They Call Me Macho Woman!

📼”They Call Me Macho Woman!”
📼 (1989, Dir. Patrick G. Donahue, Starring Debra Sweaney, Brian Oldfield)
📼B-Siders:
📼Hosts: Jenny Wenger & Jeremy Briggs
📼Editor: Genevieve Marie
📼Written & Produced by: Jeremy Briggs, Jenny Wenger, & Genevieve Marie
📼 Music: Jeremy Briggs
_____ 
0:00 - Cover Art Cold Open
1:23 - INTRO Music/Credits
1:48 - Welcome 
3:22 - “Not-So-Current Events” 
10:42 - Review ”They Call Me Macho Woman!”
43:54 - On Set Speculation 
1:06:47 - Movie MVPs 
1:07:53 - Remake Reboot Reimagining, Remaster Sequel or Prequel? 
1:09:18 - Nostalgia of the Week 
1:10:45 - OUTRO 
____
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Episode Transcript

Speaker 1 (00:06):
Sunday, January first, nineteen eighty nine, with the new year
ringing in hope, ambition, and new beginnings. So too does
it bring in utterly arbitrary date that specific film databases
claims the release day of the film you currently hold
in your hands, because they have no idea when in

(00:28):
nineteen eighty nine it came out.

Speaker 2 (00:31):
It's vibrant colors glow in the halogen lights of the
east side video, A screaming head. A sexy woman in
a suit stands in the corner, stucking on her glasses.

Speaker 1 (00:44):
But wait, what's this?

Speaker 3 (00:46):
There she is.

Speaker 1 (00:47):
Again, right in the center, this time in daisy dukes
and a ripped tank top. In one hand she holds
a double sided axe and the other a knife or
maybe a screw, it's really hard to tell. In her
teeth she bites down on a straw, perhaps a super

(01:08):
long cigarette. It's impossible to tell.

Speaker 2 (01:11):
But the one thing you do know is that she
was born to shop, but she learned to kill.

Speaker 4 (01:19):
They call me mucho woman, a.

Speaker 1 (01:52):
Happy new vir jinny.

Speaker 3 (01:55):
Jeremy, Oh my.

Speaker 1 (01:57):
Good half of these things have been chewed on by
my youngest, so they're still wet.

Speaker 5 (02:05):
That's super gross. I think it's not gross for you
because they're made of you.

Speaker 1 (02:09):
They're made of me. That's That's like.

Speaker 5 (02:11):
When my dog's lick my face. I feel like I
birthed them. So it's kind of the same, right, it
doesn't gross me out.

Speaker 1 (02:19):
It's exactly the same. I got my my spiky horn on,
thank god. Yeah, all things Maco, all things Mango. Don't forget.
I'm also on theme because I got a hand axe
right here.

Speaker 5 (02:34):
Holy cow, I really wanted to do a bald cap
but I have a meeting right after this. I wanted
to have a bald cap on for this. I was
so inspired by him.

Speaker 3 (02:43):
What a hero?

Speaker 1 (02:44):
Yea, what a hero. You don't get more creative than
that guy. But you know what I love about him
is he's uh. He's committed. He's so committed to his choices.

Speaker 5 (02:57):
Cult leaders are famously like arismatic, and he's just not.

Speaker 1 (03:02):
It's just not he's not at all.

Speaker 3 (03:05):
Like why do you guys they only follow.

Speaker 1 (03:07):
Him, were following him.

Speaker 3 (03:09):
He's large, he's very big.

Speaker 5 (03:11):
He could kill us. I don't want to be horned
to death.

Speaker 3 (03:16):
I don't want to lobotomy today.

Speaker 1 (03:19):
Oh man, should we get into it?

Speaker 3 (03:21):
Oh?

Speaker 6 (03:22):
Yes, Sunday, January first, nineteen eighty nine, and thee You're
not so current events, The Federal Home and Loan Bank
Board announced a series of rapid fire savings and loan bailouts,

(03:42):
requiring five point eight billion.

Speaker 1 (03:45):
Dollars of government assistance. Upon receiving the assistance, the bank said, no,
we meant the other kind of government cheese, the processed cheese.
That's a lot of processed cheese.

Speaker 5 (03:58):
Jenny, Oh gross, I'm like tost in tolerance was gross
to me.

Speaker 1 (04:06):
Well, process cheese in general, yure me. White House officials
are seeking to overturn subpoena's issue to President Reagan for
courtroom testimonies in the Iran contract conspiracy trial, saying they
won't revealed government secrets, so they should just give up
up down down, left, right, left right, be a start.

(04:28):
Gen Xers are going to love that one, Jenny. It is.

Speaker 3 (04:31):
It's kind of a code, a coat of honor.

Speaker 1 (04:33):
Huh huh.

Speaker 5 (04:36):
The presence of hormones and American beef has caused a
trade dress of your dispute in Europe, putting one billion
of US beef ix sports at risk. American beef executives said,
without the hormones. How are you gonna have horny cows?
Americans love horny.

Speaker 1 (04:53):
Cows, love our horny cows. If my cat win't horny,
I don't want to.

Speaker 3 (04:57):
Eat it, Yeah, then city saint swollen.

Speaker 5 (05:01):
Now I hate myself. Prison drug use is creating a
significant problem with threats to the prison order, violence among inmates,
and most importantly, the corruption of guards who have been
caught belating inmates for us.

Speaker 1 (05:17):
In it. You gotta get that musin X, you gotta
get it powerful, you gotta get it anywhere you can.

Speaker 3 (05:28):
That's not like you've experienced this.

Speaker 5 (05:31):
Listen, I know some things about trying to get your
muse and eggs.

Speaker 1 (05:36):
The Pentagon has decided to modify its most powerful lasers
to fire at the old US satellites to see how
effective its space attack can be. President Reagan said, I
can't wait to watch things go pew pu, kablui and
zero gravity. I totally intended on spending a day working

(05:58):
on my Reagan voice, and then I gave up. It's
not worth it.

Speaker 3 (06:03):
A lot of nuances.

Speaker 1 (06:04):
The officials at the Library of Congress found headline in
the library's magazine and periodical reading room and have been
forced to close it publicly and has permanently banned Jenny
from ever visiting again. You shouldn't have gone in the
first place, Jenny, What are you doing reading?

Speaker 3 (06:23):
I don't know how to read. I'm from Tennessee.

Speaker 5 (06:26):
Eighteen people have been indicted in a worldwide conspiracy that
made a marketed millions of counterfeit name brand shoes. They
went undetected for years until unveiling their new basketball shoes,
the Nike Air Jordash. They got suited by several companies
several companies. Researchers say that the newly promoted designated driver

(06:48):
concept is catching on and looking to expand the initiative.
Many criticize the new initiative designated cornholer.

Speaker 1 (06:55):
I just wanted to make you say the word cornholer.

Speaker 5 (06:58):
I'm happy to I could convince me that doesn't make
me ashamed at all.

Speaker 1 (07:02):
I'll leave it on your voicemail.

Speaker 3 (07:04):
I was just gonna say it anyways, even if you
didn't write it down.

Speaker 1 (07:08):
That's what I do at eight o'clock every night.

Speaker 3 (07:09):
Cornholer, corn holler, Get on your cornholer.

Speaker 1 (07:14):
We'll got cornholer over here. American yachtsmen are concerned that
the US may need to gain ground to defend the
America's Cup, initially falling behind by grounding on a yacht rock,
but lost even more time drinking peanut coladas and getting
caught in the rain.

Speaker 5 (07:32):
You know, that song was so romantic to me, and
as a child, I thought, oh, this is so sweet,
and then I grew up and found out about people
trying to cheat on their spouse, and I'm like, oh wait.

Speaker 1 (07:41):
The best songs make you so happy, and then you
listen to the lyrics and you're like, whoa.

Speaker 3 (07:47):
This is dark, WHOA, it's really dark.

Speaker 1 (07:52):
The Chicago Blackhawks and the Minnesota north Stars engaged in
a seven minute pregame brawl, resulting in an automatic twenty
five thousand dollar fine. Players who avoided suspension use the
time to play seven minutes in heaven with each other.
Those hockey players, what are they doing that closet?

Speaker 3 (08:10):
Some times it was the weirdest game ever.

Speaker 5 (08:13):
Every time, like I'm at a party and people suggest
playing it, I'm like, ew, but.

Speaker 3 (08:16):
Like, there's like only one person here.

Speaker 5 (08:18):
That I want it, and that's never who you're gonna
get pushed in the closet with. After ninety two years,
the Miami News, the city's oldest newspaper, was distributed for
the last time this morning and has officially retired, and
like many other retirees in Florida, it will spend its
time sexually harassing teenagers on the beach.

Speaker 3 (08:38):
Damn parpark pervert.

Speaker 1 (08:40):
I'm assuming that's what Florida beaches are like.

Speaker 5 (08:42):
I've never been now Miami's not, but the other ones
it is pretty accurate. State agencies are pumping water into
Texas rice fields to create clean wet lends to help
stem and outbreak of aby and cholera among ducks and geese.
Many of these rice fields are conveniently located next to

(09:02):
parking lots and car dealerships.

Speaker 1 (09:05):
Oh is it kolera?

Speaker 3 (09:10):
Yeah?

Speaker 1 (09:11):
Okay, I just want to it is it not?

Speaker 3 (09:14):
That's how we said it.

Speaker 1 (09:15):
How do you say you guys say kolera? It's colera
as far as I'm oh, calera, calera, Okay, I don't know.

Speaker 3 (09:25):
Look, this is the learning hour for me.

