Top Secret!

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
Friday, June twenty second, nineteen eighty four. You chime the
dingers on the door of b Side Video Rentals, feeling
ah giggly, like you've been choking down gallons of silly
goose juice. Wait, what is this? You found a cow

(00:31):
wearing rain boots. That's silly from the makers of the
original airplane. Wait not the right brothers, right, you don't
know what this is.

Speaker 2 (00:44):
It must be top secrete.

Speaker 1 (01:16):
You're welcome to be said Video Rentals. I'm Jeremy Briggs and.

Speaker 3 (01:20):
I'm Jenny Wanger.

Speaker 1 (01:22):
Jenny, what's cracking?

Speaker 3 (01:24):
Oh my gosh, I'm just in a good mood. Oh, no, way, Yeah,
it's great.

Speaker 1 (01:31):
You must have had your chai chai.

Speaker 3 (01:35):
Yeah I did. I actually did have child yesterday.

Speaker 1 (01:40):
Oh yes, did you have your macha?

Speaker 3 (01:42):
My macha?

Speaker 1 (01:43):
This a m yes, my much, you have the macha.

Speaker 3 (01:45):
I like my spices and my arabs.

Speaker 1 (01:48):
Sweet. That's great. Yeah, I'm already cracking into it because
that's me. That's thanks to I started a tradition and
I'm gonna stick to my alkohol alcohoholism. Yeah, you're doing
alcala hall. I'm drink in the ac on.

Speaker 3 (02:03):
A Hall spoken like a tream mon alcoholm I call it.
I just like, I don't know how to describe the
joy that I have of the movies that we're watching
so far this year so far.

Speaker 1 (02:15):
See, this was one where you said we're gonna watch this,
and I went, I mean, is this a B side movie?
I know, yeah, because it's probably the most I'm going
to say, quote unquote mainstream, even though it really is
kind of one of their more lost films. Yeah, it
really is.

Speaker 3 (02:35):
It's hard for me to find not normal people, but
people outside of entertainment who have seen this film.

Speaker 1 (02:47):
Okay, see this was This was a movie that I
remember being one of those movies that I didn't know.
But I had a couple friends in high school that
were like, you don't wait, you know Airplane, but you
don't know Tops. You watched hot Shots, but you don't
know top Secret. Yeah, Like it was one of those
movies that only a couple of your friends would be like.

Speaker 3 (03:09):
But they were only pretending to be surprised that someone
didn't know it so that they could get on a
high horse. Yeah, it's like they know that people don't
know this movie.

Speaker 1 (03:18):
Oh I've got a secret. Wait, I thought you said
you were a Val Kilmer fan.

Speaker 3 (03:26):
No you're not. You know I think I've told you that.
I went and saw his live performance as Mark Twain.

Speaker 1 (03:33):
Oh no, you didn't, I did. Oh how was it?

Speaker 3 (03:38):
It was funny?

Speaker 1 (03:39):
Was it?

Speaker 3 (03:40):
I don't think it was supposed to be, but it
was very funny.

Speaker 1 (03:45):
I loved Val Kilmer so much. Did you watch his documentary?

Speaker 3 (03:51):
I didn't watch his documentary.

Speaker 1 (03:52):
No, I gotta do it. You gotta do it. They
do talk about They do talk about like him getting
this movie and him kind of being like because it
was his first big thing and it was like, great,
but this is not the type of actor I want
to be.

Speaker 3 (04:09):
I guess he's like a really serious myrtleneck kind of actor.

Speaker 1 (04:14):
Yeah, And but he brought everything. We'll talk about that later.
He brought everything this.

Speaker 3 (04:21):
Yeah, caspro was like I really didn't know he could
move like this, and I'm like, he could move.

Speaker 1 (04:27):
He he really brought his a game and just showed you.
He's like, no, I'm I'm a movie star. Yeah, Like
I don't care what you put me in. I'm gonna
stand out. Yeah, I'm gonna knock it out of the park.
And the thing that people don't understand about spoofs is
they're not easy.

Speaker 3 (04:47):
No no, no, no.

Speaker 1 (04:48):
Like you. I mean, spoofs went off the rails into
two thousands. But just a leading person in those roles,
you know, they're overlooked and they you know, Luckily he
didn't get trapped in spoofs like Leslie Nielsen at the
end of his career. But yeah, I mean Leslie nil

(05:10):
Kane the King, Yeah, yeah, he was a serious actor too,
And that's the realization of just like, no, I have
to play this, And that's why leam Neeson was cast.
And I hope to god he can continue to do
other things in spoofs. But I think he did a
great job. Did you watch the New Naked Gun?

Speaker 3 (05:30):
I haven't seen it yet.

Speaker 4 (05:31):
No.

Speaker 1 (05:31):
I thought it was pretty gang gun.

Speaker 3 (05:34):
I can't wait to see it. I I've been trapped
in this theater show, you know.

Speaker 1 (05:38):
Ah, yes, yeah.

Speaker 3 (05:39):
When I'm in the theater show, it's like three months
of my life is pause.

Speaker 1 (05:42):
Yeah yeah, So you want to get to the.

Speaker 3 (05:44):
Newss Well, at one moment, we'll get to the pause.

Speaker 5 (05:51):
Please, I find how to get to the news.

Speaker 3 (06:05):
Some several doctors have worn that the break dancing fad
can push the body beyond its endurance, causing torn ligaments,
broken bones, and more serious injuries, reaffirming what everybody has
always known. Doctors are a bunch of dorks.

Speaker 1 (06:24):
Dorks, let them break dance.

Speaker 3 (06:27):
Why don't you study while we be cool?

Speaker 1 (06:29):
Yeah, we're gonna go spin on our noggins, dude.

Speaker 3 (06:33):
Yeah. Official mosquito watchers in New York have taken to
their boats, trucks, and helicopters to combat what they fear
will be the worst infestation of the insects in years.
A mosquito representative has filed a peeping top complaint, saying,
stop looking at naked mosquitoes, you perves, you.

Speaker 1 (06:53):
Pervs, they're naked. Good lord. The Senate voted today to
establish the United States Academy of Peace to train American
and foreign leaders in the non violent resolution of conflicts,
teaching them how to be effectively passive aggressive during wartime.

(07:13):
Oh nothing, you guys, do you? I just think it's
surprising that you guys are acting all tough.

Speaker 6 (07:19):
Oops.

Speaker 1 (07:19):
We totally forgot to help you bomb that country. Sorry,
are bad. Sorry, that's how you do it. Airlines are
joining the government in a campaign to keep commercial aircraft
from being used to smuggle illicit drugs into the United States.

(07:42):
As of today, flight attendants will no longer be offering
complementary mirrors to snort your coke off of.

Speaker 3 (07:49):
That was SASGA countries going down hill. The API ordered
General Motors to recall five hundred and fifty thousand automobiles
whose exhaust emissions exceeded a federal standards on nitrogen oxides,
forcing them to change their name to poorly designed Motors.

Speaker 1 (08:06):
Got them barn.

Speaker 3 (08:09):
Scientists are studying the carcass of a gray well in
hopes of determining what killed several whales that were found
dead in Washington and British Columbia in the past two months. Unfortunately,
scientists are finding no answers because they're too focused on
wales dongs. They're distracting that wales dog is huge, huge.

Speaker 1 (08:30):
How am I supposed to focus? There's so many feelings
bubbling up inside of me when I see it.

Speaker 3 (08:36):
Jealousy, rage, desire.

Speaker 1 (08:39):
I don't understand how to deal with these feelings. The
New York City Department of Investigation is looking into accusations
that federal surplus cheese intended for distribution to the poor
was served at a Christmas party held by the City
Human Rights Commission last December. But in their defense, they
only speak nineteen twenties gangster and they thought they were

(09:01):
stealing money. You got all that cheese?

Speaker 3 (09:07):
Yeah, give me that cheese you got.

Speaker 1 (09:11):
In a sharp challenge to conventional medical views, a new
epidemiologic epidemiological got it study has concluded that high blood
pressure is associated with eating too little sodium rather than
too much. But many are criticizing this study, saying it's
just an excuse to tell people to suck these No,

(09:35):
that's how you get your sodium.

Speaker 3 (09:37):
Every time somebody tells me you eat too much salt,
I just leave it and be like you're about to
eat my fucking fist, hitch. I live on salt. It's
my main food group.

Speaker 1 (09:46):
You just like walking around with a popsicle like like
a cow.

Speaker 3 (09:50):
I am a salty bit key. Legislators announced an agreement
tonight on a plan to reduce acid rain by sharply
limiting emissions of pollute from smokestacks in New York State
over the next decade, completely destroying the acid washed gene industry.

Speaker 1 (10:07):
Yeah, where did acid wash jeans go?

Speaker 3 (10:10):
I just bought a pair on Poshmark and had got
here and she lied about the inches around the waist.

Speaker 1 (10:15):
Oh what a silly, nice situation.

Speaker 3 (10:18):
I finally bought one size up. I was like, okay,
I'm just gonna buy one side. And then she sent
me my size from last year. That would have been nice.

Speaker 1 (10:26):
Last year she sent me my size from fifteen years ago.

Speaker 3 (10:32):
Yeah, it's like not helpful. It makes me very upset.
The National Aeronautics and Space Administration today named three astronomers
to train for nineteen eighty six and nineteen eighty seven
space Shuttle missions devoted to study stars and galaxies. But
sadly they'll be at space count because they're eight.

Speaker 1 (10:53):
They're eight years old.

Speaker 3 (10:54):
They're eight years old. You know. Like for a moment,
I was like astrologist. I all of a sudden, the
news got so much more cool. Oh wait, real scientists.

Speaker 1 (11:08):
Real science. Never mind, No, I don't science.

Speaker 3 (11:11):
I like mystical thoughts, mystical metaphysical.

Speaker 1 (11:15):
Witch, would you stop. President Reagan opened the International Games
for the Disabled today by hailing the assembled athletes as
world champions of the human heart. Except for Barry over there.
He had a pig heart. Transplant. What a free, disgusting,
disgusting we call pig.

Speaker 3 (11:36):
Boy, bacon man, bacon barry.

Speaker 1 (11:40):
Director, director Francis Ford Coppola, and the producer Robert Evans
were ordered by a federal judge today to share control
of the film The Cotton Club, Finally putting to bed.
Coppola's planned to change the title to The Tampon Bunch

(12:00):
And but you're not so cent. I wanted to put
a bombit out of my.

Speaker 3 (12:12):
I just hate hearing men say tampon.

Speaker 1 (12:15):
Oh, I'm sorry, No, it's good. I didn't know. No,
it's good. I just hate it.

Speaker 3 (12:20):
I love it when I feel like I'm in a
vomit I get off on.

Speaker 1 (12:25):
Men can say tampon too, Jenny.

Speaker 3 (12:27):
When when.

Speaker 1 (12:30):
Right now? You know?

Speaker 3 (12:34):
But I didn't so my whole life. Everybody told me
about putting tampa.

Speaker 1 (12:39):
Tell us about your whole life, Yeah, putting.

Speaker 3 (12:42):
Tampons in like, oh, it can't like you know, there's
rumors in the South that it's bad. You may not
feel like a virgin anymore after you do the tampons.
All this, all this bad stuff about tampons. But the
thing they didn't tell us is that most of them
are fucking bleached. Did you know that?

Speaker 1 (12:59):
I don't know anything about tampons. I've had wouldn of them.
I've only put one in my butt and it was
not a good experience. Jenny, No, I didn't. Why are
you believing me that.

Speaker 3 (13:09):
It be so hard to get out of your butt?

Speaker 1 (13:13):
It seems like, oh.

Speaker 3 (13:16):
No, but they bleached the thing that women put in
their vagina. That is so wrong.

Speaker 1 (13:21):
You know why because they're designed by men, because.

Speaker 3 (13:25):
They hate us. Hey, I'm gonna go down here and
have something ready because you're going to read reviews.

Speaker 1 (13:35):
Jeremy read review so Metal Baby.

Speaker 3 (13:43):
Yeah, so if you didn't hear we watched Top Secret Secret.

Speaker 1 (13:49):
Yes, these arergeous Val Kilmer. These are all from letterbox.
I wrecked them off of there. This is ham fruitcake
and they said, I know it all sounds like some
bad movie props for making me laugh out loud. Also,
a young Val Kilmer nice, I think I like this

(14:10):
more than Airplane four stars. Wow, Sarah Gwen wrote, can't
get over how beautiful nineteen eighties Val Kilmer was three
and a half stars. Three and a half Aj wrote
this was so surreal and absurdly funny, but also very

(14:31):
stupid and silly. I did enjoy it, but after the
midpoint I was just tired of the gag humor as
it's not my style of comedy. Overall, it's a decent
film if you want something very bizarre and stupid comedy.
One and a half stars. Did you just say you
liked it?

