He Knows You're Alone

📼”He Knows You’re Alone” (1980, Dir. Armand Mastroianni, Starring Elizabeth Kemp, Caitlin O'Heaney)
📼BSVR:
📼Hosts: Jenny Wenger & Jeremy Briggs
📼Editor: Genevieve Marie
📼Written & Produced by: Jeremy Briggs, Jenny Wenger, & Genevieve Marie
_____ 

• 0:00 - Cover Art Cold Open
• 0:51 - INTRO
• 1:20 - Welcome 
• 4:00 - “Not-So-Current Events” 
• 11:33 - Review "He Knows You’re Alone”
• 40:45 - On Set Speculation 
• 1:02:33 - Movie MVPs 
• 1:04:45 - Remake Reboot Reimagining, Remaster or Sequel? 
• 1:08:38 - Nostalgia of the Week 
• 1:13:11 - OUTRO

____ 

• Follow us: YT/IG/FB/TT: @BSideVideoRentals Twitta : @BSideVideoPod bsidevideorentals.com
• _____

Episode Transcript

Speaker 1 (00:07):
Friday, August twenty ninth, nineteen eighty. You're cruising with your crew,
jamming to Christopher Crosses number one hit Sailing. The night
breeze blows through your rat tails. You pop obnoxiously large
bubbles with your big leaked chow. You're off to find

(00:28):
tonight's adventure, and you find it on the shelves at
be side FORDEO Rentals. A woman clutches her hands to
her face, her eyes wide in terror. Every girl is
frightened the night before her wedding, but this time there's
good reason.

Speaker 2 (00:48):
He knows you're alone.

Speaker 1 (01:19):
Welcome to b Said Video Rentals. I'm Jeremy Briggs.

Speaker 3 (01:22):
And I'm Jenny Wanger.

Speaker 1 (01:24):
Hey girl, Hey, hey you're doing I'm very good right now?
What about this one?

Speaker 3 (01:33):
I loved it, you know, because I did too one
of my favorite horses, Halloween, and it was such an
homage to it.

Speaker 1 (01:40):
I would not say homage. I would say one hundred
percent ripoff. Okay, great, we're gonna take Bobby.

Speaker 3 (01:48):
Yeah, and just making about weddings.

Speaker 1 (01:50):
Yeah, exactly, That's exactly what it was.

Speaker 3 (01:53):
But I loved it. It was the great stalker ship
that I like when it's not happening to me.

Speaker 1 (01:59):
Right, because it's weird. Yeah, case you just please don't
stock I love it, but.

Speaker 3 (02:06):
Just I love it, but not personally for someone else. Yeah,
yeah that was cool.

Speaker 1 (02:13):
Yeah I agree. So, uh, should we get into it.
But before we get into the news, I want to
say something about going through the newspaper. So what I
do is I go through the New York Times of
whatever couple of days. That's how I get all the
news things. But underneath one of the articles there was
an ad for a pall mall like one hundreds. First

(02:37):
of all, I love that there were cigarette ads. Oh
my it is. And the biggest selling point that this
cigarette ad had it was like a third less tar.
I just love that, Like that's a good selling point.
I mean, I like tar.

Speaker 3 (02:58):
Tar's great and heroin. It doesn't belong in cigarettes.

Speaker 1 (03:02):
I just need a third less.

Speaker 3 (03:03):
Yeah. My mom had cigarettes, you know, because everybody's mom
smoked inside when we were kids in the eighties, everybody's.
So I sent her a picture of herself recently that
I had said like, oh this is when I she
has a cigarette, and I'm like, oh, surely I can
find one next, one cigarette, next, one cigarette. All of
my baby pictures. My mom has a cigarette.

Speaker 1 (03:26):
My cats are currently ripping up my couch going crazy.

Speaker 3 (03:30):
That's my favorite when they do that.

Speaker 1 (03:32):
So you hear, If you hear that, that's what it is.
It's not me scratching myself. I promise you're.

Speaker 3 (03:39):
A crazy catman who pro created. You're a rare breath.

Speaker 1 (03:44):
It was an accident. All of that IVF was on accident.
I know who, How did this happen?

Speaker 3 (03:54):
I really didn't think this was going to work.

Speaker 1 (03:57):
So shall we do the news?

Speaker 3 (03:58):
Yes, let's.

Speaker 1 (04:01):
Friday, August twenty ninth, nineteen eighty and the are You're
not so current events? Merwin A. Craft Junior has been
named president and chief operating officer of form Fit Rogers, Inc.

(04:22):
A New York based manufacturer of intimate apparel. Mister Kraft
plans to unveil a line of crotchless cargo pants this fall.
I think those are sexy. Muhammad Ali, training for his
heavyweight title fight against Larry Holmes, visited New York yesterday
inspirred seven rounds before a crowd of more than one

(04:43):
thousand people. He said the best thing about visiting New
York while preparing for a fight is having the opportunity
to forget about it.

Speaker 4 (04:52):
I forgot about it, my god.

Speaker 3 (04:55):
Voter opinion polls say Senator Mike Gravel will likely lose
in tomorrow's primary election after his campaign strategy was ruined
by a vote in the United States Senate which he
described as a little bit of a tank of barracudas
which was in bad taste since his opponent's wife was
killed in a tank of barracudas.

Speaker 1 (05:15):
Bad taste, Mike, have a heart.

Speaker 3 (05:19):
You can't if you work in politics, though, so I
kind of support it.

Speaker 1 (05:23):
So I get it.

Speaker 3 (05:24):
I get it, Okay. World production of crude oil is
that right? Crude or crud. Crud is a good word
in the South. I love crud.

Speaker 1 (05:34):
It's crude.

Speaker 3 (05:35):
That's a bunch of crud.

Speaker 1 (05:37):
Production of crud oil.

Speaker 3 (05:39):
It's crappy oil. You get me. World production of crude
oil during the first six months of the year fell
for the first time since nineteen seventy five because a
surplus of oil was choking international markets. But don't worry.
A new study is determined that international markets are super
kinky and they love to be choked.

Speaker 1 (05:59):
They love love that kinky international market.

Speaker 3 (06:05):
What it's crazy that's what you're into.

Speaker 1 (06:11):
Whatever. We don't judge. President Carter withheld a twelve point
six million synthetic fuel contract from a from the W. R.
Grace Company because it was not in compliance with his
anti inflation guidelines. Should have shouldn't have inflated those balloons
at the Christmas party. Huh, that'll teach you.

Speaker 3 (06:36):
I'm always for inflating balloons. I used to inflate balloons
and put them under my big T shirts so that
I look like a big babe woman.

Speaker 1 (06:45):
That's hilarious. I loved it.

Speaker 3 (06:48):
I was poor.

Speaker 1 (06:52):
I couldn't afford the implants, so I used balloons.

Speaker 3 (06:55):
Balloons like reach in there, pop.

Speaker 1 (06:58):
I did the long skinny alone.

Speaker 3 (07:01):
That is so gross. Like imagine touching a boob like that.
Oh my god, she had hot dog boot.

Speaker 1 (07:09):
Federal authorities said today that they were investigating a near
miss over Virginia between an un unidentified private plane and
a commercial airliner carrying sixty nine passengers in sixty.

Speaker 3 (07:25):
I love sixty nine, dude, but I like sixty eight.
Better show do me and I owe you one.

Speaker 1 (07:33):
Oh. I didn't write a joke for that one.

Speaker 3 (07:38):
He just wanted to laugh at it. I love that
you don't need zos.

Speaker 1 (07:43):
Great, Yeah, it's good.

Speaker 3 (07:45):
Comedy's there. The president of the Leadership Conference of Women
Religious has called the Roman Catholic Church's policies on women
a root evil and social sin. Unfortunately, she's not married,
so the church doesn't recognize her.

Speaker 1 (07:59):
As wow w W.

Speaker 3 (08:02):
Two sailors have been a resident for stealing sixteen solid
gold bear figurines from the aircraft carrier correl C. Sure
you steal sixteen old figurines, they call you a thief.
You still sixteen hundred porcelain figurines, they call you crazy.
It's not crazy.

Speaker 1 (08:18):
It's not crazy.

Speaker 3 (08:19):
It's a normal thing to want.

Speaker 1 (08:21):
They're collectibles.

Speaker 3 (08:23):
They're beautiful.

Speaker 1 (08:25):
The Bethlehem Steel Corporation was fined three hundred and twenty
five thousand dollars yesterday on criminal charges for obtaining ship
repair businesses or business from bribes using secret funds, which
I totally relate to because I use my secret funds
for cheese. You don't eat cheese.

Speaker 3 (08:45):
I just like imagined you like eating a lot of cheese,
and I'm so grossal it causes constipation.

Speaker 1 (08:52):
Jeremy in solidarity with striking Polish workers American longshoremen began
a boycott of all ships carrying cargo to and from
Poland yesterday. That's okay, boys, I don't touch the Poland either.
That's a weaer joke, Jenny, the Poland that was just
for you.

Speaker 3 (09:13):
Maybe not even for other men. It might be specifically
just for you.

Speaker 1 (09:17):
It's just for me.

