speaker 1 (43:29):
And so they'd start trying to figure out figure each
other out, and he's like, well, you must be traders
and things. You're getting very uncomfortable.

Speaker 3 (43:37):
Life is hard and we have to survive the best
we can. Also, that's a signal word get away from
this guy.

Speaker 1 (43:45):
Yeah, get away.

Speaker 3 (43:46):
He's given out so many red flags.

Speaker 1 (43:49):
And so this attack starts happening. They just start fighting
and they're blind.

Speaker 3 (43:55):
How can they see where.

Speaker 1 (43:56):
We're shooting exactly? Well, they're not the greatest shots we've
ever seen, and Lilith, our telepath is like, guys, there's
they have a telepathic prisoner sending them images, which is
how they can see. And this is where I will
because this scene goes on for a long time and
I love this scene so much, but this is where

(44:19):
I want to talk about it. Oh so you lesshone,
I'm I gonna start doing that from now on. So
I feel like that they had like forty people in
these in this wardrobe, but it feels like there's four
hundred because it's like there's so many different shots where

(44:40):
like it's a brand new angle and there's just another
forty people coming out. It's like these people played twenty
different people each.

Speaker 3 (44:48):
Yes, and I have been the member on a team
like this, Yes, where it's like you know, we watched
you die now, but they pick it strategically like something
that covers their faces so they can just do that.

Speaker 1 (45:01):
Oh it's great because there, Yeah, they didn't you know,
you can't see who any of these people are. But
it was just like it felt like it was one
of those things on set where they were like, well
does this do you guys think this is enough? Is
this Enough's just it's not, let's do another one over here,
And then in the editing you're like, there's four hundred
people here.

Speaker 3 (45:20):
Guys were ordering pizza. Can we can we do another round.

Speaker 1 (45:25):
Because they keep shooting people and it's like they just
shot forty people, they murdered all these and then they
turn and do two other things and then people keep
spilling out a new places and like where do all
We're all of these people hiding?

Speaker 3 (45:37):
They There were times whenever I used to do background
where they'd be like, yeah, we saw you, but we
didn't see your face, so now you're gonna see that.
I'm like, look I was. I was just there at
the locker, and now you want me to sit here
in the cafeteria like they just saw me. Nobody saw you.

Speaker 1 (45:58):
They don't care. Yeah, not the star, honey, nobody's paying attention.

Speaker 3 (46:03):
Nobody's paying attention.

Speaker 1 (46:03):
Ye, yeah, he's paying attention. But that's this scene is
so much fun because it is so much choreography, so
many like bikes going.

Speaker 3 (46:13):
By grenades, which I made love.

Speaker 1 (46:16):
I really like. I was enjoying the film, and then
this scene popped up and I was like, it's now
I haven't gone. The longer it went, the harder I got,
the more I was just like, oh my god, it's
still going. And we still have forty people entering in
new angles and.

Speaker 3 (46:38):
Yeah, and Shannon's communicating with her telepathically and he's like,
where is he the highest tower? He's like, okay, well,
everybody cover me. I'm going to go up to the tower.
So he's making his way up to this tower.

Speaker 1 (46:51):
And there are like, to me, this is low budget
action at one hundred percent its finest. In this scene.
There is a little bit of sloppy choreography here and
there with the fight scenes, and they're just like, eh, okay, whatever, it's.

Speaker 3 (47:06):
Not and there's no blood where people are being shot up.

Speaker 1 (47:11):
We don't have time to do blood. You're supposed to
be ten different people, you're not. We're not resetting your blood.

Speaker 3 (47:19):
Yeah, and then Ninja's kicking ass. Yeah, the old dude
throws grenades. He's climbing up the tower. So then what
does he do?

Speaker 1 (47:29):
Our hero find they find the telepathic guy. He's in
chains and there's like he's protecting him. Yeah, there's twenty
people protecting him. And we're immediately like, oh, he's on
his way to save this this guy from torture, from everything.
We're like, Shannon is our hero. We're pro mutant. He's
gonna bring the mutant down, put him in the van,

(47:51):
and take him with him.

Speaker 3 (47:54):
No is it? No, he throws some motherfucking acts straight
into his head. I was like, what the fact. And
by the way, it was a good FX, like that
was good.

Speaker 1 (48:09):
Yeah, like it.

Speaker 3 (48:12):
They're like dug in there and he really.

Speaker 1 (48:15):
Like Tomatto, it was a he did a lot of
like gory horror films and he didn't really get into
this genre until a bit later, so he had tons
of experience with with all those type of gory things,
so that's it's not surprising that it was just like,
let's get the glory show.

