Hausu [House]

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
Saturday, July thirtieth, nineteen seventy seven. You just dropped fourteen
hundred dollars on a brand new VCR and you don't
have anything to watch. You roll up to B Side
Video Rentals on a mission to expand your horizons, and boy,
have you found it right there in the tiny category

(00:27):
of experimental foreign horror films co written by a child
section on its cover a crazy orange kitty. That's right,
a kitty cat, but like a scary cat. Like a
cartoony yet still artistic painting of a scary little kitty cat.
H this is how soon. Welcome to be said Video

(01:24):
Rentals and Jeremy Briggs and.

Speaker 2 (01:26):
I'm Jenny Wanger hat Jen Hag doing.

Speaker 1 (01:30):
I talk It's about It's our, It's our part three
of our three part finale, and this film right here
is pretty much the reason we started this podcast for you.

Speaker 2 (01:42):
Yes, A so fucking lately, I was like, I just
need to talk about this, Please.

Speaker 1 (01:48):
Talk about it and you can correct me if I'm wrong.
But I feel like the very first day we met,
over thirteen years ago, Jesus, uh, you said, have you
seen House?

Speaker 2 (01:58):
No?

Speaker 1 (01:59):
You have to watch how To? And I didn't do it.

Speaker 2 (02:03):
No, but now I made you.

Speaker 1 (02:07):
Yeah, you can only hold me up for so long.

Speaker 2 (02:11):
It's really the first question that I asked if somebody
like scenems kind of cool. I'm like, hey, have you
seen this movie? What do you think about it?

Speaker 1 (02:20):
I actually told somebody one of my wife's friends, he's
a fan of a pod Oh, he loves a film.
And I told him that that was like a day
one meeting recommendation. And he's like, that's a hell of
a recommendation. Like, look, the first thing we did when
we met was right a sketch about a birthday clown

(02:43):
who overdoses on heroin and kids finding like, this's the
first thing we did together.

Speaker 2 (02:49):
And I like what Kevin kirk Patrick kind of said
to me, like everything you do is kind of like
a voice that doesn't have an audience. I was like, oh, oh, okay,
that's great.

Speaker 1 (03:03):
He's gonna be on board with me.

Speaker 2 (03:05):
Ever, no, you're just living in a world by yourself.
I was like, Oh, I could take that note and
do something with it.

Speaker 1 (03:16):
That's constructive. How about you just go take.

Speaker 2 (03:20):
A walk, yeah, really far away from me to keep going.
There was a part of him that I think was
like scared of what to say to me, Like he
would start to talk and me to be like really
thinking about how to word it. I'm like, you can
just say it, and just say it. You can just
tell me no, yeah, okay.

Speaker 1 (03:43):
I don't know how to tell you that. I've actually
had to do that one time, giving notes on a
sketch where somebody like presented something and like I, it
was this abstract. It was like you could you might
be able to do it in like an animated film
of abstract, Like we have to do this on stage.

(04:04):
What do you I don't know how to give you
notes and I don't know how to even approach talking
to you about this.

Speaker 2 (04:11):
Not one element of this will work.

Speaker 1 (04:15):
But how do you say that without being a total dick?

Speaker 2 (04:19):
Yeah? I just would say it for him, It's.

Speaker 1 (04:22):
Okay, I scared you, It's okay.

Speaker 2 (04:25):
That's fine. Because one time I remember the sketch that
really upset him. I was a lady who was being
honoree at a battered women's shelter and she stood up
and forever and they said, oh, we got Tammy here.
Tammy come up to the front, honey, and we want
to all hear from you say, hey, you know me

(04:47):
and me and Doug, we kept getting in a lot
of fights and I kept turning to the bottle, and
then Doug comes in, temmy, I love you like we
have like a weird fight, and I talk about my
my pregnancy loss. I say, it looks like it when
it come out, it looked like a beanie baby that
it exploded in the microwave. And he just said, that's

(05:07):
gonna upset everyone.

Speaker 1 (05:09):
There's not a laugh that's gonna come after that. It's
just shocking horror. But at the same time, aren't we
just looking for any reaction?

Speaker 2 (05:19):
Yeah, But then they fall in love and they lead together.
She leaves the banquet to go back with Doug.

Speaker 1 (05:25):
It was a beautiful scene.

Speaker 2 (05:26):
It was a lovely story. He's like, no, no, don't
do that. But anyways, you want to get to the nudes.

Speaker 3 (05:37):
On Saturday, July thirtieth, nineteen seventy seven, and these are
you're not so current.

Speaker 2 (05:48):
Events, President Carter recorded a special message yesterday about possible
unknown civilizations in the galaxies. The message will be placed
in the Voyager spacecraft, which will be launched on August twentieth. Unfortunately,
it was just twenty minutes of President Carter parting into
the microphone.

Speaker 1 (06:09):
My favorite President.

Speaker 2 (06:11):
They're gonna get it mine, so you get it. I
love it. By God, I know what you mean, They
know what I mean. Get it. The Consumer Product Safety
Commission announced today that the Master Lock Company is recalling
thirty two thousand Master smoke alarms due to their lack
of sensitivity. Unlike Jeremy, who cries out everything.

Speaker 3 (06:33):
Said baby, Oh God.

Speaker 1 (06:38):
Greece's major foreign magazine distributor was sentenced to five months
in prison for distributing last August's issue of Playboy magazine,
finding him guilty of offending public morals, saying the issue
was pornographic, which to me isn't a big deal. Five
months alone. I spend five months alone in the bathroom
with that issue came out.

Speaker 2 (07:00):
Oh I read it. I read the articles.

Speaker 1 (07:03):
Oh okay, I did too. President Carter announced today his
nominees for two positions on the Federal Power Commissions. He
was then quickly informed that Conan the Barbarian wasn't real.
He's very powerful.

Speaker 2 (07:23):
Governor. Congressman said that a report for the White House
Office of Telecommunications Policy appeared to be a how to
do it manual? On non court ordered wiretapping, but on
further investigation, it just told Spice to dress as a
cot rack and hold a macrophone, and.

Speaker 1 (07:40):
The coup baked.

Speaker 2 (07:41):
Not of a mind to me, Treasury Secretary W. Michael
Blumenthal said that a strong dollar is vital to the
world economy in the United States will not be indifferent
to a continuing large trade deficit. But what does he know.
He's just a secretary with a tied ask. Now, I'll
get the tu boss some coffee and try smiling once

(08:03):
in a while.

Speaker 1 (08:04):
Yes, Treasury Secretary Secretary extretary. A jury has convicted Richard J. Rabbit,
the former Speaker of the Missouri House, on all fifteen
counts of indictment of an indictment of accepting kickbacks and
pedaling his influence, which is weird because politicians usually backpedal.

(08:28):
They back pedal, Oh politicians. Nearly one hundred Soviet Soviet
submarines excuse me, nearly one hundred Soviet submarines moved into
the Atlantic Ocean recently in a show of naval strength
that stretched NATO's surveillance force to their limits, which, oddly enough,

(08:52):
here is the plot of my favorite.

Speaker 2 (08:53):
Porno you can't say stretched to its limit without thinking
of a ball hole.

Speaker 1 (08:59):
It isah, you can't say most things around me without
thinking out about.

Speaker 2 (09:02):
All New York mayor being signed into law yesterday a
bill creating a new city department to handle records of
the city's business dating back to the seventeenth century. It'll
be called the Department of MC's because nobody handles records
better than a DJ oh Heliot.

Speaker 1 (09:27):
I love a DJ Bayn. I love them so much.

Speaker 2 (09:31):
Oh yeah, the oh my god. The Court of Customs
and Patent Appeals overturned a lower court ruling that would
have required the Treasury to impose a special duties tax
on imports of Japanese television sets, sidestepping taxes. How do
they think they are? My uncle? You said special duties.

Speaker 1 (09:59):
Duty ground was officially broken this week for Atlantic City's
first gambling casino hotel, officially changing the town's name to
Atlantic Shitty. I don't know, I've never been, but people
talk a lot of crap about that place.

Speaker 2 (10:16):
Yeah they do.

Speaker 1 (10:19):
It's like a knockoff reno. Yeah, which in Reno's and
knockoffs of a knot. Imagine yeah, imagine, imagine all casinos
and we have to pay for that. Scientists say the
forests of the northern United States are suffering their worst
infestation of leaf chewing caterpillars, which is a weird thing

(10:41):
to call plant murdering vegans.

Speaker 2 (10:44):
Take your shots.

Speaker 1 (10:45):
Yeah I took them, Jenny, that's you, you little leaf
murdering vegan.

Speaker 2 (10:50):
I thank him for their sacrifice. I always thank him
for their sacrifice.

Speaker 1 (10:55):
Man, Yeah, and those were you not so good?

Speaker 2 (11:00):
Then?

Speaker 1 (11:04):
Oh man? So Jenny, I'm gonna let you take it away.

Speaker 2 (11:09):
Oh my god. Okay. So the first thing that I'll
say is I'm pretty close with my stepdaughter Grace, right.
I love her. And when we first started hanging out,
I said, hey, I want to show you this movie.
I turned on. She just sat there like this. I

(11:31):
was like, maybe it's a generational thing.

Speaker 1 (11:33):
It's not a generational thing.

Speaker 2 (11:35):
It is a.

Speaker 1 (11:37):
It's a test on who you can trust.

Speaker 2 (11:46):
Because she's just let me. She goes, this has gotta
be the weirdest thing I've ever seen and said, yeah,
isn't that great.

Speaker 1 (11:52):
That's why showing it to you, that's why it has
a special place in my heart.

Speaker 2 (11:59):
This subtitles are everything to me. The cliches like, it's
these seven best friends and the way that they name
them just based on stereotypes and.

Speaker 1 (12:12):
Cliches fantasy, kung Fu, gorgeous, Melody, prof or, professor, Mac and.

Speaker 2 (12:21):
Sweet, and they live up to their names. Yes they do.
And I just love it and uh yeah, so the
theme song also is something that makes me very happy.

Speaker 1 (12:35):
It's a good thing. They do it more than once.