Speaker 3 (14:47):
You liked it, and you give it one? Fuck you?

Speaker 1 (14:50):
Whoa strongboys colored from Jenna.

Speaker 3 (14:53):
Aj sounds like a total fucking idiot.

Speaker 2 (14:56):
Whoa?

Speaker 3 (15:00):
And I loved it one and a half stars.

Speaker 1 (15:03):
Helen underscore S said I only bought this for Peter
Cushion's Cushings cameo, but was giggling like a nut throughout
four stars.

Speaker 3 (15:15):
I love giggling like a mutt.

Speaker 1 (15:19):
D G J said this is one hundred percent where
Christopher Nolan got the idea for Tenant. Three and a
half stars.

Speaker 3 (15:29):
That's hilarious.

Speaker 1 (15:30):
So those are our letterbox reviews for two d.

Speaker 3 (15:34):
Yeah yeah, yeah yeah.

Speaker 1 (15:35):
So this is a Zucker Is it Zucker or Zucker
brothers David and Jerry I always thought it was Zucker
and question I always said Zucker as well, and then
I was like, I'm gonna say it wrong, wrong, And
then somebody's gonna.

Speaker 3 (15:51):
Attack me ow Slamentella effect.

Speaker 1 (15:54):
And also Jim Abrams is Abrams or Abraham's.

Speaker 3 (15:58):
See I see now We're stuck.

Speaker 1 (16:00):
Now We're stuck. And so Jim Abrams did the Hot
Shots movies. Fantastic, Yeah, really fucking I did not know
that Jerry Zucker directed Ghost. Wow. I didn't know that
David Zucker did Basketball, co wrote and directed. Didn't know that.

Speaker 3 (16:24):
That.

Speaker 1 (16:25):
Yeah. Yeah, So like basically a good portion of like
the spoof films throughout the eighties or nineties, they were
likely attached in some way one or two of them.

Speaker 3 (16:35):
You know.

Speaker 1 (16:35):
I was just.

Speaker 3 (16:36):
Thinking about, like, oh, it's so obsord with ghost but
woop be Goldberg and Ghosts is so funny, Molly girl.

Speaker 1 (16:46):
Anyways, we can tell a little bit about spoof. So
about I think about in two thousand is when Spoof's
kind of changed, and I think it's kind of due
to Scary Movie. Yeah. I thought the Wayn's Brothers knocked
Scary Movie one in two out of the park, I
thought they really did a fantastic That was actually the
first time where I was like heartbroken in a movie

(17:10):
because a joke that I had written because this was
I think two thousand and I had started writting comedy
in nineteen ninety eight ninety nine, and I was really
starting to get into it and I wrote a joke
and it was in Scary Movie and it broke my heart.
That was like the first time we're like no. It
was the peeing and a urinal into like the little

(17:31):
target blowing up the balloon like a carnival thing. I
wrote that in like ninety eight ninety nine, and then
it was in there and I.

Speaker 3 (17:38):
Just you know, I've had those moments where I pros
something and it later got in something and one of
my friends said to me, that just tells you that
you're on the right track.

Speaker 1 (17:50):
That was one of those things where I'm like okay,
Like it was some and then at all something that
I had to not be. Yeah, and it also taught
me how to not be so precious with things, and
it's like, look, there's just so much more. And that's
why constantly write and constantly work on things, because it's
like things are gonna pop up that you're nature there,

(18:12):
that's nature. So anyways, people I think really didn't understand
why Scary Movie worked. I think there was a misunderstanding
of Oh, spoofs are easy, and so it just became
this like every spoof is now just a reference movie.
Remember that joke from this movie. Remember that joke. And

(18:35):
there was a long stretch of time, at least a
decade of just constant spoofs of remember this movie and
the thing they did in this movie, and that was
the joke.

Speaker 3 (18:46):
Yeah, And I also think it's interesting to bring back up,
like how many serious actors are the leads of these
spoof movies, Because Anna Faris was like a very serious,
like New York turtleneck act and so when she got
offered is shoes like this, she knocked it out of
the part wild for me, this is not what I
would be doing. And she's so great. There is like

(19:10):
Chef's Kiss, when it's like a real legitimate actor who
really understands the beats and diving in.

Speaker 1 (19:17):
Those positions, not winking. And that's that's one of the
things that I think to what the Wigans nailed in
their thing, and just people just under just misunderstood that
whole thing and we were just inundated with some rough ones.
Let's just say that and not judge too much, not
to there'll.

Speaker 3 (19:37):
Be a Menace to South Central while drinking your juice
in the Hood.

Speaker 1 (19:40):
Yeah.

Speaker 3 (19:41):
That was one of my absolute favorite movies growing up. Yea,
I was obsessed with it.

Speaker 1 (19:46):
There were two in high school. I remember two films
being like the films which it was mal Rats and
Don't Be a Menace yeahl and the Hood, Like those
were the two, and I couldn't watch them because they
can watch our movies seventeen.

Speaker 3 (20:04):
Because my mom would just let me wrint whatever the hell.
I wondered if I would just go in my room
and watch it for the weekend.

Speaker 1 (20:10):
I wish so top secret, top secret. The opening train
East Germany. A fight on the top of a train.

Speaker 3 (20:26):
Yeah, and I love him. One of them is like
standing up and the other one's facing him and he
caesar about to run into a tunnel. He's like, oh yeah.
The British guy gets down like okay, I'm gonna get down,
I'm gonna hide, and then this guy's gonna just get
by the yea tunnel but it like fell apart like Legos.

Speaker 1 (20:51):
Yeah, so that immediately this opening shot, just because we
are now entering stupid. Yeah, the whole tunnel just breaks
apart and the super Nazi guy's just standing. They're like, oh,
brushing himself off. And our our British spy guy whose

(21:13):
name isc question Mark. I think it's Cedric and he
just is like, no, I'm out, and he jumps off
the train. I'm not. I'm not dealing with a guy
who could just plow through Toddle.

Speaker 3 (21:29):
Yeah for me, buddy. So yeah, So then we go
to night at the East German High.

Speaker 1 (21:39):
German High Command.

Speaker 3 (21:41):
Yeah, and they're letting him know that the British guy escaped.
And I love this bit.

Speaker 1 (21:47):
But before we go into this next bit, there's a
joke here, which are my favorite jokes in all of
these spoof types of movies. This guy who comes in
to hand the letter to the general takes off his helmet.
His chin strap remains there. There's no other like, it's
it's just takes his head off, does this and hands

(22:09):
and his chin strap is still there, and then he
puts his helmet on and the leaves and you're like.

Speaker 3 (22:13):
Yeah, what is that.

Speaker 1 (22:14):
There's no note to it. There's there's no nod, there's nothing.
It's like if you don't see it, too bad. And
those are the moments I love and in these films.
They're just like, WHOA hold on, rewind? Did I just
see what I think I saw?

Speaker 3 (22:31):
Yeah, and I love it. He looks at it and
he gets he's got a special stamp for find him
and kill him.

Speaker 1 (22:38):
I have this stamp because that's what this my go
to stamp. Hey, we have an issue with this guy.
Now they kind of introduce this whole thing of like,
we have this plan to put on a big show
to distract from our master plan.

Speaker 3 (22:56):
Everything is according to plan, not exactly.

Speaker 1 (22:59):
Not exactly. Somebody couldn't make the show. I thought I
wrote it down, but I'm not saying it's. Oh, Leonard
Bernstein couldn't make the show, and so the Americans are
sending a replacement a rocket.

Speaker 3 (23:16):
Well, let's get his records. Yeah, they put an actual
record off.

Speaker 1 (23:22):
And I have to say, this bit right here might
be one of the greatest bits in all of spoofs. Ever,
I don't think anybody's outdone this. The song that they
play is called Skeet Surfing.

Speaker 3 (23:44):
It's a serpent.

Speaker 1 (23:49):
It's a beach boy rip off about surfing and skeet
shooting at the same time. And it's like a music
video and it I mean it's magic call. It really
is magical.

Speaker 3 (24:03):
I can't tell you how many times that when I
would go to the beach after seeing this movie, I
would dig holes for my baby because that one lady
who's Stanning and she gets stuff like this, and her
bootholes are INDs.

Speaker 1 (24:17):
And that's a classic Zucker Brother like joke as well,
just like boobs and the holes are. Look. I don't
want to disparage her breast, but those holes.

Speaker 3 (24:31):
Were way larger than her breath, you know what.

Speaker 1 (24:34):
It was probably just be like we want you to
be comfortable.

Speaker 3 (24:37):
Yeah, I have space in there.

Speaker 1 (24:39):
I have space in there. And I definitely wrote boobies
in the sand shot the best, and so they're just
like surfing shooting. The women are like launching pigeons. That
what they're called, right, Yeah, clay pigeons. They're launching them
out there.

Speaker 3 (24:56):
They're just shooting on the beach.

Speaker 1 (25:00):
Oh no, he's shooting airplane down.

Speaker 3 (25:03):
Then everybody's happy against it's okay.

Speaker 1 (25:05):
Why One of the great lines in the song is
like wish they all could be double barrel guns. This
song is great. The actions happening are fantastic. They show
the chart topping like Umber one and he's not only

(25:26):
the number one, yeah, but the chart tops. He's in
the top three spots and they're all skeet shooting, yeah.

Speaker 3 (25:33):
All of them. Yeah, it's like we can't even pick
a number two. That's all of the top three.

Speaker 1 (25:39):
And then we kind of move to like a little
thing that what do you call it? I'm not gonna
get it, So don't put a time on me. Everybody's
looking at the Marquis and so it says Nick Rivers,
and then it says Stevie Wonder, Linda Ronstand and if
there's time, Franks.

Speaker 3 (26:00):
We don't know it'll be time for him though, But that's.

Speaker 1 (26:03):
The first time we're like, okay, what year is this. Yeah,
we're dealing with Nazis, Stevie Wonder and Linda Ronstack. Yeah
we still very have more questions later.

Speaker 3 (26:17):
Yeah. Yeah, it's like whatever we want, doesn't just shut up.

Speaker 1 (26:25):
Yeah. He's bigger than Frank Sinach, just like.

Speaker 3 (26:28):
A he's bigger than time, your perception of time.

Speaker 1 (26:33):
Yes, thank you. You put everything that I ever wanted
to say in one sentence, so.

Speaker 3 (26:40):
That there on the train. And I love this because.

Speaker 1 (26:43):
He's out there looking hating landscape.

Speaker 3 (26:49):
It's just like blurred the way that you see if
he took a picture.

Speaker 1 (26:53):
It's like the distance is all there, like the landscape
and the distance is where it would be, and then
the front is just blur.

Speaker 3 (27:03):
It's just going, oh, being very serious, I want to
get this right. That is so stupid.

Speaker 1 (27:10):
While he's doing that, he's trying to learn German. So
he's got this little tape playing that just says all
this stupid. You know, they're the sauer Kraut and my
later Hosen. Yeah, like those types of gags, if you will.

Speaker 3 (27:27):
And he's with his agent talent manager.

Speaker 1 (27:30):
Yeah, and he's like, right, this is the first time
rock and roll will ever be played in Germany.

Speaker 3 (27:36):
Okay, okay, I think we're at the East German checkpoint.

Speaker 1 (27:42):
Yes.

Speaker 3 (27:43):
So they're letting him know like you're representing America.

Speaker 1 (27:46):
Like yeah, be cool, like be cool, bro. Yeah.

Speaker 3 (27:52):
And the right now is show that the main thing
that he knows how to say is is your daughter eighteen?
If you didn't know, I don't know.

Speaker 1 (28:04):
I just want you to be very clear. I am
not going to break the law.

Speaker 3 (28:11):
No, I'm gonna ask and I'm gonna ride that line.
Yeah yeah, yeah, yeah, yeah.

Speaker 1 (28:16):
She looks I'm gonna be creepy as hell. Yeah, you know,
not appropriate, but I'm not going to break the law.

Speaker 3 (28:23):
Is this weird? The dogs are barking and they're gonna
get the package, and it's like, oh my god, what
it's gonna be in there.

Speaker 1 (28:28):
There's a guy who's holding a package, like, don't take
it from me, don't take it from me. And then
they take the guy away. Where are they taking them? Yeah?
Where are they taking that man? They're not taking kim
en zywhere they kill him and the dogs attack the package.

Speaker 3 (28:45):
Rip it open, and milky dog bones go everywhere.

Speaker 1 (28:49):
Milk dog milky dog Is that what they're called? Milky
dog bone?

Speaker 3 (28:54):
Yeah? I mean here we go, milk bones.

Speaker 1 (28:56):
Yeah, that's what they are.