Speaker 3 (48:34):
Yeah. For me, I was just like this poor guy.
He's like, oh, fuck, finally someone's going to save me.

Speaker 1 (48:41):
Let's look, here's the deal. What either you kill one
mutant or four hundred monks? What really is the trade
off here? Right? Yeah?

Speaker 3 (48:54):
So then the people down on the ground are like, okay,
so now the monks are.

Speaker 1 (48:59):
Yeah, they're blind. Now they're blind. They can't do blind,
they can't see anything. So they're like bumping into Yeah.

Speaker 3 (49:05):
It's like no, now we're now we're going to destroy
these guys.

Speaker 1 (49:08):
They just leave. They're like, let's go, although they do
pop us pop someone's head, but they hears something that
I was over one of the blind people.

Speaker 3 (49:17):
What I thought was stupid, though, was as soon as
that happened, one of the blind guys goes, I'm blind.
Well you were always blind.

Speaker 1 (49:24):
You were always honey, You were always honey.

Speaker 3 (49:28):
Like, aren't you in on this? You were always blind?
You thought they were your magical powers? Like no, you're
still fucking blind.

Speaker 1 (49:37):
Wait a minute, what happens?

Speaker 3 (49:38):
So now we go to a campfire by a lake.

Speaker 1 (49:40):
And we find out that this kid some kind of Jedi.
Yeah I also lived in Yoda.

Speaker 3 (49:47):
Tell the others to get some sleep. Okay, So now
he says nothing will stop us from getting our money,
and really tried to look cool, skipping down Okay, so
this is something I thought was so funny. So he
sees them down doing the Jedi stuff, Lilith and the Boy. Yeah,
he's up on these rocks coming down him trying to
look cool, sliding down these frocks. I love this rot.

(50:16):
Oh my god. He was like his foot would slide
a little and he'd be he's smoking. I'm still cool.
I'm still fucking cool.

Speaker 5 (50:23):
Guys.

Speaker 1 (50:26):
Look look it's loose dirt.

Speaker 3 (50:29):
Yeah.

Speaker 5 (50:29):
Yeah.

Speaker 3 (50:30):
So he gets down there from this rock slide thing,
like it's like, just sit down and roll down, just like.

Speaker 1 (50:36):
Just just butt skewed down, you look, just just smoke
your little cigarette and butt skewed down the head.

Speaker 3 (50:46):
So the kids making rocks levitate and stuff like, he's
very Luke Skywalker. Yeah, and he's like whoa, Like what
the fuck's going on down here? And she kind of
explains to him like I have him kind of in
a trance, in.

Speaker 1 (50:58):
A trance, and then she goes on this weird thing
with the neuroscientists like, oh, he's shown us the past
from his memories. Yeah, but he's like super old because
he has some kind of old this drug that only
president should have from keeping them from aging, so we

(51:19):
don't know how old this guy is supposed to be.
And then he's like, well, they've been controlling everything. They've
destroyed all the books that they want, but they haven't
figured out how to erase old people's minds. Are you
sure about that, honey? Are you sure about that? Sure?

Speaker 3 (51:37):
I feel like they could do that.

Speaker 1 (51:38):
I feel like they can do that right now. Yeah. Yeah,
it's called twenty four hour news. Shut some rock off.

Speaker 3 (51:48):
And he leans into her and he says, I'm beginning
to see why people want to kill you. It's like,
are you flirting with me?

Speaker 1 (51:58):
Yeah? Wow, you're gonna get.

Speaker 3 (52:03):
And then he then he tells her, after she gives
him all the grampasion, you should go rest now, I'm
done hanging out with you.

Speaker 1 (52:13):
Got sleep, go nappy time.

Speaker 3 (52:15):
And it's broad daylight. It's like for your bed. And
then you see that.

Speaker 1 (52:23):
He's acting he's acting as if like she's got all
these conspiracy theories and she's just laying out all the conspiracy.
She's showing the line charts and everything, and he's just like,
go to bed, honey, Maybe she'd take a nap, Maybe
taking a nap hunt.

Speaker 3 (52:40):
And then we see Kurt watching it, and it's like
whenever I saw him up there on him, like, what
the fuck is you doing? I feel like you're shipping
up there on the hill.

Speaker 1 (52:51):
God, I'm watching you.

Speaker 3 (52:54):
And it's like if he looks around, he will clearly
see you.

Speaker 1 (52:57):
Also, yeah, also who invited you? Because at this point
they don't know he's there, right.

Speaker 3 (53:03):
Well the guy Yeah, well, I mean the guy told him,
like he's off with this woman. He's trying to leave
the city, so he's tracking that.

Speaker 1 (53:12):
But Shannon doesn't know, and you can't tell You can't
tell me that Lolith is just like.