Speaker 2 (12:38):
Yeah, Like my husband said I hate this, and I
said why because it seems like something they play in
its insane asylum to make Hugo nuts And I'm like, yeah,
nice to play it all the time. It's beautiful. It is.
It's a beautiful little melody.

Speaker 1 (12:56):
It is melody, play over and over, melody.

Speaker 2 (13:00):
Melody, play melody. Yes she does.

Speaker 1 (13:04):
So we are talking about house, how Sue We've only
mentioned it in the title, and then we just went
off on rants.

Speaker 2 (13:10):
Oh yeah yeah yeah, so I won't get into everything
before I say. This is a Japanese horror comedy.

Speaker 1 (13:18):
Yeah, yeah, from the late seventies.

Speaker 2 (13:21):
From the late seventies. It's basically about seven best friends
who spend the summer together right their summer vacation.

Speaker 1 (13:29):
Yes, I will say, yes, this is also a film
I didn't know how to take notes on.

Speaker 2 (13:34):
And it was it was brothers.

Speaker 1 (13:42):
It was like kind of like the legend of the
Stardars Brothers are. I'm like, okay, how do I describe
this in my notes? Yeah, like what just happened?

Speaker 2 (13:50):
We open up and it's this gorgeous green filter of
a gorgeous girl. Ten out of ten candles, gorgeous, she's amazing.
The theme song is playing and then it switches out
and you see that it's fantasy taking a picture of
gorgeous and it's kind of like a chemistry lab. So
she's like, it's so hot in here? Did you get
the photo? And so that's how we set up. These

(14:12):
two are best friends. They're the best friends of the.

Speaker 1 (14:14):
Great Dusties, and they're doing like nice little like it's
the nice frames. It's a small frame, it's all it's
all artsy, like this is a this is an art film.
It's a bizarre art film at times. Yeah, and they're
just there's so there's so many strong choices.

Speaker 2 (14:33):
Yeah, like they'll they'll turn and then freeze there and
then there's still movement over here in another window, like
and it's they'll just put people's faces on top of scenes.

Speaker 1 (14:45):
Yeah, I just love it, or they'll just like zoom
in on one part of the screen.

Speaker 2 (14:50):
Yeah. So we we established right away that Gorgeous is
rich bitch. She's a rich girl. Like everybody's wearing like
teenage your clothes that fit their name, and she's like
in a pants suit at times, well you know what
I mean.

Speaker 1 (15:04):
And they walk out, yes, but when they walk out
of the little chem lab thing that they're in, these
two Gorgeous and Fantasy, they weren't like school outfits, but
they look like Sailor Moon. Yeah they do, like is
this the Sailor Moon?

Speaker 2 (15:20):
Yeah?

Speaker 1 (15:20):
They're like, so that I know anything about Sailor Moon.

Speaker 2 (15:24):
So Gorgeous covers the Fantasy is going to a training
camp and Gorgeous is so excited to go with her
dad on a vacation.

Speaker 1 (15:36):
Just a father daughter trip, father daughter.

Speaker 2 (15:39):
Yeah, and then we established it Fantasy has a crush
on their teacher, mister Togo.

Speaker 1 (15:44):
Miss is it Togo or Toho?

Speaker 2 (15:48):
I thought it was Togo t O g O.

Speaker 1 (15:51):
You know what this is why I need to do
more research.

Speaker 2 (15:56):
Genevie just referred to him as pedophile pervert guy, Like,
why are you hanging out with little girls.

Speaker 1 (16:03):
That was one of the things that my that my wife,
you know her, she like pointed out the end. She's like,
I like, how all the men in this are just gross?

Speaker 2 (16:12):
Yeah, they're disgusting. We'll get to my my favorite grossy.
Yeah yeah, okay. So five ft away it becomes the hall.
They see the gym teacher and they talked to the
gym teacher about her very private ship teacher teacher, because

(16:34):
you know, that's what we do. So they find out
that they said, oh, we found out for mister Togo
that you're getting married. And it's like, why is he
talking about this with you?

Speaker 4 (16:45):
What?

Speaker 2 (16:45):
What are these relationships?

Speaker 1 (16:47):
I have questions.

Speaker 2 (16:50):
Quick following. So she goes, okay, you guys go on
enjoy your summer. And then she looks and it's summer vacation.

Speaker 1 (16:59):
How nice summer vacation. And then we get this wonderful
like music montage with best friends activity happening here. It's
just best friends stuff walking around, like putting their heads
on each other's for it's so like childish it is.

Speaker 2 (17:20):
Yeah, it's for the perverts. Yea, these two probably kiss,
oh watch them.

Speaker 1 (17:26):
That's not the vibe that I get from it. It's
a very childlike best friend thing. Like if you watch
two little kids play, they're just they're huggy and they
put they touch their heads together and they're just like, yeah,
my best friend, and it's completely innocent, and that's what
this scene is. Only they're older and it's a little odd.

Speaker 2 (17:47):
Yeah, so it's totally innocent to picture them in schoolgirl
outfits acting this way and then later show them naked.

Speaker 1 (17:58):
No, but I mean there were relationship in this moment?
Is there?

Speaker 2 (18:02):
That's a pure friendship? Yes?

Speaker 1 (18:05):
I just want to agree there's nothing going on between
these Yes.

Speaker 2 (18:09):
I agree up to this point, you don't realize that
it's gonna turn weird and perverted. So now we go
back to like her home where she's going to try
to see her dad. Yes, so this is where I
was just like, what the hell? Like, who is like

(18:29):
this with their dad? She runs for her dad and
he picks her up and he just holds her like
this like a baby.

Speaker 1 (18:35):
Again, creepy dad.

Speaker 2 (18:39):
I'm like if I ran and did that time that
even dropped me on the ground.

Speaker 1 (18:43):
Back up, God, I can't touch you, no physical intention connection, bad.

Speaker 2 (18:52):
Karen, get it him? Weird stuff again? You know, like,
no way, it's doing.

Speaker 1 (18:58):
Weird stuff again. No, I'm confused in this mom. I'm
going to place it here because later somebody says that
her dad is a producer.

Speaker 2 (19:11):
A film guy.

Speaker 1 (19:12):
But I think okay, because yeah, he says that he
was told that his film scores are better than Morricone. Yes,
oh better than any o Morricone dad, who is first
of all, he's a pope's pipe smoking daddy, is what

(19:34):
he is.

Speaker 2 (19:34):
Oh yeah, closed face talking his daughter. There's a sky
painted sunset backdrop. It doesn't look like a real sky
at all. And then we meet the stepmom. He says,
we're gonna have a companion.

Speaker 1 (19:50):
Yes, okay, so I'll talk about the backdrops later, but
I don't want to let go of that. Yes, he
brings up, and we're bringing he brings up uh rioko.

Speaker 2 (20:02):
Yeah, we're gonna have a companion. Oh is it a
boy or a girl? It's her.

Speaker 1 (20:07):
It's your new mommy.

Speaker 2 (20:11):
So she pur sees her and she answers in slow
mo with like a weird scarf flying all around her.

Speaker 1 (20:17):
She like floats in. Yes, it's it's wonderful the way
she moves because every time you see her she's like
floating with wind blowing through her scarf. Fantastic, it's so surreal.
But my favorite line when he introduces her, he says
she can do like, she can mend all these things,

(20:39):
and she's surprisingly good at cooking and other things too.
Oh oh, and other things too.

Speaker 2 (20:53):
And she's like, can we not talk about this in
front of your daughter? So she puts her scarf around
her and says, let's be friends and before gorgeous years.
This is gonna be your new mommy. She's like oh,
she's like you're beautiful. Oh, you're gorgeous. Yes, this is
gonna be to your new mom And she's like, oh wow, no,

(21:14):
get your motherfucking scarf. Yeah, I going, I'm going anywhere
with you.

Speaker 1 (21:19):
And this leads to a wonderful little shot where she
and it's all fluid like the way she does it,
and then they cut away to this she throws her
scarf and runs, But as she throws her scarf and runs,
she's in real time and the scarf floats and slows
behind her, behind her in like a different frame, like

(21:39):
it's going out the window.

Speaker 2 (21:40):
It's beautiful. It's beautiful. I love it. It makes me so happy.

Speaker 1 (21:46):
Like there are just so many strong, bold, artistic choices.

Speaker 2 (21:50):
Yeah. And then she runs to her bedroom and slams
the door and it's like just this room with big
giant roses for wallpaper. Yeah, it's so beautiful. Oh, I
love it so much.

Speaker 1 (22:01):
I just wrote flower room plays piano yep.

Speaker 2 (22:05):
And then and then she spins into a new outfit.

Speaker 1 (22:08):
Oh I love the spinning new outfit thing.

Speaker 2 (22:11):
Yes, like what just happened? Oh okay, I mean yeah,
And I love that she gets out all these pictures
she's cherished for so many years, and all of a sudden,
it's writing black markers over her dad's face, who she's
loved so much. Five minutes before he told her that.

Speaker 1 (22:27):
Dad disappointed as mom.

Speaker 2 (22:32):
Oh bully Dad, I hate him. I think she's so
fucking mad at him. And is this the first place
where we see the mom and the sister together. And
she's like, oh, maybe I'm gonna write my aunt.

Speaker 1 (22:48):
Maybe I didn't, I didn't put that down, but that
seems probably right.

Speaker 2 (22:53):
Yeah, because she's gonna write to her aunt and be like,
I know I haven't come to visit you, but there's
no way I'm going with dad.

Speaker 1 (23:00):
Yeah, And I've always wanted. Well, she does bring up
like I've always wanted to in this letter. It's not
quite where she writes the letter, but she.

Speaker 2 (23:07):
Goes, oh, I remember where because I have to go
back to the school yard first.

Speaker 1 (23:11):
Yes, we go to the which is this is a
fun a very interesting scene. Yeah, because it's chaotic and
the music completely changes tone, like we're going into some
weird rockabilly ish like music. It's something we have not
heard yet in this score. And all of the girls

(23:31):
are kind of like in a line talking. It's gorgeous
group of friends. So we finally start meeting all of them,
and they do this weird like wipe edit between the conversations.
That's fantastic because it's a long line. It's like this
one's talking to this one over here, and it's like
jumping back and forth, but they use little fast wipe edit.