Speaker 5 (09:29):
When I come in here and we do the news,
I'm always like I'm going to learn a new word.

Speaker 1 (09:33):
Today, a three year old boy using the telephon phone
for the first time saved his sick mother's life by
calling the operator and asking her to reach his father
at work. After hanging up, the child immediately tripped on
the phone cord, became entangled in its web and was
eaten by phone spiders.

Speaker 3 (09:52):
It and I like that, but I also like that.
G just text me Colera. I barely know.

Speaker 1 (09:58):
Where knew Colora horre.

Speaker 3 (10:02):
Oh.

Speaker 5 (10:03):
And finally, a proposed hazard waste processing plant in Florida
has been put on hold after a pair of bald
eagles began building a nest on the site. CEOs of
Big Garbage have been monitoring the situation so closely that
the eagles have alerted authorities of peeping tops.

Speaker 3 (10:20):
Stop looking. They're naked.

Speaker 1 (10:21):
You're naked, CEOs of Big Garbage. I hate Big Garbage.

Speaker 3 (10:26):
They're linked to the mafia, and we know that, we.

Speaker 1 (10:28):
Know that, and that was you're not so current a VENG.
I really get into it, girl, you're so excited for
they call me watch.

Speaker 5 (10:49):
Let me tell you. This is why I love eighties cinema.
It's finding things like this because there are so many
of them that try to capture this.

Speaker 3 (10:57):
It's like, you know how birdemic is birdemic?

Speaker 5 (11:00):
Because they were really trying, right, like they thought they
were making a really good film. That's what I love.
I love when it completely misses the mark. But the
heart was so in it, like you could tell like
she wanted to be this tough gal, like she wanted
this to come across this way. And her screens were
just insane, the stunts were insane.

Speaker 3 (11:23):
Everything was a miss everything everything I love. It's everything
I love.

Speaker 1 (11:29):
And the guy we talked briefly about at the very
beginning and Mango. He is played by Brian Oldfield and
his nickname is the Big Oh. By the way, he
probably gave himself that one, but he's apparently he was
like a big time shot putter back in the seventies.

Speaker 5 (11:48):
Well, I was thinking like a wrestler, Like you know
how like in the eighties you could go to like
those warehouses and see people wrestling.

Speaker 1 (11:54):
Yeah, he apparently was a like legendary shot putter. He
was like the first person to throw over seventy five
yards or something like that. And then he got into
the Scottish Highland Games and this is his only acting credit.

Speaker 3 (12:08):
What people ain't going nuts after this?

Speaker 1 (12:11):
Yeah, I don't understand.

Speaker 3 (12:13):
Oh my god, he's so good.

Speaker 1 (12:15):
I kept looking at him like, man, he looks like
Bowl from Night Court.

Speaker 3 (12:18):
Yeah he does, Yeah.

Speaker 1 (12:20):
Minus any charisma nuts.

Speaker 3 (12:25):
Shot.

Speaker 1 (12:26):
Yeah, he's a shot brother, and it shows.

Speaker 3 (12:30):
It's brilliant to me. I'm so happy. I loved it.

Speaker 5 (12:33):
I love that it's macho woman and no one called
her macho woman and she never acted like a macho woman.

Speaker 1 (12:39):
And also, can we just immediately point out that the
macho woman on the poster is not her? Not her,
Like they couldn't have tried to get someone who looked
more different.

Speaker 3 (12:53):
Yeah.

Speaker 1 (12:53):
I kept looking at him like is this this is
really messing, This is messed with my brain, saying.

Speaker 3 (13:02):
Did I start watching the wrong movie? Yeahs sweaty looking
for real estate.

Speaker 1 (13:08):
So we open on a real sweaty guy.

Speaker 5 (13:11):
And the music sounded really scary in the beginning, Like
it was really scary music, and I was like, Oh,
she's getting into something.

Speaker 3 (13:17):
No, she's just gonna go buy some property.

Speaker 1 (13:19):
But like before the property stuff ever goes out, Oh yeah, yes,
sweaty guy.

Speaker 3 (13:23):
Yes, sweaty cocaine, which is.

Speaker 1 (13:24):
Really important to set him. Yeah, he's like smashing his
nose up against himsel really his fingers up there.

Speaker 5 (13:34):
And I wrote gang shit like you could feeling like
he's mixed up in some gang ship.

Speaker 3 (13:40):
Sweaty lab guy is in trouble.

Speaker 1 (13:42):
And we thought, at least I thought for a while,
I was really confused. I was like, does he just
have like a running nose.

Speaker 3 (13:49):
Or he's doing the product?

Speaker 1 (13:51):
What's going on? He's doing the product and Mango busts in,
pulls him out, and all the guys around, all like
the around to him. They're saying, do him him, do him,
which is totally misleading because they don't have sex, but
do him, do him, and they're just saying it over
and I had to I watched it twice in one time.

(14:17):
I had to watch it with the subtitles because there
were moments where I was like, what was going on?
In that moment they're saying to him, and Mongo's like,
you violated the code. We don't do we don't use
ourselves the way he says, we don't use ourselves. I'm like,
what do you mean we don't use ourselves? Oh, we
don't use Oh I get it, we don't use doesn't.

Speaker 3 (14:36):
Know how to read good. He don't read good. He's
like me not strong suits. Then this is where they
first bring out the head bad.

Speaker 1 (14:46):
They bring out the little headband pieces, spiky head band helmet,
and it's like in the middle there's like this really
long one that looks like a shiny butt plug. Really yeah,
point one of the point.

Speaker 5 (14:58):
I immediately thought of sex stuff. I'm like, he's gonna
do sex stuff.

Speaker 1 (15:02):
Well, they were saying do him.

Speaker 3 (15:04):
Yeah, and then he puts on sex stuff.

Speaker 1 (15:06):
Yeah, and then he just he picks the dude up
by his head. He picks him up by his head. Yeah,
under an eighty pound guy. He just lifts up with
by his head. It's his neck is just totally fine.
And then he just jams the spike into his jello
skull head. Yeah, he just goes right in.

Speaker 3 (15:26):
He's just like a squish wish made of cake, is
it or is it cake?

Speaker 1 (15:34):
I don't know. We'll have to call mikey Day.

Speaker 5 (15:36):
Yeah. And then everybody chants over his dead body.

Speaker 1 (15:40):
Yeah. But the dumbest chant you could ever chant. Yeah yeah, yeah, yeah, yeah, yeah,
yeah yeah yeah yeah chance yeah, like dumbest chant I've
ever heard. Do him is a better chance?

Speaker 5 (16:01):
It was so good now and then he's like then
he talks about the money. Like the whole time he's
talking about the money, my.

Speaker 3 (16:09):
Money, money. They need to make money. He's obsessed with money.

Speaker 1 (16:14):
We can't we have to What does he saying. Uh,
he says something about like protecting the lab from intruders.
We can't have anybody in here. We need one last
big score. We're out. Like this gang is all like young,
they're not. This is not Robert de Niro and heat.

(16:34):
They're all in their mid thirties. Yeah, you know they're
they're not getting one and they're out. They're done except
for life.

Speaker 3 (16:43):
Yeah. No.

Speaker 5 (16:44):
So so now we're cutting to Ms Mars susanid By
real estate at the place that just conveniently just says
real estate.

Speaker 3 (16:56):
And I love her real estate agent.

Speaker 5 (16:58):
Because immediately I would meet him and say, never mind.

Speaker 1 (17:02):
Cecil is I just first of all, I love Cecil's jacket,
and me is like the first thing in my head.
I'm like, oh damn, I love that jacket.

Speaker 3 (17:10):
You're not the only one.

Speaker 1 (17:11):
I love that jacket. Well, well, the jacket will be
discussed further, yes, but that was like my first note. Like,
watching that scene, I was like, his jacket is awesome.

Speaker 3 (17:24):
Yeah, of course, So.

Speaker 1 (17:26):
He's like this weird He's like interrogating her it's.

Speaker 3 (17:29):
Really about her husband dying ago.

Speaker 1 (17:32):
So you got so you got like money when your
husband died, you got money. I need to know how
much you.

Speaker 3 (17:38):
Have an estimate? What am I spending here?

Speaker 1 (17:41):
They're driving out in the boonies middle of nowhere, and
he's like, don't let the side. This is one of
my favorite deliveries in the film. He says, don't let
the sides of the road scare you. Not a lot
of people come out here, and Susan's delivery of I
consider myself a good driver. It doesn't bother me.

Speaker 3 (17:57):
Yes, what I'm reading this, I can sell myself.

Speaker 5 (18:03):
Yeah, I posted what I'm supposed to say on the windows.

Speaker 4 (18:06):
I heard.

Speaker 1 (18:08):
I heard it worked for Brando, So I'm going to
do that.

Speaker 3 (18:11):
I'm going for it.

Speaker 1 (18:14):
I consider myself.

Speaker 5 (18:15):
That's like all all of her dialogue is delivered that way,
which is why I love her.

Speaker 3 (18:20):
She's awesome.

Speaker 5 (18:21):
So this is where I now getting a car and
he gets a flat timet tired.

Speaker 1 (18:25):
Oh geez, which he is not the only person that
says odd g's I feel like multiple people. It's the
writer really shining through on each character.

Speaker 3 (18:36):
Geez, common, oh geez.

Speaker 5 (18:41):
So what does she do all these changing the tires,
throw rocks at trees.