Speaker 3 (53:20):
I hear over there. I mean, there's a hole here,
and it's not the fun kind. So now the abound
the hole. It not that kind. So now the caravan
is driving through the woods and they arrive at a

(53:43):
place and it says plenty.

Speaker 1 (53:44):
Of son of death, a bunch of dead bodies, and
a woman with a titty hanging out.

Speaker 3 (53:50):
Yeah, half naked woman tied up, yeah, single ted single teddy.

Speaker 1 (53:56):
This is a distraction, yeah, Lilith no.

Speaker 3 (54:01):
Yeah, And it's like Shannon, be careful.

Speaker 1 (54:05):
Shann shoots a titty lady and she.

Speaker 3 (54:07):
Says it's a trap.

Speaker 1 (54:11):
Yeah.

Speaker 3 (54:11):
So then the Professor dies here, and as he's dying,
he tells Shannon, save them, Save them, Shannon.

Speaker 1 (54:20):
Save them. Shannon shaved them. Very dramatic moment. Yes, I
don't know who he was shot by because it felt
like it was very quick. And all of a sudden
he's dead and I'm like what.

Speaker 3 (54:30):
And and now all of a sudden Shannon has respect
for the dead and does the eye closed thing. I'm like,
you just asks the guy in the head. You watch
someone get murdered in the dojo, like, oh.

Speaker 1 (54:40):
No, yeah, now's a good moment to pretend like I
have any sort of emotions.

Speaker 3 (54:47):
Right, Yeah. So the Cobex, he's so pissed. How did
you know it was a trap? She's a fucking newtant.
I'm mine to you.

Speaker 1 (54:58):
I'm not a bigot. She's a mutant. Yeah, he threatens her.
Shinon's like yeah, yeah, yeah, yeah, yeah, we all, we all.
I told you about the money, because all that matters,
just the money.

Speaker 3 (55:11):
Do you want the money or not? Bitch? So Kurt
announces the oncoming gang of like forty fucking weirdos on
dirt bikes, eight faces, titty ladies, fish people love the titties, bouncing,
and what I got to.

Speaker 1 (55:23):
Tell you, they're like titty front and mascots just hanging
up on the thing like, yeah, titties coming to town,
titties coming him. Yeah.

Speaker 3 (55:33):
So what I love about this is one girl looks
like these titties are made to be seen, and the
other girl looks like somebody talked her into doing it,
Like I'm the makeup lady on this, and they just
they need it. They said, there's not a good balance
of titties. They need another set of need.

Speaker 1 (55:53):
To represent another another viewpoint.

Speaker 3 (55:56):
Can we just like belt up your titties and have
you right.

Speaker 1 (56:00):
Be like this? But they could also be like this.

Speaker 3 (56:04):
She's like, guys, I just really just want to do
the makeup and be left.

Speaker 1 (56:07):
Come on, just do it.

Speaker 3 (56:09):
It's the eighties, come on, you know, it's not like
it's forever. It's just for a movie.

Speaker 1 (56:15):
This is a fun little action sequence too. Immediately back
into just chaos and grenades, dirt bikes and bikes run,
just fantastic stunt work. Bike wreck after bike.

Speaker 3 (56:28):
Wreck, and the didty ladies drive over and they steal
Emmanuel or Lilith.

Speaker 1 (56:32):
Lilith. Yeah, Ninja Ninja gets like stabbed in the back.

Speaker 3 (56:38):
He does the most racist thing. It's just really racist.
What happens here?

Speaker 1 (56:43):
What did he kama Cozzi's.

Speaker 3 (56:45):
Yes, like you already are calling him ninja, and now
he's been stabbed and he must make hisself have an
honorable death that is of a worthy cause. And Kamakazi
his motherfuck himself into a group like kill me.

Speaker 1 (57:02):
But he's driving a car that's with like a flamethrower
coming out. Yeah, pretty bad ass. It's a pretty badass
moment though, you have to admit, yeah it is.

Speaker 3 (57:11):
I mean, he's bad ass. It's like we didn't have
to do him that way. Shannon runs and hides in
an abandoned like factory mill thing.

Speaker 1 (57:22):
He grabs a neon green bike at this point.

Speaker 3 (57:25):
Yeah yeah, it takes off.

Speaker 1 (57:28):
Yeah, that's my motorbike.

Speaker 3 (57:32):
And he sees the old guy dead.

Speaker 1 (57:35):
Pajama is on the ground.

Speaker 3 (57:37):
Yeah jah jaha, Yeah.

Speaker 1 (57:40):
He's dead with a knife in his chest.

