Firewalker

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
November twenty first, nineteen eighty six. Today you're on a mission.
You almost got caught shoplifting a cheap cigar from the
corner store, but it was all worth because you're about
to light up with none other than the world's most
ultimate mail Chuck Norris. He stands on the cover, cigar

(00:28):
in mouth and gun in hand. Behind him, New Gossip
holds Treasure Bill, a fancy knife sticking down between them
in the top corner, a completely inaccurate depiction of the
film's climax, and the other top corner our heroes swing
from a chain toward a character in a different scene. No,

(00:49):
I'm not talking about the Ice Runner. I'm talking about
fire Walker. Welcome to be Sad Video Rentals. I'm Jeremy Briggs.

Speaker 2 (01:27):
And I'm Jenny WANGERI Jenny, how are you. I'm feeling
so tough right now.

Speaker 1 (01:33):
So tough. Yeah, I'm feeling tough too. I just horked
a hot dog, so you know, like howking dogs girls.

Speaker 2 (01:41):
That's absolutely gross to me. You know what, There's something
about watching someone kick people in the face that makes
you feel like you could do it.

Speaker 1 (01:49):
You could do it.

Speaker 2 (01:50):
I'm like, I could kick somebody in the face.

Speaker 1 (01:52):
I could do it. Yeah, I definitely could get three
feet off the ground, let alone six with that flying
jump kick. Why you go off of a bar or
a step?

Speaker 2 (02:03):
Yeah, it looks so cool. It makes me like rethink
all my choices, Like why didn't I do karate?

Speaker 1 (02:09):
Didn't I do that?

Speaker 2 (02:10):
She did karate? What? Yeah? She said? In in her
karate dojo or whatever, there was a picture of Chuck Norris.

Speaker 1 (02:17):
She said.

Speaker 2 (02:18):
It was like a five by seven. It was like
a little tiny picture of like her since with Chuck
Norris or something.

Speaker 1 (02:24):
I believe she's going to get freaked out if everyone
thinks she took karate and not taekwondo. They're different.

Speaker 2 (02:32):
Did you take any martial arts?

Speaker 1 (02:34):
No? I did wrestling in seventh grade.

Speaker 2 (02:37):
You did wrestling?

Speaker 1 (02:39):
I never won.

Speaker 2 (02:42):
She did take taekwondo, she said, Yeah, I told you.

Speaker 1 (02:46):
You said karate. So karate and taekwondo are different art forms.

Speaker 2 (02:50):
Oh, I thought she did both. See, that's what kind
of bad She's trained in many martial arts. In my mind, here.

Speaker 1 (02:58):
She goes quit because she didn't want people touching her. Oh,
which I get. I understand that because there's a lot
of touch. She touches.

Speaker 2 (03:06):
It's a lot of that.

Speaker 1 (03:07):
That's my favorite one. You do wrestling, but one of
the things they teach you is called checking the oil,
and you just stick your thumb up someone's butt, and
it's like, why is that a move? When you go,
you're like, why did you teach me that? I'm in
seventh grade.

Speaker 2 (03:19):
Like checking the oil?

Speaker 1 (03:25):
Oh?

Speaker 2 (03:25):
Oh my god?

Speaker 1 (03:26):
That was my experience. Did I go to a weird
school in seventh grade?

Speaker 2 (03:30):
Maybe people like starting I thought we're going to get
him into some martial arts when they're being bullied, and
then they teach you.

Speaker 1 (03:36):
That it shocks them.

Speaker 2 (03:39):
I'm already the weird kid at school.

Speaker 1 (03:43):
People don't need me to know his thumb ass. All right?

Speaker 2 (03:47):
You ready to get to the news.

Speaker 1 (03:48):
Yeah, let's get into the news.

Speaker 3 (03:54):
I know, Friday, November twenty first, nineteen eighty six and
leads or you're not so current event.

Speaker 1 (04:03):
I couldn't remember what day it was. I didn't write
it down. I was like, it was Friday. Yeah, he
came in on a Friday.

Speaker 2 (04:10):
I'm unemployed right now, so every every day is Friday.
Matisa's bronze sculpture Reclining Nude from nineteen oh seven which
once belonged to former Vice President Nelson A. Rockefeller, was
sold for one point fourty three million, inspiring US to
sell twenty dollars photos of Jeremy nude on a lazy boy.

Speaker 1 (04:30):
Yeah, twenty bucks.

Speaker 2 (04:34):
Twenty bucks is twenty five. You know, I'll get you
a salad these days, Yeah.

Speaker 1 (04:39):
A tossed salad. Shut up, Jerny, Oh my god.

Speaker 2 (04:44):
The Interior Department proposed today that aircraft be barred from
part of the Grand Canyon, but it stopped short of
seeking to ban off lights below the rim, saying it
needs to be a special occasion occasion to seek a
rim job.

Speaker 1 (04:58):
It were on theme.

Speaker 2 (05:02):
I just love that it's called a rem chob I.
I you know, I read like Cosmotolic and Cosmopolitan magazine
and stuff like that, and I'm like, not all there,
but I read once that guys like just a happy
little party finger, happy little party fingers when you're going down.
Then yeah, they like it. So I like snuck one

(05:24):
in on this super macho guy one time, giving him
a blowy and he was like whoa Oh. I said,
oh you don't like that, and he was like no,
not for me, And I was like okay, and I
just went back to work.

Speaker 1 (05:38):
The things you do when you're ignorant. Oh that's not
the social norm.

Speaker 2 (05:43):
Hell else am I gonna learn?

Speaker 1 (05:45):
A study has found that smokers who cut back tend
to compensate by smoking more intensely, tripling the tar and
nicotine they inhale from each cigarette and undercutting their efforts
to improve their health. A follow up study found that
you should shut the hell up and mind your damn business. Yeah,

(06:06):
do what I want. With thirty million dollars in federal
highway funds at stake, Denver inaugurated its third Better Annual
Air campaign, restricting farts to Wednesdays and Saturdays.

Speaker 2 (06:23):
That's a belly ech collar days. It's so hard, Like
when you start dating a new person, you have to
hold farts for a while. Just not good. I really
still don't fart in front of people because people have
made me so ashamed of it.

Speaker 1 (06:36):
Good. I've got back at good. I hate that people
think that they's acceptable to just my kids, they're like
two and four. Stop farting.

Speaker 2 (06:46):
Oh my gosh, miserable. John Paul the Second was welcomed
in Fiji today with the presentation of Well Teeth and
a roasted pig. After eating the pig, he grabbed his
tummy and ran off, and finally proved that the Pope
does indeed shit in the woods. The ah OH debate.
A federal appeals court today up held lower court rulings

(07:08):
that local bands against nude dancing and nightclubs as morally
offensive are unconstitutional. We were unable to get a comment
from the judges as they were receiving model service and
nipple facials in the VIP lounge.

Speaker 1 (07:23):
Nipple facials are my favorite. President Reagan said today that
he had absolutely no plans to send more arms to
a run, saying, who do they think they are? An octopus?
An American Tale is being released this weekend and is
Don Bluth's second animated theatrical feature after the Secret of Nim.

(07:45):
The film is a heartwarming tale of immigrants being portrayed
by Felthy Rodent. Good work, Don the hell were you thinking?

Speaker 2 (07:54):
I love that movie as a child, so good. It's
so good. I need to watch it. I haven't rewatched
it since I was like fifteen.

Speaker 1 (08:04):
I think you can find it somewhere out there. Shut up, Jeremy,
you know remember the song somewhere out there?

Speaker 2 (08:10):
Remember it with crack use in New York City increasing,
Some municipal hospitals are turning into acupuncture therapy to help
free patients from addiction. One patient said he's cured his
crack addiction, but all those needle popes for his gateway
into heroin. I don't know what I ate before this.
It's like peanut butter in my mouth. We're talking about heroines.

(08:33):
Some people are collibating Take fifteen as they adopt more
traditional family roles and values. The once rebellious older members
of the baby Boom generation are returning to churches and synagogues,
saying who else is gonna raise their children? They're not
gonna do it.

Speaker 1 (08:51):
They're not gonna do it. Somebody got it. After weeks
of arduous negotiations involving top corporate management at CBS, Bill
Moyers told his colleagues that he was cutting ties at
the network, boasting that he just purchased really sharp fabric scissors.

Speaker 2 (09:10):
Snip snip.

Speaker 1 (09:11):
Here goes your tie, snipsnip. Also, if you use these
fabric scissors on paper, Mama's gonna get mad.

Speaker 2 (09:21):
Oh yeah, when people get really weird about using the
wrong scissors for the wrong thing, the.

Speaker 1 (09:26):
Board of Education yesterday approved a new parental consent form
listing prescriptions for contracemptives as one service available to high
school students. Finally getting written proof who the cool parents are? Oh?
Hell yeah, hey, Mike, can I get these?

Speaker 2 (09:44):
Yeah?

Speaker 1 (09:46):
And those we're not still curving.

Speaker 2 (09:52):
It's always nice to get those out of the way.

Speaker 1 (09:58):
What words, Oh the stumble bumbles? Yeah, what I'm.

Speaker 2 (10:04):
Telling the news, I'm like, don't look at me for
the news.

Speaker 1 (10:09):
That's why I like just reading them once. Don't don't
prep yourself, don't prep your mouth. We don't go. We
don't go lemon face, lion face or anything. We don't
yellow leather, red, leather, yellow. No. I prepare you to
do exercises.

Speaker 2 (10:23):
You email them to me and then I open them
on camera.

Speaker 1 (10:29):
At least you're opening a nose on camera, not something else.

Speaker 2 (10:32):
Yeah, I know I've been in trouble for that before.

Speaker 1 (10:35):
All Right, what did we watch this week? This is
our second film in our finale finally, Yeah, it's part two,
and this one was my choice. I forced you all
to watch an old favorite of mine as a child, Firewalker,
starring Chuck Norris Lucascid Jr.

Speaker 2 (10:57):
It's so wild how when I was a child, I
didn't find this so race.

Speaker 1 (11:01):
Of course you didn't, you know. I watched it and
I was like, I'm justifying all of this.

Speaker 2 (11:09):
It's like they deserved the gold. Yeah, they did serve it.
Their adventurers. Adventurers deserve their gold. Yeah, doesn't matter where
it's from or who it used to belong to. He
had all those amazing jokes about Chuck Norris because like
he's it's not human what he's capable of doing with

(11:30):
his body. Yeah, because a lot of that work you
could see his face, so it was him doing the stunt.

Speaker 1 (11:39):
This is my This remains to be my favorite Chuck
Norris film. I think it's the best acting he's ever done.
He's he never hits the mark to me, and this one,
I just I think he's so good.

Speaker 2 (11:53):
And it's the lady from Flash Gordon who's so cute.
She's just so cute. She's the Meg Ryan of her time. Yeah,
Melody Anderson.