Speaker 1 (18:45):
Like she the way she does it, like she's like,
you don't have like a you don't happen to have
a tired replacement tired? Do you a spare? And he's like,
I don't. I don't know, hopefully. And then she she
like grabs rocks out of the ground so fast, asked
like like she was waiting, I'm ready to throw this
itching in that draw that two hour drive to the property.

(19:07):
She's like, I gotta throw some goddamn rocks. I gotta
throw some rocks.

Speaker 5 (19:10):
Yeah, I haven't thrown a rock and so long, I
just gotta do it.

Speaker 1 (19:14):
He so he starts to change the tire. He just
brings the tire over. She goes away, comes back, and
he's messing with it. Still there is no car jack.
He never jacked the car up. No, the tires are
now switched, yes, or they I don't even think they are.
And she's she's like, here, let me do it, and

(19:35):
gives us this wonderful when my brothers did this, and
she hand tightens the lug nuts.

Speaker 3 (19:42):
That's not gonna do it, honey, that's.

Speaker 1 (19:43):
Not gonna do a hon like where the hell is
your tire iron?

Speaker 3 (19:48):
This is her trying to be macho woman.

Speaker 1 (19:50):
My brother's always made me do these things because they
said a girl's gonna need that, you need the experience.

Speaker 3 (19:57):
Boy, they were so right.

Speaker 5 (20:00):
And while while she was throwing her rocks, she threw
rocks in the wrong direction because guess whose gang saw her.

Speaker 1 (20:06):
Longo di Mongo did not appreciate that.

Speaker 3 (20:09):
He said, bitch, she'll be throwing rocks. Here are we
throwing rocks?

Speaker 5 (20:12):
So when they get back on the road, and you know,
g mentioned she was throwing shade at his driving, Yeah,
because it's a terrible driver and he was an idiot
and he was gaslighting her.

Speaker 1 (20:23):
So she's like, he's not a good person.

Speaker 5 (20:26):
This isn't good. What's happening here. He's like, Oh, they're
just wanting to go around. I was like, no, they
want to fucking kill you. So they're definitely trying to
kill them. Yeah, he gaslights her about it. Oh, it's
probably some young kids.

Speaker 1 (20:42):
I don't think. So I saw that truck on when
we got a flat tire. Yeah, first time I read that,
I was like, what the hell did she just say?
Second flatch, I was like, oh, okay, she it was
my ears that miss heard. But it was just such
an odd delivery. Again, everything is so stilted in the
weirdest way.

Speaker 3 (21:03):
Her cadence is so weird. She's so cool.

Speaker 5 (21:07):
She reminded me of like the girl who plays Supergirl
in the eighties.

Speaker 3 (21:13):
What's her name?

Speaker 1 (21:14):
I don't know.

Speaker 3 (21:15):
I forget her name.

Speaker 5 (21:15):
I'll remember it before it's done. But she reminded me
of her a bit.

Speaker 1 (21:19):
So eventually Mango comes back again, runs him off the road.

Speaker 5 (21:23):
Yeah, car flips, so they What I like about this
is that the real estate agent leaves her pinned in
the car and she's like, my legs.

Speaker 1 (21:33):
He's like, no, too bad, trust me, Oh get help,
trust me. Just runs away. I love that she gets
out of the like eventually is able to get out,
and she's like, wait out, what kind of person are you?
The most real? Like, what kind of person are you? Like?
That's so weird?

Speaker 5 (21:52):
Leave me like that, that's so weird of you. So
she fumbles her way. She sees a guy from the back.
Oh it's Cecil. It's Cecil's jacket. Well first she's jacket anywhere.

Speaker 1 (22:06):
Yeah, she does. I have to I have to point this,
but out before she sees that jacket again, Cecil. She
notices that Mango and Turk come to look at the car, Yeah,
to see if there's anybody inside, And she's hiding in
the bushes and she's there for five ten seconds tops,

(22:26):
and a tarantula crawls on her hand and then looks
down and there's two snakes on her legs, and she's like,
what's good? Like you've been there for five to ten seconds, and.

Speaker 3 (22:38):
How this happened to you?

Speaker 5 (22:41):
They you know, And that's just the brilliance of this
kind of filmmaking. They had them waiting and just put
them on her ran out.

Speaker 1 (22:48):
We have to get her up and moving. She can't
stay here because they won't find her. So what do
you do? I don't throw a couple of snakes in
on her, that'll be believe. So she has to run away.

Speaker 5 (23:02):
Yeah, So she gets up, screaming and runs off and
then they're she finds the farmhouse, sees the jacket, goes
up sea saw. It turns around and it's a fucking
crazy guy.

Speaker 1 (23:12):
Crazy.

Speaker 3 (23:15):
Yeah, like this jacket. He killed Cecial and stole his jacket.

Speaker 1 (23:20):
And I love it because he's He goes like, how
do you like my jacket? And she says, I never
liked that jacket anyway.

Speaker 3 (23:26):
It's like, whoa, it's not the jacket's fault, man, It's
not that no Cecil was.

Speaker 1 (23:31):
He was a piece of work. Okay, dude, was his
jacket his style sense? I don't know, point honey, Yeah
he wasn't all bad.

Speaker 3 (23:43):
Okay, Okay, that was happening.

Speaker 1 (23:48):
And this guy's name is Apple, which this is apples
Apple and which totally tells me that this is Gwyneth
Paltrow's favorite film and the your child great it has
to be. She's like, you know what I have to

(24:08):
go with? Apple? Chris? Chris? No, yeah, okay, what's it after?
That's need to know information?

Speaker 3 (24:17):
She runs some hides and closet with a dead body with.

Speaker 1 (24:20):
A dead body, but it's dark in there. Did you
did you notice that it was dark in that room?
And she says, while she's being attacked, this guy's banging
on the door trying to get in, and she says,
I'm afraid of the dark. This is the second film
we've discussed where somebody's like, I'm afraid of the dark.

Speaker 5 (24:40):
I feel like that was improv It was the most
natural line. She said the whole time. No, she really
is afraid of the dark, and she had to say it.

Speaker 1 (24:53):
I'm like, nobody would break the in their mind. They
just wouldn't dark as the least. Are You're worries right now?

Speaker 3 (25:02):
Yeah, you're about to get raped and killed.

Speaker 1 (25:05):
It's not good. But but but it's dark. I don't
know what I pick. I don't know what I pick.

Speaker 3 (25:12):
Yeah, I know which is the last for me? If
I'm going to get raped?

Speaker 5 (25:15):
I excuse me, Gosh see those visceral reactions saying if
I'm going to get raped.

Speaker 1 (25:23):
I'm sorry. It's just an automatic thing I do.

Speaker 5 (25:25):
I prefer my rapes in the dark so I can
pretend it's someone nice from.

Speaker 3 (25:32):
A good school. This is the only time they're doing it.
They've never done this before. I was just so many.

Speaker 1 (25:47):
Oh god, I'm not good. You know how.

Speaker 5 (25:56):
It's like if you're part of the community, you can
make jokes about it.

Speaker 1 (26:01):
Believe women, I'm uncomfortable.

Speaker 3 (26:05):
So she wraps his hand in wires.

Speaker 1 (26:07):
Yeah, there pull a Lori strode at this moment because
she just hanger was like twisting it and I'm like, oh,
she's got Lori.

Speaker 5 (26:16):
Straw m yeah, but it was like really loose. It
wasn't like it was like a real hangar. It was
like wiry like.

Speaker 1 (26:23):
And then she wraps his arm his hand around the
door knob on the inside. Yeah, it traps him. And
again what I love is him.

Speaker 3 (26:32):
Please, you're hurting me. Let me go, and I'll be
nice to you, little girl.

Speaker 1 (26:37):
As she like climbs out of the top of it,
and she's like, yeah, he does say, I swear I'll
be nice to you, bitch. What it was like immediate,
it'll be nice to you, bitch.

Speaker 3 (26:51):
Oh, that's how it happens all the time that us.

Speaker 5 (26:55):
Like, you know, you're walking out in the club, out
from a club in your twenties, and guys are.

Speaker 3 (26:59):
Like, hey, come hang out with us. Oh no, I
have it, my friend. You're an ugly bitch.

Speaker 1 (27:07):
Oh okay, I don't know if you're aware of this.
Men got class, girl, We got class to spare. Okay.

Speaker 5 (27:17):
Yeah, it's really good. So she climbs out of the
top and she's all of a sudden in a hay loft.

Speaker 3 (27:23):
Yep, she's surrounded.

Speaker 1 (27:25):
She does, she gets surrounded, and everybody is immediately very
violently horny.

Speaker 3 (27:31):
One weirdo gets loose and bites her.

Speaker 1 (27:34):
Yeah, it's very weird.

Speaker 5 (27:35):
It's like such a weird intentional bite of her shoulder,
and it was like, oh he really needed to do.

Speaker 1 (27:42):
That, hey like stuff.

Speaker 3 (27:47):
It was so bizarre.

Speaker 5 (27:50):
They want to group raper. They're fighting over who goes first.
Mongo pulls up and he's just mad she's in his territory.

Speaker 1 (27:57):
Yeah, that's all he's mad about. He's like, look, you
should a been here.

Speaker 5 (28:02):
He's like, drugs equals now, yeah, you're not bringing in money.
So Susan gets tied up and gagged. They tape her mouth.

Speaker 1 (28:15):
And everyone gets back to drugs work.

Speaker 3 (28:18):
Back to drugs work.

Speaker 5 (28:19):
They're swiping coke off, coke off the ground into bags,
so it's like this is tainted.

Speaker 1 (28:24):
Ship, cut with dirt.