Speaker 3 (57:42):
Yeah, it's like, dang, another one down by he didn't
go and do the ice on that later, Tater, Yeah,
where's your respect now?

Speaker 1 (57:53):
Yeah, only for neuroscientists.

Speaker 3 (57:56):
So now a van pulls up and Kurt opens the back.
Shannon pulls up. There's seven chads left in the van.
When Kurt opens the door, Shannon pulls up on the
dirt bike and it's like he realizes.

Speaker 1 (58:06):
There Lilith taken. Yeah.

Speaker 3 (58:09):
And then but she's alive.

Speaker 1 (58:12):
Yes, they know because they're she's connected. They're you know, brains.

Speaker 3 (58:17):
And then Shannon lets a know Ninja and Kujawar dead
and I'm gonna go try to find Lilith, you know,
get them to safety. I'm going to meet up with
you guys.

Speaker 1 (58:25):
And Karnac's like, I'll go with you. Yeah, yeah, since
when are you the good guy, Karnak?

Speaker 3 (58:32):
What is going on?

Speaker 1 (58:33):
They seem suspicious it, Shure does.

Speaker 3 (58:36):
So Kurt goes off with him, and he's sitting bitch
on the back and I wrote here they look good together.

Speaker 1 (58:41):
This looks like a love Still look good together. That'll
come back into play later. We'll talk about that.

Speaker 3 (58:49):
And now we're exterior factory. It looks like a prison.
And and what does Kurt say. He says, it's like
a prison. Easy to get in, tough to get out,
speaking from experience. Maybe that's why he's got such a
chip on his shoulder.

Speaker 1 (59:04):
Maybe. And so if they pull in the immediately, Lilith
is aware of his presence.

Speaker 3 (59:12):
And I love how he says this, I'm quite near.

Speaker 1 (59:15):
I'm quite near. That is like highlighted in my notes.
I'm quite near, Michael, quite near.

Speaker 3 (59:22):
Excuse me? Who are you? All of the sudden, so
she lets him though he's not your friend, He's gonna
kill you.

Speaker 1 (59:30):
Carnac, because he asks he asks her specifically telepathically, Hey,
could you read this.

Speaker 3 (59:36):
Book to deal with this guy's I think he had
a boner on the bike behind me. I think we
might be getting closer.

Speaker 1 (59:42):
Are we good? It's just good or bad? Is the
boner in my back? Good or bad? It's always bad, honey,
It's always bad, always.

Speaker 3 (59:51):
So then then she's sitting there and the fish guy
comes in to rape her.

Speaker 1 (59:57):
A giant man with fish makeup, and he tells her.

Speaker 3 (01:00:00):
Look at me while I rape you, you know, And
he's foaming at the mouth.

Speaker 1 (01:00:06):
Yeah, it's a sexy scene. No it's not. But Shannon.
Shannon is like, hey, I'm seeing pink and blue flashes.
Are you all right?

Speaker 3 (01:00:16):
I'm fine?

Speaker 1 (01:00:17):
Yeah, I'm fine.

Speaker 3 (01:00:18):
You're getting fucking rape.

Speaker 1 (01:00:20):
Bulky fish guy is raping you. You are not fine, honey.

Speaker 3 (01:00:24):
I'm fine, you can tell the truth.

Speaker 1 (01:00:26):
That's and that's a problem with society, right that we
just can't be honest with each other. It is like,
we need to be a little more honest with each other.

Speaker 3 (01:00:31):
She's like, I want to date him after this, So
I'm just gonna tell Him'm fine. I'm not gonna let
him know that the fish stick is in me.

Speaker 1 (01:00:38):
She's got fish sticks in her.

Speaker 3 (01:00:39):
Yeah, bread Uh.

Speaker 1 (01:00:45):
So they decide maybe not the daytime, Let's wait till
night and then we can get in there at night. Yeah.

Speaker 3 (01:00:49):
It's like, bitch, if you would have just told him, like,
I'm being raped right now, he would have found a
way in earlier.

Speaker 1 (01:00:54):
Yeah, but you know what he would have been. He
would have ended up dead. He can't fight all those people.

Speaker 3 (01:01:00):
There's a lot of people she's saying. They're like, we
might as well let him finish.

Speaker 1 (01:01:05):
She's a considerate victim.

Speaker 3 (01:01:06):
They sneak in, they hide from the patrol guys, the
sleeping fish guy sitting there with the gun.

Speaker 1 (01:01:14):
Yeah, and they see they see Kovac and he's been
en case or Karnak. Wait, no, it's Kovac. Yeah, he's
encased in cement.

Speaker 3 (01:01:23):
He's in the cement wall.

Speaker 1 (01:01:24):
Like he's like those old wooden Yeah.