Speaker 1 (12:02):
Yes, I was gonna say Melody, and I was like,
if I'm wrong and I say it, I'm gonna sound
like a real dufos.

Speaker 2 (12:07):
She looks kind of like Melody from Hey Dude. And
they have the same name. There's only two melodies I've
ever known, so I SNS.

Speaker 1 (12:14):
I found a New York Times review of Firewalker. I'm
gonna read it to you right now. Firewalker, which opens
today at the Warner Twin and other theaters, as a
bargain basement imitation of films on the order of Indiana
Jones and The Temple of Doom and Romancing the Stone.
It stars Chuck Norris and what his associates describe as

(12:34):
the first comedy role in his action packed career. How
can they tell, certainly not from the film, which is
lightweight without being lighthearted. It's set in Mexico as well
as in a fictional Latin American country called San Miguel,
which from the maps we see is somewhere in the
Yucatan Peninsula, and in several caves which seem to be

(12:56):
of constructed in a studio. The story has something to
do with a couple of American soldiers of fortune who
are hired by a pretty young woman to find a
lost Aztec treasure. When mister Norris, the former karate champion,
isn't using his feet on ill tempered Indians and Mexicans,
he's stomping on the facetious dialogue, which deserves it more.

(13:19):
Firewalkers rated PG. It contains some mostly bloodless.

Speaker 2 (13:23):
Violence, mostly bloodless.

Speaker 1 (13:27):
Mostly bloodless. Yeah, they were not too rough on the film.

Speaker 2 (13:33):
Yeah, they weren't too rough. Yeah, you know what I
loved about melodies acting?

Speaker 1 (13:39):
Huh they're dead stairs m I'll tell you one thing
for me. This film is all about lou g Gossip,
Lewis Gossip Junior who got the oscar for an officer
and a gentleman who's an enemy Minds Iron Eagle franchise,
Digs Town Roots, Josh three D. I love Lewis gossagr.

Speaker 2 (14:03):
Yeah he's awesome.

Speaker 1 (14:04):
I saw this as a kid, and anytime I saw
him pop up in anywhere else, I got so excited
because of Firewalker, and nobody knew Firewalker when I was
growing up. I was like, did you go see that one?
They're like, no, who watches Chuck Norris movie? Shut up?

Speaker 2 (14:19):
Oh my gosh. It's like you were just with the
wrong age group. If you would have just gone and
talked to other forty year olds like you were a
forty year old draft in a child's body.

Speaker 1 (14:32):
Oh man. So the film opens and we are in
a sand dune car chase.

Speaker 2 (14:39):
Yeah, and they're arguing over go left. I said, go right.

Speaker 1 (14:42):
It's the first time we see Max not listen.

Speaker 2 (14:46):
He's just kind of doing his own thing to Leo.

Speaker 1 (14:49):
Yeah, Chuck Norris who plays Max, doesn't listen. He just
does his own thing. He's his own person and just
drags Leo along for everything. And ough what do they do?
Immediately because of Max not listening, they get caught in
the only little desert oasis in the little water.

Speaker 2 (15:09):
They just fall right, very good at driving into water.

Speaker 1 (15:15):
How shall we count the way?

Speaker 2 (15:17):
How shall we? And I love this bad guy that
gets them.

Speaker 1 (15:21):
Yeah, the general who we receive. So when he comes approaching,
they see him, they're like, oh, no, it's a general.
But guess he's gonna I bet you he's gonna say
something stupid like so gentlemen, we meet you again. And
immediately we get there, so gentlemen again, this is the
type of movie we're in for.

Speaker 2 (15:41):
And what I also love about this is Okay, So
he's got them tied to the ground in the sand
like cruciform kind of thing, like their legs at stakes,
their hands at steaks, and he's like telling them how
long it's gonna take their skin to boil and stuff.
I'm like, I'm gonna leave you here, But he gives
them a Perrier.

Speaker 1 (16:01):
It's his torture.

Speaker 2 (16:02):
It's like, I know that that perier is hard to
come by here. Why would you leave it here just
to like make fun?

Speaker 1 (16:09):
It makes him chuckle. He's like, oh, you're going to
tie a first, and the power to survive is in
your own hands. Also, my favorite is like, we have
no idea what they did to get chased. We have
no backstory to the general there is nothing that tells
us anything about what is going on with these guys.

(16:34):
And uh, it's just jumps right in it.

Speaker 2 (16:38):
They leave, Yes, and Chuck Horris breaks the perier with
his bare hands.

Speaker 1 (16:42):
Bare hands, try it, it's.

Speaker 2 (16:46):
Not and there's no blood.

Speaker 1 (16:50):
He doesn't cut himself at all. No, No, this ain't
his first Perrier bottle to break.

Speaker 3 (16:57):
No.

Speaker 2 (16:58):
And then he started cutting himself free. And then something's
crawling up the lego yo.

Speaker 1 (17:03):
Which I have to say immediately, this is a it's
a minor one. But I've got an on set speculation here. Wow,
they definitely forgot to get b roll right. Yes, they
had to have been like, we'll pick it up. We'll
pick it up, We'll get something, because we see him

(17:23):
there and he's complaining about something crawling all over him
and we can clearly see there is nothing crawling all
over him.

Speaker 2 (17:32):
We need and I was wondering, like, did he improv this?
And then we're gonna use the improv but we're not gonna.

Speaker 1 (17:41):
Because it's like just show ants or a scorpion going
up some shorts some thing that way. When he jumps
up and he does this, we can justify Okay, we
don't see anything whatever but.

Speaker 3 (17:56):
That.

Speaker 1 (17:57):
But it just made me so frustrated. I was like,
what is it? What's crawling up him? I need to
know is.

Speaker 2 (18:05):
In the hospital?

Speaker 1 (18:06):
What kind of desert animal is it?

Speaker 2 (18:08):
Also help me out with this. After they do this, Yeah,
he says he's going to a bar in Arizona.

Speaker 1 (18:15):
Well he says he he wants to go to that bar.

Speaker 2 (18:18):
Okay, so then they just in the middle of this desert,
they walk somewhere and they make it to a bar.

Speaker 1 (18:24):
Yeah it's not the bar in Arizona, but.

Speaker 2 (18:29):
I have the same name that he said, and I
was like, what, oh.

Speaker 1 (18:36):
Did they show it? Like this is it. This is
Benny's tavern. I don't know what he said.

Speaker 2 (18:41):
I thought it was like topes or something.

Speaker 1 (18:43):
I don't remember it either way.

Speaker 2 (18:44):
I thought I had the same name of the bar
he said. And I'm like, we're supposed to believe that
these two idiots made it all the way the Arizona
to this bar they wanted to.

Speaker 1 (18:51):
So they're in this bar chilling and Leo he's like,
how many expeditions expeditions of it being on? Man? He's like, oh, man,
I don't know, hundreds, hundreds. He's an idiot who has
no idea of reality. We've been on hundreds. And he's like, no,
we've been on fifteen.

Speaker 2 (19:12):
And how many have we made money on?

Speaker 1 (19:13):
And how out of fifteen, how many have been profitable? Three?
And we don't even know how profitable.

Speaker 2 (19:21):
Yeah, it's like you made one hundred each and you
almost died.

Speaker 1 (19:24):
And then we meet our third lead.

Speaker 2 (19:29):
Yes, and she asks the bartender like, I'm looking for two.
I'm looking for some dumb men.

Speaker 1 (19:34):
I need a man with undying loyalty, brave and not
too smart.

Speaker 4 (19:40):
Oh like my men, brave and dumb.

Speaker 2 (19:46):
Me two sisters.

Speaker 1 (19:47):
There's a letter.

Speaker 2 (19:49):
Yeah, take your pick car, they're off dumb. Yeah, And
so she goes over, Oh they said I'm good enemy like,
oh yeah, well great.

Speaker 1 (19:58):
Yeah. The bartender says I'm all right, okay.

Speaker 2 (20:04):
And she's super hot. But it's like she doesn't give
a lot of an explanation for somebody to be like
we're in, Like, it's not i'll pay you this much,
you get this percentage, there's no negotiation.

Speaker 1 (20:17):
No, it's very vague. No, she says it's fifty to fifty.
Will you get fifty percent of whatever treasure we.

Speaker 2 (20:23):
Find, treasure that I've dreamed about.

Speaker 1 (20:26):
Yeah, I dreamed well, And then she's like she starts
getting scared about like revealing too much information because something's
up with her, right, she's we're not quite sure, and
she's afraid to give this next piece of information. But
she's she's afraid for the wrong reason. She should be
afraid because it's racist.

Speaker 2 (20:49):
Yeah, you're scared.

Speaker 1 (20:53):
They're just not gonna believe you. I'm scared of that.
It's pretty racist. Girl.

Speaker 2 (20:56):
Maybe I want to go steal from the natives.

Speaker 1 (21:01):
I'm gonna steal from the natives. But also it's being
protected by a red cyclops with long black hair. Girl girl,
it's very obvious. What you mean.

Speaker 2 (21:17):
Yeah, even for the eighties, you were doing too much.

Speaker 1 (21:20):
So then all of a sudden, a crossbowt bolt hits
the table or the little wood piece behind him. They're
being attacked, and what do they do Crawl out.

Speaker 2 (21:30):
Run away? Yeah, these brave men. You a crossbolts.

Speaker 1 (21:35):
I'm mad at here. Yeah. So they immediately start wandering
the wild donkeys and Max he's just talking Patricia's ear
off of all of his all of their different stories,
and Leo's mocking him because he's obviously tells these stories
to everyone. Did I miss something or you were No?

Speaker 2 (21:57):
I was. I was catching myself on my notes because
I was like, I think this is the place where
they had a white man pretending to be Mexican with
a very strong accent, telling them it was a sacred place.

Speaker 1 (22:10):
He needed sacred.

Speaker 2 (22:13):
Oh something sacred to you.

Speaker 1 (22:16):
That was one of the grips. They're like, ah, crap,
we need somebody.

Speaker 2 (22:19):
You're doing brown face with a fake eyes, rough face.

Speaker 1 (22:23):
Go go Sendtor to makeup.

Speaker 2 (22:28):
So he gets out and Leo's like, well, maybe he's right,
And he's like, oh, you worry too much.

Speaker 1 (22:34):
He doesn't worry about Max doesn't worry about anything.

Speaker 2 (22:38):
Yeah, and then like they have to go up this
like cliff thing and everybody's having a hard time.

Speaker 1 (22:43):
In check.

Speaker 2 (22:43):
Norris is pulling everybody up, but everybody he's helping is
saying I got it, I got it, and they're just
they do not have it.

Speaker 1 (22:56):
And we pull back and we see them climbing and
we see the back of someone watching.