Speaker 2 (23:53):
Wipe yeah. Yeah. And so they they're all hanging out
and then they said gorgeous. Oh my gosh, she's gonna
come to training gap and she goes, oh, how's your
dad or dad's amazing. My dad is not amazing. No,
he's not not anymore. He's a film producer and rich
and then mister Togo comes over and he's like, hey,

(24:14):
we got some bad news, right, Yeah, you're not gonna
We're not gonna be training at the hotel. It's closed
because his sister's having a baby, so they're not going
to open it. So it's like, oh, oh, what are
we gonna do?

Speaker 1 (24:25):
Oh no, what's summer vacation. She's gonna be like, guys,
I've got an idea.

Speaker 2 (24:32):
So Gorgeous writes to her aunt to come and stay
at her big mansion.

Speaker 1 (24:38):
As she's writing this letter where she's like, I've always
wanted to see my mom's hometown, something appears in her window. Yes,
a little kitty cat, a fluffy white cat, jumps into
her window.

Speaker 2 (24:54):
She names her Blanche, Yes, because she's a big streetcar fan.
I love I love that this cat always MOUs with
its mouth closed.

Speaker 1 (25:06):
I didn't even notice.

Speaker 2 (25:08):
Every time it's showing the cat and it goes, yeah,
it's like this. I wish I caught that. I'm like,
who's the one doing the meowing? Because it ain't that.

Speaker 1 (25:20):
Bitch, it's the camera man.

Speaker 2 (25:24):
So the mom and dad, the mom, the dad and
the stepmom are having a conversation and she's like, oh,
you know, and there's a baby crying for some reason.
I always have just artistic choice. Why why do you
just constantly have a baby cry? So weird? The theme
song plays and the stepmom says, I'm going to go

(25:46):
if her aunt calls back and they're going she's going
to her aunt's for the summer, I'm going to go
out there and visit her. And I'm just like, why
we invited you?

Speaker 1 (25:54):
Yeah, you ain't invited girl. You don't just do that.

Speaker 2 (26:00):
Mm hmmm. Where you think this is going to be
good for you? Like what part of this? Yeah, she's like, Oh,
she hated me when she met me. I'm going to
impose myself on her summer vacation with her friends. That's
what people love. They didn't like me.

Speaker 1 (26:13):
I guess I should just wedge myself in a little more,
a little more.

Speaker 2 (26:17):
And then she stares off in the wind machine machine.

Speaker 1 (26:22):
Everything is so great, idea, it's the best.

Speaker 2 (26:28):
So then we see mister Togo's apartment, which is so unhinged. Yeah,
he's a shoemaker. There's a lady screaming from a balcony,
blowing kisses at him.

Speaker 1 (26:38):
Oh this this little music video section. It feels like
a seventy sitcom like theme song where it's just all
these hijinks are happening and people are it's so surreal.

Speaker 2 (26:51):
Yeah, there's a parrot, there's a little horse, there's a
child with an old man, a goofy man, says Hi Shoemaker. Yeah,
oh yeah, yeah that's what it is. So then he
the he's he's walking and he almost steps on the cat.
The cat like runs in front of him and he
almost steps on the cat and he falls down the

(27:12):
stairs and this embarks such a funny scene to me
where he's got the bucket.

Speaker 1 (27:19):
But yeah, well it's it's got that like old school
like stop motion live action type of a feel when
he falls down it and he falls into a twirls
around like some weird Benny hill ish type.

Speaker 2 (27:36):
Yeah, it's like the Japanese Benny Hill so funny. Uh yeah.
And then we're at the train station and the station
the girls are acting insane and I like, I like
the g pointed out, this is really crazy behavior for Japan,
like this really reserved place. They're acting a fool, having a.

Speaker 1 (28:00):
This is really when you start to notice a lot
of the backdrops which happened throughout, which I love. But
every little scene there these bright painted like dusk you know,
like sunset backgrounds that are just beautifully painted, not hyper realistic,

(28:23):
just kind of like but like in a really invents like.

Speaker 2 (28:26):
An artistic take on a bright sunset.

Speaker 1 (28:30):
Yeah, and I love all those and they get even
better when we get to the house.

Speaker 2 (28:35):
So now Togo, mister Togo is calling on the phone.
He's trying to get a hold of the girls, and
the kid is drumming on his bucket butt.

Speaker 1 (28:46):
Yes, the bucket button.

Speaker 2 (28:49):
So the girls get on the train without him, and
the cat is on the train. Oh, they see Gorgeous
there too. Gorgeous is there? They couldn't find her, and
they pull up and there she is in her women's
pants suit, like it's like a top and I'm matching
like all white pants suit with like a lady's belt.
I'm like, you are not sixteen years old. This is

(29:11):
a very weird outfit for a teenage girl. But they
get on and the cat is there, and then it's
the train ride is really bizarre and it turns into
like a cartoon.

Speaker 1 (29:25):
Yeah, because they start to kind of give the story.
First of all, this is the first time that we
realize that everyone treats Mac as if she's a real
fat piece of shit.

Speaker 2 (29:39):
And you're almost like, because she was buying train snacks
and let me tell you something, that is the MVP.

Speaker 1 (29:45):
Yeah, that's who you want to ride with because you're
gonna halfway through you're like, I want a nod something, dude.

Speaker 2 (29:51):
Yeah, she's got you. Yeah, but you've been bullying her,
so maybe she don't share.

Speaker 1 (29:57):
And also like she the same size as the rest
of you.

Speaker 2 (30:02):
Yeah, h girl, let's not be mean to Mac. Come on,
So now they they she so gorgeous, is sharing pictures
from her family, like family airline pictures and telling the story. Yeah,
so I guess like they were. They were both stone
cold hotties, the beautiful So the sister, the aunt that

(30:28):
they're going to stay with, what had this hot husband
or fiance?

Speaker 1 (30:34):
Cold hot? The god that's disgusting you.

Speaker 2 (30:42):
Yeah, so she was wanting to marry this guy and
then he got drafted and yeah, and and they show
him in the plane. So first of all, the first
time I saw this, I'm like, where did they get
this footage? Like how how did they go onto the
front lines of war? And they were met with you.

Speaker 1 (31:00):
That's what it's not separate yourself from Like I'm telling
a story and we're gonna picture it in the past.
That's what threw you all.

Speaker 2 (31:10):
No, No, I'm like, man, you ain't Elvis. Uh uh.

Speaker 1 (31:14):
They're not came cameras like that back then when you.

Speaker 2 (31:20):
So they're filming him and then they get him in
the airplane with his the guy the head pilot and
he's the co pilot in the back of the head
pilot gets his head blown off and it's zooms in
on him while he's going down to his death, just
staring just like, oh, well, this is death. Here we go.
This is how I will due I will honor my family.

(31:40):
I should face it bravely. Yeah, because when this footage
gets out, I don't want them thinking I was a plussy. Yeah, yeah,
I know.

Speaker 1 (31:49):
There's a camera right there. You can't miss it. It's
it's nineteen forty four's this big clunky thing attached to
the side of the airplane.

Speaker 2 (32:00):
So then the news gets back and the sister's still
like waiting for him. The war is over and they're like, oh,
the war is over. And so the soldiers said, we're
getting sent home or sent home and she's like, well, like, oh,
be here soon. So then Gorgeously's mom gets married and
it shows her on her wedding day looking creepy as
but really beautiful.

Speaker 1 (32:20):
Like but like creepy beautiful.

Speaker 2 (32:22):
You know, creepy beautiful, you know, like when.

Speaker 1 (32:24):
You're like I am terrified of her, but like also
definitely would she's serving.

Speaker 2 (32:35):
So all the girls start making comments on, oh my gosh,
you know you're what your mom was so beautiful? She
looks like you you.

Speaker 1 (32:45):
Know, yeah, I know, I've watched it with.

Speaker 2 (32:50):
You, Jenny. Men are so manly back then.

Speaker 1 (32:54):
I love that. We always like that's always such a
back then, not like them boys of today. Like that's
always going to be a thing always fifty years people
are going to look back at this generation and they're like,
remember when they were manly? Yeah?

Speaker 2 (33:11):
And I love also when they covered the atomic when
they're like, it's not cotton candy.

Speaker 1 (33:19):
That's what I think of when I see when I
think of the at home bomb, BUK cotton candy.

Speaker 2 (33:27):
So they're wrong, No, they aren't. It does look like.
So they get to their stop, they all unload off
the bus and the bus driver's waving crazy.

Speaker 1 (33:38):
I love this.

Speaker 2 (33:39):
This is such a chick that is on the bus too, Like,
are we not discovering that this is all very weird?
You guys are just not paying attention.

Speaker 1 (33:50):
They get off the bus. So the bus pulls up
and we see them and there's a background and it's
an obvious painted background, and so they get off the bus.
The bus takes away, and then we pull back to
a wide shot. We just immediately cut back to a
wide shot and see the billboard, the billboard, the mural
that they're standing in front of, and it looks almost

(34:12):
identical to the actual background behind them. It's so weird.
Why are we sure?

Speaker 2 (34:19):
Why did we do this?

Speaker 1 (34:21):
Why did we do this? But also thank you?

Speaker 2 (34:24):
Yeah, it's great. Are you doing that? So they're over
the river and through the Woodstagrama's house we go. The
terrain is wild.

Speaker 1 (34:34):
It's wild. They have this wonderful bridgewalk where they're all
just like and they like get kind of the zoom
in and we get all of their names like right there.

Speaker 2 (34:46):
It's like, oh Mac, sweet professor, Yeah, which.

Speaker 1 (34:52):
Is kind of fun. Yeah, And because honestly.

Speaker 2 (34:56):
Well, fantasy is the one that looks the most like
gorgeous she has like the swoopy hair here, got it?

Speaker 1 (35:03):
Okay. So they walk through the forest and through the
woods and they come upon this little side road watermelon shop.
They see a watermelon and they grab this watermelon off
of the thing, and behind it there's this man who

(35:27):
is just being so weird.

Speaker 2 (35:31):
And his mouth is so wet, murmur hello land.

Speaker 1 (35:37):
Girls, Now like why are you doing those? Why are you?

Speaker 2 (35:42):
Like?

