November 11, 2024 • 64 mins
📼Jeremy & Jenny Discuss
📼”Thunder Run”
(1985, Dir. Gary Hudson, Starring Marilyn O'Connor, Forrest Tucker & Cheryl M. Lynn)
📼Hosts: Jenny Wenger & Jeremy Briggs
📼Editor: Genevieve Marie
📼Written & Produced by: Jeremy Briggs, Jenny Wenger, & Genevieve Marie
_____
0:00 - Cover Art Cold Open
0:52 - Open Credits
1:22 - Welcome
2:37 - “Not-So-Current Events”
9:18 - Review "Thunder Run”
49:21 - On Set Speculation
55:58 - Movie MVPs
57:15 - Remake Reboot Reimagining, Remaster or Sequel?
58:50 - Nostalgia of the Week
1:02:23 - credits
____
Follow us: YT/IG/FB/TT: @BSideVideoRentals Twitta : @BSideVideoPod bsidevideorentals.com
_____
📼”Thunder Run”
(1985, Dir. Gary Hudson, Starring Marilyn O'Connor, Forrest Tucker & Cheryl M. Lynn)
📼Hosts: Jenny Wenger & Jeremy Briggs
📼Editor: Genevieve Marie
📼Written & Produced by: Jeremy Briggs, Jenny Wenger, & Genevieve Marie
_____
0:00 - Cover Art Cold Open
0:52 - Open Credits
1:22 - Welcome
2:37 - “Not-So-Current Events”
9:18 - Review "Thunder Run”
49:21 - On Set Speculation
55:58 - Movie MVPs
57:15 - Remake Reboot Reimagining, Remaster or Sequel?
58:50 - Nostalgia of the Week
1:02:23 - credits
____
Follow us: YT/IG/FB/TT: @BSideVideoRentals Twitta : @BSideVideoPod bsidevideorentals.com
_____
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:08):
Tuesday, June fourth, nineteen eighty five. You missed the new
titles over the weekend because you were too busy stuffing
your face at the Sizzler buffet and found yourself in
a two day food coma.
Speaker 2 (00:24):
Today's flick is a no brainer.
Speaker 1 (00:27):
Its cover sports a semi in flight, jumping over a
train while being chased.
Speaker 2 (00:33):
By motorbikes, and a slug bug with missiles on its
roof explosions explosively exploding from its rear bumper. Today's mission
is to join Forrest Tucker on his thunder run. I
(01:20):
have to hell welcome the Beast in video rentals, Nam
Jeremy Briggs.
Speaker 3 (01:26):
And I'm Jenny Wanger.
Speaker 2 (01:28):
What do you have to share with me? Jenny, I
have to.
Speaker 3 (01:30):
Share that with you that while you were entering that
and you said a semi in flight, I thought that
is very scary for women.
Speaker 2 (01:41):
Good God, you should tell me those things before I
let them out of my mouth.
Speaker 3 (01:49):
It's your job, lady. You gotta make it all the
way hard.
Speaker 2 (01:55):
God.
Speaker 3 (01:56):
And so then I missed my cue to start the
theme song because I was so like the worst years
of my life and my best years.
Speaker 2 (02:05):
I like the extra work.
Speaker 3 (02:07):
You're the one that's relatable in this duo. He said, true,
I'm not afraid of the hard way, and I'm a housewife.
I mean that is hard work. I'm sorry, ladies, Hey,
I'm a house husband. He says, double glasses in it?
Speaker 2 (02:28):
What else am I supposed to do? What am I
supposed to read the news?
Speaker 3 (02:34):
Oh? I guess so.
Speaker 4 (02:37):
Tuesday, June fourth, nineteen eighty five, So you're not so
current events.
Speaker 3 (02:50):
No works are being forced to rethink their approach to
MANI series is their popularity is way in due to oversaturation.
The miniseries has been going strong since it began in
nineteen seventy seven with the overwhelming success of the twelve
hour film Roots, but has faltered with this week's nineteen
hour film Girl You Need to Die Them Roots. On Friday,
(03:13):
the Navy tested the vertical launching system and ability of
the Tomahawk Cruise Missile, which is a major upgrade from
the Tomma Goose and the Tama Chicken Cruise missile. This
is silly Goose, Silly kiss Billy.
Speaker 2 (03:30):
More than five hundred CBS radio and television affiliates, labor unions,
and special interest groups filed petitions opposing Ted Turner's bid
to take over CBS Incorporated. After filing the petition, they
circled the building, singing, don't turn around, Oh oh, the coma, Suzanne, Oh,
(03:52):
thank you. More than two hundred thousand people apply paid
for secret and top secret clearance to handle classified information
last year, fifty percent more than a decade ago. Federal
officials say one reason for the growth is the increase
in classified documents in recent years, but mostly the growth
(04:16):
is due to my uncle Donnie's yarn wall of conspiracies.
Speaker 3 (04:20):
I have one of those, and I'm on something. The
Groom and Corporation said it would give the Navy a
refund after being charged six hundred and fifty nine dollars
for an ashtray, claiming it was mislabeled astray, a common
nickname for the Navy's n house mill prostitute.
Speaker 2 (04:38):
Oh good old last play tray Lord.
Speaker 3 (04:41):
My dad was in the Navy. Files have been seized
in a Baltimore apartment with detailed plans to bomb up
to a dozen federal offices in the Washington area. The
self proclaimed revolutionaries keep the plans in a file marked
in Progress, located right next to another file labeled sexty
cat pictures. Cats for very sexy creatures.
Speaker 2 (05:05):
That's a sexy picture.
Speaker 3 (05:07):
Yeah, that's why women do cat eyes. We have cat
We know what men want to see.
Speaker 2 (05:15):
A fifty three year old grandfather who does one hundred
pushups a day, graduated from the Police Academy on Friday,
becoming the oldest rookie police officer in New York City's history.
Is retirement party is set for Tuesdays at Shaky's Pizza.
He had a good run.
Speaker 3 (05:34):
I like to use Shaky's.
Speaker 2 (05:37):
What else do you celebrate things? It's Shaky's pizza.
Speaker 3 (05:42):
Hey, I have.
Speaker 2 (05:45):
Hormel announced that it is ending its contract with the
United Food and Commercial Workers' Union, which represented fifteen hundred
workers at its meatpacking plant, after they voted to protest
Hormel's twenty three percent pay cut. Workers have claimed that
they can no longer afford to eat desserts, saying, how
could we have any pudding if we don't pack your meat?
Speaker 3 (06:10):
Joke? That's where the kids. We know kids want meat
packing jokes. Federal officials announced today that they were taking
emergency action to ban a drug widely known as ecstasy. Ecstasy.
(06:31):
I have to say it that way, saying the abuse
of the drug had become a problem for pussies. Culture ecstasy,
lightweight pansies. Beautiful thing. It's a beautiful thing, right. Equipped
deputy's engaged in a three hour battle yesterday at the
Los Angeles County Jail with sixty five prisoners armed with
broom handles and cups of bleach. And completely unrelated news,
(06:55):
the prison has just released its brand new line of
acid washed uniforms.
Speaker 2 (06:59):
They look so good, very trendy. A Supreme Court, the
Supreme Court, not just as one. The Supreme Court ruled
that an isolated act of police misconduct cannot ordinarily make
a city subject to a damaged suit for violating an
individual civil rights. The only damaged suit I've got it
(07:22):
was that goodwill.
Speaker 3 (07:23):
You can find some good stuff there. Though I often do,
I love thrifting.
Speaker 2 (07:29):
The University of Florida still regards its nineteen eighty four
football team as the Southeastern Conference champion and refuses to
recognize the decision last week to strip the squad of
its first conference title, stating in our hearts, nineteen eighty
four will always be the year of the Gator, but
(07:50):
mainly because that giant gayor with eight Billy, he ate
his asshole, not his asshole, but his asshole. You know,
I mean his whole ass I'm not just his ass.
He is more than his ass that saimed, perverted like
his body and his ass.
Speaker 3 (08:08):
Well, the ass is the best part. It's got a
lot of meat.
Speaker 2 (08:11):
It's got allot of me.
Speaker 3 (08:14):
Officials in New Jersey, Pennsylvania, and Delaware have modified their
early predictions that a growing Gypsy mob population could severely
damage the regions for us this summer. The modification was
made in fear of further furthering harmful Gypsy moss stereotypes.
I was very nervous about saying gypsy. Can you tell cancel?
Speaker 2 (08:35):
It's okay? Can I say gypsy? Muscled? And finally, a
Soviet train consisting of twenty eight freight cars disappeared two
years ago, and the investigation has been passed from office
to office and has now ended up at the Central
National Office of the Soviet Rail Ministry in Moscow. But
(08:56):
to me, the mystery is obvious. It's that dirty, no
good suitable bitch David Copperfield playing the long game.
Speaker 3 (09:04):
That means a davil He's damful.
Speaker 2 (09:08):
Work.
Speaker 3 (09:11):
Looking at the mouth fance.
Speaker 1 (09:13):
And that was your not so current events.
Speaker 3 (09:19):
Let me tell you about the semi, the flying semi
running into our face. I love this?
Speaker 2 (09:28):
What a flying semi? No?
Speaker 3 (09:30):
I loved Underrun?
Speaker 2 (09:31):
Oh you loved thunder Run. Great, we're getting into it.
Speaker 3 (09:35):
You like semis? I sure, I.
Speaker 2 (09:37):
Am said an eighteen wheeler. I was trying to keep
the mouth less full. Wait, hold on, that's not what
I meant. What's words defens?
Speaker 3 (09:48):
I really loved this.
Speaker 2 (09:50):
There was a definite mark in the film that the
film changed for me. It was like, what is happening to?
Oh my god, this is a vast spoilers.
Speaker 3 (10:01):
That's what this is all.
Speaker 2 (10:02):
That's what this show is. It's just recounting the movie
and spoiling it for everyone. So go watch it first. Yeah,
or don't. I don't care. I'm not your daddy, Yeah,
but I want to be.
Speaker 3 (10:19):
But if you're looking for a long.
Speaker 2 (10:23):
My wife doesn't mind, she.
Speaker 3 (10:27):
Said, I understanding, so I immediately. The first thing that
I noticed that I was so stoked about is a
Clifford Winger wrote this, I'm like, am I related to him?
Speaker 5 (10:39):
Is he my grandpa?
Speaker 2 (10:42):
And for the purpose of this podcast, did I do
any research?
Speaker 3 (10:49):
No, did I contact ancestry dot com and say I'll
give you three hundred dollars if you'll connect me to
this man either. But the writing was very like I
like the way that Maggie and Charlie talked to each other.
Speaker 2 (11:06):
Oh you like Maggie and Charlie's conversation. So Charlie. For
those of you very familiar with Forrest Tucker, that's Charlie.
He's our main, our main guy. But we don't even
meet Charlie until I don't know, ten minutes into the film.
Speaker 3 (11:24):
Yeah, holy action sequence.
Speaker 2 (11:28):
Holy action sequence. So like the couple driving, Yeah, so
it starts out with like a what appears to be
just a couple, like a cute couple driving a romantic
evening drive, and then all of a sudden are brutally murdered.
Explosions and machine gun spray went into like slow motion deaths.
(11:55):
It was like they got sprayed and then they slowed
it down and they sped it back up.
Speaker 3 (11:59):
I mean, if I'm gonna watch an eighties action movie,
I need to somebody do where you can see them
in their eyes green. I like that.
Speaker 2 (12:09):
And then they pull out this box which was got
those like radiation stickers all over it, like the stupidest
looking box. Yeah, Like seconds before the car explodes, they're like,
get the box.
Speaker 3 (12:24):
That's a very cool way to open a movie.
Speaker 2 (12:27):
Yep. Then we got our titles.
Speaker 3 (12:28):
Yeah, and that's where I saw my grandfather's name.
Speaker 2 (12:33):
And it goes into a really great song.
Speaker 3 (12:37):
Yeah, that's why I wrote j Levy ain't fucking around.
That's the music guy.
Speaker 2 (12:44):
Like, Yeah, this song like comes in like an old
school like it felt kind of like one of those
like really good uh Kenny Loggins type movie.
Speaker 3 (12:55):
That's exactly what G texted me too.
Speaker 2 (12:58):
It just that's how it felt. It was like, yeah, okay,
I'm like watching Caddy Shackers.
Speaker 3 (13:03):
Yeah, Lackey, did you see those guys die? Yeah?
Speaker 2 (13:07):
But like then that that song kind of comes in
and you're like, okay, this is like fun. It's got fun. Yeah,
that dufist guy's driving his yellow truck.
Speaker 3 (13:17):
Yeah. I like the juxtaposition of the music, like it
would be like a really cool eighties action song. And
then that and then another time it goes to Cotton
Eye Joe.
Speaker 2 (13:29):
Oh right, but like we'll talk about the Cotton Eye
Joe because I have some things to say about that.
Speaker 3 (13:36):
Yeah, but the music was great. I was intrigued. It
was good.
Speaker 2 (13:39):
Jay what was his name, Jay Levy? J Levy. So
he did a movie two years later and he reused
that song.
Speaker 3 (13:49):
Did he really?
Speaker 2 (13:50):
He did?
Speaker 3 (13:52):
Did what film?
Speaker 2 (13:53):
And honestly, like the film is actually I'm looking for
it because it was already on my watch list.
Speaker 3 (13:59):
For this pretty smart. That's why gret Genevieve just said
nineteen eighty pretty smart.
Speaker 2 (14:05):
He was like, this song is a hit. Like, I
don't know how this song didn't blow up. Maybe we
try it again because it's a hit and we just
got gotta get it through that mainstream.
Speaker 3 (14:18):
Yeah. I don't blame him at all. I love that Chris.
Speaker 2 (14:22):
Is driving through the desert and he's heading to the
casino where he walks directly into the ladies room and
then then Kim is there mopping the floor and he's like,
let's do it like me. You're like what? And she's
like what if I told you you have to stop
(14:42):
doing this? Like he just walked, He's like, is my
girlfriend cleaning the floors? She clean a piss off the
floor again, cause I'm gonna go have six of time.
Speaker 3 (14:52):
I gotta fuck her.