Speaker 3 (28:57):
Yeah, yeah, I don't know, have to say it in Jah, I.

Speaker 1 (29:02):
Don't ky talk palls k talk new ki dog balls.
He puts him in your mouth.

Speaker 3 (29:08):
And charming little doggie, the little doggie pawn. Yeah, and
then it would be wise to keep to your own affairs.
So he's trying to be all cute with them, and
they're just like, we don't give a shit.

Speaker 1 (29:22):
About your ship, right, we're nuts.

Speaker 3 (29:25):
We're very serious and.

Speaker 1 (29:27):
In case you don't know. Nazis are bad guys.

Speaker 3 (29:33):
Yeah, and when what is it? He says something to
them and they all point guns at him.

Speaker 1 (29:38):
Yeah, that he signed him up for like the some
some like Montgomery Ward Cat. I remember exactly which one it.

Speaker 3 (29:50):
Was, but I do remember like that was like a
thing in the eighties and nineties we did as kids,
as we would sign people we didn't like upper that.
Oh one CD am I for us, Penny, Oh, I
know who would.

Speaker 1 (30:04):
Really like this? You see, they.

Speaker 3 (30:08):
Would have the cars for selling. Oh, you could win
this car in the mall. Oh put like three people
who got all my nerves on it in the car.
I didn't even enter. Yeah he did. Okay, So then
we do the pac Man bit.

Speaker 1 (30:29):
We do that, but before that we have an even
dumber bit where he's staring out the train and the
train takes off, the train doesn't take off, the station,
the train station takes off, and there's a guy running
after the train station, and then there's the whole tree.
Which this is like a I don't understand this joke

(30:49):
at all. It's such a weird avant guard joke. And
they do this there. This one is a little bit
more artistic. They take some really artistic choice. They make
artistic choices in this film over any of the other films.
This is more of just a weird choice than an artistice.

Speaker 3 (31:10):
So the station is moving, trees are running away. Why
is this man chasing the tree? He's a tree hugger.
He runs and hugs of the tree.

Speaker 1 (31:23):
And the manager's like, huh yeah, moving along. I want
to schnauzer for my Wiener Schnitzel. Still learning German. Now
we go to the pac Man bit, which is just
like they're driving through a town and we go to
a map and the map turns into pac Man. Yep,
no reason, no reason whatsoever, nor do they need one.

Speaker 3 (31:45):
No man. So then we're at the government building.

Speaker 1 (31:49):
Yes, some welcoming ceremony, and.

Speaker 3 (31:52):
They announced that the Girl the Girls team is going
to come.

Speaker 1 (31:55):
Out German Women's Wrestling.

Speaker 3 (31:58):
Wrestling, Women's Wrestle, and they're going to come out and
put the awards on for the Keys to the City event.
And it comes out and it's of course a bunch
of men.

Speaker 1 (32:07):
And not only just men in drag like body, very
muscular men.

Speaker 3 (32:13):
It's like, I feel like that's fair, No wonder, you're
champions they're champions.

Speaker 1 (32:18):
We have a moment with this gag souvenir party trick
salesman and our British spy Cedric Blessed. Youals are spy.
He meets this guy and they're kind of like speaking
in code.

Speaker 3 (32:35):
He's with the trench coat.

Speaker 1 (32:36):
Yeah, he's got the trench coat and he's like gags, souvenirs,
novelty items. And then they start like talking about you know,
this basically the entire plot of the film. And they're
laying out all this exposition, but layered within this exposition,
somebody walks by and he's like, oh, sir, smell this

(32:59):
to cover up smell this flower shoots like ink on
his face and they do several like exploding cigarbe and
then you know, so this is all to just cover
up the exposition. Yeah, and they do it throughout the film,
and it's such a brilliant distraction to get out all

(33:20):
the exposition with just keeping us distracted. And they do.
The exposition is very clear. It's not trying to be
good writing. It's just like, here's the information that's happening.
Here's a dumb joke to keep you distracted. It's very clear.
So that you understand, we're gonna distruct you.

Speaker 3 (33:38):
But we're gonna do a bunch of dubash.

Speaker 1 (33:40):
Yeah, we need you to understand this, but we're going
to distract from this thing. And it's so brilliant. And
so as the souvenir guy gives all the information, would
you like to say the line as they leave.

Speaker 3 (33:55):
Excuse me, your job? Your funny dog pooh?

Speaker 1 (33:59):
What phony dog poop? So he's just holding regularly poop.
It's wonderful, it's good. And that was just such a
realization of me of like, oh my god, like they
took spoof to just another level, and they do it
throughout the film of just Gags to Hide.

Speaker 3 (34:22):
I already told you this, but I actually when he
said that and sat there holding dog shit, look at
this guy like, of course I thought this was fake
dog shit, like with everything you're doing. Of course, he
didn't drop it immediately. He just sat there processing that
he was holding dog shit. And I'm sitting here screaming

(34:42):
and Cass was just staring at the TV like okay,
and I had to pause it and I'm like, why
aren't you dying? This is your first time seeing it?
Oh no, he said, he had seen it before. But
then I ask him, I did that dickhead thing that
people do when it's like, oh, really, what's your favorite scene?

Speaker 1 (35:04):
I do my best? Like that was that was so
me in my teen years twenties, tell me about it
most of my thirties. I'm so trying not to be
that person anymore. I just want to be I don't
want to be like that. Nobody likes that, and I'm like, well,
you can't possibly like what I like because I'm unique.

Speaker 3 (35:24):
He said, well, it was like when he sings that
Elvis style song. I was like, oh, when he sings
that one Elvis style song. Okay, okay, I'm onto you, buddy.
You just tell you, just tell me things to please
me and get me to shut up.

Speaker 1 (35:41):
We all do that to you, Jenny.

Speaker 3 (35:44):
By the way, we did we just get those that
there are no good white basketball players.

Speaker 1 (35:48):
They did. That was the that was the code so
that they would know who the guy is. Do you
know any good white basketball players? There aren't any. Ah,
you're the right guy.

Speaker 3 (35:58):
Guy. Come on.

Speaker 1 (36:00):
So during this exchange, he tells him to meet him
at Earth, to go to this location to meet somebody,
and so our spy Cedric. He drives off and he
goes to meet this guy, and he goes to some
like junk yard. And as he gets to the junk yard,
one of those like Howard Johnson's.

Speaker 3 (36:25):
I don't know why it's so funny the way he
says where he's staying. No, Tilly's saying it, are you
staying at the Howard Johnson's. Yeah, I'm staying at the
Howard Johnson's unstaying.

Speaker 1 (36:35):
That's Howid Johnson's.

Speaker 3 (36:39):
So he then says, how does he know I was
saying at the Howard Johnson's. I'm like, I get it.
It is a very funny name of a hotel for
some reason, especially in an accent. Okay, go ahead.

Speaker 1 (36:56):
So as he's in the car in the junk yard,
one of those metal magnet things comes down and grabs
the car dumps him in a car crusher.

Speaker 3 (37:07):
That's a how Johnson's Johnson.

Speaker 1 (37:13):
So Cedric is crushed presumably to death in this car crusher.

Speaker 3 (37:21):
I have such a mental problem because this is not Howon's. Okay,
I cry.

Speaker 1 (37:35):
Now we cut to a fancy black and white ballroom,
dinner place restaurant, maybe yeah, perhaps yeah, and Nick Rivers
are Valkimer by the way, it's just Yeah. He shows
up and he's like, oh, I got a table for two.
He's meeting his manager there and he's in the guy
at the front. The host says required, but we were

(38:00):
we're happy to provide you with one. Yeah, that would
be very nice. So they take him off to the side,
presumably just to get him a jack and tie when
like this Nazi boss guy yeah comes with like a
guest of his, and this is another moment where they're

(38:21):
kind of giving us, uh, you know, some information that
we should know, some important information. But in the backgrounds
they're like measuring his in scenes, like fully doing the
whole tailoring. They're not just giving him. When he comes out,

(38:41):
he's like in a tuxedo like formal hair. So he
shows up at his table, there's a there's a little
note for him, and he starts reading the note and
his manager's like reading the voice over reading what the

(39:02):
note says, and then he pops in with the little
director's might speak her phone or whatever the megaphone. I'm
just not feeling well tonight.

Speaker 3 (39:14):
It's just like working.

Speaker 1 (39:15):
Sorry, get your.

Speaker 3 (39:20):
Rest, go get your rest. I'll see you tomorrow.

Speaker 1 (39:23):
Then, we cut to a woman.

Speaker 3 (39:26):
A cape woman of mystery, beautiful face.

Speaker 1 (39:33):
And she meets the novelty salesman, the gag shop guy,
and uh, she says something, who are you betting on
on the tennis match and women's tennis? I?

Speaker 3 (39:47):
Oh, it's roots against the heads are asexual. You know
they're not gonna win.

Speaker 1 (39:55):
You're not gonna win. So then all of a sudden
he's shot. She runs away, she's being chased, and she
doesn't know where to go. She ends up going into
the rest of our wrong.

Speaker 3 (40:06):
Yeah, but what does he brow? Oh, this letter has
to get to New York my Tuesday. So he's burning
the note and you looking as a publisher's clearing house.

Speaker 1 (40:14):
Yeah. And that's the problem with movies like this. They're
one hundred miles an hour jokes, jokes, joke, jokes on jokes.

Speaker 3 (40:22):
So I get to New York right away.

Speaker 1 (40:27):
All the jokes come at you. So it's like, by
the time you wrote a joke down, you're like, I
missed jokes. So she ends up in this restaurant and
Nick Rivers Val Kilmer. Should I just call him Nick
Rivers or Val Kilmer?

Speaker 3 (40:44):
I mean I call him, I call him Val Kilmer.

Speaker 1 (40:47):
So he sees her from across the room and he's like, oh, yeah,
I like that.

Speaker 3 (40:52):
And what I found was so funny is he has
ordered the ripple Blanc and he's like smelling it.

Speaker 1 (40:59):
They're gonna well, it's a bottle cap. They popped the
bottle cap.

Speaker 3 (41:04):
Cap okay, and then they pour it in his glass
and as he's getting up to go over to get her,
who's having trouble with the majer d guy. Yeah, birds
glass up, just cintegrates it. But when he comes back,
it's a fresh, new, clean table.

Speaker 1 (41:19):
That's true. I didn't even catch that part.

Speaker 3 (41:22):
Like, well he didn't fall for it, Just get another
glass over. The American has defeated us.

Speaker 1 (41:28):
Yeah, they guess we shun you up.

Speaker 3 (41:30):
So he goes over to act like, oh, she's with me,
she's with me. He's like, oh, if she's with you, yeah,
go ahead. I'm so sorry. I'm so sorry. So immediately
they hit the dance floor.

Speaker 1 (41:40):
Immediately, thank you so much, start to get to know
each other, and they're dancing is very elegant, you know,
and they know all the steps of this very elegant
ballroom dance. Yes, and then slowly but surely aggressively.

Speaker 3 (41:53):
It just gets more stupid.

Speaker 1 (41:57):
To the point, like the point where like they do
this little dance and she goes, he just pokes her cheeks.

Speaker 3 (42:03):
Go yep, I lost slapping armpits.

Speaker 1 (42:09):
I was like, this is great, but all played so straight.
While they're giving us, you know, while they're like connecting,
they're giving us this. We're bonding over America because she's like, oh,
you're from America. My uncle was one of the lucky

(42:30):
ones to get out to get He got out on
a hot air balloon during harder administration. Huh Naziason and Carter.
What there's a minimum thirty years difference in those things.

Speaker 3 (42:50):
Yes, And she's shipping all over America like telling you
how we don't actually like value our freedom. We don't
even get it, Like we're just ungrateful con spaces.

Speaker 1 (43:00):
Grateful because we don't understand it. Yeah.

Speaker 3 (43:04):
So then once they go and they sit down at
the table after the silly dance, this is one of
my favorite.

Speaker 1 (43:11):
Of course, he's like, oh, I I.

Speaker 3 (43:12):
Don't know any German. She goes, I German.

Speaker 1 (43:16):
He's trying to have ating over there.

Speaker 3 (43:19):
The little German guy gets a night.

Speaker 1 (43:22):
Hi, And so this is we they talk about Oh
she orders hogballs mm hmm, and she's like, oh, my
name's Hillary. He's like, oh, that's an unusual name.

Speaker 3 (43:40):
What it means she whose bosoms defy gravity. It's like,
I don't think that's what Hillary means.

Speaker 1 (43:46):
My name is Nick. What does that mean? Nothing? My
dad thought of it while he was shaving the dumbest joke,
and I left so hard. I was like, c doo man.
But that's what I love is the things that are
like so stupid that they are they borderline brilliant.