Speaker 1 (35:44):
Why are you doing that?

Speaker 2 (35:47):
He's like, man, man, man.

Speaker 1 (35:50):
Stop doing that to these little teenagers.

Speaker 2 (35:52):
You want to go down to that house.

Speaker 1 (35:57):
You want you want to taste my watermelon.

Speaker 2 (36:04):
Smacking on it like it's a bouncy ball, slappering all
over himself. And so they're okay, bye, we're going up.

Speaker 1 (36:12):
We're gonna go. We don't find you creepy at all.
We're gonna keep going.

Speaker 2 (36:16):
And then he's like, oh, we haven't had visit. I
said so long. I'm sure the lady. Okay. It's just
like I understand why his character is important, Like I do,

(36:38):
I get it, but like, whoever, he didn't have to
be that way, Like it's like they have the casting
for that.

Speaker 5 (36:44):
This is my own speculation, basically, yes, okay, okay, my
my own speculation about this is this was supposed to
just be a connection character.

Speaker 1 (37:02):
Yeah.

Speaker 2 (37:03):
And they held auditions and everybody comes in. They're like, oh,
here's watermelons. Yeah, and the house is up.

Speaker 1 (37:08):
There bye, and everybody did there the normal choice?

Speaker 2 (37:12):
Yeah, and then this weird guy comes in slobbery.

Speaker 1 (37:19):
You're just in the casting room.

Speaker 2 (37:21):
Oh, why is he touching his boobs? Boob sir? Do
you need medical attention? Like something not good?

Speaker 1 (37:33):
You know this is just watermelon man, right, Yeah.

Speaker 2 (37:38):
You just point to the house.

Speaker 1 (37:42):
And you come to find out that that's like the
most normal, like straight laced guy in his regular life.
And he just was like, my career is going nowhere.
It's going nowhere. I have to make bold choices.

Speaker 2 (37:55):
I'm just gonna go into one and do the weirdest
thing I can think of. And his kids go to
the premiere with him, and he's they're like, dad, what
well it works? I got cast?

Speaker 1 (38:11):
Oh, I actually think it's about making twices me.

Speaker 2 (38:14):
So once he leaves the room, they're all like, well,
there's no other option besides that guy. Like, we're trying
to do something weird. Can you get weirder than what
he just did?

Speaker 1 (38:25):
This film was about being bold.

Speaker 2 (38:27):
So then they're going up the mountain and they get
to the mansion, and aren't doors just like opening automatically
for them all mysterious life.

Speaker 1 (38:35):
Before it does that, before the door's open, Who Blanche
is not with them? All of a sudden, Blanche appears
and runs up to the door. Yeah, and the door
magically opens.

Speaker 2 (38:48):
For Blanche and her powers.

Speaker 1 (38:49):
Blanch and then she's no longer on the ground.

Speaker 2 (38:54):
She is in the wheelchair, wheelchair with Auntie, Auntie, Auntie.

Speaker 1 (39:01):
Ant how do you say it? Ants her?

Speaker 2 (39:05):
Aunt? I mean I would say aunt but I'm sure
it's Auntie because that's how long people say. And they're
the ones who started this ship, you know.

Speaker 6 (39:17):
And look who am I to argue with the people
started it? They said, at it with the freaking peasants,
you know what I mean, We're the ones who just
weren't accepted so we had to leaf.

Speaker 2 (39:30):
So Auntie is this badass bitch and a wheelchair and
the cat's like hers, And it's obvious now, and it's like,
do you not find this odd that her cat came
all the way to wherever you live to deliver this
letter like that catches like train rides and has a
bus named after her cats.

Speaker 1 (39:48):
Like I gotta take a trip.

Speaker 2 (39:49):
Yeah, yeah, like this is a famous cat. So then
Fantasy gets her camera like to take a picture and
come the moment, pulls it up and Auntie's like you
and does.

Speaker 1 (40:04):
Like kitty cat green eyes flash nice and it like
flies in such an odd way. Yeah, it's like floats
and then crashes.

Speaker 2 (40:18):
Out of your hands and down. Yeah. So she's like, oh,
don't be sad, you're here, like, chill out. Everything's fine.
Everything nothing at all is untold. Right. So the theme
song is playing the course and Mac has the one.

(40:39):
They look at her like bitch. She's like, I paid
for it.

Speaker 1 (40:42):
Turns the lights on and there's a chandelier there. So
the chandelier, it's it's throwing crystals everywhere. And what's kung
Fu doing?

Speaker 2 (40:55):
Yeah, so she's doing the kung Fu thing and saving
everybody's life.

Speaker 1 (40:59):
And one of them, I don't know who it is. Sweet,
Maybe it's like kung Fu, you're so cool.

Speaker 2 (41:04):
Sweet loves her Sweet because she is Sweet, is Sweet
subsess with her.

Speaker 1 (41:11):
Which rightfully, so kung Fu is impressive. She is.

Speaker 2 (41:16):
So then they let Melody know, Oh there's a piano
in there. You should go check out the.

Speaker 1 (41:20):
Because we didn't mention this earlier, but Auntie is a
was a piano teacher for a long time. That's how
she and all the villagers would come to her house, yes,
to learn piano.

Speaker 2 (41:32):
Used to be full of lots of young girls.

Speaker 1 (41:34):
Used to be where they all go, Auntie so.

Speaker 2 (41:39):
Weird, it's so weird. Where'd they go? So Melody plays
the piano and she says, oh, this, they find a
skeleton and they're like, what the hell?

Speaker 1 (41:49):
Oh with one eye.

Speaker 2 (41:51):
Yeah, her grandpa used to treat patients in here. You know,
it was a patient, it was a doctor's office. Then
it was my piano teaching, you know, you know.

Speaker 1 (42:01):
Just normal everyday skeleton.

Speaker 2 (42:03):
Because this she has this huge grandfather clock. And the
cat goes here with its mouth closed.

Speaker 1 (42:11):
Yeah, you know how cats do that.

Speaker 2 (42:13):
So someone off screen at this point like, oh, let's
go check out the kitchen, you know, and she they're
well around, but.

Speaker 1 (42:19):
There are First of all, there are pictures of the
cat everywhere everywhere. That's one thing that they see walking
through it. It's like there's the cat is everywhere and figurines. Yeah,
and so you're about to say something that's extremely important.
I know exactly what you're about to say, and it

(42:40):
has to be pointed out.

Speaker 2 (42:41):
Go ahead. So they're pushing Auntie into the kitchen and
someone off camera just throws the cat into her lap.

Speaker 1 (42:48):
Was the cat? It's supposed to look like she's jumping
up off the ground, but it is hot hundred percent.
Somebody throw on the eye level.

Speaker 2 (42:59):
Throw and this cat is just like, okay.

Speaker 1 (43:07):
Is this where I need to be now?

Speaker 2 (43:08):
Yeah? This cat is so forgiving and chill, like this
cat has been put through hell and it's.

Speaker 1 (43:15):
Not putting up a fight. It's just like, fine, if
this is what you need me to do, I'm going
to do it.

Speaker 2 (43:20):
So GE's onset speculation was let me give hers little bit,
but of course, like I don't know what the fuck
is going on right now. But G's onset speculation is
that someone was a sign to throw that cat at her.

Speaker 1 (43:35):
Oh, absolutely, there was someone assigned.

Speaker 2 (43:38):
So now we're in the kitchen and all the windows
are open, plants are moving on their own and no
one's noticing this.

Speaker 1 (43:46):
I didn't even notice the plant moving on its own.
But they need to they need to get this watermelon
into the refrigerator they need to.

Speaker 2 (43:56):
But she's like no, no, no, no, no, that that refrigerators
out of service. Yea, So we're gonna use Nature's for
your dress. Yes, oh my gosh, that's a well. Yeah,
let's do it.

Speaker 1 (44:09):
Let's throw the watermelon in the well.

Speaker 2 (44:12):
Yeah. So they take the watermelon out and they lower
it into the whale. Oh yeah, so cool. So then
we go into the bedroom and Kung Fu like just
kicks a wall.

Speaker 1 (44:25):
No, she doesn't just kick a wall. There's like this
cabinet door that just won't open. I don't know why
they're so concerned. The other girls are so concerned about
the door not opening, just like why do you need
it open? I don't know, but they tell Kung Fu, hey,
we need you to do this. So what does she

(44:47):
do but jump kick and which is awesome because like
freeze frames.

Speaker 2 (44:52):
She's like always she's so cool.

Speaker 1 (44:57):
Kicks the door and Unleasha is a couple of rats.

Speaker 2 (45:00):
Yeah, girls get a rat attack.

Speaker 1 (45:04):
Rat attack.

Speaker 2 (45:05):
So then we go out to the garden and Auntie
and Mac and Gorgeous are looking down the well and
the theme songs are playing and Auntie is looking really creepy.

Speaker 1 (45:21):
Well, and then they kind of explained, because she says,
like Mac, that's a weird name for a girl. And
they're like, well, she eats a lot. I don't know
what Mac has to do with eating a lot though,
other than MacDonald's.

Speaker 2 (45:36):
Yeah, I don't know a big Mac or a mac truck.

Speaker 1 (45:38):
Yeah. And then so she they explained, Oh, she eats
a lot. So and then Auntie is like, well, sure
look tasty to me. Mac.

Speaker 2 (45:50):
What are you up to, Auntie? Yeah, creepy, Auntie, creepy.
Now below the cat portrait and it doesn't now.

Speaker 1 (46:01):
Oh is this dinner time?

Speaker 2 (46:02):
Oh?

Speaker 1 (46:02):
So Auntie explains, Ah, the sun's making me tired. I
need to go take a nap. I don't need to
eat right now. I'm gonna I'm gonna go lie down.
And then we go to the dinner without Auntie. But this,
this shot right here is great.

Speaker 2 (46:17):
Yeah.

Speaker 1 (46:18):
We've got the girls on both sides of the little table,
all sitting on their pillows, and at the head of
the table is Blanche, and above Blanche is a painting
of Blanche. It's pretty great. Yeah, yeah, it's it's well,
it's a well composed shot. I like it a lot.

Speaker 2 (46:39):
Yeah, it's beautiful. And they're all sitting and having their dinner,
and then we go into like this, the closing each
eye shot or it changes the perspective.