Speaker 3 (09:19):
Three of the nation's largest car rental companies say that
they will expand their fleets with small cars this fall,
stating the emphasis on small cars is due to the
sudden and terrifying increase of traveling clowns. It's terrifying, you know,
it's an epidomic if. The mosquito has been scratched from
the list of unpleasant summer side effects in the metropolitan

(09:40):
area this year due to dry weather. The New Jersey
Mosquito Control Commission stated that it's been so hot and
dry that the wettest place they could find was y'all,
schweaty bows.

Speaker 1 (09:52):
Is shweaty bar.

Speaker 3 (09:54):
Love a sweaty ball when it's not near you.

Speaker 1 (10:00):
When it has nothing to do with nothing to do
with you. Far away.

Speaker 3 (10:04):
Yeah, nobody touches you with the juice of far away.
Maybe you could suck it a little, No, no, no, No.

Speaker 1 (10:15):
A crash program that puts supervisors on the street and
more diligent dispatching has helped New York cities embattled emergency
Emergency Medical Service almost have the time it takes to
get an ambulance rolling. But might I suggest tires. Things
get rolling real fast when they're on tires.

Speaker 3 (10:35):
Yeah, vmptine's work, man, You put them on an ambulance.

Speaker 1 (10:38):
I promise it'll help. Try it.

Speaker 3 (10:39):
Guys, Fred Flintstone, he will tell you there's that's a
harder way of doing it without it just saying, hey,
Fred Winstone had wheels, he just didn't have an engine.
Oh my god, cancel men canceled. The National Geographic Society
released the sonar image of a sunken British sailing ship
discovered this month in the freezing waters of the Canadian art.

(11:00):
The image revealed the one and twenty seven year old
wreck standing upright in three hundred feet of water, pinching
its sniffles.

Speaker 1 (11:12):
You know, ship wreck, Well, it's cold water, it's Arctic water.
Got a pinsion to keep him warm. And that was
your not show current events. Oh man, let's get into

(11:35):
this movie. He knows you're alone.

Speaker 3 (11:39):
So what a killer opener.

Speaker 1 (11:41):
First of all, that is the opening scene of Scream two.
That is a Scream two is a direct ripper copy
of this. Yeah, it's the big budget Hollywood version of
this opening scene. And I think that this scene this
movie does it more effective. Yeah, in a more effective way,

(12:03):
because it's not all you know, granted and Scream. They
have like the double layer of it, you know, the
meta of it. It's meta meta because this scene's already meta.
So it starts off and we're we're watching a scene
with a couple making out in a car.

Speaker 3 (12:20):
It was a hot makeout, too hot makeout, hot makeout.
He's like trying to go up her shirt. She's gonna
stop it. And then finally we hear something and she's like,
He's like, is that your boyfriend?

Speaker 1 (12:30):
It's like, oh, oh wait a minute. Also, what is
your boyfriend doing out in the middle of nowhere? Yeah?

Speaker 3 (12:40):
It was great.

Speaker 1 (12:41):
It's not like he's coming home. You're parked in the forest.

Speaker 3 (12:45):
And I was like, for somebody who has a boyfriend
and your parks, was like, you won't even let him
fill your titties, Like this is really misleading. I'm give
me them titties.

Speaker 1 (12:57):
He goes out to check the car, or to check
the no and he disappears. She goes out into checks.

Speaker 3 (13:03):
Here's the tapping. She, here's the tapping sound. And she
goes out and what's the tapping? Him hanging from a tree,
upside down with his hand hitting the car as he rocks.

Speaker 1 (13:15):
And then of course we cut back and we're in
a movie theater. Yeah.

Speaker 3 (13:20):
Cool, And she says, I just can't take it anymore.

Speaker 1 (13:24):
I have to go pee.

Speaker 3 (13:25):
So what do you do if you're scared out of
your mind in a group of people, Go somewhere by yourself.

Speaker 1 (13:30):
Absolutely, But this again another scream too. They do a bathroom.
I gotta go to the bathroom. She goes out, she
hears noises, gets creeped out, goes back into the theater,
talks to her friend. I think I'd be in fun.

Speaker 3 (13:44):
And I thought for sure. I was like, all blue
jacket Lady's gonna die because she came out and blue
jacket lady went in. But no, we never saw a
blue jacket lady. Again.

Speaker 1 (13:53):
No, she was not important, not important, but I like
her jacket. Yeah.

Speaker 3 (13:59):
But so she goes back and she said, and she
tells her friend, like someone's calling me I don't feel
comfortable and shut up. We're finishing the basically, like.

Speaker 1 (14:08):
So, I absolutely love this type of stuff. When it's like,
and this continues throughout the entire film, shut up, you're
not being stocked. Nobody's following you.

Speaker 3 (14:18):
Shut up, everybody, everyone.

Speaker 1 (14:23):
You're not being followed. Shut up.

Speaker 3 (14:25):
You're not that cute, you're.

Speaker 1 (14:28):
Not important enough to be stocked. You're silly. And then
all of a sudden, you know, we're just we're staying
on that shot of the two friends in their seats
watching the movie, and might I add I love the
blue screen in order to put the movie on the
screen and them in the theater. I love that look
of like early eighties blue screen.

Speaker 3 (14:46):
I wrote, so cool.

Speaker 1 (14:48):
I miss this, Oh I miss it so much.

Speaker 3 (14:51):
Yeah.

Speaker 5 (14:51):
So then she's sitting there.

Speaker 3 (14:52):
And it's the perfect moment like in Scream where everybody's screaming.

Speaker 1 (14:57):
But what happens before that is like it's just a
shot on the two of them, and you just see
a figure walk and sit right behind it. It's on
and you're like, oh no, but go ahead and finish
what you were about to say, because that was Yeah.

Speaker 3 (15:14):
So she's in there and everybody's screaming, and that's what
he chooses.

Speaker 1 (15:18):
It's right at a kill, it's right at a kill.
In the film, she gets stabbed in the back. Literally
screamed twist in time with the film. So you think
that she's screaming at the at the film, like she
was so scared. She screamed at the film.

Speaker 3 (15:33):
Yeah, And I took note of this because like where
he hit her, it was like, oh, that looks like
it would go right through your diaphragm. And then later
they say it went into her heart, and I'm like.

Speaker 1 (15:43):
I gotta rewind, I gotta rewind.

Speaker 3 (15:45):
You got to change that.

Speaker 1 (15:47):
Let's let's check the tape. Let's check the tape.

Speaker 3 (15:50):
Yeah, my autistic ass was like, no, it was not
the heart.

Speaker 1 (15:55):
You are wrong. Yeah, and then like boom, close up
shot on this dude's crazy eyes. Yeah, he knows your line.

Speaker 3 (16:06):
Interesting thing to choose to not have him in a
mask or anything, like he's just chill. I mean he's
not chill. He's freaking out in his face and he's
wearing eyeliner. But you know he's showing it.

Speaker 1 (16:19):
He's showing he's showing all that face and.

Speaker 3 (16:22):
Believe women hashtag believe.

Speaker 1 (16:25):
So then we freeze frame on the face, we get
our title and we go straight into that like you
know police academy shot of the sirens. Yeah, not police academy.
One thing. What am I thinking of? Police squad naked
gun stuff? Where you get that behind the siren going
through town?

Speaker 2 (16:43):
Yeah?

Speaker 1 (16:43):
And right here we're you about to mention the music.

Speaker 3 (16:46):
And the music was badass.

Speaker 1 (16:48):
I was like this, the music was a thousand Halloween ripoff.
It's like that, Like it's like the three notes, it's
it's all piano with the booming low end, kittling high end.

Speaker 3 (17:01):
It was.

Speaker 1 (17:01):
It was just like, oh, we'll take the pattern and
we'll rearrange it a little bit. Who cares, I don't
have it. I have three days to do this music.
Shut up. Then we get there, our police are there,
we have who do we have it?

Speaker 6 (17:18):
There?

Speaker 1 (17:19):
We've got Detective Frank and Detective No, it's just detective
Frank at that point, and then detective Gamble shows up.

Speaker 3 (17:26):
Gamble shows up, he's the main detective.

Speaker 1 (17:29):
Wake me up out of bed for this. I don't
care about a dead body. Well, he was like she
was getting married next week, and like when he says
that his eyes light up. He is so jazzed. He's like, oh,
somebody's dad.

Speaker 3 (17:49):
We're closest.

Speaker 1 (17:51):
Case he kills another, so I can I got a
bony and a half, get closer. He's given me a
second chance.

Speaker 3 (18:01):
Yeah, it's really a love story.

Speaker 1 (18:03):
It really is. Then we go into a little bit
of a flashback at a party.

Speaker 3 (18:08):
Kids singing, here counts the bride. You know when kids
sing a song green beet, it's about to go.

Speaker 1 (18:15):
It's bad. I know. That's why I that's why I
keep my kids away from me, because anytime you sing,
I'm like, no, don't ben, it's gonna happen. Don't sing.
Everybody be quiet.

Speaker 3 (18:25):
Shut out kids, because they're like traumatized looking around.

Speaker 1 (18:30):
Somebody you pop out and stammers. Don't say that.

Speaker 3 (18:33):
Daddy tails us.