Speaker 3 (01:01:28):
It's like that's what you get for being racist, bitch.

Speaker 1 (01:01:32):
And so they ignore him at that moment.

Speaker 3 (01:01:34):
Yeah, and so it's all full of the sleepy mutants
and punks and t is like she's gotten that lug down.

Speaker 1 (01:01:45):
Yeah. And Shannon, I don't know, does he know about
the fish rape or wait, hold on, I don't think.

Speaker 3 (01:01:56):
I don't think he knows, but he knows him anyways, Yeah,
out because it's obvious that she's his prisoner. But this
is where you can see, like he totally put her
blouse back on.

Speaker 1 (01:02:09):
I'm gonna rip that sheet off of you, like, let's
get this back on. Make sure that this was for me.
This was for me, not everyone else. I respect you.
I just want you to know I respect you.

Speaker 3 (01:02:19):
Yeah. I don't want other people to see it and
think that you're up for grabs. We're gonna hear that
up for grabs. Yeah, I'm gonna use you again later.

Speaker 1 (01:02:27):
He's like, you know what you looked in my eyes?
I respect that.

Speaker 3 (01:02:30):
Yeah, thank you for doing as I ask. So Kurt.
Kurt slits the fish Guy's throat, Shannon cuts Lilith free
and you know, and they kill the rapist guy and
then they go up and they're.

Speaker 1 (01:02:43):
Gonna they're about to go up on the rope and
they see Kovacs and Lilith is like he just wants
to die, just killing, and so Karnak is like, Okay,
you guys, go up the rope and I'll take care
of him. And this is so bizarre going up the rope. Out, No,
I want to talk about going up the rope because

(01:03:04):
are you talking about the car neck thing. Yeah, So
they go up the rope and it's like they're doing this, yeah,
and they're just floating up. I love it. It's like
they're on a harness and the harness is doing all
the work. They're barely touching.

Speaker 3 (01:03:17):
And her legs are just dangling.

Speaker 1 (01:03:19):
Yeah, nobody's doing any leg work on this rope. It's
just the all.

Speaker 3 (01:03:25):
Hands have never And it's interesting because I think in
the eighties like that was gym class. Right, They're like
climb the roape like no, we just so then Kurt
goes over and he's just turning the clock.

Speaker 1 (01:03:41):
On ahead because he's in cement and he just turns
his one eighties his neck breaks it and so now
he's bleeding from somewhere because he just broke his neck.
But now he's bleeding. Did he rip the blood? I
don't know, but the blood trickles down onto one of

(01:04:01):
these sleeping monkey mutants.

Speaker 3 (01:04:05):
And so now it's all of them. It's like they
shoot the rope. So now there's not a way to
even help her.

Speaker 1 (01:04:11):
All these people Karnak.

Speaker 3 (01:04:16):
Yeah, so he's been left behind, and what does Shannon's like,
Fate decides the Winter m N game, not me. It's like, okay,
well fuck this guy.

Speaker 1 (01:04:25):
Because because Shannon asks her, he's like did he make
it out? And she's like, he's in trouble. He's not dead,
he's in trouble. Yeah, well we'll let fake Decida.

Speaker 3 (01:04:38):
So now the van splashes through the mud, pulls over,
dirt bike pulls up, and Shannon, uh driving, we got him.

Speaker 1 (01:04:46):
It's only another ten.

Speaker 3 (01:04:49):
But what I what I love about his coming up
is like he's coming up on the bike and slams
right through a puddle. M It's like a have soap
been so easy to just go around this puddle that
he's but there's dramat trauma. Yeah, I mean, this is
my autism. I'm just like why don't you go into

(01:05:11):
the sloshy mud puddle, like, just go around it so
everybody doesn't have to be wet on set for the
rest of the day.

Speaker 1 (01:05:18):
Drama, baby drama. Yeah.

Speaker 3 (01:05:20):
They head out to the Yeah, ten kilometers left, let's go.
And then this music again, great? Great, yeah goes Is
this a pan flute? So they drive around the corner.
Everyone gets out. It's happy keyboard synth music?

Speaker 1 (01:05:39):
When what's this.

Speaker 6 (01:05:44):
Is this?

Speaker 1 (01:05:44):
So they talk before they come. It is they do
talk before.

Speaker 3 (01:05:47):
They always talk before they come. That's the worst part.

Speaker 1 (01:05:53):
Should we not?

Speaker 3 (01:05:56):
She said, Lila says. And they want me to thank you.

Speaker 1 (01:06:01):
I wanted to get paid.

Speaker 3 (01:06:03):
Yeah.

Speaker 1 (01:06:04):
Yeah.