Speaker 3 (28:26):
So then another tough woman walks in and sees her
and what everybody wants to do rape her.

Speaker 1 (28:34):
And this is her second forced kiss of the film.

Speaker 3 (28:37):
Yeah.

Speaker 1 (28:40):
First full Well Turk did rip her shirt earlier. That
was not you saw bra which you know it was a.

Speaker 3 (28:47):
It was an interrupted attempted rape.

Speaker 1 (28:50):
Maybe I feel like this is the first.

Speaker 5 (28:53):
I'm going to give him the benefit of a doubt.

Speaker 3 (28:58):
I think he could have just wanted to see what
kind of bras she had on.

Speaker 1 (29:01):
He was she He was saying how nice he thought
she was, and she was rude to him, so he
ripped the front of her shirt to see boot.

Speaker 3 (29:09):
Fuck your buttons. I just ruined your shirt. You want
to be rude? I ruined your shirt.

Speaker 1 (29:16):
You know you don't need buttons, you don't need them.

Speaker 5 (29:23):
Yeah, So then we get to see a bitch fight,
which is like.

Speaker 1 (29:28):
First, let's just count them out as we go. This
is our first attempted rape and escape.

Speaker 5 (29:37):
Sea like that's you because there was like six of
them around her.

Speaker 3 (29:43):
They wanted it, they were trying stopped.

Speaker 1 (29:48):
But that was to me, it's just like that's setting
up all these people are going to try to try
to get their opportunity.

Speaker 3 (29:55):
To get it. Is the first physical.

Speaker 1 (29:58):
Like one where it's like we're alone, you're tied up,
I'm gonna get on top of you.

Speaker 3 (30:04):
I would get some action.

Speaker 1 (30:05):
And so this is what happens every single time somebody
tries to raper. She escapes.

Speaker 3 (30:15):
Every time, every.

Speaker 1 (30:16):
Time, and this will happen many times. I wanted the
entire film to just be attempted rape, escape, attempted rape, escape.

Speaker 5 (30:25):
That's that's what the true storyline of this is. So
what I love is after they're having their crazy girl fight,
they bust through a window and it's very obviously a
man in a blonde wig, a man. Gee reminded me,
she gets finger raped two times. So let that when
we get there real times.

Speaker 1 (30:47):
We don't know what happened underneath that skirt. We don't
know what happened.

Speaker 5 (30:51):
Please me and Genevieve know what happened under that skirt.

Speaker 1 (30:55):
I don't. I'm an innocent.

Speaker 3 (30:59):
I'm not that kind of man.

Speaker 1 (31:00):
I don't know anything.

Speaker 3 (31:02):
I don't even hang out with him and get that
locker room talk.

Speaker 1 (31:05):
Locker rooms are uncomfortable.

Speaker 5 (31:08):
They are They were for us too, if that makes
you feel any better. But I love that a man
and a blonde wig does hurt up for her. But
it looked like a woman did the other ones strun
wasn't It was very obviously a man.

Speaker 1 (31:22):
Like what, I love that because I totally was not
paying attention.

Speaker 6 (31:26):
I was just like, yeah, they jumped out a window
and fell on some haystacks.

Speaker 1 (31:32):
Yeah, I thought it was convenient that they fell on haystacks.

Speaker 5 (31:35):
Also, Yeah, but hay sacks hurt if you've ever fallen
on one, it's so hard.

Speaker 3 (31:40):
Well, maybe it's my autism because a lot of people
where I was from with have sex on haystacks. And
then I tried that one time and I was like, no,
this hurts.

Speaker 1 (31:49):
I tried to have sex with a haystack, but it
just I didn't get it either. It didn't make sense.

Speaker 7 (31:54):
Yeah, our experiences are very different. So this is actually
my favorite.

Speaker 3 (32:04):
Time. She fights back.

Speaker 5 (32:05):
This is my favorite spot is Now there is a
man who tries.

Speaker 1 (32:09):
To rape She escapes everybody's she's hiding in the woods.
This is Georgie. Georgie comes up from behind her.

Speaker 5 (32:17):
Yeah, and he's getting her and he gets her on
the ground and he starts doing a really hard uh rubbing.

Speaker 1 (32:24):
Well this is the part where he gets a hand
up the skirt as well.

Speaker 5 (32:27):
Yeah, he gets up the skirt and it's a really
hard rubbing. It's really hard.

Speaker 1 (32:30):
It looks very like the way I are.

Speaker 3 (32:34):
You trying to get her wet like that.

Speaker 1 (32:36):
How it goes the first part of it, which is
how I interpreted it, was he was because he did
rip off.

Speaker 3 (32:43):
Trying to rip off the underwear, which yah.

Speaker 1 (32:45):
Like I don't know how he was able to rip
both sides of it, like that's that's he didn't he
got him off. He just ripped him both out. And
I don't know how you do that. I don't know
how you do it. He's a better man than I canceled.

Speaker 3 (33:00):
He's a better man.

Speaker 5 (33:03):
You're in so much troub You've done so well, it's
mostly been amazing horrible things.

Speaker 4 (33:12):
No, I mean stronger.

Speaker 3 (33:17):
I tried to do that to ladies. I don't have
the wrist straight.

Speaker 1 (33:27):
Oh my god.

Speaker 5 (33:30):
She's like reaching in this dirt, and it keeps going
to the shot of her like doing this in dirt.
I'm like, something's gonna happen here, but showing her doing
like this. Then she pulls a stick out, shoves it
tiny sing and shoves it in his ear, and he's
just gonna sticks.

Speaker 3 (33:50):
You look so stupid right now.

Speaker 1 (33:52):
You looks so stupid. You thought you were so cool,
but you're so stupid with sticks sticking out of your ear.

Speaker 5 (34:00):
And I swear to you, the first all I had is,
oh my god, that probably gave him a splinter.

Speaker 1 (34:06):
Oh man.

Speaker 3 (34:09):
Then she splinters, and.

Speaker 1 (34:10):
She grabs a knife and slashes his face and stabs.

Speaker 3 (34:13):
His hand and then they're back to chasing her.

Speaker 1 (34:15):
And now begin the running gag of George. You don't
hear so good?

Speaker 5 (34:21):
Whoa oh yeah, he needs everything everything, He's so trying
for me.

Speaker 3 (34:27):
It's like, you're done, You're a cooked goose. You're not
going to be in Just that is.

Speaker 1 (34:33):
Her second rape escape mm hmm.

Speaker 5 (34:37):
And now for another time. She runs to a man,
thinking she's gonna get a help. He takes her inside,
hands her over to mango and.

Speaker 1 (34:43):
And who is this guy?

Speaker 5 (34:45):
Mister Will said, yes, yeah, I loved us the menace.

Speaker 1 (34:55):
He was such a menace.

Speaker 3 (34:57):
He was.

Speaker 5 (34:58):
He made horrible choice that made me uncomfortable. But I
was like, at least he's like living his life and you.

Speaker 1 (35:03):
Know what, he made those choices though.

Speaker 5 (35:06):
That was the childhood me, like the way I don't
like Ben Steeler. Now that was like that version of
that Dennis.

Speaker 3 (35:12):
You know better. So this is mister and they have
a conversation about the money again.

Speaker 1 (35:22):
Money. He's kind of the money guy.

Speaker 3 (35:26):
Yeah, he says, he sells, he sells drugs.

Speaker 1 (35:29):
Good, we gotta you gotta take care of that loose in.
Don't worry about her. She's nothing. That's what makes me
so good about that's what makes me so good at
selling drugs details, because I worry about this small stuff,
small stuff, like a woman, small stuff.

Speaker 5 (35:50):
It's just a baby problem in the in the coke
lab that's in a barnful of sawdust.

Speaker 1 (35:58):
So then we have Susan tied up again, and I
don't n I don't know this kid's name. That the
kid that comes in, he's like Mango's biggest suck up
who's always like, I did this for you, Manga.

Speaker 4 (36:12):
Yeah.

Speaker 5 (36:12):
Yeah, he's ready to shoot his shot though, and she
kind of plays along with him.

Speaker 3 (36:16):
She kind of like he's like young.

Speaker 1 (36:18):
And she's making out with the tape on her face, yeah,
and getting like real hot and bothered when he's licking
the tape on her face. That really works for him,
it does.

Speaker 3 (36:30):
I think that.

Speaker 5 (36:31):
I think actually women with their mouth tape shut really
works for a lot of men.

Speaker 1 (36:35):
O Jesus, now that.

Speaker 5 (36:36):
I think about it, they all want us to just
shut up. Oh good, she's quiet now, she's so sixy
when she's quiet.

Speaker 1 (36:43):
Good God.

Speaker 3 (36:45):
So she tricks him and then she stabs him.

Speaker 1 (36:48):
But he's so like, he's so stupid, so stupid, She
so what she does is she convinces him take my
my thing, off my mouth, take my hands. I'm not stupid,
but how am I supposed to jerk you off?

Speaker 3 (37:03):
I'll show you how to really make love.

Speaker 1 (37:05):
Yeah, And so she grabs his head and then another
person whose head is made of cake, she just like
gently puts it into a nail in the post that
she's tied to. Squish squish. Oh look it's raspberry. Yeah. Nice.
So he's just stuck there. And by the way, I

(37:26):
have to point this out because in a shot in
just a nut, like a minute away, it's different. In
this shot when he's dead and she's taking his shoes
because they took her shoes. His pants they're firmly around
his buttocks, like tight. Yeah, these things are tight on
his butt yeah. And she's like, so she undid his belt,

(37:50):
but they're still really tight. In this shot when she's escaping,
when Mango and the crew show up, his pants are
around his knees.