Speaker 2 (23:02):
Yeah.

Speaker 1 (23:04):
I love They get to the top of this thing
and Max immediately goes, well, no caves here. I guess
this is worthless. Yeah, he's ready to give up.

Speaker 2 (23:13):
And I love that. I say, I'm sure there are
some old people in there sleeping.

Speaker 1 (23:16):
Right Well, she walks in because she's like, no, it's
behind that tree, and he's like oh, and they immediately
go in and she's like, wait, no, I don't want
to go in. There's old people sleeping. And these guys
they don't get anything, like they didn't get the reference
to the red cyclops. They're like, oh, well, we're gonna
find dragons. It's like, we know what she's saying. Come on,

(23:38):
and now she's like, oh, there's old people sleeping. You
can't read that. Immediately she's talking about dead people, old
people sleeping. Yeah, come on, and they're just but when
she's screamed, she wanders off screens. They go in and
they're like, whew, old people sleeping. She's psyched. What's going

(24:01):
on with her?

Speaker 2 (24:02):
Nothing gets past these too, okay, And then he says, hey, Max,
Patricia's gone, and they talk about putting her on a leash.

Speaker 1 (24:11):
Because she keeps wandering off, and I love that they
go and find her. And so from here, this is
fifteen to twenty seconds that she screams when she sees
all these bones, terrified. Fifteen seconds later they run to
go find her. She's laying on an altar with a
skull on top of her and her sunglasses on top

(24:33):
of the skull, like terrified. Now now you're just playing
with the bones? What is going on with you?

Speaker 2 (24:42):
Yeah? And then they say, toy, how about you, pal?
Can you tell us a like just being as disrespectful
as anyone could possibly be. Then they do that polaroid Shoot, yeah, wacky.

Speaker 1 (24:57):
There's a Spanish helmet in there. Because Leo knows all
this stuff. Leo as dumb as he can be throughout
it and not get references. He's the smart one. He
knows his history. He knows his artifacts, like he specializes
in like all of the different he's you know, gold, and.

Speaker 2 (25:16):
You could just say you have a crush on him.

Speaker 1 (25:19):
I do. But this is an important thing because he's
always comes off as like the weak one, that like
he's just always along for the right. He's the smart
one who's into you know, he's the Indiana Jones without
being tough.

Speaker 2 (25:31):
Yeah, and this is where she gets kidnapped.

Speaker 1 (25:34):
Right. Well, first I believe he Chuck Norris grabs the
skull right, and it starts to the eyes. I start
red and he gets scared. He's like yeah, and it
drops breaks open. There is a knife with a red ruby,
as opposed to all those other colored rubies.

Speaker 2 (25:56):
Yeah, there are other colored room.

Speaker 1 (26:00):
I don't know anything about rubies.

Speaker 2 (26:02):
He drops the skull and it's the ruby.

Speaker 1 (26:05):
Yes, you got the knife. And immediately she's kidnapped, Yeah,
grabbed from behind, and they're being attacked again.

Speaker 2 (26:13):
And the native man, Yeah, it's the native man who's ancestor,
who's lived here. These are his people.

Speaker 1 (26:22):
Yeah, hey, that's my knife. It's on my land. Get
off of my property. What are you doing?

Speaker 2 (26:27):
They shoot at him, right, and they miss, so like
these are these guys who are always on exoditions. They
can't hit a target.

Speaker 1 (26:35):
Max cannot shoot anything, and then he always gives it
to uh Leo, who never shoots. He never fires. He's like,
I'm not kill anybody.

Speaker 2 (26:44):
Yeah, But then Leo takes a gun and then they
killed an Indigenous man who's defending his territory.

Speaker 1 (26:49):
Right.

Speaker 2 (26:50):
Cool, great, cool the ricochet bullet and I shot.

Speaker 1 (26:56):
Oh yeah, because he shoots and he goes be that
stupid gag fifteen Rickish got him. Yeah.

Speaker 2 (27:02):
Great. They run outside, so Mike and Leah and kill
more indigenous people.

Speaker 1 (27:07):
They're attacked for theft and trespassing. Well yeah, because he's
got her at the top of the cliff. He brings
her out and then he's like, all right, just uh
let her go and he sees the glowing red ruby.

Speaker 2 (27:23):
So Max drop the knife and then this this guy
sees it and freaks out and jumps to his death.

Speaker 1 (27:31):
Yeah.

Speaker 2 (27:31):
I guess they all know like the history of this knife.
And then what does he say, I didn't tell him jump.

Speaker 1 (27:38):
Geez, hey, hey, don't kill yourself. He's just a knife. Gosh.
So then they go back to their hotel room. They're
looking at their little thing and they're like, ooh, Astac
Mayan figures all in the same thing. And they were
in a Spanish with a Spanish helmet whatever, and let's

(28:00):
go visit a tall eagle. I don't even know how
they got tall eagles information.

Speaker 2 (28:07):
And why would he talk to these people? This is
so confusing to me. Why would this man ever help
these white people trying to steal from indigenous He.

Speaker 1 (28:17):
Knocking his door, They're like tollgal. He's like, I'm watching.
I love Lucy. I don't know why he puts up
with her. If she was mine, I cut her nose off.

Speaker 2 (28:26):
What I'm sorry. Then he explains why he would help
these people because he's a psycho too.

Speaker 1 (28:33):
They bring him a bottle of alcohol, and he's like,
when white men bring gifts means they want something. Just
give it to you.

Speaker 2 (28:44):
Yep, there you go. I'm an alcoholic.

Speaker 1 (28:47):
Although he does, he does go in and I don't
remember what he says, but Patricia, she says, I think
he wants a piece of the action. And he's not
me the great spirit.

Speaker 2 (29:00):
Yeah, and he he gives them like a protective.

Speaker 1 (29:03):
Spell, right, well, he gives her because after they agree
when he says the Great Spirit some weird like wind lights,
glowing drums in the background start playing. And then Leo
tries to tell Max two percent. He's just thrown up

(29:24):
two by his cheek, and he goes twenty percent of
whatever we find. He's like, what the hell?

Speaker 2 (29:30):
Yeah, I was living for their tribe. Yeah, you're gonna
steal from indigenous people and then give back to Indigenous people.

Speaker 1 (29:39):
Yeah, wait, you're gonna you're gonna give him twenty percent.

Speaker 2 (29:43):
That's too much. They'll accept way less.

Speaker 1 (29:49):
Yeah, it'll be grateful. We just took it off their hands.

Speaker 2 (29:52):
Yeah.

Speaker 1 (29:54):
And he tells a tale of the Firewalker. His soul
can walk on this That's about the extent of what
I understood about the Firewalker.

Speaker 2 (30:05):
Yeah, and I was like, oh, this is gonna be
a big payoff.

Speaker 1 (30:09):
And so he just can his soul walks on the sun. Yeah,
oh don't okay, okay, But the Spaniards. He explains why
the Spanish stuff was there. They were seeking the Firewalker gold.
And then it doesn't pay anything else off. Nope. As
they leave, of course, he has to throw out. He
gives her the little bag to protect her, and he

(30:30):
gives us a little line of I don't know how
Tonto did it either, Do we.

Speaker 2 (30:40):
Cool? Go back to I Love Lucy. So then they
go to the bar and they repeat the information because
now the camera is inside the bar. Luckily, no one
else at all is there, so they can just hang
out with this stolen relic from Native Land on their table.

Speaker 1 (30:57):
T in like a room. They were in their room
because they're playing gin or no, they're playing cards. Leo
and Purtucier are playing cards, right, oh yeah, and she
goes gin and Leo says, we're playing poker. So she
just let's undercut any sort of intelligence that she made.

Speaker 2 (31:23):
Everybody's a morron. It's a joke. Leo just has to
sit with morons.

Speaker 1 (31:30):
So he Leo stands up as as Max is like
has his hand on the wall looking at this map,
and he's like, all right, maybe it's over here. It's
over here, And she just gets up and I guess
she's drunk. I just thought she was fine. And then
she stabs the wall or the map and then passes
out drunk. She just goes bank and then falls into

(31:55):
his arms and like what just happened? So when they
both go to decide to go to bed, Max is
just kind of like, I don't know, doing nothing, and
there's a knock on the door. Who's at the door
but a pretty native lady.

Speaker 2 (32:13):
Oh this is Oh my god? Is this now? I
want to ask you?

Speaker 1 (32:19):
This is?

Speaker 2 (32:20):
He says, watch out for coyote when they where he leaves.

Speaker 1 (32:23):
Watch out for coyote.

Speaker 2 (32:24):
Yeah. So this lady comes in and then so you've
been told watch out. There's gonna be like evil spirits
and stuff trying to come for you. What does he
do with fucking makes out with her?

Speaker 1 (32:35):
She walks in a potion from Tall Eagle. He's like,
you've never met this woman, and he goes He just
looks at her and goes, I never turned down a
good potion.

Speaker 2 (32:46):
And makes it with a weird line.

Speaker 1 (32:51):
When he's mess out, he gets all dizzy, passes out,
and of course, you know, we have this kind of
inner cut thing with Tallie go chanting and stuff by
a fire and Patricia's sleeping and then she like wakes
up suddenly.

Speaker 2 (33:08):
Yeah, she gets those premonition dreams and visions and stuff.
So she feels him in trouble.

Speaker 1 (33:14):
Yeah, and so she gets up, runs out and starts
fighting her. The lady that's trying to stab.

Speaker 2 (33:22):
And it's in her cut with Tall el Yeah, chanting canceled.

Speaker 1 (33:32):
I was like, how am I going to make it
through this without being terrible?

Speaker 2 (33:36):
I know, like if I'm recalling what was happening, I
mean I'm terrible.

Speaker 1 (33:45):
Do it.

Speaker 2 (33:45):
I can't repeat him doing Yes, that's how it works.
So he's doing a chance over a fire, shaking a snake.

Speaker 1 (33:56):
Yeah. And then so Patricia tries to fight. She is
not overpowering, uh, this coyote lady.

Speaker 2 (34:05):
Finally, Leo wakes up and knocks her out.

Speaker 1 (34:07):
Leo wakes up and this is all because of Tall
Eagle his chance. He wakes up Leo. Leo comes out,
knocks her on the noggin, and they lock her up
in a barn. Yeah.

Speaker 2 (34:21):
And then she she asked how is he and he
says he's sleeping like a baby.

Speaker 1 (34:26):
This is a nice little heart to heart with Leo
and Patricia and kind of like going through just their
their journeys and why Leo goes with him everywhere. I
think it's a sweet little Yeah. G does not agree
with She's like, oh, this is so typical of a

(34:49):
mail rider.

Speaker 2 (34:50):
Yeah, Well it's these two just talking about how obsessed
they are with Max the boy.