Speaker 1 (18:34):
If you guys ever watched a movie, No, you won't
let us.

Speaker 3 (18:38):
So it's the detective's wedding.

Speaker 1 (18:41):
Well, we don't learn that until later.

Speaker 3 (18:44):
I saw him.

Speaker 1 (18:46):
Oh maybe you might have.

Speaker 3 (18:48):
He was standing out there, like adjusting his tire or whatever.

Speaker 1 (18:51):
You have a keener eye than I what.

Speaker 3 (18:57):
It looked like he was up outside adjusting his tie.
And then it went into the bride.

Speaker 1 (19:00):
I was not paying as close attention as you apparently,
But again they do restate later that it was. And
then we go into the bride. She's just like, hey, ray, Ray,
I'm sorry it didn't work out between us. Before he

(19:23):
stabs her, he shoves the side meat of his pinky,
shoves that in her mouth so she doesn't scream, and
he like keeps pushing it in and I'm like, girl, bite, bite, bite,
like you're gonna break at least two or three bones. Yeah,
it's just buddy, it may not save you. You have Hey, look, look.

Speaker 3 (19:51):
It's her off. She didn't bite us pinky.

Speaker 1 (19:55):
Look, I don't mind her dying. I just wanted to fight.
I just wanted her to fight. Yeah, just get a
little It's.

Speaker 3 (20:03):
Like I love that when you're watching the crime documentary
and they say, well, she she fought back. Obviously his
skin was in her nails, like she was a good girl.
It's like in the girl who's like the ghost of
one of the girls at death. Well, I was shocked.

Speaker 1 (20:16):
I was in terror. Leave me alone.

Speaker 3 (20:18):
Why why is this always like, oh, she gets a
cookie for fighting pack Like I was scared. So now
now we're going to the bus station, though, right where
they're saying by like the guys are leaving right yes,
for the bachelor part, the Bachelor weekend.

Speaker 1 (20:33):
We meet Phil and Amy. Yeah at this part, you know,
I'm just assuming we're gonna have a good story with Phil,
that we're gonna follow Phil go to.

Speaker 3 (20:42):
The cabin or whatever.

Speaker 1 (20:44):
Yeah, okay, cool, we're gonna follow Phil.

Speaker 3 (20:46):
And I said, we got the hottest poornos in town.

Speaker 1 (20:52):
Okay, what you should see the poornos they got in
the next town. They're even hotter.

Speaker 3 (20:58):
What you talking about. We've come a long way, Like
what a weird person.

Speaker 1 (21:05):
Phil leaving for his Bachelor weekend and Amy's just like okay, yeah, okay.
Then a bus pulls up and everybody gets off and
they're like, hey, I'm fun getting married or something.

Speaker 5 (21:17):
I don't know.

Speaker 1 (21:17):
The little kids are yelling at her. Of course he's
on the bus. Stalker, our killer, our stalker, a killer
killer slash.

Speaker 3 (21:25):
Yeah he gets all his titles.

Speaker 1 (21:27):
Yeah he gets he earned both of those titles. Please
don't forget one in the night.

Speaker 3 (21:34):
He creeps in the day and they pull off My
bachelor's leave to go.

Speaker 1 (21:38):
But like before they leave, he's like, don't let me
catch you hanging with this Marvin guy rile dot dot
dot Well, what do you mean or all? What are
you threatening her?

Speaker 3 (21:49):
Or mad thing?

Speaker 1 (21:52):
And she says, don't drink too much beer. You know
what it does to you.

Speaker 3 (21:56):
You know how you get you know it doesn't No,
she says, you know what it does to you? And
I'm like, yeah, it's like what does it do to him?

Speaker 1 (22:02):
Does it give him the jelly squirts?

Speaker 3 (22:05):
Yeah, that's get upset.

Speaker 1 (22:07):
Yes, some tumb goes a little sour. I had four beers.
I should have had three.

Speaker 3 (22:13):
Well back then it used to cause them to wait. Oh,
remember like I love beer.

Speaker 1 (22:21):
You know what it does to you?

Speaker 3 (22:23):
Oh yeah, Kavanaugh guy, I love beer.

Speaker 1 (22:28):
It's good. Now we got back to the detective.

Speaker 3 (22:32):
No, no, no, wait because what what what did I
pull away from the back too? The bachelor party pulls
away and the killers just standing there and broad sucking daylight.

Speaker 5 (22:45):
Like.

Speaker 3 (22:47):
In the middle of the street, and nobody thought, oh
that's weird.

Speaker 1 (22:51):
Hey weird o get out of the street and hit
by a butt.

Speaker 3 (22:54):
Kids here and women like you're sick, like just so bizarre.
So now that we go by the police station, right.

Speaker 1 (23:05):
Yeah, just interviewing a couple of witnesses from the theater
that no, well, I guess you just call them theater
attendees because none of them witnessed anything.

Speaker 3 (23:16):
No luck, no, no luck there. So then we're back.
We're in ballet class now right, And I love.

Speaker 1 (23:23):
This little ballet class scene because I'm like, obviously none
of them do ballet, do ballet. They're just working the bar.
That's what they're there for. We gotta go work the bar,
get our stretches in.

Speaker 3 (23:36):
And what's the little short ho one that little Joyce Joyce, Yes,
Joyce hard kicks didn't even make it the camera. They're
kicking their legs.

Speaker 1 (23:47):
She's like, not even trying. I like Joyce. There, of
course you do bitching about the boys. And then Amy's like, oh,
I don't know if I I'm not sure I want
to get married guys, like to anybody.

Speaker 3 (24:02):
Yeah, like I wouldn't be an independent woman. They start
talking about people not being able to have a career,
and he doesn't want her to have a career. He
wants her to like stop going to school.

Speaker 1 (24:11):
Sounds great, and then Joyce starts revealing all of her
extracurricular activities and it's a lot hooking up with the
philosophy teacher for some extra credit, which.

Speaker 3 (24:24):
How wild is it that they speak about him? And
then they walk out of ballet class and they run
into him on the street.

Speaker 1 (24:32):
What a coincidence? Right after it?

Speaker 3 (24:37):
Yeah, it with his wife. And then she's like acting
all stupid in front of his wife. And I'm sitting
there looking and the wife.

Speaker 1 (24:44):
Is just what I love about it is he if
you want to get caught, this is how you act.

Speaker 3 (24:53):
Yeah, face natural.

Speaker 1 (25:00):
Oh, mister Carl, what who are you? I don't know
who these three good are. Oh, I'm a teacher.

Speaker 3 (25:08):
And his wife is sitting there like do you know
what his wife looked like?

Speaker 1 (25:11):
Though?

Speaker 3 (25:12):
She looked like a bitch who says this. I don't work,
he pays my bills. I fuck people on the side.
I'm gonna act stupid right now. I'm still gonna fuck who.
I'm gonna fuck whatever dude close by.

Speaker 1 (25:29):
Oh, that's not how I took it. I took it.
And she's just like oblivious and trusts her good old
professor husband.

Speaker 3 (25:36):
But she kept doing this face a little and I go,
I'm not gonna think about that. Well, you know a
lot of people cheated back then and they were just
like whatever because the loss were very good for women.
We fix it now they get everything.

Speaker 1 (25:52):
Oh yeah, it's fixed, it's fixed. We fixed, We fixed society.
He fixed marriage. Yeah, yay, no more domestic.

Speaker 3 (26:03):
Ups and cheats, divorce and give her everything.

Speaker 1 (26:06):
Yeah. Carl walks away and Joyce says, oh, I'm gonna
bust his balls tonight. Yes, I love that line, which
turns out she totally does. Then then we have this
like this scene where the music like, We've got this
funky music playing and Amy's just strutting around town, which

(26:30):
totally reminds me of the opening of A House of
the Devil. Yeah, it just had a good vibe doing it. Oh,
I love it.

Speaker 3 (26:38):
And this was a great song. Different movie. There are
three different things. There's this cool techno music, there's soap
opera drama music, and there's halloween music. Right, those are
the three.

Speaker 1 (26:52):
And she she stops and checks out her face on
the multiple TVs and a storefront window. She's like, ooh,
look at me on six screens. So cool, so cool,
and she moves, revealing the killer's face. He was right
behind her musical sting. Then we switch music into that

(27:13):
Hallerene ripoff.

Speaker 3 (27:15):
Yeah.

Speaker 1 (27:15):
And then now he's stuck in her do and she
goes to an ice cream shop.

Speaker 3 (27:22):
Yeah, and this is great because he's standing in the
ice cream shop like a fucking idiot. Again broad Daylight.
But like, there's these two ladies that I love combo.
You're really going at that, you love.

Speaker 1 (27:35):
That, and you look at his melt ice, it's all melted.
She hates it. She did not like it.

Speaker 3 (27:42):
She's here to talk shit. She does not care about that.

Speaker 1 (27:46):
Last screen and like the other woman is not responding,
she doesn't say one word. She's just being talked to,
spoken to.

Speaker 3 (27:55):
I'm so glad you were like excited on that because
I'm like a bitch. Is experience of Melton.

Speaker 1 (28:01):
Is so Melton. And then she does get a little
uncomfortable and sees him in the window and goes like,
oh god, yeah, and then turns back and he's gone.