Speaker 3 (01:06:05):
So then the story cars arrive and Shannon drives background
on the dirt bike.

Speaker 1 (01:06:09):
The SS comes in. It's a full on machine gun fire.

Speaker 3 (01:06:12):
And they're shooting up the SS guys like it's a
full battle again.

Speaker 1 (01:06:16):
They blast ipadch a guy surround them. Shannon falls off
his bike, surrounded by s S soldiers and.

Speaker 3 (01:06:25):
They get all the mutants out of the back of
the van.

Speaker 1 (01:06:27):
There there what you might call in a pickle.

Speaker 3 (01:06:31):
Yeah, milk, a bit of a milk. One of the
main military guys has his gun in Shannon's face.

Speaker 1 (01:06:37):
Yeah. General tries to talk to Shannon.

Speaker 3 (01:06:40):
And he's having a mind combo with Lilith. So he's
just sitting there and this guy's feeling really disrespected.

Speaker 1 (01:06:46):
Why aren't you say anything. I'm speaking directly to you.

Speaker 3 (01:06:48):
I'm not gonna leave you all day, bitch.

Speaker 1 (01:06:50):
Let me get into Tommy's mind. It's our only hope.
Ye tell me.

Speaker 3 (01:06:55):
Can you hear me, Tommy?

Speaker 1 (01:06:58):
And then he's like, yes, I hear you, Shannon, I
can hear you. Hearnon, I'm losing my patient shunning. Yeah.

Speaker 3 (01:07:10):
So they use this little boy to just like destroy everybody.
But what I love is the first thing he does.
It starts controlling the wind and you see the people.

Speaker 1 (01:07:22):
Wind starts going crazy. The soldiers are flying around. General
tries to shoot the kid, yeah, because he knows this
kid's up to no trouble or turns.

Speaker 3 (01:07:34):
At the same time, some of the guys are trying
to fill you up a mountain and then the rocks
come tumbling down on them. Yeah.

Speaker 1 (01:07:39):
Like he lifts up this the van and like crunches
a bunch of SS soldiers, like it just lands right
on him. General turns the gun on himself. Blows his
damn brains out. Yep, beautiful, happy ending hat question mark
helicopter's coming in.

Speaker 3 (01:07:58):
Yep, and everyone's so happy.

Speaker 1 (01:08:00):
Beautiful four seater helicopter comes on in.

Speaker 3 (01:08:04):
Oh my god, this is like so insane, and they're like,
oh my god, that's not gonna say that anybody. Look,
we're bringing water.

Speaker 1 (01:08:12):
Five five spots to sit on this helicopter.

Speaker 3 (01:08:14):
Yeah, it's it's like when FEMA or whatever goes to
a medical disaster. We brought you some water.

Speaker 1 (01:08:21):
Later. So then then the gold, yep.

Speaker 3 (01:08:24):
They come. They give them the gold bars. Shannon kicks
it shut this. Yeah, fucking see it's gold.

Speaker 1 (01:08:30):
I'm a bad ash, I know that's gold.

Speaker 3 (01:08:32):
All ten of these people are walking back to this
tiny ass helicopter and you're like, what the fuck how
are they going to And then little comes up. Hey,
they said you can come too. I'm like, bitch, they're
even a froom for you.

Speaker 1 (01:08:43):
But he's like, you have the future on the past.

Speaker 3 (01:08:45):
Yeah, what a weird line.

Speaker 1 (01:08:48):
Okay, helicopter takes off, the mutants on board, Shannon goes
to grab the gold.

Speaker 3 (01:08:57):
Here's Kurt Cark. Karnak is we have we haven't played
the final game of endgame.

Speaker 1 (01:09:04):
Yet, Yeah, they tossed their guns. It's a nice fight. Yeah,
we got a nice little, short, little standoff. They were
like doing these weird sniffle things. Yeah, run towards each other.

Speaker 3 (01:09:18):
Freeze frame, freeespame and that's that's the end.

Speaker 1 (01:09:23):
End of movie. What a what a fun little movie
it was.

Speaker 3 (01:09:29):
It was really fun. The cinematography was awesome.

Speaker 1 (01:09:32):
I and I.

Speaker 3 (01:09:33):
Said, you know, I was pleasantly surprised by the acting,
and Casper goes this, I go, oh, fuck, you're right.
It was a lot of that.

Speaker 1 (01:09:43):
But there's also something to be said about Italian cinema.
It is like they didn't do I don't know what
the rules are nowadays, but back then there were there
were laws where you couldn't record the sound. Yeah, on set,
so everything, no matter what language, they would have people
that speak English or Italian or Spanish or whatever language,

(01:10:04):
so they would all work with each other, so you'd
have to just know what theyre. If you don't speak
that language, you have to just hear them speak that
language and then you would respond in your language. So yeah,
it's a it's a very weird uh feeling when you
watch it.