Speaker 1 (34:55):
Yeah. Yeah, but we're getting exposition. I feel like g
had to put in a couple of notes because of
what I said last week about Blonde Death. Oh, you're
gonna shot on my movie, on your movie. That's not
what happened. Yes, just emasculating Leo at every turn, that's

(35:18):
what she wrote.

Speaker 2 (35:20):
The only real badass in the script, she said by
by she wrote these notes before we did blond Up.
Thank you, thank you.

Speaker 1 (35:30):
This deserves the trash I wrote. It deserves the disrespect.
It'll be blinded by your eight year old self. No.

Speaker 2 (35:41):
So she also to say them when Leo leaves the
room though, like she wants smacks and just touching us
passed out body.

Speaker 1 (35:49):
Which not okay, yep, not okay.

Speaker 2 (35:53):
It's just a weird scene, just a weird choice, very odd.

Speaker 1 (35:57):
Oh man. The next morning, where did she go?

Speaker 2 (36:01):
Yeah, the bartender or whoever it was to put her
buddy there goes and sees that she's gone coyote.

Speaker 1 (36:06):
And but but she's not gone, is she.

Speaker 2 (36:08):
No, she's a snake.

Speaker 1 (36:10):
She's a big ass snake just up in the rafters.

Speaker 2 (36:16):
Just initated. The snake canceled.

Speaker 1 (36:19):
Good job, what are you trying to do? You need
to do next? Just make your eyes a little slits.

Speaker 2 (36:28):
Why, I was really trying to do it. That's how
I try to do that. Leo and Max decide they
need to get out of Dodge. There's some weird people
around here. You think you're some of them.

Speaker 1 (36:42):
You're holding your own in that little group. So they
go fly on in an airplane. Yeah, and immediately this
airplane's gonna explode. Yeah, it's a terrible on fire. Leo's like,
what's happening in Max is sleeping because.

Speaker 2 (36:58):
Why wouldn't he be sleeping, Like, Oh, it's nothing, it's
just a fire. We're gonna land.

Speaker 1 (37:03):
We're landing anyway. Fire, We're not gonna explode. Yeah.

Speaker 2 (37:06):
So the smoking plane lands and he slept through it again,
just slept through the fire plane landing.

Speaker 1 (37:14):
They hop in a taxi and this this part got
me a little nervous. They're in this taxi and they're
driving and they do this like little turn into their
hotel and there is a dog running alongside this car,
and it made me so nervous. I was like, I
hit this dog. It's too close to their car. Doggie, move.

Speaker 2 (37:38):
I didn't even notice that hear me, doggy, get out
of here the cars bee?

Speaker 1 (37:45):
Are you?

Speaker 2 (37:47):
I just like that. She was taking pictures of the
man telling them where they're going, and so he's like,
get the fuck out of my can, get out, I'm.

Speaker 1 (37:59):
A tur so. Leo and Max go to their room
and they're just arguing with each other, and Max is
yelling at them for being a little puss. Yeah, you're
getting as bad as that fruit cake girl in there.

Speaker 2 (38:13):
Oh yeah, oh a fruitcake.

Speaker 1 (38:15):
I love that. She comes busting in and she's like,
I actually really like this little bit of dialogue that
was written in there for them. She's like fruitcake and
he's like, oh, the walls are that thin? And she says, no,
your mouth is that big, which I love that because
it's like you're an asshole.

Speaker 2 (38:36):
Yeah.

Speaker 1 (38:37):
I think it's a great line.

Speaker 2 (38:39):
She's in there doing her self care, she's got her
skin care on. What I love is she's in this
dingy ass hotel. It looks disgusting, the bed looks dirty,
everything's gross. She's like, I'm gonna do a face mask.

Speaker 1 (38:51):
Are you telling me you too good for a dirty bed? Girl?

Speaker 2 (38:54):
Yes? Do you want to sleep in a dirty bed?
Is there any situation.

Speaker 1 (39:00):
With my wife?

Speaker 2 (39:03):
Oh my god, Emily. So she tells him off and
that says call me for dinner, which I love.

Speaker 3 (39:13):
Yep.

Speaker 2 (39:14):
It's like fucked you, but I'm still eating with you guys.

Speaker 1 (39:17):
But yeah, save a seat for me.

Speaker 2 (39:20):
I'm angry.

Speaker 1 (39:22):
So they go into this little restaurant which they're always
talking about food, into little little sections that they're not
on camera in the voice booth, just going like, gosh,
I really hope they have a restaurant. I'm hungry.

Speaker 2 (39:35):
They better have a good bar.

Speaker 1 (39:36):
Yeah, gosh, I hope they have a bar.

Speaker 2 (39:39):
But what I love is to go into this restaurant.
They just punch two men standing at the front. They
just punch them.

Speaker 1 (39:44):
Out because they stand there like you can't come in here.
But they didn't say that punch of him.

Speaker 2 (39:51):
And then she she looks at Lie and goes, excuse me,
just goes so casually excuse me. Does react to the regulators,
not two men.

Speaker 1 (40:02):
Out for really no reason.

Speaker 2 (40:05):
With a white blazer, a white linen blazer on over
her shoulders, It's like, where do you think you are
right now? I would not wear white to this.

Speaker 1 (40:16):
I don't know where we were headed. I just packed.
Is this in my suitcase? Yeah? And you know what's
a bonus and a lot of in a lot of
these types of films, when the the woman who's the
outsider comes in usually has about fifteen suitcases. That's not

(40:37):
in this. She doesn't have fifteen suitcases an.

Speaker 2 (40:40):
Outphant for every occasion. It's like, where did you get
that built scarf? Yeah? So then it's twenty dollars for
their drinks, which is so bizarre.

Speaker 1 (40:52):
So how bizarre? How bizarre?

Speaker 2 (40:55):
Sure, glad it's your money, they tell her.

Speaker 1 (40:57):
But then they start looking for information, right, yeah, waving
around money.

Speaker 2 (41:03):
My favorite flirt, though, is she says, maybe I'm a
little nutty, and then heleen's inent her and says, you're
the prettiest nut I've ever seen. Oh is that plattery?

Speaker 1 (41:14):
You've obviously never seen the cashme, motherfucker.

Speaker 2 (41:17):
And then he tells her to tell him something intimate,
and she tells him about her vision she's had since
she was a kid, and he goes, oh, I was
thinking you'd tell me that you sleep naked, and she goes,
I do just like a weird laugh.

Speaker 1 (41:35):
It was so disord So then you're right, Then that's
the moment that he stands up and he starts trying
to get information.

Speaker 2 (41:43):
Yeah, offering twenty American dollars, fifty dollars, one hundreds, Like
could you not be like showing the money like this
out in a bar?

Speaker 1 (41:52):
Gonna get us in trouble.

Speaker 2 (41:56):
So it's a like a British guy.

Speaker 1 (41:58):
Yes, I like how g wrote he looks like an
ivory dealer and he does.

Speaker 2 (42:05):
He does.

Speaker 1 (42:06):
He deals with that for sure. Yeah, and so they
get very little information out of this guy. This guy
gets more information out of them than he gives them. Yeah.

Speaker 2 (42:18):
He tells them to go looking for someone named Gutierrez
at this town and they give him one hundred dollars
for that.

Speaker 1 (42:24):
Yeah, good job.

Speaker 2 (42:27):
But Max seems very thrilled with them, so like, see.

Speaker 1 (42:29):
That was very easy, Like we got information right, great,
And then they run into a big guy yeah who
likes to spit on people for some reason.

Speaker 2 (42:41):
Yeah.

Speaker 1 (42:42):
Yeah, he tells Max that his mom is a pig
and his father's a dog.

Speaker 2 (42:48):
Did he say anything about my sister?

Speaker 1 (42:51):
No, Well then I guess we're fine.

Speaker 2 (42:54):
I think that was improv Yeah. Leo tries to like
cool the situation down. He's like, oh, he's a fringo,
you know, yeah.

Speaker 1 (43:03):
Because he speaks Spanish and.

Speaker 2 (43:05):
He tries to de escalate.

Speaker 1 (43:08):
He's the one who Yeah, he's de escalating the thing.
The guy spits on him. So he decides, no, monoc
your ass out. I'm gonna be the tough guy in
this minute, because everybody tells me that I'm not.

Speaker 2 (43:18):
But then he hits me. It's like he's punched a wall.

Speaker 1 (43:22):
Yeah. I love when he When he does it and
he realizes he's in trouble, the guy grabs and he goes,
oh no.

Speaker 4 (43:30):
The way he says, oh no, oh no, this is great,
and this actor is Miguel Angel Fuentes nineteen fifty three
to twenty twenty three.

Speaker 2 (43:41):
H yes.

Speaker 1 (43:44):
Max decides finally he'll step in and help Leo, who's
getting his He's butt handed to him quite frankly.

Speaker 2 (43:52):
And people are trying to write, Patricia, of course.

Speaker 1 (43:54):
Why wouldn't you It's an eighties film rated PG yep.

Speaker 2 (43:58):
And then he says to hold this. Max. His hold
is and he puts his gum in Leo's hands. It's disgusting,
like what is wrong with you? Now? Max bites off
the rapists. He spin kicks, jump kicks, running kicks everyone.
Leo and Patricia bond over what weak cunts they are?

(44:18):
Oh no, so far these three need to be deported.
They do Actually, where the fuck is border patrol?

Speaker 1 (44:26):
What do they do? They just come into every town
and start chaos. But you know what, it's another country,
so it doesn't they're not We're Americans.

Speaker 2 (44:38):
Ye, there's just do.

Speaker 1 (44:39):
Whatever we want.

Speaker 2 (44:42):
Yeah, their bodies all over before the band keeps playing
and these three just leave.

Speaker 1 (44:45):
Like then our Ivory dealer meets up with El Coyote,
who is what is the actual name of the Red Cyclops,
So I'm gonna call him El Coyote.

Speaker 2 (44:58):
And I love his kill move.

Speaker 1 (45:01):
Yes, it's so great. He grabbed the jaw and pushes
you against like he just and yeah, he face pushes so.

Speaker 2 (45:11):
You can't breathe at all, and you're getting your face
smashed and you can't breathe.

Speaker 1 (45:16):
That's his Mortal Kombat finish. Yes, and he always just
looks I'm gonna face palm you to death.

Speaker 2 (45:24):
It's so upsetting and wonderful.

Speaker 1 (45:27):
Then we cut to our gang dressed as members of
the clergy.

Speaker 2 (45:31):
Why I have this is so weird? Too present and none.

Speaker 1 (45:36):
And they tell her as they're walking, they're obviously about
to get on the train, and they look at Patrician
and they tell her, just look Virginal.

Speaker 2 (45:45):
I mentioned virginal lot here. Like it's like the joke's
getting in. Don't worry, we got it, we got it,
going to get it. Then they keep throwing it out there,
so the train is prouded. What did I say other
than I hope there's a dining car.