Speaker 3 (28:11):
But these two old ladies who were in everybody's business
getting noticed a weirdo staring like this guy has like
invisible powers to everyone but her. So that's why we'll
talk about that later. But that's why where Tom Hanks's
character had something to say that I thought, oh, that
would be an interesting twist.

Speaker 1 (28:27):
Oh yeah, did we mention Tom Hanks is in this movie.
It's the first role that he got, his first role.

Speaker 3 (28:31):
Yeah, he's twenty three years old, so precious.

Speaker 1 (28:35):
But don't go into this movie thinking you're watching a
Tom Hanks film.

Speaker 3 (28:39):
You don't get a lot of Tom Hanks.

Speaker 1 (28:40):
Not a lot.

Speaker 3 (28:42):
So when she leaves the ice cream shop, she turns
around and someone startles her, and when she shoves her
ice cream.

Speaker 1 (28:48):
And then like the sword.

Speaker 3 (28:49):
Sure yeah, and he says, this stuff stains, it's like blood.

Speaker 1 (28:57):
Yeah. I love when they do that kind of stuff.
Small happens, like somebody sits in Cranberry juices and like,
look like you guys stabbed in the butthole. Forty five
minutes later, somebody actually gets stabbed in the butthole. Those
are my favorite things.

Speaker 3 (29:09):
Yeah, I just love that.

Speaker 1 (29:11):
I just have so much fun with that.

Speaker 3 (29:13):
There's a list of love and that's all that is
on that list.

Speaker 1 (29:18):
And it's Marvin. It's Marvin, the Amy's ex boyfriend, and
he's not sure why they broke.

Speaker 3 (29:25):
And he's a sweet, nerdy boy.

Speaker 1 (29:28):
He's very confused.

Speaker 3 (29:29):
Wasn't it something like he had to go on a
trip and when he came back, she was dating someone else. Yeah, exactly,
she was dating Phil.

Speaker 1 (29:36):
He's like, you stole he stole you away from me,
and she's like, he didn't do that. You're like, so
what happened? Yeah, you just didn't have the courage to
say that. Marvin. No, I'm done. I can't do this.

Speaker 3 (29:49):
You're like, oops, dating someone else.

Speaker 1 (29:55):
But my favorite thing about Marvin is that he works
at the Morgue.

Speaker 3 (29:58):
Yeah, lots of jokes about dead people and killing things.

Speaker 1 (30:03):
They should have utilized the Morgue more. Yeah, they utilize
it a little bit, but they should have used it more. Yeah.
In my in my humble, I have.

Speaker 3 (30:13):
More thanks to say about this morg stuff, but it
will be later.

Speaker 1 (30:18):
So yeah, but in the in the Morgue section.

Speaker 3 (30:21):
Because I have a bone to pick about the more.

Speaker 1 (30:24):
But now we're off to Amy trying her wedding dress.

Speaker 3 (30:26):
Yes, the guy who won't stop smoking a fucking cigar.

Speaker 1 (30:29):
Ralph the tailor, and I love him, I know you
will love him. Is it worth it Ralph getting married?
I mean? And of course he gives like the best
old man advice, which is like, yeah, no, it's complicated, and.

Speaker 3 (30:45):
He absolutely hates it that he's happening to do this
ship while his wife is sick.

Speaker 1 (30:50):
Yeah, and she they tries to dress on, goes in
and he like, you know, he measures her up, gets
it all ready to be tailored his sister or his wife,
his wife, I think his wife. Okay, yeah, And so
she goes back to get out of the dress. She
hears noises, she's she feels like she's being stocked because

(31:12):
she's already seen a guy in a window.

Speaker 3 (31:14):
Then pops in.

Speaker 1 (31:16):
Marvin first jumps scared and this.

Speaker 3 (31:20):
Guy let him do it to a girl he knows.

Speaker 1 (31:23):
His change a fitting room. Yeah, dude, dude, you.

Speaker 3 (31:28):
Said you were married. Sorry to your wife that I
know what she's sick from. Yeah, she's sick of yo
ass and yeo bullshit.

Speaker 1 (31:38):
And now this part this like I start to feel
like Marvin, maybe you're a little aggressive, Like yeah, maybe
maybe take it a step back a little bit. You're
you're hounding. You're coming into not stock or territory, but
you're approaching it.

Speaker 3 (31:52):
Do you know what note I had that I forgot
to say? Because people keep doing this to Amy. So
while Ralph is fitting her, he's says to her presend
I'm your father.

Speaker 1 (32:03):
He does say that because he's touching her in what
what what? Because you know in areas that you have
to tighten for a dress.

Speaker 3 (32:15):
Why would my dad be doing that?

Speaker 1 (32:17):
My daddy would not. That was so weird to me.

Speaker 3 (32:22):
Why did you say that? Realm some.

Speaker 1 (32:27):
I know how you grew up. Excuse excuse me?

Speaker 3 (32:32):
Good god, oh my god, that was so good.

Speaker 1 (32:36):
And then Marvin is like, when can I see you again?
When can we need to talk tomorrow at seven tomorrow.

Speaker 3 (32:43):
Yeah, So then she goes from church.

Speaker 1 (32:45):
Well before that, my favorite Ralph gets killed in the back.
The killer kills him in the back while Amy's changing.

Speaker 3 (32:56):
Yeah, and she's just leaving by bye.

Speaker 1 (33:01):
As he's dying, son of a bitch.

Speaker 3 (33:05):
So now she goes to the church and I want
to talk with you father, like I always like, it's
just weird for me, Like I'm glad I was never Catholic.
I grew up Baptist, which is you know, strict enough.

Speaker 1 (33:21):
That's cool. I grew up port And I'm kidding, so
check check check chat check check check check.

Speaker 3 (33:29):
So I don't understand why Catholics have to call the
preacher father. I've always thought that's like a weird pain.
Just think of me as your friend.

Speaker 1 (33:39):
Well but but but like before the priest arrives, she's
like praying, right, yeah, and then she notices the statue
of Jesus like it's dripping blood or something. It's like dripping,
and then the organ starts playing by itself, and she's like,

(34:00):
oh God, oh God, starts to leave jump scare. It's
the priest. Yeah, father priest. Father priest is what I
like to call him.

Speaker 3 (34:10):
It's very formal.

Speaker 1 (34:11):
Oh the dripping Jesus, it's just a leaky pipe, the
self playing organ. It's my cat. He just loves to
tap on those ivories. He likes to tickle them.

Speaker 3 (34:26):
And she's like, okay, fine, yeah I buy that. So
she talks with him a bit about it, and then
she goes home and.

Speaker 1 (34:34):
This guy's like all but also the priest is like,
maybe you're not gonna marry the right person. Like everybody
hates Phil.

Speaker 3 (34:43):
Yeah, everybody wants Marvin.

Speaker 1 (34:44):
Everybody hates Phil.

Speaker 3 (34:46):
Everybody else feel scarbage.

Speaker 1 (34:47):
She's a real turkey.

Speaker 3 (34:48):
All they all see. It's like that small town video
rental shit. Everybody knew that I was the scumbag going
in and written all the naked movies. I'm getting this
horror movie. I'm not a pervert. I just like horror.
But they know he actually got the porns. They're like,
he's the one that got the hottest pornos in town.
He knows he's a gross pervert.

Speaker 1 (35:09):
Yeah, so she heads home. Of course she's being followed
somebody inside her house.

Speaker 3 (35:18):
Party, Yeah, with all all like adult women talking about
very adult things, and one little girl.

Speaker 1 (35:26):
One little girl, Diane.

Speaker 3 (35:28):
I mean that was like me when I was a kid,
Like everybody just talks about whatever the hell they wanted
to in front of me, and just say, what's a
what's a blow job?

Speaker 1 (35:36):
How much do you make? I'm a child. I don't understand.

Speaker 3 (35:44):
A nickel please, No, not like that's stupid. Oh that's
what I know about blowing. So then we go to
the detective who found Ralph.

Speaker 1 (35:53):
Yes, well this is the thing.

Speaker 3 (35:54):
I think it's fucked up. So he tells the other
guy give give me the first forty eight hours or
somebody goes.

Speaker 1 (36:02):
Like, I've got a dead guy age whatever. I'm not
interested in dead middle aged men. He stares off out
of the windows.

Speaker 3 (36:08):
Is at a bridle shop.

Speaker 1 (36:10):
Oh, Yay.

Speaker 3 (36:16):
Now I'll do my job.

Speaker 1 (36:18):
Don't tell anybody anything. Give me thirty six hours. You
have thirty six hours.

Speaker 3 (36:22):
Thirty six hours. It's like, bitch, a police department would
not be doing that fine to have the first forty
eight hours or the most crucial Like.

Speaker 1 (36:32):
No, first of all, what do you know about police work, Jenny?

Speaker 3 (36:39):
You want me to tell you?

Speaker 1 (36:44):
I watched bitch.

Speaker 3 (36:46):
So they held the crime investigation. They wouldn't let anybody
touch the body or move anything till this guy got there.
And he goes in and steals all the evidence. Oh yeah,
this kind of lace. Okay, let me match it to
the rest. Oh and this is her name. Okay, I'll
take it. Okay, Yeah, he's dead.