Speaker 3 (44:08):
And then they carry on talking and then she tells him, oh,
some things that you shouldn't share, and he's like like, what, well,
like when I blow my nose My father.

Speaker 1 (44:16):
Used to blow his nose with his fingers.

Speaker 3 (44:19):
Like, and then talks about like the is you know
when you blow your nose and you put the napkin
in your purse and then you reach into your purse
and then you get it on your hand, and it's
like he's like, yeah, yeah, you shouldn't tell that. You're right,
I find I agree with you.

Speaker 1 (44:35):
Now I agree. So then that the host comes out
and he starts talking to everybody. We're gonna bring up. Uh,
hopefully we can all convince this brilliant singer to come up.
And it's obviously the guest that the Nazis ye brought
with them because they asked if he could sing. He's
a famous singer in Germany. And Nick's like, oh here,

(45:00):
this was gonna happen, and it was going to happen,
but whatever, So he cuts off the German guy who's like,
I was gonnaume that.

Speaker 3 (45:11):
Praise was for me. Then he starts slowly rocking out,
and what I love is as he starts singing the song,
everybody's like he gives his music to the orchestra.

Speaker 7 (45:21):
Judy Fruity for those super wild rock and roll and
as it progresses, they all turn into animals.

Speaker 1 (45:31):
Animals like the bass player, he's got a stand up base.
He's just like laying down on his back like humping his.

Speaker 3 (45:39):
Basi rambo bandana on piano players.

Speaker 1 (45:45):
Trying to do the little Richard like foot on the piano.
But he's he's getting up there in age, so he's
just kind of has his leg up on the piano
and still playing. He's so like trying to give the performance, and.

Speaker 3 (45:58):
He's on everybody fucking tables running all over the place. Yeah,
but everybody's loving it.

Speaker 1 (46:05):
This is the first time you really see Val Kilmer
like crush whoa.

Speaker 3 (46:12):
I looked at Caspar and said, how many takes do
you think he did of this? How long did this take?
Climbing up on ship, jumping off of a piano and
dress shoes, shaking it up like he was.

Speaker 1 (46:24):
This was the first out of many very impressive things
that you're like, how like good job, like just fantastic,
Like I didn't know, like I love Val Kilbert I do.
There are so many things where I'm like, he's brilliant
in that, but this is just a different thing that
he didn't really do much.

Speaker 3 (46:44):
And he grabs the chandelier and just rides it, runs
his table. Surprise, surprise, so so so, so so so good.

Speaker 1 (46:57):
And so then he thinks he dances all the thing.
She ducks out right or she's not at.

Speaker 3 (47:03):
The table after he sat performing it, comes to the
table and she's gone, and we go back to her
hotel room.

Speaker 1 (47:08):
Yes, and almost immediately she screams and the door opens
and it's he didn't die.

Speaker 3 (47:20):
He's in the squished car with just his face coming
out of the center of and his feet.

Speaker 1 (47:26):
Just wobbling out and he just like collapses on.

Speaker 3 (47:33):
The ground washed the substance, like when she's the pile
of that's him, but a.

Speaker 1 (47:39):
Car crush a car, a metal crushed car. And she
like tries to help him, like give him water, but
she used she bunch with a funnel feeds him like
motor oil to the site.

Speaker 3 (47:54):
Thank you, thank you so much. And then I love that,
Like she says, okay, well, where where are the documents?
We need to go?

Speaker 1 (48:03):
There in the glove compartment, can you reach them? And
there he's like, I'll.

Speaker 3 (48:06):
Try wiper's grill. Okay, I'll try this hand And then
she's like, well try yes, puts her boobs on his
face on the ground, and the antenna comes up. Somebody
got a bony bony.

Speaker 1 (48:28):
That's what I wrote. Antenna shoots up like a boner dinner.

Speaker 3 (48:33):
Boobs go down and Tanna goes.

Speaker 1 (48:35):
It and speaking of large packages, Yes we go to
the ballet.

Speaker 3 (48:43):
Yes we go to the Swan Lake boner addiction.

Speaker 1 (48:47):
Addiction Did you guys catch the words? Was my diction? Clear?

Speaker 6 (48:59):
Uh?

Speaker 1 (48:59):
So there's a ballet and all of the men have
like bike seats in their pants.

Speaker 3 (49:07):
Yeah, and they just keep getting ridiculously larger as you
go down the line, and there are some girls that
are doing ballet, standing on them, doing poses off.

Speaker 1 (49:18):
Of them, running off of them. Yeah, it's so good flying.

Speaker 3 (49:25):
An elderly woman is sitting by Nick and she lets
him use her binoculars and he looks over and sees
and like a John Wilks style booth, Hillary with an
elder gentleman.

Speaker 1 (49:36):
Like a John Wilkes booth, if you will.

Speaker 3 (49:44):
Yeah, And then so the guy pulls a gun on her,
and so he's like, God, I gotta do something about this.

Speaker 1 (49:49):
Yes, and he runs.

Speaker 3 (49:52):
So he runs to save her. But when he gets
over there, he doesn't get an explanation for what's going on.
He's just mad at this guy for the gun. Then
like altercation happens when the guy goes over over the
balcony balcony and you hear him splat and she's get
out of here.

Speaker 1 (50:10):
Well, shouldn't we call the cops? That the cops, that's
why's the cops?

Speaker 3 (50:16):
Oh got someplaining, And he then like he thinks he's
like going to fix this. He's like, look, I'm a
guest of the government. I can't get out of here.
You got to go out this window and escape. They
can't do anything to me.

Speaker 1 (50:30):
They hide in a they go to the janitor's closet
to hide, and there's a janitor sitting there, so they yeah.
And then they go into the prop room and it's
filled with propellers. Oh so silly, you know what. I
I watched it several times and I didn't understand it

(50:50):
until I said they run into the prop room, and
my brain just went, oh, my god, asked me so
many times. I just got it when I said proper room. Oh,
he hit me.

Speaker 3 (51:04):
Yeah, that's exactly what that is.

Speaker 1 (51:07):
Stupid. So they go up to the window and it's
just it's miles down. Yeah, on the.

Speaker 3 (51:15):
Side, but it's like hamsters.

Speaker 1 (51:18):
Yeah, there's just these toy cars to give us perspective,
and hamsters are like, ew, you know it's cheaper to
film that way. Yeah, and then he gives this whole explanation.
I'm a guest of the state. They can't do anything
to me. They bust in. They're like, lock him up.

Speaker 3 (51:37):
So now he's he's in jail and he's marking on
the walls.

Speaker 1 (51:40):
He's got twenty marks on Oh god, how long has
he been there? Twenty days? Like what is this?

Speaker 3 (51:46):
So then his manager comes in and says, tried everything.

Speaker 1 (51:53):
Twenty minutes.

Speaker 3 (51:54):
He says, yeah, I've tried everything. I've called these people,
I called the government.

Speaker 1 (51:58):
I'm embassy constantly.

Speaker 3 (52:01):
I just can't get my wife to orgasm. Oh, well,
have you tried this? And he pulls up a big
giant dildo machine.

Speaker 1 (52:09):
And it's called the anal Intruder and Martin, his manager,
his name's Martin. He just started. He pulled it out.
He's like, oh, this detachment all sorts of okay, oh yeah.
And this is all during another bit of exposition where

(52:31):
Val Kilmer's character is like talking about oh I met
this girl and blah blah blah, and he's explaining all
this thing that he's just like.

Speaker 3 (52:37):
Who He's like, I'm not listening to you, dude. I
got this really cool machine.

Speaker 1 (52:43):
He just gave me an anal intruder.

Speaker 3 (52:46):
Yeah, but I love that. There's like quis an art
and like all kinds of appliances. He's in this jail
cell for twenty minutes and he's got all these appliances
and stuff he's talking in front of, like you have
like a fucking.

Speaker 1 (53:02):
Again. Those are just those are other moments where I'm like,
I didn't even notice that, And those are the things
that I said that I love, like the little chin
strap thing that are just like they're just there and
if you don't catch it.

Speaker 3 (53:16):
He's made himself a nice little home.

Speaker 1 (53:17):
In here in twenty minutes. Yeah, and then he's like,
every don't worry about it. Everything's gonna be fine. They
have to let you out for the performance. Don't worry
about it. Cut to a preacher's like walking him out
of his jail cell jail cell, speaking Latin but not really. Yeah,
he's going to ipso facto coita gainer ad nauseum. Yeah yeah,

(53:49):
and so they lead over, they lead him to this
electric chair where the preacher is put to death. Yeah. Yeah,
he's like, and then he said something about like, well,
my manager will get me. I'm out of here. Your
manager is dead.

Speaker 3 (54:06):
Before they were to his manager's dead, he's like, oh,
you're here for killing that many he's barely hanging on
at the hospital, ringering ring.

Speaker 1 (54:15):
No, this is before I have I have it down here,
I have the I have the beat. So they tell
him that his manager is going to get him out
and he's like, oh, your manager is dead. He electrocuted himself.

Speaker 3 (54:28):
He didn't understand it. Swiss the intruder, Yeah, he didn't
understand the bos.

Speaker 1 (54:37):
It took them two hours to get the smile.

Speaker 3 (54:39):
Once he died happy at least. So there have a
phone call from the guy from the hospital like, oh,
we're going to see is the man that you killed.
We have must put you to death if he dies.
So we're going to say, Okay.

Speaker 1 (55:01):
Jennie, Jenny, I have to I have to admit something.
What I was wrong. You were right. Phone call happens first.

Speaker 3 (55:09):
I know that, but I just let you do that.

Speaker 1 (55:11):
I did, but I also had to admit it. Oh okay,
I did say that I was wrong. We're growing accept it.
I had to accept, okay, what.

Speaker 3 (55:19):
I'm doing and learning because because they say, he says this,
I can't this can't happen. I need my manager. As
a result of them saying.

Speaker 1 (55:29):
This, you're right, I'm wrong.

Speaker 3 (55:32):
Look I don't have to be I don't need this
in my life. But they get the phone call from
the hospital and they say, okay, let me know if
his condition changes. He's dead.

Speaker 1 (55:42):
He's dead.

Speaker 3 (55:43):
So then he knows now you must be put to death.

Speaker 1 (55:47):
Yes, and he and this is we have a little
spit gag where he spits and then we see the
spit in a flowing across it which is much larger
than this, much larger than what he did. And then
when it hits the guy's face, it was much larger
than that last one and it just grew in the.

Speaker 3 (56:01):
Air snowball effect. So then then, because after the spit,
he gets beat up.

Speaker 8 (56:08):
And he says, nat, now Marx punch whip, whip, And
they're like, they give this whole thing about like he
never lets anyone pass out, and what does he do
immediately passes out?

Speaker 3 (56:21):
Yeah, and then he has a dream about I didn't
study for the test.

Speaker 1 (56:24):
Yeah, he's back in school and he misses. He's missing
his exam.

Speaker 3 (56:28):
Because we all have a fucking horrible dream. I hate
that dream. And every time I wake up from it,
I'm like, I don't have a call, I don't have
a degree.

Speaker 1 (56:36):
Oh wait a minute, I didn't go to college.

Speaker 3 (56:38):
I didn't go to college.

Speaker 1 (56:39):
I decided to waste my life.

Speaker 3 (56:41):
Oh, but there are so many times that I wake
up and I think, oh my gosh, I didn't get
a diploma, and it's like, yeah, you did, he graduated
high school. I don't know if I did. I don't
know if I had my Like, it really tricks me
for a minute, and I'm like, I don't know, I
don't know.

Speaker 1 (56:58):
But that's the problem is most people don't think you
graduated high school. After one conversation.

Speaker 3 (57:03):
My husband's peeing in the yard in front of me.

Speaker 1 (57:08):
Turn your camera around, like a shot of this.

Speaker 3 (57:16):
Gm Z. Okay. So but when he wakes up, he guess,
thank god, just my nazis I'm not in school.

Speaker 1 (57:33):
Then we go back to him in his cell and
I don't remember these vents being there. You've got like
five different vents all like lined up.

Speaker 3 (57:44):
On the and he's in the toilet.

Speaker 1 (57:47):
Yeah. So he goes in, comes out of the cabinet
a silly little like cartoon gag. Not there, and then
he ends up falling out of another vent into another cell,
which is a large science lab, still a cell, and

(58:09):
he meets doctor Paul Flemont. Mm hmm.

Speaker 3 (58:14):
It was the first time in my life I'm ashamed
of being a scientist. Oh you're a scientists, So what
are you in here?

Speaker 1 (58:20):
Forum to work on things? Because they have smart top.

Speaker 3 (58:26):
Yeah, and so he's building like a weapon for them.

Speaker 1 (58:30):
Yeah. And then I couldn't really think of anything during
this scene because there they have a.