Speaker 1 (46:00):
And again, I'm sure that they showed up to do
vocal stuff, to do dubbing or whatever you call it.
My brain's not there today ADR EIGHTR work, so they
get there to do ADR work and like they just
have two pages worth of like, I hope they have
a dining car. I hope they have a restaurant. I

(46:21):
hope they have a bar.

Speaker 2 (46:22):
The only thing I understand is like every time they're
about to get to eat, they punch somebody right, and
then they have to leave.

Speaker 1 (46:31):
I have not eaten anything.

Speaker 2 (46:33):
Would you stop? I can causing trouble.

Speaker 1 (46:35):
No punching people enough with these karate kicks.

Speaker 2 (46:39):
So she's taking these photos of him doing weird things
as a priest.

Speaker 1 (46:44):
And they do that. He does his best flirty flirts
with her.

Speaker 2 (46:48):
Yeah, the cigar eye contact.

Speaker 1 (46:50):
Which is just odd. He is not a smooth chalker
at all.

Speaker 2 (46:55):
No, and there's another point where I'm going to tell
you where it was really uncomfortable for me when they did,
like a weird flirt would get there. So they all
of a sudden, there's the there's the other virgin joke.
He looks at her, aren't you aren't none supposed to
be virgins.

Speaker 1 (47:10):
She's like, like, how do you know anything about her?

Speaker 2 (47:15):
Yeah, like you're calling her a whore. And the only
thing that's happened in front of you around that is
someone tried to rape her and you saved her.

Speaker 1 (47:23):
Well that that was a very common thing in the eighties.
Wait have you been have you? Somebody attempted to rape you?
You must be a whore.

Speaker 2 (47:31):
A horror. But then after after telling her, oh you're
a whore. Yeah, yeah, no virgin, then he says, seriously,
you do look good. Yeah, It's like, what is happening?

Speaker 1 (47:43):
You're not nailing it? Like you think you're nailing it, buddy.
So the soldiers like they hop on and they're getting
scared because they don't have tickets. Yeah, they didn't get
tickets and they they the soldiers go to the next
cabin over. They pull out this guy yelling about show
us your tickets, show us your.

Speaker 2 (48:01):
Paper, shush your papers. Yeah, they're streaming and panic. Everybody's freaking.

Speaker 1 (48:08):
He's not doing it, and so they take him out
and shoot him.

Speaker 2 (48:11):
Yeah, that's probably routine questioning. Bang bang, And then they
got called out of the cabin. They're very nervous. Oh god,
what's gonna go on? But it's because they want them
to give this man that they shot his last rights.

Speaker 4 (48:24):
Yes, so there's one of my favorite.

Speaker 1 (48:30):
It's so good because they're just like, what do we do?
We don't know how to do this. Just say something
in Latin. I don't know how to speak Latin. Neither
do they.

Speaker 2 (48:41):
Yeah, so just go for it. But you can definitely
say he's like saying freaking idiot.

Speaker 1 (48:46):
Well yeah, because he's speaking pig Latin. Yes, let's do
pig Latin. They don't know.

Speaker 2 (48:52):
Yeah, it's so dumb.

Speaker 1 (48:56):
And so they do that, and then all of a sudden,
and finds the paper, finds the papers, and it's like, ooh, whoops,
thee I guess we jumped the gun on shooting a
guy for not having a ticket for the train.

Speaker 2 (49:09):
So then they find out that it's just a superficial women.
He's gonna make it, but she thinks it's because of
whatever the priests did over him, like they miraculously saved
to him.

Speaker 1 (49:18):
Yeah, so this is like bless me too, Yeah, bless
me Papa.

Speaker 2 (49:25):
So check Norris like repeats the stuff off of the
dollar bill.

Speaker 1 (49:29):
Yeah, he plaurbus union.

Speaker 2 (49:33):
Yeah, it says out of many one for those who
don't know. Yes, So the model of the United States
appears on the Great Seal US currency and official documents.
And then what does he say to him? Piece of cake?
That didn't That's not what I would call a piece
of cake.

Speaker 1 (49:53):
And then so they get off and they travel through
a burning city.

Speaker 2 (49:57):
And what I think is terrible here is this is
what like the dog gave you anxiety, it gave me anxiety.
They're smoking. He just throws it in a cornfield.

Speaker 1 (50:05):
What that thing wasn't lit. He was just chewing on it.
There was never smoke coming out of the cigars he
was smoking. He was just chewing on him. Yeah, he
has an oral fetish. Yeah, Max, not Chuck Norris, don't
come after me. I know you're ninety.

Speaker 2 (50:22):
Yeah, so now that I hope they have a good restaurant.

Speaker 1 (50:25):
Yeah, did you send me gonna tell her? Should we
want to tell her? And they get there and it's
just destroyed, and again military is there these militia gorilla warriors.

Speaker 2 (50:38):
Of some type they like so much for gutierres. Yeah,
so they're running for their lives, right mm hmm.

Speaker 1 (50:47):
Yep. This is this little like field that they're running through.

Speaker 2 (50:51):
And the first thing I was like, is just take
off of fucking robes. Do you don't know how much
faster you would be if you lost the robes?

Speaker 1 (50:59):
So they all get set up berated. Yeah, uh, Max
or Leo's at gunpoint. Max just starts karate kicking people's faces,
and uh, Patricia's hiding.

Speaker 2 (51:11):
And then they'd finally get changed.

Speaker 1 (51:12):
Yeah, Patricia's Ricia's hiding and she thinks she hears yeah,
this part.

Speaker 2 (51:19):
She thinks she hears the guy. So she's out like
hey Max Leo, and then she sees it.

Speaker 1 (51:23):
She's a drunk guy who's like yeah, just.

Speaker 2 (51:26):
A crazy drunk guy who's obviously looking at her like
she's a snack. And then what does she do? Starts
ripping her robe off at this time.

Speaker 1 (51:33):
Yeah, this is the time you want to just start
getting naked.

Speaker 2 (51:36):
Like I'm a hot blonde.

Speaker 1 (51:37):
As smells her and she passes off. Yeah, and like
every man would do.

Speaker 2 (51:45):
He's gonna rape her. He's taking his pants off.

Speaker 1 (51:50):
But it was a ploy.

Speaker 2 (51:51):
She was just.

Speaker 1 (51:55):
I got it.

Speaker 2 (51:55):
I knew you were going to rape me.

Speaker 1 (51:58):
You had this smell you the smell of a rapist.

Speaker 2 (52:04):
Yeah. So then the three best friends they get linked
back up again and they're running again.

Speaker 1 (52:10):
Run away, and they get a wing chased you get away.

Speaker 2 (52:14):
So now we're in the jungle at night.

Speaker 1 (52:16):
And and Tricia's eating a bunch of green bananas.

Speaker 2 (52:19):
Tell me, Leo, if you have lots of money, what
would you do?

Speaker 1 (52:23):
The classic classic? What would you do when you get
the money?

Speaker 2 (52:27):
He wants to sail around the world.

Speaker 1 (52:29):
Sail around the road and get some lady lady women.

Speaker 2 (52:34):
And it could have been more awkward, like it was
like people who have never been laid in their life
saying this women, which like like g mentions Leo is hot,
like he's like a hot guy, and you know whatever,
everybody's always talking about how charming Chuck Norris is. Everybody
loves him. It's like, why do you two acry two

(52:57):
freaking idiots.

Speaker 1 (52:58):
Person with the best charismas def ly Leo Lewis Gotha junior. However,
she did mention it was like, this is the point
we finally realize. Okay, so Leo isn't in love with Max.
We thought for a bowman. You're like, wait a minute,
is there a little something more going on with this? Yeah,

(53:20):
there's not. They're just just partners.

Speaker 2 (53:24):
So there's chanting happening in the just partners. I mentioned
partners a lot. Yeah, chanting happening in the distance, yes.
And Patricia's getting really weird with the knife, yeah, and
coyote's watching her.

Speaker 1 (53:39):
She just gets kind of in a trance and stands
up and starts.

Speaker 2 (53:44):
But her trance is very similar to her other acting.
For the rest of her acting, it's kind of all
the same.

Speaker 1 (53:50):
Yeah. And then of course Max y'all like he would
just a child that's irritating him, don't wander wrong off? Yeah,
God get a Lesia on her, and she like walks
away holding tall eagles bag. I've got tall legals bag.

(54:12):
I'm holding a bag tight. This is my protection bag,
spilled with dust and bones whatever, he said.

Speaker 2 (54:20):
Yeah, magical stuff that's gonna help me steal from his ancestress.

Speaker 1 (54:27):
These magic bones will help me steal from your morning
wake up call.

Speaker 2 (54:34):
Max is awakened by a boot, already tied.

Speaker 1 (54:38):
Up because he sleeps through anything. Max is a real number.

Speaker 2 (54:44):
Yeah. So they're brought to a village and they're these
man hooting and holler. They're gonna write Patricia.

Speaker 1 (54:48):
They bring her down the hill. They separate them, much
like the Ewoks to do with Princess Lehi.

Speaker 2 (54:54):
Yeah, and you can hear the voice in the crowd
saying machete like three times.

Speaker 1 (54:58):
But there here's a line that's very important. As they're
they're chanting machad day. Maybe before they do it, I
don't know, could be during it. Max looks at Leo
and says, no matter what happens, let's just keep our heads. Oh,
cut to you, for.

Speaker 2 (55:17):
You're gonna get your head chopped off.

Speaker 1 (55:19):
About to lose their heads fry yep.

Speaker 2 (55:22):
So they're practicing on the melons.

Speaker 1 (55:24):
Yes, who, Well, when you want to chop ahead, you
gotta practice on a melon.

Speaker 2 (55:28):
Yeah, Okay, that's the way I'm gonna do it.

Speaker 1 (55:30):
It's chopping heads, it's having sex that's what that's what
melons are. Good practice. Yeah, it's good for practice.

Speaker 2 (55:39):
Yeah. So then we get one of my favorites. It
was a fake out. It's actually your friend Quirky.

Speaker 1 (55:49):
Yes, played by John Ree Davies. We all know and
love he's.

Speaker 2 (55:54):
We love him. He's so delicious.

Speaker 1 (55:57):
Man, if you don't know who he is, what the
hell is wrong with you? Life Lots Crusade, Gimbling from
the Lord of the Life, the Rigs.

Speaker 2 (56:10):
He was there in Ireland when I got engaged, and
he was He was one of the guests that the
Connle you're at and him and Caspar are old friends
and I got to go to dinner with him to
it was like a Hobbit bar in Ireland and we're
sitting there together and he goes, I have a very

(56:31):
special treat for you. A friend of mine is a
friend of mine is here and wants to see your ring,
and I go, oh, really, let's turn around and it
is an actor dressed is Golind in the bar that
goes around in the bar performing as Gallam and he
goes the precious, the Precious and looks at my engagement
ring and I was like, this can't even be real

(56:52):
right now. It was one of the most surreal moments
of my entire life. I'm obsessed with him. I love him.
He's the best, and he's so flirty. Every time we're together,
we're flirting and cass, We're totally okay with it. It
is Jean Race Davies. I love him.