Speaker 1 (46:50):
Sick Wayne's world stole this.

Speaker 2 (46:56):
Yeah, and their braiding hair, the sun is setting, their
meows going off off. Then we go back to the
well at sunset Saint painted sky background, Oh, which is gorgeous.
I love film like this. I love when.

Speaker 1 (47:10):
We've got these. It's obviously on a set, and they
built this set and I think it's wonderful. It's so
stylized and just wonderful.

Speaker 2 (47:19):
So this is where Kung Fu is pulling. She's out
at the well and then she accidentally where the watermelon
used to be.

Speaker 1 (47:26):
It's Max, Yeah, because Mac went to go check the watermelon,
but then she kind of didn't come back.

Speaker 2 (47:31):
Yeah, and so she's freaking out. Yeah, whoa, let's it loose?
Oh it was fantasy that dude, I thought was kung Fu.
And then it rips her pants off and then she
runs around.

Speaker 1 (47:43):
I thought it was fantasy. See, this is what I
said earlier. I got until they were in their outfits
for the rest of it, because there's a point when
everyone's in a specific outfit, so it could.

Speaker 2 (47:55):
I think I think this time it might have been.
You might be right, it might have been, fans say,
because she's the one who comes in freaked out. Yeah,
you're right, it was fantasy this time.

Speaker 1 (48:04):
Because everybody blows her off and they're like, yeah, it's fantasy,
like in her fantasy world again.

Speaker 2 (48:10):
Yes, that's what it's just making this out.

Speaker 1 (48:12):
So she pulls out this head it's Max's head, and
she tries to get rid of it and run away,
but it starts flying and bites her butt and was
like yan, she runs off and it floats back to
the well and I'm I'm assuming, since you've seen this

(48:32):
multiple times, this was me finally watching it. But that
so the head sits on the well, leans forward and
starts vomiting, yes, which looks like watermelon juice to me,
watermelon juice. Yeah, And then the head falls backwards and
you can see where the neck.

Speaker 2 (48:51):
Have you ever watermelon?

Speaker 1 (48:53):
It looks like watermelon. What a crazy detail that it
was like watermelon fish on her neck because it's so
like a split second that you see watermelon flesh on
her neck. Yeah, it's a crazy cool detail.

Speaker 2 (49:13):
Yeah, So.

Speaker 1 (49:16):
I'm into it, and you're like yeah, you know that's there.

Speaker 2 (49:21):
Well, because I don't want to give away the thing
that it leads to, fine really grossest.

Speaker 1 (49:25):
I just think it's really cool.

Speaker 2 (49:27):
It is. It's very cool.

Speaker 1 (49:29):
That they the detail of the neck being watermelon.

Speaker 2 (49:32):
Anyway, the first time I watched this in the following
I'll get there. Okay, my autism is like, talk about it,
but it's not time yet. So the grandma has the
cat and Fantasy comes in screaming around like, oh my god,
she's out there. It's a decapitated head in the well.
It's smac. So the antie just stands up like okayd

(49:53):
of like what the fuck? Yeah, oh you can walk now?
Oh you girls are giving me energy. Like she's like
saying that literally.

Speaker 1 (50:03):
Oh she is saying that literally.

Speaker 2 (50:05):
Literally, like I'm taking that energy. I'm eating y'all up,
I'm eating all souls. Yep. So they all go out
and they pull the watermelon from the well and it's
just a watermelon. So here's the deal, give me the deal, girl.
So Max's head is the watermelon.

Speaker 1 (50:22):
It's max Essence. Yeah, it's her soul like she is.

Speaker 2 (50:26):
They're all eating M two, they're all eating of mac.

Speaker 1 (50:32):
They're all eating Mac, which I love is just in
the scene when they're all eating, which, by the way,
Auntie eats like four servings of the watermelon. She's like,
she's going crazy on but then one slice of watermelon
to the side. They're all talking, nobody notices this one
slice of watermelon that's actually talking. Yeah, it's begging for help.

Speaker 2 (50:58):
Max. So I always was just like, so you just
turned her heads to a watermelon, Like how did you
do that? Like, I want to know this.

Speaker 1 (51:09):
Sorcery she turned her into her I mean because to
me it was her soul, Like she trapped her soul
into a watermelon, which we start. It's never explained, nor
should it be, but we continue to do that with
other objects.

Speaker 2 (51:27):
With other objects. Yeah, they just become.

Speaker 1 (51:29):
The watermelon when it's kind of cool.

Speaker 2 (51:31):
Yeah, it's very cool. And now sweets cleaning up the floor.

Speaker 1 (51:35):
So after they're all cleaning up, so sweets cleaning, everybody's
doing the dishes and Mac is missing, and some of
them are a little concerned.

Speaker 2 (51:46):
And why you give a fuck.

Speaker 1 (51:48):
But their justification is like, oh, there's a potato field
over there, you know how she loves baked potato.

Speaker 2 (51:56):
Yeah, she's other eating taters. Bitches.

Speaker 1 (52:00):
Girl kN not say no to a tater.

Speaker 2 (52:02):
So then there's cat cat shadows and yam yelling, yam
yelling because they're going out to the drinking well. They're
mortaring around the house at night. There's all kinds of
spooky sounds. The theme music starts playing, and Sweet here's
something calling her name and it's a doll.

Speaker 1 (52:23):
When they're talking about Mac missing, they're doing the dishes
and they're pumping water out of the well and one
of them says, oh, I'm so thirsty, puts oh a
cup under the well water and it's water as it's going.
Yeah her, it's I'm assuming it's supposed to be.

Speaker 2 (52:41):
Blood blood, but it looks as the watermelon juice.

Speaker 1 (52:47):
And so she drinks that the same thing. Okay, so
now we're in this little scene here with Sweet.

Speaker 2 (52:54):
Yeah, so kung Fu is out by the well, just
you know, hanging out by the way, and Gorgeous is
going in the bathing thing. It's like it's like a hot.

Speaker 1 (53:07):
Hot tub bathtub, but it looks like a hot tub
type situation.

Speaker 2 (53:12):
Kung Fu's cutting wood, so it's like the divine feminine
and the masculine on display here.

Speaker 1 (53:18):
Oh, look at you getting an artsy fartsy so intellecture
of vigitty.

Speaker 2 (53:27):
So this is the scene I was mixing it up with. Uh.
But so the kung fu is shopping wind and these
fireballs are flying around. Maybe it's an illusion, I don't know.
But there's another meal. So the cat is on the house,
walking around, causing mischief and mayhem. So in the kitchen
at night, the thing is explaining an Aunt professor and

(53:50):
fantasy or hanging out and Aunt goes in the fridge
and a plate breaks.

Speaker 1 (53:56):
Oh yeah, so this whole thing is like, uh uh,
Fanny's fantasy is talking to someone else. I don't remember
who else is in the room, but they're still doing dishes.
It's professor. So they're still doing dishes. Professor is not
paying attention, she's doing she's distracted with some other thing.
And Auntie is just messing with fantasy. Yeah, because she

(54:21):
knows something.

Speaker 2 (54:22):
Is shed I grow, don't blow my cover, I did we.

Speaker 1 (54:27):
Did you already miss the eyeball in the mouth. We
didn't even talk about the eyeball that was.

Speaker 2 (54:30):
In the watermelon. When I didn't talk about it, I
know I did it.

Speaker 1 (54:35):
Oh yeah, so Auntie had an eyeball in her mouth
and only showed Fantasy because everyone thinks Fantasy's crazy. So
she's like, no, I'm eating like I'm crazy, and only
you get to know I haven't watermelon, so good, Fantasy's
already onto her. So she decides to mess with Fantasy,

(54:57):
and it's like, I'm gonna just disappear into the refrigerator,
and so she freaks out, drops all the dishes, and
they're like, Fantasy, what are you doing. She's like, goh, fridge,
and then all of a sudden, she's like creeping into
She's in the frame the in front of us. Do

(55:19):
you know what I'm saying? You know what I'm saying,
But for anyone listening, they're clueless, is what the hell
I'm talking about? Because it's it's here but there, and
there's this thing and there's a you know what I mean,
You gotta you totally understand what I'm putting down.

Speaker 2 (55:35):
So I love now that the ant is like dancing
with the skeleton.

Speaker 1 (55:39):
Weird music is playing Foreground, thank you, Yeah, Foregrounds, the Foreground.
Words don't come to me always.

Speaker 2 (55:51):
Auntie's eating a hand things.

Speaker 1 (55:54):
This montage I just love because it's so weird that
she dances with the skeleton, like, yeah, this skeleton apparently
can dance.

Speaker 2 (56:05):
Yeah.

Speaker 1 (56:05):
And then there's this weird, really good cat on the
piano that they just take the footage, they wind it.

Speaker 2 (56:12):
And now yeah now yeah, yeah, I love it. So
Auntie's basically just doing all this crazy as ship till
dawn right lapping to herself.

Speaker 1 (56:26):
Yeah, She's like, I'm crazy and y'all love it. Oh
and another thing is which we haven't mentioned, is Auntie
breaks the fourth wall several times. She looks at us
and goes and then continues on her way. She's like,
y'all know what I'm doing.

Speaker 2 (56:44):
These bitches, these dumb bitches.

Speaker 1 (56:47):
Oh, I love eating children's souls, teenagers.

Speaker 2 (56:51):
And oh and what I wanted to say is gorgeous
in the bathtub, We for no reason show her naked,
for no reason, like shawing this child naked. I don't
know how old these girls were when they filmed this,
but the nudity seems like child pornography.

Speaker 1 (57:12):
It's That was the one thing that Emily said, my wife,
She said, after watching it, that part that stuff made
me uncomfortable. I really liked it, but I was uncomfortable
with some of those things. I do know that Gorgeous,
I don't know how many of them get naked. Gorgeous
turned eighteen about six months before it came out. Kung

(57:39):
Fu was seventeen when the film came out. So those
are the only two that had their had to have
their birthdays on online.

Speaker 2 (57:46):
Because it was it was very confusing. But I think
I think it was Professor's body that was shown once
and Gorgeous, yeah.