Speaker 6 (14:53):
Yeah, and Immediately after that, they go out and they're
kind of like talking a little bit and she he's like, no,
I'm and he can't think of the words, so he
just keeps going, I'm, I'm, I'm.
Speaker 2 (15:04):
And she's like, what you are is horny and this
like large woman turns around like appalled, like they're in church,
like you know, like cigarette hanging out of their mouth.
This is for children with mouth.
Speaker 3 (15:22):
There's a lot of that kind of contradictory behavior in this,
like it's like the dirtiest, grossest behavior is fine. But
then there's a couple of things like she.
Speaker 2 (15:32):
Said horny, yeah, and the woman's like, oh God, wash.
Speaker 3 (15:38):
It out, and she's like I'm trying to.
Speaker 2 (15:42):
Then I think we go into the official meeting with
George in the military, the private contractor George discussing the
operation where they're trying to flush out the terrorists. This
is the best truck driver whatever, and then it cuts
to like an old folks home with playing down. It's
an old folks hodown, yeah and there, and that's just
(16:04):
when this cotton eye Joe song is going on, and
it's not the traditional cotton eye Joe song.
Speaker 3 (16:11):
No, And I passed around.
Speaker 2 (16:16):
But the song correct me if I'm wrong. I listened
back over and over to me, it sounds like they're
saying gotten.
Speaker 4 (16:23):
Jo Joe bullshit, gotten out Joe, bullshit.
Speaker 3 (16:27):
Ship they are, and she like quotes it later, quotes later, she's.
Speaker 2 (16:31):
Just like bullshitt.
Speaker 3 (16:34):
That's when she's cooking her pies or something and she's
in there like bullship. Yeah, it's like a remix. And
she lands in that other guy's lap and she's like, hey,
this is and then goes over to the young girl
sitting with her man. She's like, he's taken scam.
Speaker 2 (16:53):
He's scream But it looks like they do have the
like Charlie and uh, and you sit down and they
give us the whole like you gave up truck driving
to buy a mine? What kind of mine is it?
They don't even say, that's just is.
Speaker 3 (17:10):
It a cobalt mine or something? They keep saying, like
a cobalt mine.
Speaker 2 (17:14):
I didn't even hear. I just kept going like, what
the hell type of ma? It's just generic mine? Yeah,
it's like rocks.
Speaker 3 (17:23):
Yeah. They were saying a rock yeah, yeah. And I
was just like, when, okay, so are we at the
part where now they're coming to visit him.
Speaker 2 (17:33):
We meet Jilly at this point, and I cannot forget Jill.
I can't skip Jilly because this whole interaction you're still
with Paul. Oh yeah, because he's smart, brains are sexy.
Oh yeah. And then like she's like, but I gotta
get going. Where's she going? She better be getting our drinks.
(17:56):
That girl's a dingling what she is?
Speaker 3 (18:01):
Wild as nick? I love her.
Speaker 2 (18:05):
They peppered in a lot of weird characteristics with Jilly
that are like, never come to fruition. You're like, no,
what And we'll get to this in a second. But
she runs off and at the end of this conversation,
like Maggie just goes off into this weird daydream and
she just goes non sequitur. I wish Kim and Chris
(18:29):
would get married, just total non sequitur. Cut to them
doing it on a boat, yeah, in the desert, like
in a desert lake, doing it on a houseboat.
Speaker 3 (18:44):
Oh yeah, slaps in the art Was it an alarm clock?
They slap and they're like laying there and bliss and
she's gonna go, but he's like not yet. And they
start going in for round two.
Speaker 2 (18:58):
And then I believe we get to the terrorists mapping
out there, they're.
Speaker 3 (19:03):
Playing who said chestnuts out of fire? You got chestnuts
made out of fire. It was right when we were
introduced to Charlie's character, because that's right where it was.
I said, who is this hunk and double denim? When
you first see Charlie, he's wearing a double denim outfit.
Speaker 2 (19:24):
Charlie's with Maggie walking out of a casino and he
sees a guy with a big scar on his face
and he says, gosh, I hate to meet that guy
on a lonely desert road.
Speaker 3 (19:37):
Sure is ugly.
Speaker 2 (19:38):
That's a writing moment when you just sit back and go,
I did it, Yeah, I did it?
Speaker 3 (19:45):
Mean bald guy, bad vibes foreshadowing. Yeah, So then this
is the drag race.
Speaker 2 (19:52):
Yes, it is them pulling up, fixing his car up,
getting ready to do it, but they're concerned. Who's going
to take care of police? Cut to a bad ass
motorcycle chase. Yeah, Like I thought this was like really
a solid motorcycle chase and the cops are like trying
to keep up and the bike's going everywhere. Who is
(20:15):
that guy?
Speaker 3 (20:16):
And they landed in the water. Which I gotta tell
you always gives me anxiety. Always We're in a movie
and they just take a cart because I'm like, oh
my god, they had to get out on the first try.
And back in the olden days, like the stunt people,
some of them really died.
Speaker 2 (20:32):
Like this stunt team. Yeah, insane rush.
Speaker 3 (20:38):
Yeah.
Speaker 2 (20:38):
I thought they did a wonderful job. But who they
As they get it the biker gets away, They're like,
who was that guy? Who was He reveal it's Jilly.
Speaker 3 (20:52):
Hell, yeah, we know why Jilly's around.
Speaker 2 (20:54):
Now we know why she said I gotta go. Yeah,
I got something to do. She's got to distract a police.
Now this is what kills me is we just set
up that she is a badass biker chick. Yeah, and
we we let it go.
Speaker 3 (21:11):
Yep, that's it. You just get to know that.
Speaker 2 (21:14):
I like, I've watched more of that.
Speaker 3 (21:17):
I know, like, no, you're gonna just be a very
horny person who does erratic things. I like this. And
now Maggie pats uh George on the butt really perverted.
Speaker 2 (21:32):
Liken caught a lot of Maggie action. I missed talking.
Speaker 5 (21:37):
I loved her.
Speaker 3 (21:38):
She patted him on the butt as he walked by
and I was like, yeah, girl, and gets you a handful.
They said something cool. Race guy says a squirrel hasn't
got the bucks. Oh my god, it's so good. It
was the guy who's challenging.
Speaker 2 (21:52):
Chris squirrelly, we ain't got the bucks.
Speaker 3 (21:55):
These little one liners are so good and it's a
thousand dollars.
Speaker 2 (22:01):
This is where we also learned that Chris, who's dating
kim U, is Maggie and Charlie's grandson, but his parents
passed away. Yeah, and so they're more or less his caretakers.
And they show up at the drag race and Maggie's like,
don't you drag race? Who? Girl? That's what she says
(22:24):
to Chris.
Speaker 3 (22:26):
Yeah, totally word for word, verbatim. Yeah, but you know
that you know where he gets his skills from, because
you know, his granddad is the best driver in the biz.
Speaker 2 (22:39):
But like I gotta say, like the guy who says
the squorel line, that dude was badass, Like he was,
I want to cosplay him.
Speaker 3 (22:49):
He was.
Speaker 2 (22:52):
Because he's cool and also a loser, which get over it.
Speaker 3 (22:57):
Emily is in for it.
Speaker 2 (22:59):
Girl, dam she loves the loser. Did you catch the
moment during the celebration when when he wins the drag
race and everybody's like running, is it Jilly who does this?
Who runs up behind the guy and like oil checks him?
No a thumb butt?
Speaker 1 (23:21):
Know you?
Speaker 6 (23:23):
I didn't get maybe it was a goose, but it
looked like an oil check.
Speaker 2 (23:27):
Like she runs and it just goes fuck and the
guy's like whoa and turns around and they start laughing.
I was and it's such a split second thing. You're like,
what just happened? Who? Wait? This decision?
Speaker 3 (23:41):
And I also like that as soon as he windsor's
like eight hundred people there?
Speaker 2 (23:46):
Eight hundred yeah.
Speaker 3 (23:47):
Like it's like so many people there.
Speaker 2 (23:49):
You won one thousand dollars.
Speaker 3 (23:54):
Yeah. And then of course Chili's in the back completely
trying to fuck Paul in the public.
Speaker 2 (24:03):
So then they go to celebrate at a bar and
Jilly is like, we're gonna dance, and so they dance
for a little bit. Paul becomes Paul because he's a
I don't even know what to call Paul. He's supposed
to be a brainiac science guy. He sits down and
then some horny bar guy is like, I'm gonna dance
with that fine piece of Jilly.
Speaker 3 (24:25):
Yeah, because Jill gets up and starts like and.
Speaker 2 (24:27):
She's going at it.
Speaker 3 (24:28):
Yeah, and I love I love that. The old man
kept yelling shake it, shake it, like the most disturbing
shake it I've ever heard. Shake it, shake it. I
need to pause and take a bath.
Speaker 2 (24:46):
So Paul, this is the part we kind of learned
a little bit about Paul. He's a jealous boy. Yeah, jealous.
It's protective, very protective. This guy starts dancing with Jilly.
And did she seem fine with it?
Speaker 3 (25:01):
I mean she was like Lucy goosey Phil and the music,
but I think it wasn't until he started like pushing
her side to side between each other.
Speaker 2 (25:09):
Starts to puff up, but just gets tossed to the
side like a rag doll.
Speaker 3 (25:14):
She said, she looked at it. She's like, you don't
look like you know science, don't touch me. Yeah. And
then after the fight and everything, they go back and
this is the thing that freaked me out so much,
is this weird shower scene where he seems uncaught. It's
like he has brain damage.
Speaker 2 (25:32):
Do you want to bring that for an onset speculation?
What's going on in this scene? And on set what's happening?
Speaker 3 (25:52):
This made me so uncomfortable. He is the skinniest man
I have ever seen. He has an obvious concussion.
Speaker 2 (26:00):
Is he is. He's struggling to stay on his feet.
He's like gonna hold the walls, and Jilly's just like,
sorry about it. You stood up for me. Can't help it.
Speaker 3 (26:11):
I'm horny again.
Speaker 2 (26:13):
Oop.
Speaker 3 (26:15):
I'm wearing this set where I take the skirt up
and my panties match the skirt and like bra matches
all of it. I'm getting fucked tonight with this effort
I put in, and like.
Speaker 2 (26:26):
Just what an odd juxtaposition of this whole scene of
like her being as sexy as she can and him
over the top, just like oh oh confused.
Speaker 3 (26:41):
With his underwear on. She's like give me those shorts.
You're getting that dick out and then you see his
wet box or okay, sun.
Speaker 2 (26:55):
Set, how are you supposed to go? Like, no, but
you need to be sexy? But would I be?
Speaker 3 (27:00):
You need to be sexier and you need to be
more in.
Speaker 5 (27:03):
Need of host medical attention?
Speaker 3 (27:07):
Can we have the volume on both of those?
Speaker 2 (27:09):
What's the direction? What's what direction? Okay? As an actor,
I need a little bit of justification? Would I be
not concerned.
Speaker 3 (27:17):
About his I don't like love him as a person
at all.
Speaker 2 (27:22):
I'm just horny. Is horny for science.
Speaker 3 (27:27):
But if his brain is broken, he won't have science anymore. No,
don't think about that. You're just very horny for this
skinny science man with a concussion.
Speaker 2 (27:41):
So should I be turned on in this situation? She's
practically gripping me, she's stripping me naked. I have to
hold onto the ceiling and the side of this house boat.
Speaker 3 (27:56):
And they're like, no, just remain super like your fire
and conscious going on conscious.
Speaker 2 (28:02):
No, you want to be This should be borderlines, right, borderline,
But it's not because you're a couple.
Speaker 3 (28:11):
Yeah, and you're and you're a man.
Speaker 2 (28:14):
Yeah, this is the rule. This is fine if you're
out of itating concussed. As long as you're a man.
Speaker 3 (28:21):
You can get right. And it's fine. It's good. She's pretty.
Speaker 2 (28:28):
She's pretty.
Speaker 3 (28:30):
She matching. She wear a matching set to fuck you,
so just let her.
Speaker 2 (28:36):
You are not going to ruin this girl's plans. And
also she is way hotter than he deserves.
Speaker 3 (28:43):
Yeah, yeah she is, it's true, So just sleep it off.
Speaker 2 (28:48):
And she rides a bike sleep it off. Just let
this poor guy.
Speaker 3 (28:52):
Oh okay, so that was a really weird scene.
Speaker 2 (29:00):
George shows up to see Charlie.
Speaker 3 (29:02):
The prospective buyers are the first thing, though, I think.
Speaker 2 (29:06):
They come right after. So George gets there. It's a
very brief interaction. He kind of says, here's an offer,
and it's.
Speaker 3 (29:15):
Two hundred and fifty thousand, quarter of.
Speaker 2 (29:18):
A million if you do this plutonium job for us.
Speaker 3 (29:20):
And in the eighties that was a lot of money,
a lot of money, way more than it is now.
It's basically like you'll be a millionaire.
Speaker 2 (29:28):
Is it's Korean War and not Vietnam. I'm getting a
note on the side here.
Speaker 3 (29:35):
Oh his Korean War buddy shows up gives him money.
Speaker 2 (29:37):
Yes, so that's George.
Speaker 3 (29:40):
That's George, IMBB says Korean. She says, okay, great.
Speaker 2 (29:45):
What are we watching the sequel to mash.
Speaker 3 (29:48):
What I like though, is after they do it and
he asks them to keep the secret from Maggie, which
I don't think is a good idea ever with the
bond that they have, but whatever, he's got to think
about it.
Speaker 2 (29:58):
I think it's healthy to light to your spouse. It
makes for a good marriage, doesn't know half the ship.
Oh my god, she's in the other room listening to
every word I'm saying.
Speaker 3 (30:17):
She doesn't even know what a bath house is.
Speaker 2 (30:19):
So after he says okay, I'll think about it, Chris
is like, what's this and he's like, don't worry about it.
We got investors on the.
Speaker 3 (30:27):
Yes, this is Paul's shining moment.
Speaker 2 (30:30):
Yeah. Well see, they they gave us a little bit
of a detail on Paul about he's a jealous boy.
He's a jealous guy. But it's so silly to me.