Speaker 1 (37:05):
We's do what happens Like this is where like when
before he like leaves, when he's like, oh, give me
thirty six hours before calling the National Guard or something,
and then he like runs out and then another random
cop goes walks in and goes the hell was that
all about? And he sits him down and he's like, well, you.

Speaker 3 (37:23):
See three years ago exposition.

Speaker 1 (37:26):
On his fiance was murdered the night before their wedding.
It's the first of many deaths and he's been hunting
him down ever since.

Speaker 3 (37:39):
It's his life's misshit now.

Speaker 1 (37:41):
But like, I don't know, you know, maybe it's just
that I don't know real life and I just know films.
But isn't there isn't there a rule about like not
investigating a crime that you're involved, that you're like a
part of. Yeah, maybe I don't know that.

Speaker 3 (37:58):
Maybe take a back seat on this one.

Speaker 1 (38:00):
Yeah, it's he emotionally invested and you can't do that.
I don't know. Maybe it's just that I watched too
many movies. I watched Bad Boys one too many times.

Speaker 3 (38:11):
Yeah, it took close.

Speaker 1 (38:13):
Yeah, but yeah, so now he knows who the next
victim is, yes, and he's off to find her.

Speaker 3 (38:18):
But first we get to see the hoe with Joyce.
Sorry hoe.

Speaker 1 (38:21):
Well, we do have a small scene with Amy and
Nancy talking about boys, saying that they're they're having an overnighter,
and then uh, they're talking about Marvin, and then Nancy's like,
you know, there's this jogger. Oh, yeah, there's this jogger.
He just keeps eyeballing me. But I couldn't why not,

(38:41):
you're right, Yeah, I guess I guess you're right, there's
nothing holding me back.

Speaker 3 (38:47):
I'll just go out into the woods and try to
get a man out there. So Joyce is now with
the teacher Carl, and I just wrote you, Carl, ew Carl,
this is what life's all about. She's like toying with him,
he wrapt.

Speaker 1 (39:05):
Yeah. Yeah, And she's just like playing hide and seek,
doing all these things. She turns the lights off and
he's like, hey, I don't like the dark Joys. Like
what he just said, I don't like the dark Joice
No eight, I know, Like what the hell? And then
like she keeps running.

Speaker 3 (39:24):
Around, he's tickling her out the window.

Speaker 1 (39:27):
He traps her out the window the killers like slowly in.

Speaker 3 (39:33):
Yeah.

Speaker 1 (39:34):
And then and I don't know why he's trying to
get her to do it on a table. He's like,
we have to do it on a table. She's like, no,
it's too hard. He's like, no, it's not. And then
we can have checks on a cactus.

Speaker 3 (39:48):
And I just was wondering, like if he was like
trying to talk aroundo fucking anywhere except the bed where
his wife would find clues.

Speaker 1 (39:55):
Oh maybe, but it was definitely just like he was
very insistent that it was the table yeah, this is
where I eat my honey bunches of oats.

Speaker 3 (40:05):
Me and my wife we had a fight on this
table and now I'm gonna fuck you.

Speaker 1 (40:09):
But while she's out of the window, she like comes
in boom punches him in the dick. He topples over
and he's like, ooh, I'll kill you. Yeah. But also
she did break like what I said earlier, she did
bust his balls.

Speaker 3 (40:24):
Yeah, she did.

Speaker 1 (40:25):
She busted him when she's like, I'm gonna bust his
balls later, and she she she punched him in the dick.

Speaker 3 (40:30):
So yeah, gero, she punched his ball. She busts his balls,
just like she said she would.

Speaker 1 (40:35):
Yep.

Speaker 3 (40:36):
Yeah.

Speaker 1 (40:37):
Whose idea was this? Was this something that we can't
Was this in the story where like, I want an
no onset speculation on this? Sorry, Jenny, I want to
talk more about this dick punch. Was this written in
the thing where she like punches him in the dick
because it's like they're flirting, they're about to do it,

(40:59):
and she just full on whales in the dick. Yeah,
I mean, was this an on set like what if
I hate you in the dick?

Speaker 3 (41:05):
But yeah, the thing that I imagine is the actress
playing Joyce is just a fucking handful improving a bunch
of crazy ass ship.

Speaker 1 (41:13):
I hope that's true. Yeah, And the director is just like, hey,
just do what you want. And then she actually punched
him in the dick. It was no stunt there, it
was just she full on clock.

Speaker 3 (41:28):
Maybe the director was sleeping with her and he's like,
she just let her do it.

Speaker 1 (41:34):
She's just gonna she's gonna do me right now.

Speaker 3 (41:36):
It elevates and gets worse if you tell her not to.

Speaker 1 (41:41):
Joyce is gonna sue us. She was sleeping the director.
That's how she got the job at all.

Speaker 3 (41:48):
I love Joyce girl, I don't hate the player. Then
she jumps in the vand and her feet are dirty
as ship like I love it. Jenny said her feet
a fucking filthy Texas chainsaw to music.

Speaker 1 (42:02):
I love movies when they just like, who cares her
foot would be filthy?

Speaker 6 (42:06):
Leave it?

Speaker 3 (42:07):
Who's gonna notice that?

Speaker 1 (42:09):
It's more real. Look, you walk around barefoot, your feet
are gonna get dirty. So now lights go out while
they're trying to do it.

Speaker 3 (42:19):
He has to go to check the breaker box because
she's like, yeah, you're not touching me but it's.

Speaker 1 (42:25):
Dark out there again, calling out his fear.

Speaker 3 (42:29):
Of the dark, pray of the dark, like an idiot.

Speaker 1 (42:32):
I just love that that choice as a character. He's
a professor.

Speaker 3 (42:37):
Yeah, and she's like, you're not getting any pussies, so
you go get these lights on. You got to see
my titties and appreciate them for me to get my
A plus plus.

Speaker 1 (42:45):
And but what I love about it is it really
is a good misteric because you always the person who
always goes to check is the one who usually dies.
Dies first. It's a person that is to check. This
time he fixes.

Speaker 4 (43:04):
And she is Dad loove.

Speaker 3 (43:07):
She's dead, dead in bed.

Speaker 1 (43:09):
Dead in bed, not going to give you head. I
just had to run. Sorry.

Speaker 3 (43:15):
He's like, she's gonna give me h.

Speaker 1 (43:17):
No, Dad didn't. I can figure it out.

Speaker 3 (43:21):
I don't need a lie. I will cheat on my
wife tonight.

Speaker 1 (43:27):
You will not ruin this for me. Dead body.

Speaker 3 (43:29):
So because he kills them, he's killing non bride people too.

Speaker 1 (43:34):
He's killing non bride people. I don't know why he's
going off killing just random people when that's not they're
not even in the bread well. I guess she's in
the bridal party.

Speaker 3 (43:43):
But yeah, she was at the party.

Speaker 1 (43:45):
Carl's not neither's neither's Ralph the tailor.

Speaker 3 (43:50):
No, and now and then now we cut to Marvel. Oh.

Speaker 1 (43:53):
I did love the killer's face on this one because
he was just like his mouth is all crooked and
he's like, what the hell.

Speaker 3 (44:06):
But you need to calm down, buddy. You're gonna give
yourself a heart attack and then you are gonna get
to kill anymore brides.

Speaker 1 (44:12):
Yeah, you got to take care of yourself. First care
of the if you know what I'm talking about. Okay,
first thing in the morning.

Speaker 3 (44:23):
Seven am Marvin. Of course, Marvin thinks at seven am
and not seven pm.

Speaker 1 (44:29):
Marvin knows it's not seven am, but he he don't care.

Speaker 3 (44:32):
And he's there with the fish.

Speaker 1 (44:34):
Remember what I said when I gave you this fishtank'd?

Speaker 3 (44:37):
What is this exposition for? Who cares?

Speaker 1 (44:40):
Every time I visit, I'm gonna bring you a fish? Yeah,
it's like, Oh, he's not creepy at all. I love
it that. Like he's like, I don't give up. And
he tells that whole story about what the one time
he gave up and he would have scored if he
just kept going, if he would.

Speaker 3 (44:59):
Have just she's she said no to me, but a
couple times later she'll say yes. It's like, well this
sounds horrible.

Speaker 1 (45:07):
Yeah, and she's like, I'm telling you no, Marvin, No.
The answer is no, Marvin. Oh well, I'm gonna keep trying, Marvin.

Speaker 3 (45:15):
No, Like Marvin, dude, some self respect, Marvin, dude.

Speaker 1 (45:21):
Not only self respect, but dude, don't be the stalker. Yeah,
you're becoming the stalker Marvin and watching them. This is
another thing that I love. That shot right there through
the window is one hundred percent that Michael Myers standing
in the window could not be more of a ripoff.

(45:45):
She's like, Marvin, Marvin, come here, and he's gone, and
he's like, nobody's there.

Speaker 3 (45:50):
Yeah, gaslighting her again. Everybody just gaslights the victims in this.
And this is where Marvin loses me officially as a character.
Before we cut out of this.

Speaker 1 (45:58):
Yeah yeah, yeah.