Speaker 1 (57:12):
Oh he's so good and he's great in this. He's
not in it for very long, but he knocks it
out of the park. That's what the thing about. Like,
why I think this is Chuck Norris at his finest
is the people around him really bring out an extra
like it causes him to raise his own game because
the people alongside him are quality.

Speaker 2 (57:34):
Yes, big time. So I love now we get to
have a big banquet party, yes, in the rain.

Speaker 1 (57:41):
What's an adventure film without a rain party?

Speaker 2 (57:44):
Yeah, it's amazing. And then I love that Patricia is
dancing with all the men who pretended they were gonna
rape her earlier. Yeah, that's fine, as you do. Some
of you did a really good job pretending you're gonna
hurt me.

Speaker 1 (58:00):
Some of you were very convincing. Carry me, I don't care,
grab my butt now. It's fine.

Speaker 2 (58:10):
We're friends now. You will grab my button.

Speaker 1 (58:14):
Now, I don't grab my butt.

Speaker 2 (58:16):
And then Corky offers to buy her.

Speaker 1 (58:18):
He does, how much?

Speaker 2 (58:20):
Yeah, they have to let him know. Oh she's not
for sale.

Speaker 1 (58:22):
She's very pretty. Yeah, she's very pretty. How much? Hold
on here, buddy, No, we were, we were serious, but
you know we have we have boundaries. Yeah, animals.

Speaker 2 (58:34):
He's watching her dance in the rain, so Horny style,
like looking at her like this is his long lost love.
It's so good. And then we go to the little
hutch porch scene where it's the three guys drinking together.

Speaker 1 (58:48):
But first we have a William tell apple throw and thing.
Oh yes, that's in the whole party montage type, which
it's fun. It's just it's fun to see him on
on screen. And he's got so much charisma that it's
a real bright spot in the film. Yeah.

Speaker 2 (59:05):
It is, yeah, very good.

Speaker 1 (59:08):
And so we are. I love how she pointed out
that each each of them has a cigar in one
hand and the whole bottle.

Speaker 2 (59:18):
They each need a fifth of whatever liquor they're drinking.
You was a pretty good grunt, So Chuck Norris used
to be this guy's grunt. Yeah, and he tells him
how he's got the charm boy.

Speaker 1 (59:33):
You got the charm boy, and he's gonnah, and he
mentions how he's like this position that I have right now,
it's only until I become king and Leo Leo.

Speaker 2 (59:45):
Yeah, what's so funny?

Speaker 1 (59:46):
Don't love don't.

Speaker 2 (59:49):
You gotta have a dream?

Speaker 1 (59:51):
Yeah?

Speaker 2 (59:54):
And then I love how he proves this point of it.
And this is my many onsetspeculation I have because I
got second hand anxiety for him when it's that bottle
is very full and he it's a big bottle, full
bottle and it's like a full bottle. He has to

(01:00:17):
chug the whole thing. And I'm like, they reset that
and put too much in it, and it was too whity.
He was in the scene and he's like, well fuck,
And that was like a minute and a half he
had it.

Speaker 1 (01:00:30):
What take was this? That's the question. How many times
did you do this scene? How much did you have
to drink on camera? How many takes it?

Speaker 2 (01:00:45):
I hate it? You know how bad you hate it
when you have to eat or drink in the scene.
You know how bad you hate it. And it's like
chugging a whole fifth of alcohol and it's like sweet
tea or something.

Speaker 1 (01:00:58):
Yeah, this could be water.

Speaker 2 (01:01:01):
Yeah, it's just a belly ache. Yeah, this is a
belly ache. But he changed the whole thing for like
a minute, and I have.

Speaker 1 (01:01:08):
To do this.

Speaker 2 (01:01:09):
And then he looks at him and says, he said,
but he starts off before he starts chugging. You know why.

Speaker 1 (01:01:16):
Don't gope, go go go go, go, hold on, wait
for it, it's got two thirds to go.

Speaker 2 (01:01:25):
I got the charm too, And then just walks away
and he's walking away because he's going to vomit.

Speaker 1 (01:01:37):
I gotta go get rid of some of it.

Speaker 2 (01:01:43):
So then then they have a special moment between Max
and Lea like I'm so glad we're friends. I'm glad
we're partners.

Speaker 1 (01:01:49):
And you know what I was joking earlier. You can
come along with me on my sailboat and we'll get
women horn dogs horned dogs.

Speaker 2 (01:02:03):
Yeah. So then we come back, it's the morning, and
Corky is very generous for a cold butt of killer.

Speaker 1 (01:02:10):
It is and my favorite thing is they give him
a little Camo slug bug the command Yeah, covered in balloons.
Their obsessions with balloons.

Speaker 2 (01:02:27):
Yeah, like like the phone stars around the headlights and stuff.
It's like, what is happening?

Speaker 1 (01:02:32):
Who decorated this? There's a guy in the background and going, yep,
I didn't have a lot, but what I did with it.

Speaker 2 (01:02:41):
Yeah, nailed it. So then he's like, oh wait, wait,
wait before you go, and they just start putting farm
animals in the car with the here's a pig, He's
four chickens, go ahead, and I love that. It's like
they have that moment. They're driving off and she says,
do you think you'll ever see him again? No?

Speaker 1 (01:02:59):
No, And he's like looking off in the distance, going
like he's gonna get himself killed.

Speaker 2 (01:03:05):
And then you see John ree Savie's watching them right
off like why Key knows they'll never see each other again.

Speaker 1 (01:03:11):
He's like, I just heard you.

Speaker 2 (01:03:14):
Yeah, the windows are down, you asshole. We're never gonna
hang again. I just gave you all his chickens on
a car.

Speaker 1 (01:03:22):
Isn't a parting gift. I expect you to pay me back.

Speaker 2 (01:03:25):
Yeah, I'm gonna be king and you're gonna sort.

Speaker 1 (01:03:30):
Yeah, You're gonna be one of the key people to
get me in there. And so they start driving off
and Chuck Norris makes a little offhanded joke which one
of these are we gonna eat first? And I love
her reaction. Oh that's disgusting. Oh oh you're disgusting. How
could we?

Speaker 2 (01:03:48):
Yeah, it's like you you eat animals. All you've been
talking about is get into a restaurant. You're not gonna
get chicking caesadia.

Speaker 1 (01:03:54):
Bitch, I'm not gonna I'm not gonna kill it.

Speaker 2 (01:03:59):
This disgusts, just like ioma green bananas. Okay. So then yeah,
they throw all the animals out.

Speaker 1 (01:04:09):
And throw all the animals out, and they start driving
through the jungle. Max telling another one of his stories.
It's time about pigmy Zulu cannibals.

Speaker 2 (01:04:20):
Got some more racism in there.

Speaker 1 (01:04:21):
You gotta do it. It wouldn't be an eighties film
without it.

Speaker 2 (01:04:27):
So now we're at the river bank and at the
river bank and stupid idiot one wants to take a
follow her clothes off and jump like water.

Speaker 1 (01:04:38):
I stink like a hoe.

Speaker 2 (01:04:40):
Yeah, and then he's like, wait a second, throws rocking.
There are crocodiles in there, bitch, you will die immediately.

Speaker 1 (01:04:45):
We'll die. I'm the smart man. Smart man throw rock. Yeah.

Speaker 2 (01:04:51):
So after dinner, Leo has to go wash the dishes,
so they can have like a weird date.

Speaker 1 (01:04:57):
You're just like me very weird date.

Speaker 2 (01:04:59):
Yeah, so this is my vomit moment. Like I was saying, like,
there's another moment where they snuggle. It's when they nuzzle
heads and he's like leaning weird to her.

Speaker 3 (01:05:09):
And I.

Speaker 2 (01:05:11):
Just I just bench watched Love on the Spectrum and
this is totally a Love on the Spectrum moment. Both
of them, and both of these characters do seem a
little autistic.

Speaker 1 (01:05:26):
They therearn so many times that G was like, I'm
questioning this, yes.

Speaker 2 (01:05:32):
And it's like they started to end prov a kiss
and then they were afraid to him, like, oh my god,
we were about to just do a kiss. So are
we supposed to let's just.

Speaker 1 (01:05:42):
Put a kiss. I don't think it's ever a good idea. No,
it's never a good idea.

Speaker 2 (01:05:51):
No, there's no concerns needs out. Yeah, and I would
never do it, but as we had learned, people think
that I have done it, and that's embarrassing.

Speaker 1 (01:06:04):
You're a liar.

Speaker 2 (01:06:06):
Smooth smoo The last thing I want to do is smoochie.
I don't want the smoochie, Like, I really don't. Like
I've gotten to the point in my life where I
want my tongue to stay in my mouth and everybody
else's tongue to stay in there.

Speaker 1 (01:06:21):
I keep my tongue in the back of my mouth
that all time.

Speaker 2 (01:06:24):
Who Yeah, that French kissing is for teenagers. So now
this is what sucks. They hear crackle, crackle, crackle, crackle,
and they're like, oh, Leo, and they go to checking
him and he's gone. And in the distance they see
a crocodile, so they're assuming that this crocodile may they

(01:06:46):
ate Leo and uh, And he didn't yell. He just
took it like a champion.

Speaker 1 (01:06:52):
Well he did a damn your video, damn.

Speaker 2 (01:06:55):
You yeah, which was the best acting of whole film,
wasn't it, that melodramatic moment. It was so good.

Speaker 1 (01:07:05):
He needed he needed lou in his corner. He needed
him there to get help him bring out more. But
he wasn't there that day. He wasn't there at filming.

Speaker 2 (01:07:16):
No, this day, he was back at the hotel. So
it's the river bank morning, Leo's not back and they're
driving off.

Speaker 1 (01:07:25):
He's dead. He is crock meat.

Speaker 2 (01:07:28):
So what what I love here is, oh, this looks
like a good place to cross there. They're driving along
along a place to get over, and he goes, oh,
this is good. How do you know it's my job
to know? Drive straight under the water, and the car
starts thinking he's still in What is your fucking problem?

Speaker 1 (01:07:47):
I love main characters. I love it.

Speaker 2 (01:07:51):
Great job you got that charm boy.

Speaker 1 (01:07:55):
She starts swimming and she's like invigorated. She's like, oh
this is oh yeah, she's happy beat. Her mood has changed.
Uh Leo hasn't been dead for twelve hours and.

Speaker 2 (01:08:07):
She's like, god, I feel good.