So we get to the investors come there. One guy
stays behind. He sees Kim and Jilly sitting on a
table and he goes to grab their butts. First of all,
(30:53):
sitting down terrible that you're not getting any good. But
there's no good. But at the top you gotta get
on the you gotta get on the bottom button.
Speaker 3 (31:05):
Yeah, yeah, top.
Speaker 2 (31:07):
But there's not much there. There's no nothing, nothing's gonna
come up. You know what I mean. It's not the
upper yeah, exactly, exactly. No. So they go and Paul
he's for some reason, driving a front loader just to
(31:28):
make it look like everybody's busy.
Speaker 3 (31:30):
They told that, Yeah, they told that. Everybody make it
look busy.
Speaker 2 (31:34):
And Maggie's like, on this giant like brick sized radio,
orchestrating the whole thing.
Speaker 3 (31:43):
You go, you go for you, and I think of
all the people to put on the big machinery. Maybe
twenty Paul is a bad idea.
Speaker 2 (31:54):
So he sees this situation happen and he's like, oh,
I'm gonna throw dirt on these people's cars, and of
course loses control, crushes the car, destroysarehouse.
Speaker 3 (32:07):
That's like the trailer. It's like you know those log
cabins we used to build. It looks like that easy to.
Speaker 2 (32:14):
Just completely crush. There's a guy pooping on a potty.
You have to have a body pooper.
Speaker 3 (32:23):
If you're gonna tear down the building. Somebody has to
have been shitting with.
Speaker 2 (32:26):
A new I love it. After all this chaos that happens,
like Charlie comes down and they're all like, oh, well
they're they're it's all blown. This is ruined. And Kim
just Kim standing by Jilly, and she goes, well, he
shouldn't have goost. Us shouldn't a ghost us?
Speaker 3 (32:47):
I not to say, what do we gain from pouring
a bunch of rocks on these people's car, and now
somebody's gonna have to deal with it. This is where
this is where this kaya comedy gets me stressed out.
Speaker 2 (33:01):
But now he's forced to take the job. He didn't
want to take the job, but he has to take
the job because of.
Speaker 3 (33:09):
He's gonna pay for all this damage.
Speaker 2 (33:13):
Of course, so he goes to George and he's like, Okay,
we're gonna do this, and George gives him all these
like this is how it's gonna go. We've got all
these different security measures. You got to get press this point,
and there's these lasers that will chop intruders to pieces.
Speaker 3 (33:29):
And this very private, very high detail and meeting happens
in the casino, sitting at a slot machine in public
super classified information. I'm just sitting there, like, what is
the fucking point of doing this in the casino? Like you,
I guess they just don't have locations. And then I
(33:50):
found out why they did in the casino. Got a nickel,
he gives George and nickel and he puts it in
this and I guess he was feeling lucky and for
a good reason.
Speaker 2 (34:04):
He won. He won won. Yeah, he wins a dollar.
Speaker 3 (34:13):
And he's just sitting there looking around like a badass, like, hell.
Speaker 2 (34:15):
Yea, but he did tell him, you'll be safe for
the first hundred miles. We've got you covered. And Charlie's
kind of like, I don't know, I don't know this
is I'll go along with it. But what does he do,
Like he takes it to his crew, all these like
college kids, come on, Paul, hook it up. Yeah, super
(34:37):
my car up to specifications. Yeah.
Speaker 3 (34:41):
And instead of getting in trouble with Maggie for keeping
this very big secret from her, she gets makes him
a hot apple pie.
Speaker 2 (34:50):
Singing bullshit, bullshit shit like that was a yeah.
Speaker 3 (34:59):
She He mentioned that Maggie was having a great time
in her kitchen alone. I mean, I would think was
all these fucking idiot guys around driving through.
Speaker 2 (35:07):
Being alone is probably the best situation you could make.
Speaker 3 (35:10):
Probably fucking ruled for her. I got a pie made,
I cleaned the kitchen, I got a lot of shit done.
Speaker 2 (35:15):
So we have this whole thing and they're like souping
it up. We don't really know what they're doing in
the truck, but they on the side of it, they
write thunder and this eighteen wheeler is. I mean, if
you want to call a machine beautiful, it's a beautiful
piece of machinery. It's really clean cut, looks fantastic. And
(35:37):
then they do this like real cheesy. It's so out
of place. It just says thunder on the side of it,
and you're like, yeah, it looks real bad.
Speaker 3 (35:49):
Why did you do it bad? Yeah? And while they're
doing that, by the way, Jilly gets horny again and
fucks them in the truck.
Speaker 2 (35:56):
In the truck, Yeah, silly, Jilly.
Speaker 3 (36:01):
Listen, Mom and Dad, I booked a movie. It's your part,
like on a badass on a motorcycle and I'm really rainy.
Those are the two things.
Speaker 2 (36:11):
And this like right after this part, after they soup
it all up, because Chris has been just come on,
you gotta take me with you, gotta take me with you,
Charlie has this weird TV movie like three minute TV
movie section.
Speaker 3 (36:26):
Here, yes, where it was very touching, and.
Speaker 2 (36:29):
It's just like the music is so just like one
person on a Yamaha keyboard.
Speaker 3 (36:36):
Yeah.
Speaker 2 (36:37):
He's like, I can't take I can't do it. I
can't take him with me. And it goes on way
too long, and then he starts walking away, and he
turns around to Kim and he goes, Kim, tell Chris,
I love him, yeah, walking away, and then just like
the single keyboard is like.
Speaker 3 (36:57):
It was very touching.
Speaker 2 (36:58):
We have another terrorist meeting.
Speaker 3 (37:01):
Oh yes, the terrorists are prepping as well.
Speaker 2 (37:03):
And and then we get back to Maggie and she's like,
I got a bad feeling about this, Charlie. Yes, this
one's for you, Maggie, damn near everything I do is
for you.
Speaker 3 (37:17):
Yeah, And I like that anytime that she was upset
he did. I'm like, one time she's upset and he
just buys her a belt and she's.
Speaker 2 (37:22):
Like, okay, yeah, oh.
Speaker 3 (37:25):
Charlie, I love this belt. Okay, go miss your life.
Speaker 2 (37:30):
I love that, Like Ray when she's like, I don't
like this, but I mean, if anything happens to you,
I'm gonna be passed.
Speaker 3 (37:36):
Yeah.
Speaker 2 (37:37):
Oh gosh, I wish you wouldn't say words like that.
Speaker 3 (37:41):
It's like we have heard her say worse a pissed.
Speaker 5 (37:45):
That's the yes, well shit.
Speaker 2 (37:50):
Dancing with glee. So he takes off.
Speaker 3 (37:56):
The case can handle any hit besides a hydrogen. Don't worry. Okay,
we're off.
Speaker 2 (38:03):
Yeah, don't worry So that made me. When he said that,
I was like, oh, so it didn't matter if they
took it out seconds before the car at the beginning
blew up. They could have just left it in there
and got him.
Speaker 3 (38:16):
Yeah.
Speaker 2 (38:16):
So the tension that you built earlier on was for none.
Speaker 3 (38:19):
Yeah, they're just stupid. Yeah.
Speaker 2 (38:23):
So he sits by, calls Paul in the radio that says,
make sure you get me this pass code. Why he
doesn't already have the passcode from George makes no sense
to me, but okay, whatever, we just have to make
sure everybody knows that Paul is smart and he's got
everything worked out.
Speaker 3 (38:39):
But what happens when he talks to Paul U is
Kim with them.
Speaker 2 (38:43):
Kim grabs the radio and.
Speaker 3 (38:47):
Hey, don't be mad that Chris went with you, she says.
Speaker 2 (38:50):
Tell Chris, I'm mad that for going.
Speaker 3 (38:52):
Yeah, that's so, I'm mad for going.
Speaker 2 (38:54):
He's like, all right, honey, over and out.
Speaker 3 (39:00):
Answer breaks. Chris lands into the windshield.
Speaker 2 (39:03):
He's like in the passenger seat. He's like magically in,
like like he'd been there the whole time, and Charlie
was like, finally, for the first time, looked to his right.
He's like, wait, a minute, Chris, Yeah, you've been here
the whole time.
Speaker 3 (39:21):
And they have a very touching emotional scene.
Speaker 2 (39:25):
Did you buy Chris's bullshit? No, he convinces him to go.
He's like, okay, you're right.
Speaker 3 (39:33):
Yeah, he aphensive but agrees.
Speaker 2 (39:37):
I don't think he gave good enough.
Speaker 3 (39:42):
Fight.
Speaker 7 (39:43):
Yeah, I don't.
Speaker 2 (39:44):
I don't. I didn't buy the convincing.
Speaker 3 (39:48):
No, but you know, he he does make a great
point when he's like, I'll run the radio, I'll push
the buttons. It's really hard to push, like four, that's hard.
Speaker 2 (40:03):
But anyways, so this is the moment he agrees, and
they go and they pick up the plutonium.
Speaker 3 (40:10):
And there's a cool eighties helicopter shot.
Speaker 2 (40:12):
Yeah, this is minute fifty Yeah. And to me, this
is where the movie starts at the minute fifty. Yeah.
From this point on, this movie kicks ass.
Speaker 3 (40:27):
Yes.
Speaker 2 (40:29):
Yeah, like that first fifty minutes. I know they're setting
all this stuff up, but it's so unnecessary.
Speaker 3 (40:38):
I wrote down, if trucks make you horny, this is
your movie. Lots of sexy shots of this truck. Lots
this is a hot, sexy eighteen wheeler. It's only semi
I've ever liked.
Speaker 2 (40:58):
I've seen a lot of semi in my life, and
a lot of.
Speaker 3 (41:01):
Them wiss upset me. This one's really good.
Speaker 2 (41:05):
Yeah, but like this, like this right here is the
movie that the poster pros.
Speaker 3 (41:12):
Sure, yeah, this is the boom Off t ride out
an hour to get to it.
Speaker 2 (41:18):
Yeah, fifty minutes. We've got thirty five minutes the hell Yeah?
Speaker 3 (41:22):
Yeah, and uh again, dude's on a motorcycle. This is
where they enter. This is oneycle couple.
Speaker 2 (41:30):
The motorcycle couple. Yeah, comes up and they're like, there's
this weird flirting with Chris thing that's happening. It's like,
wait a minute, are they trying to do like a
three something?
Speaker 3 (41:41):
Yeah? And then she pulls up a fucking bazooka?
Speaker 2 (41:45):
Is it a boz? I thought it was a shotgun.
I thought she pulled out a shotgun trying to shoot
him while he's riding. Shotgun.
Speaker 3 (41:51):
Yeah, it looked like a pretty big gun.
Speaker 2 (41:53):
But but she blasts nothing.
Speaker 3 (41:56):
That happens nothing.
Speaker 2 (41:57):
Yeah, press button number one, fire out of the side
of the semi.
Speaker 3 (42:04):
Just patches her on fire.
Speaker 2 (42:07):
After the side. Oh, I don't know how I feel
about it. Look, sEH, I know, I know what you're thinking,
but we're gonna get into some shit.
Speaker 3 (42:16):
You just killed your first one, then, yeah, killed.
Speaker 2 (42:21):
Your first couple, killed two people right now, And he's like, uh,
look kid, this is why I didn't want to bring
you on this thing. Some folks, welcome to Korea.
Speaker 3 (42:34):
You looked at that woman's eyes and then you set
her on fire. Get over it.
Speaker 2 (42:40):
You looked in her eyes, you made a connection. You
thought it was gonna last a night.
Speaker 3 (42:45):
I don't know, that's what the button did.
Speaker 2 (42:47):
And almost immediately after that, two more bikers come up
and just start throwing grenades, like trying to explode their tires.
Speaker 3 (42:56):
Yeah, until they give up. They deserve.
Speaker 2 (42:59):
But this think's built like a tank. We gotta run,
just go away. They don't try anything else.
Speaker 3 (43:07):
We're done. You won't see us again.
Speaker 2 (43:12):
These things just like hap like one after the next.
Speaker 3 (43:15):
A police car, a full police car.
Speaker 2 (43:19):
But Charlie's like papers in ruse, Guys, I'm not buying this. Yeah,
but didn't you got the police car? And then like
dozens of terrorists up in the rocks going like, we're
gonna get him. Yeah, what is he? What is that
little like cowcatcher that like just magically forms at the
(43:41):
front of the thing and they plow through that that
mess of vehicles. Explosions abound. Is what happens.
Speaker 3 (43:48):
Like the opposite of that church did you do that thing?
Ten years? It was the opposite of that. It goes.
It was cool, it was aricade. It's like what you
would want in the zombie apocalypse exactly.
Speaker 2 (44:04):
And it just plows through this, uh, this pile of vehicles, vehicles.
Speaker 3 (44:10):
Genevieve called the gunnies in the mountain in the hills Hillbillies, which.
Speaker 2 (44:20):
The chuckle. But there are so many explosions in this
point where you just like God, at this point, we've
probably already had like eight explosions in five minutes. It's
they're just they're coming at you. Yeah, they bust out
of there. And then two slug bugs. Yeah with miss
the room missiles seeking Yeah, which I love is it
(44:44):
goes and he's like, that's why I put the stacks
up high. What he's seeking rockets rockets. So he put
the smoke stacks like super high because he knew they'd
have them heat seeking missiles.
Speaker 3 (45:00):
And then number four didn't work.
Speaker 2 (45:02):
Oh for it didn't work. Yeah, hit number four because
you know he didn't get him, he just didn't get.
Speaker 3 (45:09):
Him, and he says, to that one you asked for it,
slams him off the road.
Speaker 2 (45:16):
No. I love that that little part where he's like
where one of the slug Bug guys was like, try
to get ahead of him and take out the tire
or take out the engine. And so he pulls it
aside and he starts going and Charlie runs him off
the side of the road. And this part made me
laugh so much. The guy in the car the way
he says, oh my god, oh my god, oh my god.
Speaker 3 (45:40):
Yes, and the other guy laughs at him, like you
guys are on a team together and you just watched it,
Like that's.
Speaker 2 (45:49):
So funny because he heard him say oh my god.
He's like, what the what the hell is that?