Speaker 3 (46:00):
He says, Oh, in class, I'm gonna have to dissect
a cat, so I'm gonna go get some strays and practice.

Speaker 1 (46:07):
Which was a joke. You don't get his morbiss at
this joke.

Speaker 3 (46:12):
Don't joke about killing cats and gutting them, you bitch.
And he said it in front of a kid man.

Speaker 1 (46:18):
This is a point where I really got on board
with him. I love that. Oh my god, I love him.
He's so relatable.

Speaker 3 (46:27):
And this is where the drama music started to the
like soap opera music. Oh, because then the girls talk
about boys and she's like, oh, are we gone for
the job.

Speaker 1 (46:35):
We have to we gotta go, gotta go.

Speaker 3 (46:39):
You gotta try to get your jogga boy.

Speaker 1 (46:40):
And then we go out for the jagga boys because
we do have a cutaway, but we already talked about
Gamble showing up at the Bridle Shop and doing his thing. Yeah.
And then so they're off jogging, cool music for the
jog cool music. They see the jogger at a distance
and who is it but Breaking Hanks. In nineteen eighty

(47:05):
he had he booked three things. This was his first
that was released. Then like a month later he was
in maybe it was two months later he was in
the Love Boat. And then two months after that Buzz
and Buddy started. So he had a hell of a year.
That's pretty cool starting it off right, Yeah, and how
does he.

Speaker 3 (47:24):
Flirt with her?

Speaker 1 (47:25):
Trip trips.

Speaker 3 (47:28):
Smooth buddy, real cool Elliott, Yeah, I mean not how wild.

Speaker 1 (47:34):
We made him an hour into the movie, and it's
a very small like introduction at that point. And then
we kind of cut back to Amy jogging alone like
an idiot. You know what I like to do when
I feel like I'm I'm stocked and I feel threatened
for my life. I go out by myself to clear

(47:55):
my head. Just run in the woods, preferably a remote
woody area.

Speaker 3 (48:00):
It's great. And then another fellow jogger runs by, and
what I hide from them and watched them go into
the distance. And then I continue by myself again like
the first thing I would do is like buddy up.

Speaker 1 (48:16):
Yeah, U's the buddy system.

Speaker 3 (48:18):
Good god, idiot.

Speaker 1 (48:20):
And so she heads home and she actually is being
stuck because the killer is there.

Speaker 3 (48:26):
Yeah, he's there. There. We go to the phone booths
then where he's Frank, it's my case, it's my case break.
I know who it is. I know the next I
can't tell you how.

Speaker 5 (48:38):
I know.

Speaker 1 (48:38):
I can't tell you how because it's illegal. You should
have shared this information. It because I'm a naughty boy, Frank.

Speaker 3 (48:49):
And then we got to the carnival.

Speaker 1 (48:51):
Yes, we're the State Fair or carnival or whatever the hell,
which I love.

Speaker 3 (48:55):
Because this was the ship. When I was a kid,
When that ship came to town, we all like put
on our best tank top hot candy beats, and I
rode that scrambler as all the scrambler was the wrote.
I was like, I rode that shit, and you knew
it was going to be the most fun. If the
skinniest person sat to the right and didn't know why

(49:17):
I always tried to find a tiny little bean pole
friend of you. You should sit on the far right
smashing their organs.

Speaker 1 (49:28):
But before they even go on the ride, they're waiting
in line and Tom Hanks, his character is Elliott.

Speaker 3 (49:34):
He's a psych major.

Speaker 1 (49:36):
A psych major as well, so he's just going like,
I'm just fascinated with fear and humans relationship with fear.

Speaker 3 (49:42):
And what does he do but guesslight her until HER's hallucinating.

Speaker 1 (49:49):
But he has this whole speech about like, I mean,
you know, like when everybody watched Psycho, what did everybody did?
They were afraid of taking the showers, which I love
that they have this little reference in there talking about
the shower thing because it will come back later. And
I like that they do plant a lot of seeds
that come back later.

Speaker 3 (50:06):
And it wasn't like in your face foreshadowing, no, like
like it is in a lot of these films.

Speaker 1 (50:10):
Yeah, because it was definitely feeling like he's you know,
he is talking about our relationship with fear and explaining things,
and so it doesn't really feel because, you know, she
is being stalked and she's scared, and he's trying to
explain that through his first year.

Speaker 3 (50:29):
First year, he's I've taken psych one.

Speaker 1 (50:31):
Actually, yeah, I'm still in the middle of it. I
haven't passed the first class.

Speaker 3 (50:35):
I'm just gonna be honest here.

Speaker 1 (50:37):
So she notices that while they're on the Scrambler, she
spots the guy. Yeah, she spots the killer stuck her.
They get off the ride and Nancy and Elliott are like, hm,
we're gonna hook up.

Speaker 3 (50:52):
He says, do you have a time. I'm gonna call
my roommates and tell him to get out of there.
Why so we can play back, Ammon.

Speaker 1 (51:02):
Yeah, I like to be able to focus. Yeah, I
don't like any distractions when I pull out my back, Ammon.
And so Amy's like, yeah, sure, let's just take my
Diane is her little sister, right, Yeah, I think that
Diana is Amy's little sister, and she's like, Okay, we'll

(51:24):
take you on another ride, which Haunted House ride, because
Elliott terrified. But Elliott did mention the Haunted House ride.
He was like, oh, that's why people do Haunted House rids.
And she said, oh, I want to do that ride,
and so Amy's like, fine, I'll take you on that ride.
And so they do that. And I love this ride

(51:44):
because it's nothing but a black backstraw and then like
just a silly goofy mask and then like a stroll
light and they just go and then cut back to reactions.

Speaker 3 (51:59):
Is the best and then you see just getting out
of the well and then.

Speaker 1 (52:03):
She sees the yeah and she kills the killer in
heavy strobe lights and she's like, you gotta deal us.

Speaker 3 (52:12):
But I love how long the pause is after she's
getting out when the kit girls, I guess, can we
ride again? No, we're getting out? Are you okay?

Speaker 1 (52:27):
Let me think about that. That scared the hell out
of me. There's somebody that I know is trying to
kill me in there. I'm waiting. I'm waiting the cons
and the pros, not the pros and the cons, but
the cons and.

Speaker 3 (52:36):
The pros no bit, you will get up and say no,
we did it once. Get up, get me out of here.
He's gonna kill me.

Speaker 1 (52:43):
And finally, this next scene, we finally see Phil again. Yeah,
he's trying to call her and.

Speaker 3 (52:48):
You hear you hear a girl yelling in the background.

Speaker 1 (52:51):
Yeah, so he's trying to call her and he's like,
where is she? And also I just want to point
out he is not wearing a shirt because on a
Bachelor weekend, shirts aren't a loud and you.

Speaker 3 (53:02):
Can hear the hot pornos and lady voices.

Speaker 1 (53:06):
By hot, do you mean stolen?

Speaker 3 (53:10):
That was kind of a word.

Speaker 1 (53:11):
Bike Later, Amy talks to Nancy about seeing the guy again.

Speaker 3 (53:17):
Yeah.

Speaker 1 (53:18):
Nancy's immediately like, oh crap. I had planes with Elliott,
but those are done. I'm no longer gonna see Elliott.
Nancy says that she'll stay with her. She's like, okay, cool,
you'll stay with me, but I'm gonna leave because Diane
has to go to like an overnight little girl athon
or something whatever.

Speaker 3 (53:35):
I don't know what that was. And there's a knife
missing as she walked through the kitchen.

Speaker 1 (53:42):
I love that shot because there's not a knife missing,
and then she's like, dood do do do? Oh what
was that noise? Oh nothing?

Speaker 4 (53:49):
Go do do do?

Speaker 1 (53:50):
Knife missing? Yeah, it was great because you see the
knife shot with her, like the wall of knives, and
you immediately go, oh, one hundred thousand percent know what's
about to happen. We're gonna cut away and cut back
and there's a knife and sure enough, and I love it.
I love it, Get me more of it.

Speaker 3 (54:09):
And then that's the car chase singe.

Speaker 1 (54:11):
Yeah, so she drops off Diane and she notices that
she's being followed, and of course she thinks.

Speaker 3 (54:17):
It's the killer, but it's the detective.

Speaker 1 (54:19):
The detective, and she's just like er it out maneuvers
this detective because she's got years of training.

Speaker 3 (54:26):
And then we get to see Nancy's boobies.

Speaker 1 (54:28):
We do because she takes a shower. And then he's like,
whoa wait a minute. I'm a little freaked out, but.

Speaker 3 (54:36):
Not not to the point because she goes, what does
she do? What's a record on rolls? A joint?

Speaker 1 (54:42):
I have to point out the shower curtain in this
it's like a polstering shower curtain, like they're drapes, Like
she has to do this to close her shower curtains.

Speaker 3 (54:53):
That's so weird.

Speaker 1 (54:54):
I I was so fascinated by it.

Speaker 3 (54:57):
I didn't notice.

Speaker 1 (54:58):
I was like, what the hell's happening? That seems so much.
This is what really probably pisses me off the most
about this killer is harsh in this lady's mellow.