Speaker 3 (58:36):
Booby texic calendar.

Speaker 1 (58:37):
Yeah, this is I'm sorry that I have to pause this.

Speaker 3 (58:42):
Look at this date.

Speaker 1 (58:44):
Look at I can't look at that date. There are
boobies there.

Speaker 3 (58:47):
There's boobies. You're drawing a circle and there's two better
circles up top. Yes, so he so, of course.

Speaker 6 (58:58):
The machine.

Speaker 1 (59:00):
He explains that this is a mine that will attach itself.
It'll it's magnetic and it will travel it through the
water to go to a submarine, a submarine that's like
miles away. It'll catch it and go right back.

Speaker 3 (59:16):
And I was like, what is this fund.

Speaker 1 (59:20):
A submarine crashes through the walls.

Speaker 3 (59:24):
The guy opens up the top of us everywhere. So
then they get caught.

Speaker 1 (59:33):
And so then we cut to one of the Nazi
generals or whatever, and he's like, the government wishes to
avoid international incident. He has to be allowed to perform,
but sir, he's being executed this very minute. Oh oh.
We see him at the yeah, in front of the
firing squad, and they just keep doing these soldier moves

(59:55):
before they fire.

Speaker 3 (59:56):
Yeah, but there's a podium with a phone on it
and there's a little old lady with a walker, I'm
Telly ring ring.

Speaker 1 (01:00:03):
And they just do another move like okay.

Speaker 3 (01:00:07):
Okay, let me check this one more time. So then
we cut to the concert and this makeup is insane.

Speaker 1 (01:00:14):
Everything about this is insane.

Speaker 3 (01:00:16):
It's wild, this wild moment. Signs they say nik in
e E K.

Speaker 1 (01:00:27):
And the song that he sings is called how sue
Can You Get? Oh suet, that's all I remember.

Speaker 3 (01:00:37):
It's basically about fuck me or I'll kill myself.

Speaker 1 (01:00:41):
And then then they go to the songs. Well, that's
the next song, so he does how Silly can You Get?
And then he sings a song spend the Night with Me,
and that's the.

Speaker 3 (01:00:52):
I'll kill myself Yeah, and he brings a teenage girl
on stage. She's like thirteen, fourteen years old, and he's
singing to her about spending the night with him, and
she's dying. She's like having a complete mail down. All
the women are dying and having all of them. Yeah,
she passes out. He pushes her away or whatever, and

(01:01:14):
then he just starts going.

Speaker 1 (01:01:16):
From one side.

Speaker 3 (01:01:18):
Yeah myself, no, maybe I'll stick my head in this oven.
Maybe I'll go lay on some train trash fuck me.
Or I'll kill.

Speaker 1 (01:01:28):
Myself, or I'll kill myself. And the song ends in
his guitar, which he threw up at the end of
How Silly Can You Get? He threw it up and
it like floats, and so at the end of this one,
the guitar comes back down and he looks up and
it's Hillary. He just grabs the guitar and brings him up,
and the Nazis are like hey, and they start running

(01:01:50):
after him. Yeah, and so they run away and they
go outside and they're like and Hillary's panics. She's like,
the bikes, they're gonna follow us. And so what is
he do with the bikes?

Speaker 3 (01:02:01):
Those horses He.

Speaker 1 (01:02:02):
Shoes a book way like horses like horse or the
bikes just run like roll away.

Speaker 3 (01:02:12):
So I do also love that there's a carrier pigeon
with full gear on full gear, the little helicopter goggles, the.

Speaker 1 (01:02:23):
I love that full I love that.

Speaker 3 (01:02:26):
Okay, So then we go to the park at.

Speaker 1 (01:02:28):
Night, the park at night, and all.

Speaker 3 (01:02:30):
I rode a Swiss bookstore.

Speaker 1 (01:02:35):
Yeah, so they're they're this is the pigeon statue. Right,
that's what we're talking about.

Speaker 3 (01:02:41):
No, right, right now, this is the park and night
they go. First they go into the bookstore.

Speaker 1 (01:02:46):
I thought I have that right next to you. I
have righte that right after.

Speaker 3 (01:02:50):
Okay, because I think they go outside and that's where
they are because it says there's a bookstore around here
with a member of the resil. Oh yeah, yea, yeah, no, no,
talk about the bookstore.

Speaker 1 (01:03:01):
They talk about they he kind of she gives him
this like explanation, this whole long father who disappeared. They're
going to be going to this bookstore because the.

Speaker 3 (01:03:12):
Leader of one of the people of the resistance is
at this bookstore.

Speaker 1 (01:03:15):
Yeah. So they're hiding in the park and they see
Nazis coming up, so they kiss.

Speaker 3 (01:03:20):
So they're, you know, that teaching a course on Black
History month. Picture of her kidnap father.

Speaker 1 (01:03:30):
In the back room she does in the back room
or the background. While they're discussing all this stuff, there's
a giant pigeon statue and three men fly down as
if they were birds, land on the pigeon statue and
start peeing off of the.

Speaker 3 (01:03:53):
I mean, pigeons have been doing it for decades.

Speaker 1 (01:03:55):
Decades it's our turn. It's our turned. And so they
decide finally to leave, and as they leave, the pigeon
statue shit shit, of course it does.

Speaker 3 (01:04:09):
She shows him a picture of her dad and he's like, hey,
I just met that guy, you know. But so the
scientists that he ruined his project. That was her dad.

Speaker 1 (01:04:21):
That was her dad. And now we are off to
this Swedish bookstore. And they had to say Swedish just
to justify what they're about to do. Yeah, this goes
into some weird David Lynchian territory, yes, thank god, very
artistic and just odd choices all over. They enter the

(01:04:47):
bookstore and it takes a while for you to notice
what they're doing. They come in and you see Peter Cushing.
He's got a magnifying glass reading a book and his
eye is huge in this magnifying glass, takes it away,
his eyes still, and then you slowly realize as they

(01:05:10):
start talking, wait a minute, this is all reversed footage. Yeah,
and so they go through this whole scene where he's
helping him put books away as he's explaining things in reverse.
It's very distracting. I couldn't even though the information that
was given because it's so like what is going on,
Like he's throwing books into and then he's.

Speaker 3 (01:05:33):
Popping his collar into his mouth.

Speaker 1 (01:05:37):
Yeah, it's all backwards, like very well done. This is
one of those things we're like, man, that was very
well choreographed, like having to do all of those things
and make it look.

Speaker 3 (01:05:50):
As good as incredibly hard, incredibly.

Speaker 1 (01:05:53):
Hard, and as incredibly hard as this scene and some
of the others are, it's not even close to the
hardest scene they filmed. And we will discuss that later.

Speaker 3 (01:06:02):
Yes, yes, yes, I love that scene and we will
discuss it. Yeah. So now he's lets them know like, oh,
you can't leave until tomorrow. So there's a loft up there.
You can stay up there.

Speaker 1 (01:06:14):
So they go up to the loft, they fly up
a fire pull a fireman pull.

Speaker 3 (01:06:24):
Like reverse style. So then they're up there and she
tells a story about Nigel, who is this guy she
dated and they handled on an island together. Oh but first,
oh verse I can't not.

Speaker 1 (01:06:37):
You don't want to forget this bit where she's.

Speaker 3 (01:06:39):
Reading her naughty book about pre ejaculation to.

Speaker 1 (01:06:41):
Him where it's like off in the distance and it's like,
don't feel bad. It happens to a lot of men.
We can always try again in a couple hours. Then
it's like slowly panning away. And then it gets to
them and she's reading a book. Can you believe they
print this filth? So sad?

Speaker 3 (01:07:00):
She tells him about our boyfriend and I yes, they
were on the island together. They do like a weird
sex scene where they had like twenty body parts.

Speaker 1 (01:07:07):
Twenty body parts, feet like so many feet, just like
tangling up.

Speaker 3 (01:07:13):
So one day he just disappeared. She thought he must
have drowned, I.

Speaker 1 (01:07:17):
Know, which is a weird, like for us to just say,
you know, the part where she's in a shipwreck and
had a boyfriend and they had sex a lot that scene.
Everyone else is gonna be like, what are you talking?
What One day he went fishing and it was the
last I ever saw of him.

Speaker 3 (01:07:34):
Yeah, And she's like, I'm sorry, Like, you know, very
few people can relate to this. Yeah, well I can
because when I was six, I went shopping in a
department and.

Speaker 1 (01:07:44):
I got in the city, in.

Speaker 3 (01:07:46):
The city, and I.

Speaker 1 (01:07:49):
Never said the calm was down.

Speaker 3 (01:07:51):
They couldn't they couldn't announce that. People fed me soup.

Speaker 1 (01:07:57):
The cosmetic department fed me.

Speaker 3 (01:07:58):
Soup, and I never saw her.

Speaker 1 (01:08:00):
I saw my mama again. And then one day I
overheard that they needed a jingle for their radio stage
for the radio, so I wrote the song, wrote this song.
It goes something like this.

Speaker 3 (01:08:12):
Many just plays an Elvia song, but with weird.

Speaker 1 (01:08:15):
With weird lyrics, and the only the only line I
even remember is shop at macy and love me to
the shop at tonight.

Speaker 3 (01:08:26):
She can't even take it though. She got so horny
that she sold them and they crushed his guitar between
the Yeah, I looked away fireplace, Yes, and gets a
call back later. Maybe you're rolled by the fireplace.

Speaker 1 (01:08:40):
But I looked down. Were there two fireplaces?

Speaker 3 (01:08:43):
I only saw the one?

Speaker 1 (01:08:44):
Okay, then I'll believe you, because the second time I
watched it was taking notes. I looked back and I went, wait, wait,
did I just say two fireplaces?

Speaker 3 (01:08:51):
It was dressed differently. Okay, they rolled and I don't know,
Maybe it's time passing, Maybe it's just goofy. I don't know.

Speaker 1 (01:08:57):
Yeah, I got confused because I look down to like
write a note, and then I looked up and I
was like, didn't they already do that? Yeah?

Speaker 3 (01:09:05):
Everything the setting changed.

Speaker 1 (01:09:09):
Then we cut in on a singing pony.

Speaker 3 (01:09:12):
Yeah, and the horse coughs he caught a cold the
other day. And he's just a little horse. He's just
a little.

Speaker 1 (01:09:23):
But the horse is singing. I don't want to like
over like the horses like.

Speaker 3 (01:09:31):
Yeah.

Speaker 1 (01:09:33):
Hey, they were hiding being brought to this potato farm
that the Swedish bookstore guy told him to go to.
And they knock on the door and they say, is
this the potato farm? And he says, yes, I'm alberta potato.

Speaker 3 (01:09:51):
It's so dump but I just like it. So they
want to see Nigel, knowing nobody can see Nigel.

Speaker 1 (01:09:59):
Yeah. They enter and there immediately guns are pulled on them.
One of the guys has a full cannon. Another guy
has like a ladle okay, and the man in charge
is Nigel Big reveal. And he's in the same exact
back from the flashback, just a little loinclaw and a

(01:10:20):
necklace and his like poofy, curly blonde wig.

Speaker 3 (01:10:24):
So what does Hillary do? She hasn't seen him it
so long, she needs to measure him.

Speaker 1 (01:10:28):
She she runs up, hugs him and is like impressed
by his large biceps. Whoa check this out, and then
we cut to Val Kilmer, who's very jealous. We go
back to him, she's nowhere to be seen, and he
starts doing like, hopefully we are welcoming you properly, we're
not trying to scare you away, and all of a sudden,

(01:10:49):
up she pops up from down and is holding it
and did you catch the.

Speaker 3 (01:10:53):
Side ten and a half ten.

Speaker 1 (01:10:57):
And a half schlongdoodle?

Speaker 3 (01:10:59):
Oh? Sorry about it. She's a size queen.

Speaker 1 (01:11:04):
She's a size queen. And also, like, is he aroused
in this moment? Because he doesn't seem aroused? So is
that flaccid? Flaccid? Yikes?

Speaker 3 (01:11:15):
I think that girl, you don't have the depth.

Speaker 1 (01:11:18):
No, girl, that's that's.

Speaker 3 (01:11:21):
A hospital visit. So then they introduce everybody in the
gang and it's all stupid nad.

Speaker 1 (01:11:28):
Guard croissant, deja vu? Have we not met before? Cargo,
chocolate Moose. Hey, guess who chocolate Moose is.

Speaker 3 (01:11:37):
The guy who eats his cigar?

Speaker 1 (01:11:39):
Yeah, the only black guy.

Speaker 3 (01:11:41):
Come on, guys, yeah, thanks great, great, thanks guys, Like,
why are you just eating your cigar?