Speaker 3 (45:56):
Okay, dude, we're top okay.
Speaker 2 (45:59):
But he just falls into a ditch.
Speaker 3 (46:01):
Yeah, I'll get the bastard.
Speaker 2 (46:03):
But then Charlie's like, I got more tricks of my sleeve.
Hit this one. Back of the truck goes up and
it's like row after row of five gallon Molotov cocktails, Yes,
just falling out of this. Yeah, the back of the
semi semi I hate it. Oh my god, but he
(46:31):
finally gets rid of that guy. This the guy fell
in ditch. He's back.
Speaker 3 (46:34):
He's I'll get the bastard, he said, I'll get the bastard.
Speaker 2 (46:38):
And this, this is the poster promise right here, and
probably the most badass scene in the movie. Yeah, this
freaking semi eighteen wheel I apologize, jumps over the train.
It's only you know, it's it's only over what do
you call those things, the little flat cars. It's just
(47:01):
over an empty flat.
Speaker 3 (47:02):
Like a trailer.
Speaker 2 (47:04):
Yeah, you know, so they only really get up I
don't know, what would you say, six seven feet up
in the air.
Speaker 3 (47:09):
Yeah, but that's a lot of summer. It's just like, yeah,
it was.
Speaker 2 (47:15):
As like that something like that didn't make any corks explodes.
Speaker 3 (47:22):
Yeah, right after you, right after you got some no
and love that character, Jeremy.
Speaker 2 (47:30):
Oh my god, I wish we were in the cockpit
while he was cork screwing. Oh my god. And now
we finally fulfill our foreshadow promise. Yeah, the scarred man
also drives an eighteen wheeler this whole time during this
(47:52):
chase that just one thing happens after the next we
do cut back to Paul and the gals, Kim and Jilly,
and they're trying to get their computer that password. They
keep hacking away, hacking away, and finally this is this
kind of the point where they got it. They got
the password, but for some reason, the radio isn't working,
(48:14):
so they have to get in the car and get
closer so the radio will work. I don't know, they
didn't explain that. They just went. They just hopped in
the car and went.
Speaker 3 (48:22):
Yeah, they just kept going.
Speaker 2 (48:24):
So we got this eighteen wheeler chase and uh oh
they that jump ruined the radiator. So the eighteen wheelers
have issues.
Speaker 3 (48:37):
Yeah, and he tells Chris, I've seen that ugly face before.
Speaker 2 (48:42):
Yeap.
Speaker 3 (48:44):
Well, and for me, I just love when people just
call people ugly.
Speaker 2 (48:50):
Makes me think of my mother. It's just some relationship.
Speaker 3 (48:55):
It's like some in the eyes of the beholder, like
you'll have to say, I'm an ugly.
Speaker 5 (48:59):
Persons mean ugly.
Speaker 2 (49:02):
Hey, look at that person. They're ugly.
Speaker 3 (49:04):
Oh there's something just so heartless about calling someone ugly,
And not that this guy doesn't totally deserve it, but
he doesn't know that when he just passes him in
a casino. Even Jilly wouldn't fuck him.
Speaker 2 (49:19):
And that girl has no standards. But there's a little
cut in here. Charlie does something where he cuts off
the the of the truck and he well, yeah he
cuts he that's right. He lets loose the back of
the truck and then yeah, blows him up. Ugly guy
(49:40):
like has like gets in it, you know, crashes and
there's this wonderful jump cut during the crash where it's
like he leans forward and it stops like so where
you're like action, and then they break the window and
put some blood on it and they go action then
and he hits the window. So it's like this weird
(50:03):
cut where you're like, whoa. I mean I kind of
fall for it. It kind of it kind of works,
but you realize what happened, which I I love things
like that so much. They make me happy.
Speaker 3 (50:14):
The special effects scene did their things.
Speaker 2 (50:16):
Yeah, I love I love those kind of jump cuts.
And so the truck is breaking, it's not going to
make it. Who comes to this?
Speaker 3 (50:26):
This is the part that just confused the ship out
of it.
Speaker 2 (50:28):
Okay, we'll confuse you because I was fully on board.
Speaker 3 (50:32):
The yellow truck? Where where does the yellow? How did
this happen?
Speaker 2 (50:37):
He put the yellow truck in there, and it's already stripped.
Speaker 3 (50:40):
So after he dropped off the trailer and it had
this huge explosion.
Speaker 2 (50:46):
So there are two little sections, so it's a trailer
and then there's a smaller trailer kind of attached to
the back. It's I had to keep looking back at
it because I was like, wait, I'm confused as well.
There was a little section where it could fit. I'll
buy it, but I did have to kind of like
I did question it. Yeah, here's my yellow truck.
Speaker 3 (51:07):
Let's jump on here.
Speaker 2 (51:09):
Charlie does a jump off the semi onto the truck.
Speaker 3 (51:13):
Well, Charlie stunt double. We all know Charlie didn't do that.
Speaker 2 (51:19):
That was forest trucker. That's all saying. That was insane,
like the semi eighteen wheeler. I don't want you to
get all please traumatized. Yeah, he's like he barrels down
on them in the in the truck and he's like
I love this because he goes like, what's he got
in that thing? And Charlie like so matter of fact,
(51:42):
A D twelve, Yeah, that's what's semi.
Speaker 3 (51:46):
You can totally tell. While Paul and the crew were
coming to save them whatever, Paul forgets his keys.
Speaker 2 (51:54):
Whoopsies.
Speaker 3 (51:56):
It was a mess to go back in, and I said, oh, suspense.
Speaker 2 (52:00):
Oh and this is the wonderful part. Kim is like,
I'm gonna drive. And then as she's driving, they're like,
are you sure you're not a very good driver? Woman?
Speaker 3 (52:09):
Yeah? Like like, what what's the pin of it? But
now Ugly Carlos is catching them in the yellow truck.
He's back.
Speaker 2 (52:19):
So they get the passcode, right, they finally get there,
they do. That's the helicopter's telling the other tear the
ugly guy back off. We're too close. We're too close.
You gotta back off. And then and it's tension, just
straight tension. The passcode works, but it doesn't because it
only it only holds for five seconds.
Speaker 3 (52:38):
What was the point of that security shack?
Speaker 2 (52:42):
I don't know. I'm really trying to figure that out.
I don't know, especially because like George didn't give them
the passcode. No, there's this little barricade that that like
comes up and goes down, comes up and goes down,
So they have to like time it perfectly. They put
the passcode in tensions rising, they go through, it goes
(53:04):
back up. The ugly guy just goes up kills the
kills the bad guy, then immediately transports them into a
laser lasers. This scene is in a different film.
Speaker 3 (53:21):
Absolutely, it's a different.
Speaker 2 (53:26):
Keep pressing the code and it's just the most the silliest.
Speaker 3 (53:30):
Laser It's like when you go to like that laser
tag in the nineties and like.
Speaker 2 (53:35):
The sound effects and everything, and when he says earlier,
it'll cut any intruder to pieces, like these things don't
do anything.
Speaker 3 (53:43):
No, you're just.
Speaker 2 (53:46):
They bust out of the cage going there, and George
like runs up to them. They've got security clearance, guys,
Sorry about that laser tunnel.
Speaker 3 (53:55):
Yeah, whoops. So he asked his friend, why.
Speaker 2 (53:59):
Why did you Why did you shut me up?
Speaker 3 (54:01):
He's like just letting go. Everything's good, Okay, it's like
what you.
Speaker 2 (54:05):
Didn't tell me I was gonna have to murder folk.
Speaker 3 (54:08):
So then Charlie pachased.
Speaker 2 (54:10):
Him because you need that, you need that.
Speaker 3 (54:13):
But guess what, Charlie knew what he was up to,
and he formed the FBI, and now the FBI has
to come and take his buddy. The guy he thought
was his buddy not anymore, because his voice was recognized
from the chopper.
Speaker 2 (54:28):
I love that you caught that because I didn't catch that.
Speaker 3 (54:31):
That's what the FBI told him. We already recognized your
voice from the chopper. Oh man, they were in on
the calms.
Speaker 2 (54:39):
She's right. There is a great spach about Uh, she
just chatted us. There's a great speech about friendship. I
got all the friends, will you just lost one? Then
just boom, credit song hits and that song is called.
Speaker 3 (54:56):
Ask him first, I asked him, what are you going
to do with all the money? Whatever the hell we want?
Speaker 2 (55:04):
Then we hit the credits song or you have one
more thing to tell me?
Speaker 3 (55:09):
No, that's it. And it's in memory of Clifford Winger Junior.
So while the writer was making this, he lost his son.
I mean I lost my dad because he was my grandfather.
I claimed that right thunder.
Speaker 2 (55:25):
Run song through the credits, and boy did I want
to like that song. But there's this weird there's this
weird synth rhythm happening over a very weird drum pattern.
Speaker 3 (55:40):
Yeah, I muted it.
Speaker 2 (55:41):
It hurt my brain.
Speaker 3 (55:43):
It upset me too, I muted it.
Speaker 2 (55:45):
It hurt. The melody was nice, yeah, but the contrast
between the synths and the drums hurt my brain me too.
Speaker 3 (55:54):
I had to I had to cut it off. It
was like, no, I can't do that. And that is
thunder That is thunder run.
Speaker 2 (56:03):
Did you have a movie MVP on that?
Speaker 3 (56:05):
The stunt team, it's on the stunt team.
Speaker 2 (56:08):
The stunting. The stunts were fantastic.
Speaker 3 (56:11):
Yeah, just from like I know, you know, we we've
both been on set when people were caught on fire
and it's rough and they were doing a motorcycle trick
while being on fire. Like even just that one alone
would have made me say that team. But it was
thing after the.
Speaker 2 (56:28):
Explosion after explosion, like I wish I had counted all
the explosions. Yeah, they specifically in that last thirty minutes
of just like okay, we're just gonna have a bunch
of shots underneath the truck with just explosions going off.
Speaker 3 (56:42):
You don't get that today.
Speaker 2 (56:43):
You don't get that. You don't get And like the
Jilly's motorcycle.
Speaker 5 (56:47):
Chase fantastic, so good.
Speaker 2 (56:50):
I love the old school car chases, those types of
things where you're just like, no, this is just a
bunch of people out there just doing stupid stuff.
Speaker 3 (57:00):
There was no we'll fix it. In post.
Speaker 2 (57:02):
No, it's just it's just a bunch of dumb people
going like, yeah, I'm gonna do that. You sure, Yeah, yep.
Speaker 3 (57:09):
They had chestnuts made a.
Speaker 8 (57:11):
Fire by and I think that'll bring us to remake, reboot, reimagining, remaster, Oh, sequel.
Speaker 3 (57:32):
So I want us Chris in the grandpa position.
Speaker 2 (57:40):
That is exactly what I want. I want the sequel
with Chris. I want, you know what I but I
don't know if I wanted his maybe his grandson. But
I want like getting the team back together. But like
Paul and Jilly are like they went through a really
messy divorce and kids, but they have to come together
(58:03):
put aside their differences.
Speaker 3 (58:05):
Yeah, they save the Cobalt mine.
Speaker 2 (58:09):
Yeah, I mean like I want it to. So the
first half could be that, like you know, Blues Brothers
getting the band back together, and then it goes right
into Fury Road or Italian job with Semis or not Semis,
not that kind. So I love that we were on
the same page of that of just like yeah, sequel Seql.
Speaker 3 (58:31):
And we'd used that song again.
Speaker 2 (58:34):
HELLI was born to rock the intros on Hey, yeah,
it's been used twice and he's a third third times of.
Speaker 3 (58:41):
Charm YEP, three tons of charm.
Speaker 2 (58:43):
Guys, it'll be a hit because songs from the eighties
usually hit back around to come back around.
Speaker 3 (58:50):
The young uns are gonna find it.
Speaker 2 (58:52):
That'll bring us to.
Speaker 7 (58:53):
This week's and for this week's Nostalgia of the Week,
please welcome former latch Key kid Barbara Booker.
Speaker 3 (59:12):
Hey, yeah, happy to be here. What I wanted to
touch on first of all, is there's a big debate
going on on this TikTok. I'm not a part of it,
but my children harass me the trends and all of
this from this Chinese format that they're all playing on,
(59:34):
and they have a problem with the latchkey kids.
Speaker 5 (59:36):
I was a latch key kid.
Speaker 3 (59:38):
They say that we claim to be the only ones. No,
we claim to be the first ones. We can ask
the rats how it turns out to be the first
of an experimental project. Somebody peed in our corn flakes,
as we used to say. But I came across a
lot of positives in my research. There are a lot
of latchkey kids who pay their taxes, who are and
(01:00:00):
debt free, they have a home. Am I any of
those things? No, I'm still just wearing the itchy sweaters.
I still have a bad attitude. I have gray hairs.
I have children that won't talk to me. That's what
I got from it. They said we were more likely
to have boredom, loneliness, and addictive personalities. Check check check.
(01:00:23):
That's the things I got. So what I did have
was a bad attitude as a child, and now it's
split over to my adulthood and now I still have
a bad attitude. This independence that we have that's attached
to our pride that kept us from going to the
hospital when somebody broke our damn nose out and our
mom would come home from work. How's your date?
Speaker 2 (01:00:42):
It was great?
Speaker 3 (01:00:43):
And you're just going to bed as a broken nose,
rip my toenail off, riding bicycles at the end of
the street with those shoes on. How's your date? It
looks great. I go and lay down and have nightmares
about how it's going to grow back crooked and I'm
going to be an eternal monster. But look, I got
(01:01:05):
to eat the cereal I've wanted. I popcorn anytime I wanted.
We had those microwave popcorns with the butter just all
over you. All the time. My mam was so tired afterwards.
She didn't care. She didn't give a shit what I
was doing. So plus this snack, you wats So now
most of us have diabetes. Freedom to rip your damn
(01:01:26):
toes off, the damn toenail off, playing at the end
of the street with no shoes on. And Michael Jordan
is the greatest over twenty three. He lives on forever
and all of our hearts. He made us feel like
anything was possible. It was a lie, but it got
us through. And now yes, you know, ay your taxes
(01:01:47):
back to you guys.