Speaker 3 (37:57):
Yes, they're down.

Speaker 1 (37:59):
I don't see more. The physics don't work, not on
that tight ass, Not on that tight ass.

Speaker 3 (38:04):
No.

Speaker 5 (38:05):
Jeremy's second note, that's tight. He was an athlete in school.

Speaker 1 (38:10):
You could tell I know how jeans fit a man.

Speaker 3 (38:14):
Yeah, this is my special interest.

Speaker 1 (38:20):
When I see it, a market special interest Jean's own, gents.

Speaker 5 (38:27):
What I love about her untying, Like, it looked very
obvious that she could reach the knife, and she's sitting
there fiddling with it with her hands, and then she
finally starts, Oh, it's so hard to reach this knife,
but then gets it in time and gets out.

Speaker 1 (38:38):
So this marks her third rape escape. She always gets
away when it's a rape attempt. She can't do it
any other time. It has to be a rape attempt.

Speaker 5 (38:50):
Yeah, she's empowered by someone threatening that.

Speaker 1 (38:53):
So Mungo is pressed. He says, yeah, he's so mad.
He's like five thousand. If she's you gotta get her
five thousand if she's alive, ten thousand if she's dead, which.

Speaker 3 (39:06):
Which makes no sense. It would be the opposite. Yeah,
it would be the opposite.

Speaker 1 (39:10):
Don't just why don't you just say ten thousand do
to the person who kills her, Like I don't.

Speaker 3 (39:15):
Yeah, why are we doing this? This is so weird.

Speaker 1 (39:18):
It's weird, but we'll get back.

Speaker 3 (39:19):
I would somebody bring her alive if they made more
to kill her.

Speaker 1 (39:22):
I don't I don't understand this choice.

Speaker 5 (39:25):
It's like he honestly, just honestly didn't say what was
in the script. He's had an opposite and they said,
you know what, that's the best we're gonna get.

Speaker 3 (39:35):
Just move on.

Speaker 5 (39:36):
It's gonna be one of those plot points people go,
that makes no sense.

Speaker 1 (39:40):
So Susan, our main lady. I don't know if we
mentioned her name is Susan. Yeah, she's often running again.
This is played by Deborah Sweeney, and I gotta say
she does more running in this movie than Tom Cruise
ever has.

Speaker 3 (39:54):
Yeah, it's a lot of running, and she's not good
at it.

Speaker 1 (39:57):
And you know what, she is committed to this bad
blue cardigan that's eight sizes too big. Like I was
so like it made me anxious. I'm like, girl, take
that goddamn cardigan off.

Speaker 3 (40:09):
Throw it down. It's holding you.

Speaker 1 (40:13):
Back, it's catching on things. You're running forever. You gotta
be getting some pigs. Get rid of that card again. Girl.
She sees a car, so.

Speaker 3 (40:22):
Then she gets in the car with the young guys.

Speaker 1 (40:24):
Three frat boys led by Douche Bad Deluxe Gino.

Speaker 3 (40:29):
And what do they want to do?

Speaker 1 (40:30):
He talks in the third person, Yes, he's always Gino.
Does ladies love the Gino. Oh gee.

Speaker 3 (40:40):
So they gaslight her like they're just they're trying to kill.

Speaker 1 (40:44):
Like fucking drive. There are people coming after me and
he's like shut up. He yells at her to shut up.

Speaker 3 (40:53):
Yeah.

Speaker 5 (40:53):
Yeah, And they pass a cop car and they hold
her down. They push her head down, like.

Speaker 3 (40:58):
Because cool with it.

Speaker 1 (41:00):
These people, these just random people, not part of the gang,
want to rape.

Speaker 5 (41:08):
Her water raper. Yeah, of course, but Billy, this is
the world we live in.

Speaker 1 (41:14):
But Billy, Billy's like he's the good one. It's like,
can you guys out of your goddamn mind? What the hell?
Why did we do that? Shut up? But yeah, and
they's like Gino's like, uh.

Speaker 3 (41:27):
You can have her first.

Speaker 1 (41:29):
You get firsties. Don't be a whip billy or I'm
taking firsties. They call it firsties is then running a
train is like they have names on it, like we
got firsties, you got secondies. You It's so upsetting, so upsetting,
it's so upsetting.

Speaker 5 (41:47):
So the rapist boys die first, and then the nice
guy gets dragged under the.

Speaker 3 (41:52):
Car and pops.

Speaker 1 (41:52):
This part's super good, busy.

Speaker 3 (41:54):
No one is around, like a.

Speaker 1 (41:55):
Body flies through the window, and I don't know why.
A body flies through the window and then and then
two of the guys are sucked out of the thing,
and Billy's like, wait a minute, is this is shit
you're talking about? And she's like, yeah, that's what I'm
trying to tell you.

Speaker 3 (42:11):
And then it's like he gets pulled under the car and.

Speaker 1 (42:14):
Popped, popped, like the car falls and she gets out
of the car and it's like, I bet you didn't
listen to your mom's either, got a.

Speaker 3 (42:23):
Yeah, she says that to the dead boys.

Speaker 1 (42:27):
Dead boys, okay, And she looks around and like there's
nobody around, and so she just walks away. She just
walks away, and all of a sudden, she's running back
to the car.

Speaker 5 (42:42):
Yes, and she climbs on top of the car and
she's standing on top of the car, surrounded, surrounded.

Speaker 1 (42:47):
Mongo's on his way. Yeah, And this this is the
moment of the movie, the first moment where it it
turns into just like, oh, hell yeah, this is going
into an area of absurdities that I have signed on for.
Mango is like.

Speaker 3 (43:05):
Mongo puts on a spiky headband.

Speaker 1 (43:08):
She's a great a fucking unicorn.

Speaker 3 (43:10):
Would you and then what does she do but walk
on everybody's.

Speaker 5 (43:18):
Faces and heads and they just stim.

Speaker 1 (43:25):
She totally like like does this walk on him like
a kung fu walk off of them, turns around me,
flips them off.

Speaker 3 (43:33):
And then grabs her balls, her fake balls.

Speaker 1 (43:36):
Eh, and then she's and she's tom cruising it again
down the woody landscape.

Speaker 3 (43:45):
She gets her attention.

Speaker 8 (43:46):
Hey, hey, hey, it was so good and it was
just like this moment where I was like, somebody else
wrote this part.

Speaker 1 (44:00):
That was her improv. She's like, what if I float? Like,
we don't have the rig. We don't have the rig
to do that. She's like, yo, I can do it.
I'm trained on face walking.

Speaker 3 (44:10):
Yeah, I can do this.

Speaker 5 (44:13):
Just just throw the camera and just.

Speaker 1 (44:16):
I'll just hang from a branch. That's what it was like,
just hanging on a branch.

Speaker 3 (44:21):
Yeah, I love it. One guy looked up at it.

Speaker 1 (44:28):
Was your foot on my face.

Speaker 3 (44:30):
Yeah.

Speaker 5 (44:31):
My own size speculation was just if was it planned
to step on those.

Speaker 3 (44:37):
People's heads or did the rig for her to jump
and fly over them?

Speaker 1 (44:43):
Not word I definitely did not work. That was them
just like okay, well can you move everybody over?

Speaker 3 (44:48):
What can we do?

Speaker 1 (44:49):
Can we move everybody over five feet? Can you hold
onto this branch and just like move your feet back
and forth because she's definitely floating, like a crouching type
type of yes, magic that she's floating on their heads.

Speaker 5 (45:03):
And because it was just so not like anything else
in the film, it literally was a standalone scene of
her getting walking on them and then grabbing her cross. Hey, hey, hey, yay,
you know so I had I think something went on there.

Speaker 1 (45:18):
Yeah, Like she's like, hey, I've got an idea. I
think I want to do something. Can I Can I
go a little offscript? Can I?

Speaker 5 (45:28):
Well, well, we only have one take. We only have
one take, so yeah, just do.

Speaker 1 (45:32):
What you just feels. Right, this is the moment you
just magically flew on face.

Speaker 3 (45:37):
You see what you got?

Speaker 1 (45:39):
Yeah, let's see the magic. See me the money shot,
me the money shot.

Speaker 5 (45:47):
Yes, Because we've all been on set before when the
plan for the stunt goes wrong and you all have
to improvise. I won't say the details of it, but
we run us at one time and they had ordered
pads and we were filming in the Caribbean Islands, so
the stunt team was like, okay, so what are we

(46:08):
gonna do, Like, we don't have any stunt pads to
do this fall on.

Speaker 3 (46:12):
So the stunt guy gets pool floaties.

Speaker 5 (46:18):
And he practices like going down and falling on these
pool floaties, and.

Speaker 3 (46:23):
He just rips the biggest part I've ever heard in
the light, and we're all just standing there, like he goes,
I'm really sorry, but the flat work so we can
go ahead.

Speaker 1 (46:43):
I'm gonna go ahead and sign this one off. I'm gonnaf.

Speaker 3 (46:51):
Oh my god.

Speaker 5 (46:52):
Literally, like there are times in my life where I
think I'm having a bad day and then I remember
that happened to him. Were like halfway through the shoot, Hey,
how's everybody doing.

Speaker 3 (47:07):
Yeah, I'm okay. I was the guy who farted in
the floats.

Speaker 1 (47:13):
Guess you'll get for tomorrow. If anybody needs to talk
about it, I know I need to.