Speaker 1 (57:53):
I didn't. There was no information on Professor.

Speaker 2 (57:57):
Yeah, so that was upsetting. I love the movie, and
I just like, look, I know these things were abused
a lot in the seventies, right, so you know, like
I try to look. I don't want to look over it.
I'm mentioning it that that's the thing that I don't
like about. I love this film for all of the

(58:18):
things that are good about it, and I look over
the things that I'm against to enjoy the things I do.
Like I sound insane. It's like, yeah, children were abuse,
but only for a minute. But I love the music terrible,

(58:48):
but so it's Yeah, Gorgeous is brushing her hair, walking
up the stairs, and the doors magically opened to a
room we haven't been in yet. Yes, and it seems
like it was kind of like her mom's bridal Sweet, right,
because like all the makeup and the hair.

Speaker 1 (59:08):
And I it looks like a makeup kit. But then
the music starts and she says that music, And in
my head, I'm like, is that some kind of weird
makeup kit music box? Yeah, because what's happening? Like, what
do you mean she's listening to music? Because the music plays,
but melody's not.

Speaker 2 (59:28):
You hear that melody.

Speaker 1 (59:30):
Plays right after after It's like moments after she.

Speaker 2 (59:35):
Goes, you can hear the soundtrack Girl break Down. So
the Fine Wallroom, Gorgea sits at the vanity, there's the
Dead the dead lover's photo is there. Yes, And and
I love this that she pointed this out. It's two

(59:57):
songs overlapping for the fifth time. Like we're at you know,
like we had two tabs going on our computer and
it's like, ah, we need to stop one of these close.

Speaker 1 (01:00:06):
Out when you're on some website and all of a sudden,
it just starts playing a commercial when you're listening to music.
Why is this commercial playing?

Speaker 2 (01:00:15):
Yeah, it's very jarring. It's very jarring. And then we're
back in the living room. Meanwhile, Melody starts playing the piano.

Speaker 1 (01:00:22):
Yes, but like she goes she sees the piano and
goes over there, and the metronome it just starts. Yeah,
it just starts without her. She doesn't touch it. It
just starts playing. And it's like, oh, I guess. And
she just starts site reading the music and playing it.
And the Skeleton is in the background, Yeah, just shattering dancing.

(01:00:47):
It's like, oh you my song girl. But she said
four ground earlier when I mentioned.

Speaker 2 (01:00:52):
Oh okay, I just got one from her.

Speaker 1 (01:00:56):
So the the Skeleton is dancing like this, yeah, shoving it,
like why is this song brings?

Speaker 2 (01:01:03):
That's a boogie woogie? Skeleton loves it, which I hate.
Like I hate when anyone chatters her teeth, even if
it's me. I hate it. I hate the way it
feels inside my body.

Speaker 1 (01:01:21):
I don't I'm just gonna start sending you messages of
me chattering my teeth.

Speaker 2 (01:01:26):
Oh my god, like to think about teeth hitting each
other like I wear a nightguard. I don't like it.
I'm not here for it.

Speaker 1 (01:01:35):
And so this is kind of a cutback and forth
between Gorgeous and Melody. Gorgeous is putting on lipstick, still
like doing herself up.

Speaker 2 (01:01:44):
The mirror becomes a looking glass.

Speaker 1 (01:01:46):
Yeah, and then it does this weird like her face
falls apart.

Speaker 2 (01:01:51):
Yeah. First she becomes Auntie for a minute. Yeah, and
then it starts crackling her face and she's like, what
the hell? And then she's like a fire person yeah fighters, yeah,
just like and what I this is? What's something that
I thought? That's just stupid and vain. But I'm like,
when they shot her from the side as the fire person,
it looked like she had the same silhouette from here

(01:02:13):
down as the watermelon bag. Oh, like, we know she
has a chin. Why why are you fire personing her
with no chin?

Speaker 1 (01:02:22):
It wasn't she wasn't there that day, just a standing Why.

Speaker 2 (01:02:30):
Why why am I shakeed like that? When I'm on fire?

Speaker 1 (01:02:33):
Being in flames adds ten pounds.

Speaker 2 (01:02:36):
I would have been pizzed.

Speaker 1 (01:02:38):
So Melody's also at the same time playing the piano.
She can't flamaz yeah, yeah, influce, and then the piano
starts like flashing and Blanche's watching and then we kind
of cut back.

Speaker 2 (01:02:52):
To Sweet Sweet.

Speaker 1 (01:02:55):
She's still looking at this doll and all of a
sudden Blanche is no longer on the piano. She's in
this little room, sweet and sweet. Here's this voice. It says,
any old cat can open a door, only a witch
cat who can close one. And right then the door closes,

(01:03:18):
which my cat closes our door.

Speaker 2 (01:03:20):
All the way. Yeah yeah, yeah, say my cat opens
close the door.

Speaker 1 (01:03:24):
So like only a witch cat can close the door.
I find your logic is not quite on here.

Speaker 2 (01:03:32):
That's where they lost Jeremy.

Speaker 1 (01:03:35):
At that moment, I was like, I'm out, I'm done.

Speaker 2 (01:03:40):
Yeah. So, now Kung Fu is summoning the two who
are in the kitchen, Professor and Fantasy, right. Uh and
then we cut back so there she's gathering the troops,
and then we cut back to uh, sweet and she's
starting to get like surrounded by feathers from the pillows
and mattresses.

Speaker 1 (01:04:01):
She's getting attacked by mattresses. Yeah, mattreside.

Speaker 2 (01:04:07):
And what I hated here, this is another one of
those pervy, stupid things is it's no. And then we
have to get like a glass floor shot of her
panties as she's being as she's being covered with the mattresses.
I'm just like, why why do we need to look
up her skirt while she's dying. You know, Kung Fu

(01:04:29):
got in that fight out there at the wood chopping
area and it ripped her pants off, and now she's
just pants less through the movie.

Speaker 1 (01:04:35):
But she's wearing a bikini bottom. But why but why
sure she is a seventeen year old girl.

Speaker 2 (01:04:46):
Yeah, like, let's leave her alone, let's leave let's stop
looking at panties, let's stop doing nudie shots. So now
Fantasy is looking for Melody and uh, the Han wives
toilet paper police.

Speaker 1 (01:05:02):
Yeah, because there's this creepy moment when Fantasy can't find
Melody because before that, when they hear the noise of
Sweets getting attacked, everybody runs off, but Melody wants to
go and then you hear like a little and she
grabs her tummy like she has an issue, but it

(01:05:23):
has the weirdest look on her face, like it was
like it was this weird like happy spark.

Speaker 2 (01:05:29):
It was weird.

Speaker 1 (01:05:31):
And then we cut to her, so we don't know
what's going on because it's like maybe she had the ship,
maybe she got possessed, I don't know. And then it
turns out.

Speaker 2 (01:05:41):
She had the ship.

Speaker 1 (01:05:42):
She had ship because she's on the toilet, and he's like,
I ney toilet paper. I went to dumpstown.

Speaker 2 (01:05:48):
So the others fine, where sweet was? They're lifting everything,
lifting up, they lift everything, and then they finally find
her doll.

Speaker 1 (01:05:57):
And a cat, but they find all her clothes. I
found her. Here's her.

Speaker 2 (01:06:00):
Here's her panties again. Cool, great, great, we need that,
we need that element. Here's her panties, their little girl panties.
Stop doing that. And so there's a naked baby doll
in the cat and the cat and the cat.

Speaker 1 (01:06:19):
For some reason there as well.

Speaker 2 (01:06:21):
And then they're like, all of us are gonna die.
Fantasy is definitely been a fantasy. But fantasy is hoping
that her pedophile teacher boyfriend is still save them. She
has this.

Speaker 1 (01:06:34):
Weird like cutaway in her mind of mister Togo on
a horse.

Speaker 2 (01:06:42):
It's like.

Speaker 1 (01:06:45):
This is weird inner cut, very forced in there.

Speaker 2 (01:06:50):
Fantasy so weird. So they're like, okay, we're gonna go.
We're looking for she went to take a bath. She
s up there? Yeah, yeah, well.

Speaker 1 (01:07:01):
They think this is what they say. They say, well,
she was taking back, she must be upstairs.

Speaker 2 (01:07:06):
Yeah.

Speaker 1 (01:07:07):
This is like the third time they go, maybe she's
playing hide and seek.

Speaker 2 (01:07:12):
Yeah, that's great. What is everybody think? People are playing
hide and see Max Potato.

Speaker 1 (01:07:19):
Where's Mac? She's probably playing hide and seek? Who just
knows plays hide and seek without telling anyone else that
they're playing hide and seek? Besides you, Jenny, Yeah, of.

Speaker 2 (01:07:30):
Course, besides me. You know that's a personal preference. Okay.
So they find Gorgeous, they're freaking out, so they're going down,
they're going to do the phone call right.

Speaker 1 (01:07:40):
Yes, And this shot is all in this odd slow motion.

Speaker 2 (01:07:44):
It's like very weird, interesting, very strange, and it's like
like a nightmare sequence of going from face to face shaky.

Speaker 1 (01:07:54):
And Gorgeous is acting weird, girls acting weird.

Speaker 2 (01:07:59):
Uh. The fire Queen yeah, hell come here now, screaming
on the line like it's just.

Speaker 1 (01:08:08):
Like, yeah, it doesn't work.

Speaker 2 (01:08:12):
It's out of border, oh is it? So she's like
stay here till I come back, and she's just leading
into the night. Yeah what pops out? Yeah?

Speaker 1 (01:08:25):
I was like where did that mummy come from? Where
did mommy come from? And then where did it go?

Speaker 2 (01:08:30):
It's like a house of horrors right now.

Speaker 1 (01:08:34):
And Kung Fu is like, I'm gonna take charge. I'm
the one in charge.

Speaker 2 (01:08:40):
And this is where the house closes them in.

Speaker 1 (01:08:42):
Yeah, because she's trying to lead them all out to
get the hell out of Dodge. And then Gorgeous just
walks into the fog outside yeah to the theme song
and starts juggling glowing orbs.

Speaker 2 (01:08:57):
Yeah, go sjuggle shule yep. And then uh, next, you're
in the city night. The creepy teacher man is looking
for the girls.