Speaker 5 (01:01:48):
I hope that helped, and that's gonna do it for
us this week.
Speaker 3 (01:02:07):
Yeah, what a ride?
Speaker 2 (01:02:08):
Love, I love that run good. Yeah, I mean, of course,
that first fifty minutes it's a bit odd, it's a
bit odd to get through. But once they grab that plutonium,
you're off and running and having a ball. Yep.
Speaker 3 (01:02:22):
Well, I'm Jenny Winger.
Speaker 2 (01:02:24):
I'm Jeremy Briggs.
Speaker 3 (01:02:26):
See you next time.
Speaker 5 (01:02:27):
Bye bye baby.
Speaker 2 (01:02:31):
Oh do we call them be siders?
Speaker 3 (01:02:36):
I love bye bye bye be ecstasy. Let me see
(01:04:02):
yeah here we got to here still yep
Speaker 2 (01:04:08):
Mm hmm.
Tuesday, June fourth, nineteen eighty five. You missed the new
titles over the weekend because you were too busy stuffing
your face at the Sizzler buffet and found yourself in
a two day food coma.
Speaker 2 (00:24):
Today's flick is a no brainer.
Speaker 1 (00:27):
Its cover sports a semi in flight, jumping over a
train while being chased.
Speaker 2 (00:33):
By motorbikes, and a slug bug with missiles on its
roof explosions explosively exploding from its rear bumper. Today's mission
is to join Forrest Tucker on his thunder run. I
(01:20):
have to hell welcome the Beast in video rentals, Nam
Jeremy Briggs.
Speaker 3 (01:26):
And I'm Jenny Wanger.
Speaker 2 (01:28):
What do you have to share with me? Jenny, I
have to.
Speaker 3 (01:30):
Share that with you that while you were entering that
and you said a semi in flight, I thought that
is very scary for women.
Speaker 2 (01:41):
Good God, you should tell me those things before I
let them out of my mouth.
Speaker 3 (01:49):
It's your job, lady. You gotta make it all the
way hard.
Speaker 2 (01:55):
God.
Speaker 3 (01:56):
And so then I missed my cue to start the
theme song because I was so like the worst years
of my life and my best years.
Speaker 2 (02:05):
I like the extra work.
Speaker 3 (02:07):
You're the one that's relatable in this duo. He said, true,
I'm not afraid of the hard way, and I'm a housewife.
I mean that is hard work. I'm sorry, ladies, Hey,
I'm a house husband. He says, double glasses in it?
Speaker 2 (02:28):
What else am I supposed to do? What am I
supposed to read the news?
Speaker 3 (02:34):
Oh? I guess so.
Speaker 4 (02:37):
Tuesday, June fourth, nineteen eighty five, So you're not so
current events.
Speaker 3 (02:50):
No works are being forced to rethink their approach to
MANI series is their popularity is way in due to oversaturation.
The miniseries has been going strong since it began in
nineteen seventy seven with the overwhelming success of the twelve
hour film Roots, but has faltered with this week's nineteen
hour film Girl You Need to Die Them Roots. On Friday,
(03:13):
the Navy tested the vertical launching system and ability of
the Tomahawk Cruise Missile, which is a major upgrade from
the Tomma Goose and the Tama Chicken Cruise missile. This
is silly Goose, Silly kiss Billy.
Speaker 2 (03:30):
More than five hundred CBS radio and television affiliates, labor unions,
and special interest groups filed petitions opposing Ted Turner's bid
to take over CBS Incorporated. After filing the petition, they
circled the building, singing, don't turn around, Oh oh, the coma, Suzanne, Oh,
(03:52):
thank you. More than two hundred thousand people apply paid
for secret and top secret clearance to handle classified information
last year, fifty percent more than a decade ago. Federal
officials say one reason for the growth is the increase
in classified documents in recent years, but mostly the growth
(04:16):
is due to my uncle Donnie's yarn wall of conspiracies.
Speaker 3 (04:20):
I have one of those, and I'm on something. The
Groom and Corporation said it would give the Navy a
refund after being charged six hundred and fifty nine dollars
for an ashtray, claiming it was mislabeled astray, a common
nickname for the Navy's n house mill prostitute.
Speaker 2 (04:38):
Oh good old last play tray Lord.
Speaker 3 (04:41):
My dad was in the Navy. Files have been seized
in a Baltimore apartment with detailed plans to bomb up
to a dozen federal offices in the Washington area. The
self proclaimed revolutionaries keep the plans in a file marked
in Progress, located right next to another file labeled sexty
cat pictures. Cats for very sexy creatures.
Speaker 2 (05:05):
That's a sexy picture.
Speaker 3 (05:07):
Yeah, that's why women do cat eyes. We have cat
We know what men want to see.
Speaker 2 (05:15):
A fifty three year old grandfather who does one hundred
pushups a day, graduated from the Police Academy on Friday,
becoming the oldest rookie police officer in New York City's history.
Is retirement party is set for Tuesdays at Shaky's Pizza.
He had a good run.
Speaker 3 (05:34):
I like to use Shaky's.
Speaker 2 (05:37):
What else do you celebrate things? It's Shaky's pizza.
Speaker 3 (05:42):
Hey, I have.
Speaker 2 (05:45):
Hormel announced that it is ending its contract with the
United Food and Commercial Workers' Union, which represented fifteen hundred
workers at its meatpacking plant, after they voted to protest
Hormel's twenty three percent pay cut. Workers have claimed that
they can no longer afford to eat desserts, saying, how
could we have any pudding if we don't pack your meat?
Speaker 3 (06:10):
Joke? That's where the kids. We know kids want meat
packing jokes. Federal officials announced today that they were taking
emergency action to ban a drug widely known as ecstasy. Ecstasy.
(06:31):
I have to say it that way, saying the abuse
of the drug had become a problem for pussies. Culture ecstasy,
lightweight pansies. Beautiful thing. It's a beautiful thing, right. Equipped
deputy's engaged in a three hour battle yesterday at the
Los Angeles County Jail with sixty five prisoners armed with
broom handles and cups of bleach. And completely unrelated news,
(06:55):
the prison has just released its brand new line of
acid washed uniforms.
Speaker 2 (06:59):
They look so good, very trendy. A Supreme Court, the
Supreme Court, not just as one. The Supreme Court ruled
that an isolated act of police misconduct cannot ordinarily make
a city subject to a damaged suit for violating an
individual civil rights. The only damaged suit I've got it
(07:22):
was that goodwill.
Speaker 3 (07:23):
You can find some good stuff there. Though I often do,
I love thrifting.
Speaker 2 (07:29):
The University of Florida still regards its nineteen eighty four
football team as the Southeastern Conference champion and refuses to
recognize the decision last week to strip the squad of
its first conference title, stating in our hearts, nineteen eighty
four will always be the year of the Gator, but
(07:50):
mainly because that giant gayor with eight Billy, he ate
his asshole, not his asshole, but his asshole. You know,
I mean his whole ass I'm not just his ass.
He is more than his ass that saimed, perverted like
his body and his ass.
Speaker 3 (08:08):
Well, the ass is the best part. It's got a
lot of meat.
Speaker 2 (08:11):
It's got allot of me.
Speaker 3 (08:14):
Officials in New Jersey, Pennsylvania, and Delaware have modified their
early predictions that a growing Gypsy mob population could severely
damage the regions for us this summer. The modification was
made in fear of further furthering harmful Gypsy moss stereotypes.
I was very nervous about saying gypsy. Can you tell cancel?
Speaker 2 (08:35):
It's okay? Can I say gypsy? Muscled? And finally, a
Soviet train consisting of twenty eight freight cars disappeared two
years ago, and the investigation has been passed from office
to office and has now ended up at the Central
National Office of the Soviet Rail Ministry in Moscow. But
(08:56):
to me, the mystery is obvious. It's that dirty, no
good suitable bitch David Copperfield playing the long game.
Speaker 3 (09:04):
That means a davil He's damful.
Speaker 2 (09:08):
Work.
Speaker 3 (09:11):
Looking at the mouth fance.
Speaker 1 (09:13):
And that was your not so current events.
Speaker 3 (09:19):
Let me tell you about the semi, the flying semi
running into our face. I love this?
Speaker 2 (09:28):
What a flying semi? No?
Speaker 3 (09:30):
I loved Underrun?
Speaker 2 (09:31):
Oh you loved thunder Run. Great, we're getting into it.
Speaker 3 (09:35):
You like semis? I sure, I.
Speaker 2 (09:37):
Am said an eighteen wheeler. I was trying to keep
the mouth less full. Wait, hold on, that's not what
I meant. What's words defens?
Speaker 3 (09:48):
I really loved this.
Speaker 2 (09:50):
There was a definite mark in the film that the
film changed for me. It was like, what is happening to?
Oh my god, this is a vast spoilers.
Speaker 3 (10:01):
That's what this is all.
Speaker 2 (10:02):
That's what this show is. It's just recounting the movie
and spoiling it for everyone. So go watch it first. Yeah,
or don't. I don't care. I'm not your daddy, Yeah,
but I want to be.
Speaker 3 (10:19):
But if you're looking for a long.
Speaker 2 (10:23):
My wife doesn't mind, she.
Speaker 3 (10:27):
Said, I understanding, so I immediately. The first thing that
I noticed that I was so stoked about is a
Clifford Winger wrote this, I'm like, am I related to him?
Speaker 5 (10:39):
Is he my grandpa?
Speaker 2 (10:42):
And for the purpose of this podcast, did I do
any research?
Speaker 3 (10:49):
No, did I contact ancestry dot com and say I'll
give you three hundred dollars if you'll connect me to
this man either. But the writing was very like I
like the way that Maggie and Charlie talked to each other.
Speaker 2 (11:06):
Oh you like Maggie and Charlie's conversation. So Charlie. For
those of you very familiar with Forrest Tucker, that's Charlie.
He's our main, our main guy. But we don't even
meet Charlie until I don't know, ten minutes into the film.
Speaker 3 (11:24):
Yeah, holy action sequence.
Speaker 2 (11:28):
Holy action sequence. So like the couple driving, Yeah, so
it starts out with like a what appears to be
just a couple, like a cute couple driving a romantic
evening drive, and then all of a sudden are brutally murdered.
Explosions and machine gun spray went into like slow motion deaths.
(11:55):
It was like they got sprayed and then they slowed
it down and they sped it back up.
Speaker 3 (11:59):
I mean, if I'm gonna watch an eighties action movie,
I need to somebody do where you can see them
in their eyes green. I like that.
Speaker 2 (12:09):
And then they pull out this box which was got
those like radiation stickers all over it, like the stupidest
looking box. Yeah, Like seconds before the car explodes, they're like,
get the box.
Speaker 3 (12:24):
That's a very cool way to open a movie.
Speaker 2 (12:27):
Yep. Then we got our titles.
Speaker 3 (12:28):
Yeah, and that's where I saw my grandfather's name.
Speaker 2 (12:33):
And it goes into a really great song.
Speaker 3 (12:37):
Yeah, that's why I wrote j Levy ain't fucking around.
That's the music guy.
Speaker 2 (12:44):
Like, Yeah, this song like comes in like an old
school like it felt kind of like one of those
like really good uh Kenny Loggins type movie.
Speaker 3 (12:55):
That's exactly what G texted me too.
Speaker 2 (12:58):
It just that's how it felt. It was like, yeah, okay,
I'm like watching Caddy Shackers.
Speaker 3 (13:03):
Yeah, Lackey, did you see those guys die? Yeah?
Speaker 2 (13:07):
But like then that that song kind of comes in
and you're like, okay, this is like fun. It's got fun. Yeah,
that dufist guy's driving his yellow truck.
Speaker 3 (13:17):
Yeah. I like the juxtaposition of the music, like it
would be like a really cool eighties action song. And
then that and then another time it goes to Cotton
Eye Joe.
Speaker 2 (13:29):
Oh right, but like we'll talk about the Cotton Eye
Joe because I have some things to say about that.
Speaker 3 (13:36):
Yeah, but the music was great. I was intrigued. It
was good.
Speaker 2 (13:39):
Jay what was his name, Jay Levy? J Levy. So
he did a movie two years later and he reused
that song.
Speaker 3 (13:49):
Did he really?
Speaker 2 (13:50):
He did?
Speaker 3 (13:52):
Did what film?
Speaker 2 (13:53):
And honestly, like the film is actually I'm looking for
it because it was already on my watch list.
Speaker 3 (13:59):
For this pretty smart. That's why gret Genevieve just said
nineteen eighty pretty smart.
Speaker 2 (14:05):
He was like, this song is a hit. Like, I
don't know how this song didn't blow up. Maybe we
try it again because it's a hit and we just
got gotta get it through that mainstream.
Speaker 3 (14:18):
Yeah. I don't blame him at all. I love that Chris.
Speaker 2 (14:22):
Is driving through the desert and he's heading to the
casino where he walks directly into the ladies room and
then then Kim is there mopping the floor and he's like,
let's do it like me. You're like what? And she's
like what if I told you you have to stop
(14:42):
doing this? Like he just walked, He's like, is my
girlfriend cleaning the floors? She clean a piss off the
floor again, cause I'm gonna go have six of time.
Speaker 3 (14:52):
I gotta fuck her.
Speaker 6 (14:53):
Yeah, and Immediately after that, they go out and they're
kind of like talking a little bit and she he's like, no,
I'm and he can't think of the words, so he
just keeps going, I'm, I'm, I'm.
Speaker 2 (15:04):
And she's like, what you are is horny and this
like large woman turns around like appalled, like they're in church,
like you know, like cigarette hanging out of their mouth.
This is for children with mouth.
Speaker 3 (15:22):
There's a lot of that kind of contradictory behavior in this,
like it's like the dirtiest, grossest behavior is fine. But
then there's a couple of things like she.
Speaker 2 (15:32):
Said horny, yeah, and the woman's like, oh God, wash.
Speaker 3 (15:38):
It out, and she's like I'm trying to.