Speaker 1 (01:08:09):
Yeah, what are you doing?

Speaker 2 (01:08:11):
All of your attention is on me now?

Speaker 1 (01:08:13):
Yeah? Oki, every time.

Speaker 2 (01:08:16):
You too talking about the past.

Speaker 1 (01:08:19):
He's like like a little frog on a lily pad
on the the little slug bug, Like you don't want
to get off your slug bug.

Speaker 2 (01:08:25):
And then he doggy paddles all. They can't swim either,
You can't shoot, you can't drive. You fuck everything up
except kicking people in the face.

Speaker 1 (01:08:38):
You're good at kicking people in the face. Jump.

Speaker 2 (01:08:41):
Keep you around for that.

Speaker 5 (01:08:46):
Your ship You ain't ship one box yep. And then
she's like nothing like a brisk walk. Yeah, she's just
loving her swim and loving her walk, having this.

Speaker 1 (01:08:58):
Is a fun, fun part of the journey.

Speaker 2 (01:09:00):
Runs into her temple. Oh, my dreams are coming true.

Speaker 1 (01:09:03):
Yeah, I know Leo's dead, but he didn't care.

Speaker 2 (01:09:07):
This isn't not me.

Speaker 1 (01:09:08):
Yeah, this is mean Leo.

Speaker 3 (01:09:10):
Who.

Speaker 2 (01:09:11):
So she's so excited she runs out the steps.

Speaker 1 (01:09:14):
Like in Rocky, they're just trying to figure out how
to make their Yeah.

Speaker 2 (01:09:18):
There's another just dipping, dicking around in the temple, touching everything, pushing.

Speaker 1 (01:09:22):
Into some sort of trap booby trap off.

Speaker 2 (01:09:26):
And this set looks a lot like Indiana Jones.

Speaker 1 (01:09:28):
Uh huh, just a bunch of rocks.

Speaker 2 (01:09:30):
Dan, There's got to be an entrance or a moving
wall or a trap door or something going on.

Speaker 1 (01:09:34):
About an open door? What would an open door right here?
Right here? You mean, just just let's go walk through here?

Speaker 2 (01:09:43):
What the hell is going on? This was sealed tight?

Speaker 1 (01:09:46):
And then they walk in this thing in this big
stone statue just starts moving on its.

Speaker 2 (01:09:51):
Own, and I love that. It just shoots at it
and it's huge.

Speaker 1 (01:09:55):
It's huge.

Speaker 2 (01:09:56):
Yeah, what are you doing? Do you realize what ricochet
bullets can do? What are you doing?

Speaker 1 (01:10:03):
Also, it's massive, it's a massive statue, and he misses it.
He shoots like three times and he misses it, and
she's like, you're not very good with that thing, are you?
You know? Made good? Are you? He's like, give me
the knife. I could throw a knife very well.

Speaker 2 (01:10:18):
Yeah, she's just he's just wasting bullets run in his mouth. Okay.
So then they're arguing and then she sits down on
the throne in this right and it.

Speaker 1 (01:10:26):
Just turns around and there's oh passageway.

Speaker 2 (01:10:30):
And we find Leo Leo.

Speaker 1 (01:10:32):
This I love so much because it reminds me of
my four year old. They turn to each other, grab
hands and do a little hop.

Speaker 2 (01:10:45):
Leo, like you're four and a half and you're hanging
over a pit.

Speaker 1 (01:10:52):
Yeah, of boiling water.

Speaker 2 (01:10:54):
Take your take your time, so furic acid?

Speaker 1 (01:10:58):
What is that? Yeah?

Speaker 2 (01:11:00):
We thought you were Dad, We are. And he tells it.
Max go back, like, don't do this.

Speaker 1 (01:11:07):
Max doesn't door shuts behind them.

Speaker 2 (01:11:09):
You're so stupid. You never listen to anything I say.
And then it's red cyclops or just a native nan.

Speaker 1 (01:11:16):
Ol coyote L coyote.

Speaker 2 (01:11:19):
Yeah, L kyote, and he tells him throw your weapons
in the water. You have something of mine, un as
you see, I have something.

Speaker 1 (01:11:32):
Good. Great moment, I mean between us, and he throws
the knife. He's like right above his heart. Yea, because
L coyote means names.

Speaker 2 (01:11:46):
Yep.

Speaker 1 (01:11:47):
It's all about the reflex.

Speaker 2 (01:11:49):
And you held the power of my ancestors in your hands,
and all you could see was the treasure.

Speaker 1 (01:11:56):
The girl can leave. I just left him. He's like,
get her out of here, and then we go.

Speaker 2 (01:12:01):
Weird, bye hug, weird, bye hug.

Speaker 1 (01:12:03):
I don't want to go, just go okay.

Speaker 2 (01:12:05):
Okay, He like, is gonna go and sacrifice the woman.
Now he's like, I just wanted to trap you in here,
sacrifice her, and you can be in here with your friend.
It's fine.

Speaker 1 (01:12:18):
Door because the door slams behind and he's like, trick, ja,
I just wanted to separate you so I could kill her.

Speaker 2 (01:12:25):
So he leaves them to go and kill her, and
then Check Morris runs and jumps onto Leo. Yes, this
alone should have made both of them fall the way
of that man.

Speaker 1 (01:12:38):
You think he would have pulled his hands off?

Speaker 2 (01:12:40):
Yeah, how did you do that without slipping at all?

Speaker 1 (01:12:45):
Hey man, I believe in it. I believe it. That
was a that was a real stunt that they really did.

Speaker 2 (01:12:50):
I feel like he had to have been harnessed to
take the weight of a man.

Speaker 1 (01:12:55):
In the eighties. In the eighties.

Speaker 2 (01:12:58):
Yeah, it's just felt very stupid because now both of
you are on this rope. But they start doing the
whole thing.

Speaker 1 (01:13:07):
Eventually it slips and they get out.

Speaker 2 (01:13:10):
Tension is building because you see the rope is starting
to fray, and they make it just in time, just
in time.

Speaker 1 (01:13:20):
They come crashing down, climb up, and they're like, oh,
how do we get out of here now? Yeah?

Speaker 2 (01:13:26):
So meanwhile Patricia's getting chiropractic work done here where I like,
he tells her, like where this, and then he gets
her in like this virgin outfit.

Speaker 1 (01:13:39):
Yeah, it's all white thing. Yeah like this. You can't
sacrifice someone without a virgin outfit.

Speaker 2 (01:13:45):
They need a white something on.

Speaker 1 (01:13:51):
Yeah, got to make that blood pop.

Speaker 2 (01:13:53):
Yeah. So now the dudes start climbing the wall with their.

Speaker 1 (01:13:56):
Fingertips straight up. Mission impossible to right here.

Speaker 2 (01:14:00):
Just turn into spiders.

Speaker 1 (01:14:03):
Yeah, and their feet are just dangling like it was
total mission buzzible too. Yeah, that's where he stole it.

Speaker 2 (01:14:12):
So now he's gonna he's gonna stab her in the
other round.

Speaker 1 (01:14:17):
He's gonna do the classic downward stab.

Speaker 2 (01:14:20):
Yeah, and then Max shoots at him just in time.

Speaker 1 (01:14:24):
Just in time. The first time I hit him, everyone
is shocked. I don't believe direct.

Speaker 2 (01:14:33):
Yeah, perfect circle.

Speaker 1 (01:14:37):
Makeup work. Could have used a little bit more of
a touch, just a little bit more of a little
fine touch on that one.

Speaker 2 (01:14:46):
Yeah.

Speaker 1 (01:14:47):
Yeah.

Speaker 2 (01:14:47):
They slapped Patricia out of her trance and then she
slaps him back. Fuck you actually for.

Speaker 1 (01:14:58):
Yeah.

Speaker 2 (01:14:58):
So Max is like, now we find the.

Speaker 1 (01:15:00):
Yeah, now what now we find the gold. It's behind
the sun.

Speaker 2 (01:15:03):
Why I've got it.

Speaker 1 (01:15:07):
Patricia finds everything. She did not need anybody for this adventure.

Speaker 2 (01:15:13):
She puts the knife into the altar and that's the key.

Speaker 1 (01:15:16):
That's the key that leads downstairs.

Speaker 2 (01:15:20):
And Leo as they're going is like, you were really
worried about me.

Speaker 1 (01:15:23):
It's not really they were. They could not have been
in higher spirits on their yah.

Speaker 2 (01:15:30):
I mean we went for a swim and we were
skipping through the woods together and you.

Speaker 1 (01:15:35):
Know, finally had some alone time. Yeah.

Speaker 2 (01:15:39):
So now the three thieves find the treasure room.

Speaker 1 (01:15:42):
Yes, of course, it's a huge spread of treasure, just
crazy amounts of treasure, lots of giant.

Speaker 2 (01:15:55):
Cups, tiaras, crowd Yes, Leo, it's on the Tiana.

Speaker 1 (01:16:02):
She starts Patricia starts crying it wasn't crazy, was.

Speaker 2 (01:16:07):
I no girl? Yeah? And he hit Max, consoles her
and pets.

Speaker 1 (01:16:15):
Her well, fruit cake, we did good, yep.

Speaker 2 (01:16:20):
And then they're hauling out the sacks.

Speaker 1 (01:16:22):
Of the five big sacks of treasure, which there's no way,
not even no way they got that treasure in fun sacks.

Speaker 2 (01:16:32):
There's way way. They just had to take their favorite pieces.
And then Leah's like, where'd you park the car.

Speaker 1 (01:16:40):
The river in a van?

Speaker 2 (01:16:45):
So now I love Chris Warley. Sweaty coyote flies up
literally literally he got shot through clean like that was
a death shot. That's a kill shot he had. And
now he's flying through and like on attack.

Speaker 1 (01:17:00):
Motive is back and he's stronger than ever and he
is determined, determined to use his finish shirt. He's got
Leo and his finished shirt. Max chicks him off Max
finish shirt.

Speaker 2 (01:17:15):
Yeah.

Speaker 1 (01:17:16):
But then who saves the day? Patricia once again stabs him, well,
she stabs him in the back. He's not dead, yeah,
they gotta triple fight him. Yeah.

Speaker 2 (01:17:30):
So then they finally beat him up and kill him,
and then she goes over to the altar thing and.

Speaker 1 (01:17:34):
Yeah, they lay him on the altar.

Speaker 2 (01:17:37):
Thank you, tell Igle, and she puts the bag on
him and then she dumps it all over in the
ashes and stuff. Good night coyote, and they walk away
and he just set it, just sets it on fire.

Speaker 1 (01:17:51):
But the thing that I love about it as it like,
right when it blows up in flames, it's like the
sound is a Star Wars blaster. It's it's the exact
sound of the Star Wars blaster and it lights up
like was there a stormtrooper that shot it and let
it light up in flames? What happened there? Yeah?