Speaker 1 (01:09:09):
Wait name girls a Yeah, So kung Fu tries to
kung fu the doors and it just doesn't work, and
Professor she's trying to like solve, like it's a riddle
or something.

Speaker 2 (01:09:26):
She's like, maybe Auntie just has a security system.

Speaker 1 (01:09:29):
Yeah, let's ask Auntie. She'll know how to get out
of it.

Speaker 2 (01:09:33):
And then they find a hand.

Speaker 1 (01:09:36):
A hand inside of a jar that's Max scarf.

Speaker 2 (01:09:42):
Yeah. And then and then they tell Melody, hey play
the pianost so you can cheer us up. We just
found our friend's hand. Our other friend went crazy and
walked into the night. Sweet is missing, but.

Speaker 1 (01:09:58):
We need to be cheered up. And I love this
because they start to usher her to the piano to
start playing it and she says, hey, don't touch my butt.

Speaker 2 (01:10:09):
Yeah, because cut one of them smacks her butt on
her way and it was like, what why did you
do that? Goat team, Goat team, don't touch my butt.
I'll play for you. They keep your hands to yourself.

Speaker 1 (01:10:23):
Hey, no Touchyes? What am i ahua?

Speaker 2 (01:10:28):
Yeah? So then they hear Gorgeous humming. Oh, Gorgeous is back,
so kung Fu and Professor go to find Gorgeous while
Melody is entrance, playing piano like she's like deep in it,
deep in it. So kung Fu and Professor find Gorgeous
and she's in her mom's wedding gear. Yeah, what is

(01:10:49):
up with that? And not speaking. It just turns around
all creepy. It's like, uh, what's going on? So then
this is my favorite death.

Speaker 1 (01:11:02):
I know this is your favorite. It's absolutely like because
when you said I just want like when we were
doing them starting the podcast, You're like, I just want
to talk about this moment right here.

Speaker 2 (01:11:16):
Everything's just been leading up to this. She's playing the
piano and as she's playing, it turns into kind of
like that video Killed the Radio Star, kind of no
take on me, that kind of take on me animation,
and it starts like making parts of her finger disappear,
like the piano is eating She pulls.

Speaker 1 (01:11:37):
Up her hands and it's like.

Speaker 2 (01:11:41):
It's like all broken up. But she doesn't look mad
about it. To me, she's not mad about it.

Speaker 1 (01:11:47):
She's like, she's not she's only mad when her entire
hand goes off.

Speaker 2 (01:11:52):
Yeah, once it's the whole hand, she's like, hey, the
other thing was kind of cool, but yeah, she took
my hand with the fingers off, but she lost the line.

Speaker 1 (01:12:06):
And then that the piano just goes ape shit first,
eating her up, eating her up, and she's like.

Speaker 2 (01:12:15):
Different parts, it's separating her. The chords are ripping her head.

Speaker 1 (01:12:19):
Yeah, the piano wires like like attaching itself to her,
to her body, and she's like nah, and this is
all like late seventies special effects. So it's very.

Speaker 2 (01:12:33):
Awful, insane and disjointed. Blood is flattering everywhere. At one point,
she's looking down at her body getting chomped by it, and.

Speaker 5 (01:12:42):
She goes, oh, nay, that's naughty, that's naughty.

Speaker 2 (01:12:47):
What do you know what that means? Oh my, that's naughty,
And she looks so thrilled about it. I'm like, you're
getting eaten by a piano.

Speaker 1 (01:13:01):
Yep, she got a bob piano. And now we go
to Geisha, who poops a book. That's what I have
because she's like standing there and then she walks and
underneath her is a book and I'm like, did that
girls just poopy?

Speaker 2 (01:13:21):
She she poopied that, but she pooped that book out,
So Professor gets it. So now the clock gear, it
looks housemade with with sweet sweet.

Speaker 1 (01:13:34):
Is inside of the clock and the gears are like going, going,
you're you're so cool, kung Fu, You're so cool.

Speaker 2 (01:13:41):
Kung Fu.

Speaker 1 (01:13:43):
I think that is that? Is she saying that or
is that in kung Fu's head a memory like her
memory of well.

Speaker 2 (01:13:49):
Her mouth isn't moving, so it would be like a memory.

Speaker 1 (01:13:51):
Yeah, I did feel like she was like, oh my,
the person who looked up to me the most is.

Speaker 2 (01:13:56):
Getting gear gear up.

Speaker 1 (01:14:00):
She can getting geared. And it's weird because like at
first her blood is green and then it changes to
red to red. Yeah, it's a weird little choice there.

Speaker 2 (01:14:13):
And it looks like in test and streaming through like
it's really disgusting and horrible and wonderful. So then Professor
and kung Fu they go running downstairs and fantasy is
on the floor. Yeah, with goldfish on her get up,
so they wake her up and then she passes out

(01:14:33):
again because she's so freaked out because she's my hand.
What the fuck is happening down there? Yeah, because it's melodies,
disembodied fingers now are playing.

Speaker 1 (01:14:47):
That's a great little thing that the theme song is
still playing, but they're just floating disembodied fingers playing it.

Speaker 7 (01:14:54):
Yeah until it closes, and and then it closes, it
smashes blood everything in her way.

Speaker 1 (01:15:06):
Cut two dude eating noodles.

Speaker 2 (01:15:11):
Yeah, with a genius cut here because I just love
this disjointed craziness, like their'st in there, like oh or
so scary And they look over and yeah, the guy
was the noodles comes into their frame, right, and it
takes him back into his scene.

Speaker 1 (01:15:27):
Yeah, and he's.

Speaker 2 (01:15:29):
Just chilling with a bear, like a humanoid bear. Is there?

Speaker 1 (01:15:36):
Is there a humanoid bear? You know, just chilling by
humanoid bear.

Speaker 2 (01:15:45):
Friend wackiness, So mister Togo's there. Then we cut to
the pink vignette where Auntie is sitting at the vanity
has a voiceover where she's reading Aunt Grahamy's diary. There
are no young girls in the village anymore. But I'll
keep waiting for them for him in this house. Oh,

(01:16:07):
so we're kind of getting like why she's like.

Speaker 1 (01:16:11):
The way she is.

Speaker 2 (01:16:12):
She is like, it's no excuse, girl, get therapy.

Speaker 1 (01:16:17):
And then is this where all hell breaks loose?

Speaker 2 (01:16:22):
Yeah, this is where it's like flashing lights and what's
the matter gorgeous and a giant head pops in with
giant lips, and like.

Speaker 1 (01:16:30):
All of the stuff starts attacking them right, like every
object in the house starts spiting them.

Speaker 2 (01:16:36):
She eats all of the unmarried girls and then every yeah,
then everything starts freaking out.

Speaker 1 (01:16:42):
And then I love it that there's voices themselves rooms. Yeah,
all the brooms are like hitting them, and then there's
this voice it's like, just.

Speaker 2 (01:16:51):
Let me eat you so good, chill out, let me
eat you bitches. Yeah. And then Kung Fu is given
the best fight of her life. Yeah, you won't beat me.
She's fighting all the furniture, fighting everything. And then and

(01:17:13):
then it's the exterior bus stop at night and mister
Togo he's passing the back drop, so we see.

Speaker 1 (01:17:19):
He dropped them off that we mentioned.

Speaker 2 (01:17:23):
Yeah, and we see it's a full moon. It happens
on a full.

Speaker 1 (01:17:28):
It happens on a full.

Speaker 2 (01:17:31):
Kung Fu is kicking the phone and the phone explodes. Yeah,
and again the mummies appears. Yeah, and she flies through
the wall and it leaves her shape her silhouette in
the hole in the wall.

Speaker 1 (01:17:47):
And then I have to say, this is this the
part where she gets sucked into the She.

Speaker 2 (01:17:53):
Has to fight with the bride aunty right here, and
then the flashing cat is having and then the chandeli
this is where she gets the.

Speaker 1 (01:18:04):
Attacks her and I got to say this, this part
breaks my heart.

Speaker 2 (01:18:09):
I know she didn't deserve this.

Speaker 1 (01:18:10):
She didn't deserve this. And the girls are cheering her
on kung Fu, don't lose, they don't lose. She's fightings
like half her body is sucked up into this thing.
And then again she gets fully sucked up in the
the lant or the whatever chandelier thing is just going
crazy and they give up. The two girls are like

(01:18:33):
she's gone.

Speaker 2 (01:18:34):
And suddenly her bottom half of her body comes out
and kicks.

Speaker 1 (01:18:40):
Kicks the painting of the cat.

Speaker 2 (01:18:43):
Yeah, and just destroy it.

Speaker 1 (01:18:47):
Destroy the cat.

Speaker 2 (01:18:51):
Conks like she and she's with the other girls. Now
this is the part also that must be noted once
Kung Fu is like going over to the other side.
It's like she's the floating head and she's seeing the
other girls who have been eaten. They're all in the
same place now in this kind of like weird purgatory
of different body parts, titties for no reason, for no reason,

(01:19:13):
for no reason, a torso with just naked titties and
the kids' heads and feet, and she's like, oh no,
and that's where somehow she sends her last bit of
power to kick the cat picture down.

Speaker 1 (01:19:27):
Like yeah, yeah, and just blood sprays from the cat
picture yeah, and out of cabinet drawers. It's just blood
is coming everywhere?

Speaker 2 (01:19:38):
Did you say? Blood is coming everywhere? Good? God the hell.

Speaker 1 (01:19:44):
Learn how to speak without being a nasty.

Speaker 2 (01:19:47):
So then I tell you about mister Togo's coming back,
keep promising, and then they have like they had a
weird little argument over if he is coming or you know,
if not.

Speaker 1 (01:19:58):
Stupid we can't do a car approaching.

Speaker 2 (01:20:03):
Well. What I love though right now is where he
is at the watermelon stand.

Speaker 1 (01:20:10):
Yes, the car. We see the car approaching, and he
pulls up to the watermelon stand. Yeah, and he just
immediately tells them, oh, the girls were eating. Yeah, delic it.

Speaker 2 (01:20:27):
Too late, bitch. Then he asked him if he likes bananas,
what donat do you like watermelons like bananas? And then
he turns into a skeleton. Yeah, he doesn't a skeleton.
Mister Togo's like, oh my god, I'm getting my car, and.