Speaker 2 (15:42):
Then I think we go into the official meeting with
George in the military, the private contractor George discussing the
operation where they're trying to flush out the terrorists. This
is the best truck driver whatever, and then it cuts
to like an old folks home with playing down. It's
an old folks hodown, yeah and there, and that's just
(16:04):
when this cotton eye Joe song is going on, and
it's not the traditional cotton eye Joe song.
Speaker 3 (16:11):
No, And I passed around.
Speaker 2 (16:16):
But the song correct me if I'm wrong. I listened
back over and over to me, it sounds like they're
saying gotten.
Speaker 4 (16:23):
Jo Joe bullshit, gotten out Joe, bullshit.
Speaker 3 (16:27):
Ship they are, and she like quotes it later, quotes later, she's.
Speaker 2 (16:31):
Just like bullshitt.
Speaker 3 (16:34):
That's when she's cooking her pies or something and she's
in there like bullship. Yeah, it's like a remix. And
she lands in that other guy's lap and she's like, hey,
this is and then goes over to the young girl
sitting with her man. She's like, he's taken scam.
Speaker 2 (16:53):
He's scream But it looks like they do have the
like Charlie and uh, and you sit down and they
give us the whole like you gave up truck driving
to buy a mine? What kind of mine is it?
They don't even say, that's just is.
Speaker 3 (17:10):
It a cobalt mine or something? They keep saying, like
a cobalt mine.
Speaker 2 (17:14):
I didn't even hear. I just kept going like, what
the hell type of ma? It's just generic mine? Yeah,
it's like rocks.
Speaker 3 (17:23):
Yeah. They were saying a rock yeah, yeah. And I
was just like, when, okay, so are we at the
part where now they're coming to visit him.
Speaker 2 (17:33):
We meet Jilly at this point, and I cannot forget Jill.
I can't skip Jilly because this whole interaction you're still
with Paul. Oh yeah, because he's smart, brains are sexy.
Oh yeah. And then like she's like, but I gotta
get going. Where's she going? She better be getting our drinks.
(17:56):
That girl's a dingling what she is?
Speaker 3 (18:01):
Wild as nick? I love her.
Speaker 2 (18:05):
They peppered in a lot of weird characteristics with Jilly
that are like, never come to fruition. You're like, no,
what And we'll get to this in a second. But
she runs off and at the end of this conversation,
like Maggie just goes off into this weird daydream and
she just goes non sequitur. I wish Kim and Chris
(18:29):
would get married, just total non sequitur. Cut to them
doing it on a boat, yeah, in the desert, like
in a desert lake, doing it on a houseboat.
Speaker 3 (18:44):
Oh yeah, slaps in the art Was it an alarm clock?
They slap and they're like laying there and bliss and
she's gonna go, but he's like not yet. And they
start going in for round two.
Speaker 2 (18:58):
And then I believe we get to the terrorists mapping
out there, they're.
Speaker 3 (19:03):
Playing who said chestnuts out of fire? You got chestnuts
made out of fire. It was right when we were
introduced to Charlie's character, because that's right where it was.
I said, who is this hunk and double denim? When
you first see Charlie, he's wearing a double denim outfit.
Speaker 2 (19:24):
Charlie's with Maggie walking out of a casino and he
sees a guy with a big scar on his face
and he says, gosh, I hate to meet that guy
on a lonely desert road.
Speaker 3 (19:37):
Sure is ugly.
Speaker 2 (19:38):
That's a writing moment when you just sit back and go,
I did it, Yeah, I did it?
Speaker 3 (19:45):
Mean bald guy, bad vibes foreshadowing. Yeah, So then this
is the drag race.
Speaker 2 (19:52):
Yes, it is them pulling up, fixing his car up,
getting ready to do it, but they're concerned. Who's going
to take care of police? Cut to a bad ass
motorcycle chase. Yeah, Like I thought this was like really
a solid motorcycle chase and the cops are like trying
to keep up and the bike's going everywhere. Who is
(20:15):
that guy?
Speaker 3 (20:16):
And they landed in the water. Which I gotta tell
you always gives me anxiety. Always We're in a movie
and they just take a cart because I'm like, oh
my god, they had to get out on the first try.
And back in the olden days, like the stunt people,
some of them really died.
Speaker 2 (20:32):
Like this stunt team. Yeah, insane rush.
Speaker 3 (20:38):
Yeah.
Speaker 2 (20:38):
I thought they did a wonderful job. But who they
As they get it the biker gets away, They're like,
who was that guy? Who was He reveal it's Jilly.
Speaker 3 (20:52):
Hell, yeah, we know why Jilly's around.
Speaker 2 (20:54):
Now we know why she said I gotta go. Yeah,
I got something to do. She's got to distract a police.
Now this is what kills me is we just set
up that she is a badass biker chick. Yeah, and
we we let it go.
Speaker 3 (21:11):
Yep, that's it. You just get to know that.
Speaker 2 (21:14):
I like, I've watched more of that.
Speaker 3 (21:17):
I know, like, no, you're gonna just be a very
horny person who does erratic things. I like this. And
now Maggie pats uh George on the butt really perverted.
Speaker 2 (21:32):
Liken caught a lot of Maggie action. I missed talking.
Speaker 5 (21:37):
I loved her.
Speaker 3 (21:38):
She patted him on the butt as he walked by
and I was like, yeah, girl, and gets you a handful.
They said something cool. Race guy says a squirrel hasn't
got the bucks. Oh my god, it's so good. It
was the guy who's challenging.
Speaker 2 (21:52):
Chris squirrelly, we ain't got the bucks.
Speaker 3 (21:55):
These little one liners are so good and it's a
thousand dollars.
Speaker 2 (22:01):
This is where we also learned that Chris, who's dating
kim U, is Maggie and Charlie's grandson, but his parents
passed away. Yeah, and so they're more or less his caretakers.
And they show up at the drag race and Maggie's like,
don't you drag race? Who? Girl? That's what she says
(22:24):
to Chris.
Speaker 3 (22:26):
Yeah, totally word for word, verbatim. Yeah, but you know
that you know where he gets his skills from, because
you know, his granddad is the best driver in the biz.
Speaker 2 (22:39):
But like I gotta say, like the guy who says
the squorel line, that dude was badass, Like he was,
I want to cosplay him.
Speaker 3 (22:49):
He was.
Speaker 2 (22:52):
Because he's cool and also a loser, which get over it.
Speaker 3 (22:57):
Emily is in for it.
Speaker 2 (22:59):
Girl, dam she loves the loser. Did you catch the
moment during the celebration when when he wins the drag
race and everybody's like running, is it Jilly who does this?
Who runs up behind the guy and like oil checks him?
No a thumb butt?
Speaker 1 (23:21):
Know you?
Speaker 6 (23:23):
I didn't get maybe it was a goose, but it
looked like an oil check.
Speaker 2 (23:27):
Like she runs and it just goes fuck and the
guy's like whoa and turns around and they start laughing.
I was and it's such a split second thing. You're like,
what just happened? Who? Wait? This decision?
Speaker 3 (23:41):
And I also like that as soon as he windsor's
like eight hundred people there?
Speaker 2 (23:46):
Eight hundred yeah.
Speaker 3 (23:47):
Like it's like so many people there.
Speaker 2 (23:49):
You won one thousand dollars.
Speaker 3 (23:54):
Yeah. And then of course Chili's in the back completely
trying to fuck Paul in the public.
Speaker 2 (24:03):
So then they go to celebrate at a bar and
Jilly is like, we're gonna dance, and so they dance
for a little bit. Paul becomes Paul because he's a
I don't even know what to call Paul. He's supposed
to be a brainiac science guy. He sits down and
then some horny bar guy is like, I'm gonna dance
with that fine piece of Jilly.
Speaker 3 (24:25):
Yeah, because Jill gets up and starts like and.
Speaker 2 (24:27):
She's going at it.
Speaker 3 (24:28):
Yeah, and I love I love that. The old man
kept yelling shake it, shake it, like the most disturbing
shake it I've ever heard. Shake it, shake it. I
need to pause and take a bath.
Speaker 2 (24:46):
So Paul, this is the part we kind of learned
a little bit about Paul. He's a jealous boy. Yeah, jealous.
It's protective, very protective. This guy starts dancing with Jilly.
And did she seem fine with it?
Speaker 3 (25:01):
I mean she was like Lucy goosey Phil and the music,
but I think it wasn't until he started like pushing
her side to side between each other.
Speaker 2 (25:09):
Starts to puff up, but just gets tossed to the
side like a rag doll.
Speaker 3 (25:14):
She said, she looked at it. She's like, you don't
look like you know science, don't touch me. Yeah. And
then after the fight and everything, they go back and
this is the thing that freaked me out so much,
is this weird shower scene where he seems uncaught. It's
like he has brain damage.
Speaker 2 (25:32):
Do you want to bring that for an onset speculation?
What's going on in this scene? And on set what's happening?
Speaker 3 (25:52):
This made me so uncomfortable. He is the skinniest man
I have ever seen. He has an obvious concussion.
Speaker 2 (26:00):
Is he is. He's struggling to stay on his feet.
He's like gonna hold the walls, and Jilly's just like,
sorry about it. You stood up for me. Can't help it.
Speaker 3 (26:11):
I'm horny again.
Speaker 2 (26:13):
Oop.
Speaker 3 (26:15):
I'm wearing this set where I take the skirt up
and my panties match the skirt and like bra matches
all of it. I'm getting fucked tonight with this effort
I put in, and like.
Speaker 2 (26:26):
Just what an odd juxtaposition of this whole scene of
like her being as sexy as she can and him
over the top, just like oh oh confused.
Speaker 3 (26:41):
With his underwear on. She's like give me those shorts.
You're getting that dick out and then you see his
wet box or okay, sun.
Speaker 2 (26:55):
Set, how are you supposed to go? Like, no, but
you need to be sexy? But would I be?
Speaker 3 (27:00):
You need to be sexier and you need to be
more in.
Speaker 5 (27:03):
Need of host medical attention?
Speaker 3 (27:07):
Can we have the volume on both of those?
Speaker 2 (27:09):
What's the direction? What's what direction? Okay? As an actor,
I need a little bit of justification? Would I be
not concerned.
Speaker 3 (27:17):
About his I don't like love him as a person
at all.
Speaker 2 (27:22):
I'm just horny. Is horny for science.
Speaker 3 (27:27):
But if his brain is broken, he won't have science anymore. No,
don't think about that. You're just very horny for this
skinny science man with a concussion.
Speaker 2 (27:41):
So should I be turned on in this situation? She's
practically gripping me, she's stripping me naked. I have to
hold onto the ceiling and the side of this house boat.
Speaker 3 (27:56):
And they're like, no, just remain super like your fire
and conscious going on conscious.
Speaker 2 (28:02):
No, you want to be This should be borderlines, right, borderline,
But it's not because you're a couple.
Speaker 3 (28:11):
Yeah, and you're and you're a man.
Speaker 2 (28:14):
Yeah, this is the rule. This is fine if you're
out of itating concussed. As long as you're a man.
Speaker 3 (28:21):
You can get right. And it's fine. It's good. She's pretty.
Speaker 2 (28:28):
She's pretty.
Speaker 3 (28:30):
She matching. She wear a matching set to fuck you,
so just let her.
Speaker 2 (28:36):
You are not going to ruin this girl's plans. And
also she is way hotter than he deserves.
Speaker 3 (28:43):
Yeah, yeah she is, it's true, So just sleep it off.
Speaker 2 (28:48):
And she rides a bike sleep it off. Just let
this poor guy.
Speaker 3 (28:52):
Oh okay, so that was a really weird scene.
Speaker 2 (29:00):
George shows up to see Charlie.
Speaker 3 (29:02):
The prospective buyers are the first thing, though, I think.
Speaker 2 (29:06):
They come right after. So George gets there. It's a
very brief interaction. He kind of says, here's an offer,
and it's.
Speaker 3 (29:15):
Two hundred and fifty thousand, quarter of.
Speaker 2 (29:18):
A million if you do this plutonium job for us.
Speaker 3 (29:20):
And in the eighties that was a lot of money,
a lot of money, way more than it is now.
It's basically like you'll be a millionaire.
Speaker 2 (29:28):
Is it's Korean War and not Vietnam. I'm getting a
note on the side here.
Speaker 3 (29:35):
Oh his Korean War buddy shows up gives him money.
Speaker 2 (29:37):
Yes, so that's George.
Speaker 3 (29:40):
That's George, IMBB says Korean. She says, okay, great.
Speaker 2 (29:45):
What are we watching the sequel to mash.
Speaker 3 (29:48):
What I like though, is after they do it and
he asks them to keep the secret from Maggie, which
I don't think is a good idea ever with the
bond that they have, but whatever, he's got to think
about it.
Speaker 2 (29:58):
I think it's healthy to light to your spouse. It
makes for a good marriage, doesn't know half the ship.
Oh my god, she's in the other room listening to
every word I'm saying.
Speaker 3 (30:17):
She doesn't even know what a bath house is.
Speaker 2 (30:19):
So after he says okay, I'll think about it, Chris
is like, what's this and he's like, don't worry about it.
We got investors on the.
Speaker 3 (30:27):
Yes, this is Paul's shining moment.
Speaker 2 (30:30):
Yeah. Well see, they they gave us a little bit
of a detail on Paul about he's a jealous boy.
He's a jealous guy. But it's so silly to me.
So we get to the investors come there. One guy
stays behind. He sees Kim and Jilly sitting on a
table and he goes to grab their butts. First of all,
(30:53):
sitting down terrible that you're not getting any good. But
there's no good. But at the top you gotta get
on the you gotta get on the bottom button.
Speaker 3 (31:05):
Yeah, yeah, top.
Speaker 2 (31:07):
But there's not much there. There's no nothing, nothing's gonna
come up. You know what I mean. It's not the
upper yeah, exactly, exactly. No. So they go and Paul
he's for some reason, driving a front loader just to
(31:28):
make it look like everybody's busy.
Speaker 3 (31:30):
They told that, Yeah, they told that. Everybody make it
look busy.
Speaker 2 (31:34):
And Maggie's like, on this giant like brick sized radio,
orchestrating the whole thing.
Speaker 3 (31:43):
You go, you go for you, and I think of
all the people to put on the big machinery. Maybe
twenty Paul is a bad idea.