Speaker 1 (01:11:50):
Because that's the tough guy thing.

Speaker 3 (01:11:53):
I don't even care.

Speaker 1 (01:11:55):
And then we uh, this is the moment when they
say the movie. It sounds like some bad movie, and
then they look He's like.

Speaker 9 (01:12:03):
You know, well, I'm not the first guy that this
has happened to this girl in this Whole German and
she was stuck on a ship on a desert island
with her boyfriend who got saved Maracree, and she didn't
see him for many years, and now they're reconnecting on
this day when we're under the super top secret mission.

Speaker 3 (01:12:24):
It sounds like a bad movie.

Speaker 1 (01:12:30):
Look into Cami, yeah, And we cut to Chocolate Moose
prepping his machine gun like an old timey civil civil war, right, yeah,
a little horn with black powder.

Speaker 3 (01:12:45):
Then the one guy talks out maturity.

Speaker 1 (01:12:48):
Yes, because he has to, like, it's gotta be a
hard thing to deal with when a woman is going
through those and you have feelings, but we have to
be mature about it. And he kneez is it's not.
He's like, oh what is this? Can I drink this?
And Chocolate MOUs is like, yeah, go ahead, and he
drinks and he's like, oh god, what is that gasoline?

(01:13:12):
My god?

Speaker 3 (01:13:13):
This weird guy eating cigars and drinking gasoline. So Nigel explained,
explains Hilary that he tried to get the boat to
come back and pick her up himself, but it just
didn't work out.

Speaker 1 (01:13:24):
All right, girl, they he's just saying, because they were
foreign they were foreigners, and they didn't understand English, and
the ways that they took advantage in him, he can't describe. Oh, Nigel,
it must have been awful.

Speaker 3 (01:13:38):
She's hunger. But while he's thinking of them, he's like.

Speaker 1 (01:13:41):
Oh, they took advantagement that night, they did things.

Speaker 3 (01:13:46):
We learn more about how freaky deaky this guy is.

Speaker 1 (01:13:52):
And then suddenly Latrine, a man busts through a door,
all beaten up, bloody, and his name is Latrie.

Speaker 3 (01:14:02):
We must put a stop to these abtin in football games.

Speaker 1 (01:14:06):
And suddenly they're attacked. There's gunfire, and so everybody's like
breaking their guns through the windows and firing out of it.
Deja vu cannot break the class.

Speaker 3 (01:14:17):
It brings about Kilmer's playing tic tac toe with his
but you know what he won, He won.

Speaker 1 (01:14:25):
But also like he started and he was circles and
that you start with exit, start with circles. So I
had a lot of questions. Yeah, yeah, I get that
it works in the context of the joke, but you
just I.

Speaker 3 (01:14:39):
Got problems here. I know you're technically playing both character,
but ex goes first. Okay, so now they they so
they kill a bunch of the Germans.

Speaker 1 (01:14:49):
Well, so they bust in this this would they bust
in and it's just chaos. Everyone is like fighting, punching
and chocolate. Mouz grabs his machine gun and just sprays
the whole area and only sermons nice shot.

Speaker 3 (01:15:05):
Nice shooting was amazing. Yeah, So they come to the
conclusion that Nick is the only one who knows inside
of the prison.

Speaker 1 (01:15:12):
So, yes, they have a group meeting at a pizza
joint and there's a Hitler clock in the corner.

Speaker 3 (01:15:20):
Yeah, it's indispensable.

Speaker 1 (01:15:22):
He's indispensable. How do you say indispensable? Indispensable That's what
I's yes, And so he's like like, you have to
come with us. You're the only one that knows the prison.
He's like, sorry, I've done my time, then your price.

Speaker 3 (01:15:41):
No did she And this is where that she's stretching
across the room.

Speaker 1 (01:15:46):
He like starts going away and Hillary's like, no, you
have to stay. Look, it's not my fault. I have
all these feelings. And again we're going on this long
like journey with them giving us this feelings shot, and
she's trying to convince him. But while she's trying to
convince him, in the background.

Speaker 3 (01:16:05):
The dead pigeon that sleeps on the.

Speaker 1 (01:16:09):
No. In the background, before that even happens, there is
the string the stringy pop. Yeah, it's just this long.
While she's explaining this, everyone in the background is trying
to eat pizza and they cannot break the pizza off
of the main pizza. It's just a string cheese. There's
so much stringy cheese everywhere. And that that part made

(01:16:30):
me giggle so much, like a stupid idiot.

Speaker 3 (01:16:34):
I know, I don't know why that the cheesiness trying
to cheesy dialogues.

Speaker 1 (01:16:39):
Yeah, and then before the pigeon who busts in the
doors the train bloody and bruised again as the pigeons,
he puts the pigeon down all bloody and bruises. Oh yeah,
or the train keeps getting hit it. Oh my god,

(01:17:01):
that me. And then Nigel's like.

Speaker 3 (01:17:03):
That that's his table, Oh my gosh.

Speaker 1 (01:17:07):
And then these young.

Speaker 3 (01:17:08):
How do we know you're who used to Well, these.

Speaker 1 (01:17:10):
Young girls come up before he says that, and they
were like, hey, you're you're Nick Rivers and he's like, no, not,
that's on me. You're mistaking me. I meld tour mae. Yeah,
that was close. And that's when we know your not
mel torm.

Speaker 3 (01:17:27):
How do we know your niece?

Speaker 1 (01:17:28):
How do we know?

Speaker 3 (01:17:30):
He's like, I know how to fucking prove this? Could
mel Torme do this? Coin in the juke box, picks
the song and just crushes the rugs song?

Speaker 1 (01:17:42):
Yeah, straighten up the rug or something like that. The
rug party breaks out. Yeah, guys are.

Speaker 3 (01:17:49):
Trying from everywhere everywhere.

Speaker 1 (01:17:52):
Another great, really impressive dance scene.

Speaker 3 (01:17:55):
Yes, yes, he's doing flips off of rugs off the wall.

Speaker 1 (01:18:00):
Yeah, there's these guys all twirling women over their head.
But they're just like, body's so stupid.

Speaker 3 (01:18:10):
It's like if you when I was a kid and
we used to do homie, don't play that with socks
with stuff and the end up the sock and hit
each other. That's what these women look like. This gets
lung around rag literal rag dolls.

Speaker 1 (01:18:23):
And so after this we cut to an airplane and
our resistance is jumping out of the airplane.

Speaker 3 (01:18:30):
Yeah, and now they're hanging from parachutes and this is
where the fireplace gets a call back yes, because she's like,
I'm in love scene.

Speaker 1 (01:18:39):
It's so ridiculous. It's so hard for me to focus
during this scene because they're having this really heartfelt scene
and they're both in separate parachutes and they're getting so
close in a way, and I'm like, the logistics of
this are driving me up a wall. I can't do.

Speaker 3 (01:18:56):
That's the part that really bothers me about this fail.

Speaker 1 (01:19:00):
They're gonna get tangled up at each other and they're
just gonna plu but they're playing get hurt, but they're
playing every moment that she like turns away and he
comes up and grabs her, turns her around.

Speaker 3 (01:19:12):
Yeah, so good, And then you see that the fireplaces floating.
The romantic moment.

Speaker 1 (01:19:20):
Cut to them looking out at the prison binoculars. They
see cows in the distance, and then the cows, so
you have that typical you know, binocular view in the camera,
and the cows start hopping over the camp, and so

(01:19:42):
they cut to Nigel, who like starts revealing the plan.

Speaker 3 (01:19:45):
Go ahead, Yeah, he's gonna dress up as a cow.

Speaker 1 (01:19:50):
But this is where they discuss the plan and they
go here, this is where we are here shots and
we're going to travel up this way. And then he
puts down a little toy cow and he's like, and
they're going to bring it this way. And then all
of a sudden we see that in the dirt they
have a full model scale of the prison.

Speaker 3 (01:20:08):
Yes, with all the attachments. Here a little baby.

Speaker 1 (01:20:12):
Cow train going by.

Speaker 3 (01:20:15):
It's like you just brought your whole placet.

Speaker 1 (01:20:19):
Okay, electric train model goes through.

Speaker 3 (01:20:23):
So they're going to get in, turn off the electricity
so that the electric fence isn't massing, isn't going to come.

Speaker 1 (01:20:29):
They basically reveal that they're to scale the wall.

Speaker 3 (01:20:34):
It gets in and goes and gets the dad. Then
they all come out and they have a getaway car
and they get in the cart and they got.

Speaker 1 (01:20:40):
So how they shut down and how they infiltrate their
way in. They reveal Nigel is going to dress off
like a cow, and there was going to be two
people in this little cow out.

Speaker 3 (01:20:51):
One in the front, one in the back.

Speaker 1 (01:20:52):
Yeah, and Nigel for some reason changes the plan. He
was going to be in the front and he decides
I want to. I want to And he's like, but
but you said you want and he's like, no, but
you listened to me. Yeah, I make the call here
and he says, fine, you'll be an asshole.

Speaker 3 (01:21:10):
I like, it's hard to say what's the most ridiculous thing,
but this is Nigel's most ridiculous thing.

Speaker 1 (01:21:17):
This is up there on the most ridiculous things in
the film. So they come in as this like masked
cow and they pop through and they and all of
a sudden, we cut you a real cow.

Speaker 3 (01:21:27):
A real cow. Were in the boots.

Speaker 1 (01:21:29):
Who's wearing boots rain boots and like painted circles, like
they painted this whole cow white and then painted perfect
circles all over this poor cow. And they're sneaking around
and I love how much they just use this cow.
And they're like okay, and now we're turn the cow
around and push her this way. And then he gets.

Speaker 3 (01:21:51):
Out, oh yeah. So then where they're getting over and
they can see where they're supposed to go. Okay, this
is I can see we're gonna go over here. Then
a little baby cow comes over and starts second on
the nipple of it. But somehow penis is in the nipple.

Speaker 1 (01:22:09):
Somehow, Like why did you stick your wiener? Why did
you do that why would that because now I just
wrote his dog isn't the cow's titty question?

Speaker 3 (01:22:21):
And then he says, okay, let's go, and he goes,
why are we in such a bloody heart?

Speaker 1 (01:22:24):
Just I just wanted to want to take a rest.

Speaker 3 (01:22:26):
Let's show for a minute.

Speaker 1 (01:22:28):
That's what I do when I'm like in those moments
when a cow has your dick in its mouth, it's
like you just need a moment canceled.

Speaker 3 (01:22:38):
Oh my god.

Speaker 1 (01:22:42):
Anyways, they sneak it, so yeah, I cut the power.
Then we cut to Chocolate Moose, Nick climb the tower,
Dejah Boo's accident.

Speaker 3 (01:22:54):
I'm smoking too, by the way, Oh yes, okay, we're
gonna get this through.

Speaker 1 (01:23:01):
See there are too many moments that you're just gonna
skip through. So they go to throw up the the
grappling hook, it falls, and then he throws it again
accidentally deja vu turns into a grappling hook, and so
they climb up him and he's.

Speaker 3 (01:23:17):
Like, this is like he is not the biggest guy,
but he's holding the Way of Chocolate Luz and then
use him out and not only didn't give a shit
about him carrying the Way of Chocolate Luz, the other
guy starts.

Speaker 1 (01:23:30):
Going up to Both of them are running climbing on
him to get over. So Chocolate Moose gets up there
and he punches a guard. The guard flies off, the tower.

Speaker 3 (01:23:42):
Breaks like pottery. He's like a ceramic bass.

Speaker 1 (01:23:47):
Ceramic. Yeah. Then they have like this weird pro wrestling
bit with they fight.

Speaker 3 (01:23:52):
A guard and something that happened here that is so
little that this made me laugh so hard is when
Nick or Valve crawling and he runs into a pair
of boots and his boots he's like, oh no, and
he looks up it it's just a pair of boots.

Speaker 1 (01:24:10):
So deja vu and Chocolate Moose put on the Nazi
uniforms and they bring val Kilmer in with the guns
and they're like goose stepping in. Their shoes are flying off, and.

Speaker 3 (01:24:25):
Then we we see is it Chocolate Moose and somebody
are attacked. But then like attack team wrestling.

Speaker 1 (01:24:35):
Yeah, that's that's how they get their their uniforms.

Speaker 3 (01:24:42):
Yeah. Yeah, so the the the worst. So we find
out Nigel's the trader.

Speaker 1 (01:24:51):
Yes, he sticks his gun in the guys. I can't.
I could never understand what this guy's name was.

Speaker 3 (01:24:56):
It never never neither so he's the gun. Is it
croissant and it's not Croissant's not croissant, So he's not
the gun to the guy. And it's like, oh, this
is why he wanted to be the ass. Yeah, he's
the trader and he wants to hold a gun. She's
like okay. Then a bull sees them going back over
to destroy the plan, and the bull just comes and

(01:25:18):
fucks up Ah and tell us a tiny person. He's
not very big. He's a skinny guy.