Speaker 3 (01:10:20):
Yeah, because they used to they used to do a
lot of the Westerns that way.

Speaker 1 (01:10:24):
Yeah, that was all Italian cinema. It was just that
that's just the law that they had.

Speaker 3 (01:10:29):
So yeah, Yeah, the stunt teams did their damn thing.

Speaker 1 (01:10:35):
That's my that's my movie MVP.

Speaker 3 (01:10:38):
They did their damn thing movie.

Speaker 1 (01:10:40):
MVP, stunt team all the way. It was just there
were certain fights that felt like, you know, and then
you learn that they pulled pulled all this together in
three weeks. That's that's wild. It's insane. With as much
action and like fight choreography that they had, it's like,
of course some of the fights don't fully hit and

(01:11:01):
they're a little sloppy, but in that amount of time
and as much action as they had, fantastic.

Speaker 3 (01:11:09):
Yeah, And I really like want to give it up
for the wardrobe department, Yeah, because that was some badass shit.
Like they had three weeks and all those fucking people
to do all these weird, interesting things with and they Yeah,
they did a great.

Speaker 1 (01:11:23):
Chuge background cast. I mean, I know they kept using
them over and over, but even on top of that,
there were just lots of lots of background.

Speaker 3 (01:11:34):
Yeah, and there was a lot of different location changes.
They were weird, really weird location, but.

Speaker 1 (01:11:39):
Like also very interesting. Yeah, because it was weird. They
had all these like spaghetti western feelings, but they're all
modern rundown buildings. It was interesting. I like it.

Speaker 3 (01:11:53):
Yeah, I did too.

Speaker 1 (01:11:55):
I think that brings us.

Speaker 2 (01:11:56):
To boot reimagine, remastered, prequel, poor.

Speaker 1 (01:12:11):
Sequel, sequel, seql. I want to see old man Shannon.
I want to know what happens after. I want to
know the fight. Did they actually fight a little bit
and then up? Like you said earlier, little little bank listen.

Speaker 3 (01:12:33):
You know when I was in high school, there was
this girl who always.

Speaker 1 (01:12:39):
Ended up in a makeout session.

Speaker 3 (01:12:40):
Is that what you're basically? Because the girl who I
thought hated me, and it's finally like what is your
fucking problem? And then we start kissing. I'm like, oh cool,
this ended way better than I thought it would. I
thought I was fine.

Speaker 1 (01:12:55):
There were five different ways that I thought this was
going to ended. This was not one of those fun ways.

Speaker 3 (01:13:00):
I won. I was like I finally got up my
guts because like I'm like a pushover. I'm like, okay,
find everybody shit on me. It's finally like, hey, what's
your problem with me? Oh oh whoa, it's pretty cool.

Speaker 1 (01:13:14):
So I want to know, is it the end of humanity?
It is endgame? Still going? Have the mutants fully replaced humans?
I want to see what happens next? What is old
men Shannon do with this freaking thing of gold? Is
ten twelve pound case of gold? So I want to know,

(01:13:37):
would you dose Shannon? What did you just die? And
that that was that Carnac took it.

Speaker 3 (01:13:43):
I'm like, it's caught in a trance thinking about like
the remake of like nice Crisp Titties.

Speaker 1 (01:13:55):
You know, seventies eighties boobs versus today's boobs. They're different boobs.

Speaker 3 (01:14:00):
Well, listen, they are the different books. I like both
of them, but they both have their But it was
more grainy footage and it was really far out.

Speaker 1 (01:14:10):
Oh you want Crisp. I want Crisp. And you were
talking about modern time titties. You were talking about Crisp.

Speaker 3 (01:14:16):
Yeah, like I've them riding on the thing, like, yeah,
these titties coming for you.

Speaker 1 (01:14:20):
I want that ship at four kies, get me them
four K titties. I want that a laser.

Speaker 3 (01:14:27):
Okay, you know, I'm just a pervert.

Speaker 1 (01:14:34):
So did you have one or is it just remaster
because you.

Speaker 3 (01:14:38):
Remaster and crisp those titties.

Speaker 1 (01:14:44):
I think that's the subtitle of this episode, Remaster and
crisp those titties.

Speaker 3 (01:14:50):
Yeah, well we have a guess. Yes, here we go.
It's high for ourn assault of the week. Okay, for
this nostalgia of the week, our guest is one of

(01:15:12):
the few lucky survivors of the apocalypse, Mutant Bob.

Speaker 6 (01:15:16):
Hey, ho you doing it?