Speaker 2 (31:54):
So he sees this situation happen and he's like, oh,
I'm gonna throw dirt on these people's cars, and of
course loses control, crushes the car, destroysarehouse.
Speaker 3 (32:07):
That's like the trailer. It's like you know those log
cabins we used to build. It looks like that easy to.
Speaker 2 (32:14):
Just completely crush. There's a guy pooping on a potty.
You have to have a body pooper.
Speaker 3 (32:23):
If you're gonna tear down the building. Somebody has to
have been shitting with.
Speaker 2 (32:26):
A new I love it. After all this chaos that happens,
like Charlie comes down and they're all like, oh, well
they're they're it's all blown. This is ruined. And Kim
just Kim standing by Jilly, and she goes, well, he
shouldn't have goost. Us shouldn't a ghost us?
Speaker 3 (32:47):
I not to say, what do we gain from pouring
a bunch of rocks on these people's car, and now
somebody's gonna have to deal with it. This is where
this is where this kaya comedy gets me stressed out.
Speaker 2 (33:01):
But now he's forced to take the job. He didn't
want to take the job, but he has to take
the job because of.
Speaker 3 (33:09):
He's gonna pay for all this damage.
Speaker 2 (33:13):
Of course, so he goes to George and he's like, Okay,
we're gonna do this, and George gives him all these
like this is how it's gonna go. We've got all
these different security measures. You got to get press this point,
and there's these lasers that will chop intruders to pieces.
Speaker 3 (33:29):
And this very private, very high detail and meeting happens
in the casino, sitting at a slot machine in public
super classified information. I'm just sitting there, like, what is
the fucking point of doing this in the casino? Like you,
I guess they just don't have locations. And then I
(33:50):
found out why they did in the casino. Got a nickel,
he gives George and nickel and he puts it in
this and I guess he was feeling lucky and for
a good reason.
Speaker 2 (34:04):
He won. He won won. Yeah, he wins a dollar.
Speaker 3 (34:13):
And he's just sitting there looking around like a badass, like, hell.
Speaker 2 (34:15):
Yea, but he did tell him, you'll be safe for
the first hundred miles. We've got you covered. And Charlie's
kind of like, I don't know, I don't know this
is I'll go along with it. But what does he do,
Like he takes it to his crew, all these like
college kids, come on, Paul, hook it up. Yeah, super
(34:37):
my car up to specifications. Yeah.
Speaker 3 (34:41):
And instead of getting in trouble with Maggie for keeping
this very big secret from her, she gets makes him
a hot apple pie.
Speaker 2 (34:50):
Singing bullshit, bullshit shit like that was a yeah.
Speaker 3 (34:59):
She He mentioned that Maggie was having a great time
in her kitchen alone. I mean, I would think was
all these fucking idiot guys around driving through.
Speaker 2 (35:07):
Being alone is probably the best situation you could make.
Speaker 3 (35:10):
Probably fucking ruled for her. I got a pie made,
I cleaned the kitchen, I got a lot of shit done.
Speaker 2 (35:15):
So we have this whole thing and they're like souping
it up. We don't really know what they're doing in
the truck, but they on the side of it, they
write thunder and this eighteen wheeler is. I mean, if
you want to call a machine beautiful, it's a beautiful
piece of machinery. It's really clean cut, looks fantastic. And
(35:37):
then they do this like real cheesy. It's so out
of place. It just says thunder on the side of it,
and you're like, yeah, it looks real bad.
Speaker 3 (35:49):
Why did you do it bad? Yeah? And while they're
doing that, by the way, Jilly gets horny again and
fucks them in the truck.
Speaker 2 (35:56):
In the truck, Yeah, silly, Jilly.
Speaker 3 (36:01):
Listen, Mom and Dad, I booked a movie. It's your part,
like on a badass on a motorcycle and I'm really rainy.
Those are the two things.
Speaker 2 (36:11):
And this like right after this part, after they soup
it all up, because Chris has been just come on,
you gotta take me with you, gotta take me with you,
Charlie has this weird TV movie like three minute TV
movie section.
Speaker 3 (36:26):
Here, yes, where it was very touching, and.
Speaker 2 (36:29):
It's just like the music is so just like one
person on a Yamaha keyboard.
Speaker 3 (36:36):
Yeah.
Speaker 2 (36:37):
He's like, I can't take I can't do it. I
can't take him with me. And it goes on way
too long, and then he starts walking away, and he
turns around to Kim and he goes, Kim, tell Chris,
I love him, yeah, walking away, and then just like
the single keyboard is like.
Speaker 3 (36:57):
It was very touching.
Speaker 2 (36:58):
We have another terrorist meeting.
Speaker 3 (37:01):
Oh yes, the terrorists are prepping as well.
Speaker 2 (37:03):
And and then we get back to Maggie and she's like,
I got a bad feeling about this, Charlie. Yes, this
one's for you, Maggie, damn near everything I do is
for you.
Speaker 3 (37:17):
Yeah, And I like that anytime that she was upset
he did. I'm like, one time she's upset and he
just buys her a belt and she's.
Speaker 2 (37:22):
Like, okay, yeah, oh.
Speaker 3 (37:25):
Charlie, I love this belt. Okay, go miss your life.
Speaker 2 (37:30):
I love that, Like Ray when she's like, I don't
like this, but I mean, if anything happens to you,
I'm gonna be passed.
Speaker 3 (37:36):
Yeah.
Speaker 2 (37:37):
Oh gosh, I wish you wouldn't say words like that.
Speaker 3 (37:41):
It's like we have heard her say worse a pissed.
Speaker 5 (37:45):
That's the yes, well shit.
Speaker 2 (37:50):
Dancing with glee. So he takes off.
Speaker 3 (37:56):
The case can handle any hit besides a hydrogen. Don't worry. Okay,
we're off.
Speaker 2 (38:03):
Yeah, don't worry So that made me. When he said that,
I was like, oh, so it didn't matter if they
took it out seconds before the car at the beginning
blew up. They could have just left it in there
and got him.
Speaker 3 (38:16):
Yeah.
Speaker 2 (38:16):
So the tension that you built earlier on was for none.
Speaker 3 (38:19):
Yeah, they're just stupid. Yeah.
Speaker 2 (38:23):
So he sits by, calls Paul in the radio that says,
make sure you get me this pass code. Why he
doesn't already have the passcode from George makes no sense
to me, but okay, whatever, we just have to make
sure everybody knows that Paul is smart and he's got
everything worked out.
Speaker 3 (38:39):
But what happens when he talks to Paul U is
Kim with them.
Speaker 2 (38:43):
Kim grabs the radio and.
Speaker 3 (38:47):
Hey, don't be mad that Chris went with you, she says.
Speaker 2 (38:50):
Tell Chris, I'm mad that for going.
Speaker 3 (38:52):
Yeah, that's so, I'm mad for going.
Speaker 2 (38:54):
He's like, all right, honey, over and out.
Speaker 3 (39:00):
Answer breaks. Chris lands into the windshield.
Speaker 2 (39:03):
He's like in the passenger seat. He's like magically in,
like like he'd been there the whole time, and Charlie
was like, finally, for the first time, looked to his right.
He's like, wait, a minute, Chris, Yeah, you've been here
the whole time.
Speaker 3 (39:21):
And they have a very touching emotional scene.
Speaker 2 (39:25):
Did you buy Chris's bullshit? No, he convinces him to go.
He's like, okay, you're right.
Speaker 3 (39:33):
Yeah, he aphensive but agrees.
Speaker 2 (39:37):
I don't think he gave good enough.
Speaker 3 (39:42):
Fight.
Speaker 7 (39:43):
Yeah, I don't.
Speaker 2 (39:44):
I don't. I didn't buy the convincing.
Speaker 3 (39:48):
No, but you know, he he does make a great
point when he's like, I'll run the radio, I'll push
the buttons. It's really hard to push, like four, that's hard.
Speaker 2 (40:03):
But anyways, so this is the moment he agrees, and
they go and they pick up the plutonium.
Speaker 3 (40:10):
And there's a cool eighties helicopter shot.
Speaker 2 (40:12):
Yeah, this is minute fifty Yeah. And to me, this
is where the movie starts at the minute fifty. Yeah.
From this point on, this movie kicks ass.
Speaker 3 (40:27):
Yes.
Speaker 2 (40:29):
Yeah, like that first fifty minutes. I know they're setting
all this stuff up, but it's so unnecessary.
Speaker 3 (40:38):
I wrote down, if trucks make you horny, this is
your movie. Lots of sexy shots of this truck. Lots
this is a hot, sexy eighteen wheeler. It's only semi
I've ever liked.
Speaker 2 (40:58):
I've seen a lot of semi in my life, and
a lot of.
Speaker 3 (41:01):
Them wiss upset me. This one's really good.
Speaker 2 (41:05):
Yeah, but like this, like this right here is the
movie that the poster pros.
Speaker 3 (41:12):
Sure, yeah, this is the boom Off t ride out
an hour to get to it.
Speaker 2 (41:18):
Yeah, fifty minutes. We've got thirty five minutes the hell Yeah?
Speaker 3 (41:22):
Yeah, and uh again, dude's on a motorcycle. This is
where they enter. This is oneycle couple.
Speaker 2 (41:30):
The motorcycle couple. Yeah, comes up and they're like, there's
this weird flirting with Chris thing that's happening. It's like,
wait a minute, are they trying to do like a
three something?
Speaker 3 (41:41):
Yeah? And then she pulls up a fucking bazooka?
Speaker 2 (41:45):
Is it a boz? I thought it was a shotgun.
I thought she pulled out a shotgun trying to shoot
him while he's riding. Shotgun.
Speaker 3 (41:51):
Yeah, it looked like a pretty big gun.
Speaker 2 (41:53):
But but she blasts nothing.
Speaker 3 (41:56):
That happens nothing.
Speaker 2 (41:57):
Yeah, press button number one, fire out of the side
of the semi.
Speaker 3 (42:04):
Just patches her on fire.
Speaker 2 (42:07):
After the side. Oh, I don't know how I feel
about it. Look, sEH, I know, I know what you're thinking,
but we're gonna get into some shit.
Speaker 3 (42:16):
You just killed your first one, then, yeah, killed.
Speaker 2 (42:21):
Your first couple, killed two people right now, And he's like, uh,
look kid, this is why I didn't want to bring
you on this thing. Some folks, welcome to Korea.
Speaker 3 (42:34):
You looked at that woman's eyes and then you set
her on fire. Get over it.
Speaker 2 (42:40):
You looked in her eyes, you made a connection. You
thought it was gonna last a night.
Speaker 3 (42:45):
I don't know, that's what the button did.
Speaker 2 (42:47):
And almost immediately after that, two more bikers come up
and just start throwing grenades, like trying to explode their tires.
Speaker 3 (42:56):
Yeah, until they give up. They deserve.
Speaker 2 (42:59):
But this think's built like a tank. We gotta run,
just go away. They don't try anything else.
Speaker 3 (43:07):
We're done. You won't see us again.
Speaker 2 (43:12):
These things just like hap like one after the next.
Speaker 3 (43:15):
A police car, a full police car.
Speaker 2 (43:19):
But Charlie's like papers in ruse, Guys, I'm not buying this. Yeah,
but didn't you got the police car? And then like
dozens of terrorists up in the rocks going like, we're
gonna get him. Yeah, what is he? What is that
little like cowcatcher that like just magically forms at the
(43:41):
front of the thing and they plow through that that
mess of vehicles. Explosions abound. Is what happens.
Speaker 3 (43:48):
Like the opposite of that church did you do that thing?
Ten years? It was the opposite of that. It goes.
It was cool, it was aricade. It's like what you
would want in the zombie apocalypse exactly.
Speaker 2 (44:04):
And it just plows through this, uh, this pile of vehicles, vehicles.
Speaker 3 (44:10):
Genevieve called the gunnies in the mountain in the hills Hillbillies, which.
Speaker 2 (44:20):
The chuckle. But there are so many explosions in this
point where you just like God, at this point, we've
probably already had like eight explosions in five minutes. It's
they're just they're coming at you. Yeah, they bust out
of there. And then two slug bugs. Yeah with miss
the room missiles seeking Yeah, which I love is it
(44:44):
goes and he's like, that's why I put the stacks
up high. What he's seeking rockets rockets. So he put
the smoke stacks like super high because he knew they'd
have them heat seeking missiles.
Speaker 3 (45:00):
And then number four didn't work.
Speaker 2 (45:02):
Oh for it didn't work. Yeah, hit number four because
you know he didn't get him, he just didn't get.
Speaker 3 (45:09):
Him, and he says, to that one you asked for it,
slams him off the road.
Speaker 2 (45:16):
No. I love that that little part where he's like
where one of the slug Bug guys was like, try
to get ahead of him and take out the tire
or take out the engine. And so he pulls it
aside and he starts going and Charlie runs him off
the side of the road. And this part made me
laugh so much. The guy in the car the way
he says, oh my god, oh my god, oh my god.
Speaker 3 (45:40):
Yes, and the other guy laughs at him, like you
guys are on a team together and you just watched it,
Like that's.
Speaker 2 (45:49):
So funny because he heard him say oh my god.
He's like, what the what the hell is that?
Speaker 3 (45:56):
Okay, dude, we're top okay.
Speaker 2 (45:59):
But he just falls into a ditch.
Speaker 3 (46:01):
Yeah, I'll get the bastard.
Speaker 2 (46:03):
But then Charlie's like, I got more tricks of my sleeve.
Hit this one. Back of the truck goes up and
it's like row after row of five gallon Molotov cocktails, Yes,
just falling out of this. Yeah, the back of the
semi semi I hate it. Oh my god, but he
(46:31):
finally gets rid of that guy. This the guy fell
in ditch. He's back.
Speaker 3 (46:34):
He's I'll get the bastard, he said, I'll get the bastard.
Speaker 2 (46:38):
And this, this is the poster promise right here, and
probably the most badass scene in the movie. Yeah, this
freaking semi eighteen wheel I apologize, jumps over the train.
It's only you know, it's it's only over what do
you call those things, the little flat cars. It's just
(47:01):
over an empty flat.