Speaker 5 (47:23):
I feel so horrible because like it's like we all
accidentally fart. It's just he happened to do it in
front of like fifty people in a close space.

Speaker 1 (47:33):
I never accidentally fart. It's always intended, always on purpose.
It's always on purpose.

Speaker 5 (47:39):
Yeah, Like me and casp were like I it was
like seven years before I did in front of him.

Speaker 3 (47:46):
I was just like, I just have to trick him
into thinking I don't feel.

Speaker 1 (47:49):
Why magical, I'm magical?

Speaker 3 (47:52):
Why do we do that? It's just a freaking fart,
Like who cares?

Speaker 1 (47:56):
I'd say, like third date, my my, I farted on
my arm. I'm kidding.

Speaker 3 (48:06):
That's awesome.

Speaker 5 (48:08):
I just fell more in love with your wife and
she did that. I'm like, whoa, She's my hero. She
parted on my arm on our Thursday.

Speaker 1 (48:18):
Yes, girl, get as dream girl.

Speaker 3 (48:21):
It's like Wayne's World.

Speaker 1 (48:23):
Off the chase, she sees a car and I love
this moment. Like she's being chased. Somebody gets out of
this sheriff's car, another bad guy. He grabs his gun
and the guy behind him grabs her gun and they
both shoot. She's in the middle of them and they
almost killing each other.

Speaker 3 (48:39):
Yeah, and then they argue about it. Let's argue over
who's the most stupid stupid?

Speaker 1 (48:45):
Oh you are? You will shot me? You will show
me too.

Speaker 3 (48:48):
She steals their car. Well, you guys are discussing this.

Speaker 1 (48:53):
Yeah, and I love it because she starts the car
and she's like it's started.

Speaker 5 (49:01):
Yeah, but she has to try the radio.

Speaker 3 (49:04):
I need help. It's like, no, you need to start moving, bitch.

Speaker 1 (49:08):
You don't need someone to do this, You got a vehicle.

Speaker 3 (49:11):
Yeah.

Speaker 5 (49:12):
So then there the goons are making a plan to
beat her on foot, like look always at lost. We
know these woods better than her, Like, let's just go.

Speaker 1 (49:19):
And this is the part you couldn't help but text
me yes. Oh my god, oh my god.

Speaker 3 (49:27):
I watched it like three times.

Speaker 5 (49:29):
So they're going to run down the hill because they
know this ship better than anyone. And then they trip
and they're just doing circle rolling down the hill and
I'm just thinking about Turk with his gold chain.

Speaker 3 (49:42):
Yeah, you're you're something got ripped out.

Speaker 1 (49:47):
It's practically like, uh, what is that black sheep? Chris
going and going?

Speaker 3 (49:54):
I was thinking of hot rod too. I was like,
it's a heart rod fall. So they argue over.

Speaker 5 (50:02):
Who fell first, and then one of them lost their gun.
So it's like everything that's stupid had to happen, had
to happen, and I called them the moron twins make
a new plan and they shoot at her tires.

Speaker 1 (50:18):
Does it work? No, No, it doesn't work. Keeps going,
She keeps going.

Speaker 3 (50:21):
She doesn't give a shit about them, rims. No, why
did she get about.

Speaker 1 (50:27):
I mean, after this girl going to need a rim job.

Speaker 3 (50:29):
But yeah, but right now.

Speaker 1 (50:31):
The car is going to need a rim job.

Speaker 3 (50:34):
Yeah, she don't care, she's got other plans.

Speaker 1 (50:38):
Yeah.

Speaker 5 (50:39):
So then the goons have to explain why she has
the car to Mongo.

Speaker 1 (50:43):
Don't worry about it. She has a car, don't worry
about it. We got a plan. Yeah, we're going to
cut her off at the canyon.

Speaker 5 (50:48):
As she pulls up to the canyon and turns around
and goes the other way, just like a woman changing
her mind.

Speaker 1 (50:55):
But she comes back. She decides to come back, drives
along the ambush the thing, and I love as they
shoot the car. But as they shoot the car, like
you can see into you into the dragon seat and
it's just this like dummy bad, dummy body. It's like
a body pillow. It's it's like a square body pillow.

Speaker 3 (51:14):
It's a shirt with a pillow in it.

Speaker 1 (51:17):
This crash off of the hill is so sad. Yeah,
it is the saddest like car off of a hill
I've ever seen. It's like slow motion and they had
to have slowed it down, and it's very like why
did you slow this terrible crash because it's just like

(51:39):
going slowly diagonally down a hill.

Speaker 3 (51:43):
Yeah, until it's one roll.

Speaker 1 (51:44):
Does one like hits the spot and does one little
roll in it.

Speaker 3 (51:48):
It's it, that's it, and there you just slow it down.

Speaker 1 (51:53):
Yeah, it'll look great. It looks worse. So they run down.
We got her, We got her.

Speaker 3 (51:59):
We they're all celebrating.

Speaker 1 (52:04):
I think the sheriff was in there. What the hell
are they talking about?

Speaker 5 (52:12):
Because when she was driving, you could see the body
bouncing in the back because they had killed the sheriff
to take the car. It was a Loma County sheriff
got it, so you could see his body bouncing driving that. Yeah,
so she just took the dead body, which we didn't
see that scene because it had to be a surprise

(52:33):
that it wasn't her, which at this point I even
wrote down, I just loved the weird smiling at the
worst times by.

Speaker 3 (52:40):
All the actors, and I got.

Speaker 1 (52:46):
It.

Speaker 5 (52:46):
Was like, my car, it's my it's my first time acting,
am I we're doing it.

Speaker 3 (52:54):
They've been fooled again.

Speaker 5 (52:55):
She makes it to a cabin, knocks over an axe,
lights up a lantern, and then she just decides it's
time to take a nap.

Speaker 1 (53:02):
This girl is exhausted, She's like, I have not done
this much running. She takes a nap, and we catch
back up with mister Wells.

Speaker 5 (53:13):
Yeah, he's doing business with another businessman. Yeah, and he
doesn't care that kids have died on this drug.

Speaker 1 (53:20):
A couple of kids. Ohdeed, get over, who cares a
couple of kids?

Speaker 3 (53:25):
Yeah.

Speaker 1 (53:25):
So then we got back to her sleeping. Mango busts
through the door.

Speaker 5 (53:31):
They wake up her nap, it's you know, they start
to beat her and then she wakes up.

Speaker 1 (53:37):
Yeah, right as he's about to chop her head off.
She wakes up from the dream, which is a good thing. Yeah,
because she realizes the rest of her life will be
lived in terror and fear if she doesn't grab this
moment by the balls.

Speaker 5 (53:53):
So her first moment a declaration of I'm taking charge.
She just hits an axe into some wood.

Speaker 1 (53:59):
Year and then she like spit shines that thing.

Speaker 3 (54:05):
Yeah, it gets so shiny, so shiny, and this is
I just wanted to do my makeup.

Speaker 1 (54:11):
She just in an axe. Yeah.

Speaker 5 (54:13):
She gets totally bad assed out, Like she gets all
these weapons, gathers them.

Speaker 1 (54:17):
Classic battle montage, but she's turning all these things into weapons.
But it's a really long battle.

Speaker 5 (54:25):
Really really long. And by the time she's done, like
she really did use that axe. Do her hair makeup obviously,
because she has a new makeup and new hair.

Speaker 1 (54:35):
She looks this. She she got a blowout. She used
some dry shampoo that she found. She looks girl looks good. Oh,
and so some of the weapons she has. She's got
these two little axes, she's got these ten inch twelve
inch nails, real thick monsters. And she's got this really

(54:56):
cool spiky stirrup on her foot.

Speaker 5 (54:59):
Yes, I love the like instead of like a cowboy
has this first she has spikes.

Speaker 1 (55:05):
It was spikes coming right out of it.

Speaker 3 (55:06):
And this is going to lead to my favorite line
in the thing.

Speaker 1 (55:10):
So so we're done with the montage and we got
this beautiful shot of her in the sunlight, glorious new outfit,
leathered out.

Speaker 3 (55:20):
And then this is the part where she said, oh
great racism.

Speaker 1 (55:25):
Love that she shows up and like they're like, hey,
she's here, and they're like, oh, thanks for showing up.
We don't have to look for you now. And there's
like eleven people there and this guy who starts this
karate man, Yeah, did you notice him?

Speaker 4 (55:39):
Earlier.

Speaker 1 (55:39):
It feels like he was a new edition.

Speaker 3 (55:41):
He needed to come in just for the karate scene.

Speaker 1 (55:44):
Yeah, I got the guy for a day.

Speaker 3 (55:48):
We have n't for a day. He's going to do
a lot of really cool karate shit, really.

Speaker 1 (55:52):
Cool karate ship. So he does display and he does
that van damn move where he doesn't kick and and
leaves his foot up in the air.

Speaker 3 (56:02):
He goes karate sixteen years? Is that what he said?

Speaker 1 (56:05):
Black belt karate fifteen years. Because she kicks his foot
with the stirrup and pales his.

Speaker 5 (56:12):
Foot and her line is my favorite ballet six months.

Speaker 1 (56:17):
That ballet line is important.

Speaker 3 (56:18):
It's so good. I just loved it.

Speaker 5 (56:20):
I love that she this guy who's so well trained.
Just from sharpening one axe, now she can kick his foot.

Speaker 3 (56:29):
And kill and like and then immediately defeat him.

Speaker 1 (56:32):
People started like coming after her. She throws an axe,
goes right in the guy's chest. She grabs a whip,
whips the thing and pulls it back like yeah yeah girl,
She's like, I'll go whip my axe back to it.