Speaker 2 (01:18:13):
Really fucking weird. There are a lot of you there's
a lot of weird sound effects in here that you're like, okay, choice.

Speaker 1 (01:18:22):
Was that hat cut too much? Later on a beach,
was the pope there?

Speaker 2 (01:18:30):
The first shot is of the sailboat, so we think, oh, no, Leo,
the three best friends at the tiki bar, and of
course Patricia's taking pics.

Speaker 1 (01:18:42):
And we have to get one more one more dose
of racism in here.

Speaker 2 (01:18:47):
Of course, last time we were in Fiji, we almost
got strung up by a witch doctor.

Speaker 1 (01:18:52):
And then I love this little to the future the
future and I love this little tracking shot with the bartender.
Bartender waiter. Another doesn't make eye contact with the waiter,
which feels like Chuck Norris has never made eye contact
with the waiter in his life.

Speaker 2 (01:19:06):
No, it was very distort get another and I was
yelling things that you peasant.

Speaker 1 (01:19:12):
And then we do a little tracking shot with this guy,
and then we kind of zoom in way off in
the distance. There's the bar and the bartender's doing this
little thing and he turns around and who is it
but none other than the General. From the beginning, we
have no story about this general. And what does he say?

Speaker 2 (01:19:33):
Jenny, So, gentlemmen, we meet again. So Genevieve's MVP is
the Indigenous people of the world for putting up with
this shit, namely Will Sampson or the DP.

Speaker 1 (01:19:52):
The cinematography was great. There's a lot of really good cinematography.

Speaker 2 (01:19:56):
If we're not going to give the MVP to the
Indigenous people, to the DP.

Speaker 1 (01:20:02):
I don't think it's a big surprise where I put
my movie MVP. And my obsession with Lewis Gossip Junior
not even a question. I just I love him. I
think he's fantastic.

Speaker 2 (01:20:15):
Yeah, he's great. I mean the movie MVP. For me,
it's honestly the stunt team again. Okay, and I know
that Chuck Norris said a lot of his own stunts
because for me, I just love how insane the kicks are.
It really excited me. It made me very happy. A

(01:20:38):
close second, though, is the locations at Locations. Yeah, because
they like have the same bar for every bar scene
and just decorated it differently.

Speaker 1 (01:20:47):
Excellent. So that'll take us too, free may free boots, reimagine,
remastered or pre quote.

Speaker 2 (01:21:05):
So it's like we're setting up a part too where
maybe this will get explained.

Speaker 1 (01:21:10):
You give us some backstory on the General. Yeah, I
hundred present won this sequel. It would have had to
have been two to five years after the film, somewhere
in between. There. You need both Chuck Norris and Lewis
Cassa Jr. You need both of them. You can take
or leave melody. Yeah, that's just but those are it's

(01:21:31):
the duo, it's not the trio.

Speaker 2 (01:21:33):
Yeah.

Speaker 1 (01:21:35):
But I would love an adventure and like you just said,
I wouldn't mind more information on this general. Yeah, let's
have a journey with the General. Let's do that. Let's
do it.

Speaker 2 (01:21:44):
He's an interesting guy, they're like, but he can literally
only say that one sentence in English. That's why we
couldn't say anything else. That's all he knows. Dub him.
I don't care.

Speaker 1 (01:21:55):
I don't care.

Speaker 2 (01:21:56):
I need more.

Speaker 1 (01:21:57):
I need more information. Why is this guy always after them?
There's there's something going on, and I want to know
what it is.

Speaker 2 (01:22:06):
He wants that charm, oh man, charm.

Speaker 1 (01:22:11):
So I believe we do have a special guest coming up,
don't we.

Speaker 6 (01:22:14):
Oh yeah, And for this week's nostalgia is a week
we have animation enthusiasts Bobby Shucks.

Speaker 3 (01:22:32):
Ah, hey, yeah, thanks for having me on a nostalgia
this week. It's it's just so great that you guys
are let me do this.

Speaker 1 (01:22:41):
It's so great. Oh man.

Speaker 3 (01:22:43):
Any day I get to talk about cartoons from the eighties,
it's a good day. But you know, I want to
talk about my nostalgia for a very specific group of cartoons. Okay,
cartoons about real action heroes.

Speaker 1 (01:23:02):
I mean, where do they go? Where they go? I
don't know.

Speaker 3 (01:23:06):
You guys know what I'm talking about. You guys are
just talking about Chuck Norris. Okay, he had a cartoon
called Chuck Norris Karate Commandos. Okay, there was a half
naked sumo champ Samurai Warrior and it was way like,
way ahead of its time, right because there they had
a lady who was an expert mechanic and technology expert.

Speaker 1 (01:23:30):
A lady.

Speaker 3 (01:23:34):
Way ahead of its time man. And then you had
Mister t cartoon, a Rambo cartoon, Hulk Hogan's Rocking Wrestling.
In the early nineties, you got pro stars with Michael
Jordan Jackson and Wayne Gretzky. Action also, don't forget Action icon.
Roseanne bar had a cartoon. Now I'm not saying I

(01:23:57):
miss those types of shows because of the you know,
bear chested men bearing their big old barrel chests, but
I think there's just not enough muscular, shirtless men in
modern cartoons. I think we can all agree on that
action stars were better back then, so you know, they
deserved every format we could offer, not like now that

(01:24:20):
you want to see a cartoon with Jason Statham lead
a team of anthropomorphic dog warriors fighting alien slug monsters. Actually, yeah,
I would watch that bad example. Okay, what about I
mean like Vin Diesel as like a Cajun alligator wrestler
who travels from town to town bringing polluting corporations to justice.

(01:24:44):
Oh dude, I'd watched that.

Speaker 1 (01:24:46):
I'd shootcakes. I'd watch that too.

Speaker 3 (01:24:48):
Oh okay, what about it Ryan Gossin as a gay
crime fighting magician with sexy, big breasted bunny rabbit ssidekick. Yeah,
I'd watch all those. I'd watch that one the most.
I guess I just don't know what the hell I'm
talking about. Back to you and the boosh, Wow, man,

(01:25:23):
I thank you.

Speaker 1 (01:25:24):
It's always fun to make people watch movies that you love,
and it's also very terrifying because you're like, you're gonna
hate this.

Speaker 2 (01:25:31):
No, I freaking loved it. I love her like I've
always like I've had a I love Flash Gordon. Flash
Gordon is one of my favorites now. The Princess is
the one that I was the most hot for, but
I still love both of the women. They're amazing. So
I loved her. I was excited to see her. I
was excited to see John Ree Davies and I finally

(01:25:53):
understand the Chuck Norris jokes now, like honestly, like I
know his kicks were like my MVP. Because it was
really thrilling to see a human being able to do
the things that he can do.

Speaker 1 (01:26:05):
Yeah. Yeah, I mean, it's just it's a movie that
I probably watched when I was eight years old, and
it stayed with me hard. Yeah, Like I said, any
time I saw Louis Gonsid, I was like, I have
to watch it. I have to see this. I have
to watch it because it just is always stayed with me.
And it's one of those films that I try to

(01:26:26):
talk to people about. And we all have those movies
that you talk to I have a whole bunch, and
that was one where I was like, which movie do
we do? I have so many I want to show
people that mean a lot to me from a certain era. Yeah,
I mean we could have just watched Iron Eagle, Bit
More Luke Gossip, but.

Speaker 2 (01:26:43):
I haven't seen that one.

Speaker 4 (01:26:44):
Oh I'll have to see that one.

Speaker 2 (01:26:50):
But yeah, I loved it. I thought it was great.
I loved a lot about it. And I do also
love when it's like you said, a hero who can't
get it.

Speaker 1 (01:27:00):
I love that. I mean, my favorite, one second favorite
film of all time is Big Trouble in Little China
and Jack Burton can't get anything right. I think he's
the best character ever written. That's my opinion. But it's
just he's so inept but ed. Moving on for our goodbyes,

(01:27:21):
we uh we decided to do something special for this
week for our second ish episode of our triple finale.
What did we do?

Speaker 2 (01:27:33):
We did the theme song for Firewalker, wrote it and
we recorded it.

Speaker 1 (01:27:39):
Yeah, everybody, if you listen, you know that I just
love and assessed with film title films or title songs
from films. Uh so, yeah, it needed one. And I
refuse to watch the film before I did the music
because that's how they're done. They have to. Nobody sees that.

(01:28:02):
They're just like, what's it called? Okay, this is what
I think it's about.

Speaker 2 (01:28:06):
Yes, Well, and with that being said, I am Jenny Winger.

Speaker 1 (01:28:13):
I'm Jeremy Briggs. You can follow us on what B
side video rentals at any at any one of those things.

Speaker 2 (01:28:23):
Yeah, find find us, find guys.

Speaker 1 (01:28:26):
Look, she's really proud of us for that one.

Speaker 2 (01:28:30):
Good job, guys, the worst self promoters ever.

Speaker 1 (01:28:36):
You got something I would be And with that, goodbye.
This is Firewalker.

Speaker 7 (01:29:02):
Are you reading through the wind?

Speaker 2 (01:29:04):
Stop pulling through your hair, run through the jungle desert landscape?
You're here s lion sheer. The time is twn, the
weary syre.

Speaker 7 (01:29:24):
Not move is up to you.

Speaker 8 (01:29:28):
And I'm been sure.

Speaker 2 (01:29:29):
U there We need us sile mile of guest.

Speaker 6 (01:29:37):
Thro the night mile.

Speaker 2 (01:29:43):
We will triumph and miss.

Speaker 8 (01:29:45):
Fight to both grab the wheel time, find steal all
the lies and you been sold. True treasures are the gold.

Speaker 2 (01:30:01):
The top is how.

Speaker 7 (01:30:05):
The where is Annywhere? Who wears up shoey.

Speaker 2 (01:30:12):
Like this Shorelan?

Speaker 6 (01:30:14):
And we beat up by a walker.

Speaker 7 (01:30:20):
By walking through the nie by a longer.

Speaker 8 (01:30:27):
We can try and send this fight buy a walker.

Speaker 2 (01:30:34):
By a walking through the nim by a longer we
will try f.

Speaker 1 (01:31:00):
M hm.

Speaker 8 (01:31:22):
Wind is howling, the trees are ship.

Speaker 2 (01:31:29):
How dreams are dying?

Speaker 1 (01:31:34):
Is weird?

Speaker 7 (01:31:36):
We can have five long.

Speaker 2 (01:31:41):
File walk as the ninety mile long as spy off
the last spy by.

Speaker 1 (01:32:11):
Time.

Speaker 2 (01:32:25):
Why can.

Speaker 7 (01:32:28):
The bye woad through the

Speaker 2 (01:32:44):
Hell yeah

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