Speaker 1 (01:20:43):
Then he just starts going bananas.

Speaker 2 (01:20:45):
Bananas, bananas, bananas, bananas, pet in his head. Okay, so
we're going to go back to that, Yes we will, Yes,
it's really weird. So now they're reading about the cat
glasses fall. A meal jug with teeth attacks.

Speaker 1 (01:21:02):
Yes, because her glasses fall. So what happens is there's
so much blood when she kicked the cat. The how
the whole house starts to fill with blood and they're
on this raft type of thing, door something something. It
starts to lift up, and so they're floating on this
little raft type thing and Professors her glasses fall into

(01:21:26):
it and she tries to get her glassers.

Speaker 2 (01:21:31):
And what happens ohnckednked seen and the blood flood.

Speaker 1 (01:21:44):
So so she tries to get her glasses that fall
into this lake of blood.

Speaker 2 (01:21:48):
And then she's jug yeah.

Speaker 1 (01:21:51):
Comes to life and attacks her. It's like don't.

Speaker 2 (01:21:56):
Yeah, and then for some reason, her clothes get taken.

Speaker 1 (01:21:58):
Off for some reason, Yeah, and.

Speaker 2 (01:22:04):
The witch ghosts aunt Bride is pett and blanched the cat,
and it looks like the best friends forever are reunited.
She sees gorgeous and she's like, oh, you know, gorgeous.
Gorgeous is now like embodying all of the evil. Yeah,
but Fantasy is just happy to see her friend. Yeah,
and she just like puts her hand out.

Speaker 1 (01:22:24):
Another moment where you're like, why do her tits need.

Speaker 2 (01:22:27):
To be out? Yeah, there's no no reason for it,
and it was just for what just it's like that
she exposes one and then holds her best friend into
the tit. Yeah, like why you don't. You don't have
to do this.

Speaker 1 (01:22:42):
You know, for for how many different films we've watched,
and how many like nice did shots we've had this
one we're like, oh, why do we do this? Why
did we do that? That's a choice that we're not comfortable.

Speaker 2 (01:22:55):
I do like that, I like growl mass and naked, you.

Speaker 1 (01:22:58):
Know, like I'm I'm very uncomfortable.

Speaker 2 (01:23:03):
Yeah. So she's holding her friend's hands, pulls her in
and then she's like kind of becoming the auntie flashing
in between and like, uh she does a smile to
camera and then it fades to blast.

Speaker 1 (01:23:17):
And this feels like the end of the film. But
we've said that a little bit more.

Speaker 2 (01:23:21):
But here comes Stepmom.

Speaker 1 (01:23:23):
Stepmom? Did you forget about her?

Speaker 2 (01:23:26):
She's floating, Muriel, She's just floating in So she stops
at the banana stand, like, something's going on here? What
is going on here where mister Tugler used to be.
There's just a banana man.

Speaker 1 (01:23:38):
Well, it's just a bunch of bananas with his hat there.
He turned into bananas.

Speaker 2 (01:23:44):
I don't remember banana men. How didn't he.

Speaker 1 (01:23:47):
Turn into a big stack of bananas?

Speaker 2 (01:23:53):
I love it so much, it's so good. Yeah. So
her scarf is blowing. It's often goes. It's more learning. Uh.
So now she's going. She sees the house in the
distance and she starts floating her way to it. Yeah,
like abandons her car and she just is like, oh,
no one's home. I'll just go into the garden and

(01:24:14):
float around and floats into the doors, floats into the garden.
She's just like doing like a weird scene with grapes,
and there's like a bird test for no reason. What
is this? They want to just make her like a
princess from my movies, right for sure? So the door opens, Yes,

(01:24:35):
walks gorgeous. This is another moment that I really loved
the first time I saw it because I love a
joke that starts and goes way too long. Because she's
opening up a house section by section, just staring at her.

Speaker 1 (01:24:53):
To move this one thing. And now I'm gonna come
over here, pan.

Speaker 2 (01:24:56):
Panel, panel panel, Okay, and you think that's over, but no,
I'm gonna walk disappear for a moment and then open
these panels panels, and the Stepmom's just standing out like
this great. It's so dumb. It's so dumb. So then
they she's like, oh, come in the house. They sit

(01:25:17):
down together on their knees, like just looking at each other,
all weird, and the Stepmom's like, where are your friends?
They'll get up soon. They're still sleeping. They'll wake up
when they're hungry. Not weird at all. Stepmom's fine with
that kind of So then gorgeous eyes start glowing green,

(01:25:40):
and what happens to stepmom? What happens She turns into
a fire lady. Fire lady, but they let her keep
her jawline.

Speaker 1 (01:25:52):
Because you know what, the girl deserves it.

Speaker 2 (01:25:55):
She's a fury beautiful. She's gorgeous. So then the ending
right here, we see Gorgeous' hair blowing and it's like
in color gels and it's slow mo and she's just
like doing like all these like beauty shots, looking into
the camera and like feeling herself.

Speaker 1 (01:26:12):
She's feeling herself, you know what, She's gorgeous.

Speaker 2 (01:26:19):
Yes, I love the ending credits? Did I?

Speaker 1 (01:26:24):
I think I sat through them? What do you what
do you love about them?

Speaker 2 (01:26:28):
It's like it's like what I would imagine is gorgeous
is like audition tape for the movie her like in
the forest, like looking gorgeous, Like just show us, like
if you were named gorgeous, what would you behave? Like?
And all the credits are going.

Speaker 1 (01:26:45):
Through the woods and it's definitely not like it does
feel like just a couple of people who just went
out and like, okay, just go do something in the woods. Yeah,
when we were walking up here, I spotted a place.

Speaker 2 (01:27:06):
Yeah. So then the cast stuff starts rolling and each
each girl comes in for a second dis rap by bye,
I was in it. Only one of them blurry. Yeah,
so I agree, I agree with g with the movie MVPs.
Top of the list is Kung Fu, but it's like

(01:27:28):
kung Fu is a bad bitch. Gorgeous is a bad bitch.
The child who wrote this, the SFX team editing, because
all editing did a really good job, and right, yeah, Max.

Speaker 1 (01:27:43):
Head for me movie MVP. And it's just because of
how many bold choices there are and how just like
it's it's the director. It just has to be the
director for me, nob Nobu Hiko Obayashi, just because it

(01:28:06):
was like every every single thing was a big swing
and it was like, I'm gonna make a choice, And
to me, that's on the director of making all those
choices and making this artistic, incoherent at times mess work. Yeah,

(01:28:27):
were there's some choices that maybe should not have been made. Probably, Yeah, yeah, definitely.

Speaker 8 (01:28:40):
Remakeree boot re Ima PreMaster, sequel or prequel.

Speaker 2 (01:28:52):
Okay, I know what I want? What do you want?
I want a prequel.

Speaker 1 (01:28:58):
It has to be a prequel, right.

Speaker 2 (01:29:00):
Has to be. I want this nineteenth forty story.

Speaker 1 (01:29:03):
Like how did Auntie get this way? She obliterated this
entire town, She sucked all their souls I want that story.
How did we get there? How did we get to
this point from her heartbreak?

Speaker 2 (01:29:22):
Yeah, that is exactly what I want to I want
to see a lot of the same ship, but without
the naked teens. Right, and now we have a guest.
We do have a guess nostalgia.

Speaker 1 (01:29:49):
And for this week's nostalgia of the week, you're crazy
ass old aunt from your mother's side.

Speaker 2 (01:30:00):
Not bad for one hundred and seven. Yes, my nostalgia
of the week is for when children tasted better and
we're easier to kill these days with the screen time
and the video games. They've been so numbed from fear
that it's pretty hard to capture them and terrify them

(01:30:20):
over a weekend. It's really quick kills. That's no fun
for me. And also there's a lot of antibiotics and
hormones and the food and you can really taste that.
It makes a difference all these vaccinations. There's a new
guy coming into office, that Kennedy guy. He's got a
lot of nonsensical things, but he wants them to eat

(01:30:41):
healthier and not get vaccinated. Well, there's a win in
that for me. He's playing for my team. Make children
chicken nuggets again. Ha ha, that's what I'm saying. But yeah,
there's too many managers now, too many helicopter parents. They're
coming in. I used to teach piano lessons and lure
the kids in. They're just not motivated anymore. They're all

(01:31:03):
on the TikTok. So I set up a racket here
to film TikTok's in a haunted house. And yeah, that's why.
They're still a little color in my skin. But it's
just not as tasty as it used to be, you know.
So that's my nostalgia, that's my gripe. If you would say,
to make it over one hundred years, and now everybody's

(01:31:23):
either too fat because they're lazy or too skinny because
they got body dysmorphia. Back to you.

Speaker 1 (01:31:38):
That does it for this season of B side video rentals,
that's it. I know we need twenty films.

Speaker 2 (01:31:47):
Most people are always so excited for summer break.

Speaker 1 (01:31:52):
I know, what the heck are we going to do?
Just watch films on our own and not talk about them.

Speaker 2 (01:31:58):
I need to talk about him.

Speaker 1 (01:31:59):
I need to charge about to get it off my chair.

Speaker 2 (01:32:03):
So, uh, we'll see you after the summer break, guys. Yeah,
thank you.

Speaker 1 (01:32:10):
Yes, I have a good one.

Speaker 2 (01:32:14):
I'm Janet Wanger and I'm Jeremy Briggs. We pretend like
we're dancing movie.

Speaker 4 (01:32:21):
He's like, for three minutes, let's all go fuck watermelon.

Speaker 2 (01:32:41):
You know he did did He actually asked them, what
are you do? That prop that head so you think
it's cold, that's actually quite

Speaker 8 (01:33:05):
All right.

All Episodes

Episode Transcript

Popular Podcasts

New Heights with Jason & Travis Kelce

The Breakfast Club

Fudd Around And Find Out

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Hausu [House]

Episode Transcript

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}New Heights with Jason & Travis Kelce

The Breakfast Club

Fudd Around And Find Out

All Episodes

Hausu [House]

New Heights with Jason & Travis Kelce