Speaker 3 (55:12):
Yeah, totally. It's like she put on music and she's
rolling her own joint, smoking weed. The most beautiful shot
in the film. It's her at the aquarium smoking the week.

Speaker 1 (55:22):
And then she like sits down. She's got her headphones on,
she's got a glass of white wine, smoke like a
wine in one glass, joint in the other, and he
just walks in and it's, oh, it just I was no,
kill her on something else, kill her in the shower,
don't harsh her mellow bro not cool.

Speaker 3 (55:45):
But Amy gets home and it's so cool because her
head is in the fish tank.

Speaker 1 (55:51):
It's in the fish tank, which freezes Amy. She's just huh.
Which this is another great Halloween rip off shot. It's
it's just like the scene when she when Laurie thinks
she kills Michael Myers and he sits up. It's like,
just like that shot. She's just frozen there, not really

(56:12):
knowing what to do. And then there's just his like
shadowy body just like starts walking up behind her.

Speaker 3 (56:17):
Chase through the house, yeah, trying to get through all
the locks, and.

Speaker 1 (56:23):
She makes it to her car. That case, he's like
stabbing the windshield. He's like it's not working. The windshields
too thick.

Speaker 3 (56:32):
And she's just screaming keys. Heyes, keys, And I'm like,
you just fucking got home.

Speaker 1 (56:41):
Wait did I put that?

Speaker 3 (56:43):
How deep can your keys be in your back? When
you just got home, saw the fish on the floor,
then saw your friend's head in there, and now you're
leaving and you're like, oh anything.

Speaker 1 (56:53):
When she was running, they got jostled to the bar.

Speaker 3 (56:56):
They got jostled.

Speaker 1 (56:57):
Yeah, they got jostled.

Speaker 3 (56:59):
That's fair. I'm gonna saw victim blaming.

Speaker 1 (57:01):
She drives off, She drives off. She thinks she's all safe,
but is she? Oh? Hell no. He's on the roof.
So he starts. He breaks the window, the side window.
She like swerves, throws him off, crashes, and then gets
into the building, which is they the more where he lives.

(57:23):
I love Marvin here because she's she's terrified, screaming, has
no breath in her. She's like sweating, and she's like,
he's after me. And then Marvin again says there's nobody
after you. Yeah, and she's like and then it like
he hears the noise. He's like, oh shit, you mean

(57:43):
this is on the level. I just I love it.

Speaker 3 (57:47):
It's like, huh, you call the police. I'm gonna go
check it out.

Speaker 1 (57:52):
Yeah, I'm gonna grab a two by four and chip
dish it right.

Speaker 3 (57:55):
Him going around here with a board.

Speaker 1 (57:57):
I'm just holding it like a macho man.

Speaker 3 (58:01):
Yeah. Great.

Speaker 1 (58:02):
Marvin Gamble shows up at at Amy's house, sees Nancy's head,
calls it into the operator and they're like, wait, what
else are you calling from? We just got a call
from her. She's at the Morgue.

Speaker 3 (58:15):
Walmut Sabbath or something. They give him the address. I'm
remember when we had to do that, when someone had
to tell us cross streets and we had to figure
it out.

Speaker 1 (58:25):
Holdly, let me get my Thomas guide.

Speaker 3 (58:26):
Hold on, Elsie. See now, when people try to tell
me cross streets, I go, no, don't do that to me.

Speaker 1 (58:36):
No, I have a phone.

Speaker 3 (58:39):
Please shut up.

Speaker 1 (58:40):
I will not do it.

Speaker 3 (58:41):
Well, you just turn right when you.

Speaker 1 (58:43):
See if you see the big cross, that means you've
gone too far.

Speaker 3 (58:47):
I can't hear you. It infuriates me when people trying
to tell me direction and they go so slow, and
I'm just like, no, nos.

Speaker 1 (58:54):
So you want to take a fifth? The fifth, right? Fifth?
Right now, there's a sign I'm.

Speaker 3 (59:01):
Not counting anymore. I have a device for that.

Speaker 1 (59:04):
Gamble shows up at the Morgue. Gun Drawn goes in there,
and Amy is wandering around trying to find Marvin. Marvin's
wandering around trying to find the killer, and they're just
all like, huh, who's there.

Speaker 3 (59:17):
So here's my morg problem, the bone I have to
pick with the morg Yes, get into it. So she
goes stand there. So she's already been with Marvin, right
who works there alone at night? Yeah, she finds her
friend's dead body. He didn't mention that to her.

Speaker 1 (59:36):
He didn't think of bringing that up. Marvin.

Speaker 3 (59:38):
I just say, I'm sorry about your friend. I don't
know if you know but this happened.

Speaker 1 (59:42):
I just know you've been really stressed out about the wedding.

Speaker 3 (59:44):
I didn't bring that.

Speaker 1 (59:45):
I didn't I didn't want to bring it doing I
know she was your I.

Speaker 3 (59:48):
Wanted to guess, like you, that someone's following you and
your friends after knowing your friend's dead body is in here.

Speaker 1 (59:53):
Am I aware that your friend is dead? Yes?

Speaker 3 (59:57):
Yes, but I still want to tell you has.

Speaker 1 (01:00:00):
Nothing to do with your Cockamamie bullshit. Lady Marvin, after
she finds Joyce's body on the slab, the killers behind
her again and she just crumples. She gives up Chase, Chase, Chase,
Fine fatal positions it yeah and stands above her. She's
just pulling. Which is that The screenshot of the poster

(01:00:24):
or whatever it is with that her like giant turtleneck
or Gamble shows up. She is a pew noise, pe
pew noise.

Speaker 3 (01:00:36):
Should take us out, and he just starts screaming in
her face, get out of here.

Speaker 1 (01:00:40):
I love it.

Speaker 3 (01:00:41):
He just yelled it out of here.

Speaker 1 (01:00:45):
I know that I just grazed him, but I'm going
to put all my attention to you instead.

Speaker 3 (01:00:49):
Of him screaming get out of here, to you get out.

Speaker 1 (01:00:52):
The killer stabs Gamble because yeah, you're you're an idiot.
Amy runs away and trips because she's an idiot. Yeah,
but she's able to fool him, traps him. In a room.

Speaker 3 (01:01:02):
Yeah, slams the door. Yeah, go, girl.

Speaker 1 (01:01:06):
Slams the door and then leans up against dramatically.

Speaker 3 (01:01:09):
That's what you do.

Speaker 1 (01:01:10):
That's what you do when you lock us.

Speaker 3 (01:01:11):
Through the window. Out there, you idiot.

Speaker 1 (01:01:15):
But she has a knife. I don't remember where she
got this.

Speaker 3 (01:01:17):
Knight grabs a knife off the table and then stabs.

Speaker 1 (01:01:19):
It, stabs him multiple times on the hand. Marvin shows
up because he's so useful out to the cops that
ever wrent out to the cops who are going down
to take care of business. Yeah, killer is taking care
of so we believe. Yeah. Cut to Marvin in a tuxedo.

Speaker 3 (01:01:37):
Marvin, so it's obviously a wedding day.

Speaker 1 (01:01:42):
I guess you know what I guess persistence. Yeah, no, no, no,
No matter how many times she tells him, no, good.

Speaker 3 (01:01:50):
God, going through that kind of experience brought them closer
to get.

Speaker 1 (01:01:53):
But threw out it. She's always like, oh Marvin, Yeah.

Speaker 3 (01:01:56):
And everybody likes Marvin, the weird guy works at the
more so got to be just the worst piece of shit.

Speaker 1 (01:02:02):
We cut back in we see Amy in a wedding dress,
not the same wedding dress she tried on earlier.

Speaker 3 (01:02:06):
With philm No, it's a different wedding dress, but she
turns Phil, what are you doing here?

Speaker 1 (01:02:15):
Halloween? Rip off music plase, end of movies.

Speaker 3 (01:02:20):
So Jenneviing did a final count for us money. Oh
she did final count non brides five brides three?

Speaker 1 (01:02:29):
Well, thank you for that? All right? Who do you
give the MVP?

Speaker 6 (01:02:35):
Two?

Speaker 3 (01:02:36):
You know I'm gonna absolutely give the MVP. It turns
out to Nancy. To Nancy because of the fish tank. Yeah,
I mean just the whole scene of her and she
goes from the shower that is like five to six
minutes of pure perfection from her going in the shower,
doing the whole shower deal, coming down, rolling your own joint,
listening to music, that beautiful shot by the aquarium. Yeah,

(01:03:00):
I get her death. And then the most iconic thing
that will take away from the whole movie, even that
Tom Hanks is in it for two seconds. Yeah, it's
her head and the fish thing.

Speaker 1 (01:03:10):
That is played by Elizabeth Kemp, and she actually does
The director his name is armand Masterion Mestroani. She's in
his next film called The clare Voyant. And then she's
in another film that I very much want to watch
for this called sticky fingers. So we'll have to do

(01:03:30):
that one at some point.

Speaker 3 (01:03:33):
Oh yeah, it was yours well for me, like, of course.