Speaker 1 (01:25:31):
But it turns out, okay, a little bit of a
power bottom.

Speaker 3 (01:25:39):
What I love is j said he got sucked and
fucked by cows.

Speaker 1 (01:25:45):
The man had a good day. You can't fault him
for that.

Speaker 3 (01:25:49):
Yeah, so I love it. Then when Nick finally gets
to her dad another day, I would have confeted with
my tunnels and he looks in the tunnel, this is
one mile to New Jersey.

Speaker 1 (01:25:58):
Yeah, it's just it's is full on like underpass tunnel,
two lane. So in Germany. We're in Germany and he's
a mile away from Jersey.

Speaker 3 (01:26:14):
Class one more day. But then we go back to
Hillary and she's a coat of birds.

Speaker 1 (01:26:19):
Yeah, she issue or something, and he goes shoo and
a pigeon comes out, throws the coat down. There's like
six pigeons in there.

Speaker 3 (01:26:30):
And he's like, I suppose I could have rescued you
from the island. And he's walking up. He's been fucked
by a ball. It's like, you have internal bleeding.

Speaker 1 (01:26:43):
You need to you are not gonna be okay, buddy.

Speaker 3 (01:26:47):
And I love the gun that he takes against a
tree and he removes the gun, tree falls down.

Speaker 1 (01:26:53):
Everything Like, nothing that we say makes any sense anyone.
It makes me Sensor was saying makes sense to us
because we saw it with our own eyeballs. And then
they're running away. I don't even know all I wrote, Yeah,
all I wrote was pinto explosion. Yes.

Speaker 3 (01:27:13):
So then the Nazi guys are driving and this is
what was so funny about this scene. So my husband
is like silent for most of this movie. And then
when this Nazi jeep runs under the pent and there's
an explosion, he goes, you know, pentos people are really
afraid of that happening back then because a lot of
pentos were exploding. That was like a pop culture thing
that was going on.

Speaker 1 (01:27:35):
And then he turns back and it's just very taking
it in, like it's Ama Lee.

Speaker 3 (01:27:41):
We got to get the doctor to the plane. So
they tell him, oh, but make sure you're there.

Speaker 1 (01:27:47):
Latrine did somebody else? Latrine again, who comes in all
bloody and bruise like he just was again. And the
Doctor's like, I'm not going anywhere without my daughter. So
he's the one that brings the information about the.

Speaker 3 (01:28:00):
Yeah, yeah, so get him to the plane. All right.
I recommend you get there at least forty five minutes
before take.

Speaker 1 (01:28:06):
Off, okay, especially this time of year. And I love that.

Speaker 3 (01:28:12):
Somebody says, Gumman's make great cause because the car still
drives away after I had an explosion. So then whenever
they're saying bye the two men, that one of the
guys kisses Bell Kilmore.

Speaker 1 (01:28:26):
Yeah, just like.

Speaker 3 (01:28:29):
This was what happened the whole time.

Speaker 1 (01:28:30):
And now all of a sudden, all of a sudden,
we're just kissing each other.

Speaker 3 (01:28:34):
We just kiss each other.

Speaker 1 (01:28:34):
So Bell Kilmer gets on a bike, takes off and
he like winks at the camera and it does like
jumps five buses. Wow, catches up to it. There this
moment when he catches up to the to the car
or the truck. I love it so much because like
before he makes the jump, you know, you're like on

(01:28:55):
the motorcycle and jump onto the car. He gets up
and he gets on the bike and then he has
to do a little surf move just so good. He's
like it can go.

Speaker 3 (01:29:06):
Yeah.

Speaker 1 (01:29:11):
It sounds like a weird like character like exploration. It's
just like my character would do those.

Speaker 3 (01:29:18):
This is just what he would do.

Speaker 10 (01:29:19):
What you would this moment and man like, he would
take it in. He would ride the way man. So
he climbs on the truck all like Indiana Jones. They're
having like a squabble. They're fighting back and.

Speaker 3 (01:29:33):
Forth, and then it just shows the radio stations just
getting changed.

Speaker 1 (01:29:36):
For the radio stime. I like this song. No this
fucking So we grab each other as they are crossing
a bridge, so.

Speaker 3 (01:29:45):
They fall up the bridge together. And this is my
favorite scene.

Speaker 1 (01:29:50):
God my glass. We'll talk about it. But this entire
scene has to be an on set speculation, odd set speculation.
I don't really even know what to say about an
onset speculation. But this scene was a murder, and I

(01:30:11):
don't think anyone believed in the scene while they were
shooting it because it had to have been torture.

Speaker 3 (01:30:17):
It had to have been.

Speaker 1 (01:30:18):
It's the scene is Old West barroom brawl under underwater,
and it.

Speaker 3 (01:30:28):
Is obviously filed in like some kind of tank.

Speaker 1 (01:30:32):
It's magnificent.

Speaker 3 (01:30:33):
It's so beautiful.

Speaker 1 (01:30:34):
It's my favorite Joah dropping, like, oh my god, the
feat that you're doing that everyone is acting like.

Speaker 3 (01:30:43):
Finding out the left hand and then punches with the right.

Speaker 1 (01:30:47):
Yeah, and everybody is like so in character.

Speaker 3 (01:30:51):
Yes, playing cards the hell it's a full Old West scene.

Speaker 1 (01:30:57):
It's so underwater. Uh, everyone was miserable. Nobody had a
good time during this.

Speaker 3 (01:31:03):
Yeah, it's like the worst day in history of them
on any set when anyone asks any of these actors,
what's the worst thing that's happened on set?

Speaker 1 (01:31:11):
This?

Speaker 3 (01:31:13):
But it is so worth it. I just saw you
one accept then.

Speaker 1 (01:31:17):
I can't imagine being on set going like this is
worth it now, Like I don't think any of them
thought that what they were doing was worth it.

Speaker 3 (01:31:25):
No, Because I had to film underwater one time for
Shark to post versus Wlwolf. Yeah, where I'm underwater and
they want me to open my eyes and fight struggle
with the monster and then I go to the camera
with my eyes all I and go I get dragged.

Speaker 1 (01:31:39):
Back yeah, did that make the cut a little?

Speaker 3 (01:31:42):
A little of it did a little, Okay, Yeah. There
were a couple of things where when they kept taking
the under and I would swim, the camera guy like
went and was filming from the back and you could
just see I was wearing a thong and swimming and
he was like, well, this is cable, we can't use
any of that. I'm like, you guys need to figure
out what you need to do before I have to
hold my breath underwater and act underwater, Like can we

(01:32:05):
figure this out?

Speaker 1 (01:32:07):
And that's just one of those things when when you're
on set where just like everybody's so hyper focused on
what they need and their own comfort. Really yeah, it's
like this is what I need and you're like, well,
that's not what I need.

Speaker 3 (01:32:21):
I don't need that.

Speaker 1 (01:32:22):
I want to give you everything that you want.

Speaker 3 (01:32:24):
I need to breathe, Like, I really.

Speaker 1 (01:32:26):
Want to give you everything I really need.

Speaker 3 (01:32:28):
I need this to be over very soon.

Speaker 1 (01:32:30):
And so that's like, especially this second time watching it.
The first time, I was just really in awe of
how well it was done and how believable it was,
Like it felt straight up like an Old West scene.
That's a great.

Speaker 3 (01:32:50):
Shot that's a great shreck underwater by the monster, So
that one, and it was on the back of the DVD. Ah,
the press was me getting dragged like that. But yeah,
but it's very hard and it sucks and it's uncomfortable.

Speaker 1 (01:33:06):
That being said, I won't see this is the funniest scene.
But it is one of the most impressive. Like, holy hell,
that is amazing, and.

Speaker 3 (01:33:18):
Even down to the when he defeats him, he puts
the white hat on.

Speaker 1 (01:33:23):
And then he like steps out of the saloon doors
like just struts out.

Speaker 3 (01:33:27):
You're like, how how are you doing anything? Yeah, Like
it's insane, it's so insane.

Speaker 1 (01:33:34):
Very impressive filmmaking, despite knowing that everyone was miserable that day.

Speaker 3 (01:33:39):
Yeah, yeah, it's just it's hard. It's hard to even
talk about it and give it the justice it deserves.

Speaker 1 (01:33:48):
Right, it's so good, like they're legit, like throwing each other,
tables flipped. And then you've got the little bar lady.
You've got the little I don't know if she's a
prostitute and bar prostitute and she's like saloon wench, Yeah,
I love you or whatever you bye underwaters.

Speaker 3 (01:34:10):
By everything's perfect, everything's perfect. So then we go back
and we see Hillary with wind swept hair like it's like.

Speaker 1 (01:34:22):
Because she's riding, oh almost knocked my whole background. I
mean wall, that's a wooden wall, wooden wall. Yeah.

Speaker 3 (01:34:30):
She sees Nick and her tits start glowing like eight.

Speaker 1 (01:34:34):
I don't understand why her booby's glow like that. But
one of the things that one of the things that
I love is he pops out of the water and
he's you know, just full pops out, just drenched. She
sees him and goes and then it cuts back to
him waste up completely dry, hair dry is no longer

(01:34:57):
what he's just like. It's like, yeah, that's when, because
it's like, wait, just.

Speaker 3 (01:35:06):
Got out powerful, he's so hot.

Speaker 1 (01:35:12):
Not only that, but his hair almost seemed feather at
the feather. Yes, that moment, it was just.

Speaker 3 (01:35:18):
Just tried like this, this.

Speaker 1 (01:35:20):
Is just how I am. So they make it to
the plane that they're like, we have to leave. I'm
not going anywhere with that by dad.

Speaker 3 (01:35:29):
Art and then they see him coming in the distance.
They hear the motorcycle.

Speaker 1 (01:35:33):
Yes, glorious, and this whole scene I didn't really understand.
I can't go with you, but this is weird.

Speaker 3 (01:35:43):
Why she wants to go to America, and then he's
talking about it's like he's talking about Reagan, a president,
an actor president. Oh, I'm doing the pen thing, but
I'm the one talking. Sorry, g.

Speaker 1 (01:35:57):
He's got making noise.

Speaker 3 (01:35:59):
Yeah, but I love it because that's another part where
cast goes Reagan. Remember he was the actual president, that's
what they're talking about. I'm like, okay, I remember that,
but now she wants to go to America. And then
historical context they Yeah, they have the weirdest French kiss
I have ever seen. They startn't kissing and this and
their tongues are like smashing out the sides and I

(01:36:23):
love it. She hugs stage and says, I'll always remember.

Speaker 1 (01:36:29):
So she goes down the line and hugs it. Chocolate
Mouse says something, Oh, and this is the guy's name.
I can't remember.

Speaker 3 (01:36:35):
It's like a Wizard of Oz. Yeah, and then as
the Scarecrows standing there.

Speaker 1 (01:36:41):
And I'll miss you most of all Scarecrow.

Speaker 3 (01:36:44):
Crow, who we haven't seen at all this.

Speaker 1 (01:36:46):
Whole time, and they fly off into then.

Speaker 3 (01:36:53):
Eye end of credits, and then at the very end
of the end of credits, he pops up with beautiful
makeup on and three backup singers and sings spend the
night with me things, staring straight into the camera.

Speaker 1 (01:37:08):
My god. See, I had to watch this on Pluto TV.
It was the only place I could or anything like that.
So I watched them and they do that automatic like
moving to the next thing, and it was like, I
can't watch I can't watch the credits. I normally watch
all the credits. I didn't watch the credits because it
moved so quick.

Speaker 3 (01:37:26):
Yeah, and I know you normally watch the credits, And
I said, Jeremy's gonna love this.

Speaker 1 (01:37:31):
Oh man, I need to go watch it, like the.

Speaker 3 (01:37:34):
Most makeup ever. Yeah, staring straight into the camera, singing,
spend the night with me, and it's and as soon
as it goes off from that, it like announces that
the oh this was shot in England, And I'm like,
we already know.

Speaker 1 (01:37:46):
That, we're we're aware.

Speaker 3 (01:37:51):
We could, we would know that, and that definitely will
bring us.

Speaker 1 (01:37:55):
To the moment You've been.

Speaker 2 (01:38:01):
Your movie.

Speaker 1 (01:38:08):
I struggled with this because as much as I want
to give it to the team of Jim Abrams and
the Zucker Brothers, being a lead in a film.

Speaker 3 (01:38:18):
Like this, you can't beat Boo.

Speaker 1 (01:38:21):
And crushing it as hard as every aspect, every aspect,
And we just talked about that underwater sequence.