Speaker 4 (01:15:17):
I'm mutant Bob.

Speaker 6 (01:15:19):
I used to be a post apocalypse Bob, and before that,
I was pre apocalypse Bob or just plain old Bob.
And that's what my nostalgia of the week is, you know,
before the apocalypse. You know, of course, the Great Mutation
of twenty eighty five left many of us forever change.

Speaker 1 (01:15:42):
Now.

Speaker 6 (01:15:42):
People always talk about the impacts and the soothsayers or
the telepathic mutants, but we are not all mutated equally.

Speaker 1 (01:15:51):
Okay.

Speaker 4 (01:15:52):
For example, my mutation is that I can breathe.

Speaker 1 (01:15:56):
Through my butthole.

Speaker 6 (01:15:59):
It's not all always useful and has never gotten me laid,
but it's fun at parties. In fact, I am getting
pretty dang good at playing the ass flute, so bonus, right. Anyway,
I was at a party with my buddy mutant Gary. Now,
if you don't know, it's the law that we have

(01:16:19):
to say mutant in front of our name. It's supposed
to be for normies not to feel threatened by us,
but they always try to kill us when they find
out we're mutants.

Speaker 4 (01:16:32):
So I digress.

Speaker 6 (01:16:34):
Anywaymwtant Gary got what they call in the medical profession
being bag feet.

Speaker 1 (01:16:41):
Now that's the technical term.

Speaker 6 (01:16:43):
Anyway, the normis killed him and used his feet as
a hacky sack. Now I don't want to turn this
into a political statement, right, but.

Speaker 4 (01:16:54):
I think it was wrong.

Speaker 6 (01:16:57):
Now, I guess we all need someone to hate to
point the finger.

Speaker 1 (01:17:01):
At, so that are, you know, for our own problems.

Speaker 6 (01:17:04):
But I just don't know why you would you would
choose someone to hate like my wife, like mutant Carol,
whose mutation is that her fingers always smell like crembrew lay. Seriously,
she could soak those things in onion water and I
sweat a mutant Christ, she'd pull them out and they
would smell exactly like fresh crembrew lay. Anyways, the normies

(01:17:30):
will be normies, right, and they cut her face off
and fetter to the horses.

Speaker 4 (01:17:35):
Okay, So just try to remember to be good.

Speaker 6 (01:17:37):
Get just remember the good times, guys, right, because well
they're gone.

Speaker 4 (01:17:43):
The good times are gone, nothing but chaos ahead. So
hold your mutant children's squid fingers tighten, cherish what you
have anyway, back to you too.

Speaker 3 (01:18:12):
What an interesting person? Person?

Speaker 1 (01:18:15):
Individual?

Speaker 3 (01:18:16):
Individual?

Speaker 1 (01:18:20):
Let's not just assume anything.

Speaker 3 (01:18:22):
Yeah, yeah, I'm not want to be putting labels on anybody. Well,
this was fun. I really enjoyed this one.

Speaker 1 (01:18:30):
Yeah, it's fun to watch some foreign films. This is
our second one. I think we're moving around nowadays, moving
around over the place.

Speaker 3 (01:18:40):
Yeah we're not just stuck in a box. Yeah you are.

Speaker 1 (01:18:44):
You're the one stuck in a box. Break out, break,
get me out of here, we say in a little
screen stuck in the little screen box here. Alrighty, it's
good talking.

Speaker 3 (01:19:05):
Yeah. I hope you did well in your audition.

Speaker 1 (01:19:08):
You know what I probably didn't.

Speaker 3 (01:19:14):
You know, we're getting back to the hang of the
in person things. I haven't had to do it yet.
Someone asked me in a thing like, oh, if you
want to schedule it for it to be live on zoom,
we can do.

Speaker 1 (01:19:24):
That all live on zoom. Sucks.

Speaker 3 (01:19:26):
Why would I do that?

Speaker 1 (01:19:27):
Yeah, I just either have me record it with a
reader or go in. Don't do a live on zoom.
The live on zoom suck you.

Speaker 3 (01:19:35):
Oh nope? Uh yeah, Oh like I don't need that.
All right, Well, i'll see you next time.

Speaker 1 (01:19:45):
The next time on be Fad Video Originals, I'm Jemmy.

Speaker 3 (01:19:48):
Briggs and I'm Jennet Waga. Later Staters, Later Tighters. Now

(01:20:42):
you know how it feels. Oh, it's high school again.

Speaker 1 (01:20:56):
It's act it stops at good school.

Speaker 5 (01:21:00):
H my god, you're a mess.

Speaker 3 (01:21:12):
I have.

Speaker 1 (01:21:13):
It's all over h