Speaker 1 (01:03:37):
You want because Tom Hanks is Tom Hanks and his
charisma is ridiculous. In fact, I read something who knows
if it's true that they in the script he was
supposed to be killed but they just decided Yeah, along
with Nancy, but they decided not to shoot his because

(01:03:57):
they liked him. And they're like, no, you know what,
we like him. He's got too much chrisma. That sounds
a little fake to me. I probably to me, it's
like we ran ahead of time and we didn't have
the budget, so we want to plane that we saw that, Yeah, exactly,
And it just sounds like a little bold to me.
Although he is fantastic in his short little part. But
to me, it goes to Joseph Leone, who played Ralph

(01:04:20):
the Taylor. I can't help it. I loved him.

Speaker 3 (01:04:22):
There was someone in it that I thought was very familiar.
Now I'm looking him up, it's Franks.

Speaker 1 (01:04:28):
There's a lot of people that are very familiar in it.
You're looking at Detective Frank Daily. That's Paul Gleeson. Yeah,
he is in the Breakfast Club, he's the teacher that
watches him in detention.

Speaker 3 (01:04:37):
Well, that's exactly what I thought.

Speaker 1 (01:04:40):
Yeah, he's also in die Hard and he's the dad
in be Walks the Battle.

Speaker 3 (01:04:44):
I've seen him in a lot.

Speaker 7 (01:04:47):
Now it's time for remad reboot, reimagining, remaster or sequel.

Speaker 1 (01:05:02):
Yes, what do you go with? Oh, I'm going with
sequel one thousand percent sequel.

Speaker 3 (01:05:09):
You absolutely, I'm down the sequel.

Speaker 1 (01:05:13):
For me the way I would approach it because obviously
Phil is our new killer. They set it up his
pattern begins. They mentioned somewhere in the film that Marvin
is thinking about becoming a forensic scientist. That's one of
the reasons why he's working the Morgue. He's that's the
profession he wants to go into, and you know, you

(01:05:35):
kind of turn him into turn Marvin into our doctor
Loomis of the series, you know, the loop the Halloween
loomis the one thing that I think this movie didn't
understand about Halloween and Friday the thirteenth, which came out
four months prior, with no three months prior, which they
said that I read that it took four months from

(01:05:56):
writing the movie to releasing the movie. It was four months,
so they just were like, we need to it's now's
the time to just crank it out.

Speaker 3 (01:06:06):
Four months four.

Speaker 1 (01:06:08):
Months between the writing production. That insane. So I you know, again,
I don't know if all this stuff that I read
is true, but that's what I found.

Speaker 3 (01:06:18):
That's like forty eight hour film Festival.

Speaker 1 (01:06:21):
Yeah, exactly. But I think the thing that they misunderstood
of what makes Michael Meyers so effective is that, you know,
we don't really understand. It's all a mystery who he is,
what he is. It's evil, you know, we have this
kind of okay, this is a spurned lover who just
now is taking out. I think that you take this

(01:06:43):
killer and you find a way find the hook. Friday
the thirteenth, Jason was not in the first one. Jason
was mentioned, but he wasn't in it. You know. The
second one he's there, but he's got a freaking bag
around his head. The third one is when we get
iconic Jason. So I think that part two you have
to figure out, how are we defining this? Is this

(01:07:03):
a curse that that goes from one to the man's
lovers because we can we have to find a way
to justify why he is now the one doing that.

Speaker 3 (01:07:11):
Because like in Scream, it's copycat killers.

Speaker 1 (01:07:13):
Like boul writing, I'd go with some stupid curse and
then it's like it makes their eyes crazier and their
mouth crooked eyes. Yeah. The longer you're the longer you're
the killer, the more wretched your face becomes, and then
eventually you can try to get whatever iconic thing. Anyways,

(01:07:33):
what's your take? What's your take? Girl? I want to
hear at No.

Speaker 3 (01:07:38):
I I dig that.

Speaker 1 (01:07:39):
I love that that.

Speaker 3 (01:07:40):
I was like just going on the journey with you,
because for me, it was just as simple as I'm like,
I would want a sequel because I would want it
to flip and it be Phil as the killer and
Marvin's like he's back.

Speaker 1 (01:07:52):
Yeah, I mean I can just simply be that it could.

Speaker 3 (01:07:56):
Yeah.

Speaker 1 (01:07:57):
I was just like, well, how would I justify this
if I were if I were going to like try
to turn this into a.

Speaker 7 (01:08:04):
Long you know, yeah.

Speaker 3 (01:08:08):
You see him years later. If I'd only just like
refused to cancel plans and said, look, I'll come to
you guys. Oh Nancy, we had something.

Speaker 1 (01:08:20):
Then you had to go and get your head cut off.

Speaker 3 (01:08:23):
And I feel awful. I gas lit that girl. I
told her it was a hallucination. She believed me, and
she's like, I don't, I don't think you're real. And
she's dead now.

Speaker 1 (01:08:31):
I think that brings us to our nostalgia of the week.

Speaker 3 (01:08:52):
It's not time again, Nostalgia of the week. And our
guest is a detective who always speaks as though he's
speaking through a yawn, Detective Rain Gambowski. Welcome, Thank you, Jennifer.

Speaker 6 (01:09:06):
I detect you Gambowski. And I'm just chulding for the
tough anti crime of jendas, war on drugs and all
those hard thse running ramage stuff. I want people to
be a friend so that they're engaging, that they act
irrationally and iresponsibly. This is why I'm gonna give you

(01:09:28):
the top five tips on a hand. Hell, if you're
being stuck by your future killer, okay, if there's a
number five, If there's unfamiliar puick hair in the back
seat of your Ford Escort. Number four, your cat runs
through your house and wait you up in the middle

(01:09:50):
of the night for no reason, but it's absolutely because
it's Stucker is watching you.

Speaker 1 (01:09:57):
Number three.

Speaker 6 (01:09:58):
You can never find your when you need them too.
There's hot breath on your neck, and the number one
reason or way to tell if you're definitely being stuck
by a serial killer.

Speaker 1 (01:10:13):
You just took a shower. Oh I'm sorry, Jenny, and
I boring you did.

Speaker 6 (01:10:20):
I just see your yacht, and I'm like, it would
be really super serious, right yo, And you're gonna go
like sleeping good night?

Speaker 1 (01:10:33):
Great now, I'm yawning. Cool.

Speaker 4 (01:10:35):
Thanks for that.

Speaker 1 (01:10:36):
Well, I gotta get going.

Speaker 6 (01:10:38):
I hope you're really scared and that we can get
back to locking people up hard time for nonviolent crimes.

Speaker 1 (01:10:46):
That's my motto back to you guys.

Speaker 3 (01:11:01):
All right, Well, we appreciate that so much, very much.

Speaker 1 (01:11:05):
Thank you for that. Goody. Remind me not to invite
that one back. Well.

Speaker 3 (01:11:17):
I had a really good time. I love this movie.

Speaker 1 (01:11:20):
Yeah, I had a lot of fun watching it.

Speaker 3 (01:11:22):
Yeah it was good. Tom Hanks, if you're listening.

Speaker 1 (01:11:27):
Very much.

Speaker 3 (01:11:28):
Love your take.

Speaker 1 (01:11:29):
Who I heard who knows how he feels about it,
But it's not proud.

Speaker 3 (01:11:33):
He hates it. Yeah, I hear he hates it. Do
you like the first thing you ever did?

Speaker 1 (01:11:38):
Of course I am flawless in all of my things.

Speaker 3 (01:11:42):
The first thing I ever did was this horrible thesis
film where it was about the end of the world
and I was the last woman on Earth and I
took this like helmet thing off on the battlefield and
all of the all of the men in the field
were shocked to see the first woman in years, and
they all bowed to me, and I went and the

(01:12:03):
guy said, you just have to laugh really loud, and
I'm like, that sounds like a maniac. He goes, no,
just so I like took my held off on it,
like I feel like that doesn't work in this moment. No,
it's great, we got it. I said, Oh my god,

(01:12:23):
one take one.

Speaker 1 (01:12:24):
Take wonder that's what I need. You don't want any
more direction on that.

Speaker 3 (01:12:31):
They're closing Crafty and moving on, and I'm just standing
there shocked in the park.

Speaker 1 (01:12:35):
No, no, no, what did I do? What did I
just do? No?

Speaker 3 (01:12:38):
No, no joking, That's not the way I would do it.

Speaker 1 (01:12:44):
No, trust me, I'm a real acture.

Speaker 3 (01:12:46):
Called my moment and I'm giving up had me.

Speaker 1 (01:12:51):
No, don't do that.

Speaker 3 (01:12:52):
We want you don't want your back care. You'll figure
it out.

Speaker 1 (01:12:58):
Yeah, tough enough, don't be said it was.

Speaker 3 (01:13:03):
Well, I'm Jenny Wanger.

Speaker 1 (01:13:05):
I'm Jeremy Briggs. Thank you for joining us. We'll see
you next time. On be Side video.

Speaker 4 (01:13:13):
Reynolds, you start baking.

Speaker 5 (01:13:26):
At your Sup's wrong with that? Now?

Speaker 3 (01:14:50):
Listen, Kat, don't judge me.

Speaker 1 (01:14:51):
Yeah, my cat's going crazy. Come here, Oh boy, I
tried to grab him in his caller came right off.
Slick Rick, Alright, where are we