Speaker 3 (56:46):
Yeah. She's all of a sudden just a badass bitch.

Speaker 5 (56:49):
Yeas, all you gotta do is put yourself in some
cosplay Like that's the thing, Like people don't understand. Like
when I used to cosplay wonder Woman, all my social
anxiety was gone.

Speaker 3 (56:59):
And I was just like this. I was like, I'm
a hot bitch, I'm wonder Woman.

Speaker 5 (57:03):
And then you meet me a party, I'm like, Hi,
how are you?

Speaker 3 (57:08):
Oh no, that's just when I'm being wonder Woman.

Speaker 5 (57:10):
Yeah, she put on her cosplay and now she's like
a badass.

Speaker 1 (57:16):
And then so after that guy kills and she does
that thing, everybody wants to attack again. And the kung
fu or karate guy, excuse men, I don't want to
get my martial arts mixed up. We'll get emails about that. Yeah,
the karate guys like, yo, you've disgraced me. We must
fight to.

Speaker 3 (57:35):
The death, to the death, to the death.

Speaker 1 (57:38):
She throws nails in the dude's eyes. She grabs her
ten inch nails and throws them double yeah.

Speaker 3 (57:43):
And then he pushes them in himself.

Speaker 1 (57:45):
I love it because he's like, I'm dead, dead, might
as well just push him through the back of my crane.

Speaker 3 (57:51):
My skull not going through without eyes.

Speaker 1 (57:55):
No, I'm not going to live anymore.

Speaker 3 (57:56):
Can't do my karate without eyes.

Speaker 1 (57:58):
By my foot hurts, my eyes, don't seize.

Speaker 3 (58:03):
I am done here.

Speaker 5 (58:05):
After they she's off because they're like, we're going to
faking color. She takes off running like oh no, all
of a sudden, she snapped back into it.

Speaker 1 (58:12):
Yeah. She's like, oh shit.

Speaker 5 (58:15):
Wait, oh shit, I've pissed him off now, but I
love that. Tries to talk since into Mongo, like, look, yeah,
we can just take what we have and go.

Speaker 3 (58:23):
We don't have to pursue this, and Mongo's like it's
too late. She has to die.

Speaker 1 (58:27):
She has to. And apparently we did not see her
booby trap these woods, but girl booby trapped these woods.

Speaker 3 (58:35):
Booby trapped them.

Speaker 1 (58:36):
Like she's Arnold in the Predator.

Speaker 3 (58:39):
Yeah, and she's up in a tree.

Speaker 5 (58:40):
She's climbed up this tree somehow in her spiky shoes can't.

Speaker 1 (58:48):
And she uh yeah. So one guy gets booby trapped
up the little the classic foot in a noose up
to the tree. Then he swings into a tree spike.
Then she double acts as a couple other guys.

Speaker 5 (59:03):
She's a total badass. And then she cleans the off
of her shiny axe like you know.

Speaker 1 (59:09):
And then after she's done cleaning it off, their body.
She like spins them like six shooters into their holsters.

Speaker 5 (59:16):
She's like yeah, yeah, and we see that Georgie and
Apple are scared, and Longo like encourages them.

Speaker 1 (59:24):
Like yeah because and MoMA's like, well, we got to
get her before she gets that's how this game's played.
And Apple says, watch your feet though she has ballet training.

Speaker 3 (59:37):
Yay.

Speaker 1 (59:38):
He's like, I'm not gonna let this gold go to waste.

Speaker 5 (59:42):
I like but that she tarzan swings and into a
guy and knocks him over, but then she knocks herself
out on the tree.

Speaker 1 (59:53):
This guy's like, yeah, he all he has. He's got
like a little jab in his chest, and he wakes
up before her and he's about to slice her throat
and then yeah, knife in the back. Yeah. Because Apple
and Georgie they don't want the money or the ten
thousand dollars. But here's what pisses me off. Apple convinces

(01:00:15):
Georgie that they shouldn't kill her because they have to
carry her back. But if they don't kill her, they
only get five thousand dollars. Therefore, they only get to
twenty five hundred as opposed to three thousand and three
on it the math doesn't add up. Apple, It's very stupid.

Speaker 5 (01:00:33):
You made a bad choice, bad investments all around.

Speaker 1 (01:00:37):
I'm like, I have to pause this and do the math.

Speaker 3 (01:00:39):
Yeah.

Speaker 5 (01:00:39):
So they're leading her on a rope back to the
ranch like a dog.

Speaker 4 (01:00:44):
Like the dog, she's.

Speaker 3 (01:00:47):
Yuck.

Speaker 5 (01:00:48):
Jeremy K's and you hydrated after saying that, Oh, that
took a lot out of me.

Speaker 3 (01:00:58):
I just do a drink after that.

Speaker 1 (01:01:00):
I'm so proud of myself.

Speaker 5 (01:01:06):
So she falls and then kicks his face with her boots.
Of course, she tells Apple it's booby trapped.

Speaker 3 (01:01:13):
Don't come near me, you know. Basically, he doesn't believe her.

Speaker 1 (01:01:16):
Bored and nails is the face.

Speaker 3 (01:01:18):
Yeah, she asked, do you squat when you pee?

Speaker 1 (01:01:23):
Why kiss him off? I don't know why. That was
the line that really got to him.

Speaker 5 (01:01:30):
Yeah, that's the one that got him coming forward to
get the nail in his face.

Speaker 1 (01:01:33):
And he's like, I mean, I said, if I'm at home, yeah, comfortable, it's.

Speaker 5 (01:01:38):
In the night, and I'm getting up in the dark.
I mean, that's safety. Any doctor will tell you to
do that. Georgie knew something like this was gonna happen.
He finds Apple, Shit, man, we're supposed to be the
bad guys to kill her, double access him in the chest.
I'll go and talk. Are glad they have They're just

(01:02:00):
happy to have more money out. We don't have to
split it with him.

Speaker 1 (01:02:02):
Get out of here, Let's get out of Dutch. Yeh,
Turkey were.

Speaker 3 (01:02:06):
All of a sudden, he doesn't care about killing her anymore.

Speaker 1 (01:02:09):
It's just like, let's take the money and go. It's
not worth it. We've got extra shares now.

Speaker 3 (01:02:14):
So they prepare to meet with Wilson, and Turk is.

Speaker 1 (01:02:17):
Just like he's got this giant suitcase and he's just
like bag after bag and it's like, God, get into
the bag of.

Speaker 5 (01:02:24):
Coke, just terribly and super dumb, like it's just like,
what are you doing? And the bags of cocaine looked
like they were like ziplock bags.

Speaker 3 (01:02:33):
Of cotton for a minute. They're just fluffy.

Speaker 1 (01:02:38):
That's some fluffy coke you got there, sir.

Speaker 5 (01:02:40):
I feel like you guys could have bought sugar. If
you could buy cotton, you can buy sugar, Like, at
least do that. Wilson is back and he learns Longo
and Turk are all that's left.

Speaker 1 (01:02:54):
And like we're just leaving and he's like, no, you can't,
no loose. That's what makes me so goods at sellings
drugs is Yeah.

Speaker 3 (01:03:02):
So they fight with him and he drops all his fake.

Speaker 5 (01:03:04):
Money obviously fake.

Speaker 3 (01:03:07):
Turk kills him and gathers up the fake money, and as.

Speaker 1 (01:03:10):
He's gathering all this stuff, Susan appears behind him and
she says she's back. I'm back, not like that though,
not poltergeisty.

Speaker 3 (01:03:19):
Yeah, I love it.

Speaker 1 (01:03:21):
She's got she's using her whip, using her whip again.

Speaker 5 (01:03:25):
Yeah, So she Mongo's tossing her around and she bites
him and axes.

Speaker 1 (01:03:30):
Yes, Mango Mango sneaks up while she's whipping Turk and
he starts beating the hell at her.

Speaker 3 (01:03:37):
Yeah, and he hit her. One of those hits would
have killed that woman.

Speaker 1 (01:03:41):
He's a large man.

Speaker 5 (01:03:42):
At first, the first fist, like his fist is the
size of her whole head.

Speaker 3 (01:03:49):
She would have been out done.

Speaker 1 (01:03:50):
She takes it out.

Speaker 5 (01:03:52):
She tars and into a tree and locked herself out earlier.
And this man punches her full frontal face and she's just.

Speaker 1 (01:03:59):
Like so Longo pushes her down, rips the axe out
of his chest, Turk grabs her.

Speaker 3 (01:04:08):
Ah, she coke all over his face. Turk wakes up.
He's a coke all over his face.

Speaker 1 (01:04:12):
He holds her so that Mongol acts her a question. Yeap.

Speaker 3 (01:04:19):
She throws coke in his eyes.

Speaker 1 (01:04:20):
Yeah, and Buck oops pulls.

Speaker 3 (01:04:23):
The axe out of Turk and boks Mongo's face with it.
It's a bomb.

Speaker 4 (01:04:27):
Yeah.

Speaker 1 (01:04:27):
Yeah. Turkey is now dead because he's an act in
the face.

Speaker 3 (01:04:31):
And then she kills him and gathers up the money.

Speaker 1 (01:04:35):
Where she actually kills him is she knees him in
the nuts four times? Yeah? What two? Four? And he's like, yeah,
I'm fine.

Speaker 3 (01:04:48):
That'll hurt me.

Speaker 5 (01:04:49):
What I love is she's making her escape and it
seems like they're down for the cow. She walks out,
and then Longo is outside behind the street.