Speaker 3 (01:38:31):
Yeah, I wouldn't have had a movie without him.

Speaker 1 (01:38:35):
Just phenomenal. He showed up, He did everything to show
that he was a star, that he was a movie star.
And I mean he might not have, like I mentioned
in his that documentary, he didn't really want to do this,
but he showed up and showed why he is. Yeah,

(01:38:57):
And honestly, I wish that he did more. I wish
that we had better films with him. There are so
many performances of his where I was like, holy hell.

Speaker 3 (01:39:06):
Yeah, he's so incredible good, like I love him And Tombstone, He's.

Speaker 1 (01:39:13):
That's one of the greatest performances I've ever seen that
life ever all.

Speaker 3 (01:39:19):
That Yeah, like it just like for me, it just
set such a high bar for anybody who performed after that.

Speaker 1 (01:39:28):
Anyway, it was just it was.

Speaker 3 (01:39:30):
So much he brought to that. He's incredible.

Speaker 1 (01:39:33):
I mean, like, I am obsessed with Willow. I love Willow.
Adventure films from the eighties are just the best. And
his mad Martigan in that film is just like he's
so charming, just so good.

Speaker 3 (01:39:45):
He's so good, he's so so FU your movie MVP
as well.

Speaker 1 (01:39:49):
Yes, okay, I just want to because I just.

Speaker 3 (01:39:53):
And I don't do you know, did he do any
of the actual singing? Because I know he is an
actual and.

Speaker 1 (01:40:00):
Saying what I read I heard that he didn't wasn't
a singer, but because of the role, he committed and
was like, I will sing, I will learn it.

Speaker 3 (01:40:10):
So he's singing, he's dancing, sing he's crushing, he's nailing.

Speaker 1 (01:40:17):
The everything they threw at him, nailed it, nailed, nailed it.

Speaker 3 (01:40:22):
He's he makes the whole film. Like, I don't think
they would have what they have if he weren't the lead.

Speaker 1 (01:40:28):
No, because, like I said, this is not the easy
job to think people might think to pull off a spoof.

Speaker 3 (01:40:36):
No, he's brilliant.

Speaker 1 (01:40:38):
Why they get quality dramatic actors to do these things?

Speaker 3 (01:40:45):
Episode down?

Speaker 11 (01:40:45):
Here we go, remake, reboots, reimagine, remaster, sequel or prequel
or didn't they all.

Speaker 1 (01:40:59):
Read I'm gonna let you take this since I just
walked all over you in the last one.

Speaker 3 (01:41:06):
No, there, but we agree last month. Now for me,
there's no remaking.

Speaker 1 (01:41:10):
This okay with who? Okay, well, okay, continue.

Speaker 3 (01:41:15):
Yeah, oh you have someone in mind?

Speaker 1 (01:41:18):
Continue?

Speaker 3 (01:41:19):
Okay. For me, there's no remaking this without someone like that.
I think that he was so perfect. I don't think
that's happening. It's I don't think it needs a remaster.
I think it's absolutely perfect. I don't think it needs anything.
If I were going to do one, maybe a reboot

(01:41:39):
and do another, like an updated version with like today's
political climate.

Speaker 1 (01:41:46):
What political climate? Okay, so we're actually on the same page.
I thought this was a hard choice, but I put
it in the reboot category. I want to several films.
I want to kind of explore what this character could

(01:42:07):
be the only person that I could kind of think
of who could as some Butler. Yeah, but that's in
my notes right here. Really awesome Butler. Yeah. I think
that if we could conu if you could bring him

(01:42:28):
down this road. However, you know, spoofs do kind of
take people's career over, so it's hard to convince people
to go into that, to commit to that territory. We'll
see rowleian Niessen does in the next five years.

Speaker 3 (01:42:46):
Yeah, because while I was watching it until Casper. If
they ever do the Val Kilmer biopic, Austin Butler will
be it.

Speaker 1 (01:42:54):
I mean I think that he he could pull this off.
And I would like to kind of just see Rivers
as a government or spy who goes from like incident.
And it doesn't even have to be eras you know.
It could be Vietnam, it could be the Gulf War,
it could be Nazi, it could be I don't really care.

(01:43:15):
You just PLoP that character into these different kind of
like a hot shot ish scenario. But with him as
that character, that's my only does it need it? Hell no,
that's just like you're putting the gun to my back
and saying like, okay, this is one. But again that

(01:43:39):
that also comes with the caveat of like understanding what
spoops are because and what they need to work correctly.
Again that the naked gun. This year, they understood it.

Speaker 3 (01:44:07):
Hello, welcome to our nostalgia of the week. This week
it's gonna be aging teen idol who really needs to
stop singing the songs of his youth, Charlie Grass.

Speaker 1 (01:44:16):
Hilr baby at all. Please call me here, Chuck. Now,
here's the deal, the beboty Bobby. I'm here for the nostalgia, right,
little girl, sneak out your house to nah, don't tell Daddy.

Speaker 4 (01:44:34):
You'll be glad he doesn't know. All right, now, you see,
I'm nostalgic for a time when people didn't really listen
to the lyrics, you know, they didn't search for meanings
and get all accusatory. You know, these days people just
want to cut you out, you know, pretend like you
didn't exist because you're saying songs like a little Baby

(01:44:56):
Baba got the high school dance, Little Baby Baba only in.

Speaker 1 (01:45:00):
Your pants, Little Baby Papa is Lee Golden Friends. I mean, oh,
they're just rhymes, you know, catch you little ditties. I
didn't do nothing. Okay, I'm not a bad guy. I
just I just sing song, just because I sang a
song that goes I'm.

Speaker 4 (01:45:16):
Gonna visit you in my basement of my house. You'd
better shut your mouth, be quiet as a mouse.

Speaker 1 (01:45:28):
Okay.

Speaker 4 (01:45:29):
I can see how that one sounds. And I promise
you it's not what you think. It's about a loving
a woman just so dang much that you you kidnap
her so you can be together forever.

Speaker 1 (01:45:42):
Okay. Actually, now that I'll say it out loud, I
can understand the online vitriol, the anger, the hatred. But
I'm just a guy who sing songs, right, It's not
my fault. My songs all popular, you know, songs that
I don't feed the homeless it makes them lazy. And
finally sixteen or my personal favorite Oriental Lady Boy, it's

(01:46:05):
not my fault. That's the public and that's what they
were clamoring for, the supplying demand of as such. It's
you know, nowadays people don't ask questions. They just judge you,
you know, for how you live your life and the
things you say and the people you hurt. That's not fair,
I say, that's my fair at all, you know. But
people are still getting me grief over my only song
to hit number one in the UK. I got a

(01:46:28):
little treat that'll do the trick. Get a bit of sugar,
butter won't make it sick. Come a little girl, won't
you taste my spotted dick? Little girls love They're dessert
in the UK. I'm not sure why people are mad
at that one. Anyways, I'm gonna keep on trucking, singing
my ditties to the titties of the world. Back to
you in the booth. That might be my favorite person ever.

Speaker 3 (01:47:06):
Oh good.

Speaker 1 (01:47:08):
Do you love that for me.

Speaker 3 (01:47:09):
I love that for you to find someone so special
to you.

Speaker 1 (01:47:13):
Yeah, I love that. I loved it.

Speaker 3 (01:47:15):
Okay, so let me just go ahead and do this.
I'm gonna do my zodiac speculation.

Speaker 6 (01:47:23):
Oh, zodiac speculations with Jenny.

Speaker 1 (01:47:34):
All right, a line your chakras? Girl, what do we got.

Speaker 3 (01:47:36):
So big time for me? Val slash Nick was giving
me libra vibes.

Speaker 1 (01:47:42):
Okay, he was a libra.

Speaker 3 (01:47:44):
He is beautiful. People really want to follow him, but
the only opinion that matters to him is the girl
who doesn't really like him as much like there are
girl's melting to talk to him, and she's like my ex,
my friend nichall yeah, leader, yeah yeah. And they get

(01:48:09):
totally into their person, they get hyper fixated on their person,
very but very like charismatic and magnetic. Okay, now her,
I think she's a virgo. Eh, sorry I said I
think she's a virgo. I think a lot of times

(01:48:29):
like I'm gonna tread light me because listen, not all
virgos are like this. Okay, But she's very judgmental and
always missing the point, and she's measuring her ex's body
in front of a guy who like actually cares about
who she is, this is a person, and didn't leave
her on a desert island.

Speaker 1 (01:48:50):
But what I love about this this whole section is like, Okay,
I'm going to talk crap about this thing, and I'm
gonna have to. Yeah, but I have friends also be
a this, so I'm not trying to.

Speaker 3 (01:49:02):
But I just know she's really beautiful and has great tits.
Like the Virgos are usually very beautiful. That's why they
get away with some of their bad behavior. Now, Nigel,
I think Nigel is a Taurus said obsessive, excessive, He's

(01:49:23):
all there. There are a lot of times really really skinny.

Speaker 1 (01:49:28):
Dude had muscles.

Speaker 3 (01:49:29):
Nigel was like skinny, he was very lean.

Speaker 1 (01:49:31):
Did you see someone like for someone like me? Dude
had muscles.

Speaker 3 (01:49:36):
He was like if you went to the gym like
he was skinny, he had he had little hips that got.

Speaker 1 (01:49:43):
It.

Speaker 3 (01:49:44):
No, I don't believe you. He's actually he's like, oh,
somebody drank all of my beer.

Speaker 1 (01:49:52):
Yeah that's what did it to me. I gained twenty
pounds since you saw me. Yeah.

Speaker 3 (01:49:58):
Yeah, so I think And also a lot of guys
who are towards they're out of sight, out of mind,
with whoever they're dating, and he's like, he got on
that boat and just fucked all the people on that
boat and left her out there on the island. And
then he shy, girl, hey girl.

Speaker 1 (01:50:13):
Remember me, he had like fifteen feet on us.

Speaker 3 (01:50:17):
Yeah, so.

Speaker 1 (01:50:20):
Fifteen was one an empty tea.

Speaker 3 (01:50:23):
And I think that guy who was smashed in the
car was a cancer crab.

Speaker 1 (01:50:31):
Stupid. I gotta put a.

Speaker 3 (01:50:36):
Gotta be dumb about it. Burgos, forgive me, I said
the crab thing. Okay, we got a top five coming in.

Speaker 1 (01:50:45):
We got a top five, and these are gonna be
your top five comedic set pieces to hide exposition dumps.

Speaker 3 (01:51:03):
Number five silly dance at the fancy party where Hillary
and Nick connect over America.

Speaker 1 (01:51:09):
That was such a silly dance, I will say. Number
four gag again novelty salesman setting up the entire plot.

Speaker 3 (01:51:19):
Do let's forget your funny dog poop, funny dog poop.
Number three guys peeing off a pigeon statue while Hillary
talks about her missing father.

Speaker 1 (01:51:29):
Yeah. Number two the anal intruder summing up Nick's relationship
with Hillary.

Speaker 3 (01:51:38):
And number one our winner is Cedric Cedric Cedric trap
in the squish car revealing a trader.

Speaker 1 (01:51:49):
Revealing that there was quite the quite the set piece,
Oh my god.

Speaker 3 (01:51:57):
The visual on that, Oh my god, just turn't.

Speaker 1 (01:52:03):
I mean the where where they put place that, uh,
the water to spray for the wiper. It was like
right in his eyeball. It was good.

Speaker 3 (01:52:18):
It was so damn good. It was so damn good.

Speaker 1 (01:52:22):
Well, that is a fun film. If you like spoofs.
That's a it's an overlooked one. Really.

Speaker 3 (01:52:28):
Yeah, it's so good. I just love it, and I
enjoyed watching it sober.

Speaker 1 (01:52:39):
I watched it sober once.

Speaker 3 (01:52:42):
Okay, good, great, Look I I always loved watching this
stone out more.

Speaker 1 (01:52:49):
But I'm an I'm a I'm a I'm an alcohol guy.
You know me. I don't smoke the reefer.

Speaker 3 (01:52:56):
Yeah, he don't smoke the reef.

Speaker 1 (01:52:58):
I used to. I would a high p a. Yeah.
Occasionally I do those little gummies. I don't want a
gummy gummy. Yeah, but I haven't done those in a while.
It helped my anxiety, because anxiety. I'm a mess girl.

Speaker 3 (01:53:13):
Yeah me too.

Speaker 1 (01:53:14):
That's friends.

Speaker 3 (01:53:20):
Okay, thank you so much.

Speaker 1 (01:53:23):
That was fun. Hi Jenny Wager, and I'm Jeremy Briggs.

Speaker 12 (01:53:29):
See you next time a b shag video, Wrenchell all rights.

Speaker 1 (01:54:29):
To s AS

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