Speaker 3 (47:02):
Like a trailer.
Speaker 2 (47:04):
Yeah, you know, so they only really get up I
don't know, what would you say, six seven feet up
in the air.
Speaker 3 (47:09):
Yeah, but that's a lot of summer. It's just like, yeah,
it was.
Speaker 2 (47:15):
As like that something like that didn't make any corks explodes.
Speaker 3 (47:22):
Yeah, right after you, right after you got some no
and love that character, Jeremy.
Speaker 2 (47:30):
Oh my god, I wish we were in the cockpit
while he was cork screwing. Oh my god. And now
we finally fulfill our foreshadow promise. Yeah, the scarred man
also drives an eighteen wheeler this whole time during this
(47:52):
chase that just one thing happens after the next we
do cut back to Paul and the gals, Kim and Jilly,
and they're trying to get their computer that password. They
keep hacking away, hacking away, and finally this is this
kind of the point where they got it. They got
the password, but for some reason, the radio isn't working,
(48:14):
so they have to get in the car and get
closer so the radio will work. I don't know, they
didn't explain that. They just went. They just hopped in
the car and went.
Speaker 3 (48:22):
Yeah, they just kept going.
Speaker 2 (48:24):
So we got this eighteen wheeler chase and uh oh
they that jump ruined the radiator. So the eighteen wheelers
have issues.
Speaker 3 (48:37):
Yeah, and he tells Chris, I've seen that ugly face before.
Speaker 2 (48:42):
Yeap.
Speaker 3 (48:44):
Well, and for me, I just love when people just
call people ugly.
Speaker 2 (48:50):
Makes me think of my mother. It's just some relationship.
Speaker 3 (48:55):
It's like some in the eyes of the beholder, like
you'll have to say, I'm an ugly.
Speaker 5 (48:59):
Persons mean ugly.
Speaker 2 (49:02):
Hey, look at that person. They're ugly.
Speaker 3 (49:04):
Oh there's something just so heartless about calling someone ugly,
And not that this guy doesn't totally deserve it, but
he doesn't know that when he just passes him in
a casino. Even Jilly wouldn't fuck him.
Speaker 2 (49:19):
And that girl has no standards. But there's a little
cut in here. Charlie does something where he cuts off
the the of the truck and he well, yeah he
cuts he that's right. He lets loose the back of
the truck and then yeah, blows him up. Ugly guy
(49:40):
like has like gets in it, you know, crashes and
there's this wonderful jump cut during the crash where it's
like he leans forward and it stops like so where
you're like action, and then they break the window and
put some blood on it and they go action then
and he hits the window. So it's like this weird
(50:03):
cut where you're like, whoa. I mean I kind of
fall for it. It kind of it kind of works,
but you realize what happened, which I I love things
like that so much. They make me happy.
Speaker 3 (50:14):
The special effects scene did their things.
Speaker 2 (50:16):
Yeah, I love I love those kind of jump cuts.
And so the truck is breaking, it's not going to
make it. Who comes to this?
Speaker 3 (50:26):
This is the part that just confused the ship out
of it.
Speaker 2 (50:28):
Okay, we'll confuse you because I was fully on board.
Speaker 3 (50:32):
The yellow truck? Where where does the yellow? How did
this happen?
Speaker 2 (50:37):
He put the yellow truck in there, and it's already stripped.
Speaker 3 (50:40):
So after he dropped off the trailer and it had
this huge explosion.
Speaker 2 (50:46):
So there are two little sections, so it's a trailer
and then there's a smaller trailer kind of attached to
the back. It's I had to keep looking back at
it because I was like, wait, I'm confused as well.
There was a little section where it could fit. I'll
buy it, but I did have to kind of like
I did question it. Yeah, here's my yellow truck.
Speaker 3 (51:07):
Let's jump on here.
Speaker 2 (51:09):
Charlie does a jump off the semi onto the truck.
Speaker 3 (51:13):
Well, Charlie stunt double. We all know Charlie didn't do that.
Speaker 2 (51:19):
That was forest trucker. That's all saying. That was insane,
like the semi eighteen wheeler. I don't want you to
get all please traumatized. Yeah, he's like he barrels down
on them in the in the truck and he's like
I love this because he goes like, what's he got
in that thing? And Charlie like so matter of fact,
(51:42):
A D twelve, Yeah, that's what's semi.
Speaker 3 (51:46):
You can totally tell. While Paul and the crew were
coming to save them whatever, Paul forgets his keys.
Speaker 2 (51:54):
Whoopsies.
Speaker 3 (51:56):
It was a mess to go back in, and I said, oh, suspense.
Speaker 2 (52:00):
Oh and this is the wonderful part. Kim is like,
I'm gonna drive. And then as she's driving, they're like,
are you sure you're not a very good driver? Woman?
Speaker 3 (52:09):
Yeah? Like like, what what's the pin of it? But
now Ugly Carlos is catching them in the yellow truck.
He's back.
Speaker 2 (52:19):
So they get the passcode, right, they finally get there,
they do. That's the helicopter's telling the other tear the
ugly guy back off. We're too close. We're too close.
You gotta back off. And then and it's tension, just
straight tension. The passcode works, but it doesn't because it
only it only holds for five seconds.
Speaker 3 (52:38):
What was the point of that security shack?
Speaker 2 (52:42):
I don't know. I'm really trying to figure that out.
I don't know, especially because like George didn't give them
the passcode. No, there's this little barricade that that like
comes up and goes down, comes up and goes down,
So they have to like time it perfectly. They put
the passcode in tensions rising, they go through, it goes
(53:04):
back up. The ugly guy just goes up kills the
kills the bad guy, then immediately transports them into a
laser lasers. This scene is in a different film.
Speaker 3 (53:21):
Absolutely, it's a different.
Speaker 2 (53:26):
Keep pressing the code and it's just the most the silliest.
Speaker 3 (53:30):
Laser It's like when you go to like that laser
tag in the nineties and like.
Speaker 2 (53:35):
The sound effects and everything, and when he says earlier,
it'll cut any intruder to pieces, like these things don't
do anything.
Speaker 3 (53:43):
No, you're just.
Speaker 2 (53:46):
They bust out of the cage going there, and George
like runs up to them. They've got security clearance, guys,
Sorry about that laser tunnel.
Speaker 3 (53:55):
Yeah, whoops. So he asked his friend, why.
Speaker 2 (53:59):
Why did you Why did you shut me up?
Speaker 3 (54:01):
He's like just letting go. Everything's good, Okay, it's like
what you.
Speaker 2 (54:05):
Didn't tell me I was gonna have to murder folk.
Speaker 3 (54:08):
So then Charlie pachased.
Speaker 2 (54:10):
Him because you need that, you need that.
Speaker 3 (54:13):
But guess what, Charlie knew what he was up to,
and he formed the FBI, and now the FBI has
to come and take his buddy. The guy he thought
was his buddy not anymore, because his voice was recognized
from the chopper.
Speaker 2 (54:28):
I love that you caught that because I didn't catch that.
Speaker 3 (54:31):
That's what the FBI told him. We already recognized your
voice from the chopper. Oh man, they were in on
the calms.
Speaker 2 (54:39):
She's right. There is a great spach about Uh, she
just chatted us. There's a great speech about friendship. I
got all the friends, will you just lost one? Then
just boom, credit song hits and that song is called.
Speaker 3 (54:56):
Ask him first, I asked him, what are you going
to do with all the money? Whatever the hell we want?
Speaker 2 (55:04):
Then we hit the credits song or you have one
more thing to tell me?
Speaker 3 (55:09):
No, that's it. And it's in memory of Clifford Winger Junior.
So while the writer was making this, he lost his son.
I mean I lost my dad because he was my grandfather.
I claimed that right thunder.
Speaker 2 (55:25):
Run song through the credits, and boy did I want
to like that song. But there's this weird there's this
weird synth rhythm happening over a very weird drum pattern.
Speaker 3 (55:40):
Yeah, I muted it.
Speaker 2 (55:41):
It hurt my brain.
Speaker 3 (55:43):
It upset me too, I muted it.
Speaker 2 (55:45):
It hurt. The melody was nice, yeah, but the contrast
between the synths and the drums hurt my brain me too.
Speaker 3 (55:54):
I had to I had to cut it off. It
was like, no, I can't do that. And that is
thunder That is thunder run.
Speaker 2 (56:03):
Did you have a movie MVP on that?
Speaker 3 (56:05):
The stunt team, it's on the stunt team.
Speaker 2 (56:08):
The stunting. The stunts were fantastic.
Speaker 3 (56:11):
Yeah, just from like I know, you know, we we've
both been on set when people were caught on fire
and it's rough and they were doing a motorcycle trick
while being on fire. Like even just that one alone
would have made me say that team. But it was
thing after the.
Speaker 2 (56:28):
Explosion after explosion, like I wish I had counted all
the explosions. Yeah, they specifically in that last thirty minutes
of just like okay, we're just gonna have a bunch
of shots underneath the truck with just explosions going off.
Speaker 3 (56:42):
You don't get that today.
Speaker 2 (56:43):
You don't get that. You don't get And like the
Jilly's motorcycle.
Speaker 5 (56:47):
Chase fantastic, so good.
Speaker 2 (56:50):
I love the old school car chases, those types of
things where you're just like, no, this is just a
bunch of people out there just doing stupid stuff.
Speaker 3 (57:00):
There was no we'll fix it. In post.
Speaker 2 (57:02):
No, it's just it's just a bunch of dumb people
going like, yeah, I'm gonna do that. You sure, Yeah, yep.
Speaker 3 (57:09):
They had chestnuts made a.
Speaker 8 (57:11):
Fire by and I think that'll bring us to remake, reboot, reimagining, remaster, Oh, sequel.
Speaker 3 (57:32):
So I want us Chris in the grandpa position.
Speaker 2 (57:40):
That is exactly what I want. I want the sequel
with Chris. I want, you know what I but I
don't know if I wanted his maybe his grandson. But
I want like getting the team back together. But like
Paul and Jilly are like they went through a really
messy divorce and kids, but they have to come together
(58:03):
put aside their differences.
Speaker 3 (58:05):
Yeah, they save the Cobalt mine.
Speaker 2 (58:09):
Yeah, I mean like I want it to. So the
first half could be that, like you know, Blues Brothers
getting the band back together, and then it goes right
into Fury Road or Italian job with Semis or not Semis,
not that kind. So I love that we were on
the same page of that of just like yeah, sequel Seql.
Speaker 3 (58:31):
And we'd used that song again.
Speaker 2 (58:34):
HELLI was born to rock the intros on Hey, yeah,
it's been used twice and he's a third third times of.
Speaker 3 (58:41):
Charm YEP, three tons of charm.
Speaker 2 (58:43):
Guys, it'll be a hit because songs from the eighties
usually hit back around to come back around.
Speaker 3 (58:50):
The young uns are gonna find it.
Speaker 2 (58:52):
That'll bring us to.
Speaker 7 (58:53):
This week's and for this week's Nostalgia of the Week,
please welcome former latch Key kid Barbara Booker.
Speaker 3 (59:12):
Hey, yeah, happy to be here. What I wanted to
touch on first of all, is there's a big debate
going on on this TikTok. I'm not a part of it,
but my children harass me the trends and all of
this from this Chinese format that they're all playing on,
(59:34):
and they have a problem with the latchkey kids.
Speaker 5 (59:36):
I was a latch key kid.
Speaker 3 (59:38):
They say that we claim to be the only ones. No,
we claim to be the first ones. We can ask
the rats how it turns out to be the first
of an experimental project. Somebody peed in our corn flakes,
as we used to say. But I came across a
lot of positives in my research. There are a lot
of latchkey kids who pay their taxes, who are and
(01:00:00):
debt free, they have a home. Am I any of
those things? No, I'm still just wearing the itchy sweaters.
I still have a bad attitude. I have gray hairs.
I have children that won't talk to me. That's what
I got from it. They said we were more likely
to have boredom, loneliness, and addictive personalities. Check check check.
(01:00:23):
That's the things I got. So what I did have
was a bad attitude as a child, and now it's
split over to my adulthood and now I still have
a bad attitude. This independence that we have that's attached
to our pride that kept us from going to the
hospital when somebody broke our damn nose out and our
mom would come home from work. How's your date?
Speaker 2 (01:00:42):
It was great?
Speaker 3 (01:00:43):
And you're just going to bed as a broken nose,
rip my toenail off, riding bicycles at the end of
the street with those shoes on. How's your date? It
looks great. I go and lay down and have nightmares
about how it's going to grow back crooked and I'm
going to be an eternal monster. But look, I got
(01:01:05):
to eat the cereal I've wanted. I popcorn anytime I wanted.
We had those microwave popcorns with the butter just all
over you. All the time. My mam was so tired afterwards.
She didn't care. She didn't give a shit what I
was doing. So plus this snack, you wats So now
most of us have diabetes. Freedom to rip your damn
(01:01:26):
toes off, the damn toenail off, playing at the end
of the street with no shoes on. And Michael Jordan
is the greatest over twenty three. He lives on forever
and all of our hearts. He made us feel like
anything was possible. It was a lie, but it got
us through. And now yes, you know, ay your taxes
(01:01:47):
back to you guys.
Speaker 5 (01:01:48):
I hope that helped, and that's gonna do it for
us this week.
Speaker 3 (01:02:07):
Yeah, what a ride?
Speaker 2 (01:02:08):
Love, I love that run good. Yeah, I mean, of course,
that first fifty minutes it's a bit odd, it's a
bit odd to get through. But once they grab that plutonium,
you're off and running and having a ball. Yep.
Speaker 3 (01:02:22):
Well, I'm Jenny Winger.
Speaker 2 (01:02:24):
I'm Jeremy Briggs.
Speaker 3 (01:02:26):
See you next time.
Speaker 5 (01:02:27):
Bye bye baby.
Speaker 2 (01:02:31):
Oh do we call them be siders?
Speaker 3 (01:02:36):
I love bye bye bye be ecstasy. Let me see
(01:04:02):
yeah here we got to here still yep
Speaker 2 (01:04:08):
Mm hmm.
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