Speaker 1 (01:05:00):
He's ready, he's a transit.

Speaker 3 (01:05:01):
He just let you in there. How did you get
to this tree?

Speaker 1 (01:05:06):
It's so weird you teleported.

Speaker 5 (01:05:10):
He's trying to pull her into the axe that's in
his chest.

Speaker 1 (01:05:13):
Yeah, that's still in his chest. He's like, I'm gonna
smash your face in my chest axe.

Speaker 3 (01:05:17):
Yeah. And then he knocks her out on a tree.

Speaker 1 (01:05:20):
And again, like I mentioned at the very beginning before
even got into the movie, Mango is a stickler for
a tradition, he must use his spiky helmet. Yeah, it's
the third time we've seen it.

Speaker 5 (01:05:33):
Yeah, So he pulls the axe out of his chest,
puts it on the ground, and puts on the headband.

Speaker 3 (01:05:39):
She comes to.

Speaker 1 (01:05:40):
What happens is she dodges he as he headbuts his
unicorn spike gets stuck in the tree and he can't move.
He's trapped, exposing his neck. She's over him with an
axe and.

Speaker 3 (01:05:54):
Chops his fucking head off. Shows it. The way she
screams and yells is she's running away.

Speaker 1 (01:06:00):
The primal scream as she chops it off, She's.

Speaker 3 (01:06:03):
Like, with what's left of the money?

Speaker 1 (01:06:07):
Yeah, I went right because she screams first. Then she
notices that he's got money, so she takes that money,
runs up a hill, turns around for camera, screams again,
and then runs off again.

Speaker 3 (01:06:21):
Yeah.

Speaker 5 (01:06:22):
I love it so good.

Speaker 1 (01:06:27):
I think I did. I think we didn't get ourselves
in any trouble in that discussion. I think we came
out sure, for sure, for sure we didn't go in
any dark territory. Yeah, A board on this one.

Speaker 3 (01:06:41):
Yeah, I think it's fine, totally fine here, good luck ge.

Speaker 1 (01:06:47):
And do you have a movie MVP? Who is your
favorite of your go to? What'd you like the.

Speaker 3 (01:06:53):
Stunt guys who rolled down that hill.

Speaker 5 (01:06:57):
Whatever team decided to do that, Like, I had three
moments that were great.

Speaker 3 (01:07:03):
So the stepping on the heads and the grabbing of
the balls he hey, hey, hey, so great.

Speaker 5 (01:07:10):
The roll down the hill is so great and the headband,
like just three really weird things.

Speaker 1 (01:07:16):
I'm giving the MVP to the karate guy. I loved him. Oh,
the karate guy was great, and I loved how everything
panned out. I loved the foot, the spear through the foot.
I loved the nails through the eyes and him like
pushing them all the way through his skull. I loved it.
And like apple as he smashes it through, He's like,
what was that about?

Speaker 5 (01:07:38):
We've been hanging out with this guy, He's like that, Okay,
they didn't even try to raper, just push Spikester's fucking head.

Speaker 9 (01:07:52):
So bring us to remake Booch reimagining, remaster, sequel or prequel.

Speaker 1 (01:08:09):
And that's how I changed it there for like you.

Speaker 3 (01:08:11):
Did, yeah, because I needed that option.

Speaker 1 (01:08:14):
You needed it. How you feeling about this one?

Speaker 3 (01:08:18):
Remaster?

Speaker 1 (01:08:19):
It remaster, it guess what. I've got some good news
for you. Vinegar Syndrome has remastered it great. They've got
a wonderful coffee copy and it's got just beautiful artwork
on the front. Yeah. I was looking at it, going,
do I love that? For me? I want a sequel? Yeah,

(01:08:45):
I want a sequel on this. I want her to
be a babysitter, have a little girl that she's caring
for out in the middle of nowhere, come across some
humic traffickers and she's immediately in that mode. But she's
teaching the little girl.

Speaker 3 (01:09:00):
How to do they don't know who they're dealing the
don't know who.

Speaker 1 (01:09:02):
They're dealing with here before the little girl, Yeah, to
whip axes back to herself. Yeah.

Speaker 3 (01:09:10):
So now it's macho woman and macho girl.

Speaker 1 (01:09:13):
Yeah. Eh, then like it?

Speaker 3 (01:09:18):
I like it?

Speaker 1 (01:09:19):
Joe? What do we think? Is that?

Speaker 10 (01:09:21):
Nostellone and this week's guest for Nostalgia the Week is
the runner up for the role of Macho Woman, Candice Thompson.

Speaker 5 (01:09:39):
I know you just got to say it that way,
but BOYD does that staying to hear the runner up?

Speaker 3 (01:09:45):
Because it was fine.

Speaker 5 (01:09:46):
You know, I was discovered in a bar by my
ex boyfriend Brian. I was doing an arm wrestling competition
and I, you know, smear to everybody.

Speaker 3 (01:09:57):
I am the definition watcho woman.

Speaker 5 (01:10:01):
I was breaking chairs and beating skinheads like they were
just like, if we contain this wild beast.

Speaker 3 (01:10:08):
We've got lightning in a bottle here, you know.

Speaker 5 (01:10:11):
And I'm not the first one that this happened to,
you know, Like they tell me, they make these promises,
Oh You're gonna be watcho woman. I do this stupid
photo shoot in a blazer, right, I don't wear fucking blazers.
I put the blazer on, I smile through the camera,
and Brian says, oh my god, you're going to be
a star. So then I put on the white TikTok
and this is kind of my go to look. So

(01:10:34):
they were like, we don't want to change a thing
about you, just you know.

Speaker 3 (01:10:37):
Just be yourself. So that's what I do.

Speaker 5 (01:10:40):
We do the photos, and I keep waiting for my
call to set, and I'm waiting and I'm waiting, and
then two years later, I'm going through my frickin video
store and here I see me on the cover and
I'm like, Okay, what kind of bullshit is this? I
rent and I watch it. There's some wacho woman. There

(01:11:00):
is a blonde press screaming and running.

Speaker 3 (01:11:04):
That's it.

Speaker 4 (01:11:06):
Uh.

Speaker 3 (01:11:07):
I can't believe this, And this must be this is
what I say.

Speaker 5 (01:11:10):
This must be how Eric Stults felt, you know, because
he goes in and he smashes back to the future, right,
and he smashes it with a refrigerator. Right, That's what
the Dolorean was originally was a refrigerator. And then they
kick him out. They bring in Michael J. Fox and
his boyish good looks, and instead of giving him a

(01:11:30):
fucking refrigerator, they give him a DeLorean. Yeah, of course
that's gonna do better. Of course that's.

Speaker 3 (01:11:35):
Gonna do better.

Speaker 5 (01:11:37):
And it was like that for me, except instead of
the boyish good looks and the fear of kids climbing
in refrigerators and killing themselves in the production getting sued,
I had that sexual prowess and that natural primal energy
that they were afraid to unleash to the people.

Speaker 1 (01:11:54):
Right.

Speaker 3 (01:11:54):
So now.

Speaker 5 (01:11:57):
I'm a cocktail waitress at the Hard Rock Hotel and
Casino in Tampa, Florida.

Speaker 3 (01:12:03):
Thank you. And does it look like I've been crying? Yes?
Guess what?

Speaker 5 (01:12:07):
Ding dong fucking ding don because I have been and
that's what kind of show I do, seven fucking nights
a week on the casino floor.

Speaker 3 (01:12:22):
Back to you, and I feel very intimidated right now.

Speaker 1 (01:12:39):
You do?

Speaker 3 (01:12:41):
Yeah?

Speaker 1 (01:12:43):
Is that a bit much? That much for you to handle?
You know where that came from? Oh?

Speaker 3 (01:12:53):
I had so much fun. I mean it was a
lot of laughs.

Speaker 5 (01:12:59):
And Spor said he thinks he's gonna go as Mongo
for Halloween, and I'm gonna go in that big chunky
Well no, I'm gonna do the hot.

Speaker 1 (01:13:08):
Girl look the spikes, the.

Speaker 5 (01:13:13):
And the and the big beautiful blonde hair. Yeah, and
he'll be Mongo and we'll go do like face offs
for pictures.

Speaker 3 (01:13:21):
That's my dream Halloween this year. And no one will
know what the hell we're.

Speaker 1 (01:13:25):
Doing, but you know what, that's fine. It'll just be
some random people. They're like, the who's Mongo?

Speaker 7 (01:13:37):
If anyone recognize es, I would be so shocked and excited,
like that's the most obscure Halloween t.

Speaker 3 (01:13:50):
Oh my god.

Speaker 11 (01:13:51):
Yes, Okay, So so that does it for us?

Speaker 1 (01:14:57):
To hold on hold on one second, I'm sorry, I

(01:15:34):
got every time a text comes in, I got a
ding gotta I gotta get rid of that ding.

Speaker 3 (01:15:39):
Come on, come on, hold on, do not disturb me,
or at least vibrate.

Speaker 1 (01:15:45):
I just turned the damn thing off. Well, I could
put it on vibrate and put it in my butt.
It's it's on an iPad. I don't know how to use.
I don't know how to use iPads. Turned off. God damn.

Speaker 7 (01:15:56):
Yeah.

Speaker 5 (01:15:57):
I got an iPad and I use it for one
day and it flipped over because I set my stuff
up while I'm doing things.

Speaker 3 (01:16:04):
It just flipped over and the screen immediately smashed from
a two inch straw. I was like, oh, not for me,